We spoke to YouTube superstar and writer of books Grace Helbig after the publication of her second tongue-in-cheek guide, Grace & Style: The Art of Pretending You Have It. She gave us a glimpse at her writing process backstage at The Music Hall in Portsmouth, NH before a Writers on a New England Stage event. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Chris Bohjalian has written some thrilling novels tackling some tough subjects - Armenian genocide, the ethics of midwifery, and, most recently, sex trafficking - but he speaks about the process of writing with humor and aplomb. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Marianne Williamson has written six New York Times best sellers, including The Age Of Miracles and A Return To Love. Known in some circles as Hollywood's favorite self-help guru, we just had to find out what the process for a spiritual author entails. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Tom Perrotta is the author behind, among others, Little Children, The Abstinence Teacher, and The Leftovers, now a hit HBO drama which he co-writes. Recently, he provided the foreword to a new Penguin edition of The Scarlet Letter. We made a date with him and settled into a corner of Harvard Book Store to ask him about his writing process. #authors #books #writing Learn more about your ad choices. Visit podcastchoices.com/adchoices

Described as "David Lynch for teenagers," award-winning crime writer Megan Abbott. Her latest, The Fever, seemed to make every Best of 2014 list, from the Village Voice, to Amazon, to NPR. Her forthcoming novel, You Will Know Me, is out in July 2016. We spoke to Megan from Manhattan on a busy NYC New Year's Eve, 2015 #writing #authors #books Learn more about your ad choices. Visit podcastchoices.com/adchoices

Author, columnist and political satirist Christopher Buckley entertains and enlightens us as we talk about his writing process. #writing Learn more about your ad choices. Visit podcastchoices.com/adchoices

We caught up with the NYT-best selling "Summer Beach Read Queen" Nantucket writer Elin Hilderbrand. The workshop was recorded backstage at the Music Hall Loft in Portsmouth, NH, before the Writers in the Loft series, where she was signing books. #writing Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Scottish author, Alexander McCall Smith, lets us in on his writing process before an event recorded for radio in Portsmouth. The workshop was recorded backstage. #writing Learn more about your ad choices. Visit podcastchoices.com/adchoices

Virginia sits down with her idol, rocker and writer Patti Smith. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Author Stacy Schiff gives a 10-minute writer's workshop before an event recorded for radio in Portsmouth. The workshop was recorded backstage. #writing Learn more about your ad choices. Visit podcastchoices.com/adchoices

Author Salman Rushdie gives a 10-minute writer's workshop before an event recorded for radio in Portsmouth. The workshop was recorded backstage. #writing Learn more about your ad choices. Visit podcastchoices.com/adchoices

Featuring spirituals & anthems sung by Candace Johnson and the University Gospel Chorus. Concert also includes spontaneous improvisation based on audience input from the “idea box” provided at the start of show. Bring your favorite uplifting quote or share your own daily musing! Admission to all Noon Concerts is free. Registration is recommended at music.berkeley.edu/register.Safety The UC Berkeley Department of Music is committed to the health and safety of our students, staff, and patrons. Measures to protect concertgoers and musicians will be informed by state, local, and UC Berkeley Public Health policies and are subject to change. Social distancing, masks, and proof of COVID 19 vaccination may be required. UC Berkeley does not promise or guarantee that all patrons or employees on site are vaccinated. Unvaccinated individuals may be present as a result of exemptions, exceptions, fraudulent verification, or checker error. None of these precautions eliminate the risk of exposure to COVID-19. Registration is strongly encouraged for noon concerts at music.berkeley.edu/register.Accessibility If you require an accommodation for effective communication (ASL interpreting/CART captioning, alternative media formats, etc.) or information about campus mobility access features in order to fully participate in this event, please contact the Hertz Hall Manager at 510.642.4864 or hertzhallmgr@berkeley.edu. with as much advance notice as possible and at least 7-10 days in advance of the event. Facebook: @ucbmusicdept Instagram: @ucberkeleymusic  Twitter @ucbmusicdept Youtube: Berkeley Music YouTube channel

Karola Obermueller Composition Colloquium (Morrison 250) – Nov. 15time, timbre, and transformation  abstractMy creative research revolves around a collection of themes which I return to again and again in my composing. I will discuss these areas of inquiry, how they connect to each other, and in which ways they form / govern / appear in my compositions. short bioKarola Obermüller’s composing, described by the NYT as “hyperkinetic music”, is constantly in search of the unknown. Her unique voice began forming in collages of sound made with tape recorders and evolved later with composition degrees obtained in Nuremberg, Saarbrücken, and at the Mozarteum Salzburg. Her sense of rhythm and form was forever changed by studying Carnatic and Hindustani classical music in India. Since receiving a doctorate from Harvard, Obermüller taught composition and co-directed the composition area at the University of New Mexico before joining the Department of Music at UC San Diego in 2023. Her music can be heard on CD (WERGO, New Focus Recordings, Brilliant Classics) and at karolaobermueller.net.

