Microsoft Surface Pro 4

After receiving complaints regarding a screen flicker defect in some Surface Pro 4 devices, Microsoft has offered to replace the eligible devices free of charge.

The faulty devices qualified for replacement should be up to three years from the time of original purchase, Microsoft Support said in a blog post late Friday.

"We will ship you a replacement device as soon as you return your existing device. Typically, it will take 5-8 business days for you to receive an exchange device from the date that you ship your current device back to us," the post added.

Users that have already paid for a screen-replacement will get a refund.

In February, Microsoft had said that it was monitoring the situation.

The tech giant has clarified that the replaced devices will be refurbished.

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Of India's 31 chief ministers at this point, 11 have criminal cases against them, and eight have 'serious' cases that include rioting and murder. Illustration/Ravi Jadhav

I urge you to spend a few minutes on Google and look for Indian politicians convicted of crimes. I don't recommend you search for politicians 'accused' of crimes, because that may leave you with very little time to do anything else for the rest of the week. I also warn you against looking for politicians convicted of corruption, or politicians disqualified from office, because both those lists are incredibly short and may depress you.

Also, read a little about the Association for Democratic Reforms, established in 1999 by a group of professors from the Indian Institute of Management, Ahmedabad, to examine the criminal, financial and educational background of candidates contesting elections. To spend a little time at its website, where it publishes reports analysing elections and their contestants, is to expose oneself to just how awful the people claiming to represent us really are.

A week ago, for instance, the ADR published an analysis of MPs and MLAs with declared cases related to crimes against women. Apparently, out of 1,580 (that's 33 per cent) of MPs/MLAs analysed with declared criminal cases, 45 MPs and 3 MLAs have declared cases related to crimes against women. 327 candidates who had declared cases related to crimes against women were given tickets by recognised political parties. A number of candidates even contested in Lok Sabha and Rajya Sabha elections, and Maharashtra had the highest number of these gifted representatives. The website also carries a preliminary analysis of candidates announced by major political parties for the Karnataka 2018 Assembly elections, and shows that these parties continue to give tickets to candidates with serious cases.

Here's another thing that ought to concern us but no longer does, presumably because we are inured to information of this sort: Of India's 31 chief ministers at this point, 11 have criminal cases registered against them, and eight have 'serious' criminal cases that include 'voluntarily causing hurt by dangerous weapons or means', 'rioting', and even murder.

It's easy to see why politicians with a criminal record are more likely to be elected than those who haven't seen the inside of a jail, of course. People who don't commit crimes don't have access to illicit funds, which means they simply can't afford to bribe voters. It's also why the government of our country overturned a Supreme Court ruling demanding the disqualification of any politician convicted for crimes punishable with more than two years in jail. According to the men and women who supposedly represent us, it is more important to maintain political alliances and stay in power than it is to prevent criminals from taking charge of our collective future.

We live in an era where transparency does not exist, where we have no access to information about why some men and women are mysteriously chosen to represent a majority, and where politicians are encouraged to avoid being answerable to their countrymen. We are kept in the dark about why some projects are initiated and others ignored, why deals that don't make sense to anyone with common sense are approved at our expense, and even why our streets are named after people none of us have ever heard of. It's also why no political party has taken concrete steps to encourage the brightest and best among us to run for office. It's also why qualified government officials are often shunted out, because our leaders need minions, not people capable of independent thought. This is why we live in a time where it is always the worst that rise to power the fastest, then dictate terms for the rest of us.

Children ought to aspire to a life of public service because ours is a country that has, at least on paper, always placed the common good above all. Our forefathers sacrificed everything they had to create a country that no longer works for its poorest citizens. The reason why these statistics ought to matter is the kind of message the world's largest democracy is sending to its youngest members. In America, young people are encouraged to nurture the belief that they can be President some day. We probably don't encourage our children to aim for those high offices because we recognise that they may need to have a criminal bent of mind in order to make it.

When he isn't ranting about all things Mumbai, Lindsay Pereira can be almost sweet. He tweets @lindsaypereira Send your feedback to mailbag@mid-day.com

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Shrikant Karani takes an early morning walk on the Siri Road steps with his dog Mischief. Pics/Sayed Sameer Abedi

The peace is palpable, the serenity a shock to the system. I'm on Siri Road, the misty-twisty path languidly climbing from Chowpatty to Kamala Nehru Park. Obscure and often missed in a blink by those not knowing it, this thin lane links Walkeshwar to Ridge Road. Every runner's dream, every walker's mini Mahableshwar in Mumbai, the country road you can drive on only till a point is summer-pretty. Heavy with fresh yellow and red flowers, its glowing greens slope up and up to an idyllic city panorama.

This is among the last havens of virgin verdure, affording spectacular sky and sea views at various heights Malabar Hill has hewn since the time it was fully forested. "Around 1534, Siri Road led from Gamdevi village up jungle-covered slopes of Malabar Hill through babul plantations to the banyan-girt temple of Walkeshwar," writes Pheroza Godrej in Bombay to Mumbai: Changing Perspectives. "The stream of worshippers from the west coast followed this path up the hill and, as it was narrow, called it 'Siri' or 'Ladder'."

Nonagenarian Nirmala Kotak in the living room of her home at the Dadyseth bungalow, where she has lived for 70 years since her marriage in 1948

I track down Rajkumar Loyalka, after whose father the road is renamed Chiranjilal Loyalka Marg. "My grandfather Ramchandra from Pilani belonged to the East India Cotton Association. His son, my father Chiranjilal, was a stockbroker and freedom fighter," he says.

Siri Road made news three years back when civic authorities wanted to widen and extend its 300 motorable metres by another 300, for traffic to reach Hanging Gardens via Ridge Road. That environmental disaster was averted by vigilant residents mounting a sharp campaign, my friend Kekoo Colah who walks here daily tells me. They painted "Mala kapu naka – Don't axe me" and "Save us from BMC" on the barks of beloved trees. Tipped at both ends by rowed barbers, bus conductors, paanwalas and ragpickers, Siri Road slumbers amid a jumble of shuttered coal and ration shops turned garages and go-downs. But there's trouble in paradise. Sudden bends and secluded niches swerve into kuchcha mud off-paths, whose messily overgrown carpets of dry leaves and dirt piles are hideouts for hardened bootleggers and junkies.

Named for the shape of its fruit

Near enough, city Zoroastrians got the first open-to-sky dakhma, or Tower of Silence, to dispose their dead in 1672. On the sylvan acres of Doongerwadi, prayers for the deceased are liltingly recited in roofed halls called bunglis. The Dadyseth family built one such in the area. The bungli's barest remnants are skirted by Hibiscus bushes with red blooms brighter than the ancient maroon wall ruins they cling to. Banker Dady Nasarwanji amassed vast land tracts in trust to maintain Dadyseth Agiary at Kalbadevi. He acquired the Chowpatty Band Stand property around 1783 from a Portuguese named Barretto.

Nonagenarian Nirmala Kotak has lived from 1948 in the whispering shadows cast by atmospheric Dadyseth bungalow, which is well over a century old. With daughter-in-law Durrat, she pieces memories of 70 years after her marriage. "Our family planted kesar kairi trees in the compound when my three sons were young," she recollects. "We wake to the shrieking of koels and parrots eating mangoes. Peacocks still fly in to drink water from a dripping tap and cobras coil on tree trunks in the heat."

The Stocking Tree grows uniquely on Siri Road alone in Mumbai. Pic courtesy: Shubhada Nikharge

I discover an interesting former Siri Road tenant thanks to Vinayak Talwar of Khaki Tours nudging me to check Volume III of The Gazetteer of Bombay City and Island. The Duke of Wellington indeed lived here when he was Colonel Arthur Wellesley, in a house Seth Cursetjee Manockjee — of the Khada Parsi statue fame — owned, between road and sea at the curve of the bay. (The landlord became such a great friend that his son Manockjee devotedly retained a hair of the Duke in his locket!). The student Eton described as "not at all a book boy and rather dull" went on to vanquish Napoleon at Waterloo and lead England as Prime Minister twice over, in 1828 and again in 1834.

His Bombay home in 1801-02, was "on your right opposite the wood-wharf as you ascend steep Siri road... The house, Surrey Cottage, stood halfway up the now non-existent eastern brow of Malabar Hill. It comprised a lofty hall, with long verandahs at the sides. In front was a porch, to which led two carriage-ways from different directions. One passed the horse stable near the Siri. The hall commanded a view of Back Bay and Girgaum, also the Esplanade and Fort. The Duke, with his eagle eye, must have scanned a glorious scene from Malabar Hill minus steamers and mills."

A second generation hornbill hops to the Karani family kitchen window to be fed - at one time two older birds would show up with a pair of their babies, of whom this is one. Pic courtesy: Utpal Tijoriwala

Wellesley had company round the corner in George Bellasis at Randall Lodge. The soldier and amateur artist was the son of Major General John Bellasis, whose 1790s orders constructed Nagpada's kilometre-long Bellasis Road, to relieve the poor displaced from famine-struck Surat. George met his neighbour when the future Duke of Wellington was recouping from an attack of ringworm, more colourfully referred to as the Malabar Itch. While the infection stopped him sail for an Egypt expedition, that ill-fated ship sank in the Gulf of Aden.

George Bellasis admiringly dedicated his 1815 book, Views of St Helena, to His Grace Field-Marshall the Duke of Wellington who exiled the French emperor to that island. A watercolour of Randall Lodge paints a two-storey structure with a rectangular lawn edged by cypresses.

What other breeze-kissed trees rustle secrets along this sequestered stretch? Colonial chronicles mention sandalwood, mistletoe, star apple, ivy fig and Christmas trees, with rose bushes, celery and cabbage patches around Surrey Cottage. Usha Desai and Renee Vyas, of Tree Appreciation Walks, detail a wealth of local flora: banyan, frangipani, asopalav, sitaphal, parijat, coconut, mango, jungli badam, putranjiva, jackfruit and aritha.

Flowering in the rain and fruiting in winter, the Stocking Tree is unique to Siri Road, according to Sharadini Dahanukar's book, Green Solace. "We haven't seen it elsewhere in the city," says Desai. "When we saw this one December, its stocking-shaped fruits had fallen. From a seed sprouted in the stocking, Renee grew a sapling on her farm." The originally South American tree leans against a chawl wall here.

"Trees like neem, peepul and kamrak were believed holy for harbouring the souls of rishis like Valmiki," says Rajesh Joshi, introduced to me by Ridge Road resident Jaidev Mehta who has walked the length of Siri Road thrice a day for 60 years. Rajesh's grandfather Hansraj Sawairam, from Sirohi in Rajasthan, heralded a line of four generations of Joshis tending the "swayambhu" — Sanskrit for "self-manifested" — Hanuman temple. It is supposed to have spontaneously risen on soil imprinted sacred by Ram, Sita and Lakshman in the Banganga vicinity. "Ram chose this quiet spot to meditate because of its solitude," Joshi says.

This is temple turf, proffering a trio of 150-year-old examples. Of these, two survive — Hanuman and Shiva mandir, nestled close-necked towards the top of the road. Descending nearer Walkeshwar, devotees thronged, too, to the Ram mandir from the 1880s, till at least a hundred years after. Motor sports entrepreneur Shrikant Karani and his wife Feruza recollect its beautiful idols left abandoned. We tiptoe through filthy, forgotten tracks in thickets below their building, Chitrakut, which faces the Ram temple site (Sita awaited Ram's return from Lanka in Chitrakut). Birdsong spikes the soporific afternoon air. Shrikant remembers dozens of Parsi Dairy bhaiyyas form inky blue clusters in trademark uniform shirts, Siri Road being their shortcut for deliveries from Walkeshwar to Ridge Road.

A tilt across, where Loyalka Estate later rose, was the home of the seven talented Pooviah sisters from Coorg. Their portico, sunken eight or nine feet beneath road height, was designed as an oasis of cool, not letting warm winds waft within on the hottest day. The three youngest sisters, Sita, Chitra and Lata, were renowned Kathak exponents. Sita also worked at Handloom House in the 1960s with Kamaladevi Chattopadhyay.

Their contemporary, Shirin Vajifdar narrates how she and her classical dancer sisters Khurshid and Roshan bonded with the Pooviahs. In a journal her family shares, Shirin has written: "We started weekly lessons at the Pooviah sisters' house. The three charming sisters were the greatest devotees of Kathak dance, the most promising pupils of Jaipur gharana maestro Sunder Prasad. They gave all help to learn at their residence."

The Pooviahs possessed the sole telephone on the road. "They would offer me biscuits when I went across as a boy to make calls," says Shrikant Karani. "I played Chor Police with kids of maalis who clipped the Hanging Gardens' hedges. We knocked dangling drumsticks with catapults, and shook pink and white champas to string garlands from fallen petals."

Old-timers mention a stone Vishnu once reclined under a gulmohur grove in the wilderness (Anantashayana — literally, "sleeping on the serpent Ananta"). Wondering where the divine Preserver must have basked benignly in the crisp sunshine, I pass Gagangiri Maharaj Ashram. A hum of discourses and yoga sessions mesh mellifluous with birds rapping tender-to-throaty tango tunes. Which could these be from Siri Road's trio of feathered regulars — oriole, barbet or hornbill — I try to guess, twigs snap-snapping underfoot every minute.

"We have a hill station in our backyard," declares filmmaker Vivek Kumar, treading this path as part of his exercise workout. "A little landscaping might even make this Bombay's answer to Crookedest Street of San Francisco."

Author-publisher Meher Marfatia writes monthly on everything that makes her love Mumbai and adore Bombay. You can reach her at mehermarfatia@gmail.com

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Illustration/Uday Mohite

Oh, wretched irony, that President Ram Nath Kovind — whom BJP president Amit Shah unabashedly introduced as a Dalit when nominating him as a Presidential candidate — should himself introduce a caste system, where it never existed before: India's august National Film Awards. The President informed the Directorate of Film Festivals (DFF) three weeks earlier that he would leave the award function in an hour. But the winners were informed only a day earlier, that the President would give away only 11 of the approximately 137 awards at the 65th National Film Awards; the rest would be given away by Information and Broadcasting Minister Smriti Irani, and Minister of State Rajyavardhan Rathore. As the award winners' invitations stated that they would receive the award from the President of India, they wrote to the DFF about a breach of trust, "65 years of tradition was being overturned in a jiffy," and nearly 55 winners boycotted the function.

Nothing spoke of the sordidness of this prestigious event as that photograph with just two disturbed award winners, in a hall full of empty chairs. The names of the 30 award winners who protested were not even announced. It is heartbreaking that a number of award winners, including Fahadh Faasil, who won Best Supporting Actor for Thondimuthalum Driksakshiyum, and Parvathy, who won Special Mention for Take Off, both in Malayalam, returned home without their National Awards. We are proud the National Awards still go to those truly deserving them, mostly. Bollywood, which usually hogs the limelight, is shown its true place in Indian cinema at the National Film Awards. Malayalam cinema won 11 major awards, Hindi cinema only eight in comparison; Bengali and Assamese cinema won five each; Marathi cinema won four; Tamil and Telugu cinema won three each.

The President, who is 72, gave no reasons for his self-styled, one-hour Cinderella rule. If he had medical issues, he could reasonably have declined, or split the awards into two sessions.

I have had the honour of attending four National Film Awards — once as an award winner, and thrice on the National Film Award Jury, in 2008, 2011 and 2014. Bungling and uncertainty are a given. I had won the National Award for Best Film Critic for 1998, but received the award only in 2000, because of unstable governments. As I'm usually at the Berlin Film Festival in February, I had asked the DFF about likely dates since October, but they said they would know only at the last minute. I was at the Berlin Film Festival when I was swiftly summoned to New Delhi, so my parents Indu Shedde and S Rammohan went to New Delhi, and my mother received the National Award on my behalf from President KR Narayanan.

On the other hand, Ramendra Naresh, a Dalit student who topped the MCA programme at the Babasaheb Bhimrao Ambedkar University, refused to accept his gold medal from President Kovind at the convocation scheduled last December, to protest against the growing atrocities against Dalits. Along with all this year's award-winners, I applaud Naresh as well.

Meenakshi Shedde is South Asia Consultant to the Berlin Film Festival, award-winning critic, curator to festivals worldwide and journalist. Reach her at meenakshishedde@gmail.com

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On the ferry, leaving the island of Burano at dusk. pic courtesy/Rosalyn D'mello

Because the high chairs and tables extending onto the pavements are arranged like invitations; because the indigo sky greets us with its distinct hue, informing us that though the sun has set and it is past 8 pm, the evening has only just begun; because our feet, so tired from daytime explorations, miraculously find the strength to continue their march; because Mac's Ruby Red lipstick enhances our personalities, making spectacles of our skin tone; or maybe because we are not alone, by 9 pm, unfailingly and with impressive regularity, Mona and I become Queens of the Italian night. There are travellers who tuck themselves in early so they can restore their bodies for the future that awaits them when they awake. Not us.

We are nocturnal explorers, un-bound by the limitations of cartography. We find tentative destinations and then walk the streets like we own them, like they belong to us. We allow ourselves to get distracted by the sights we suddenly stumble upon; we make commentaries on street signs, we take pleasure in seducing policemen into smiling sheepishly at us, we keep ourselves open to conversations with strangers. During the day you could ostensibly call us tourists. We visit monumental sites; pay entry fees, download audio guides and take photographs of everything that impress us. But at night, we are uninhibited.

Because we come from a reality that is both condemned and celebrated as third world, we have few filters about what constitutes safe and unsafe European streets. We trust our intuitions that have been fine-tuned through years of navigating streets that ought to be friendlier towards women's presences, that could do much more to encourage women's loitering. Online guides tell us to be wary of specific areas, but because Napoli feels like a somewhat seamless city with one street urging you on to the next, one inviting façade leading you to explore another, we do not exercise too much restraint as we navigate a city that feels overwhelmingly familiar. We walk through gritty and un-pretentious streets, walk into dive bars and surprisingly cheap restaurants. On our first evening in Napoli, for example, we followed a cyber suggestion and found ourselves at an institution where every drink on the menu was priced at one euro. It was teeming with as many people as could be found in a single Mumbai local compartment, all elated and happy drunk. We had a few Apero-Spritzes and proceeded towards a jazz bar, stopping in between because we were lured by a boutique shop on a wayside street.

There we had excellent red wine, and the choicest green olives. The jazz bar was a bust; it turned out to be a pretentious speak-easy where the bartenders wore white coats like mixologist doctors. Yes, there was what sounded like Billy Holiday singing in the background, and plush red sofas and a superbly well stocked bar, but it was cosmetic, and expensive, and after a small moment of indecision, we decided to simply walk out and go elsewhere. It wasn't a disappointment because on the way we had encountered so much of the city's past by way of arcades, historic fountains, grand edifices and random ruins.

This behaviour of ours hasn't been confined just to Napoli. Even in Firenze and Venezia, our nightly excursion was the day's highlight. In those cities, more than in Napoli, night-time turned out to be the only time when we weren't part of a swarming mass of tourists; when we didn't have to wait in extensive, un-ending lines to get in somewhere. It was surreal, navigating the canals of Venice at 2 am, when the water-borne city feels like an abandoned ghost town, when there isn't a single tourist for miles. Our friends and us had no compunctions being the last to leave a bar. Our friends lived just around the corner, while we, for cost-effectiveness, had chosen an Airbnb in neighbouring Mestre. We were undaunted by the prospect of finding our way to the 24x7-hour ferry to Piazzale Roma, then taking the night bus home. There was something deeply thrilling about having the luxury of public transport at that hour.

I always remember the feminist Shilpa Phadke when I've had a successful late-night out. She speaks frequently about the significance of the feminist claim to 'fun'. "Fun in public spaces cannot be quantified or sometimes even explained," she says. "How does one communicate the pleasure of asphalt under your feet; the rush of finding the bus you want at a traffic signal and managing to jump into it… the exhilaration of wandering in your city at night laughing with your friends. This is not simply fun, it's belonging to your city and having it belong to you." I could argue there's something similarly exhilarating about doing all of that as two women in a foreign land. When our male friends in Venice caringly offered to let us crash in their spare bedroom because it was past midnight, we politely declined. "Are you sure you want to go back so late?" they asked. "Yes," Mona replied. "Because we can!"

