This week, we talk to one of our favorite rising stars, Brooklyn rapper Sene.  His first big leap into notoriety was with 2009’s A Day Late & A Dollar Short, a collaborative album with Blu.  That was followed by 2012’s superb Brooklyknight.  He has since turned into a whirlwind of activity, releasing solo material and doing albums with projects like Recess and Denetia & Sene.  His vast musical imagination and fearless spirit have turned him into one of our favorite artists.

See http://theciphershow.com/episode/37/ for full show notes and comments.

This week, we talk to hip-hop comedy duo Eric and Jeff Rosenthal, better known as ItsTheReal. The brothers began by making hilarious sketch comedy videos, moved on to podcasting, and now have just released an actual mixtape, Urbane Outfitters. Their on-point humor, which makes fun both of and with rappers, has remained constant throughout.

See http://theciphershow.com/episode/38/ for full show notes and comments.

This all-Louisiana-everything episode has two special conversations from South by Southwest. First, we talk to Mystikal, and go through his whole trip from his early days in New Orleans to stardom to his James Brown-inspired comeback.

Then we have an incredible chat with Kevin Gates. Gates is a Baton Rouge native whose powerful, open, emotional style and lyrics have him on a rapid rise to stardom. He is also perhaps the most captivating and unique personality we’ve come across at Outside the Lines, and we’re proud to share our talk with you.

See http://theciphershow.com/episode/39/ for full show notes and comments.

This episode, we talk to Bill Adler. Bill is best-known for his time as director of publicity for Def Jam and Rush Management from 1984-1990. During that period, he helped to guide the careers of some of hip-hop’s most legendary artists, including LL Cool J, Run-DMC, the Beastie Boys, Public Enemy, and more. He shares stories about many of those groups with us today.

In addition to his work at Def Jam, Bill has written several books, worked on TV documentaries, ran an art gallery, and, in his early years, worked closely with the famous hippie leader John Sinclair. We talk about all of that and more in this epic conversation.

See http://theciphershow.com/episode/43/ for full show notes and comments.

We have a very special episode of Outside the Lines With Rap Genius for you. It’s been one year almost to the day since Kendrick Lamar’s instant classic good kid, m.A.A.d city was released, and RG’s very own Nicole Otero sat down with K. Dot to get inside the record. Get the behind-the-scenes scoop on what inspired one of the most heralded albums of recent years, straight from the artist himself.

See http://theciphershow.com/episode/53/ for full show notes and comments.

Hailing from Harlem, Loaded Lux is considered a true pioneer and legend in battle rap. Lux grew up surrounded by battle rap culture, where cyphers were popping off around every corner in Harlem. He began his professional battle rap career featured on the early SMACK DVD’s in the mid 2000’s, and went on to go undefeated 7 weeks straight on 106 & Park’s Freestyle Friday to be inducted into their Hall of Fame in 2007. He released his mixtape “You Gon’ Get This Work” in 2013 after his famous slogan, and is prepping his sophomore album set to release in 2014.

Loaded Lux is no ordinary battle rapper, counting Jay Z, Diddy, and Busta Rhymes as fans. His powerful delivery, nasty wordplay, and deep bars that cut into his opponents have racked him up countless wins — most notably in a recent high stakes battle against Hollow.

We talked why successful people love competition, the magic of history, the Black Panthers, Harlem’s battle rap scene, Illmind, and more with Lux.

See http://theciphershow.com/episode/63/ for full show notes and comments.

This week, we talk to Christopher Jackson, one of the lead actors in Broadway’s ‘Holler If Ya Hear Me’, the musical based on Tupac’s legacy. When ‘Holler If Ya Hear Me’ first hit Broadway, it was marketed as not just a story about Tupac’s music, but as a story about love — and that’s just what it is, a story about love within a world similar to that which Tupac lived, experienced, and rapped about. The play tackles issues such as gun violence, poverty, and racism head-on — all through the lens of a community that feels its pains together. ‘Holler’ is a play that fights against Broadway’s increasingly homogenized landscape, daring to tell a story that doesn’t fit into the cookie cutter Broadway mold.

We talked to Broadway vet Christopher Jackson, Vertus in the production, about Broadway’s changing landscape, the significance of co-star Saul Williams’ work as a slam poet and actor, the cultural relevance of Pac, and how ‘Holler”s reviews revealed an ugly truth about Broadway culture today.

See http://theciphershow.com/episode/73/ for full show notes and comments.