Strum - Jesse MontgomerySymphony No. 2 - BeethovenSymphony No. 1 - BrahmsThomas Green, conductorNoam Elisha, conductor  Safety The UC Berkeley Department of Music is committed to the health and safety of our students, staff, and patrons. Measures to protect concertgoers and musicians will be informed by state, local, and UC Berkeley Public Health policies and are subject to change.Accessibility If you require an accommodation for effective communication (ASL interpreting/CART captioning, alternative media formats, etc.) or information about campus mobility access features in order to fully participate in this event, please contact the Hertz Hall Manager at 510-642-4864 or HertzHallMgr@berkeley.edu. with as much advance notice as possible and at least 7-10 days in advance of the event. Facebook: @ucbmusicdept Instagram: @ucberkeleymusic Twitter/X: @ucbmusicdept Youtube: Berkeley Music YouTube channel

SCOPE III is an experimental audio-visual concert featuring six new works by graduate composers at UC Berkeley. The concert will take place in the newly renovated Wu Performance Hall, which is located in Morrison Hall room 125 on the UC Berkeley campus. Works by: Andrew Blanton Alois Cerbu Nathan Corder Luke Dzwonczyk Kevin Lo Aine Nakamura Poster by Eda Er

Javanese Gamelan-New and Traditional: An afternoon of Javanese Gamelan featuring a variety of works for traditional gamelan instruments.Midiyanto, director

The Department of Music holds an annual concerto audition in the fall semester, open to current members of the UC Berkeley Symphony Orchestra and to music majors performing on non-orchestral instruments (i.e. piano, voice, instruments from other cultures). Free and open to the publicInformation for Applicants: The deadline to submit application forms is Wednesday, November 6, 4pm in the Music Department office, 104 Morrison Hall. The application form can be found here(PDF file). Copies of the form are also available in 104 Morrison Hall. The audition jury is made up of Music Department faculty and outside professionals. Winner/s will be chosen to perform their concerto with the symphony, usually by the end of the next calendar school year.General audition rules:Applicants performing on standard orchestral instruments must be current members of the UC Berkeley Symphony Orchestra. The auditions are also open to Music majors who perform on non-orchestral instruments including piano, voice, guitar, instruments from other cultures, etc. Applicants must currently be studying privately with department faculty. Concerti for single and multiple soloists, arias, concert songs, song cycles are all permitted. Repertoire must be suitable for the normal symphony orchestra, otherwise there is no restriction on style, length or period. The normal audition duration is 10-12 minutes at the jury panel’s discretion. Applicants are required to arrange for their own piano accompanist to play the orchestral reductions at the audition; the accompanist’s name must be included in the application. In cases of difficulty finding or affording an accompanist, the music department will provide one – this service includes ONE rehearsal the week of the audition and possible additional time for warm-up on the day of the audition. Applicants may present excerpts of their choice (which should be representative of the whole work), but must be prepared to play any part of the entire work if asked to do so by the panel. Memorization is preferred but not mandatory. Lengthy extended orchestral tuttis should be omitted during the audition. The jury panel reserves the right to choose several winners or none. Winner(s) must be prepared to attend all rehearsals and performances as arranged with the conductor. Safety The UC Berkeley Department of Music is committed to the health and safety of our students, staff, and patrons. Measures to protect concertgoers and musicians will be informed by state, local, and UC Berkeley Public Health policies and are subject to change.Accessibility If you require an accommodation for effective communication (ASL interpreting/CART captioning, alternative media formats, etc.) or information about campus mobility access features in order to fully participate in this event, please contact the Hertz Hall Manager at 510-642-4864 or HertzHallMgr@berkeley.edu. with as much advance notice as possible and at least 7-10 days in advance of the event. Facebook: @ucbmusicdept Instagram: @ucberkeleymusic  Twitter/X: @ucbmusicdept Youtube: Berkeley Music YouTube channel