Deliberating on the life and times of Everywoman, Rosalyn D'Mello is a reputable art critic and the author of A Handbook For My Lover. She tweets @RosaParx Send your feedback to mailbag@mid-day.com

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Illustration/Uday Mohite

Believe it or not, exciting things are happening in Konkani cinema. I am familiar with Indian films in at least 10-12 languages, but it was a real discovery watching the best Konkani films on the jury of the 9th Goa State Film Festival Awards, that was given last week. To know who the top Konkani stars are, what subjects interest them — the church often looms large. The Best Film (Konkani) went to Nilesh Karamunge’s Mahaprayan (The Last Journey), Best Director (Konkani) to Rajiv Shinde’s K Sera Sera (Ghodpachem Ghoddtelem, Whatever Will Be Will Be), and Best Film (Marathi) to Sainath Parab's Disha (Direction). Mahaprayan was a real discovery, of which more anon. K Sera Sera, which swept nine awards, told two parallel stories of an ambitious career woman and a retired man, struggling to keep his family together, starring actor-producer Rajesh Pednekar and Palomi Ghosh. It had rich technical and acting credits, some ‘imported’ from outside Goa. Sadly, Miransha Naik’s powerful Juze was not in competition, but Nilesh Malkar’s Soul Curry smartly ‘imported’ Bollywood star Jackie Shroff for wider appeal. Shroff even dubbed for himself in Konkani and won a Special Jury Award for Best Actor.

Mahaprayan is one of those rare films, that makes a powerful social critique while accomplishing an amazing technical feat: the whole 83 minute-film is a single take, shot by Sameer Bhaskar. What’s more, it is the debut feature of an ex-army man, Nilesh Karamunge. Inspired by a real incident in Odisha, the film is about Tulsidas (Dhananjay Amonkar) who, unable to afford a hearse to take his dead wife from the hospital to his distant village for cremation, walks home all the way, carrying her corpse on his shoulders, accompanied by his young daughter Kaalika (Aarya Ghare). The pair meet many people who refuse to help — hospital staff, passengers in a bus, the police, and when a kind forest official finally helps them, the media pounces on him for ‘misusing’ a government jeep. The crew did many rehearsals, shooting in real time as they walked 3.5 km in the noonday sun. The film is a scathing attack on the government and our society. The charming and mature Aarya Ghare, just nine, won Best Actress.

Mahaprayan vaults to one of the year's most gratifying discoveries in Indian cinema, its accomplishments far exceeding its modesty and flaws. K Sera Sera is a polished work, given Konkani cinema’s constraints. And let's get some perspective here: while most regional Indian cinemas started in the 1920s or earlier, the first Konkani film, Mogacho Anvddo, was released only in 1950. The Hindi and Tamil industries make, on average, 250-350 feature films a year, but the fledgeling Konkani industry makes barely five to seven features a year. And there is no doubt that Konkani cinema got kick-started since the International Film Festival of India (IFFI) was held in Goa since 2004, and the locals were consistently exposed to world cinema. And look what it's offering now — you do a double take.

Meenakshi Shedde is South Asia Consultant to the Berlin Film Festival, award-winning critic, curator to festivals worldwide and journalist. Reach her at meenakshishedde@gmail.com.

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The BMC has claimed to be monsoon-ready this year, but it’s highly unlikely that the city roads will be pothole-free. File Pic

I like waiting for the BMC to issue proclamations of all kinds based on whatever mystical tests it uses instead of science. It will tell us when the rains are expected, for instance, then promptly issue a new date 24 hours before the original one, citing fresh new information that has probably been sent to its meteorologists via WhatsApp. It will talk about how much water will be collected in our lakes and rivers, then revise that figure every three weeks depending on what percentage of water cuts it can announce for free publicity. I suspect a lot of BMC employees spend their days simply dreaming up new statements to issue, because doing this is a lot easier than completing any actual work.

The good news is, it claims to be monsoon-ready this year. Yes, it claimed to be monsoon-ready last year, too, and the year before, and the decade before, but why should that stop it from issuing a new press release about how it is definitely monsoon-ready this year? If it doesn't issue these statements, how is it supposed to justify the thousands of crores that are poured into our streets and mysteriously vanish before touching the asphalt?

This year's statement says that only 522 roads continue to remain dug up in the city. This presumably does not include the street outside your home or mine, or any street you pass over the next week, because finding a street that isn't dug up in Mumbai is almost like finding proof that our ministers have actually been to school. Apparently, completing road repair and renovation work in the city is definitely the target, which isn't surprising because it has been the target since man first set foot on the Moon. I assume this doesn't include the roads that have been torn apart for the Metro, of course, because the chances of them being smooth and pothole-free in your lifetime or mine are a billion to one.

The Andheri-SEEPZ line of the Metro runs just outside Andheri station towards Versova. The street it tore up and demolished over a decade ago has yet to recover. It has turned into an unofficial market, with commuters now long used to the idea of going around in a wide circle in order to hit SV Road. One can't help, but use that as a benchmark when thinking about what the city will look like when the current Metro projects are finally complete, a century from now.

Our civic body - I use those words loosely, of course - has reportedly prepared a plan of completing work on 1,106 roads in several categories during the financial year 2018-19, with roads classifieds into categories of project roads, priority 2 and priority 3 roads. This must have taken them a few months, because everyone knows how important the task of naming plans or renaming roads is, and how these discussions can go on late into the afternoon. Project roads are easy to spot because they exist in various states of disrepair all around us, but it's hard to figure out the difference between priority 2 and priority 3 roads. In a city that is home to millions of commuters an hour, one would assume all roads are a priority, but that is clearly not the case.

Project roads are also supposed to undergo complete reconstruction, which is BMC-speak for 'we are going to tear them down and start again, and use your taxes to do it a few more times'. The statement didn't just talk about the future though; it also claimed that work on 879 roads was completed by the end of April. Chew on that when you dislocate your shoulder in a rickshaw on your next trip.

I'm pretty sure the fault lies with us. We are the ones who prevent the BMC from focusing on more important things like memorial plaques and compel it to waste valuable time and money on insignificant issues like pothole-free, monsoon-ready roads. If you care about your city and respect the BMC, you should do the right thing and avoid the roads. Work online instead of at an office, chat with friends and relatives via video calls, and educate your children with the help of YouTube videos. Don't use roads until the pesky monsoons are over. Stay at home instead.

When he isn't ranting about all things Mumbai, Lindsay Pereira can be almost sweet. He tweets @lindsaypereira Send your feedback to mailbag@mid-day.com

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Actress Keerthy Suresh as Savitri in Mahanati

Telugu cinema — specifically Baahubali 1 and 2 — knocked the daylights out of Bollywood. Now comes the ravishing Telugu-Tamil film Mahanati (Great Actress, in Telugu; Nadigaiyar Thilagam in Tamil), directed by Nag Ashwin, a biopic on top film star Savitri garu (a Telugu honorific). This sensuous, period, feminist film, starring Keerthy Suresh and Dulquer Salmaan, rivals Bollywood's best. Kommareddy Savitri (1937-1981) was a remarkable female superstar of Telugu and Tamil cinema, who acted alongside top Tamil and Telugu stars such as Sivaji Ganesan, MG Ramachandran (MGR), Gemini Ganesan and Nandamuri Taraka Rama Rao (NTR), often got paid more than the heroes, and even produced and directed six films in the 1960s and 1970s, some with an all-female crew, featuring these top heroes — all practically unthinkable today. Savitri acted in nearly 200 films in Telugu, Tamil and Hindi, including Pelli Chesi Choodu, Devadasu, Missiamma, Maya Bazaar and Pasamalar, peaking in the 1950s and 1960s, and the films she directed include Chinnari Papalu. Her career spiralled downwards after she secretly married co-star Gemini Ganesan (then already married to Alamelu and in another relationship with Pushpavalli with whom he had Hindi film star Rekha), and his jealousy and alcoholism drove her to drink; she cut back on her career to appease him, turned alcoholic herself and went to ruin. The film has released worldwide, including in India; it is currently also showing in Mumbai with English subtitles.

Indian biopics on women film stars — including Milan Luthria's Dirty Picture on Silk Smitha with Vidya Balan (Hindi); KG George's Lekhayude Maranam: Oru Flashback (Lekha's Death: A Flashback) on actress Shobha's alleged affair with a top director (Malayalam), and Ranjith's Thirakkatha (Screenplay) on Srividya and her alleged affair with a top Tamil star (Malayalam) — are mostly tragedies. What is remarkable about Mahanati is that while it shows Savitri's courage, feistiness, stardom and generosity, it also shows her poor decisions in love, marriage and finance. She is a homebreaker and an alcoholic who also neglects her children. Yet, the film valourises her as someone who believed that life is short, and so made the best of it. In fact, the film, presented by Vyjayanthi Movies, is produced by two women, sisters Swapna Dutt and Priyanka Dutt of Swapna Cinemas.

The film is told through Madhuravani (Samantha Akkineni), a journalist in the 80s, investigating Savitri's story with her photographer boyfriend Vijay Anthony (Vijay Deverakonda) after Savitri is found in a hospital, after being in a coma for a year. Nag Ashwin, in only his second feature after Yevade Subramanyam, shows outstanding assurance and craftsmanship. Throughout, there are scenes switching seamlessly from Savitri's real and reel life; and the period sets have been gorgeously recreated, including a 'stairway to heaven'. Keerthy Suresh carries the film with aplomb: sparkling, yet dignified, even in her despair. Top Malayalam star Dulquer Salmaan sportingly plays second fiddle and charming rake. Sai Madhav Burra's screenplay packs in a lot. LA-based Spanish cinematographer Dani Sanchez-Lopez's cinematography is marvellous: ironically, he digitally shot the period parts and used super 16mm film stock for the more recent 80s. The costumes by designers Gaurang Shah, Archana Rao and stylist Indrakshi Pattanaik are exquisite, as are Shivam Rao and Kolla Avinash's sets. Mickey J Meyer's music is versatile and soulful. At 2h 57mins, the editing by veteran Venkateswara Rao Kotagiri flags a little, yet keeps you engaged till the end.

Meenakshi Shedde is South Asia Consultant to Berlin Film Festival, award-winning critic, curator to festivals worldwide and journalist. Reach her at meenakshishedde@gmail.com

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The lull in incidents involving doctors and relatives of patients has been broken once again. An indefinite strike called by resident doctors of the civic-run JJ Hospital entered its second day on the weekend. The doctors held a candlelight march to protest the attack on their colleagues and to pressure the management to take action to ensure their safety.

Doctors from other hospitals were supporting the protest as well. It started with over 400 resident doctors from JJ Hospital going on strike over the weekend after two were attacked by the family of a deceased patient.

We had seen these flare ups and thought that a long lull may spell the end of the doc-patients' fracas, which has been a very worrisome aspect of the health service sector in the country. It was not to be and the latest incident shows that measures have to be in place to tackle these incidents before they spiral out of control.
Doctors must have adequate security at hospitals. Fears for safety can inadvertently crop up in medical decisions or diagnosis, where sometimes a professional's judgement may be compromised if they think that their workplace does not care enough to protect them.

Violence is not the answer even if the relatives think that the doctors have neglected them or are shocked by the death of their family member. Our civic hospitals have too many patients, but staff is small is comparison. Awareness campaigns, an intermediary between doctors and patients' family, security measures, counselling, and somehow bringing the sense that patients' relatives and doctors are on the same side, could defuse volatile situations. The time for talk, discussion and clucking in disappointment is over. This is a medical emergency at our hospitals. An antidote needs to be found.

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Two years ago, Jaidwaj Malhotra was running a Google search for a motor for his model airplane when he instead started reading about drones and how to build them. He was immediately taken in by the little object that could fly at 120 km per hour. Today, the 18-year-old is working for an organisation, helping them design surveillance drones for the Indian Army.

Malhotra is part of a tight-knit community of young drone racers in the city that came into being around the time the Indian Drone Racing League (IDRL) was founded by Karan Kamdar in 2016. Over the past two years, the field has gained a sizeable traction with IDRL having 875 pilots registered with them from all over India. The pursuit is expensive.

Building a drone can cost as much as '40,000, and the not-so-cheap batteries must be replaced every three months. The police continues to remain suspicious of fliers. However, for these pumped up youngsters, no obstacle is too big. Even with the odds stacked against them, they are finding ways to let their dreams fly.

'Burnt the circuit board while building my first drone'
Jaidwaj Malhotra, 18

His father being into aero-modelling, Juhu resident Jaidwaj Malhotra has always had a fascination for flying objects. Two years ago he participated in an aeromodelling competition held by Boeing, at the IIT TechFest. Around the same time, he came across the drone, or the "quadcopter". "If you want to fly a drone, it is important that you build it as well. You need to understand the mechanics, to ensure best control. And, in case of trouble, you must know how to fix it in a second," Malhotra says. Like Nayak, he too is a self-taught drone-maker, who got all his knowledge from the Internet.

Jaidwaj Malhotra. Pic/Satej Shinde

"My first attempt was not successful. I burnt the circuit board. But, you live and learn," says the first-year mechanical engineering student. He spread the word on his drone-making abilities on social media and soon people began to approach him. "That's how I got roped in by a startup to design UAVs (Unmanned Aerial Vehicle) for the Army." When he doesn't have exams, he practises six hours a day on a track that he builds himself, on the Jamnabai School Grounds. "A racing track comprises elements like gates, flags and cones that act as obstacles. I practise on one track, then change it completely and practise again."

One Race I want to participate in: World Drone Prix

'I am the first pilot to register from the country'
Siddharth Nayak, 26

Employed in the construction sector, Nayak is currently neck-deep into the Mumbai Metro project. It's only in the weekends that he manages to fly. "Sometimes, it's not even that, as there are working Sundays too," he tells us. Nayak, who grew up in Nala Sopara and got a degree in instrumentation engineering from a Vasai's Vartak college, has always been keen on robotics. "But, that was mostly stuff on land; I had a craze for flying."

Siddharth Nayak. Pic/Datta Kumbhar

Randomly stumbling upon a drone-racing video on YouTube in 2016 was a deciding moment for him. Nayak, of course, had no experience in drones up until that point. He went through several tutorials online and managed to build his first drone. "I tried it out in the dried salt pans in Vasai, where there were no people. It went up till about 30 feet," he says, speaking of his test run.

The height is not the point of importance in drone racing, where they race not more than seven feet above the ground. "It's precision and control that counts, because you're flying at 120 kmph. It's a lot tougher to control drones at a lower height." Nayak had his first race in IIT Gandhinagar in 2016 and his latest victory was last month at Smaaash, besides three races in Kochi and Pilani. "I had once quit my job to do this professionally, but that didn't work," he says with a smile. Nayak's next aim is to represent an organisation as a drone racer. "My dream is to represent India as a drone racer in an international league, someday."

One Race I want to participate in: Drone Champion League

'I sold my first drone to build my second one'
Himadri Roy, 21

When he was in Std X, Himadri Roy asked his father for money to build his first drone. "I had done my research. I showed him the outline of my plan, which I had developed after going through hundreds of tutorials and blogs. When he saw that I was not talking out of thin air, he agreed," says Roy. The first drone that he built had a larger frame and was heavy. It took him over a month to finish, with help from his father. "Now, I can build it in a week." In the years that followed, he upgraded his machine. "I learnt about more sophisticated methods online and then I sold my first drone to a friend who is an engineer, and used that money to build my second one. This one is a racing drone. It's smaller, faster and more agile." Roy, who was a member of an online forum called Remote Controlled India, came across IDRL on it. He got invited to his first race in Gandhinagar in 2016. "I did a few laps and crashed. It's crucial to keep your mind steady in this race. If you worry you'll crash, you will. I have become calmer now."

Himadri Roy. Pic/Sneha Kharabe

He uses the same calm to deal with authorities when they come in the way. "The laws regarding droning are not clear in India. So, the police continues to stop us. Last week, a police vehicle followed me while I was flying. When something like that happens, I try to explain that it is a sport. I also let them watch the video feed that has recorded what the drone has seen, so they know that we are anything but troublemakers." Currently, he is employing his drone knowledge in his fourth year project. "We are trying to develop drones that can be used for industry surveillance, to identify defects in mobile towers, in particular," he says.

One Race I want to participate in: Smaaash Drone Race at Gateway of India

Pic Courtesy/Sameer Malhotra

Why am I biking so much? Maybe, because I work only as much as I need to," says actor Satyadeep Misra, who you will remember as Rosie's suitor Johnny from Bombay Velvet and TV series P.O.W. — Bandi Yuddh Ke, where he played a soldier. We are sitting at his Versova home talking about bikes over a glass of gin.

Kemmu and Misra's social media is full of riding clicks, including those taken outside Café Monza in Kharghar, where they ride down on Sundays. Pics/Instagram

The cupboard next to us in the living room, is topped with helmets, which he says will grow in number. If you follow Misra on Instagram, you know that over the last year, he has biked to Uttaranchal, Himachal, Goa, Nepal and Hampi. His biking friends include actor Kunal Kemmu, who will next be seen in Karan Johar's Kalank, and whose social media feed is also full of riding clicks. Some of these see him posing with his bike, and some are taken with Misra outside Café Monza in Kharghar, where they ride down early on most Sunday mornings for breakfast.

Satyadeep Misra

Misra has a Ducati Scrambler, and Kemmu used to have a MV Agusta Brutale 1090 RR, and now has a Ducati Scrambler too. Their retail indulgences include biking jackets, one helmet after another, gloves and of course, biking boots. "After the Uttaranchal trip, riding became a big part of my life. I wake up only thinking of riding. The question on my mind always is 'when is my next biking trip going to be?' I think I work, just so I can ride," says Misra.

Kunal Kemmu

Unlike Misra, who caught the bug last year, Kemmu harboured the dream of biking since school, because he thought it was "cool". "My uncle bought me a bike, but the day it got delivered, I was in college, and my father sent it back," he tells us. "I have always been a rider. But, it's only in the last six months that I have started to enjoy what it's all about. I have made friends with those who ride with me. And I have been getting all this gear that improves the riding experience," says the new father, who is quick to tell us that the one thing wife Soha Ali Khan tells him, is to be careful.

In Robert M Pirsig's Zen and The Art of Motorcycle Maintenance, the author writes, "In a car, you're always in a compartment, and because you're used to it, you don't realise that through that car window everything you see is just more TV. You're a passive observer and it is all moving by you boringly in a frame. On a cycle the frame is gone. You're completely in contact with it all. You're in the scene, not just watching it anymore, and the sense of presence is overwhelming."

When Misra speaks of riding on a bike, he compares the feeling to flying. "If you see my bike, which is an off-roader, it's high up there, and as you are sitting on it, you too are sort of squatting in air. So, when you are cruising along, it does feel like you are flying," he says. When we ask, what he thinks about when he rides, he says, "It's hard to think because you are focussed on the road. All your instincts are tuned to the road, and keeping the bike in control. But as you start doing it more, it gets easier to disconnect and ride. As I said, it's the closest I have come to flying."

For Kemmu, it started off by being about the sound, speed and how the bike looks. But, in recent times, he has felt it become a stress buster. "There are days when you will be stuck in traffic, and feeling baked in all that gear, but then, there will be days where it will be a breeze. The risk factor also adds to the romance. At the end of the day, it's about the relationship between man and machine, and that's priceless."