Live from Bed Stuy’s Restoration Plaza, we bring you a very special event with Buddha Monk and Mickey Hess, authors of a new biography of the Wu’s Ol’ Dirty Bastard. Occurring only blocks from Dirty’s childhood home, this conversation features not only the authors, but also special appearances from the Wu member’s family and friends. Buddha Monk was Dirty’s close friend since they were children, and had a front row seat to the artist’s rise and fall. His book, co-written with Rider professor Mickey Hess, is The Dirty Version: On Stage, In the Studio, and In the Streets With Ol’ Dirty Bastard, published by Harper Collins. You can buy it here.

If you like this episode, be sure to check out our recent article on the Wu for Radio.com

See http://theciphershow.com/episode/83/ for full show notes and comments.

Lisa Cortés lives up to her self-description as a “hip-hop Zelig.” She began her career in 1986 as one of the first employees of a then-tiny record label called Def Jam. From there, she went on to manage legendary producers; discover hit rap, reggae, and r&b acts; and even run a label herself.

After her time in the music industry came to an end, Lisa re-invented herself as a successful film producer, starting at the bottom and working her way up to playing a key role in the Oscar-winning movie Precious: Based on the Novel “Push” by Sapphire. She is currently producing, writing, and directing a number of fascinating film projects, which we discuss here.

See http://theciphershow.com/episode/92/ for full show notes and comments.

We speak to the rapping team at the head of the powerful rap/rock group ¡Mayday! – Ben “Wrekonize” Miller and Bernardo “Bernz” Garcia. Since the early 2000s, the band has been delivering powerful music to a growing legion of fans. That fan base was dramatically increased when the Miami group teamed up with Tech N9ne’s Strange Music label a few years ago. The most recent album released by the hardworking collective is a joint project with West Coast legend Murs called, appropriately enough, Mursday.

Wrek and Bernz talk about their career and songwriting process, but also find time to discuss their famous relatives, partying with Lil Wayne, and which group member is best with a slow cooker.

See http://theciphershow.com/episode/93/ for full show notes and comments.

Oliver Wang is a writer, critic, audio blogger, and DJ. He is best-known among hip-hop fans for his features and reviews for LA Weekly, Urb, NPR, and basically everywhere else. We discuss his new book Legions of Boom: Filipino American Mobile DJ Crews in the San Francisco Bay Area.

The fascinating book looks at a previously unexplored and nearly forgotten scene from the late 1970s through the early 90s. Young people in the Bay Area, almost entirely Filipino, were inspired by the disco craze to form DJ crews and start throwing parties. At its height, there were scores of crews throughout the entire Bay. Some of the scene’s most prominent alumni were QBert, Mixmaster Mike, and Apollo. The three of them would form the Invisibl Skratch Piklz and go on to invent an entirely new kind of DJing, where virtuosic scratching took center stage.

See http://theciphershow.com/episode/103/ for full show notes and comments.

Mikel “Lil Slim” Pettis began his rap career as a teenager in New Orleans in the early 1990s, performing in nightclubs around the city. He was discovered by a then brand-new record label called Cash Money Records. Slim signed with them and became a key part of the first generation of artists on that label - acts like UNLV, PxMxWx, Pimp Daddy, Ms. Tee, Mr. Ivan, and many more, who would quickly turn Cash Money into a regional powerhouse just as the city was inventing a rap style of its own, a raunchy, call-and-response based approach called “bounce.”

During his tenure on Cash Money, Slim discovered a young kid from his neighborhood who, despite being only 10 or 11, already had a notebook full of memorable raps. Slim hooked that kid up with his label, and thus began the career of Lil Wayne.

Lil Slim left Cash Money after his 1995 album Thuggin and Pluggin, citing concerns over his label’s business practices that sound like they could be ripped from today’s headlines. He’s released several projects since then, including most recently the third volume of his Platinum Edition EP series.

See http://theciphershow.com/episode/113/ for full show notes and comments.

This week, we talk to MF Grimm, along with his producer and group-mate Drasar Monumental. Grimm is a rapper, producer, and now an award-winning comic book writer, who is just now making some of the greatest music of his long and storied career.

After growing up in the New York City of the 70s and 80s - and making a short stint as a child actor on Sesame Street - Grimm began his hip-hop career on the city’s battle scene. He quickly gained attention, started ghostwriting for more successful acts, and was on the verge of solo stardom when he was shot and paralyzed in 1993, in an incident that also killed his brother.