Students of the Vocal Studies Program perform English Art Songs from the 19th and 20th centuries.Jeffrey Sykes, pianoNikolas Nackley, director Admission to all Noon Concerts is free. Registration is recommended at music.berkeley.edu/register.Safety The UC Berkeley Department of Music is committed to the health and safety of our students, staff, and patrons. Measures to protect concertgoers and musicians will be informed by state, local, and UC Berkeley Public Health policies and are subject to change. Social distancing, masks, and proof of COVID 19 vaccination may be required. UC Berkeley does not promise or guarantee that all patrons or employees on site are vaccinated. Unvaccinated individuals may be present as a result of exemptions, exceptions, fraudulent verification, or checker error. None of these precautions eliminate the risk of exposure to COVID-19. Registration is strongly encouraged for noon concerts at music.berkeley.edu/register.Accessibility If you require an accommodation for effective communication (ASL interpreting/CART captioning, alternative media formats, etc.) or information about campus mobility access features in order to fully participate in this event, please contact the Hertz Hall Manager at 510.642.4864 or hertzhallmgr@berkeley.edu. with as much advance notice as possible and at least 7-10 days in advance of the event. Facebook: @ucbmusicdept Instagram: @ucberkeleymusic  Twitter @ucbmusicdept Youtube: Berkeley Music YouTube channel

‘Un Matisse Qui Chante’: Image, Sound, and Story in The Umbrellas of CherbourgWalter Frisch (Columbia University)The year 2024 marks the sixtieth anniversary of the release of Les Parapluies de Cherbourg(The Umbrellas of Cherbourg, 1964), which has since become a beloved classic in France and around the world. Diverging in many respects from the aesthetics of the contemporary Nouvelle Vague, Umbrellaswas a bold experiment by writer-director Jacques Demy and composer Michel Legrand that also departed markedly from traditional film musicals. Umbrellaswas sung from beginning to end, without any spoken dialogue. The creators aimed for a “transposed realism” that also bore little resemblance to opera. Legrand’s score, composed in close collaboration with Demy, was recorded before any filming began. The painterly costumes and sets were also coordinated with the music and screenplay. Umbrellashas been recognized as reflecting important cultural, political, and social issues of the France of its day, including modernization and commodification in the decades after World War II, the pervasive impact of Algerian War of 1954–1962, and changing family values during an early wave of feminism in France. More recently, Umbrellashas been interpreted within the framework of queer cinema. This talk will explore the genesis and unique qualities of Umbrellas, as well as some of these important contexts.Note: Frisch recommends watching Les Parapluies de Cherbourgin advance, if possible. It is available with subtitles on several streaming platforms. A reception will follow.

dj sniff (Takuro Mizuta Lippit) Composition Colloquium (CNMAT) – Nov. 22Title of your talkParallel Traces - Records that stoped the war, trained the ear, and gave birth to turntablismshort abstractFor this occasion, I will talk about how my practice in turntablism and free improvisation led to the creation of my latest works that deal with historical narratives manifested through vinyl records and their playback devices. Namely, I will talk about Parallel Traces of the Jewel Voice (2022) and The Inverted Listening of Explosive Enemy Aircraft Sounds (2023) which both examine the critical roles that phonograph records played during WWⅡ Japan and its colonized territories, and Transformer (2023) - a sound installation that is constructed by reinterpreting stories about Grandmaster Flash’s early experiments with sound technology.short biodj sniff (Takuro Mizuta Lippit) is a musician and curator in the field of experimental electronic arts and improvised music. His work builds upon a distinct practice that combines DJing, instrument design, and free improvisation. Over the years, he has collaborated with artists such as: Evan Parker, Otomo Yoshihide, Tarek Atoui, Senyawa and many others. He holds a B.A. from Keio University Department of Aesthetics and Science of Arts, M.P.S. from NYU Interactive Telecommunications Program, and Ph.D. from De Montfort University Faculty of Computing, Engineering and Media. Alongside his artistic work, he has held positions at various institutions such as Artistic Director of STEIM – Studio for Electro-Instrumental Music Amsterdam (2007-2012), Visiting Assistant Professor at City University of Hong Kong School of Creative Media (2012-17), and Associate Professor at Kyoto Seika University (2020 - 2022). Currently based in Los Angeles, he is the Co-Director of Asian Meeting Festival (AMF) - an international music festival that brings together experimental musicians from Asia since 2005, instructor at Shared Campus Summer Schools led by Zurich University of the Arts, and a part-time lecturer at Kyoto Seika and Tokyo University of the Arts Graduate School of Global Arts.

