See how researchers at Smithsonian's National Zoo are trying to glean insight into elephant foraging behavior and more.

At the National Zoo, primates undergo routine checkups to ensure a healthy lifestyle.

Smithsonian Institution Secretary Dr. David Skorton joins some of the world’s leading thinkers in a spirited discussion about our ever changing planet

The World Wildlife Fund films a family of western lowland gorillas in the Dzanga-Sangha reserve

Watch Dr. Suzan Murray perform her morning rounds (Kenneth R. Fletcher)

It’s not the most urgent news story that’s gripped the world since 2020, but it might be the weirdest: The last three years have seen more 400 “encounters”— many reports have used the word “attacks”—between orca whales and boats in the Strait of Gibraltar. Because the orcas are particularly fond of tearing the propellers off of yachts, the temptation to characterize these six-ton, pack-hunting, demonstrably intelligent mammals as class warriors fighting back against the 1 percent is strong, and the memes have been fun (https://knowyourmeme.com/memes/events/orca-wars-killer-whales-attacking-boats) . But trying to understand animal behavior in human terms is a mistake. In this episode, we speak with Carlyn Kranking (https://www.smithsonianmag.com/author/carlyn-kranking/) , Smithsonian’s assistant digital science editor, about why stories about animal behavior are so popular with our readers, and how she decides which ones deserve more scrutiny. Then, I speak with Lori Marino, a biopsychologist with a specific focus on whale and dolphin intelligence, about what’s really happening between the orcas and the yacht set. Dr. Marino invites you to learn more about The Whale Sanctuary Project at their site (https://whalesanctuaryproject.org/about-the-whale-sanctuary-project/) . You can also see Dr. Marino in the documentary films Blackfish (2013), Unlocking the Cage (2016), and Long Gone Wild (2019). Find prior episodes of our show here (https://www.smithsonianmag.com/podcast/) . And read the transcript of this episode here (https://www.smithsonianmag.com/science-nature/are-wild-animals-really-just-like-us-180982939/) . There’s More to That (https://www.smithsonianmag.com/podcast) is a production of Smithsonian magazine and PRX Productions. From the magazine, our team is Chris Klimek, Debra Rosenberg and Brian Wolly. From PRX, our team is Jessica Miller, Adriana Rosas Rivera, Genevieve Sponsler, Terence Bernardo, and Edwin Ochoa. The Executive Producer of PRX Productions is Jocelyn Gonzales. Fact-checking by Stephanie Abramson. Episode artwork by Emily Lankiewicz. Music by APM Music.

As the dams begin to come down, the National Park Service looks back at the region’s history and prepares for the welcome changes to the ecosystem

As foliage darkens in the fall, the pigments within the plant matter break down and transform

A true-life saga involving organized crime, racial prejudice, and evolving American identity, David Grann’s 2017 nonfiction book Killers of the Flower Moon: The Osage Murders and the Birth of the F.B.I. seemed at first glance like a perfect fit for Martin Scorsese, the beloved filmmaker whose dozens of critically adored movies include Taxi Driver, GoodFellas, and The Departed. But when Jim Gray, a former chief of the Osage Nation, and other Osage leaders invited the filmmaker to Oklahoma to hear their concerns about his new project, Scorsese came. Scorsese listened. And then he rewrote and reconfigured Killers of the Flower Moon from soup to nuts, with a result that has earned a rapturous response from Native viewers like Gray and journalist Sandra Hale Schulman, and from the broader critical community, too. The movie opens in theatres tomorrow and will appear on the Apple+ streaming service before the end of the year. In this episode, Schulman walks me through a brief history of how Native Americans have been depicted in a century’s worth of movies. Then, Chief Gray tells me about his personal connection to Killers of the Flower Moon, the pattern of Native American erasure from national discourse, and how he and his colleagues persuaded Scorsese to rethink the new movie. A transcript of this episode can be found here (https://www.smithsonianmag.com/smithsonianmag/how-the-osage-changed-martin-scorseses-mind-180983094smithsonianmag.com/smithsonianmag/how-the-osage-changed-martin-scorseses-mind-180983094) . Sandra’s Smithsonian story about Native representation in cinema is here (https://www.smithsonianmag.com/history/a-brief-history-of-native-representation-in-film-180983043/) . You can learn more about Sandra and her work at her site (http://www.sandraschulman.com/) . Dennis McAuliffe Jr.’s The Deaths of Sybil Bolton: An American History, which Chief Gray cites as formative in this episode, is here (https://www.amazon.com/Deaths-Sybil-Bolton-American-History/dp/081292150X) . There’s More to That is a production of Smithsonian magazine and PRX Productions. From the magazine, our team is Chris Klimek, Debra Rosenberg and Brian Wolly. From PRX, our team is Jessica Miller, Adriana Rosas Rivera, Genevieve Sponsler, Terence Bernardo, and Edwin Ochoa. The Executive Producer of PRX Productions is Jocelyn Gonzales. Fact-checking by Stephanie Abramson. Episode artwork by Emily Lankiewicz. Music by APM Music.