Grimm recovered, and even executive produced his friend MF Doom’s 1999 solo debut Operation: Doomsday, which was recorded in the basement of Grimm’s Rockland County house. Starting in 2001, he began releasing a string of powerful solo albums that molded the ups and downs of his life into powerful artistic statements. He also moved into another medium, writing the autobiographical graphic novel Sentences: The Life of MF Grimm.

Since 2012, he has been working on the Good Morning Vietnam trilogy of albums with our second guest, producer Drasar Monumental.

See http://theciphershow.com/episode/123/ for full show notes and comments.

The producer Focus… is best known for his work with Dr. Dre, and had his hand in half a dozen songs on the legend’s long-awaited new album Compton: A Soundtrack By Dr. Dre. But the versatile beat maker’s work can’t just be summed up by his contributions to one album, however well-known. He began his career as a rapper, but quickly moved into production. He made not just hip-hop, but also hit r&b songs for artists like Beyonce, Christina Aguilera, and Jennifer Lopez.

Focus… first came to Dre’s attention in the early aughts, and worked for the NWA member’s Aftermath label for seven years before taking a brief hiatus. After several years off, and some superb solo albums along the way, he returned to help make Compton possible. One might say that Focus…’s job is in his blood. His father and namesake is the late bassist Bernard Edwards, best known for his work with the great dance band Chic.

See http://theciphershow.com/episode/130/ for full show notes and comments.

Darlene Ortiz is best-known for her iconic pose on the cover of Ice-T’s 1988 album Power, a shot that no one who has seen it has ever forgotten. But there’s far more to her than bathing suits and guns.

She was right by Ice-T’s side during his rise to the top of the rap game. The two met when Darlene was a 17 year old hip-hop obsessive, and she and Ice quickly became rap’s first power couple. She appeared on his album covers and in his videos, and was right by his side for tours, TV appearances, movie roles, and the infamous “Cop Killer” controversy.

Darlene has a brand-new memoir called DEFINITION OF DOWN:My Life with Ice T and the Birth of Hip Hop, published by Over the Edge Books.

See http://theciphershow.com/episode/131/ for full show notes and comments.

DJ Dahi has produced some of your favorite songs of the past several years. He did “Money Trees” for Kendrick Lamar, Drake’s “Worst Behavior,” Dom Kennedy’s “My Type of Party,” Schoolboy Q’s “Hell of a Night,” and many others.

That run of hits brought him to the attention of none other than Dr. Dre, and Dahi ended up playing a key role on several tracks of Dre’s new album, Compton: A Soundtrack By Dr. Dre.

But there’s far more to Dahi than any of that. At a relatively young age, he has developed a style that mixes elements of trap, indie rock, and some unclassifiable elements into a unique blend. With all his accomplishments, his recent solo work shows that he’s still restless, still experimenting, and still just getting started.

See http://theciphershow.com/episode/132/ for full show notes and comments.

This week, we talk to April Walker. She’s the founder of Walker Wear, a clothing brand that was worn by all of the top entertainers and athletes of the early 1990s, from Tupac to L.L. to Mike Tyson to her neighbor Biggie Smalls.

Walker began her career with a small custom shop in Brooklyn. But early on, she started attracting hip-hop’s elite, and she soon began a styling division that dressed artists in countless videos, motion pictures, album covers, tours and photo shoots.

She began her own line, Walker Wear, in 1992. It became a huge success, and a favorite brand of many, many stars. Walker Wear ended in 1998, after the oversaturation and subsequent collapse of the urban fashion world. But in 2013, Walker brought back her eponymous company, and now sells both retro and new pieces online.

See http://theciphershow.com/episode/133/ for full show notes and comments.

It’s that time of year! We sit down with Bill to talk about this year’s edition of his world-famous Christmas music mix Xmas Jollies 2015, which you can stream EXCLUSIVELY from us here.

We also discuss how Bill’s extensive hip-hop archives ended up at Cornell University, despite the wishes of his pal Lyor Cohen; why you’ll soon see his photos at the Smithsonian; and the story of how a noted civil rights activist was outed as an FBI spy.

See http://theciphershow.com/episode/134/ for full show notes and comments.

Mack Wilds is best known for his acting work on TV shows like The Wire and 90210, and most recently his starring role in Adele’s “Hello” video. But he’s also a Grammy-nominated singer and rapper who is putting his own spin on r&b and rap. He brought his passions for acting and hip-hop together in VH1’s upcoming TV movie about the music industry in 1990, The Breaks, which airs on January 4th. Mack plays Dee Vee, an aspiring producer and DJ who finds a talented artist to work with, but may have bitten off more than he can chew in the process.

