Interviewing Anil Kapoor, Syed Firdaus Ashraf discovered, can be a real pleasure!

As Imtiaz Ali's Jab Harry Met Sejal releases, Aseem Chhabra feels it's the best time to revisit the Hollywood classic When Harry Met Sally, which tries to answer the question in the title of this feature.

When Amitabh Bachchan bounced back at 60, why can't Shah Rukh Khan at 51? Picture abhi baaki hai, mere dost, assures Syed Firdaus Ashraf.

Christopher Nolan's next, Gulzar's gussa, Shyam Benegal's Shivaji and RD's Lawrence of Arabia connection, catch all this and more in Sukanya Verma's super filmi week.

'The bumblebees in Par Ek Din may not be flying yet, but even as they dangle in mid-air, their stings hurt.' 'Effortlessly graceful, this is a work of passion that conveys what being passionate about something truly feels like,' says Sreehari Nair.

Over the last decade the Indian film industry has reinvented itself. Do film critics need to do that too?

Kangana Ranaut's guts, Amitabh Bachchan's venomous threat and dark TV serials occupied Sukanya Verma's super-filmi week.

Savouring Spielberg's fierce, fine movie; salivating over MAMI's line-up; gobbling a Shrek cake; visualising a desi Sisterhood of the Travelling Pants with Alia, Bhumi and more in Sukanya Verma's Super Filmi Week.

Prepping for Sanjay Leela Bhansali's Padmavati, remembering Rajesh Khanna and Raaj Kumar's exclusive tramp club and picking Ranbir Kapoor's best performance in my Super Filmi Week.

I am sad Kundan Shah is no more. I am sad he couldn't make the kind of films he wanted. But I am also grateful. He made me laugh. He made me cry. He made me believe in Hum Honge Kamyab and the power of a shooting star. Sukanya Verma salutes Kundan Shah.

Sridevi's amazing dedication, Ranveer Singh's Scarface, Ranbir-Alia on nepotism and more in Sukanya Verma's emotionally charged Super Filmi week.

When a Hindi film does well in Chennai, it's time to sit up and take notice, says A Ganesh Nadar.

'The Muslim identity of the family appears incidental to the subject of the film...''The self-sacrificing, suffering mother film could have belonged to any religion.''The abusive father, who prefers his son to his daughter, could have followed any religion.''That the Muslim household is remarkably free from religious symbolism is also the strength of the film,' feels Mohammad Asim Siddiqui.

Every time a filmmaker wishes to explore history or religion on his or her terms, self-appointed experts and limelight-seeking zealots swoop in to protest. Extreme prejudices are formed without even seeing the final product triggering a disturbingly destructive impulse, feels Sukanya Verma.

'I will miss you calling me and saying "I am Shashi Kapoor" even when you were at the height of your stardom.'Gitanjali Gurbaxani remembers a dear friend.

If anyone thinks that the Golden Globes are insignificant, the Hollywood studios are out to prove them wrong.

'To me,' says Aseem Chhabra, 'the Golden Globes hold the most meaning as one gets to see stars celebrating, getting emotional, letting their guard down and showing us their regular human side.'

'I am angry because this ever happened.' 'I am sad because it's painful to think what they must be going through.''I am glad we've fought hard to break through such cruel tradition.''But it burns my blood to think we're still holding on to regressive culture that is stemmed from preserving this so-called honour,' says Sukanya Verma.

'No late nights, no partying.''Though she avoided eating beyond her dietary regime, Sridevi loved to feed others.'

'I'll remember you as the face of joy for ever.' Sukanya Verma remembers the iconic Sridevi.

Syed Firdaus Ashraf explains why the Bollywood legend will remain an eternal part of his life.

'The very fact that she survived her migration to Bollywood, where many young lives have been sacrificed or abandoned to the streets, bears testimony to her grit, determination and good fortune,' says Ambassador T P Sreenivasan.

'The way the winners react and the speeches they deliver.''That is where the fun happens, when the actors and other winners let down their guard, challenge the system, talk about issues that should matter to us,' says Aseem Chhabra.

