The tailor’s art is all in the cut. Journeyman Tailor Mark Hutter threads the needle of historic fashion.

Punishments considered cruel and unusual by today’s standards were commonplace in the colonial period. Historian Martha McCartney describes practices intended to shame, horrify and appall.

The third president completed studies at William and Mary 250 years ago, and went on to create a college of his own. Professor Susan Kern describes what he learned and what he later built.

Code names, dead drops, invisible ink, and secret ciphers were all part of the American Revolution. Historian Taylor Stoermer introduces Benjamin Tallmadge, George Washington’s chief intelligence officer.

Bringing a touch of myth to traditional history makes for a stable mix in the American memory. Author Gil Klein explains.

Vermont Governor Peter Shumlin talks with us about the challenges of applying the founders’ vision to modern governance. Even after two centuries, the America they envisioned still matters.

The American Revolution came from an old British tradition. Hear how the English were in the habit of rebelling in “A Very British Revolution,” a tour at The Colonial Williamsburg Art Museums led by Emma Ross.

Gravesites tell the stories of the dead and the people who mourned them. Learn about cemetery archaeology and preservation with Jolene Smith and Joanna Green from the VA Department of Historic Resources.

Colonial Williamsburg rises to meet the future with a new mission as a Center for History and Citizenship. Foundation President Colin Campbell describes the shift.

Bruton Parish Church is as storied a building as any in Williamsburg, with a history of idealistic restorations and later revisions. Carl Lounsbury describes the evolution of this living church.

The milliner is mistress of a thousand tasks, making gowns and garments for ladies. Janea Whitacre describes the trade.

Colonial wives were confined by strict legal codes, but widows and spinsters enjoyed some unexpected freedoms. Author Karin Wulf talks about the outliers in her book, “Not All Wives.”

Get to know the Constitution: a document whose genius lies in its malleability. Historian and author Pauline Maier talks ratification.

Historic farming retains a connection to field and yield that modern farming does not. Farmer Ed Shultz describes the animals and methods he uses at Great Hopes Plantation.

Historic sites can speak volumes if you know what to listen for. Professor Jim Whittenburg on how to get the most out of site visits.

Colorado Governor John Hickenlooper says negative politics erodes citizens’ faith in government. Hear his views on the founders, participation, and local involvement.

Historical myths can be more appealing than the historic record. Author Mary Miley Theobald tells some of her favorites.

Master Silversmith George Cloyed explains that silver on the shelf is like money in the bank, and a silversmith’s records can reveal a town’s story.

A disgruntled pirate’s haunted history lingers in the town where his shipmates met the hangman. Carson Hudson and Willie Balderson team up for “Pirates Amongst Us.”

Political parties were new, the losers became Vice Presidents, and negative campaigning was finding its feet in the election of 1796. Professor Jack Lynch has the history.

Wool is spun into yarn before it hits the loom. Karen Clancy cards the fibers and feeds the spinning wheel.

The mystery of the Lost Colony was doomed to remain unsolved, until researchers got curious about patches on an old map. Dr. Jim Horn lays out the story in two parts.

In part two, hidden symbols and invisible ink point to a long-lost fort in North Carolina. Jim Horn concludes the tale of discoveries made and discoveries to come.

A rich, brandied fruitcake is the centerpiece of Twelfth Night celebrations. Barbara Scherer describes the dessert as it was meant to be.

Christmases during the Civil War were marked with equal parts of sadness and hope. “Uncivil Christmas,” a Williamsburg music program, captures the mood in songs of the period. Carson Hudson narrates this musical podcast.

The Governor’s Musick is Colonial Williamsburg’s resident 18th-century musical ensemble. Jane Hanson, Herb Watson, Jenny Edenborn and Wayne Moss perform.

The heart of Christmas remains unchanged, even as each generation lends new customs to the celebration. Historian Lou Powers talks Christmastide in three centuries.

Copperplate engraving is an exacting process that created precise images for an age before sharing pictures was simple. Journeyman engraver Lynn Zelesnikar tells us how it’s done.

This historic home embodies the story of Williamsburg’s rescue from decay by John D. Rockefeller and W.A.R. Goodwin. Cynthia Nothstine shares the story of the Rockefeller’s beloved country home.

Rare and unusual breeds of chickens make their homes throughout the Historic Area. From ornamental pets to supper-table staples, Manager of Rare Breeds Elaine Shirley takes care of them all.

A powerful agent of change during a time of the greatest repression, minister Gowan Pamphlet shared a message of hope and dignity. The first ordained slave preacher in America paved the way for the civil liberties and meaningful equality the future would bring. Hear his story.

The 2012 summer digging season yielded everything from human and animal burials to sawpits and fencelines. Staff Archaeologist Meredith Poole puts the clues into context.

Setting the table for a 200-year old dinner takes research and clever re-creation. Antique plates and platters bear historic foods in dining settings that reflect the season and the host. Curator Amanda Keller works with a team from the museums to lay out authentic feasts.

Books were treasure when each tome was made in 28 separate stages. Hear how the trade is preserved by Master Bookbinder Bruce Plumley.

George and Martha Washington answer audience-submitted questions about their marriage, their partnership, and the Revolution in this special Presidents Day podcast.

A 130-year span of keyboard instruments documents a revolution in colonists’ musical tastes. See the progression in “Changing Keys,” a new exhibit at the Museums of Colonial Williamsburg. Curator John Watson describes the outlay.

Film and television actress Erica Hubbard appears at Colonial Williamsburg in a live performance March 9 as part of Steadfast Spirits Weekend. Hear how she prepares to take on a period role, and the inspiration she finds in Lydia Broadnax’s story.

Colonial Williamsburg’s Architectural Research department authors “The Chesapeake House,” a book devoted to the study of the region’s architecture and influences. Architectural Historian Carl Lounsbury outlines the study.

Painters and Paintings of the Early American South is a new exhibit focusing on the interrelatedness of Southern artists and subjects. See it at the Art Museums of Colonial Williamsburg.

Williamsburg’s first school for African-American children is led by a tireless schoolmistress. Interpreter Antoinette Brennan tells the life story of Anne Wager, a woman to be remembered.

Patrick Henry would have the church provide social services that today we relegate to the state. Listen to his religious views presented in his Assessment Bill of 1784. Richard Schumann interprets.

For Thomas Jefferson, religion was a matter between a man and his god, with no interference in between. Listen to Bill Barker’s portrayal.

The Courthouse is a symbol of the presence of the law in the colonial community. Tom Hay tells this original building’s history.

What were the types and tones of interactions among European settlers, native peoples, and Africans in colonial Virginia? American Indian Initiative Manager Buck Woodard sets the scene.

George Washington copied out and adhered to 110 simple rules for polite society. What were they, and do they still apply today? Historian Cathy Hellier dissects the codes of 18th-century conduct.

London’s foundling children were orphans in the midst of a crowded city. The exhibit Threads of Feeling tells their stories, as well as those of their mothers.

Colonial Williamsburg Fifes and Drums introduces the instruments designed to be heard under cannon fire and over musket volleys. Learn the history of their distinctive sound with Amy Miller and members of the Senior Fife and Drum Corps.

Members of the Senior Corps of the Colonial Williamsburg Fifes and Drums play the tunes that directed a soldier through his day, from morning’s first light to the night’s last ale.

Evidence of blacksmiths and other tradespeople surfaces at James Fort. Archaeologist Dave Givens talks about seeing the fort populated with industry and trade.

The compromise between using authentic materials and following authentic practices requires finding a delicate balance. Cooper Jon Hallman describes the challenges of representing 18th-century trades as realistically as modern conditions allow.