We sat down with the Staten Island native on the eve of The Breaks to talk about acting, music, his home borough, and much, much more.

See http://theciphershow.com/episode/135/ for full show notes and comments.

Oscar “Paris” Jackson Jr. is a rapper, songwriter, and producer who has been a militant voice for justice in the rap world since the 1980s. He came out of the Bay Area’s small but diverse and creative hip-hop scene towards the end of that decade, and made a splash with his 1990 debut album The Devil Made Me Do It, which mixed innovative musical choices with Black Panther-inspired politics and a Nation of Islam-influenced spiritual bent.

But it was his second album, 1992’s Sleeping With the Enemy, that really brought Paris to the notice of the masses. A song from that album called “Bush Killa,” about assassinating then-President George H.W. Bush, and another one about revenge killings of police officers called “Coffee, Donuts and Death,” got him attention from the Secret Service and dropped from his label.

But that didn’t stop Paris, who continues to release albums, including this fall’s Pistol Politics, and to rail against injustice in his rhymes.

See http://theciphershow.com/episode/136/ for full show notes and comments.

This week, we talk to Kevin Coval and Nate Marshall. Kevin and Nate, along with Quraysh Ali Lansana, are co-editors of the new poetry anthology The Breakbeat Poets. The book is billed as being “the first poetry anthology by and for the Hip-Hop generation,” and features the work of 78 different poets, representing several different generations of hip-hop fans and practicioners. The book is a first step in creating a Breakbeat Poet movement – a way of bringing the poetics and aesthetics of hip-hop into the world of poetry.

Kevin, who longtime Cipher listeners may remember from his appearance on Episode 52, is the author of many book including Schtick, L-vis Lives: Racemusic Poems, Everyday People and Slingshots: A Hip-Hop Poetica. He is the founder of Louder Than a Bomb: The Chicago Youth Poetry Festival, Artistic Director at Young Chicago Authors, and teaches at the University of Illinois at Chicago.

Nate is the author of NAACP Image Award-nominated book Wild Hundreds. He is a founding member of the poetry collective Dark Noise, and is also a rapper.

See http://theciphershow.com/episode/137/ for full show notes and comments.

Raqiyah Mays is a journalist, radio personality, author, and activist. She has been a major voice in hip-hop on the airwaves, on the page, and behind the scenes, and has now turned her attention to fiction. Her debut novel The Man Curse was just published by Simon and Schuster Digital.

Raqiyah began her career at Vibe, working closely with then-editor in chief Danyel Smith during the magazine’s Golden Age. She then became a freelance journalist, before moving onto radio, where she worked for both of NYC’s giant hip-hop stations, Power 105 and Hot 97.

The Man Curse, released this past November, chronicles the struggles of a young woman who works at a suspiciously familiar-seeming urban magazine under a glamourous EIC, as she attempts to become the first woman in her family to find true love.

See http://theciphershow.com/episode/138/ for full show notes and comments.

Torae Carr has been a mainstay on the underground hip-hop scene since his debut mixtape, 2008’s Daily Conversation. Since then, he has released a number of excellent and varied projects, both solo and with collaborators like Marco Polo and Skyzoo. He also hosts his show The Tor Guide six days a week on Sirius XM satellite radio.

Torae’s superb brand-new album is called Entitled. We talk about that, but also take it way back to his earliest raps, his wild ride through the record industry, and much more.

See http://theciphershow.com/episode/139/ for full show notes and comments.

Eligh Nachowitz and Corey Scoffern, a.k.a. The Grouch, are rappers best known for their affiliation with the Living Legends crew. The group, which also included our recent guest Murs, were pioneers in the independent West Coast rap scene in the 1990s. Eligh began his career with Murs and fellow future Living Legend member Scarub in a group called Three Melancholy Gypsys while still a teenager. That crew joined with another group called Mystik Journeymen, picked up a few members including The Grouch, and formed the Living Legends. Their lo-fi albums, made initially on four-tracks, plus their self-booked international tours, set a template that independent rappers follow to this day.

Eligh and The Grouch began releasing music as a duo in in 1998, and have released a number of albums together, most recently 2014’s triple album The Tortoise and the Crow. Together, separately, and with the rest of the Living Legends, their sprawling discography is one of the finest of the era.