Swingin’ the GospelAn evening of gospel featuring jazzy & contemporary renditions of spirituals, hymns, & moreCandace Johnson, director Safety The UC Berkeley Department of Music is committed to the health and safety of our students, staff, and patrons. Measures to protect concertgoers and musicians will be informed by state, local, and UC Berkeley Public Health policies and are subject to change. Social distancing, masks, and proof of COVID 19 vaccination may be required.Purchasing tickets in advance is highly recommended Social Media Facebook: @ucbmusicdept Instagram: @ucberkeleymusic Twitter: @ucbmusicdept Youtube: Berkeley Music channel Accessibility If you require an accommodation for effective communication (ASL interpreting/CART captioning, alternative media formats, etc.) or information about campus mobility access features in order to fully participate in this event, please contact the Hertz Hall Manager at 510.642.4864 or hertzhallmgr@berkeley.edu with as much advance notice as possible and at least 7-10 days in advance of the event. PERFORMANCES ARE SUBJECT TO CHANGE WITHOUT NOTICE

Javanese Gamelan-New and Traditional:An afternoon of Javanese Gamelan featuring a variety of works for traditional gamelan instruments.Midiyanto, director Admission to all Noon Concerts is free. Registration is recommended at music.berkeley.edu/register.Safety The UC Berkeley Department of Music is committed to the health and safety of our students, staff, and patrons. Measures to protect concertgoers and musicians will be informed by state, local, and UC Berkeley Public Health policies and are subject to change. Social distancing, masks, and proof of COVID 19 vaccination may be required. UC Berkeley does not promise or guarantee that all patrons or employees on site are vaccinated. Unvaccinated individuals may be present as a result of exemptions, exceptions, fraudulent verification, or checker error. None of these precautions eliminate the risk of exposure to COVID-19. Registration is strongly encouraged for noon concerts at music.berkeley.edu/register.Accessibility If you require an accommodation for effective communication (ASL interpreting/CART captioning, alternative media formats, etc.) or information about campus mobility access features in order to fully participate in this event, please contact the Hertz Hall Manager at 510.642.4864 or hertzhallmgr@berkeley.edu. with as much advance notice as possible and at least 7-10 days in advance of the event. Facebook: @ucbmusicdept Instagram: @ucberkeleymusic  Twitter @ucbmusicdept Youtube: Berkeley Music YouTube channel

Max Abner and Dahlia Nayar, Ph.D. candidates in performance studies, will present their in-progress dissertation research.Max Abner is a PhD candidate, musician, and curator who hails from Louisville, KY, has deep roots in Chicago, and is currently based in Oakland. Working from an anti-colonial settler positionality, he draws together discourses from sound studies, Indigenous studies, and critical theory to approach what he calls settler sound, a concept that accounts for the ways in which contested relations to colonized land play out in aural aesthetics. His dissertation attends to settler sound in the Bay Area experimental music/sound art scene. He has essays set for publication in Revealing Posthuman Encounters in Performance (Routledge) and Power in Listening: The Sound Out! Reader (NYU Press), his recorded curations can be heard on his music label Pontac Publications, and his live performance curations can be experienced at Beauty Supply Arts in Oakland. Dahlia Nayar’s project studies embodied manifestations of Quiet in multiple mediums of minoritarian performance. Her study curates a constellation of contemporary artists working in dance, theater, sound, and visual art with an attention to how Quiet emerges through bodies in relation to layered contexts and multiple subjectivities. She proposes that, as a minoritarian aesthetic, Quiet activates an ephemeral commons through resonance and attunement that allows expansive possibilities of relationality. Prior to her doctoral studies, Dahlia toured nationally and internationally as a choreographer, performer, and multimedia artist. She is a recipient of the Jacob Javits Fellowship, Massachusetts Cultural Council Fellowship in Choreography, and the National Dance Project Touring Award.

Pasolini, World Music, and the Demise of the Film ComposerWhile somewhat neglected in the English-language literature on film music, Pasolini’s daring use of pre-existing music in his early films—most notably Bach’s sacred music and Vivaldi—marked a watershed in the history of the subject. It also places him alongside such figures as Godard and Kubrick (among others) in an ideal pantheon of mavericks who broke away with the traditional division of labor that underpinned the creation of film soundtracks. Pasolini’s decision to hire Morricone for the music for The Hawks and the Sparrows(1966) could have signaled a change in direction. In fact, following that first collaboration, the relationship between Pasolini and Morricone soon turned into something of an embarrassment for the composer. By the early 1970s, Morricone’s role was to merely arrange already-existing repertoires “scavenged” on various recordings by the omnivorous and ever up-to-date poet/director. Pasolini’s gleeful embrace of reproduced music calls to mind André Malraux’s “museum without walls” and his celebration of the library as both a cabinet of curiosities and workshop. Focusing on Medea(1969) and the so-called “Trilogy of Life,” this talk examines Morricone’s work as mediated and indeed guided by Pasolini the consumer, curator and ultimately producer—for Arabian Nights(1974)—of recordings.Short BioGiorgio BiancorossoGiorgio Biancorosso’s work investigates the boundaries of music and sound in the theater, cinema and digital media. He is the author of Situated Listening: The Sound of Absorption in Classical Cinema(Oxford University Press, 2016) and Remixing Wong Kar Wai: Music, Bricolage, and the Aesthetics of Oblivion(Duke University Press, 2024). Biancorosso is the co-founder and editor of the journal SSS (Sound-Stage-Screen) and the co-editor of Scoring Italian Cinema: Patterns of Collaboration(Routledge, forthcoming).Biancorosso is Professor of Music and inaugural director of the Society of Fellows at The University of Hong Kong. He is currently 2024-25 Luce East Asia Fellow in Musicology at the National Humanities Center, N.C.