Smithsonian magazine's poetry consultant recites his poem commissioned for a special photography issue

(Footage: Erin Trieb. Video Editing: Nicole Boliaux)

With his bright red coat, big orange nose, and wide eyes, Elmo is arguably the most famous of the Sesame Street muppets–but he didn’t always have it this good. Elmo began as an "Anything Muppet"—an extra, if you will, until Kevin Clash refashioned his character into the one we know—and kids love–today. Throughout the '80s his star continued to shine, eventually becoming an international icon and best-selling Christmas toy. Forty years later, he’s still going strong, enshrined in a popular exhibit at the Smithsonian’s National Museum of American History.

Looking at the future of geopolitics, the author reveals the surprising results of his research. Read more at http://www.smithsonianmag.com/specialsections/40th-anniversary/George-Friedman-on-World-War-III.html

More on the crocs at Smithsonian.com: http://j.mp/SWhbxZ The two Cuban crocodiles are the first for the zoo since 1988.

Part of the visual album of Joan Baez' "Whistle Down the Wind," this cover of Joe Henry's "Civil War" was directed by New York University's Deborah Willis

From the stars moving across the night sky to clouds moving over snow-capped mountains, photographer John Eklund captures the beauty of the region

Television reporter Shannon LaNier is a direct descendant of the third President of the United States. (Credit: Drew Gardner)

Fannie Lou Hamer, a voting rights activist, suffered unspeakable violence and intimidation at the hands of white supremacists and police. Her response: to elevate her cause by launching a long-shot campaign for the U.S. Senate

Recently digitized footage shows the 5th Div. cemetery dedication on Iwo Jima with band, gun salute and officers speaking. In the final scene, tow Marines kneel over the temporary resting place of 3/13 PFC Ernest T. Langbeen. (U.S. Marine Corps History Division and Moving Image Research Collections, University of South Carolina)

Read more about SONG 1: http://j.mp/GTZ0Ru & http://j.mp/GVlcMx Watch how artist Doug Aitken transforms the outside of the art museum into a panoramic movie screen

