Climate advisers call for work and training in low-carbon heating, water efficiency and flood-protection

• Coronavirus – latest updates
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Restarting the economy and getting people back to work after the coronavirus lockdown should focus on low-carbon work programmes, the UK government’s climate advisers have urged.

They said this would generate new jobs, protect the climate and ensure a fairer economy for everyone.

Related: Green stimulus can repair global economy and climate, study says

Related: Airlines and oil giants are on the brink. No government should offer them a lifeline | George Monbiot

Income subsidies

Business models reliant on maximum footfall are at odds with social distancing, leaving space for local shops and mutual aid

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With most local shops shuttered and online sales booming, it’s easy to imagine that coronavirus will deal a mortal blow to the high street. The images of empty public spaces that have come to define this crisis could be a warning of what life will be like after the lockdown, when people will fear crowds and social distancing will continue, either through self-policing or government directive.

The decline of public life is one of the biggest casualties of Covid-19. Zoom, Amazon and Netflix are unlikely to replace our human craving for it. Public discourse has shrunk to encompass the virus, while our daily lives have retreated into the private domestic sphere. Streets and public places, high streets in particular, are the physical setting for public life, and the impact of the virus is that life lived outside – socialising, shopping, working – has been almost entirely curtailed.

Social preferences, economic realities and government policy will shape the future of the high street

Related: 'It's really shocking': UK cities refusing to reveal extent of pseudo-public space

A teenager bonds awkwardly with her cousin as they take the bus from a rural community to New York so that she can have a termination

The four words in this title are the four possible replies to bureaucratic tick-box questions about the frequency of your various sexual experiences. A young woman here must answer them, before she is allowed to have an abortion. However rigid and blandly routine it seems, the four-part answer grid is cleverly designed to get information about vulnerability: it is so easy instinctively and evasively to deny a difficult question structured as a yes/no, but much harder to check the “never” box, when “rarely”, “sometimes” and “always” are coolly offered as equivalently non-judgmental options.

The lead character in Eliza Hittman’s tough, realist drama is confronted with this central, four-part inquisition about her life in one brilliantly controlled, enigmatic scene. Theoretically, it is just a bit of form-filling that doesn’t appear to promise any real revelation to the audience. Yet it does just that, delivering a penny-drop moment of realisation. Or perhaps it’s more of an ambiguous hint and all the more disquieting for that.

Related: Sleazy bosses, exploited barmaids: US cinema finally discovers the left behinds

Grigory Sokolov
(Deutsche Grammophon, 2 CDs, 1 DVD)
He last gave a concert in the UK in 2007, so any opportunity to hear one of the world’s finest pianists is welcome, though this is uneven

For over a decade now, the British government’s stringent visa requirements for visiting musicians from outside the EU have ensured that Grigory Sokolov has not played in Britain. The Russian gave his last recitals here in 2007, and as he no longer performs concertos, and shuns studio recordings, opportunities to hear a pianist who many regard as one of the finest alive today get fewer by the year. This compilation at least brings us more or less up to date, with performances taken from recitals that Sokolov gave in 2019 in Zaragoza, Wuppertal and in the Tyrolean village of Rabbi, where the great Italian pianist Arturo Benedetti Michelangeli had a house, and where a festival is now held in his memory.

Her freaky, filthy tracks frequently break the internet – most recently with a guest spot from Beyoncé – but the Houston rapper won’t let the internet break her

• ‘We do what we want, for ourselves’: why it’s a golden age for women in rap

Given that her lyrical prowess has made her one of the hottest rappers in the US, it’s hardly surprising that Megan Thee Stallion is good at anecdotes. We’re talking over Zoom – Megan looking impeccably high-glam, worthy of a Real Housewives reunion – as she regales me with how she ended up recording a remix with her idol.

“I got a call: Beyoncé wants to do a remix to Savage,” she says, shaking her head with disbelief. “And I was like ... what? Shut up. Shut up. You’re lying. Beyoncé don’t want to get on nothing with me. Come on, it’s me! I know I’m Megan Thee Stallion, but dang!”

I can’t be mad at the next girl for wanting to be the best. Why can't we both agree that we bad?