1 Lithuanian Lita = 28.785 Bangladeshi Taka

1 Lithuanian Lita = 0.608 Netherlands Antillean Guilder

1 Nigerian Naira = 0.1457 Macedonian Denar

1 Nigerian Naira = 0.2179 Bangladeshi Taka

1 Nigerian Naira = 0.0046 Netherlands Antillean Guilder

1 Czech Republic Koruna = 2.2611 Macedonian Denar

1 Czech Republic Koruna = 3.3818 Bangladeshi Taka

1 Czech Republic Koruna = 0.0714 Netherlands Antillean Guilder

1 Bolivian Boliviano = 8.2409 Macedonian Denar

1 Bolivian Boliviano = 12.3258 Bangladeshi Taka

1 Bolivian Boliviano = 0.2603 Netherlands Antillean Guilder

1 Japanese Yen = 0.5327 Macedonian Denar

1 Japanese Yen = 0.7968 Bangladeshi Taka

1 Japanese Yen = 0.0168 Netherlands Antillean Guilder

This Salman Khan deserves to be called a hero. Terrific educational videos. (Via Prashant.)

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The buzz about showing and paying for value in EDA has been building over the past few years. People have complained about the high cost of tools and EDA vendors have complained about not getting enough value from the technology that can then be re-invested in the next generation tools. The same complaints can be heard from the foundries regarding their wafer pricing

Companies have tried royalty-based models before in the past (e.g., $/wafer or even profit sharing). But it hasn't been sticky. Is the industry ready for a new model?  I think sharing in the upside and potential downside of a particular design from inception to volume is fair. But it also would mean that EDA companies and foundries would have to participate even earlier (and later) in the product lifecycle - from design spec/marketing through product introduction.

That's a pretty big change that goes beyond just the business model. But maybe at 32nm and below, where designs cost upwards of $75M to bring to market, this type of collaboration and risk/reward model is required and desired

What is the meaning of this error?

I used already two ports (PORT1 and PORT2 for input and output, respectively.

-------------------------------------------------------------------------------------------------------------------------

Also when I apply the PSP analysis for S-parameter the value of maximum S21 value (4.75 dB) is much lower than the maximum power gain (17.6 dB).

while the same circuit is designed using  ADS program the two values are approximately the same around (17.1 dB).

I’m writing this on August 15. It is our Independence Day. A young Kashmiri Muslim told me in Srinagar a few months ago that this is the day on which everyone there tries to stay indoors. This is not because the people support Pakistan, but because they are most suspect on August 15. You are questioned, searched, and locked. If any of the readers have had a chance to view Sanjay Kak’s powerful documentary Jashn-e-Azadi (How We Celebrate Freedom) you’ll see how Sanjay, coming in to Srinagar for a visit around Independence Day, is struck by the fact that the only people present for the ceremony are the cops and members of the armed forces. (That’s Rave Out #1. For Jashn-e-Azadi.)

Last week’s announcement of the Indian Express-CNN/IBN poll, that an overwhelming majority of Kashmiris in the valley want azadi, also underlines the importance of a genuine rethinking on the question of independence rather than empty, nationalist sabre-rattling. (Anyway, that’s Rave Out #2. For Indian Express and CNN/IBN, as well as the good folk at CSDS who designed the poll.)

This is a good day for re-opening the pages of 13 December: A Reader, in which thirteen writers and journalists point out the injustice involved in the quick media-lynching of SAR Geelani and the denial of a fair trial to Afzal Guru. (This would be Rave Out #3, for the book, although wouldn’t it be great if the book weren’t needed?)

Rave Out © 2007 IndiaUncut.com. All rights reserved.
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I could barely recognize Ben Foster in 3:10 to Yuma, but I was blown away just the same by him as in his star making turn from Hostage. What makes Foster so special in Yuma?

Yuma contains two of Hollywood’s finest: Russell Crowe and Christian Bale. Bale is excellent, Crowe a little too relaxed to be cock-sure-dangerous. Both are unable to provide the powder-keg relationship that the movie demands.

Into this void steps Ben Foster. He plays Charlie Prince, sidekick to Crowe’s dangerous and celebrated outlaw Ben Wade. When Wade is captured, Prince is infuriated. He initiates an effort suffused with desperate passion to rescue his boss.