African cuisine has always been well represented in the United States, particularly in dishes characterized as “Southern” in origin, like gumbo or hoppin’ john. But even before chef Serigne Mbaye’s New Orleans eatery Dakar NOLA was named (https://www.eater.com/24175309/james-beard-awards-2024-winners-restaurant-and-chef-awards) the Best New Restaurant of 2024 at the James Beard Awards this week, the contributions of the African diaspora to the American diet had at last begun to enjoy a long-overdue reappraisal via reality television, Netflix docuseries and, most important, a number of widely praised dining establishments: If you want to book a table at Tatiana (https://www.tatiananyc.com/story/) in Manhattan, Dept of Culture (https://www.deptofculturebk.com/) in Brooklyn or Kann (https://kannrestaurant.com/) in Portland, you’d better plan ahead, because their tables are often booked up well in advance. In this episode, Smithsonian contributor Rosalind Cummings-Yeates explains how the ascendancy of pan-African cuisine from “auntie” restaurants into the rarefied fine dining sphere is part of a larger and more meaningful campaign of cultural reclamation. And Mbaye tells us why it was so important to him to make Dakar NOLA (https://www.dakarnola.com/) a showcase of the distinctive flavors of Senegal, where he spent his formative years. Read Rosalind's Smithsonian story about the rise of West African fine dining in the U.S. here (https://www.smithsonianmag.com/arts-culture/these-chefs-are-elevating-african-and-caribbean-cuisines-from-carryouts-to-fine-dining-180984466/) . See the full list of 2024's James Beard Award winners here (https://www.jamesbeard.org/blog/the-2024-james-beard-award-winners) . Find prior episodes of our show here (https://www.smithsonianmag.com/podcast/) . There’s More to That is a production of Smithsonian magazine and PRX Productions. From the magazine, our team is Chris Klimek, Debra Rosenberg and Brian Wolly. From PRX, our team is Jessica Miller, Adriana Rosas Rivera, Genevieve Sponsler, Rye Dorsey, and Edwin Ochoa. The Executive Producer of PRX Productions is Jocelyn Gonzales. Fact-checking by Stephanie Abramson. Episode artwork by Emily Lankiewicz / photography by Katherine Kimball, Joshua Brasted, and Jeremy Tauriac Music by APM Music.

Book-banning might seem like a relic of less enlightened times, but the practice is back in a big way. The American Library Association reports (https://www.smithsonianmag.com/smart-news/american-library-association-names-2022s-most-banned-books-180982048/) that 2022 saw more attempts to have books removed from public libraries than in any prior year this century — indeed, it documented more than twice as many attempted bans in 2022 than in 2021. In schools, attempts to keep certain books out of the hands of students have been even more aggressive and draconian. What’s new about these efforts is the subject that binds the most-challenged titles: Most of them address themes of LGBT+ identity or gender expression. In this episode, we talk with journalist Colleen Connolly about Thomas Morton’s New English Canaan, the first book ever to be suppressed in North America. What did the Puritans find so threatening about it, and how has this book echoed through subsequent centuries? Then we’re joined by Dr. Carla Hayden, Librarian of Congress, for a wide-ranging conversation about the history of book bans in the United States, how a resurgent wave of book bans in many states differs from those of prior eras, and why organized attempts to prevent specific people from reading specific books usually fail. A transcript of this episode can be found here (http://smithsonianmag.com/history/a-brief-history-of-banned-books-in-america-180983011) . Read Colleen’s Smithsonian story about New English Canaan here (https://www.smithsonianmag.com/history/how-americas-first-banned-book-survived-and-became-an-anti-authoritarian-icon-180982971/) . Find prior episodes of our show here (https://www.smithsonianmag.com/podcast/) . There’s More to That is a production of Smithsonian magazine and PRX Productions. From the magazine, our team is Chris Klimek, Debra Rosenberg and Brian Wolly. From PRX, our team is Jessica Miller, Adriana Rosas Rivera, Genevieve Sponsler, Terence Bernardo, and Edwin Ochoa. The Executive Producer of PRX Productions is Jocelyn Gonzales. Fact-checking by Stephanie Abramson. Episode artwork by Emily Lankiewicz. Music by APM Music.