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Order of the day
Start your week with Before Sunset
8 pm – 11 pm: Some films one can never watch enough. If you call yourself a die-hard Richard Linklater fan then you wouldn’t want to miss the chance of watching this film. Join Ethan Hawke and Julie Delpy as they meet nine years after they first found each other serendipitously, on the streets of Vienna. One of the finest performances from the lead pair, this one never gets old.
14 Monday
WHERE: Drishyam VFX, Andheri West
Entry: R200
log on to: www.1018mb.com

Enjoy some spontaneous laughter
7.30 pm: Tired of the same old rehearsed lines? Then this act is for you. Mosey on to Bandra this evening where you will be treated to some improv comedy. There’s no pre-written material and your stand-up for the day, Max Fernandes, will pick up from you to bring humour on the go. You can be a participant (recommended) or a passive audience. Take your pick.
15 Tuesday
where: The Cuckoo Club, Bandra
Entry: Rs 200
Call: 9619962969

Give in to some waffle pleasure
1 PM onwards: You’ve managed to make it through Monday and Tuesday. So, you need a little treat. Celebrate the day at The Waffle Factory and avail their offers on shakes and iced teas. The offer is on every Wednesday right up until August 29. So, if you have a friend you meet only mid-week, this can become a standing date. Sweet idea? We think so, too.
16 Wednesday
where: The Waffle Factory (across outlets)

Hear the women out
9.30 PM: It’s not often that you hear women take the stage in India’s Indie music scene. Which is why #ladiesfirst is an initiative that needs your support. This evening, Social Offline x nrtya will host the Nush Lewis band and Ladies Compartment. Your ears, tonight, will be treated to jazz, blues, American folk, indie, and Carnatic Indian classical traditions.
17 Thursday
Where: Todi Mill Social, Near Viva Center, Lower Parel West
Entry: Rs 400
Call: 65110361

Relive Bollywood’s golden melodies
6.30 pm: Why should every evening out be about Western music? Relive some good old Bollywood memories as a host of playback singers along with live musicians bring to the stage, the tunes of Laxmikant-Pyarelal. And, if you are a fan, then one more reason to not give this a miss: Pyarelal Sharma Ji himself will conduct the whole 40 piece orchestra team and singers.
18 Friday
Where: Shanmukhananda Hall, Sion
Entry: Rs 250-Rs 3,000
Call: 24078888

Make your own organic make-up
2 PM to 5 PM: This is what we have always wanted. Make-up that’s organic, not tested on animals and perfectly suitable for our own skin. The Mumbai Fashion Academy is hosting this workshop where you will learn how to make your own concealer stick, liquid foundation, powder cake, make up remover and more. All material will be provided.
19 Saturday
Where: Mumbai Fashion Academy, Parel
Entry: Rs 2500
Call: 9769671960

Take it slow this time
If you think speed dating is not quite your thing, there’s the option to try this. Life of Line, a speed-dating company is slowing things down with this unique event. Participants will get to spend 30 minutes with the eligible singles of their choice, as opposed to the regular eight minutes. The custom category has been created following feedback from over a 1,000 people. The idea is to give more time to the right person. Life of Line verifies the profiles, both professional and social. The profiles of your date is shared ahead of the meet.
When: 3 pm, May 26 
Where: Hoppipola, 5th Lane, Ramkrishna Nagar, Khar West
Entry: Rs 3,999
Log on to: bookmyshow.com

See flowers in all their arty glory
Bas Meeuws is a Dutch photographer known for his photographic still life series. This exhibition titled Spring In The Wintertime is being presented in India for the first time. It’s a selection of 43 photographs that also includes a previously unseen work.
When: 11 am to 6.30 pm, 
till May 31 
Where: Tarq, Colaba 
Call: 66150424

Enjoy handcrafted cocktails
Here are the drinks that promise to take you through the heat. The summer-themed drinks at Nara are inspired from those in Thailand. Sip on cocktails like Chiang Rai (Mango and Galliano), Chiang Mai (Mango mojito), Mae Sot (pineapple and Bacardi). For a fruity mix, try the Kerff Rot Spritz and the raspberry and cranberry drink. There’s also the Thai Monk and the Fangs Tonic, which is a spin on the gin and tonic.
When: 12 pm to 1 am 
Where: Nara, Raheja Towers, BKC 
Call: 61378080

Catch the Boyzlife
The two-member band Boyzlife featuring Keith Duffy and Brian McFadden, formerly of Boyzone and Westlife respectively, are in India for the first time. Their concert titled Boyzlife Live will feature a blend of the greatest hits for their former bands. The Boyzlife show has been performed several times since 2016 and Mumbai will get to see it finally. For 90s kids especially, this concert would make for an ideal trip down memory lane.
When: 7 pm onwards, May 19
Where: Dublin Square, Phoenix Marketcity, Kurla
Entry: Rs 1,000-Rs 1,750
Log on to: bookmyshow.com

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Missed out on last week's Green Humour? You can read it here.

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Pics/Crossing lines

On a fine April morning, when Mumbai-based slackliner Samar Farooqui drove into Settlement Number 63 in Chtaura, a town wedged between Beirut and Damascus, all he could see was a sea of white tents glistening in the sun. Under the plastic tarps lived thousands of displaced Syrians who had fled to the Bekaa Valley, the largest affected area and temporary home to over 3,00,000 Syrian refugees, when a brutal civil war broke out in 2011. Lugging the nylon webbings, carbiners and other slacklining equipment, Farooqui and 14 other volunteers, stationed themselves at the nearby parking lot waiting for the refugee children.

This was to be their playground for the next two weeks. Life on the line Slacklining is the art of balancing along a narrow, flexible piece of portable fabric which is usually anchored between two points, mostly trees. "Apart from being a fun fitness activity, it has an incredible ability to connect people, start conversations and change lives," says 27- year old Farooqui. It's the reason he booked a flight to Beirut and signed up for the Crossing Lines Project, an initiative launched in 2013 by Sonya Iverson, a scientist from San Francisco, who uses slacklining to change the way we see and talk about refugees. "I had met Sonya several times at different events. The last time we interacted was at the Move Copengagen festival in Denmark, when she mentioned her plan to introduce slacklining to Syrian refugees and organise a highline festival in Lebanon. It was just the kind of inspiration I was looking for," says the Neral resident who made a career out of slacklining when he founded Slacklife Inc. — a sport and recreation company — in 2014. A level playing field At the Chtaura parking lot, the lines are hooked to the cars in the absence of trees. It's one of the things the sport has taught him — to make the best use of whatever is available at hand. "In Mumbai, I've slacklined in building compounds, garden and promenades. In fact, I was even been arrested for slacklining at Marine Drive," he laughs. Once the line was set up at the camp, Farooqui says the excitement among kids was palpable.

"Children everywhere are the same. You don't have to be concerned about the language or the way you look. I didn't speak Arabic but we managed to communicate fairly well through non-verbal cues in those two weeks. With hand gestures, I would tell them to slow down or stop or move ahead," he says. It was through two local volunteer-based NGOs Salaam and Sonbola that provides education and recreational facilities to those living in the camps in the Bekaa Valley, that the team got access to the children. Forging a personal rapport with each child — there were nearly 400 of them — was difficult for the volunteers who hailed from Iran, America and the UK.

"On the face of it, you couldn't tell that the children had gone through so much trauma. There were some who were more reserved and took time to open up," he says. Periodically, the team would sit down and discuss the day's progress. "If one of students perhaps struggled through the slacklining experience and we noticed it, we discussed it and psycho-analysed it till we came up with a solution to make sure that we didn't leave with someone feeling demoralised," he says. In the two weeks, Farooqui picked up a couple of Arabic words from them, and in turn taught them English. What was most interesting, though was how the sport changed the dynamics among the children themselves. "When you are standing on the rope, wobbling and holding the hand of the person standing on ground, you are opening up to them. So the bullies in the group ended up bonding with the rest. Everybody was on the level playing field," he says.

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Kareena Kapoor Khan. Pic/Rane Ashish

In the last few months, we have been a bit awestruck by how hot Kareena Kapoor Khan has been looking — be in stills and videos from her new movie, Veere Di Wedding, which releases in June, or in behind-the-scenes-clips, or basically all her public appearances. The hip and sexy styling, the lustrous hair, the impeccable make-up, and the undeniable, and oh-so-Bebo swag, has helped us see the new mother in a new light, yet again. When we meet her at a suburban hotel, wearing an off-white pant suit, her hair pulled back, and her green eyes set on us with a smile, we are slightly flustered. And we ask, how are you giving 30 somethings, even the one with kids, such hotness #goals.

"No please! Honestly, I have always been very fitness conscious. Everyone is saying I have lost weight so fast, but I have taken a year and a half. It has happened over time. It's not for the movies, but just for me. Like I always say, feed me karela for lunch and dinner and I am happy," she tells us nonchalantly. There is no blueprint plan for the evolution in her style as well, says the 37-year-old. Instead, she says that the movie, where she has been styled differently from previous avatars is responsible for turning up the heat. "That's one of the reasons I did the movie. It's young and fresh. I could have come back in an author-backed role, playing a titular character. But I chose not to. I just had a baby, and I wanted to do something that's young and the language for which is different," she says. She laughs when she recalls Veere Di Wedding producer Rhea Kapoor being wary of bringing the movie to her, because she is a mainstream actress who has been a part of the Khan movies, making Rs 100 crores and more.

A still from Veere Di Wedding

"There is no hero. I have never worked with four girls. No one expected me to do this. When I read the film, I wanted to do it. A mainstream actress would ask 'but what am I doing?' But with Veere, it's about the language of the film that's about four friends. No one has the bigger part." This is where she says, that it's her choices that have always set her apart. And we agree. "I did Chameli when I was 21. I also did Ki & Ka, even though Arjun is younger to me. I did Udta Punjab, even though mine is just a parallel track," she says, and when we point out that she dies in the middle of the movie, she says "Ya! I had to make sure something happened with my character so that people remembered me. I needed that moment. I want to do something different. My attitude towards movies has changed — I may say no to a big-budget films. My headspace is not that." We steer things back to her drop-dead vibe these days. We all can diet and work out, but what is she doing every day that makes her glow?

And the answer is simple. "Happiness," she smiles, "You have to make yourself happy. You have to find joy in smaller things in life, not just success. I am happiest when I am having coffee or a glass of wine with a friend and chatting. Or when I am reading a book, not a script, trying to prove that I have 30 scripts lined up." When we ask her what is she reading these days, we find common ground. "I love reading crime thrillers, especially Jo Nesbo and Agatha Christie. I keep watching the Poirot series again as well. Saif and I are hooked." Seeing her love for Christie, we recommend Japanese author Keigo Higashino to her, and she says, "Please write down the name for me!" We come back to us telling her how we have all been obsessing over her swag on social media, even though she doesn't have an account. "I may not be there but I am there na! And my friends and family keep putting stuff up. I am very much there. Anyway, I don't think anyone wants to hear my opinions — there are so many opinions out there. Wasn't it better that you and I had a chat instead of you already knowing everything about my life?"

Also Read: Kareena, Sonam, Swara And Shikha Had 10 Stylist For Veere Di Wedding

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At the heart of No Lights No Lycra (NLNL) is the belief that everyone can dance. This free-form workout in the dark was thought up by Australian dance students Alice Glenn and Heidi Barrett in 2009 in Melbourne as a means to truly let go and express oneself.Creative freelancer and the woman behind the Mumbai chapter, Yooti Bhansali, says, "You can dance like nobody's watching, because nobody can see you and also, they're busy enjoying their new-found freedom. From a small room full of nutty dancers in Melbourne, this community has spread to major cities in Australia, London, Hong Kong, Beijing, New York, and is now Mumbai."

Bhansali heard about NLNL from an Australian friend. Is Mumbai ready for such a thing, we ask. "We've seen music gigs in art galleries, movies in bars and quizzes in microbreweries. So, getting people in a dark room to dance doesn't seem much of a stretch," she says Bhansali has got several queries from people across age groups, who are excited about the prospect of a physical activity that's fun. "It's not a party. It's a place where you dance freely. Of course, you could just dance in the dark in the privacy of your home, but let's be honest — would that be as much fun?"

When: 8am, May 23
Where: The Bandra Base, Baitush Saraf Bldg, TPS III, 29th Off Waterfield Rd, Bandra West
Entry: Rs 399, cash only. Get a friend for free

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Watch a Panchatantra tale
4 PM: Take your kid for a play, based on a story from the Panchatantra. Written by Vishnu Sharma, Hil Mil Kar, is about how a crow, rat, tortoise and a deer become really good friends and stick together against all problems. This play employs both traditional and modern musical instruments to tell the story.
WHERE: Harkat Studio, Bungalow No. 75,
JP Road, Versova, Andheri West
ENTRY: Rs 200
TO BOOK: insider.in

Dig into nihari gosht
12 PM – 3 PM: Transport yourself to the Royal Era of the Nawabs, with The Sahib Room & Kipling Bar's all-new Dawat-e-Khaas thali, which will allow guests to experience the aromas and taste of Awadhi cuisine. The delicacies include tunday kebab and dum biryanis.
WHERE: The Sahib Room & Kipling Bar, Level 9M, The St. Regis, Lower Parel
PRICE: Non-veg: Rs 3,500; veg: Rs 2,500
FOR RESERVATION: 8291926985

Catch a nature exhibition
11 AM – 7 PM: See how fashion photographer Sunder Ramu romances with nature in one-of-a-kind exhibition, The Last Dance of the Leaves. The series of prints of pictures of dry leaves showcases a world that's both real and surreal. At the core of this exhibition lies the simple belief that we must live like a leaf and to remember that if the leaves go extinct, so will we.
WHERE: Tao Art Gallery, 165, The View, Dr Annie Besant Road, Worli
CALL: 24918585

Go shopping for your dream wedding
10 AM – 10 PM: Have a dream wedding in mind, but need help? The Wedding Story might just be what you're looking for. In its very first edition, the pop-up marketplace will offer a unique shopping experience with the most renowned names in the wedding industry under one roof. There will be a wide range of apparel, beauty and grooming, trousseau essentials, lifestyle products to choose from.
WHERE: 18.99 Latitude, 4th Floor, Kamala Mills, Lower Parel
CALL: 9967130313

Discover Bandra of yore
May 27, 8 AM: Witness how the neighbourhood of Bandra is preserving its rich culture at a heritage walk, Bandra's Past and Present. The walk explores the unique physical spaces, character and cultures of contemporary Bandra; it spotlights the neighbourhood's particular history and legacies, and attempts by its communities to preserve the same.
MEETING POINT: Bandra Fort
ENTRY: Rs 850
TO BOOK: eventshigh.com

Enjoy a fruity sangria
7 AM – 1 AM: Sip on some refreshing sangrias at Smoke House Deli and deter away from the sweltering heat. One can choose from three uplifting options such as the rosso, melon and bianco. The sangrias come infused with tropical fruits like apples and pomegranate.
WHERE: Smoke House Deli, 33rd Road, Pali Hill, Bandra West
PRICE: Rs 699
CALL: 65287800

Draw a flamenco dancer on canvas
4 PM: Explore your creativity, by painting a flamenco dancer. This will be a guided session, shedding light on the strokes, sketches and techniques to help you paint better.
WHERE: SodaBottleOpenerWala, Sentinel, Powai
ENTRY: Rs 1,850
TO BOOK: insider.in

Paint a mug
1 PM – 4 PM: Beer and coffee lovers, this one is for you. At a fun workshop, you will learn how to paint your beer/coffee mug in five easy steps. You will first pick your mug, after which you'll choose a design or create your own, colour it and give it a name. You will get to take it back home after seven days.
WHERE: Doolally Taproom, 1st Floor,
135 Kwality House, Kemps Corner
ENTRY: R1,500
TO BOOK: eventshigh.com

Order of the day
Set the tone for the week
8 pm onwards: There's no rule that says you must let the Monday morning blues carry on till way after sundown. How about starting the week on a musical note then? Gather your gang and head to this karaoke night, where you can unleash your inner Madonna or Enrique or whoever is your crooning idol.
21 Monday
Where: Tipsy Gypsy, Level 1, Fun Republic,
Link Road, Andheri West
Call: 7021857037

Listen to acoustic fusion
7.30 pm: Bhrigu Sahni is a singer-songwriter known for his acoustic compositions. Based in Brooklyn, New York, Sahni is a graduate from Berklee College of Music. He uses altered tunings and flamenco techniques on the acoustic guitar to create a very different kind of soundscape. Give him a listen.
22 Tuesday
Where: The Cuckoo Club, Pali Hill, Bandra West
Entry: Rs 350
Log on to: bookmyshow.com

Get your mid-week break
8 pm onwards: If the words "unlimited sangria" is music to your ears, you would not want to give this a miss. Forget about the long work day and unwind with your poison, along with a buffet. What's more, you can actually dive into this DIY sangria and stir up a fancy concoction according to your taste.
23 Wednesday
Where: BKC Dive, Pinnacle Corporate Part, Bandra Kurla Complex, Bandra East
Entry: Rs 299 onwards
Call: 8655077330

Watch them fight it out
7.30 pm to 9.30 pm: Burqa Boxers is a documentary about Muslim women boxers in Kolkata. These youngsters who face the grim reality of abuse and rape daily, dream of a better future by learning boxing from Razia Shabnam, one of India's first female boxing coaches.
24 Thursday
Where: The Bagel Shop, Anand Vila,
Pali Mala Road, Bandra West
Entry: Rs 250
Log on to: www.instamojo.com

Attend a pro talk
4 pm to 6 pm: Get your dose of wisdom this week from global icon Niladri Kumar, who is a fifth-generation sitar player, and inventor of the zitar. Hear Kumar speak of his musical journey, his understanding of genres and the challenges he managed to conquer.
25 Friday
Where: Soundideaz Academy, Shah Industrial Estate, Andheri West
FREE entry
Call: 7045781807

Dance with your child
11 am to 12.30 pm: This one's for the mothers in the house. If you've wanted your little one to learn how to dance, here's a novel way of getting them started. Instead of sending them to a school, which could be a long-term option, you can actually match your own steps with them.
26 Saturday
Where: Impulse Studio, Tej Gaurav House, Matunga East
Entry: Rs 500
Call: 9987157242

Sample prints from Bengal
Prints from Bengal is an exhibition that features works that date back to the early 20th century by artists of Bengal, who lived through tumultuous periods in history. Think Partition of Bengal, Swadeshi movement, and the subsequent reunion of the state in 1911. The artists whose works will be featured are Gaganendranath Tagore, Mukul Dey, Ramendra Nath Chakraborty, Ramkinkar Baij and Rani Chanda. The prints range from lino-cuts to lithographs that reflect the history of the print-making process, while focusing on forms, structure, texture and use of negative and positive space. Interestingly, many of the works exhibited in Mumbai for the first time, recall the history of the venue of Project 88 that was once a century-old metal printing press.
When: 11 am to 7 pm,
till June 16
Where: Project 88, Colaba
Call: 22810066

Bite into cherry blossom specials
If Japan seems too far at the moment, this could be a close second, at least, food wise. Partake in a sushi-sake festival wherein the menu includes popular Japanese delicacies like a vegetarian miso soup, a sashimi sampler with varieties of salmon, tuna, scallops and hamachi paired with the Hakushika Honjozo Namachozo sake. You can also savour modern spin-offs like sushi burgers. The sake serving is of 60ml per course.
When: 12 pm to 1 am
Where: Pa Pa Ya, all outlets
Entry: Rs 2,199 for veg and Rs 2,999 for non-veg

Get started on Haiku
You've heard and read about haiku, and perhaps have been contemplating trying it out too. This workshop, conducted by Neha Bahuguna is good to get you started. Bahuguna, who is a NID graduate, has a multi-disciplinary approach and has, over the years, worked as a lyricist, writer and conducted storytelling and poetry workshops.
When: 3 pm, May 25
Where: ARTISANS' Gallery, Kala Ghoda
Entry: Rs 1,500
Log on to: insider.in

Watch a film on Pushkar
In Pushkar Puran, filmmaker Kamal Swarup explores the ancient myths and politicking of Indian gods, as the water in the Pushkar lake turns holy. The director has captured the exuberant goings on of this quaint lake town during the Pushkar Mela, revisiting its sacred stories and myths. The film has been beautifully shot by Ashok Meena and Kumar Avyaya.
When: 8.30 to 10.30 pm,
May 26
Where: Harkat Studios, Aram Nagar 2, JP Road, Versova, Andheri West
Entry: Rs 349
Log on to: insider.in

Hear music from the roots
Catch the duo Maati Baani, comprising vocalist Nirali Kartik and composer Kartik Shah. They are known for creating music rooted in traditions but set in a contemporary sound.
When: 8.30 pm, May 24
Where: Sharyans Audeus, Andheri West
Entry: R1,000
call: 26735115

Sign up for this app
Shilpa is an attractive, interactive, user-friendly phone app, touted to be the most popular app of 2018. It can sing, dance, and follow all your commands.
C Sharp B Blunt is a solo performance by Pallavi Arun, that takes a satirical look at the extent to which the female form is objectified. The app, Shilpa, ticks all the boxes in how women should behave with men. Until, of course, the next update is due.
When: 9 pm, May 24 to May 25
Where: Prithvi Theatre, Janki Kutir, Juhu Tara Road, Juhu
Log on to: www.bookmyshow.com

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Monday
Soak in some art
Attend an exhibition where artist Kanu Patel will showcase his paintings. His works are influenced by the religion, history, literature and arts of India.
Time 11 am to 7 pm
At Jehangir Art Gallery, Kala Ghoda.
Call 9825041289
Free

Get a kick
Taekwondo is a semi-contact martial arts form that originated in Korea. Enrol for a summer camp where you can
learn the different techniques that it involves.
Time 9 am
At Natraj Hall, Link Road, Andheri West.
Log on to eventshigh.com
Entry Rs 1,800

Do something to dye for
Batik is a wax-resist dyeing technique that is popular in many Southeast Asian countries. Learn how it’s done in Malaysia, where there are no restrictions on the colours you use On the fabric of your choice.
Time 12 noon
At Iteeha Studio, Mathuradas Mill Compound, Lower Parel.
Log on to insider.in
Cost Rs 2,300

Tuesday
Deal with it
 An affordable watering hole is celebrating its first anniversary. And it’s offering an unbelievable deal to mark the occasion — get 36 unlimited drinks for just '365. If that doesn’t sound like a deal, we don’t know what will.
Time 9 pm onwards
At BKC Dive, Pinnacle Corporate Park, Bandra Kurla Complex.
Call 8655077330