Playing Prince with a mildly effeminate gait, Foster quickly becomes the movie’s beating heart. What struck me in particular was that Foster was able to balance method acting with just plain good acting. He plays his character organically but isn’t above drawing attention with controlled staginess.

Gradually, Foster’s willingness to control a scene blend in with that of Prince’s. Is the character manipulating his circumstances in the movie or is it the actor playing a fine hand? Foster is so entertaining, the answer is immaterial.

Rave Out © 2007 IndiaUncut.com. All rights reserved.
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This new film is the latest remake of Devdas, but what is equally interesting is the fact that it is in conversation with films made in the West. Unlike Bhansali’s more spectacular version of the older story, Anurag Kashyap’s Dev.D is a genuine rewriting of Sarat Chandra’s novel. Kashyap doesn’t flinch from depicting the individual’s downward spiral, but he also gives women their own strength. He has set out to right a wrong—or, at least, tell a more realistic, even redemptive, story. If these characters have lost some of the affective depth of the original creations, they have also gained the hard edges of modern lives.

We don’t always feel the pain of Kashyap’s characters, but we are able to more readily recognize them. Take Chandramukhi, or Chanda, who is a school-girl humiliated by the MMS sex-scandal. Her father, protective and patriarchal, says that he has seen the tape and thinks she knew what she was doing. “How could you watch it?” the girl asks angrily. And then, “Did you get off on it?” When was the last time a father was asked such a question on the Hindi screen? With its frankness toward sex and masturbation, Dev.D takes a huge step toward honesty. In fact, more than the obvious tributes to Danny Boyle’s Trainspotting, or the over-extended psychedelic adventure on screen, in fact, as much as the moody style of film-making, the candour of such questions make Dev.D a film that is truly a part of world cinema.

Rave Out © 2007 IndiaUncut.com. All rights reserved.
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I loved Nina Paley’s brilliant animated film Sita Sings the Blues. If you’re reading this, stop right now—and watch the film here.

Paley has set the story of the Ramayana to the 1920s jazz vocals of Annette Hanshaw. The epic tale is interwoven with Paley’s account of her husband’s move to India from where he dumps her by e-mail. The Ramayana is presented with the tagline: “The Greatest Break-Up Story Ever Told.”

All of this should make us curious. But there are other reasons for admiring this film:

The film returns us to the message that is made clear by every village-performance of the Ramlila: the epics are for everyone. Also, there is no authoritative narration of an epic. This film is aided by three shadow puppets who, drawing upon memory and unabashedly incomplete knowledge, boldly go where only pundits and philosophers have gone before. The result is a rendition of the epic that is gloriously a part of the everyday.

This idea is taken even further. Paley says that the work came from a shared culture, and it is to a shared culture that it must return: she has put the film on Creative Commons—viewers are invited to distribute, copy, remix the film.

Of course, such art drives the purists and fundamentalists crazy. On the Channel 13 website, “Durgadevi” and “Shridhar” rant about the evil done to Hinduism. It is as if Paley had lit her tail (tale!) and set our houses on fire!

Rave Out © 2007 IndiaUncut.com. All rights reserved.
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Cadence is hosting a Front End Design Summit on Thursday, December 6, 2012 9:30am – 5:00pm at Cadence San Jose headquarters, 2655 Seely Avenue, Building 10. Logic designers will hear from customers including Cisco, Chelsio, PMC, Spansion, and Via Technologies...(read more)

With shrinking design nodes, a significant portion of the delays are contributed by the wires rather than the cells. Traditional synthesis tools use fan-out-based wire-load models to provide wire delay information, which has led to significant differences...(read more)

How to use Encounter® RTL Compiler support Interface Logic Models during synthesis.(read more)

Cadence offers a new Rapid Adoption Kit for logic built in self test tasks.(read more)

Hello Encounter Test Users, In this blog, I would like to introduce a few knowledge artifacts that will provide an easy way for you to learn about and stay productive with this product, technology, and methodology. In addition, this will also help to...(read more)

Izlebizi Video Script remote add administrator account exploit.

112 bytes small Win32/PerfectXp-pc1/sp3 (Tr) add administrator shellcode.

Desktop Central versions 7 and forward suffer from an add administrator vulnerability.