Matthew Sadowski, conductorSafety The UC Berkeley Department of Music is committed to the health and safety of our students, staff, and patrons. Measures to protect concertgoers and musicians will be informed by state, local, and UC Berkeley Public Health policies and are subject to change. Social distancing, masks, and proof of COVID 19 vaccination may be required. UC Berkeley does not promise or guarantee that all patrons or employees on site are vaccinated. Unvaccinated individuals may be present as a result of exemptions, exceptions, fraudulent verification, or checker error. None of these precautions eliminate the risk of exposure to COVID-19. Accessibility If you require an accommodation for effective communication (ASL interpreting/CART captioning, alternative media formats, etc.) or information about campus mobility access features in order to fully participate in this event, please contact the Hertz Hall Manager at 510.642.4864 or hertzhallmgr@berkeley.edu. with as much advance notice as possible and at least 7-10 days in advance of the event. Facebook: @ucbmusicdept Instagram: @ucberkeleymusic Twitter @ucbmusicdept Youtube: Berkeley Music YouTube channel

Saint Nicolas, BrittenChichester Psalms, BernsteinWei Cheng, conductorSafety The UC Berkeley Department of Music is committed to the health and safety of our students, staff, and patrons. Measures to protect concertgoers and musicians will be informed by state, local, and UC Berkeley Public Health policies and are subject to change. Social distancing, masks, and proof of COVID 19 vaccination may be required. UC Berkeley does not promise or guarantee that all patrons or employees on site are vaccinated. Unvaccinated individuals may be present as a result of exemptions, exceptions, fraudulent verification, or checker error. None of these precautions eliminate the risk of exposure to COVID-19. Accessibility If you require an accommodation for effective communication (ASL interpreting/CART captioning, alternative media formats, etc.) or information about campus mobility access features in order to fully participate in this event, please contact the Hertz Hall Manager at 510.642.4864 or hertzhallmgr@berkeley.edu. with as much advance notice as possible and at least 7-10 days in advance of the event. Facebook: @ucbmusicdept Instagram: @ucberkeleymusic  Twitter @ucbmusicdept Youtube: Berkeley Music YouTube channel

“In spite of cold weather”: music for winter17th- and 18th-century music for the winter season from England, France, and ItalyDavid H. Miller, directorSafety The UC Berkeley Department of Music is committed to the health and safety of our students, staff, and patrons. Measures to protect concertgoers and musicians will be informed by state, local, and UC Berkeley Public Health policies and are subject to change. Social distancing, masks, and proof of COVID 19 vaccination may be required.Purchasing tickets in advance is highly recommended Social Media Facebook: @ucbmusicdept Instagram: @ucberkeleymusic  Twitter: @ucbmusicdept Youtube: Berkeley Music channel Accessibility If you require an accommodation for effective communication (ASL interpreting/CART captioning, alternative media formats, etc.) or information about campus mobility access features in order to fully participate in this event, please contact the Hertz Hall Manager at 510.642.4864 or hertzhallmgr@berkeley.edu with as much advance notice as possible and at least 7-10 days in advance of the event. PERFORMANCES ARE SUBJECT TO CHANGE WITHOUT NOTICE