See http://theciphershow.com/episode/143/ for full show notes and comments.

Krizz Kaliko first became known to hip-hop fans in the early 2000s as the ever-present hookman and onstage foil to Tech N9ne and other Strange Music artists, lacing tracks with both singing and rapping. His solo career would begin in 2008 with the album Vitiligo, and each record after that would reveal a diverse musical personality, equally comfortable with double-time raps, r&b hooks, and even Sinatra-style crooning.

Krizz’ latest album, released this past April, is called GO.

See http://theciphershow.com/episode/153/ for full show notes and comments.

!llmind first gained notice for making beats for some of underground rap’s best talent like Little Brother, Akrobatik, Heltah Skeltah, and two-time Cipher guest Skyzoo. But it didn’t take long for him to break into the mainstream, creating songs for Kanye West, Drake, J. Cole, Ludacris, and more.

!llmind also has a group of businesses aimed at helping aspiring producers, from his B.L.A.P. beat battles to his Blap-kits drum sound packages to personal mentorships. In addition, he’s an accomplished educator, and now a label head with his Roseville Music Group.

See http://theciphershow.com/episode/163/ for full show notes and comments.

TC is a DJ, emcee, and producer who began his career as a teenager in the mid-1980s, releasing several singles. But even back then, he was already an important member of the Zulu Nation, and eventually became a surrogate son, confidant, and musical collaborator of the organization’s leader, Afrika Bambaataa.

TC’s main musical contribution is combining hip-hop with dance music to create a unique hybrid he calls “hipstep.” Hipstep, which has its roots in both UK dance music and Bambaataa’s early experiments with electro, takes the tempos and sounds of drum and bass, jungle, and other dance genres, and brings them together with TC’s inimitable rhymes and song concepts.

The Zulu Nation, of course, has been rocked by scandal ever since a former member, Ronald “Bee Stinger” Savage, came forward this past spring with allegations of sexual abuse against Bambaataa. We’ll get TC’s comments on that as well, and his thoughts on the inner workings of the organization.

See http://theciphershow.com/episode/173/ for full show notes and comments.

Adam Mansbach is a novelist and, of course, the author of the “children’s book for adults” Go the F to Sleep. But his new project is not a book—it’s a screenplay. Adam wrote the new movie Barry, available now on Netflix. The film is a fictionalized examination of Barack Obama’s first months in New York City, as he arrives at Columbia University in 1981.

The film stars Ashley Judd, Anya Taylor-Joy, Jason Mitchell, Ellar Coltrane, Avi Nash, and the fantastic newcomer Devon Terrell as Obama. It’s been getting rave reviews and has garnered a bunch of award nominations, including NAACP Image Award and Independent Spirit Award noms for Adam. We talk to Adam about writing and filming Barry, but we also catch up about the election, his new TV show, Henny Youngman’s joke-telling philosophy, and a whole lot more.

See http://theciphershow.com/episode/182/ for full show notes and comments.

Salaam is a producer who is behind some of the most popular hip-hop, r&b, pop, and dancehall songs of the past several decades. His work with icons like Nas, Amy Winehouse, and The Fugees has been on the airwaves and on the charts consistently since the 1990s.

Salaam is the son of a musician, and got his start early, working on songs with the likes of Kurtis Blow as a teenager in the mid-1980s. By the early 90s, he was already producing hip-hop and dancehall. He did some remixes for an under-appreciated rap group called The Fugees whose first album was on the verge of flopping, and that quickly led to him producing the song “Fu-gee-la” on their monster hit follow up album The Score.

But it was in the early 2000s that Salaam really hit his commercial stride, as he began working closely with Nas on, including many others, the iconic single “Made You Look.” And Remi began working closely with a young singer from London named Amy Winehouse on her 2003 debut Frank, and also produced five songs on her smash hit follow up Back to Black. Miraculously, that’s only the beginning of Salaam’s track record as a producer, musician, composer, and executive.

See http://theciphershow.com/episode/183/ for full show notes and comments.

Andre “Doctor Dré” Brown is best-known for his time co-hosting Yo! MTV Raps with Ed Lover, a job he held down from 1989 to 1995. He and Ed used their chemistry and comic sensibility to bring hip-hop, and the artists who made it, to a worldwide audience.

But, as you’ll hear, there’s much more to Dré than his time at MTV. He was a key part of the group Original Concept, one of Def Jam’s early signings. He played a key role in the lives of some other early Def Jam acts, Public Enemy and the Beastie Boys. He’s made movies, worked in radio, and done pretty much everything else you can imagine.

