Baadshah Pehlwaan comes out as a film is not only as a thorough entertainer but also a thought-provoker, feels Prasanna D Zore.

Section 375 is an engaging courtroom drama that deserves a watch, feels Karan Sanjay Shah.

You'll come out laughing till your sides hurt, promises Sukanya Verma.

The Dulquer factor is the only saving grace of this witless, charmless sham posturing as satire, feels Sukanya Verma.

We give you *your* space to tell us what you think about The Zoya Factor, Pal Pal Dil Ke Paas and Prassthanam.

The Family Man is the espionage drama India is waiting to see, raves Karan Sanjay Shah.

Pal Pal Dil Ke Paas squanders whatever potential it had, feels Sukanya Verma.

Prassthanam is worth a one-time watch. Just don't go with high expectations, feels Karan Sanjay Shah.

Bard of Blood works up several moments of intrigue and drama but falls short of culminating into a satisfying watch, says Sukanya Verma.

Housefull 4 will be a laugh riot that you cannot miss, raves Karan Sanjay Shah.

In its 13th season, the reality series -- known for getting its kicks by throwing a bunch of wayward celebrities and argumentative commoners under the same roof while numerous cameras capture their every single move -- continues its downward spiral, feels Sukanya Verma.

Sye Raa Narasimha Reddy is a larger-than-life spectacle that deserves a theatre viewing, feels Karan Sanjay Shah.

We give you *your* space to tell us just how much you liked or hated War and/ or Sye Raa Narasimha Reddy.

War is an ode to such star power, one that pits Hrithik Roshan and Tiger Shroff together for the first time and capitalises on their famous idol-idoliser energy to draw us into a world of espionage, action and camaraderie.

War ticks all the components of a masala action entertainer, there's not a single dull moment.

We'll publish the best ones right here on Rediff.com

You must watch The Sky is Pink just for Priyanka Chopra, applauds Sukanya Verma.

Laal Kaptaan deserves a watch just for Saif's spunk, raves Prasanna D Zore.

Vikram Bhatt's horror film is a big let down, says Namrata Thakker.

We give you *your* space to tell us just how much you liked or hated Made in China, Saandh Ki Aankh and Housefull 4.

'I felt a constant gag in my throat, and emerged from the movie somewhat mugged,' confesses Sreehari Nair.

Housefull 4 is not for everyone. But if you enjoy comedies that don't make *any* sense, go ahead for this one, says Namrata Thakker.

Made In China is puerile, flimsy film-making, sighs Sukanya Verma.

Bigil packs in enough entertainment in its three-hour running time, feels A Ganesh Nadar.

Fighting prejudice with prejudice, Ujda Chaman is too shallow to dwell compellingly into the frailties of the human mind, feels Sukanya Verma.

Drive's idiocy is on display from the word go, feels Sukanya Verma.

Pati Patni Aur Woh looks like a old wine in a new bottle and though Kartik Aaryan seems to be acing in his home turf, for a change, it would have been nice if the makers had made the film as a intense love story rather than a rom-com.

Satellite Shankar is a fun, time-pass film, feels Prasanna D Zore.

'<em>Bypass Road</em> goes around in circles and gets nowhere,' declares Sukanya Verma.

'Nimble humour, shuddh desi zingers, refreshing flippancy and a lively blend of small-town quirk and orthodoxy.'Sukanya Verma applauds Bala.

Rani Mukerji's presence makes you watch the trailer till the end and wait for the movie's release on December 13, says Namrata Thakker.

We give you *your* space to tell us just how much you liked or hated Marjaavaan and/ or Motichoor Chaknachoor.

Athiya Shetty springs a surprise in this otherwise tedious film, says Sukanya Verma.

Nothing can salvage the Marjaavaan mess, declares Sukanya Verma.

Directed by newcomer Raj Mehta, this Dharma Production venture is a comedy with loads of dhamakedaar one-liners and fine performances.

The Tanhaji: The Unsung Warrior trailer is pretty good and while it could have been crisper and more hard-hitting, the film will probably make up for it when it releases on January 10, feels Namrata Thakker.

A Netflix documentary reveals the sordid story behind the dazzling success and dizzying fall of the founder of Bikram Yoga.

'For kids, the audience Frozen 2 is focusing on, it's a world they would love to be part of.''It teaches life doesn't have to be hunky dory after a happy ending, but it's fixable if there is love,' says Moumita Bhattacharjee.

We give you *your* space to tell us just what you thought of Pagalpanti.

You can imagine the standard of Pagalpanti's humour when characters are named Wifi, Bully and Tully, a hospital placard reads Dr Trump and bitter gourd is mistaken for poison to evoke laughs, warns Sukanya Verma.

Hotel Mumbai wants to be a gripping depiction of a grim time but it could've been a lot more, feels Sukanya Verma.

Watch Commando 3 only if you want to to lose your sanity, warns Prasanna D Zore.

'Yeh Saali Aashiqui held my attention purely for audacity,' says Sukanya Verma.

We give you *your* space to tell us just how much you liked or hated Panipat and/ or Pati Patni Aur Woh.

Pati Patni Aur Woh cannot decide whether it wants to be the climax of a Priyadarshan comedy or give the cad a dose of his own medicine brand of cheeky payback, writes Sukanya Verma.

'Panipat has all the meat for a political drama meets war movie. But in Ashutosh Gowariker's failure to process its complexity, the material never rises beyond a mediocre hurray to the Maratha manoos,' says Sukanya Verma.

The Chhapaak trailer could have been a dark and depressing tale of a girl disfigured by a vicious attack but fortunately, it isn't, feels Moumita Bhattacharjee.

A cheap version of his opus Jodhaa Akbar, Ashutosh Gowariker's Panipat falls flat on its face at every end, with lacklustre writing and terrible character definition proving to be the movie's ultimate undoing, feels Rediff reader Anu Gopinath.

Poor writing sinks this period film which is watchable for Mammooty's gravity defying stunts, says Divya Nair.

Mardaani 2 works best and better than its predecessor when it stays true to its slick catch-me-if-you-can potential, feels Sukanya Verma.