After five people perished on a controversial submersible dive to the wreckage of the Titanic in June, we got to thinking about what genuine undersea exploration looks like. In this episode, we speak with Tony Perrottet, who profiled the late OceanGate CEO Stockton Rush for Smithsonian magazine in 2019, about our ancient fascination with exploring hostile environments. Then we’re joined by Susan Casey, who has written four best-selling books about the ocean and its creatures, the newest of which is The Underworld: Journeys to the Depths of the Ocean. Susan tells us why understanding the ocean is key to humanity’s survival, and how, while serious research and shipwreck tourism may have some overlap, they remain two very different things. Read Tony Perrottet’s June 2019 (https://www.smithsonianmag.com/innovation/worlds-first-deep-diving-submarine-plans-tourists-see-titanic-180972179/) Smithsonian (https://www.smithsonianmag.com/innovation/worlds-first-deep-diving-submarine-plans-tourists-see-titanic-180972179/) profile (https://www.smithsonianmag.com/innovation/worlds-first-deep-diving-submarine-plans-tourists-see-titanic-180972179/) of Stockton Rush. Learn more about Tony and his work at his site (http://tonyperrottet.com/) . Read an excerpt from Susan Casey’s new book, The Underworld: Journeys to the Depths of the Ocean (https://www.smithsonianmag.com/science-nature/inside-the-nerve-racking-dive-to-an-active-submarine-volcano-180982687/) . Learn more about Susan and her work at her site (https://susancasey.com/) . There’s More to That is a production of Smithsonian magazine and PRX Productions. From the magazine, our team is Chris Klimek, Debra Rosenberg and Brian Wolly. From PRX, our team is Jessica Miller, Adriana Rosas Rivera, Genevieve Sponsler, Terence Bernardo, and Edwin Ochoa. The Executive Producer of PRX Productions is Jocelyn Gonzales. Episode artwork by Emily Lankiewicz (contains elements by Madelgarius (https://commons.wikimedia.org/wiki/File:Titan_(mod%C3%A9lisation_sketchup_-_twilight_render_-_Gimp).jpg) , via Wikimedia Commons under CC BY-SA 4.0) Music by APM Music.

A modern medical mystery

The southern widow's Maryland house was a crucial stop on the escape route for assassin John Wilkes Booth the night he shot the president. Read more about Abraham Lincoln at http://www.smithsonianmag.com/history-archaeology/life-of-lincoln.html

Watch breathtaking underwater footage off the Panama coast, where coral reefs reproduce in a flurry of carefully-timed action. Read more at http://www.smithsonianmag.com/arts-culture/A-Coral-Reefs-Mass-Spawning.html

Fly through, and over, ancient Rome's winding streets, broad plazas, forums—even its most famous monuments

Smithsonian magazine commissioned Drew Gardner for a project that connects Black Americans today to their lost ancestry. Read about Gardner’s project and process, as well as more details about the subjects of this incredible series here: https://www.smithsonianmag.com/history/descendants-black-civil-war-heroes-wear-heritage-pride-180983397/ Video produced by Sierra Theobald. Special thanks to Drew Gardner Additional credits: Emma MacBeath, WikiTree US Black Heritage project; Ottawa Goodman, research and coordinator; Sam Dole, Penumbra Foundation; Elizabeth Zuck, set design; Calvin Osbourne, props and costume; Angela Huff, hair and make up; Diego Huerta, Lexia Krebs, behind-the-scenes filming; background prints by Fujifilm USA

The sweet science behind our sense of taste

Researchers and scientists work together together to find a way to play recordings made by the studio of inventor Alexander Graham Bell

Visitors to the National Portrait Gallery share their presidential thoughts on the eve of Election Day (Video by Ryan Reed / Edited by Ryan Reed and Jesse Rhodes / Interviews by Megan Gambino / Produced by Beth Py-Lieberman)

Edwin Bearss lends a dynamic personality and a booming voice to teaching the history of the Civil War in northern Virginia (Meredith Bragg)

Anthony Atala | Smithsonian Magazine’s 2016 American Ingenuity Award Winner for Life Sciences The director of the Wake Forest Institute for Regenerative Medicine, Atala is a surgeon and leading expert in creating living human tissues and organs to replace those that are defective or damaged. He has spent the past decade attempting to construct living organs using 3-D printing technology. Atala implanted the world’s first laboratory-grown organ into a human in 1999 and, this year, he and his colleagues “printed” cartilage, bone and muscle tissue before successfully implanting them into a lab animal. That’s a crucial first step toward Atala’s long-term goal of overcoming the dire shortage of donated organs with custom-made body parts. Read more about Atala's work: http://smithmag.co/SiiV2J | #IngenuityAwards And more about the American Ingenuity Awards: http://smithmag.co/77xPqy

Have you ever wondered how a simple shot can keep you from dying a horrible death? In this one-minute video, Ask Smithsonian’s host, Eric Schulze, unravels how vaccines boot-camp our bodies into shape, getting us ready to fight off deadly diseases.