See http://theciphershow.com/episode/185/ for full show notes and comments.

Thirstin is a Brooklyn rapper who came on most rap fans’ radar during the underground hip-hop boom of the late 1990s. His comic songs like “I Still Live With My Moms” and “How Many Babee Muvas” caught the attention of listeners who liked their lyricism and tales of New York City street life with a side of humor.

But as much as for rap, Thirstin is also well-known for his long-running obsession with Polo. As a teenager, he played a key role in uniting two disparate Brooklyn crews into the Lo-Lifes, a group that would become notorious for both their boosting sprees and their fashion. Thirstin has a new book documenting the worldwide reach of the Lo-Lifes, called Bury Me With The Lo On.

See http://theciphershow.com/episode/187/ for full show notes and comments.

G Koop is your favorite producer’s secret weapon. In addition to being a successful beatmaker on his own for artists like Gift of Gab and Nelly, Koop has carved out a successful career as the go-to guy for sample replays. He can re-create nearly any song, from any era, and has done so for artists like Drake, Ice Cube, MF DOOM, Scarface, and countless others.

Lately, he has taken that one step further, and begun creating his own compositions for other producers to sample. That music has been the basis for songs by Future, 21 Savage, 2 Chainz. and even Migos’ recent number one smash hit “Bad and Boujee.”

See http://theciphershow.com/episode/193/ for full show notes and comments.

Alan is the head of rock and urban at Entertainment One Music, a record label you may know better by the name it had until 2009, Koch Records. Koch is a label that had hits with veteran artists like Fat Joe’s Terror Squad, KRS-One, The Game, and Snoop Dogg; while also breaking new artists like Unk, Rich Boy, and even a then-new DJ Khaled. Hip-hop fans will remember the period in the mid-2000s where they had huge hits with Jim Jones, the Ying Yang Twins, Unk, Khaled, and more.

But Entertainment One is only a part of Alan’s story. He started out at Sony getting the Fresh Prince his first millions, and then worked at Relativity Records in the early 1990s just as the label was first getting into hip-hop, with artists like Fat Joe, the Beatnuts, and a young guy out of Chicago who called himself Common Sense. Alan was also responsible for helping to make then-regional acts like Three 6 Mafia and 8Ball & MJB rise to national prominence. He even played a key role in Eazy-E’s Ruthless Records during the period of its greatest success.

See http://theciphershow.com/episode/203/ for full show notes and comments.

Welcome to a special episode of The Cipher. This is an episode dedicated to Houston. Like countless people around the world, we were devastated by news of Hurricane Harvey and its effects on the city. If you’re a regular listener, you’ve noticed that we have many episodes discussing Houston music and culture with the city’s artists, businesspeople, and authors.

So, because of that love for Houston’s music, culture, and most of all its people, we decided to reach out to three H-town rap legends and find out what’s really going on in the storm and its aftermath, and to find out what you can do to help. We caught up by phone with Trae tha Truth, Killa Kyleon, and Z-Ro. All three have been involved in recovery efforts —in fact, you may have seen Trae on the news, rescuing people by boat. And all three have seen first-hand the devastation the storm has caused.

See http://theciphershow.com/episode/213/ for full show notes and comments.

Lil’ Flip is a Houston rapper and member of DJ Screw’s famed Screwed Up Click who has more than earned his title of the “Freestyle King.” Flip began his career in the late 1990s, mixing solo and group projects, mixtapes, guest appearances, and, of course, countless freestyles. But it was his 2004 album U Gotta Feel Me, which included the massive hits “Game Over” and “Sunshine,” that really launched him to stardom.

Since then, Flip has had his share of ups, downs, and notorious beefs, but he’s never stopped making great music. His latest project is the K EP.

See http://theciphershow.com/episode/223/ for full show notes and comments.

Ice is someone who surely needs no introduction…which won’t stop us from giving him one anyway. He got his start in music as part of L.A.s mid-1980s electro scene, emceeing and managing the stage at the noted club Radio, working with people like The Unknown DJ and Chris “The Glove” Taylor, and making a notable appearance in the 1984 film Breakin’.

