business and finance

Focus, schmocus: Peter Aspden on distraction

As Margate’s Turner Contemporary gallery celebrates curiosity, the FT’s arts writer does his best to concentrate on the mind’s ability to wander  


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business and finance

A different league: Peter Aspden on our soccer psychosis

The praise lavished on football’s retiring greats has been wildly overblown, says the FT’s arts writer. Other cultural pursuits are far worthier of grown-ups’ attention  


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business and finance

Age of innocence? Julius Purcell on the cultural legacy of 1913

Pre-first world war Vienna has some curious parallels with Spain today  


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business and finance

Hobson-Jobson: Julius Purcell on linguistic “barbarisms”

The thought of French purists fretting over ‘les snackbars’ has long-tickled English-speakers  


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business and finance

History's second draft: Peter Aspden on theatre and the news

Where there is a public clamour for explanation, writers and artists should be unafraid to step in, says the FT's arts writer  


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business and finance

Going soft: Peter Aspden on the cultural wealth of nations

Countries are vying to project their worth through art, sport and broadcasting. But ‘soft power’ is not always easy to control, says the FT’s arts writer  


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business and finance

After the spring: Peter Aspden on the Shubbak Festival

Visa problems and nervousness on the part of potential sponsors have made life hard for London’s festival of contemporary Arab culture. But as the Arab Spring gives way to harsher realities, such forums are needed more than ever, says the FT’s arts writer  


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business and finance

Howdy, Podner! Peter Aspden on Las Vegas’s heritage impulse

The Nevada resort, a byword for pleasure-seeking in the here and now, is starting to take its history seriously, says the FT’s arts writer  


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business and finance

Ordinary megastar: Raphael Abraham on Amy Winehouse

London’s Jewish Museum may seem an odd venue for an exhibition about the late pop diva. But the show is not so much a celebrity portrait as a way for a family to reclaim its daughter, says the FT’s assistant arts editor  


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business and finance

Sound of sci-fi: Peter Aspden on the Dr Who Prom

Braving Daleks and Cybermen at the Royal Albert Hall, the FT’s arts writer reflects on the unlikely synergy between classical music and a children’s sci-fi series  


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business and finance

Spasticus artisticus: Peter Aspden on Ian Dury

The late pop singer, whose work has just gone on show at London’s Royal College of Art, was a far more nuanced figure than his punk image would suggest, argues the FT’s arts writer  


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business and finance

Going it alone: Erica Wagner on creative independence

Omnicom/Publicis, Penguin/Random House – the cultural landscape is dominated by ever fewer, ever bigger businesses. Yet artists and audiences alike are finding benefits in shunning their embrace  


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business and finance

The Great Remembrance: Jan Dalley on the first world war centenary

The sheer scale of suffering in the 1914-18 conflict is hard to grasp. As preparations begin for the centenary commemoration, the FT’s arts editor argues that culture has a vital role to play  


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business and finance

Art for all: Erica Wagner on the Gramsci Monument

Thomas Hirschhorn’s South Bronx installation brilliantly embodies the belief that art should be part of everyday life  


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business and finance

Party on! Peter Aspden on beach bar music

It’s loud, insistent, adolescent and playing now at a Mediterranean resort near you. And as the FT’s arts writer finds, there’s no way you’ll ever get the volume turned down  


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business and finance

Look at me: Suzi Feay on the perils of self-indulgent art

“Those who live to please, must please to live.” But these days it’s often our privilege to watch the performers having a good time  


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business and finance

Look, don’t sketch: Peter Aspden on the V&A’s blockbuster dilemma

Citing pressure of visitor numbers, the museum banned sketching at its recent “David Bowie Is” exhibition – a move that shows how hard it is for curators to reconcile accessibility and academic values, the FT’s arts writer says  