Mark their words
Poetry is one form of the arts that can truly encapsulate the complexity of the human condition. Attend an open-mic event where new and established talent will read out their verses.
Time 8.30 pm
At Hive at Gostana, Parbhat Kunj, Linking Road, Bandra West.
Call 64533359
Cost Rs 250 (including Rs 100 as cover)

Get a high
Aeromodelling is an excellent way of learning basic science and engineering principles. Sign your child up for a course that teaches them how to build and fly model planes.
Time 11 am
At Quistic Learning Centre, Oshiwara, Andheri West.
Log on to eventshigh.com
Cost Rs 2,500

Wednesday
Eat like a local
Sample some authentic Maharashtrian fare at an eatery on the occasion of Akshaya Tritiya. Tuck into delicacies like aamras puri, katachi amti, dalimbi wal and vangiyacha bhari.
Time 12 pm and 7 pm
At The Bombay Havelli, Maharshi Karve Road, Opera House, Girgaum.
Call 33126813
Cost Rs 1,200

Learn about wine
If you are a wine enthusiast, attend the informative Taste and Learn Series being held at the restaurant of a BKC hotel. A sommelier will teach how to distinguish between different makes of the drink, which will be paired with a curated menu of small bites.
Time 7 pm
At Artisan, Sofitel Hotel, BKC.
Call 8268152599
Cost Rs 3,097

Move your body
Attend a physical movements course that focuses on khel kalari, a body-mind training system comprising kalaripayattu, yoga, mobility and locomotion, breathwork, and voice and chanting exercises.
Time 9.30 am to 11 am, and 4.30 pm to 6 pm
At Hybrid Fitness, Bungalow 34, Janaki Devi School Road, Andheri West.
Call 9967535562
Cost Rs 3,000 for each phase

Thursday
Manage money
Attend a workshop on managing your finances if you’re the sort who regularly find yourself asking, “Where did my all money disappear to?” Learn how to choose the right investment options and define your financial goals.
Time 10 am
At Verbena Brewpub, Lower Parel.
Call 39971886
Cost Rs 2,500

Tell tales
Have a story to tell? Attend a session where audience members are invited to take the stage and narrate interesting anecdotes from their life, be it a hair-raising tale or an incident that makes people laugh out loud.
On 8 pm
At The School Of Thought, Laxmi Industrial Estate, New Link Road, Andheri West.
Call 9819546349
Cost Rs 249

Go back in time
Catch Blackstratblues play a gig that rolls back time to the analogue era. The band is fronted by Warren Mendonsa (second from right in pic), a virtuoso guitarist, considered to be one of India’s best.
Time 9 pm
At Todi Mill Social, Mathuradas Mill Compound, Lower Parel.
Call 7506394240
Entry Rs 600

Hear new jokes
The stand-up circuit in Mumbai is choc-a-bloc with a host of established comics and upcoming artistes. Many of them draw their inspiration from life in the Maximum City, meaning their routines are replete with jokes based on, say, Dadar station or vada pav. But if you are looking for something different, attend a gig that features only outstation artistes, who have their own flavour of comedy.
Time 8.30 pm
At The Cuckoo Club, 5AA Pali Hill Road, next to Candies, Bandra West.
Call 9619962969
Entry Rs 250

Catch a play
How does a husband’s quest to get his beloved wife’s sight restored create a stir in the life of an internationally renowned eye surgeon, who has given up his practice? And how does this interesting intersection of three lives play out? Find out at the staging of Molly Sweeney, a play directed by Rehaan Engineer.
Till April 22, 8 pm
At G5A Foundation for Contemporary Culture, Mahalaxmi.
Log on to bookmyshow.com
Entry Rs 750

Also Read: Sign Up For The Ideal Weekend Plan

 Catch up on all the latest Mumbai news, crime news, current affairs, and also a complete guide on Mumbai from food to things to do and events across the city here. Also download the new mid-day Android and iOS apps to get latest updates

Accepting the futility of genres, of boxing songs into different compartments like stacked products in supermarket shelves, seems to be at the forefront of Rafiq Bhatia's musical endeavour. The 30-year-old American of Indian descent is the guitarist for a New York-based indie outfit called Son Lux. But it's his recent solo album, Breaking English, which makes the listener really question the need for musical boundaries, of sticking labels to a composition as if it's packaged meat.

The title track of the album, for instance, is not jazz, is not electronica, is not lounge, but all of these generic classifications rolled into one lush sound with a coherent narrative, where Bhatia's melancholic guitar plays the role of the protagonist. Each sonic detail in the track is well-defined, to the point where even though fellow Son Lux member Ian Chang's drum beats seem dissonant, they fit like a glove into the overall musical fabric. Bhatia describes this sensibility when he tells us over the phone from Berlin, where he's on tour, "Ryan (Lott, the vocalist for Son Lux) would say that instead of building a house, designing a room and then placing a chair in it, why don't we start with the chair first, and then design the room around it before building the house. There is a theory in poetry called organicism, where the poet lets each individual verse define the form that the poem will take. That is kind of similar to what I'm trying to do with my music."

He further explains his musical process when he narrates a story about one of his influences, Sam Rivers, the late American jazz great. "I've read that he would attend the concerts of all his peers, and purposely study their music to understand what they were trying to do. But this wasn't to replicate what they were playing. Instead, it was to consciously avoid it. Similarly, John Coltrane took the music of his predecessors and retooled the entire musical vocabulary keeping a similar underlying foundation, but with new pathways built on top of it," he says, giving us an indication of how he doesn't hesitate to flush rule books down the toilet.

Hybridity, in fact, lies at the core of Bhatia's creative evolution. The basis for this, he says, might well be his mixed identity. Born in North Carolina, he has never really fit in to any particular community. For, even though his parents are of Gujarati origin, they grew up in Tanzania, before moving to London and then finally to the US. So, while his brown skin stood out among the white kids in his school, he didn't feel completely at home among the Indian community either. "Everybody thinks that I am something else. So, my music is a result of a need to express my identity. It's a form of therapy at some level, because it's also a way of accepting who I am," he says.

He adds that this therapy started early. When he was about eight or nine, the older desi kids in Bhatia's neighbourhood would pick him up in a car and stop at a parking lot, listening to the hip-hop albums that became one of his earliest influences. Was he drawn to them because of the political overtones that such songs often embody? "Not really," he answers, adding, "I was only in the third grade at the time, and I couldn't even understand the words. So it was the musicality that I fell for. But the deeper question is, why were a bunch of brown kids sitting in a car in a parking lot and empathising with hip-hop music? What is it that was drawing them to the words? So you see, it's difficult to disentangle the politics from the music."

It follows thus that an intertwining of politics and music sometimes features in his own compositions. For example, Hoods Up, a complex instrumental piece, drew its inspiration from Trayvon Martin, a black teenager who was cruelly shot down because of a case of mistaken identity. The guitarist says, "I feel some amount of compulsion to express my [political] ideas. But sometimes, it's easy to get carried away with being overtly political because there is so much to be angry about, and often the responsibility falls on artistes to emphasise it. So I would say that politics is a general part of what inspires my music, because there are so many other facets of my personality that also make their way in."

Essentially, then, what Bhatia wants to keep doing is create genre-defying tracks where attention to detail is of paramount importance. "When you take the details and all the generalities of music for granted, that's when your songs start sounding more like other people's music. That doesn't mean you can't make great tracks. It's just that the less you consider those things, the less is the chance that you will make music that departs from convention. The flip side is that when you think actively about each decision, and each one comes from a place of individuality, it becomes hard to find a coherent logic that ties all those things together. And that ends up being the riddle that I am constantly trying to solve with my music."

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Scenes from the play 

Stopping by a vada pav stall for a quick, satiating bite on a busy day or tucking into a sev-chutney laden Bombay sandwich, as breakfast at the office is a quintessential Mumbai experience. But who are the people who wake up at the crack of dawn to prep food that they then dish out with assembly line-like precision for the rest of the day? At the rates at which they sell the fare, what counts as profit? And do the exigencies of being on the street eat into it? If these are questions that have crossed your mind, find answers to them at the Mumbai premiere of Stand on the Street, a physical theatre performance spanning four acts that tell the stories of four street vendors from across India.

"Originally, the performance was commissioned for the Serendipity Arts Festival in Goa last year by chef [and the festival's culinary arts curator] Manu Chandra. We had worked on the smell and memory aspects of food earlier, and this time, the idea was to explore taste as the primary sense in the performance," shares director Aruna Ganesh Ram. She adds that the dishes that the vendors sell in the play - jhal muri, a spicy puffed rice preparation from Bengal; sundal, a yellow pea fried snack from Tamil Nadu; momos, a popular street food from Delhi; litti chokha from Bihar; and paan from Varanasi - will also be served to the audience. "Chef Chandra was keen on picking dishes that went beyond the popular items, which is why we don't have pav bhaji or dosa in the play," she says.

"We wanted the audience to eat, listen, and watch these performers behind their masks capture the essence of the country, not in a particular time period but over the last couple of decades. It became a metaphor for the prevailing socio-political conditions in India, but never obviously so," says Chandra.

Chef Manu Chandra

As part of their research, Aruna and her team - consisting of actors Anjana Balaji and Aditya Garg, who play all 10 characters in the play - fanned out across India to meet 250 street food vendors and listen to their stories. "We realised that a vast majority of the vendors had left their hometowns to embrace a new city for life. And they all shared a common dream - they did not want their children to suffer like them," says Aruna.

The masks, which the actors wear throughout the performance, give it a sense of universality. "After all, this is not the story of one particular character, but of the many street vendors with whom our association is no more than a flitting transaction," she says. What also emerged in the research was the politics of being on the street, from dust and pollution to having to pay bribes, and dealing with the nuisance of barking dogs.

"A momo vendor from Mangalore spoke of the irony of customers, used to eating frozen momos at restaurants, finding the taste of her fresh dumplings, odd," Aruna recalls, adding that the play weaves in the instance of the call for a momo ban that had surfaced in Jammu last year. On the day of the performance, the team is up at 5 am to prepare all five dishes from scratch. "If we have to internalise their stories, we must live their life," Aruna sums up.

From: April 25 to 27, 8 pm (The Cuckoo Club, Bandra West); April 28, 6.30 pm and 29, 8 pm (Piramal Museum of Art, Byculla)
Log on to: bookmyshow.com
Entry: Rs 499

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Innovation Driven Approach and Creative Content Soars Radio City’s Share% to 12.4% (Source: RAM, Delhi, 12+ All)
Mumbai : May 08, 2018: Radio City 91.1FM, India’s leading radio network, backed by its innovative and enriching content has yet again dominated the capital city of India, emerging as a strong no.2 radio station as per the RAM (Radio Audience Measurement) ratings in Delhi for the week 12-15, 2018. Pioneering unique 360-degree intellectual properties spread across entertainment genres and superiority in programming content helped, Radio City secure a remarkable Share% of 12.4% over the past four weeks.
Radio City is #2 based on Share % in Delhi. (Source: RAM, Markets: Delhi, Demographic: 12+ All, Statistic: % Share, Daypart: Mon-Sun 12 am - 12 am, Place of Listening: All, Week 12-15 2018).

Commenting on the performance, Mr. Abraham Thomas, CEO, Radio City said, "We are very excited to see growth in reach for Radio City in Delhi over the past few weeks. These ratings reinforce the loyalty conferred by our listeners in the city and encourages us to continue our effort in providing them with enriching content. Our innovation first approach has truly paid off as we can see that our station has emerged No.2 in Delhi amongst listeners and advertiser. Truly Dilli ki Rag Rag Mein Daude Radio City”

Radio City has also emerged as the No.1 player as per the latest RAM ratings In Bangalore with Share % of 25.4% Source: RAM, Market: Bangalore, Demographic: 12+ All, Statistic: % Share, Daypart: Mon-Sun 12 am - 12 am, Place of Listening: All, Week 12-15 2018). Radio City ranks No 1 in Mumbai with Share % of 16.5% Source: RAM, Market: Mumbai, Demographic: 25-44 Sec AB, Statistic: % Share, Daypart: Mon-Sun 12 am - 12 am, Place of Listening: All, Week 12-15 2018).

Radio City’s consistent top rating once again proves its popularity in one of the most competitive and prominent markets by providing its listeners with innovative and clutter breaking content

About Radio City 91.1FM:

Radio City, a part of Music Broadcast Limited (MBL) is a subsidiary of Jagran Prakashan Ltd. Radio City was the first FM radio broadcaster in India and brings with it over 16 years of expertise in the radio industry. as on March 31, 2017, Radio City reached out to over 52.5 million listeners in 23 cities covered by AZ Research (Source: AZ Research Report).

Music Broadcast Limited currently has 39 stations, including 11 newly acquired stations in Phase III auctions. Radio City in its third phase expands to Kanpur Ajmer, Kota, Bikaner, Udaipur, Patiala, Patna, Jamshedpur, Nasik, Kolhapur and Madurai.

Radio City has spearheaded the evolution of FM radio programming by offering content that is unique and path-breaking. The network introduced humor and the concept of agony aunt on radio with Baber Sher and Love Guru respectively. It also initiated the Radio City Freedom Awards and provided a launch pad to budding singers with Radio City Super Singer, the first-of-its-kind radio talent show in India. Through its ‘Rag Mein Daude City’ philosophy, the network has adopted a local approach that resonates with the listeners while inculcating a sense of city pride and infusing local culture and flavour on-air. The network provides terrestrial programming along with 51 other web-stations, through its digital interface, www.radiocity.in.

Radio City has been featured consistently in ‘India’s Best Companies to Work For’ study conducted by Great Place to Work Institute. The network has repeatedly been called out as amongst the best in the media industry. In 2017, the company was included in the list for the 6th time.

For further details, log on to www.radiocity.in

Sonam Kapoor and Anand Ahuja

Bollywood's resident fashionista Sonam Kapoor got married to entrepreneur Anand Ahuja in a star-studded ceremony on May 8. The fairytale wedding was filled with glitz, glamour and romance, as one of the hottest couples tied the knot in front family and Bollywood's best.

The theme was "Indian festive shades of white". Celebrity hairstylist Asgar Saboo who is the go-to stylist for Sonam shows you a step-by- step guide on how you can get Kapoor's glamorous hair for you to steal the show!

Step 1
Begin by centre parting your hair, and dividing it into three separate parts. Do this by making two at the front and one, which will be to accommodate the large braid, at the back.

Step 2
Start with the left section of your hair by French braiding it and attaching more from the sides as you go along. Then loosen the braid before you move on to the right side by setting it aside. Repeat on the right.

Step 3
After braiding, tie elastic at the end of your hair to keep it in place. Take the front sections and tie them to the back.

Step 4
Then take the gajra you have chosen for your hair and place a bobby pin at the top. Wrap the gajra in a zigzag manner down the braid and as you come to the very end, secure it with an elastic band. Fancy trying out others? Then check out some of these simple easy-to- do styles to get the ideal locks!

View Photos: Sonam Kapoor-Anand Ahuja's wedding reception: SRK, Salman, Akshay attend the grand bash

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

One of the major factors for any bouquet or flower to last longer is how it has been conditioned. Each flower has a different science to it so when your flowers first arrive at your door step, all they need is a bit of pruning and fresh water to perk up! Anuja Joshi, Marketing Director and creative face of Interflora India lists the reasons on keeping flowers fresh

1. Remove the flowers from the box and wrap the bouquet

2. Fill a vase 2/3rd with room-temperature water.

3. Empty the entire sachet of Interflora flower food that's provided and stir to mix.

4. Trim 1 to two inches of the stems at an angle using scissors or a sharp knife.

5. Place the bouquet into a vase, Tweak the arrangement as needed and watch your flowers perk up before your eyes!

How to change water in your flower arrangement:

1. Water wisely: Since flowers continue to drink water after they've been cut, it's important to keep fresh flowers in water always. Exposing the stem to air, even briefly, can cause the water-absorbing cells to shrivel which can shorten the life of your flowers.

2. Cut stems: Trim the flower stems at an angle before inserting in water. Cutting the stems at an angle prevents them from sitting flat at the bottom of the vase which can block the absorption of water. Re-trim the stems once every few days.

3. Prune daily: Look out for dead or loose leaves that may be submerged in water and remove them. Leaving them will cause bacterial rot which can shorten the life of your bouquet.

4. Avoid heat and drafts: Place your flowers in an area that's protected from excessive heat such as heat-generating appliances like heaters or ovens and direct sunlight

5. Important information: For those with allergies or sensitivities to flower fragrance, the best non-fragrant options are tropical flowers such as orchids, anthurium, birds of paradise or other tropical varieties

Tarun Joshi, Co-founder and CEO of IGP.com (Indian Gifting portal) also have some ideas to share

6. Unwrap the plastic/paper wrapping as soon as possible.

7. Avoid placing flower arrangements in windowsills and other areas with full sun where flowers can wilt due to overheating. Most flowers will last longer under cool conditions.

8. Keep your vase filled with water! All flower and foliage stems should be submerged. Flowers stay fresher, longer when they can get a drink!

9. If your flowers came in a basket or other container with foam, add fresh water every day.

10. Immediately remove dead or wilting leaves and stems from fresh flower arrangements.

11. Watch your water. When it gets cloudy it's time to change it out.

How to change the water in your flower arrangement

1. First remove any dead or dying flowers from the arrangement.

2. After carefully removing the good flowers, clean the vase thoroughly with soapy water to remove any bacteria that could cause the fresh flowers to deteriorate even quicker. Be sure to rinse thoroughly.

3. Replace the water and mix in the flower preservative provided by your florist, according to the instructions on the packet.

4. For best results, cut stems with a sharp knife at an angle about one to two inches from the bottom. This allows them to better absorb water. Do not use scissors to cut your flowers because they can crush the stems and prevent water absorption.

5. Place loose stems or wrapped bouquets of fresh flowers in your water mixture as soon as possible.

Catch up on all the latest Mumbai news, crime news, current affairs, and also a complete guide on Mumbai from food to things to do and events across the city here. Also download the new mid-day Android and iOS apps to get latest updates

This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

Representational picture

New Delhi: You may not be able to escape the sweltering heat when you are outside, but you can make your home a cool haven by playing around with colours and adding greenery to your walls, suggest experts. A colour palette, when used well, can help in creating a naturally refreshing environment at home.

Peeyush Bachlaus, Head of Marketing at Kansai Nerolac Paints Ltd, suggests four decor trends, in hues that range from cool blues and soothing greens to mellow yellows:

For a blissful green escape: Surround yourself with the colours of a secret garden, leaving everything else a pristine white. The colour green is well-associated with nature, allowing a room to feel relaxing to the eyes and refreshing for your mind. When paired with white, this palette can turn a bland room into a welcoming paradise. Green is also one of the easiest colours to adorn your interiors as pairing various shades of green with just about any other colour can work beautifully.

For a breezy haven: Large plants and strong colours are natural decor accents that bring lushness into one's home. This summer, transform your interiors into a cool breezy tropical paradise with the help of verdant aquatic colours with a cheerful palette of cool blues, mellow yellows, bright oranges and lush greens. These colours will make sure that your time home is a breeze and you feel the freshness of an aquatic theme.

For an eccentric summer makeover: Given our busy lifestyles and the sweltering heat to add to it, we all need an escape. Let your home be that much needed exotic escape by curating one area in your home. Mix and match cool blue and violet walls fearlessly, framing it with crisp white accents. Natural materials and details make this a room for all to enjoy. Colours such as blues and whites are cool colours as they help keep our mind cool and relaxed even during the sweltering heat of the summers.

For a refreshing classic look: A carefully curated palette of white and near white tones that form a blank canvas to your artistic home. As a trend, masterpiece white walls are refreshing. Radiant light coming in through the windows is the accent in these calm rooms. Bring artwork to focus by trying out alternative accent wall colours.

Sujit Jain, Founder, Griin, says vertical gardens can transform your dull walls immediately and purify the environment too.
"Vertical gardens not only add to the aesthetic value of the walls but they come with a lot of functional benefits also. The thick vegetation limits the movement of heat and helps to regulate sunlight and temperature even during the hot afternoons that makes it a perfect fit for summer decors.

"Some varieties of plants are also useful in absorbing potentially harmful gases and cleaning the air inside modern buildings. In addition to this, incorporating vertical gardens in the decor of any building brings a living element to the environment and being around greenery helps in reducing the stress levels also."

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

Katrina Kaif is keen to work with Deepika Padukone and Kareena Kapoor Khan. The two have a connect with her ex-flame, Ranbir Kapoor. While Dippy is also his ex, Bebo is his cousin.