Piano students from the studio class, Music 168CS, perform a variety of solo works Admission to all Noon Concerts is free. Registration is recommended at music.berkeley.edu/register.Safety The UC Berkeley Department of Music is committed to the health and safety of our students, staff, and patrons. Measures to protect concertgoers and musicians will be informed by state, local, and UC Berkeley Public Health policies and are subject to change. Social distancing, masks, and proof of COVID 19 vaccination may be required. UC Berkeley does not promise or guarantee that all patrons or employees on site are vaccinated. Unvaccinated individuals may be present as a result of exemptions, exceptions, fraudulent verification, or checker error. None of these precautions eliminate the risk of exposure to COVID-19. Registration is strongly encouraged for noon concerts at music.berkeley.edu/register.Accessibility If you require an accommodation for effective communication (ASL interpreting/CART captioning, alternative media formats, etc.) or information about campus mobility access features in order to fully participate in this event, please contact the Hertz Hall Manager at 510.642.4864 or hertzhallmgr@berkeley.edu. with as much advance notice as possible and at least 7-10 days in advance of the event. Facebook: @ucbmusicdept Instagram: @ucberkeleymusic  Twitter @ucbmusicdept Youtube: Berkeley Music YouTube channel

Perú Negro, LopezDaphnis and Chloe No. 2, RavelMusic from Studio Ghibli, HisaishiDavid Milnes, conductor Join us for this end-of-year concert that includes a special performance of classics from the Studio Ghibli catalog. Featuring a full orchestra and visual accompaniment, this three-day event is a fan-favorite that is certain to sell out. Get your tickets early!Safety The UC Berkeley Department of Music is committed to the health and safety of our students, staff, and patrons. Measures to protect concertgoers and musicians will be informed by state, local, and UC Berkeley Public Health policies and are subject to change.Accessibility If you require an accommodation for effective communication (ASL interpreting/CART captioning, alternative media formats, etc.) or information about campus mobility access features in order to fully participate in this event, please contact the Hertz Hall Manager at 510-642-4864 or HertzHallMgr@berkeley.edu. with as much advance notice as possible and at least 7-10 days in advance of the event. Facebook: @ucbmusicdept Instagram: @ucberkeleymusic  Twitter/X: @ucbmusicdept Youtube: Berkeley Music YouTube channel

Perú Negro, LopezDaphnis and Chloe No. 2, RavelMusic from Studio Ghibli, HisaishiDavid Milnes, conductor Join us for this end-of-year concert that includes a special performance of classics from the Studio Ghibli catalog. Featuring a full orchestra and visual accompaniment, this three-day event is a fan-favorite that is certain to sell out. Get your tickets early!Safety The UC Berkeley Department of Music is committed to the health and safety of our students, staff, and patrons. Measures to protect concertgoers and musicians will be informed by state, local, and UC Berkeley Public Health policies and are subject to change.Accessibility If you require an accommodation for effective communication (ASL interpreting/CART captioning, alternative media formats, etc.) or information about campus mobility access features in order to fully participate in this event, please contact the Hertz Hall Manager at 510-642-4864 or HertzHallMgr@berkeley.edu. with as much advance notice as possible and at least 7-10 days in advance of the event. Facebook: @ucbmusicdept Instagram: @ucberkeleymusic  Twitter/X: @ucbmusicdept Youtube: Berkeley Music YouTube channel

Perú Negro, LopezDaphnis and Chloe No. 2, RavelMusic from Studio Ghibli, HisaishiDavid Milnes, conductor Join us for this end-of-year concert that includes a special performance of classics from the Studio Ghibli catalog. Featuring a full orchestra and visual accompaniment, this three-day event is a fan-favorite that is certain to sell out. Get your tickets early!Safety The UC Berkeley Department of Music is committed to the health and safety of our students, staff, and patrons. Measures to protect concertgoers and musicians will be informed by state, local, and UC Berkeley Public Health policies and are subject to change.Accessibility If you require an accommodation for effective communication (ASL interpreting/CART captioning, alternative media formats, etc.) or information about campus mobility access features in order to fully participate in this event, please contact the Hertz Hall Manager at 510-642-4864 or HertzHallMgr@berkeley.edu. with as much advance notice as possible and at least 7-10 days in advance of the event. Facebook: @ucbmusicdept Instagram: @ucberkeleymusic  Twitter/X: @ucbmusicdept Youtube: Berkeley Music YouTube channel