Following the release of his classic song “6 in the Mornin’” and a fateful 1986 trip to New York City, Ice landed a deal with Sire Records, and began producing a string of huge-selling and groundbreaking albums like Rhyme Pays, Power, and O.G. Original Gangsta. In the 1990s, he turned his attention to acting as well, and appeared in dozens of films including New Jack City, Surviving the Game, Johnny Mnemonic, Trespass, Tank Girl, and more. Oh, and somewhere in there his rock band Body Count recorded the notorious track “Cop Killer.”

These days, Ice’s day job is starring as Detective Fin Tutuola on Law and Order: SVU. But he’s still making music, both on his own and with Body Count.

See http://theciphershow.com/episode/230/ for full show notes and comments.

Skyzoo is a fantastic Brooklyn rapper whose sophisticated lyrics and ear for soulful beats has long made him one of our favorites. Longtime listeners will no doubt remember that he’s been a guest on the show twice before. But this is different.

Sky approached us last month with the idea of having an in-depth conversation to tease out the themes and ideas in his awesome new record. In Celebration of Us, easily his most topical project to date, deals with police violence, gentrification, discrimination, validation, and ultimately what it means to be, as Sky is, a black man raising a black boy in America today.

He wanted to have the talk at a place near to his heart, so we met at Mike’s Coffee Shop. Mike’s is a Brooklyn diner that has been a staple of the rapper’s life since childhood, and remains one now that he has a child — his newborn son Miles — of his own.

See http://theciphershow.com/episode/231/ for full show notes and comments.

Evidence first became known to most hip-hop fans as a member of Dilated Peoples. The group, which consists of Ev, Rakaa Iriscience, and the virtuosic DJ Babu, were beloved champions of hip-hop’s underground in the early 2000s.

After a number of successful Dilated projects, Evidence decided to go solo in 2007 with The Weatherman. Since then, he’s continued to release music on his own, with the group, and even with his longtime friend, the producer Alchemist, as the Step Brothers. His latest release is Weather or Not.

See http://theciphershow.com/episode/232/ for full show notes and comments.

Erick Sermon got his start alongside Parrish Smith as a member of the iconic duo EPMD. Starting with their debut single in 1987 and their first album the following year, the group released four classic LPs in a row - a nearly unprecedented run in a still-new genre - before splitting (for the first time) in 1993. At the same time, Sermon was instrumental in finding and introducing hit acts like Das EFX, K-Solo, Keith Murray, and Redman for his Hit Squad collective. After the breakup, Erick began a successful career as a solo artist and producer, culminating in his giant 2001 hit “Music.” As a producer, he’s helmed hits for LL Cool J, Jay Z, Illegal, Jodeci, and even Shaquille O’Neal. Most recently, Sermon completed a successful campaign to crowdfund a new album.

See http://theciphershow.com/episode/233/ for full show notes and comments.

Sage Francis and B. Dolan are both from Providence, are both rappers who have roots in spoken word, have toured and sporadically recorded together for years, and even share a label—the Sage-founded Strange Famous Records. But it has taken them until 2018 to release a full project as a duo: the Epic Beard Men.

Sage is a beloved underground rap veteran who has been releasing albums of his smart, introspective, and emotional music consistently since 2002, and touring the universe maniacally to support them—all while running Strange Famous. B. Dolan is an equally talented wordsmith whose solo work is as likely to give new life to old union hymn as it is to pay tribute to the Ol’ Dirty Bastard. The group has a new EP, Season 1, and an album on the way.

See http://theciphershow.com/episode/234/ for full show notes and comments.

The Arsonists were a crew formed in Bushwick in the early 1990s. D-Stroy, who began his rap career in his early teens alongside famed DJ Tony Touch in the duo Touch and D-Stroy, helped to solidify a group that would come to consist of, among others, Freestyle, Jise One, Swel Boogie, and Q-Unique. After putting out several early singles, the group was the first hip-hop act to sign to Matador Records, a label better known for indie rock. They released their debut album As the World Burns in 1999.

An intense touring schedule and its attendant stresses put pressure on the crew, and it splintered after the 2001 follow-up Date of Birth. But the Arsonists are back with a new album, Lost in the Fire, and a reissued version of their debut. Lost in the Fire features a mix of old but previously unreleased material alongside new songs.

See http://theciphershow.com/episode/235/ for full show notes and comments.

Jean Grae was our show’s first-ever guest back in 2012. She is one of the finest rappers out there, and a great producer as well. But in recent years, she’s expanded her horizons even further, pushing into comedy, sitcoms, instructional albums, audiobooks, talk shows, variety shows, and even her own church.