While on the chat show, Feet Up With The Stars, Kat was asked, who she would like to do a song with and Kat said, "Deepika Padukone." She would like Bebo to be her co-star as she is 'supportive'.

On the work front, Katrina Kaif will next be seen in the much-awaited film Bharat co-starring Salman Khan. Disha Patani will also be seen in the film portraying the role of a trapeze artist.

Sporting saris and long curly tresses, Katrina Kaif's on-screen avatar of Kumud Raina in Bharat is possibly one of the most distinct looks in her filmography. While there had been much curiosity around Salman Khan's five different avatars in the Ali Abbas Zafar-directed period drama, the leading lady too will be seen ageing from her late 20s to her early 60s in the course of the narrative.

Meanwhile, Kareena Kapoor Khan is currently gearing up for her next release, titled Good News, alongside Akshay Kumar, Kiara Advani and Diljit Dosanjh. Deepika Padukone, too, is busy with the Meghna Gulzar directorial, Chhapaak, based on the life of the acid attack survivor Laxmi Agarwal.

Also read: Katrina Kaif: Ali and I are good friends. Signing Bharat had nothing to do with our friendship

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Voting day is here, but not all of us remember how exactly to go about it. Don't worry, mid-day's refresher has it all covered. Among the most important things to remember is to not forget to carry any one of the 11 accepted identity proof documents (see: Valid proof of identity) and to not use your mobile phone in and around the polling booth. Voting begins at 7 am sharp and will last until 6 pm.

While some of us may have got the voting slips, those who haven't got theirs need not panic. All you need to do is go up to one of the helpdesks set up at street corners and look for your name. If your name is on the list, the corresponding voting booth number and other details will be mentioned there. You can also look for your name online before leaving the house on https://electoralsearch.in. If your name is not on this list, you cannot vote. No argument. Do remember to register yourself on https://www.nvsp.in before the assembly elections.

Police officers being briefed about bandobast duty a day before voting day in the city. Pic/Sameer Marakande

No mobile phones

Mobile phones cannot be used within 100 metres of the polling booth, but for the working population of the city, who either votes on its way to or from work, you may carry your phone with you but must remember to either switch it off or keep it on silent mode. Cars and bikes, too, will have to be parked 100 metres away from polling booths. Only designated vehicles carrying people with disabilities will be allowed close to polling booths.

Only 11 valid ID documents

Please remember that the voter slip is not proof of identity. You have to also carry any one of the 11 identity cards. If you have none of them, once again, you cannot vote.

Please do not argue with the election duty staff, they have no role to play in this.

Shivaji Jondhale, Mumbai City Collector, said, "If there is no name on the electoral list, then people cannot vote. It is very important to be a registered voter. Further, if there is no voting slip but your name is on the electoral list of the Election Commission and you have a valid ID card, then by checking with the help desk you can find out the polling station and can exercise your right to vote."

Wait for the beep

The confusion about the long press while registering your vote on the electronic voting machine was cleared by Collector officials. They said your vote is considered registered once the long beep is heard. Do keep your finger pressed on the button until you hear it or your vote will not be registered.

Live Blog: Elections 2019 Phase 4 Live Updates: Anil Ambani, Rekha cast their vote

Come out and vote!

The Election Commission has taken various measures to ensure citizens come out and vote. The total number of voters in the city, is 96.39 lakh. The EC and Collector offices of the city are aiming at a voting percentage of at least 61% this time from 41% in 2009 and 51% in 2014.

Citizens, too, have come forward to help increase voter turnout. An ALM from Juhu has organised a pick-up for senior citizens to the polling booths. The EC, too, has organised help for people with disabilities. Further, in order to ensure proper transport system during the voting process, the Collector offices have organised 2,985 vehicles in Mumbai suburban district and 1,769 vehicles in Mumbai Island City.

There is a staff of 15,000 working in the island city and over 60,000 in the suburbs on election duty. There are 2,601 polling stations in the island city which has two constituencies, and 7,472 polling stations in the suburbs that have four constituencies, said officials.

Also read: Elections 2019: Mumbai Police to deploy 40,000 cops on election duty; issue guidelines

Students, take that selfie!

This year, the EC and government officials have been explaining the electoral process to young students in the hope that it reaches their parents at home. One of the initiatives is the 'selfie' movement, where students have been urged to take their parents to polling booths and put up selfies on social media with their parents after voting.

96.39l
No. of voters in Mumbai

61
Voting percentage that the Election Commission is expecting in Mumbai

Also read: Elections 2019: 422 polling stations in Mumbai declared 'critical'

Valid proof of identity

• Passport
• Driving licence
• Identity card issued by the Election Commission/Central and state government/ Public Enterprises / Local Body Institutes
• Bank passbook with photograph
• PAN card from the Income Tax Department
• ID card given by the Census Commissioner
• Job Card under Employment Guarantee Scheme
• Health card from the labour ministry
• Pension passbook or pension payment order with photograph of the retired employee
• ID card of MLA/MP
• Aadhaar card, too, will be considered as identity proof

Also read: Elections 2019: Popular politicians and key battles in Mumbai

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I have a crush on a girl who is also a close friend. We have been in the same class at college for two years and spend as much time together as possible. The whole class thinks we are in a relationship, but we are not. I want to though, because I really like her. I think she has a soft corner for me, too. What should I do? Should I propose to her? If I do and she rejects me, I am afraid of losing my friendship, too.
— Abesh K
If you have known this girl for two years and call her a close friend, it's safe to assume she wants to be your friend too. Jeopardizing it by telling her how you feel doesn't seem likely. I don't know if 'propose' is the word I would use though, because it makes sense to simply have a conversation and get a sense of how she looks at you. If the two of you can have a mature discussion and evaluate whether or not there is potential for a relationship, there should be no danger to your friendship provided you are open to the possibility that she may not feel the same way about you.

I have wanted to be with this guy for the longest time, but he doesn't want to commit. We date often, but I know he is also seeing other women. Should we get into an open relationship? It will hurt me, but it may be the only way for us to be together.
If the idea of an open relationship hurts you, and you want to consider it just because you want to be with someone, aren't you setting yourself up for disappointment right at the start? Wanting to be with someone is great, but the chances of that working out are higher only when it is based on mutual respect and acceptance, so I suggest you think carefully about how you will be able to come to terms with an open relationship.

The inbox is now open to take your most carnal and amorous queries. Send your questions on email to lovedoc@mid-day.com

Catch up on all the latest Mumbai news, crime news, current affairs, and also a complete guide on Mumbai from food to things to do and events across the city here. Also download the new mid-day Android and iOS apps to get latest updates

A teenager lost his hard-earned money that he was taking home to Bihar, when four to five people looted it. The accused, one of whom attacked him with a knife are at large, and he feels it is God's grace that he is alive and with his family.

Dharmesh Sharma, 19, a resident of Kalyan, works as a JCB operator. According to Sharma, on April 23, he wanted to go to Bihar by a train which starts from Kalyan railway station. At the inquiry window he was told it would arrive at 11 pm.

A person standing nearby claimed he was also going to Bihar and took him to platform 6. Later the man told him the train would start from Kurla (LTT) and after convincing him, took him there on the pretext of better seats.

But at Kurla the accused took him to an isolated spot, and threatening him with a knife, asked him for his valuables. "I pushed him and started running away. But he attacked me with the knife," alleged Sharma.

Soon, the man was joined by four-five more men who stole Rs 7,000 from Sharma, and his mobile. Senior Inspector Kalyan GRP, A Bartakke said, "We have registered the offence. We waiting for Sharma, so we can get details on the suspects' appearance etc."

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More than 3.11 crore voters spread across 17 Lok Sabha constituencies will cast their vote today, in the final phase of the 2019 Lok Sabha elections in Maharashtra. While voters across North Maharashtra, Mumbai, Thane, Palghar and parts of Western Maharashtra gears up to cast their valuable votes come April 29, a popular restaurant in Malad added its own twist in order to urge its patron and voters to cast their votes as responsible citizens.

While the Mumbai votes today, innumerable initiatives have come up in the city with innovative ways to encourage people to exercise their franchise. However, a suburban restaurant in Malad came up with a cheeky poster to encourage voters to cast their valuable vote.

The cheeky message by Uncle's Kitchen, Malad requests voters to cast their voters on April 29, 2019

Uncle's Kitchen in Malad is a popular eatery and it put up a rather quirky poster on the wall outside their restaurant. The poster on the wall of Uncle's Chicken read, "We will keep our chicks away from you till 6 pm so that you can cast your valuable vote." Thus, urging their patrons and voters in Malad and Mumbai to come out in large numbers on April 29 and cast their vote. They, of course, were referring to their chicken dishes in the witty poster.

Uncle's Kitchen in Malad is a popular restaurant that serves Chinese cuisine and celebrities including Mithun Chakraborty, Raza Murad, music director Pritam, Mohnish Behl and Suresh Oberoi are believed to be regulars.

The right to vote is the gift of democracy. Let's all go out and VOTE!#VoteForIndia#LokSabhaElections2019 pic.twitter.com/CuzLniWUsn

— Sachin Tendulkar (@sachin_rt) April 26, 2019

Just two days ago, Bharat Ratna Sachin Tendulkar took to Twitter to urge voters to cast their vote on April 29. He said that this year besides him and Anjali Tendulkar, his children, Sara and Arjun too will cast their votes for the first time this election. He captioned the video: The right to vote is the gift of democracy. Let us all go out and VOTE!

The results of the Lok Sabha Elections 2019 will be announced on May 23, 2019. You can log on to eci.gov.in for more information.

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While many polling stations were bereft of facilities for the physically challenged and senior citizens, the situation was refreshingly different in Palghar district, where arrangements were made to bring in physically challenged voters and drop them back to their homes.

The voters had a car to take them to the polling stations, where they didn't have to wait in queue to cast their votes, and drop them back home once they were done. This process had begun as a part of the run-up to the polls.

Explaining the same, the district's social development officer Vibha Jadhav said, "We had conducted a survey and made a list of physically challenged voters before the election. Now, we have been calling them to know when they would be able to come to the polling stations to vote."

Election 2019: Prominent personalities, other Mumbaikars come out to caste vote!

The voters had a car to take them to the polling stations, where they didn’t have to wait in queue to cast their votes, and drop them back home once they were done

Virar resident Suresh Pawar, 43, thanked the government for the initiative, "I am visually challenged person, as is my wife. Until last year, we had to take an auto rickshaw to reach the polling booth. But this time, the government has given us relief by arranging vehicles for us.

The polling booths also had representatives stationed to help physically challenged voters. Jidnyasa Polekar, from the National Service Scheme, who was one of the assistants, said, "We kept wheelchairs for physically challenged and senior citizens. We also assisted visually challenged voters to understand the process of voting so that they can cast their ballot sans any hassle."

Bolstering voter turnout

Palghar collector Dr. Prashant Narnaware told mid-day that they had taken a number of initiatives to bolster voters' turnout in the district. "We had carried out campaigns to spread awareness among voters. We reached out to 13 lakh voters during our 25-day campaign titled 'I Shall Vote.' We also involved school students in the initiative by asking them to write letters to their parents, urging them to cast their vote," said Narnavare. On voting day, however, the district was hit with a slight EVM glitch. "There are 2,170 polling booths in Palghar, out of which the EVMs of 50 booths faced glitches. But they were changed within 10 minutes, as all the zonal officials were given additional EVMs to tackle the crisis," said Narnavare.

Salman Khan, SRK, Ranveer Singh, Kangana, Bachchans step out for voting

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Those who take on the world with ideas that outlive them belong as much — perhaps more — to it as they do to their families. While their work and public lives are well-documented, the personal side often remains obscured; the hardships and sacrifices taking a backseat as glory, at times infamy, take centre stage.

In Jenny von Westphalen, however, Karl Marx didn't just find a companion who provided him emotional strength and succour as the Marxes battled penury, persecution and the death of four of their children, but also an unrelenting collaborator as he analysed the flaws of capitalism and provided an alternative that continues to stir up impassioned debates. On the political theorist and revolutionary's 201st birth anniversary on May 5, Michaela Talwar and Satchit Puranik are bringing together their German and Indian backgrounds in the new play Mrs & Marx, to present what they call an impossible love story.

Michaela Talwar

Playing themselves, the city-based artistes invoke the spirits of Karl and Jenny (pronounced Yenny) to examine their story through the annals of history. A Harkat Studios production, work began on it exactly a year ago, on the 200th anniversary of Marx. It is a multilingual piece of documentary theatre that juxtaposes the performers' experiences in the present day with that of the world of the Marxes.

"I am privileged to know German. I read several of Jenny's letters, which opened an insight into her personality. Far from a meek housewife, she was a theatre critic, who was unapologetically outspoken," says Talwar, for whom collaborating with Puranik was an easy decision after she watched the production, Karl Marx in Kalbadevi, in which he plays the protagonist.

Puranik explains how his lived experience after marriage further refined Marx's theories and analysis of capital and cash supply, while Talwar says, "Marx wasn't a feminist to start with. [But with Jenny's outspokenness], he would learn to appreciate a woman's opinion. So, she set a subtle but effective example of feminism." Puranik adds, "'Social progress can be measured exactly by the social position of the fair sex...' is among Marx's oft-quoted statements. He rejected the idea of private property, which lay at the core of patriarchy. Even in his analysis of class struggle, he spoke of how women were appropriated into the factory system."

Two centuries after Marx and his beloved comrade and friend Friedrich Engels wrote The Communist Manifesto, communism as a political ideology struggles for survival today, existing only in a few pockets around the world, including India. Drawing from her experiences in India and Germany, Talwar tells us that opinions on Marx here swing between a deified and demonised image, while in Germany, it is easier to come across detached dissection of his works.

What remains undisputed however, say the directors and actors, is Marx's relevance. "With the financial depression of 2007-08, even his harshest critics couldn't escape the fact that through his works, he lives on to haunt them," asserts Puranik, while Talwar shares, "Nothing has changed in these 200 years, and the world remains an extremely unequal place." But she is quick to add, "Whether you believe in Marxism or not, this is a hopeful play; one that fights the discourse of hate that surrounds us with a love story."

On: May 5, 8 pm (for ages 15 and above)
At: Tata Garden, NCPA, Nariman Point.
Call: 22824567
Entry: Rs 300

ON: May 12, 7.30 pm
At: G5A Foundation for Contemporary Culture, Laxmi Mills, Shakti Mills Lane, Mahalaxmi.
Log on to: bookmyshow.com
Entry: Rs 500

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A Nepalese farmer’s son will walk the ramp at the upcoming Mumbai style extravaganza, Lakmé Fashion Week Summer/Resort 2017, and ‘he’ isn’t modeling menswear Anjali Lama, born Navin Waiba to a family of agriculturists in Nuwakot, is Nepal’s first transgender model. In another first, she is about to become the first transgender person to model clothes at an Indian fashion show next month.

Before Anjali, 32, could tackle the identity crisis, she was battling poverty. “My family is uneducated. We hail from a small village. We had no electricity when we were growing up. I completed my education by studying under lanterns,” she says, her flawless skin showing no signs of the struggle when we meet her at a central Mumbai hotel.

But juggling her dreams with anguish was something she learnt early. For as long as she can remember, Anjali wanted to be a girl. Finding solace in the company of her late mother and female friends, she realised she didn’t identify with the gender she was assigned at birth. “By the time i hit my teens, I was drifting away from the family. My brothers wondered what was wrong; they had already heard rumours. I decided to come out. When I did, they told me to stay away from the family. But my mother supported me. She would have been thrilled to see this,” she says, taking a moment.

Anjali’s success coincided with Nepal making progress in recognising the rights of transgender communities. The country allows its citizens to choose their gender identity, and issues passports with a third gender category.

In Kathmandu, where she moved to find her freedom, she was ostracized in the hospitality industry that she tried breaking into. Then, she met others like her and was guided to a community center that worked for LGBT rights. Friends suggested that with her lean frame (she’s 5’ 9”) and killer cheekbones, she stood a chance at modelling. “I liked the sound of it,” she says about the career she dabbled in back in 2009 while continuing to work for the centre. When she was featured on the cover of Voice of Women, a Nepalese magazine, that same year, she thought it would be her big break. “There were times I was better than the others but didn’t make it. My trainer at a modelling agency admitted it was my orientation that was coming in the way of success. Brands didn't want to associate with me.”

The next year, when she walked for an event titled, Monsoon Fashion Show, she caught a blogger’s eye, who told her story to the world. That was the turning point. “By 2016, I had established myself in Nepal,” she recollects, although she was yet to crack a premier fashion week. “I didn’t have the money to travel far or invest in an expensive photoshoot.” India was close at hand. She wrote to the Lakmé organisers last year to check if they’d entertain an entry from a transgender model. And although, they were game, she failed the audition. A disappointed Anjali returned to Nepal but couldn’t take the idea of walking the ramp before hundreds out of her head.

“I couldn’t sleep, and began working out to distract myself. I spent the year reaching out to agencies in Mumbai, gymming and learning the catwalk from youtube videos. “The models out there were young, beautiful. I was already 30,” she says, explaining how an attempt to put on weight with calorie rich foods ended in acquiring a paunch. “I decided to work out every day for 30 minutes, and managed to crack the auditions this year. I was in the top 5.”

Anjali says if she hadn’t made it, she was planning to quit modelling. But that’s another story.

Shacking up with friends at an apartment in Santacruz, she is already dreaming big the way everyone does in Mumbai. The breast augmentation she underwent in 2010 was a step towards transitioning fully, which she hopes to do with a sex change surgery. “I hear things get better for models with this big a platform, but my orientation worries me. That the fashion industry is a lot more open gives me hope,” she says, wondering if she’ll ever model for the designer she has her heart set on. “Manish Malhotra… I want to walk for him.”

'I realised I’m not the typical model'
He is “obsessed” with Manish Malhotra’s designs, but also digs Sabyasachi and Manish Arora. That’s a string of strong likes for someone who will model on the Indian runway for the first time.

Czech-born Petr Nitka, 23, is used to making news. And it’s no different here, with a ramp gig planned at fashion week in early February. Hailed as Czechoslovakia’s first gender-neutral model, Petr says over an email from his country that he, like his colleagues back home, is curious about what Indian designers are going to dress him in.

Having taken to modelling like fish to water, Petr first modeled for designer Alexandra Blanc at the South Africa Fashion Week in July 2016. Johanessburg-based menswear designer Roman Handt saw an article on him in a publication the next day, and was keen that Petr become the face of his brand.

A career in fashion, predictably, allowed him to explore his passion for make-up and clothes. Growing up in Ostrava, a city in north-east Czech Republic, he remembers a childhood marked by an unusual interest in getting made up. “When I was a kid, I was disappointed that I couldn't wear make-up or nice clothes. Contrary to that, I feel free now.”

His mother’s support and a move to Australia to pursue academics proved to be game changers. The trip led to a meeting with independent photographer Bharathan Kangatheran in Perth. When pictures from a shoot were published in a leading magazine, Petr met his moment of truth. “I realised that I wasn’t the typical model. The best aspect of being a gender-neutral model was that I could pursue my profound love for fashion.”

Petr, who in an interview to fashion magazine, Emma, last year, said he was a bit of a man and woman (“I am empathetic [like a woman] but I am lazy like a man. I’m a mix of both sexes.”), has worked towards moving away from conventional gender identification. Gender-neutral persons prefer not to identify as man or woman, and have recently begun taking on unisex pronouns like ‘they’ or ‘them’. Petr’s variegated choices reflect in long, mascara-lined lashes and unwaxed arms.

When he isn’t working, Peter prefers to dress in unisex clothing. “But I am skinny and it is difficult to find basic male clothing. I prefer simple fashion for women — skinny jeans and tops. They look like they were made just for me.”

Petr is excited at walking the ramp in India, because it’s only in strange places that he has found fame and acceptance. His career really began outside of his own country after he found that no Czech agency wanted to represent him. Now, he walks for brands that make menswear (Brandt) and womenswear (Jaroslava Prochazkova, Marcel Holubec, Lukas Krnac). Although, he does admit to designers finding it challenging to figure what they will dress him in.

Is Manish Malhotra racking his brain?

Bombay To Barcelona Library Cafe in Marol and a tray of herbs

While many high-end restaurants in the city are struggling to execute the farm-to-table experience, street kid-turned-author Amin Sheikh has found a way to add fresh herbs into the fare prepared at this four-month old Bombay To Barcelona Library Cafe in Marol. Sheikh, who launched the café to help provide employment to street boys and girls and give back to society, has installed a vertical garden in the premises. “At the café, everything is made-to-order.