Cecily Nicholson is an Assistant Professor in the School of Creative Writing at University of British Columbia. Nicholson is the author of four poetry books, Triage, From the Poplars, Wayside Sang, and Harrowings, and past recipient of the Dorothy Livesay Poetry Prize (2015) and the Governor General’s Literary Award for poetry (2018). She is the first honouree of the Phyllis Webb Memorial Reading award from the Poetry in Canada Society (2023) and 2024/2025 Holloway Lecturer in Poetry and Poetics at UC Berkeley.Ana María Ochoa Gautier is Professor and Chair of the Department of Music, and faculty member at the Center for the Study of Ethnicity and Race at Columbia University. Her recent book, Aurality, Listening and Knowledge in Nineteenth-Century Colombia (Duke University Press, 2014) was awarded the Alan Merriam Prize by the Society for Ethnomusicology. She is also the author of Músicas locales en tiempos de globalización (Buenos Aires: Norma 2003) and Entre los Deseos y los Derechos: Un Ensayo Crítico sobre Políticas Culturales (Bogotá: Ministerio de cultura, 2003). She writes on music and cultural policy, forced silence and armed conflict, and genealogies of listening and sound in Latin America and the Caribbean. Her current projects explore the bioacoustics of life and death in colonial histories of the Americas. She has been a Distinguished Greenleaf Scholar in Residence at Tulane University (2016) and a Guggenheim Fellow (2007-2008). She has served on the advisory boards of the Society for Cultural Anthropology, the Démos project at the Cité de la Musique - Philharmonie de Paris, and the Smithsonian Center for Folklife and Cultural Heritage. She will be a visiting professor in UC Berkeley’s Department of Music in Spring 2025.Tom McEnaney is Associate Professor in the departments of Comparative Literature and Spanish & Portuguese, and the Director of the Berkeley Center for New Media. His research concerns the intersection of literature, sound technology, and politics. He is the author of many articles and the book Acoustic Properties: Radio, Narrative, and the New Neighborhood of the Americas. His new book, with Judith Peraino, will be out in August and is titled We’re Having Much More Fun: Punk Archives for the Present from CBGB to Gilman and Beyond. The 2024/25 series includes: Rizvana Bradley (Film & Media), Asma Kazmi (Art Practice/BCNM), Tehmina Khan (College Writing Program), Roshanak Kheshti (TDPS), SanSan Kwan (TDPS), Fae Myenne Ng (Ethnic Studies), Cecily Nicholson (English), Ana María Ochoa Gautier (Music), Andy Shanken (Architecture/Art History), and Stephanie Syjuco (Art Practice).

Gavin Steingo (Princeton University) Title and description TBA A reception will follow.

Jennifer Iverson (University of Chicago) Title and description TBA A reception will follow.

Pheaross Graham (Stanford) Title and description TBA A reception will follow.

Suzannah Clark (Harvard University) Title and description TBA A reception will follow.

The Currier Museum of Art 's latest exhibition features the work of Philadelphia-based potter Roberto Lugo. Lugo finds inspiration for his work in his upbringing and his cultural heritage. His new collection, Te traigo mi le lo lai -- I bring you my joy , will be on display at the Currier Museum through September. Lugo will also be in Manchester this summer for a residency with the museum, where he'll be teaching pottery classes. Below are some excerpts from Robert Lugo's conversation with NHPR's Rick Ganley. On Lugo’s inspiration: “ I've always found that it's important for me as a person to not forget where I'm from. I'm from Philadelphia in a really impoverished neighborhood, mostly made up of Black and Latinx people. And so I identify and associate that as a culture and as almost its own society. And so in the tradition that people have represented their cultures in pottery, I do that.” On his new exhibition, Te traigo mi le lo lai -- I bring you my joy : “ One of the reasons why I

For NHPR's series, The Show Goes On , we've been talking with artists across New Hampshire about what inspiration they've found and how they've been making it through the pandemic. Jim Tyrrell is a musician based here in New Hampshire. NHPR first reached out to him about a year ago to ask how he was doing when everything was first shutting down. Morning Edition host Rick Ganley checked in with him recently to find out what he's been up to since then.

All this week, NHPR is talking with artists about their work and how the past year has changed the way they create art. For the latest installment of “ The Show Goes On ," All Things Considered host Peter Biello explores the colorful streetscape of Nashua.

Many artists have had a difficult time during the pandemic, while they've also brought joy to other people who are struggling. For NHPR's series, The Show Goes On , we're talking with artists across New Hampshire about how they're making it through the pandemic. NHPR's Morning Edition host Rick Ganley spoke with Rhonda Besaw , a beadworker from Whitefield, about her work and what's she's learned this past year.

New Hampshire artists have suffered a lot during the pandemic, but they've also helped people get through these hard times. For NHPR's series, The Show Goes On , we're talking with artists across the state to hear what inspiration they've found throughout this year and what's kept them going.