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business and finance

Puccini vs the Twitterverse: Peter Aspden finds shelter in the stalls

Culture is becoming a refuge for the digitally brutalised: an evening at the opera, or cinema, or theatre, is where we go to escape technological overload, the FT’s arts writer argues  


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business and finance

Something old, something new: Peter Aspden on the classic with a twist

Spicing up traditional settings with a dash of contemporary style has become a cultural commonplace. But let’s not pretend it’s anything more than an aesthetic compromise, the FT’s arts writer says  


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business and finance

A messy business: Peter Aspden on sex

A forthcoming season on Channel 4 aims to demystify our sexual behaviour – to be ‘open’ and ‘honest’ about a 'normal part of all our lives'. Good luck with that, says the FT’s arts writer  


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business and finance

Tomorrow people: Peter Aspden on FutureFest

The Futurists’ fervent belief in progress heralded disaster; now we worry about what the future will bring. But the FT’s arts writer finds grounds for optimism – and an unexpectedly hippy vibe – at a London ideas festival  


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business and finance

Auteur ego: Peter Aspden on Bertolucci

A new film portrait of the Italian director reveals a man unafraid to confront difficult questions. It’s a kind of artistic responsibility that now feels old-fashioned, the FT’s arts writer says  


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business and finance

Bryte star: Peter Aspden on Nick Drake

Neglected in his lifetime, the singer-songwriter is now revered, as an event devoted to his album ‘Bryter Later’ demonstrates. But it’s doubtful his genius would have flourished any better in today’s impatient world, the FT’s arts writer says  


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business and finance

Soul power: Peter Aspden on icons

The market for Orthodox icons has been revivified by Russian money in recent years – yet the genre’s spiritual charge and innate conservatism make it a challenging field for collectors  


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business and finance

Nap music: Peter Aspden on the UK’s first ‘sleeping gig’

A concert sponsored by insurance company Direct Line aims to help time-challenged audiences snatch some shut-eye – but a wakeful FT arts writer finds that the relationship between art and sleep is not a straightforward one  


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business and finance

Sitcom nation: Peter Aspden on daytime TV

They seem always to be on, but ‘Rules of Engagement’, ‘The Big Bang Theory’ and their ilk shouldn’t be taken for granted: these immaculately crafted, relentlessly inoffensive series open a window on American society  


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business and finance

Space adventure: Peter Aspden on Philippe Parreno

The French conceptualist’s exhibition at the Palais de Tokyo is a sense-scrambling rethink of the relationship between art and the environment in which it appears  


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business and finance

Restoration drama: Peter Aspden on Kenwood House

Efforts to restore historic buildings to their original splendour tell us as much about today’s tastes as they do about yesterday’s  


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business and finance

Jay-Z and Pablo P: Peter Aspden on Art Basel Miami Beach

The FT’s arts writer finds that, for all the acquisitive buzz around art fairs, they still richly cater for people’s inquisitive side too  


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business and finance

'Alien invasion in the G.L.A.C.' by Mohsin Hamid

Author Mohsin Hamid reads his short story 'Alien invasion in the G.L.A.C.', commissioned by the Financial Times for the new year.  


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business and finance

Sporting life: Peter Aspden on Russian Realism

An exhibition of Soviet-era sporting paintings shows how, even in a repressive political climate, artists still made work with real human insight  


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business and finance

Critical voice: Peter Aspden on Ai Weiwei

As Miami’s sparkling new Perez Art Museum hosts a big retrospective of the Chinese artist’s work, the FT’s arts writer reflects on culture’s role in challenging oppression  


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business and finance

Culture versus clutter: Peter Aspden on ‘Stuffocation’

In a persuasive new book, the trend forecaster James Wallman says that our appetite for material possessions is giving way to a hunger for experiences. How will that shift be reflected in the arts?  