We wanted to enhance the organic experience by adding fresh produce,” says the 35-year-old, who received the modular, four-tier, self-watering system from the Mumbai-based start-up Enverde, specialising in urban farming. The owners happen to be regulars at the cafe.

“I bought herbs like basil, lemongrass, parsley, oregano, coriander and even spinach from a nursery at Bhavan’s College, and planted them last week. We get ample sunlight so we will wait for the plants to grow and then use them in the food,” informs Sheikh, who had earlier visited farmers’ markets but found the produce too expensive.

The café was launched with the funds Sheikh had gathered from the sale of his autobiography Bombay Mumbai Life Is Life I Am Because Of You (self-published in 2012), which captures his gritty success story. Run by seven staffers, it serves Spanish tapas, Spaghetti, sandwiches, rolls, muffins as well as Indian fare — all the dishes are priced under `200. “A friend of mine in Spain, a chef, just finished a nine-day training with the boys,” shares Sheikh, who plans on launching the café in Barcelona too.

Time: 10 am to 10 pm
At: 3 and 4, Gold Nest Housing Society, Marol Naka, Andheri (E)
Call: 9820212029

Bombay Chamber Orchestra concert

Did you know that world renowned classical composers like Mozart, Beethovan and modern day legends like George Gershwin and Nat King Cole were Freemasons?

Well, they were. Freemasonry is not the shadowy organisation it is made out to be in popular fiction. Freemasons are actually the world's oldest and largest non-religious, non-political and charitable organisation. It also has the honour of being the world’s largest fraternal society.

The first Grand Lodge in England is said to have been formed on June 24, 1717. This means that 2017 is the 300th or Tercentenary Anniversary.

The Freemasons are celebrating the completion of three hundred years of their formation, with a series of events in Mumbai, spread over the two days of January 27 and 28.

Many non-Freemasons, know very little of Freemasonry, and even if they do, consider it a secret society. Even lesser is known about the fact that Western Classical music has been deeply influenced by Freemasonry and many leading composers were Freemasons themselves.

Freemasons, together with the Bombay Chamber Orchestra have invited leading performers from India and abroad, and have put together a once- in-a-life time musical soiree. The event is scheduled to be held on Saturday, January 28 at 6:00pm, Sophia Bhabha Hall, Bhulabhai Desai Road, Mumbai.

ALSO READ: Not such a secret society, after all

Donor passes for the premium segments of Rs 5000 and Rs 1500 have already been sold out. The last few regular seats at Rs 1000 are still available. The funds raised by the event are earmarked towards the cause of dementia.

So you have got to rush and book those passes right now.

For programme details and online donor passes log on to:
http://freemasonryintheeast.dglbombay.org/concert/

WORKSHOP

Do yoga by the sea
Sat, feb 25 & sun, feb 26 Set your mat aside and dig your toes deep into the sand. Listen to the sound of the waves and breathe in the fresh air as you move through energy boosting yogasanas. Taught right on the shore by Shweta D’souza, this yoga class is structured to give you a full body and mind workout.
TIME: 7.30 am to 8.30 am
AT: Silver Beach (beach entrance from Godrej House), JVPD, Juhu.
CALL: 9820401592
COST: Rs 650 per class

PLAY

Witness a strange reunion
Sun, feb 26 Catch a play titled Class of 84, which tells the story of seven friends who belonged to a tight-knit college group from 1979-84. They come together because of the death of their eighth friend. Will the friends come to terms with this death, and, more importantly, themselves, through the course of the evening?
TIME: 8.30 pm onwards
AT: Prithvi Theatre, 20 Janki Kutir, Juhu.
LOG ON TO: bookmyshow.com
COST: Rs 500

ART

For the love of pets
Till today View the work of young artist Manish Bobade, whose love for animals finds expression in his series My Pet. Bobade has created his works in the semi-abstract genre, which showcase dogs, cows, goats and in some instances, birds.
TIME: 11 am to 7 pm
AT: Gallery Pradarshak, 100, Kalpana Building, Plot 338, 12th Road, Khar(W).
CALL: 26462681

Go artsy with humour
Today Attend a talk on art and a demonstration by Sanjeev Sonpimpare at the Bombay Pier Pop-Up. The artist is known for reshaping Mumbai street scenes, middle class protagonists, magazine covers, and advertorial images with a tinge of humour in his works.
TIME: 5 pm to 6 pm
AT: Radio Club, 26, PJ Ramchandani Marg, Apollo Bandar, Colaba.
Call: 22845025

SHOP

Drop in at a flea
Sun, feb 26 Attend the Big CSR Flea and shop for a cause. The curated flea market will comprise stalls put up by a number of NGOs, women entrepreneurs and start-ups. There will be an array of handmade products to choose from.
TIME: 11 am to 10 pm
AT: Urban Community Development Center, 104/B, 14th Road, Bandra (W).
CALL: 9833984214

Get ready for summer
Ongoing Kolkata-based designer Vedika M brings her latest Spring Summer 2017 collection to Mumbai. The collection, which comes in vivid hues, uses a combination of brush and block printing techniques. Pick from short and long dresses, skirts and jackets.
CALL: 9830020022
LOG ON TO: vedikam.com
COST: Rs 3,000 onwards

FOOD & DRINK

Celebrate Margaritas
Till tues, feb 28 Raise a toast to Margarita Day by celebrating it for a whole week. Paying tribute to the refreshing citrus beverage that is loved the world over, a special menu has been curated to honour iconic women from Mexico. Try drinks named after not just the famous Margarita Carrillo Arronte, but also Frida Kahlo, Ellen Ochoa, Salma Hayek, and more.
TIME: 12 pm to 1 am AT The Good Wife, ground floor, The Capital, Bandra Kurla Complex.
CALL: 40039433
COST: Rs 450 plus taxes for each drink

Take a bite of cheesecake
Ongoing Dig into a new cheesecake menu that includes unique flavours such as Sprinkle Birthday Cake, Banoffee, Ferrero Rocher (in pic), Gluten Free Smores, and the seasonal classic, Strawberry, which features organic Mahabaleshwar strawberries and homemade strawberry jam.
TIME: 7 pm to 1.15 am
AT: Bastian, B/2, New Kamal Building, opposite National College, Linking Road, Bandra (W).
CALL: 26420145
COST: Rs 500 (per slice), Rs 2,750 (full cake)

Try a festive menu
Ongoing Celebrate the Year of the Rooster with a new menu featuring dishes like Beggar Spring Chicken (in pic), Charcoal Grilled Spare Ribs, Wood Baked Spiced Oily Pomfret, and more.
TIME: 6 pm to 1 am
AT: Dashanzi, JW Marriott, Juhu.
CALL: 9769311654

DEAL WITH THE WEEKEND

Be an early bird
Till March 31 Arrive for dinner between 7 pm and 8 pm, and enjoy a 30 per cent off on a dinner buffet featuring soups, salads, starters, main course and desserts.
AT: The Earth Plate, Hotel Sahara Star, Vile Parle (E).
CALL: 39895000
COST: (after discount) Rs 1,610 plus taxes

Shop for a steal
Ongoing Get up to 70 per cent off on the entire collection of 80 designers. Shop from a wide variety of outfits along with clutches and jewellery.
TIME: 10.30 am to 9 pm
AT: Kashish Infioré, Hughes Road.
CALL: 23613111

Go sip happy
Sun, feb 26 Enjoy extra long Happy Hours this Sunday and indulge
in unlimited drinks
such as Apple & Malta Sangria, Watermelon & Mint Sangria, flavoured wines, and beer, all for `899 (inclusive of taxes). Dig into Crab Cakes and Pork Van Dogh.
TIME: 11 pm to 12.45 am
AT: Veranda, Hotel Executive Enclave, Pali Hill, Bandra (W).
CALL: 33126749

COMEDY

Laugh at a ladies' special night
Today Ladies, if you think you are funny and have an opinion about booze, boys, Bobbi Brown or anything else under the sun, register for the stand-up comedy open mic evening, hosted by Kaneez Surka. Not only do you catch her at her best, you also get to attempt to be the next comic star.
TIME: 8 pm onwards
AT: The Cuckoo Club, Mc Ronell's Compound, Pali Hill, Bandra (W).
CALL: 9619962969
COST: Rs 200

Pick the best performer
Tues, Feb 28 Ten stand-up comedians will be trying out new jokes and you get to choose the best performer. All the jokes may not work, but the fun lies in listening to fresh material. The show will be hosted by Hijas Moosa.
TIME: 9 pm
AT: Backstage Cafe and Bar, Andheri (W).
CALL: 98927 20001
COST: Rs 200

MUSIC

Sing along
Thurs, mar 2 Catch Yatharth Ratnum, the winner of the first season of singing reality show, The Stage, at a gig. He will be joined by four other finalists from across the last two editions of the show.
TIME: 8.30 pm onwards
AT: Hard Rock Cafe, Wadia International Center (Bombay Dyeing), Pandurang Budhkar Marg, Worli.
CALL: 24382888
COST: Rs 750

Catch a tribute concert
Wed, Mar 1 Ustad Zakir Hussain and the SOI Chamber Orchestra will pay tribute to legendary composer Vanraj Bhatia, who is known for his iconic scores in films like Manthan, Junoon, Mandi and more.
TIME: 7 pm onwards
AT: NCPA, Tata Theatre, Nariman Point.
CALL: 24382888
COST: Rs 500 onwards

Tune in to the santoor
Thurs, Mar 2 Immerse yourself in soulful tunes by santoor maestro Pandit Shivkumar Sharma
AT: A concert, being held to raise funds for an NGO. The funds will be used towards promoting the welfare of children.
TIME: 7 pm onwards AT Nehru Centre, Dr Annie Besant Road, Worli.
CALL: 24964676
COST: Rs 300 onwards

FOOD & DRINKS

Dig into a Thai feast
Till Mar 5 Take a culinary tour of Thailand with a new menu of Hued Grob (fried mushrooms in Thai black pepper sauce), Gai Yang (chicken leg marinated in curry paste), Koong Phad Kaprao (prawns tossed with garlic), and some interesting rice and noodle preparations.
TIME: 7 pm to 11.30 pm
At: Saptami, Holiday Inn, Saki Naka Junction, Andheri (E).
CALL: 40851800
COST: Rs 1,399 plus taxes

Bake teatime treats
Tues, Feb 28 Learn to make melt-in-the-mouth cookies like Earl Grey shortbread, jam drops, cardamom tea cookies, oat biscuits and the classic Shrewsbury biscuits. These make for the perfect accompaniment to your hot cup of chai, or a delightful gift for a loved one. Registration closes 24 hours prior to the class date and time.
TIME: 10 am to 1 pm
AT: Cakesmiths, second floor, Jatia Chambers, Dr VB Gandhi Marg, Kala Ghoda.
CALL: 30213333
COST: Rs 4,255

Get rid of a hangover
Ongoing Recover from a night of excessive drinking with this special Hangover Breakfast menu. Dig into oven-baked egg white omelette topped with vegetables and cheddar, chicken sausages served with French fries and salad, and even comforting pancakes, served alongside espresso and freshly squeezed orange juice.
TIME: 8 am to 11.30 am
AT: Silver Beach Cafe, Jaldarshan Building, Gandhi Gram Road, Juhu.
CALL: 9819966495

SHOP

Dress in your festive best
Ongoing Pick an outfit from Shyamal and Bhumika's Spring Summer 2017 Collection, titled Fragrant Winds. The collection combines Indian silhouettes with patterns of blooms, grasslands and birds.
LOG ON TO: shyamalbhumika.com
CALL: 9833525200

ART

Marvel at the muse
Till mon, Mar 6 Head to a solo exhibition of paintings titled Muse 2, by artist Vijay Belgave. Through his works, he attempts to showcase the beauty of a young, sensitive woman and her thoughts, besides depicting the attachment between young lovers.
TIME: 11 am to 7 pm
At: Jehangir Art Gallery, MG Road, Kala Ghoda.
CALL: 9820960057

PLAY

Head to the smoking zone
Thurs, mar 2 Catch the play, Dhumrapaan, set in the smoking zone of a corporate building where employees discuss appraisals, politics and all that comes with working in an office. The stress and fears will help you draw a parallel with your own life.
TIME: 8.30 pm onwards
AT: Prithvi Theatre, Juhu.
CALL: 26149546
COST: Rs 300

Holi shakes!
till Mar 15 This Holi, say hello to The Holy Freak! Sip on this tall sinful glass of rabdi churned with vanilla ice cream, cake and milk, layered with special home-made jalebis and topped with colourful sprinkles.

TIME: 9 am to 1 am
AT: D:OH!, ground floor, Unit 2B, Senapati Bapat Marg, Lower Parel.
CALL: 62372829
COST: Rs 299

Shop
Fashion for men
ongoing Gentlemen, give your appearance a touch of glam with the Black collection featuring bracelets crafted in Onyx stone and pure leather, cufflinks, pocket squares, lapel pins and tie bars in quirky designs.

log on to thebrocode.in

Shining stars
ongoing Add some bling to your life with the jewellery from Radhika Jain, which features pendants, necklaces, bracelets and earrings made using handcrafted fibres finished with metallic elements.

AT: FUEL Store, 14th Road, off Linking Road, Khar (W).
TIME: 11 am to 8 pm
CALL: 9831030700

Shoulder talk
till mar 13 Ladies, avail a stylish deal where, for every handbag you purchase, you get a discount of 30 per cent on any mobile pouch and sling bag.
AT All Baggit outlets.

log on to baggit.com

Art
A visual feast
till tues, mar 7 Attend a solo exhibition of abstract paintings by Chandrakant Prajapati. His artworks are colourful, and he uses rollers, bold brushstrokes and knife work to create hidden patterns and shapes.

TIME: 11 am to 7 pm
AT: Jehangir Art Gallery, 161B, MG Road, Kala Ghoda.
CALL: 9825656177

Common lives
starts tues, mar 7 Catch a series of paintings, Living Lines at 360⁰, which is an extension of Ashok Hinge's earlier Living Lines series. This one looks at the
common man and society, including family bonding, friendships and crowded market places.

TIME: 11 am to 7 pm
AT: Nehru Centre Art Gallery, Discovery of India Building, Dr Annie Besant Road, Worli.
CALL: 9930103369

Event
Painting party
wed, mar 8 Take your girlfriends, sisters, daughters or mothers and join a painting party with Bombay Drawing Room. Art supplies, a glass of Sangria and an appetiser will be provided.

TIME: 11 am onwards
AT: Raasta, Rohan Plaza, SV Road, Khar (W).
CALL: 9619273009
log on to: instamojo.com
COST: Rs 1,650

Laugh riot
tues, mar 7 Get your weekly dose of laughter from Amit Tandon, the comedian known as 'the married guy' of stand-up comedy. His humour centres on everyday life and issues that affect all of you.

TIME: 11 am onwards
AT: Hard Rock Cafe, Sharyans Audeu, Fun Cinema Lane, near Balaji Telefilms, Andheri.
log on to: insider.in
COST: Rs 500 (Entry) + RS 500 (Cover)

Thali deal
Every Monday Men, this deal is for you. Drop in at Khandani Rajdhani and get a 50 per cent discount on your thalis. Enjoy dishes like Masaledar Puri Bhaji, Zaikedar Paneer Aur Masala Dal Ke Saath Roti Chawal, Karare Farsan, Amdavad Ni Dhokla ke Sath Khatta Meetha Chutney, Crispy Jalebi and Swadisht Rabdi, Rasila Gulab Jamoon, and Halwa.

TIME: 12 to 3.30 pm, 7 pm to 11 pm
AT: All Khandani Rajdhani outlets.
CALL: 65226074 (Ghatkopar)

Garhwali delights
till mar 12 Savour the lost cuisine of Uttarakhand at a Flavors of Garhwal food festival. The food includes Urad Dal Pakodia, Jakhiya Machchi, Mutton Tari, Koda Khichdi, Jhangora Khichdi, Kafuli and authentic Garhwali desserts like Jhangore ki Kheer, Till a Laddoo and Swala Bhangjiri.

AT: JW Cafe, JW Marriott Mumbai Sahar.
CALL 28538656
COST: Rs 2,199 plus taxes

Travel
Grape escape
from wed, mar 8 Head out of the city for a grape-stomping break, featuring walks through vineyards, good food, wine tastings and a chance to see how wine is made.

TIME: 11 am onwards
AT: Soma Vine Village, Village Ganghavare, Gangapur-Ganghavare Road, Nashik.
COST: Rs 1,500 per barrel

Perform
Woman, unleashed
wed, mar 8 Attend Devi Unleashed, a unique theatre experience combining monologues, story reading, classical dance and singing, performed by women artistes.

TIME: 7 pm to 8.30 pm
AT: Title Waves, St Pauls Media Complex, 24th Road, Bandra (W).
CALL: 24920482

Genius speak
tues, mar 7 to Thurs, mar 9 Learn about the life of Albert Einstein in this Motley play. Enacted by Naseeruddin Shah, it looks at the spirit of the scientist, who was plagued with doubts and disappointments.

TIME: 6 pm, 9 pm
AT: Prithvi Theatre, 20, Janki Kutir, Juhu.
CALL: 26149546
COST: Rs 500

MUSIC

Melodious tunes
Sun, mar 19 Get enthralled by the music of Rakesh Chaurasia, one of India’s most promising musicians and an accomplished flautist. He blends his flute with mixed instruments. He will be accompanied by Ojas Adhiya on the tabla.
TIME: 7.30 am
AT: Prithvi Theatre, Juhu. LOG ON TO bookmyshow.com
COST: Rs 300

Travelling musician
Tonight Catch Nicolette Gore, a singer, songwriter from Ahmedabad, performing original numbers at a gig tonight. An avid traveller, her songs are inspired from her numerous trips across the country.
TIME: 10.30 pm
AT: Tuning Fork, first floor, Hotel Unicontinental, Khar (W).
CALL: 9833358490
COST: Rs 550

ART

Beauty and nature
Ongoing Catch the latest works of artists Ishaque Ali Sayyed and Avinash Deshmukh, which feature nature, still life and spiritual elements, at an exhibition titled Funne–Hayyat.
TIME: 11 am to 8 pm
AT: Nehru Centre Art Gallery, Worli.
CALL: 9833833149

Recycled furniture
Till sun, mar 19 View a unique exhibition, Installation Furniture, which has 60 furniture pieces divided into three series, Emotional, Recycled and Art. The recycled series uses materials like old tyres, cloth, wood, trees, and chains.
TIME: 11 am to 8 pm
AT: The Art Hub, Atria Mall, Worli.
CALL: 9167221322

WORKSHOP

Yoga for peace
Sun, mar 19 Attend a workshop with Bijay J Anand and learn how to deal with the physical and emotional pain in your life. He will be using Kundalini Yoga mantras and kriyas to lead you on a better path.
TIME: 11 am to 12.30 pm
AT: Arts in Motion, 57, Rajdoot, Khar (W).
CALL: 65533333
COST: Rs 1,000

Droning on
Sat, mar 18 Learn to make drones and quadcopters. You will learn about each component and how they work together, and get to fly the drone you create.
TIME: 10 am to 1 pm
AT: Todi Mill Social, 242, Mathuradas Mill Compound, Lower Parel.
CALL: 65110361
COST: Rs 2,500

SHOP

Bridal stop
Till mar 31 Upgrade your wardrobe, especially your wedding collections, at Payal Singhal’s annual sale. On offer is a 50 per cent to 70 per cent discount on all outfits at the store.
TIME: 11 am to 7 pm
AT: Shop No.3, Raj Mahal Building, Altamount Road.
CALL: 65656121

PLAY

The Juhu life
Sun, mar 19 Take a peek into the lives of Balvinder aka Bubbles, brother Goldie Siddhu and sisters Pammi and Smiley, a dysfunctional family living on the 14th floor of a high-rise, Sea View Towers. Despite the location, there are problems in the building and within the family. These issues form the basis of the play, The Siddhus of Upper Juhu.
TIME: 7 pm
AT: TATA Theatre, NCPA, Nariman Point.
COST: Rs 975

Diplomatic treaty
Sat, mar 18 Motley production, A Walk in the Woods, is about two diplomats who take a walk in the woods to achieve a breakthrough in negotiations between their countries. Rajit Kapur and Naseeruddin Shah play the lead roles.
TIME: 7.30 pm
AT: Bal Gandharva Rang Mandir, Bandra (W).
CALL: 9892585856
COST: Rs 200 onwards

FOOD & DRINK

British brunching
Sun, mar 19 Join this Sunday brunch and enjoy dishes such as Grilled Ham and Salami, Stuffed Omelettes, French Toast, Chicken Tikka, Pepperoni Pizza, Shepherd’s Pie, and Bread Butter Pudding. Sip on craft beer or apple cider.
TIME: 12 pm to 4 pm
AT: The British Brewing Company, High Street Phoenix, Lower Parel.
CALL: 65656121
COST: Rs 600 to Rs 1,200