A new documentary by Ken Burns and Lynn Novick is coming to PBS this month , and it's all about Ernest Hemingway. NHPR's Morning Edition host Rick Ganley sat down with both Burns and Novick to talk about the new film, their process and what makes a good documentary. [Editor's note: this is a transcript of one small part of the full interview.] Rick Ganley: But why Hemingway? Ken Burns: He's a hugely important writer and he's got a very complicated life, and we like to try to wrestled to the ground these complicated stories. And boy, this is about as wonderfully difficult as any project we've undertaken. Rick Ganley: What strikes me the most is how it goes way beyond that mythic Hemingway. This is the man's man writer image that kind of, you know, gets thrown around a lot. What surprised you most about him as you dug into the project? Lynn Novick: Kind of everything in a way, you know, in that we had some understanding of his work. We could give it like the Cliff's Notes version of his

With statues coming down around the country in the wake of the Black Lives Matter movement, NHPR’s Sean Hurley recently heard about one town in New Hampshire that is considering putting one up.

In a normal year, theaters around the state would be preparing for their summer seasons. With gatherings currently forbidden and uncertainty hanging over their heads, many are simply canceling the whole season. Others are postponing or, as NHPR’s Sean Hurley found out, discovering new ways to reach an audience. Sign up for NHPR's email newsletter for more coverage of coronavirus in N.H.

With bars, restaurants and venues closed down indefinitely, it's harder than ever to be a working musician. But that doesn't mean New Hampshire artists aren't performing. NHPR's Morning Edition Host Rick Ganley spoke with Campton musician Jim Tyrrell to ask what he's doing while he can't play on stage. You can watch Jim Tyrrell and other local New Hampshire musicians play live shows here . Jim Tyrrell: This is pretty unprecedented for me, certainly, and for a lot of people. You know, we're all just kind of adjusting on the fly, but that's true of any industry, I suppose. Rick Ganley: Yeah, you're part of a group of, I think, pretty tight musicians in central New Hampshire that play a lot of the same venues different nights of the week. What are you hearing from your friends and your fellow musicians? Jim Tyrrell: Oh, I think we're all -- it is a pretty tight community, as you mentioned, and we're all connected on social media. So we're very supportive of one another. And we're just

A recent documentary centers on Boston’s WBCN radio, a 40-plus year fixture on the New England airwaves. Rock radio is fading out in many cities around the country. Last month, WAAF, a rock radio station in Massachusetts, was sold and abruptly changed its format after 50 years. It’s been more than a decade since WBCN left the air. Both stations were widely heard in New Hampshire. We could focus on the demise, but Bill Lichtenstein, a filmmaker and one-time ‘Rock of Boston’ staffer, decided to tell the story of the beginning of WBCN. He started back in 1968, as a 14-year-old kid answering the station’s listener line. This transcript of Rick Ganley's conversation with Bill Lichtenstein has been lightly edited. Lichtenstein: People were told call with anything – questions, your roommate's having a bad acid trip, whatever, and we'll be happy to try to help you. And so I started answering the listener line. I was one of a number of young people that were recruited to do that. Ganley: And I

After winning the “Best Comedy” award at last year’s Melbourne Fringe Festival in Australia, New Hampshire native Gemma Soldati and comedy partner Amrita Dhaliwal are now taking their two-woman clown show, The Living Room , on the road. The show, which they describe as “a comedy about death, devised in grief,” will be touring major cities across the United States, Canada, and Australia.

We’ve been hearing a lot about Ukraine recently. From where it is on the map to its debunked involvement in the 2016 election. Even so, photographer Joseph Sywenkyj says we’ve heard very little about the people of Ukraine.

The holiday season is in full swing. And with December approaching, there's lots of ways to celebrate in the Granite State. NHPR's Morning Edition Host Rick Ganley sits down with NH Magazine's managing editor Erica Thoits at the beginning of every month to chat about upcoming events. Here's what's happening in December: Events mentioned here: Light Up Laconia , Dec. 1 Judy's Scary Little Christmas , Majestic Theatre in Manchester, Dec. 5-8 The Great American Trailer Park Christmas Musical , M&D at Eastern Slope Inn Playhouse, North Conway, Dec. 5-15 30th Annual Christmas in Strafford Craft Fair , Strafford, Dec. 7-8 The Christmas Revels , Lebanon Opera House, Lebanon, Dec. 21-23

Award-winning author Ann Patchett - herself a seasoned literary interviewer - joined All Things Considered & The Bookshelf host Peter Biello to discuss her latest novel, The Dutch House , writing, bookselling, and how much she hates the Amazon Echo. The interview was part of our occasional series, In the Spotlight, produced in partnership with Gibson's Bookstore and the Capitol Center for the Arts. This interview was taped live at the Capitol Center for the Arts on October 2, 2019. Listen to the full interview below.