In March 1972, The Godfather was first screened in a New York theatre. The movies were never the same again. Forty six years later, longtime Rediff film critic Raja Sen talks about why that film means that much, and how it led him to a unique tribute.

'There's no love for the song or Madhuri, no consideration for what it meant to an entire generation and zero respect for its iconic choreography,' says Sukanya Verma.

The lasting influence of Amitabh Bachchan's Supremo, hitchhiking with Salman Khan, a taste of Tom Alter, Padmaavat's best scene and more in Sukanya Verma's Super-filmi Week.

'The most striking comment Yasser Usman makes -- not only about Sanjay Dutt, but also our contemporary society -- is about the transformation that he goes through: From being a man who claimed Muslim blood to one who is a devotee of Hindu gods,' notes Uttaran Das Gupta.

The Looming Tower reveals the bitter CIA-FBI turf battles that led to the worst terrorist attack in America's history.

Prisons aren't places to build bodies or boost egos, says Kishore Singh.

The problem is not that more people are not watching more TV, but that they are not finding anything of interest on Hindi television, says Vanita Kohli-Khandekar.

All what's going on in Bollywood with Subhash K Jha.

'Kaala's sin is not that it is presented as a mouthpiece for its director Pa Ranjith's political viewpoints, but that it makes a travesty of them.''Ranjith turns Marx into merchandise, all the while functioning as a hired hand for Brand Rajinikanth,' points out Sreehari Nair.

Both Raazi and Veere Di Wedding are interesting films that worked. There is no point reading a trend in them, says Vanita Kohli-Khandekar.

'Raazi is being hailed for breaking the glass ceiling for Daughters of Bollywood Inc,' says Sunil Sethi.

Bolly Gupshup from Subhash K Jha.

Dibakar Banerjee delivers his finest work to date, and Sreehari Nair makes sure to applaud him.

Guess which superstar is writing his autobiography? Bolly Gupshup with Subhash K Jha.

'In Sanju, Rajkumar Hirani has essentially found a Rajkumar Hirani story buried inside Sanjay Dutt's life.''Now if you think that's scary, sample the alternative: Perhaps Sanjay Dutt had been living his life to suit the narrative of a Rajkumar Hirani film,' says Sreehari Nair.

'It is nice to know I am remembered even now,' Lataji tells Subhash K Jha.

Sanju is a blockbuster, but did it get all its facts correct?yed Firdaus Ashraf reveals seven facts Director Rajkumar Hirani overlooked in Sanju.

'What would a composite of Dawood, Rajan, and Arun Gawli be like?''What if an absconding mafia boss were to land in Mumbai tomorrow, tired from all the running, and tender his final apology to the city by narrating his story and narrating it with brutal honesty?'Sreehari Nair watches Sacred Games.

No, no, it has nothing to do with Salman...

Sonali's unrelenting spirit, Jai's unacceptable loss, Ijaazat's timeless melancholy, Neetu Singh's zing and not enough Sacred Games dominates Sukanya Verma's Super-Filmi Week.

'Despite the pornographic quality of its name, Lust Stories is something of an event in Indian popular culture,' says Shuma Raha.

'Rajkumar Hirani could have gone for the jugular but has chosen instead to play to the gallery,' says J Jagannath.

Shabana Azmi knew Rita closely, as they were FTII batchmates, and she tells Subhash K Jha how deep their friendship was.

Soorma Director Shaadi Ali moves on to his next biopic.Vivek Agnihotri reveals the subject of his next film.Bolly Gupshup with Subhash K Jha.

Why do the biggest, most talented and successful film-makers of India suck up to the establishment so breathlessly, asks Shekhar Gupta.

Priyanka Chopra plays mum to an 18 year old!Bolly Gupshup with Subhash K Jha.

'Nawaz, who plays my husband, doesn't look at women when he has sex with them.''He never kisses them.''That moment when I am in front of him is decisive,' the New Wave actress tells Subhash K Jha.