EVENT

Jenga fun
Sat, mar 18 Unwind this weekend over UNO and Jenga contests. UNO will be knockout style while the Jenga games will be one
on one or team-based. Winners get free beers.
TIME: 3 pm to 8 pm AT Reise All Day Bar & Kitchen, Andheri (E).
CALL: 33836086
COST: Rs 300 to Rs 500

Deal with the weekend

Pocket friendly
Today Now, enjoy your favourite cocktails and other drinks at prices starting at just '70. Premium drinks are available for an additional '70.
TIME: 4 pm to 8 pm
AT: All Hoppipola outlets, except Todi Mills.
CALL: 8286089737 (Khar)

Jim Beam day
Sat, mar 18 Groove to the beats of DJ Nikhil while sipping on Jim Beam for just '150, this Saturday. There will be cocktails like Sunrise, Bourbon House, House Side Car and Big Booty available as well.
TIME: 8 pm onwards
AT: The House Gastropub, Bungalow 1, JP Road, Aram Nagar, Versova, Andheri (W).
CALL: 39652955

Happiest hours
Till mar 19 Drink unlimited beer (till your bladder bursts) for only R420 or unlimited Sangria for R899. You can also munch on Chicken Faffa and Caribbean Chicken Strips while you drink.
TIME: 5 pm to 8 pm
AT: Raasta Bombay, Rohan Plaza, 5th Road, SV Road, Khar (W).
CALL: 8655000811

DANCE

Celebrate Kathak
Sat, Mar 25 Watch dancers from Kadamb Performing Unit present Vivarta, a Kathak performance based on Ni-ra-tata-dhang, a composition that narrates the actual bols of the Kathak vocabulary and highlights its classical techniques. It has been choreographed by Kathak exponent Kumudini Lakhia.
TIME: 7 pm
AT: Tata Theatre, NCPA, Nariman Point.
COST: Rs 200 onwards
CALL: 66223724

EVENT

Take a walk
Sun, Mar 26 Attend a two-hour walk where underprivileged children from the non-profit Angel Xpress Foundation will take you around the Bandstand neighbourhood and offer a glimpse into their lives. The kindness-themed walk has been organised by EverytingOnAPlate and Yash Rane as part of World Insta Meet.
TIME: 3.30 pm
MEETING POINT: Opposite Mannat, Bandra (W).
CALL: 9820246669

EXHIBITION

Trace different strokes
Till Mar 27 Check out a group show titled, Three Visions, showcasing mixed media sculptures by Vishal Rajas, along with paintings by Nilesh Nikam and Shivaji Mhaske. Nikam plays with textures and motifs while Mhaske's works offer a glimpse of ethereal landscapes of Maharashtra.
TIME: 11 am to 7 pm
AT: Jehangir Art Gallery, MG Road, Kala Ghoda.
CALL: 9967440683

MUSIC

Soothe your soul
Tonight Catch a performance by singer-songwriter Shanay Shah to add a soothing touch to your weekend. Apart from Western music, the versatile singer is also known for his renditions of Bollywood tracks and traditional Sufi songs.
TIME: 9.30 pm onwards
AT: Fat Man's Café & Grill, Tian Building, Gulmohar Road, JVPD, Juhu.
CALL: 26254446

Meet Jan Jaani
Sat, Mar 25 Swing to the tunes of singer-songwriter Jan Graveson, also known as Jan Jaani. Her set will be a blend of Alternative, Pop and Rock classics. Howard Pereira will accompany her on the guitar.
TIME: 8 pm onwards
AT: Thalassa, 21st Street, off Carter Road, Khar (W).
CALL: 9820004019

Find your FOMO fix
Sun, Mar 26 Attend the first edition of FOMO Fest and groove to diverse sounds by experimental outfit Bombay Black, singer-songwriter Monica Dogra (in pic) and Electro-Rock group Donn Bhat + Passenger Revelator. Meanwhile, Electronic artistes Zokhuma, Chhabb, DJ Beat2, Twisted Bass and Shivani Sawant will spin
Trance beats.
TIME: 12 pm onwards
AT: Razzberry Rhinoceros, Juhu Hotel.
CALL: 7400402604
ENTRY: Rs 500 (12 pm to 4 pm); Rs 1,000 (4 pm onwards)

WORKSHOP

Get a taste of Singapore
Today Learn to make Flat Rice Noodles with Fresh Herbs, Forest Mushroom Rice Spaghetti with Fried Shallot and Chinese-Style Pak Choy and Rice Vermicelli Soup at a Singaporean cuisine demo.
TIME: 5.30 pm
AT: Foodhall, Palladium, Lower Parel.
CALL: 30264581

FOOD & DRINK

Dine in the dark
Sat, Mar 25 If you're keen to do your bit for the planet, participate in Earth Hour celebrations, which also make for a great way to bond with your partner. Enjoy a candle-lit dinner and sip on glow-in-the-dark cocktails.
TIME: 8.30 pm to 9.30 pm
AT: Renaissance Mumbai Convention Centre Hotel, Powai.
CALL: 66927491

COMEDY

Laugh away the stress
Tonight Stand-up comedians Amogh Ranadive, Sonali Thakkar and Abhishek Upmanyu will pull out new jokes from their bag at a special comedy gig. They are best known for their observational and anecdotal comedy.
TIME: 10 pm onwards
AT: Andheri Base, Whistling Woods Sharyans Audeus, Andheri (W)
CALL: 30916003
COST: Rs 200 onwards

WORK

Enter an open house
Today If you're a freelancer, head to the Open House at Todi Mill Social to avail of high-speed Wi-Fi, on-demand printing, office stationery and a 10 per cent discount on membership if you sign up on the spot. You can also participate in networking sessions planned by the team.
TIME: 9 am to 6 pm
AT: Mathuradas Mill Compound, Lower Parel.
CALL: 7045940448

Deal with the weekend

Cool off with hot stones
Ongoing Pamper yourself with spa therapies offered at 30 per cent discount. Opt for a 90-minute Hot Stones Therapy (Rs 4,500) done using volcanic basalt stones, or a 75-minute Rope Massage (Rs 3,500).
TIME: 11 am to 10 pm
AT: Caressaa Day Spa, Peninsula Grand Hotel, Andheri (E).
CALL: 28519191

Enjoy a girl's drunch out
Ongoing Catch up with your gal pals over a lunch, brunch or drunch and avail of 10 per cent discount on the entire bill. Enjoy eats like Rosemary Cottage Cheese Kebab and Salmon In Labb Sauce and sip on Orange Basil Mojito and Sunday Sangria.
TIME: 11 am to 3 pm
AT: Terttulia, Hotel Parkway, Ranade Road Extension, Dadar (W).
CALL: 24468833

Get high on beer
Till Sun, Mar 26 If you love beer, especially Bira, don't miss this offer. For every 330 ml bottle that you buy, you get a 500 ml can free.
TIME: 12.30 pm to 1 am
AT: Reise – All Day Bar & Kitchen, Tarun Bharat Society, Dr Karanjia Marg, near Cigarette Factory, Chakala, Andheri (E).
CALL: 33836086

Last Sunday evening, nearly 400 people made it to Juhu's Novotel Hotel to watch a screening of Pulp Fiction. What made the evening special was that the "seats" i.e. the gaddas were laid by the pool, with cool breeze blowing in from the Arabian Sea.

It was the first film screening in the city organised by SteppinOut Movie Nights, which has presence across Chennai, Delhi and Bangalore. Ojal Kulkarni, the brand head for the firm, says they chose Novotel for its cool vibe and plan a movie night at the venue every two months.

In a city that's brimming with cinephiles it only makes sense to have non-commercial venues that will screen the classics as well as the indie films. And, Novotel promises to be a killer of a venue. Tickets will range from Rs 300 to Rs 400 and the movies will be chosen after a poll is conducted on their FB page.

But, if you can't wait until then to catch a screening of some well-curated films, along with other lovers of cinema, here are the some of the other venues in the city to watch out for.

Go funky with Benny
Dance to the tunes of Benny Dayal and Funktuation this weekend. The band, formed in 2011, has the Bollywood singer on vocals, Joshua Satya on guitar, Carl Fernandez on bass, Alok Merwin on keys and David Joseph on drums. Dayal's popular songs include Badtameez Dil and Daru Desi. He is mostly known for his work with AR Rahman in both Hindi and Tamil.
TIME: 9 pm onwards
AT: Todi Mill Social, Lower Parel.
CALL: 65110361
ENTRY: Rs 500 (includes a beer)

Friday

Catch a tribute gig
Catch the band, The Big If, at a Pearl Jam tribute gig. Relive the early '90s classics like Alive and Jeremy. They also draw inspiration from Alter Bridge and Nirvana. The band comprises Sumeet Menon (vocals), Rohit Murugan (guitar), Kartik Gopalkrishnan (guitar), Aaron (bass) and Chirag Vachcha (drums).
TIME: 10 pm
AT: Tuning Fork, Hotel Unicontinental, 3rd Road, Khar (W).
CALL: 9833358490
ENTRY: Rs 500

Get your Bawa facts right
Ever wondered how the Parsis arrived in India? Do you know the story of Zarathushtra and his disciples? Learn more about the community at a three-day exhibition conceptualised by Cyrus Dastoor. There will be cultural activities, and stalls featuring Zoroastrian books, artefacts and cuisine.
TIME: 6.30 pm
AT: All Bless Baug, opposite Charni Road Station.
CALL: 65069313

The flavour of mint
On the occasion of the first anniversary of Mintageworld.com (an online museum of coins, stamps and currency notes), you can gift them a currency note from your collection, which is not in circulation, and it will be clicked for you professionally.
TIME: 11 am to 7 pm
AT: Stall 69, Numismatics Fair, World Trade Centre, Cuffe Parade.
CALL: 8976001704

Saturday

Of marriage and bride
Catch the play, Beewion Ka Madarsa, which is about a character named Haneef Mohammed. He did not marry thinking all women are dishonest and they cheat on their husbands but then, life takes a turn. He decides to customise his bride.
TIME: 7 pm at NCPA, Nariman Point.
CALL: 39895050
ENTRY: Rs 300 onwards

Keep it stylish
Attend a fashion styling and design and trends workshop organised by Mod'Art. Popular designer Babita Malkani (in pic), who has been in the field for over a decade will helm the workshop.
TIME: 2.30 pm to 4.30pm
AT: Mod'Art International, Rama Gulab Apts, Subash Road, Vile Parle (E).
RSVP: 9619777841

Revel in poetry
Add a poetic touch to your weekend as award-winning poets including Adil Jussawalla, Jayanta Mahapatra, Keki Daruwalla, K Satchidanandan and Eunice de Souza read from their work alongside prominent Gujarati and Marathi poets. The two-day poetry festival has been organised by Paperwall Media & Publishing.
TIME: 10 am to 5.30 pm
AT: Tata Institute of Social Sciences, Chembur.
CALL: 49235008

Sunday

Flavours with a twist
Tuck into a new menu at a restaurant that celebrates the legacy of Irani cafés. The offerings include staples like Boil Egg Sandwich and Bhuna Chicken Sandwich, Bacon Vada Pav, Persian Soup, Crispy Corn Bhel, Khattu Meethu Pumpkin, and innovative desserts and cocktails.
TIME: 12 pm to 1.30 am
AT: SodaBottleOpenerWala, BKC.
CALL: 9892841456

Listen to the expert
Attend a talk by Amol Palekar as the veteran actor, director and producer discusses a new wave in Marathi cinema. He will explore a paradigm shift in the last decade.
TIME: 11 am
AT: Dr Bhau Daji Lad Mumbai City Museum, Byculla.
CALL: 23731234

Soak in art by kids
Landscapes, portraits, still life, flora and fauna and social issues are only some of the many themes you will find at Yellow Canvas 2017, a group exhibition of artworks created by 71 students from across schools in Mumbai. The canvases have been created in various media like water colours, acrylic, mix media among others.
TIME: 11 am to 7 pm
AT: Cymroza Art Gallery, Breach Candy.
CALL: 23671983

Deal with the weekend

Sip and munch to glory
Ongoing Avail a flat 20 per cent discount on all food and beverages at a newly launched restaurant. The menu includes appetizers, juicy burgers and sandwiches. You can also dance to the beats of the in-house DJ.
TIME: 12 pm to 1 am
AT: Nerve, Hill Road, opposite Le Reve (Globus), Bandra (W).
CALL: 9930008049

Add to your collectibles
till april 23 Replenish your wardrobe at a thrift shop for a cause by Back Alley. There will be pre-loved products including crockery, home décor, gift items, western and ethnic wear up for grabs. The initiative is by Radhika Dhawan and Maya Bhogilal Goyel.
TIME: 11 am to 3 pm
AT: Ave 29, Kohinoor Mansion, 29 Hughes Road.
CALL: 23804981

Grab a meal between work
ongoing Taste the 'Working Lunch Menu' at a five-star by chef Shadab Qureshi. The planned luxury meal will feature the chef's delicacies from the North West Frontier.
TIME: 12 pm to 3 pm
AT: Jyran-Tandoor & Dining Lounge, Sofitel, BKC.
CALL: 8268152597
COST: Rs 1,500 (veg), Rs 1,700 (non veg)

Bhrigu Sahni at a concert at antiSOCIAL earlier this week. Pic/Satej Shinde

The use of guitar isn't limited to playing solos and rhythms using a plectrum (a small flexible piece of plastic). When a discussion emerges about the co-existence of genres within the guitar language, there is a lack of clarity between Flamenco, Western Classical and finger-style. One can pluck (guitar) strings with their fingers but finger-style is a technique that involves the usage of fingertips, nails and the palm. You need to hit the woodwork for percussions. The sound is a perfect balance of bass, treble and harmonies. These days, Mumbai is witnessing the rise of finger-style guitarists. While some learnt from watching videos of legends like Andy McKee and Tommy Emmanuel, others took a cue out of popular songs.

Manan Gupta

One-man band
"By playing finger-style, one can arrange a whole song by playing the bass line, melody, rhythm and harmony simultaneously without using any backing track," shares Manan Gupta. The 23-year-old started off as a pianist but the track Drifting (by McKee) brought him closer to guitar.

Gupta believes finger-style also helps a musician to be self-sufficient. "You are a one-man band; there is no need to rely on other musicians to co-ordinate rehearsal timings," chuckles Gupta, whose tune Dear Mother (released in 2013) is an online hit.

Local inspirations
Bhrigu Sahni, who has toured the Mumbai-Pune circuit, took to the genre after watching his father play Western Classical. "As a kid, I realised that this style had the ability to create a rich musical tapestry. It is challenging to sustain being just a finger-style player but that shouldn't deter one from following his heart," says Sahni, who is a Berklee graduate and has jammed with Karsh Kale and Angelique Kidjo.

Unlike others, he also pointed out a few names among Indians who inspired him. "I went to Rock and Jazz concerts when I was 15. I used to improvise after watching guitarists like Sanjay Joseph and Derek Julian," he adds. Sahni released his debut album, What is Now, last year in New York. "I shuffle between Brooklyn, Khadki (Pune) and Mumbai for gigs," he shares.

Varun Singh started his journey listening to Eric Clapton. He even played for Metal band Albatross for sometime, but the song More Than Words (Extreme) pushed him towards finger-style. He seconds Sahni highlighting guitarists from India who are fluent with it. "Mahesh Tinaikar (Indus Creed) and Floyd Fernandes are great examples. Clapton's Tears In Heaven is a finger-style song too," he shares. The 23-year-old recently released a video of a song called Midnight Express paying tribute to Nuno Bettencourt. "He is my hero."

(From left) Kamal Sidhu, Purab Kohli, Dino Morea, Maria Goretti, Cyrus Sahukar, Mini Mathur, Cyrus Broacha, Luke Kenny. Location Courtesy/The Bombay Canteen; Pics/Rane Ashish

When video killed the radio star in the 1990s, we were not complaining. Our eyes were glued to the TV as cable television made its debut. We had heard our rock and pop idols on FM, and now, we had them, in our living rooms. MTV had landed, followed by Channel V. Along with them came a glam and chatty species called VJs. On them we pinned our hope for a favourite song, crushed on them, and sought fashion wisdom during our fumbling teenage years. Suddenly, we had new pin-up stars.

At a reunion of India's first set of VJs at Lower Parel's The Bombay Canteen, we saw model-VJ from MTV and Channel V Kamal Sidhu; the brain behind Channel V Luke Kenny; mad-hatter MTV VJ Cyrus Broacha; crush-worthy Channel V VJ Purab Kohli; model-actor with dear dimples Dino Morea; MTV's effervescent Mini Mathur; MTV's Mr Comical Cyrus Sahukar and MTV VJ-turned-food TV host Maria Goretti.

Madness ensued, with a whole lot of laughter and wisecracks. There were blows below the belt but not a brow was raised. For us, the '90s kids, they were the epitome of cool. It's true that we saw them in a different light — some of them are now parents — but they are just as charming.

Launching with the '90S
Kamal: I think I speak for everyone when I say, without the '90s, we wouldn't have had a career.

Mini: I was doing TV much before music television arrived. At that time, all of it was based out of Delhi, and only fiction came out of Bombay. But the music channels made it all cool.

Cyrus S: There were a handful of these networks in operation. It was a great time to be in and we got away with murder.

Luke: One of the things that happened was that the 18 to 24 demographic was created. That's the demographic for youth programming even today. Once 2000 rolled in, the concept of the TV anchor was born, but the VJ had died.

Kamal Sidhu makes a point as Purab Kohli listens in

Kamal: While the role of the VJ was fairly new to India, around the world there were VJs we were exposed to. In Canada, we had a local music channel, which didn't allow MTV to enter the country. There was Downtown Julie Brown (who hosted Club MTV from 1987 to 1992). On the show, the light switch went on, with the camera going up her legs and under her skirt, while she went, 'Waba Waba Waba Downtown Julie Brown'. She was among the real pioneers. When MTV launched in Asia, we beamed shows from Hong Kong. And, then, we launched in India with a party at the Taj Mahal Hotel [in 1992] in Mumbai. It was called The Bombay Blast Weekend. It received a lot of backlash, I remember, because the riots (Babri Masjid) had just happened.

Where i want to be: Vjing
Maria: I used to watch Kamal and Danny [McGill] VJ, and, suddenly, I was one of them. I didn't know what I was getting into until I did. The thing about VJing in the '90s was that it let you be who you wanted to be. I was lucky to be part of something I loved. Today, everyone wants to be something more, so, a lot of people get nudged out of television. MTV put Indian VJs on air and that changed something. It was now damn cool to be Indian; there was no need to have an accent. I didn't realise I was cool but apparently, I was.

Purab: I joined Channel V as a host for a travel show, and, gradually, when other slots opened, I started VJing too. There was a serious naiveté back then and VJing wasn't thought of as a stepping-stone to other things.

Cyrus Sahukar tells a story to Luke Kenny

Cyrus S: We were all there with the knowledge that this where we want to be.

Behind the scenes
Purab: There were times when we shot close to five episodes a day. It was intense. Sophiya [Haque], Laila [Rouass] and Meghna [Reddy] would do their own make up, write their own shows and select their own music. There was a transition, when I came in 1999 to Channel V. There was one show where we were asked to write and select songs. We would run it by Luke.

Cyrus B: Luke? Was everything right?

Purab: Yes!

Cyrus B: Luke himself didn't know what his designation was.

Purab: He would approve songs and that was our process.

Maria: Producers hated it when VJs would get together because that meant no one would be working. Once a year, we did a show together for Christmas or New Year and that would be a blast. I miss all of us working together — miss the travelling, the early morning flights, sleeping at airports because we had missed our plane. When I look back I realise that what I did was part of history.

Music then, music now
Luke: What do I think of the indie music scene? It's very niche, and some of the musicians have a chip on their shoulder. But, that aside, what business are they doing? Few manage to get paying gigs, and whoever turns up to support, comes, has a drink, pays R300 and then doesn't buy the album. How does it help the artist? I have been consulting with Channel V recently, and we are trying to go back to the model where the music channel only plays music, and supports indie acts by giving their originals air time.

Cyrus Broacha monkeys around as Dino Morea greets Kamal Sidhu

Kamal: I remember they would send us pop music videos at the Hong Kong office. And most of them were bad. We had to consciously decide to help some artists with their videos. And then Rahman and acts like Indus Creed came in, and the videos changed.

Luke: Kids today love their pop as they did back in the '90s.

Kamal: It was more authentic back then.