Watch newsreel footage of Angel Macias' astonishing performance at the Little League World Series.

Our photographer gets up close and personal with orcas in Norway. Credit: Jacques de Vos and Jeremy Goncalves with Valhalla Orca Expedition

Alexander Nemerov looks back at the artist's life and how earlymisfortunes shaped his interpretation of the 1940s

Smithsonian magazine commissioned Drew Gardner for a project that connects Black Americans today to their lost ancestry. Read about Gardner’s project and process, as well as more details about the subjects of this incredible series here: https://www.smithsonianmag.com/history/descendants-black-civil-war-heroes-wear-heritage-pride-180983397/ Video produced by Sierra Theobald. Special thanks to Drew Gardner Additional credits: Emma MacBeath, WikiTree US Black Heritage project; Ottawa Goodman, research and coordinator; Sam Dole, Penumbra Foundation; Elizabeth Zuck, set design; Calvin Osbourne, props and costume; Angela Huff, hair and make up; Diego Huerta, Lexia Krebs, behind-the-scenes filming; background prints by Fujifilm USA

Taylor Swift and Beyoncé have achieved a degree of power in the music industry that singer/songwriters of earlier eras like Joan Baez—as the folk icon tells us—never even contemplated. Six decades ago, Baez was part of a folk revival that regarded music not merely as entertainment but as a vessel for political engagement and social change. In the documentary Joan Baez: I Am a Noise, the now-83-year-old musician and activist reflects on her career and legacy. Smithsonian senior editor Jennie Rothenberg Gritz interviewed Baez about the film and about the shifting intersection of art and activism. We present excerpts from that conversation in this episode. Then, veteran music critic Evelyn McDonnell discusses how the political dimensions of pop music have changed since Baez’s era, and what it means that many fans now look Beyoncé and Taylor Swift not just for great music, but for comment on the state of the world. Clips from Joan Baez: I Am a Noise in this episode are used with permission from Magnolia Pictures & Mead Street Films. Learn more about that film here (https://www.magpictures.com/joanbaez/) . Evelyn McDonnell’s latest book is The World According to Joan Didion (https://www.harpercollins.com/products/the-world-according-to-joan-didion-evelyn-mcdonnell?variant=41001679487010) . You can learn more about Evelyn and her work at her site, Populism (https://populismblog.wordpress.com/about-2/) . Find prior episodes of our show here (https://www.smithsonianmag.com/podcast/) . There’s More to That is a production of Smithsonian magazine and PRX Productions. From the magazine, our team is Chris Klimek, Debra Rosenberg and Brian Wolly. From PRX, our team is Jessica Miller, Adriana Rosas Rivera, Genevieve Sponsler, Rye Dorsey, and Edwin Ochoa. The Executive Producer of PRX Productions is Jocelyn Gonzales. Fact-checking by Stephanie Abramson. Episode artwork by Emily Lankiewicz. Music by APM Music.

The team at the Ol Pejeta Conservancy needs to transport Kinani, a blind male elephant, to a 4,000-acre compound where he'll be able to roam freely without disturbing other wildlife. Weighing in at nearly eight tons, it'll take careful maneuvering and custom equipment to bring the animal to his new sanctuary.

From decorative urns and plates to chandeliers, the Corning Museum of Glass features glass blown items from today to as far back as ancient Egypt.

Archaeologists uncover an exciting find: a tomb that predates most of the others in the area by around 2,000 years. Inside, is a series of perfectly preserved inscriptions on a panel known as a "false door’."

Two weeks before he died, the legendary astronaut wrote a letter in recognition of Jeff Bezos' work, read at the 2016 American Ingenuity Awards Smithsonian magazine American #IngenuityAwards

Atlantic staff writer Frank Foer interviews Damion Thomas about athletes moving from a position of apathy to engagement

Margaret Wertheim talks about how math and climate change inspired her to start the Hyperbolic Crochet Coral Reef project. Read more at: https://www.smithsonianmag.com/arts-culture/how-to-crochet-a-coral-reef-69064479/

The Chicago White Sox were heavy favorites going into the 1919 World Series. But they were defeated by the Cincinnati Reds - and it soon became clear that the game was rigged

In 1913, British Royalty would come in direct contact with a changing social order, thanks to a suffragette named Emily Davison. Her death at Epsom Falls would send shockwaves through the nation.