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business and finance

A Banksy in the boardroom: Peter Aspden on corporate collections

Businesses like buying contemporary art to show off their forward-thinking and investment savvy. Fair enough – but it still sits oddly with artists’ desire to provoke and subvert  


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business and finance

Wig interpretation: Peter Aspden on ‘American Hustle’

Christian Bale’s hairpiece in the Oscar-nominated movie caper epitomises the preposterousness of the 1970s – but the decade’s unabashed lack of polish looks increasingly appealing in our technology-dependent age  


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business and finance

Degree show: Peter Aspden on Derek Jarman

As King’s College, London, devotes an exhibition to its charismatic alumnus, the FT’s arts writer reflects on the artist and film-maker’s earliest inspirations  


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business and finance

Folk/rock: Peter Aspden on Pete Seeger

The death of the veteran folk singer prompted numerous tributes to his integrity and idealism. But it was his mythical spat with Bob Dylan that really defined his era’s cultural politics  


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business and finance

Social network of the damned: Peter Aspden on hell

Forget Sartre. The Royal Opera’s new ‘Don Giovanni’ suggests that, in a hyper-connected world, hell is the absence of other people  


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business and finance

Showy business: Leo Robson on the ‘McConaissance’

Matthew McConaughey’s career revival provides a neat case study of how an actor can wrest back control of his image. It also tells a broader story about our weakness for a certain kind of Acting.  


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business and finance

Object lessons: Peter Aspden on memorabilia

A militarist matchbox, a spoof banknote, a Lennon album. . . the FT’s arts writer presents a very personal history of the past half-century in 10 objects  


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business and finance

Rubble cause: Peter Aspden on ‘Ruin Lust’

Tate Britain’s new show explores our fascination with ruins. But where yesterday’s aficionados looked to the remains of ancient civilisations, today’s ruinous visions are of the future  


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business and finance

Money trouble: Peter Aspden on arts funding

Art and Mammon are uneasy bedfellows: witness the recent furore over the Sydney Biennale. The solution, says the FT’s arts writer, is for institutions to embrace debates over their funding, not run from them  


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business and finance

Show, don’t tell: Peter Aspden on documentaries

Driven by ubiquitous video technology, a new wave of films – such as the award-winning ‘Gaza: Chronicles of a Conflict’ – favours rawness and immediacy over explanation and context  


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business and finance

Satire without a sting: Peter Aspden on ‘W1A’

The BBC’s self-parodying show goes too far – in the direction of complacency, complicity and all-round smugness. But comedy can be a remarkable force for exposing the flaws of the society from which it springs  


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business and finance

Art of the unexpected: Deborah Bull on measuring cultural impact

The Director of Cultural Partnerships at King's College London reflects on the growing appetite among artists and arts organisations for evidence about the impact and value of what they do  


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business and finance

Fatale attraction: Ludovic Hunter-Tilney on the screen seductress

In the 1980s and 1990s cinema audiences were in thrall to powerful women in erotic thrillers such as Body Heat and Basic Instinct. But whatever became of the genre and is it ripe for a comeback?  


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business and finance

Just reach out: Peter Aspden on making culture accessible

A brush with institutional hauteur in Nice makes the FT’s arts writer long for the determinedly inclusive museums and galleries of the UK  


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business and finance

Faith, hope and video: Peter Aspden on art and religion

As St Paul’s Cathedral prepares to unveil a Bill Viola installation, the FT’s arts writer considers the potentially enriching relationship between sacred settings and contemporary art  


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business and finance

Poop and post-poop: Peter Aspden on Hong Kong’s art scene

In a despatch from Hong Kong, the FT’s arts writer reflects on the city’s ‘Tate bricks’ moment, and what it tells us about the fast-changing status of contemporary art in China  


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business and finance

Snap judgment: Peter Aspden on the Prix Pictet

Though shortlisted for the prestigious photography award, Nigeria’s Abraham Oghobase has been refused a visa by the UK government. That’s a sorry state of affairs for a country that professes to be in the vanguard of cultural openness, says the FT’s arts writer. This week’s column is read by Alexander Gilmour.  


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