The Rs 19,100 crore 'Indian film industry' is more than its monikers for three simple reasons, feels Vanita Kohli-Khandekar.

The unfortunate thing is that the film will leave a poor impression of the IAF's and indeed of the armed forces's ability to handle sensitive social matters within their professional space, observes Lieutenant General Syed Ata Hasnain (retd).

Subhash K Jha remembers a decent, kind, gentle person, who didn't quite get his due.

'You have not understood the heart of the Indian Air Force,' notes IAF Veteran Nitin Welde.

'It's also a movie-crazed kid's idea of a great time,' discovers Sreehari Nair.

'I did not find anything atrociously out of place about the depiction of the IAF's image,' says Group Captain Murli Menon (retd).

American has had only one black president so far. And only one on-screen black superhero as well.Subhash K Jha salutes Chadwick Boseman, who passed into the ages on Friday.

Such a person is rare in today's film world, notes Amit Khanna.

'Acting, by definition, is a portrayal of a character other than oneself.''If every role is to be played only by someone answering to that precise description, most professional actors -- of all ethnicities and genders -- would be out of a job,' observes Indira Kannan.

The insatiable greed for money and power is too large, too repugnant to thwart.And no one epitomised that better than Harshad Mehta, notes Dhruv Munjal.

The Social Dilemma shows how social media is turning human beings into lab rats and zombies, notes Chintan Girish Modi.

'Being Aishwarya Rai Bachchan comes with a price.''There will always be those who think her ideal life is a fake.'To them I say, damn your cynicism!,' says Subhash K Jha.

As dry as the martini Bond enjoyed, Connery's 007 was a <em>tour de force</em> of comicbook heroism replete with set pieces and choreographed stunts which he carried off with a Scottish virility, notes Subhash K Jha.

It is the most potent symbol of India's soft power -- more perhaps than the IT industry and our managerial skill, notes Vanita Kohli-Khandekar

... And sometimes, that's enough, says Sreehari Nair.

'I can write a book about Kamal Haasan. No, make that three books.'

Subhash K Jha gives us an insight into Sanjay Leela Bhansali's Saawariya, as it completes 13 years in November.

The passing of Satyajit Ray's renaissance man feels like the snapping of the last connection with a generation that built a nation and defined grace while facing everything life had to throw at them, says Sumit Bhattacharya.

'He always seemed one of us, part of the great aspiring middle class -- his values, his simplicity, even the intellectual snobbery which he could barely hide,' observes Mousumi Sengupta.

'I believe FFI has made a mistake,' notes Aseem Chhabra.

To an award show that's famous for honouring artists belatedly, we have sent as our official entry one of our major film-makers's weakest work yet, feels Sreehari Nair.

The Oscars is prestigious and all artists covet it but ultimately, the business of winning is ruthless and political. And India has seldom risen to the challenge, argues Sukanya Verma.

For Dosanjh to stand by his faith, retain the turban and beard, and yet not trivialise himself in the roles he has essayed, is really his biggest achievement, observes Sandeep Goyal.

Every year, with the good, there are bad movies too.

'He is busy building an image on the social media as an anti-right-winger.''But remember: An actor is only good at what he was born to do,' observes Subhash K Jha.

The film didn't offer the unfettered entertainment which everyone sought -- it was out-and-out a docu-drama, not a masala movie, notes Sandeep Goyal.

'This is not a bolt from the blue.'

'I am not the kind of person who will stand up and complain. I have no complaints against anyone. If I've been away from the entertainment industry, it's because I am not into selling myself.'

We will continue to be enthralled by your golden oldies we grew up with, notes Shreekant Sambrani.

Aseem Chhabra watched some great films and some huge disappointments in 2021.

The failure of Decoupled is that, as it deals almost solely in 'snapshots of insight', it fails to showcase how life flows, how the world goes round, how things unfold, feels Rohit Sathish Nair.

Two men smiling, eyeing each other as they briefly let their guard down, with no care of what the world around them is thinking, that has almost never been shown in a Bollywood film, notes Aseem Chhabra.

'Once Mohanlal's ever-swelling entourage grasped his enormous worth, once it realized that the innate Mohanlal appeal could be profited from, it set about to exploit, to make uproars, to create the Mohanlal brand.''And he wasn't meant to be a brand. He was meant to be an artist, a tireless explorer of the unique seas inside him,' asserts Sreehari Nair.

Gehraiyaan seems to be aurally thin, which serves as a clue to the larger issues plaguing the movie, observes Rohit Sathish Nair.

Bappida's softer more creative work got buried in the noise, rues Subhash K Jha as he picks the late lamented composer's most soulful songs.

Subhash K Jha celebrates Ajay Devgn as the movie star turns 53.

On Kapil Sharma's 41st birthday, Subhash K Jha looks back on the comic's fall and resurrection.

Ram Gopal Varma is 60 today, April 7.Subhash K Jha plots the once brilliant film-maker's declining movies graph.

Jaya is a woman of steel in the truest sense of the word.Despite being the first lady of filmdom, she's as real and rooted to the ground as anyone can get, notes Subhash K Jha on the actor-politician's 74th birthday.

The simplicity of the model that was the original, which allowed it to glide with grace, has been foregone, observes Rohit Sathish Nair.

What did Alia have that Ranbir's previous girlfriends did not? Mom Neetu Kapoor's blessings, observes Subhash K Jha.

Badhaai Do carries its audience on the wave of those little farces that come with being queer in India, a land where masculinity still has some say, observes Sreehari Nair.

'If I don't act for a week I become edgy, restless and moody.'Subhash K Jha salutes Manoj Bajpayee, actor extraordinaire, on his 53rd birthday.

Get your lowdown on what's going on in the world of movies with Subhash K Jha.

'I don't think my troubles would have happened if she was with me. I kind of lost my way after she was gone,' Sanjay Dutt once told Subhash K Jha about his mother Nargis, the legendary actress who passed away this day 41 years ago.

If Irrfan could have been our finest professor of empirical philosophy, and Nawaz is our foremost poet of that space halfway between the gutter and the stars, then Jaideep Ahlawat has to be our greatest artist-scientist, asserts Sreehari Nair.

RRR isn't the "spectacle" it is made out to be, argues Sreehari Nair.

<em>Ms Marvel</em>'s first episode did not bore me, but it made me question the very existence of the first Muslim superhero, observes Subhash K Jha.

Ranveer is loud, but not shrill, notes Subhash K Jha.As in singing, in acting holding your pitch in the higher notes is a Himalayan task.Ranveer resides on the highest notes of the musical mountain and still manages to be coherent, fluent and persuasive.

Pellissery's women continue to express the beauty in our common humanity. And often, these women go so far into expressing our hopes, desires, absurdities and follies that they end up acting at variance with the ethical prescriptions of our age. And this, I believe, is precisely why they remain "invisible" to a whole bunch of viewers, says Sreehari Nair.