The facts of Sojourner Truth’s life are inspiring: Born into slavery in the late 1790s, she became an influential abolitionist and Pentecostal preacher, transfixing audiences from the mid 1840s through the late 1870s with her candid and powerful voice, not to mention her singing. Tall and strong, Truth was physically formidable, too. No one was using the term “intersectionality” in the 19th century, but Truth embodied this idea, declaring that her Blackness and her womanhood were equally essential facets of her identity. But many people, both in Truth’s lifetime and in the approximately 140 years since her death, have found it useful to recast Truth as they wish to remember her instead of as she was. There’s no better example of this than “Ain’t I a woman?,” the hypothetical that Truth supposedly put to the audience when she addressed a women’s rights convention in 1851 in Akron, Ohio—the city where a public plaza will be dedicated in her honor this spring. There’s reason to doubt she said that, or at least that she said it in that way. In this episode, we speak with two historians who’ve dug into Truth’s complicated legacy and challenged much of what’s been written about this American icon. Cynthia Greenlee reported on recent efforts to honor Truth (https://www.smithsonianmag.com/history/remarkable-untold-story-sojourner-truth-180983691/) for the March 2024 issue of Smithsonian. Nell Irvin Painter wrote the groundbreaking 1996 biography Sojourner Truth: A Life, A Symbol, and she’s hard at work on a follow-up volume titled Sojourner Truth Was a New Yorker and She Didn’t Say That. Together, Greenlee and Painter help us understand us who Sojourner Truth really was, and why several generations of activists have claimed her as a symbol — at the expense of our understanding of her as a person. Read Cynthia Greenlee’s March 2024 Smithsonian story about Sojourner Truth here (https://www.smithsonianmag.com/history/remarkable-untold-story-sojourner-truth-180983691/) . You can learn more about Dr. Greenlee and her work at her site (https://www.cynthiagreenlee.com/) . You can learn more about Dr. Nell Irvin Painter’s work as an author, artist, and historian at her site (http://www.nellpainter.com/) . And read more here for the history of Mar-a-Lago (https://www.smithsonianmag.com/history/history-mar-a-lago-180965214/) mentioned in our dinner party fact. Find prior episodes of our show here (https://www.smithsonianmag.com/podcast/) . There’s More to That is a production of Smithsonian magazine and PRX Productions. From the magazine, our team is Chris Klimek, Debra Rosenberg and Brian Wolly. From PRX, our team is Jessica Miller, Adriana Rosas Rivera, Genevieve Sponsler, Rye Dorsey, and Edwin Ochoa. The Executive Producer of PRX Productions is Jocelyn Gonzales. Fact-checking by Stephanie Abramson. Episode artwork by Emily Lankiewicz. Music by APM Music.

Two British artists travel to Pittsburgh for their second installment of their "Mysterious Letters" art project.

What happens when one of the nation's largest rivers dries up? Photojournalist Pete McBride tells us about the consequences of a prolonged drought in the Colorado River, which provides drinking water and electricity to millions of Americans, and shares his experience walking the river from end to end. What can we learn from the landscape revealed by the historically low water levels, and will they become the new normal? Read “The Breathtaking Glen Canyon Reveals Its Secrets (https://www.smithsonianmag.com/science-nature/glen-canyon-reveals-its-secrets-180980754/) ,” photographs & text by Pete McBride, Smithsonian, October 2022. Learn more about Pete and his work at his site (https://petemcbride.com/) . There’s More to That is a production of Smithsonian magazine and PRX Productions. From the magazine, our team is Chris Klimek, Debra Rosenberg and Brian Wolly. From PRX, our team is Jessica Miller, Adriana Rosas Rivera, Genevieve Sponsler, Terence Bernardo, and Edwin Ochoa. The Executive Producer of PRX Productions is Jocelyn Gonzales. Episode artwork by Emily Lankiewicz. Music by APM Music.