Quelle Chris joined us in 2016. Since then, he’s released the acclaimed album Being You Is Great, I Wish I Could Be You More Often and the instrumental project Lullabies for the Broken Brain.

Now Jean and Quelle have joined forces for the incredible new album Everything’s Fine. The project has been met with critical raves from pretty much everywhere, and rightly so. It shows Jean and Quelle in absolute top form: rapping, singing, producing, and playing on a group of songs that respond to today’s often-frightening world with humor, sadness, and a reminder that when we tell people that everything’s fine, we almost never mean it.

See http://theciphershow.com/episode/236/ for full show notes and comments.

Phonte first visited us in early 2016, when we had a career-spanning interview. But now he’s back with No News Is Good News, an incredible new album that turns the rapper’s last several years of tragedies and triumphs into amazing art.

Phonte first came to most rap fans’ notice as a member of the critically acclaimed group Little Brother, and has since released an array of solo, duo, and group projects - most notably with Foreign Exchange. No News Is Good News finds Phonte reflecting on the deaths of close family members, the happiness brought by a new marriage, and what it’s like to possibly have more years behind you and in front of you. All of that, combined with Phonte’s incredible rhyming, makes for one of the best records of the year.

See http://theciphershow.com/episode/237/ for full show notes and comments.

MC Paul Barman first started making songs in the late 1990s, during his time at Brown University. His wild rhymes about topics like a slacker college student who becomes half man, half goat in order to become a star quickly caught the ear of legendary producer Prince Paul, who produced Barman’s 2000 EP It’s Very Stimulating. That project introduced Paul Barman to the hip-hop masses as a guy as likely to drop a reference to a Polish filmmaker as LL Cool J, and to write lyrics that incorporate elaborate rhyme schemes, acrostics, and even Morse code.

Since It’s Very Stimulating, Barman has released two full-length albums and several mixtapes. His brand-new album (((echo chamber))) is out Friday, May 18th on Mello Music Group.

See http://theciphershow.com/episode/238/ for full show notes and comments.

This week, we talk to a man who needs no introduction, Big Daddy Kane. Kane tells us about his legacy, dissing Erick Sermon, who really produced his first album, and tons more. This is a Cipher-ized, improved version of an episode that originally ran in 2013.

See http://theciphershow.com/episode/239/ for full show notes and comments.

Joan is a writer who got her start in the 1990s, helping to create what came to be known as “hip-hop journalism” with her articles at places like Vibe and the Village Voice. Whether she was writing about the Mike Tyson trial, profiling TLC, or investigating the sex trade in Jamaica, Joan brought her keen, Bronx-raised sensibility to everything she touched.

Joan pioneered hip-hop feminism—and came up with the phrase “black girl magic,” to boot—in her classic 1999 book When Chickenheads Come Home to Roost: A Hip-Hop Feminist Breaks It Down. And now she has a brand new book, a reflection on Ms. Lauryn Hill’s classic debut album. It’s called She Begat This: 20 Years of the Miseducation of Lauryn Hill.

See http://theciphershow.com/episode/243/ for full show notes and comments.

Mid90s, which opened this past Friday, October 19th, is a film Hill wrote and directed about a group of skateboarding friends in—you guessed it—the mid-1990s. The incredibly authentic period piece features plenty of nods to the skateboarding scene and the music of the time period, including songs from the Pharcyde and the Gravediggaz, and a memorable cameo appearance by Del the Funkee Homosapien.

This is Jonah’s first film as a writer/director. He has, of course, starred in tons of films, from Superbad to Moneyball to The Wolf of Wall Street. For this interview, Hill was joined by Sunny Suljic, who plays Stevie; Na-kel Smith, who plays Ray; Olan Prenatt, who plays Fuckshit; Gio Galicia, who plays Ruben; Ryder McLaughlin, who plays Fourth Grade; and Alexa Demie, who plays Estee. To rap fans, Na-Kel Smith’s name and voice may sound familiar—he has a music career of his own, and has appeared on songs with Tyler, the Creator and Earl Sweatshirt.

See http://theciphershow.com/episode/248/ for full show notes and comments.

With the age of literary correspondence dying, it seems more important than ever to provide spaces of warmth and comfort in which writers can not only retreat

Joey and Lee talk about everything from cats, sports and music. Joey's childhood friend Loubs calls in. Originally aired 9/3/12. 

Joey and Lee chat about music, comedy, tv and life. Mr. T, one of Joeys teachers calls in.

Originally aired 09/05/2012.