Luke: That's because the labels saw a market and invested in it. No one sees a market in today's indie scene.

Cyrus S: They were competing with an international kind of space and knew that spending money on videos was requisite. Everybody was trying to match international standards.
Kamal: And then everything got homogenised into one game plan — the Bollywood game plan.

The '90S role model
Dino: I landed in Bombay in December 1997, looking for opportunities and I remember sharing a room, not even a flat, with a girl who wanted to be a model too. Back in Bangalore, I remember seeing Kamal. I was in college and had to go meet a photographer. There she was, shooting for some perfume or cosmetics ad, and I was like, "Whoa!" Models were these superstars then. I did stare at her.

Kamal: Did I stare back at you?

Dino: (Laughing) I don't think you noticed me.

Sinking into reality
Kamal: A big change from the '90s, well, is that reality television came about, for better or worse.

Luke: One of the earliest reality shows to come was Channel V's Popstars, from which [girl band] Viva emerged. History rewrote itself in that decade with reality television.

Cyrus B: There was also MTV Bakra, which started towards the end of 1999.

Kids with an edge
Kamal: I think it was the time of the Asian liberation. Everything was booming. Also, it was a time for adjustment. Parents of '90s kids looked at people like us and questioned our place as role models. They said, we need to control the remote control.

Luke: No, there was no parental control at all.

Purab: I think it was because those kids were the first movers into the globalisation space.

Cyrus S: Even I used to come home and watch TV. It was a time when I had a VCP, not even a VCR.

Luke: Do you know why those kids had an edge over today's? Because they didn't have these. (Points to a mobile phone).

Maria: I think it was because there was a more organic interaction between people. The communication was real, which I don't see today. These days, it's about the phone. My kids just asked me why they don't have the blue tick on Instagram. Everyone is looking into their phones. We have become tech-savvy but have lost a bit of the soul. (Snapping her fingers). It's now all about reaching a place and changing the game.

Your fav music video of the '90S was?
Luke: Pretty Child by Indus Creed
Cyrus Sahukar: Ice Ice Baby by Vanilla Ice
Dino: Can't Touch This by MC Hammer
Kamal: Anything by AR Rahman
Maria: Freedom by George Michael
Mini: All Sukhbir and Lucky Ali videos

Friday

Laugh out loud
Kick-start your weekend with a stand-up special by Jeeveshu Ahluwalia. His jokes sway between the amusing life of chubby people, and his failed attempts at pleasing his over-optimistic mother.
Time: 8 pm at Bharatiya Vidya Bhavan, Chowpatty, KM Munshi Road, Grant Road West
Log on to: bookmyshow.com
Entry: '540 onwards

Shop till you drop
Get ready for the festive season as 17 designers and brands showcase apparel made from khadi, silk using ikat, jamdani, shibori and other techniques. You can also find accessories and home décor items at this two-day event.
Time: 11 am to 7 pm
AT: Tranceforme Designs, Laxmi Mills Estate, off Dr E Moses Road, Mahalaxmi
Call: 24939916

Groove to live performances
Listen to Arunaja aka Ammu, a gospel-inspired vocalist from Kochi, who is currently on the TV show The Stage 2, singer/songwriter Vedant Joshi and Vikram Nathwani aka DJ Mark IV.
Time: 8.30 pm
AT: Luca, Todi Mills, Lower Parel
Call: 49714450

Saturday

Watch the story of Gandhi
How did Gandhi become the Mahatma? What impact did his days as a barrister in South Africa have on his philosophy of peace and non-violence? Gandhi — The Musical, about the journey of the Father of the Nation, has the answers.
Till: August 15, 7.30 pm
AT: Jamshed Bhabha Theatre, NCPA
Cost: '500 onwards
Call: 22824567

Craft your own rakhi
Instead of store-bought rakhis, how about giving your brother a sweet surprise this Rakshabandhan with a handmade creation? Take inspiration by exploring the colours, patterns and designs at this museum's permanent collection. Pay for the entry ticket, while the activity and all materials come free.
Time: 11 am to 2 pm
AT: Dr Bhau Daji Lad Mumbai City Museum, Dr Babasaheb Ambedkar Marg, Byculla East
Call: 23731234

Start clicking
Sign your little ones up for The Secrets of Still Lives, an art-cum-photography workshop. It will begin with an interaction with artist Shahid Datawala (whose works are on display), followed by a photography exercise on capturing everyday objects in a surreal way.
Time: 11 am to 1 pm age group Eight to 11 years
AT: TARQ, Dhanraj Mahal, Apollo Bunder, Colaba
Call: 66150424
Cost: '1,000

Sunday

Go for Lalbaugcha tour
Explore the history, culture and secrets of Lalbaug including a hidden agiary, temple of the buffalo god, the oldest dargah in Mumbai and more at a walk by Khaki Tours.
Time: 8 am
Starting point: Gundecha Gardens Gate, Godrej Gas Compound, Lalbaug
Call: 8828100111
Entry: '644

Dine with your bestie
This Friendship Day, spend a laid-back Sunday with your best friend by sharing punch bowls and comfort food such as Chocolate Gluten-Free Pancake and Waffles and Rocky Road Waffle (in pic).
Time: 7 pm to 1.30 am
AT: One Street Over ground floor, 35th Street, off Linking Road,Khar West
Call: 26002224

Raft through Kundalika
Pack your bags for a river rafting trip on the river Kundalika in Kolad. The organisers have also added archery and Burma bridge to the agenda.
Time: 6.30 am (meet at Kala Nagar junction, Bandra East)
At: Kolad
Call: 9867952811
Cost: '2,350 (includes transportation and tea and snacks)

Illustrations/Ravi Jadhav

Girgaum, Kamat Chawl Thakurdwar
Celebrating the festival for the last 122 years, simplicity is key for Kamat Chawl residents. And they are happy to share tales from the forgotten pages of history and freedom struggle. Here, they do not follow the concept of themed decor and celebrate the festival in an absolute traditional manner. The idol is made of eco-friendly material called shadu. Following the spirit of why the festival was started in the first place, the pandal is built by the residents and each one volunteers to manage the space and the stage area.

Khetwadi, Tulsi Building Sarvajanik Ganeshotsav Mandal
This is the 75th year of the pandal and, like each year, the Ganesh idol is made up of different things, mostly edible. For instance, dry fruits, cereal and pluses, chikki, and stationery and diamond have been used. This year's focus is on kids and the theme is Disneyworld. The idol is made of Cadbury chocolate and the children cannot wait to see their favourite sweet take the shape of their favourite deity.

Malad, Shree Sai Darshan Mitra Mandal
For the last 11 years, this eco-friendly Ganesha has been a hit with devotees. Made from paper and cardboard, the organisers use various concepts including football erasers, pencils and cars. This year, Bappa is giving a shout out to nostalgia as the idol is made of old coins of 1 paise, 10 paise and 20 paise. The mandal's focus is to create awareness and education, especially about global warming.

Ghatkopar, S G Barve Nagar Sarvajanik Ganeshostav Mandal
Since 1966, the pandal's idols, one large and one small, have been luring devotees to this suburb. This year's theme is a dreamy fusion of a golden pillared palace, the religious oeuvre of Om Ganapataya namah and the galaxy. A daily bhandara of rice, dal, chole, bhaji, papad, pickles and gulab jamun feeds a thousand people. A blood donation drive along with free blood test and blood group check is done during the 10 day period.

Fort, Fort Vibhag Sarvajanik Ganesh Utsav Mandal
Celebrated since 1956, this is one of the biggest fully centralised pandals in the city. This year, they have invited special artists from Rajasthan to create a palace setting. Their finesse and specially crafted artwork adds to the grandeur of the pandal. While you are here, you can easily spot a celeb or two. The maha aarti, especially for the police department, is scheduled for tomorrow.

Thane, Narvir Tanaji Mitra Mandal
For the last 38 years, this pandal has been not only known for its large murti and grand themes but also for reaching out to those in need, especially in rural areas. Bappa will happily rest in the grand Rajasthani Palace and overlook the tasks the members of the mandal will take up. Medical camps and a beautifully curated cultural programme that will see participants sing, dance and create beautiful flower arrangements and rangolis are in store for the Utsav.

Tilak Nagar, Sahyadri Krida Mandal
For the last 41 years, this pandal has been dedicatedly putting up themes on social awareness. This year, their theme is 'Jai Jawan, Jai Kisan, Jai Vigyan' and will include artworks illustrating places from Kashmir to Kanyakumari, highlighting important destinations like the Himalayas and Madurai's Meenakshi Temple. These will be interspersed with reproductions of the metro, rail space research, army personnel and agricultural families to show how they co-exist to form an integral part of society.

Traipse through America
Sunset Cinema Club (SCC) is holding a Travel Movie Night in association with travel start-up Unpland. The movie to be screened is Into The Wild, a 2007 film about a young man who decided to renounce his possessions and hitchhike across America. "We have hosted several themed movie nights in the past. This time, we wanted to do something travel-centric. We ran an online poll to pick the movie for the screening," says SCC co-founder Sanchit Gupta.
On: September 3, 8.30 pm
At: The Barking Deer, Senapati Bapat Marg, Lower Parel. log on to insider.in
Entry: Rs 312 (includes a beer or mocktail)

Understand the works of Renaissance masters
This evening, Dr Bhau Daji Lad Mumbai City Museum, in collaboration with Alliance Francaise de Bombay, is showing three documentaries on Renaissance painters by filmmaker Alain Jaubert. The first film delves into Grünewald's painting Retable d'Issenheim (Altarpiece of Issenheim), while the second focuses on Baldassare Castiglione (Portrait of Baldassare Castiglione) by Raphaël. The third film is about Le Repas Chez Levi (The Meal at Levi's; in pic) by Veronese. If you walk in after 5.30 pm, entry is free.
On: Today, 6 pm to 7.30 pm
At: Dr Bhau Daji Lad Mumbai City Museum, Byculla East
Call: 23731234

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The dim light of candles engulfs Andheri's Harkat Studios in a warm glow. A 25-member audience settles on the mattresses around an elevated gadda under a spotlight. The mushaira's (poetic symposium) setting is perfect. Before seven Urdu shayars begin the performance, Devroop Sharma of Irshaad poetry collective acquaints the audience with the basics: Say 'mukarrar' for an encore and 'waah waah' as applause.

(Clockwise from top) Artistes Devroop Sharma, Khan Faisal Barkaati and Ashwani perform at the mushaira held last weekend. Pics/Tanvi Phondekar

For the next two hours, the fragrance of Urdu fills the room as the shayars - including 20-year-old Khan Faisal Barkaati, and Ashwani, who recites poetry in a Haryanvi accent - share original nazms on love, heartbreak, politics, education and motherhood. They make it interactive, asking the audience to complete a misra (a couplet line). They also ensure the guests aren't overwhelmed by the language, by explaining the meaning of lesser-known words like ilm (knowledge) and baa-safaa (chaste) before narrating the verses. Some members in the audience repeat the words under their breath to savour their taste. One of them, Sankalp Rawal, tells us after the show that was held last Saturday, "I understood 70 per cent of what was recited but still enjoyed the performance."

Shamir Reuben and Hussain Haidry

For Sharma, that's an achievement. "The idea isn't to spoon-feed but help expand your vocabulary. When you don't understand a word, you look it up and then, enjoy the shayari more. It stays with you even after the performance," says the 29-year-old poet and salsa dance teacher, who launched Irshaad six months ago, to promote regional language poetry.

Mohammed Sadriwala

Urdu takes the centre stage
Recent months have seen a spurt in groups supporting the language. Earlier this year, Studio Tamaasha kicked off Urdu Readings, a series of dramatic readings of Urdu short stories, conceived with the help of academic Aslam Parvez. Its finale will be held on October 28.

The Poetry Club (TPC) introduced Mehfil, where members discuss popular Urdu poets, besides Hindi and English. "We wanted to challenge the notion that Urdu is difficult to understand. We use words from it in everyday conversation without realising it. Like, darwaza," says Ankita Shah, co-founder of TPC, which will host the next session in November at G5A.

Write and learn
Workshops that help you hone Urdu poetry skills are also finding takers. Last month, Karan Talwar, curator at Harkat Studios, collaborated with Sharma to present a ghazal-writing workshop. Led by college professor Abhishek Choudhary, it deconstructed the form to drive home the point that every ghazal uses the same kind of metre. "The idea was to help the participants realise that a ghazal isn't difficult to master, if you know the math of it," says Talwar. On October 27, the duo is also collaborating for Kissagoi, comprising theatrical readings of original Urdu stories by three young poets.

Meanwhile, a Hindi and Urdu spoken word masterclass, titled Lafzon Ki Kaarigari, saw 15 participants aged 18 to 40 in attendance. Held last Sunday, it was curated by YourQuote, a mobile app for writers to share original poetry. The 25-year-old poet Mohammed Sadriwala, who conducted it with fellow poet Rakesh Tiwari, says he was impressed at the turnout. "When I started out in 2014, I saw eight out of 10 poets performing in English at open mics. Today, over 50 per cent use Urdu in their performance. It's more expressive. There's also a certain pride in performing in your own language," he observes. Another masterclass is scheduled for next month.

"Of the 2.5 lakh Indian users of our app, 35 per cent [87,500] prefer writing in Hindi and Urdu. That's also because today, more content consumed online is in regional languages," says the app's co-founder Harsh Snehanshu.

Case in point: 31-year-old Indore-born, Mumbai-based Hussain Haidry's poem, Hindustani Musalmaan, which went viral as soon as Kommune launched it on its platform in February, and at last count had seen 5 lakh views. "People are more receptive and attentive to Urdu. Credit goes to [Delhi-based] organisations such as Rekhta Foundation, which are responsible for reviving and preserving the language," says Haidry, a go-to artiste to add to the line-up at Hindustani poetry performances. He also narrated his poems at The Urdu Exhibit, a launch event for Design Fabric's latest issue featuring artworks themed on the language.

Haidry will perform next on October 12 at a Hindi-Urdu poetry open mic at The Cuckoo Club, curated by Kommune as a prelude to their debut spoken word festival. "We've also prepared a list of new, young poets writing in the language. A pure Urdu poem may be difficult to understand but the younger poets are mixing it with Hindi to make it conversational and audience-friendly. It also has a greater impact when used to make a political and social commentary. While at it, they are keeping Urdu alive," says Shamir Reuben, member of the storytelling collective.

Poetry meets activism
Talwar adds that celebrating Urdu is important in today's political scenario. "Recently, at a curatorial workshop in Delhi, I learnt that India doesn't have an Islamic art gallery. That's strange considering it's an integral part of our culture. At a time when Islamic influences in Indian art and culture are being underplayed, curating Urdu-focused events is our shot at activism, where we try to rediscover the language in a safe space."

Simmba
Director: Rohit Shetty
Actors: Ranveer Singh, Sara Ali Khan, Ashutosh Rana
Rating: 

With this film, a super-star is born. Why would one risk this over-statement? Because super-stars in Bollywood, or in the Indian movie context, have remained, for decades, the most apt equivalent to Hollywood super-heroes.

They come with little or no back-story. As in the case of Simmba - being an orphan is good enough. The front-story, as it were, is neatly split between the hero, and the villain, along with a prologue, epilogue, heroine, comedian, extras, and the all-important 'takiya-kalaam' (stock refrain): "Tell me something I don't know!" The motivation, like with super-hero flicks, is rather rudimentary. Saving a girl is as good as repeatedly saving the world!

What matters is how the super-star, by sheer dint of his vigorous personality - where you can't distinguish between the actor and character - carries along an entire movie, and indeed the audience, on his strong shoulders alone.

Once the image is set, the penny drops, and while the going is good, the super-star on screen is good enough to ensure audiences in theatres. And there's got to be a reason why no star ever since the '90s, in a real sense, has been able to convincingly play this part that, I suspect, is the hardest to hit home with, anyway.

Ranveer Singh does just that. And how! Part Govinda, from Raja Babu type pictures in the '90s, part Anil Kapoor from Ram Lakhan in the '80s, but wholly holding his own in a typically Rohit Shetty action-entertainer, Singh adds tremendous credibility to a character that had begun to tire us over time.

For one, given his robust résumé (if you only compare this performance to the anti-hero Alauddin Khilji's in Padmaavat earlier this year), you know he isn't casually reprising a role, given a captive audience (that '90s super-stars had begun to). He puts in as much effort into Simmba as he might into a Bajirao Mastani, say, mastering the Marathi twang (without quite coming across as a parody of Nana Patekar); killing it softly with well-written one-liners; setting the dance floor on
fire; romancing like a dude; doing action, like a proper, desi hero!

You fall for Inspector Sangram Bhalerao (Simmba)-a cartoonish, corrupt cop, who wants to eventually right the society's wrongs-essentially, because, you fall for the stupendous Singh on steroids. Every scene works, because he does; and vice versa. The net result is a movie that, within the same space, seems better than Ajay Devgn's Singham (2011). But for the middling soundtrack, it would've been better than Salman Khan's Dabangg (2010).

Either way, what you won't go looking for is the picture's plot, based on the Telugu potboiler Temper (2015). Because you already know what to expect: Singh as a hero. Sonu Sood as a villain. Villain ke haraami brothers. Hero ki abla nari sister. And the rape, and the revenge drama, that follow.

I'm unsure if one adequately appreciates how hard, bordering on the near impossible, it is to engagingly pull off a masala-melodrama such as this. Shetty knows more than a thing or two about this timeless genre. Yet, this may well be one of his rare movies where the connoisseur and the crackling masses are most likely to seamlessly converge.

As an audience, the only way to know if a film of this sort is working (for you), is when you find yourself (sometimes guiltily, but mostly in a carefree sort of way) smiling, responding, and along with a packed theatre, reacting to shenanigans on screen-whether they entirely make sense or not ain't the point.

The script can be full of holes. You hope your brain isn't. This is how I caught this picture, with folk in the front-benches-whistling, clapping, making loud noises, and then going quiet, during dramatic sequences.

This only brings back strong memories of large single-screen cinemas - on the verge of extinction - with people on both cheap and super-expensive seats, sharing entertainment as a common, tribal experience. That's where you should go for this. As if on cue, to Ajay Devgn walks in as Singham. As does Akshay Kumar, announcing his next film cop-flick with Shetty, Sooryavanshi (2019). You might think this is meant to be a Ranveer starrer piggy-backing on '90s super-stars - inhabiting the same Marvel-like super-hero, cinematic universe. Look at him. I think it was the other way round!

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Mary Queen Of Scots

U/A: Biography, Drama, History
Director: Josie Rourke
Cast: Taylor Russell, Logan Miller, Deborah Woll, Jay Ellis, Tyler Labine
Rating: 

Director Josie Rourke and writer Beau Willimon's attempt to give two warring Queens, the widowed Mary Queen Of Scots (Saoirse Ronan) and Queen Elizabeth I (Margot Robbie) of England, a larger voice in their historic confrontation, makes for fairly compelling viewing. This is a tapestry of discontent woven with a rare female gaze and allows for greater involvement in the royal proceedings.

Mary, following untimely widowhood, returns to her native Scotland to assume her throne. Her half-brother James Moray (James McArdle) is not enthused and his peace-keeping allegiance to the Protestant regime in England may have well become meaningless. Mary's cousin, Elizabeth I, monarch of England is also wary of Mary's far more valid claim to her own throne. So the intrigue and betrayals begin. And it's the men on both sides who play out the deceit in bloody fashion.

Check out the trailer here:

This is largely a biopic on Mary, Queen of Scots beginning with her return to the throne, subsequent precipitous marriages, the power struggle with her brother and several other aspirants to the throne and eventually her tragic death on the orders of her cousin. So there's more than enough drama to be had. Unfortunately, clarity is not a strong point here. Framed largely as per the version put forward by John Guy's biography of the Queen, the film has some controversial moments but fails to concretize the reasoning for her eventual beheading.

We get to meet Mary's ladies-in-waiting, her attempts to solidify her claims to the throne of England, her fight with the clergy who are largely protestant, her brother James' attempts to undercut her authority, John Knox's(David Tenant) outrage at having to know-tow to a female ruler and Elizabeth's helplessness and insecurity in having to deal with a more beautiful, younger claimant to her monarchy. Most of the narrative gives vent to Mary's life story but towards the end the focus shifts to Elizabeth's, thus creating a dichotomy that is a little difficult to empathize with. This filmed drama is largely faithful to the established record, has authentic fashionably period costuming and make-up and intensely committed performances from the two leads as well as their co-actors in crucial roles. So it's a vividly engaging experience even if not an entirely lucid one!

Catch up on all the latest entertainment news and gossip here. Also download the new mid-day Android and iOS apps to get latest updates