http://www.musicxray.com/xrays/1319875 malakaiprez - Malakai Prez ft Andy - Bones Final Mix Radio Edit

http://www.musicxray.com/xrays/1319880 Luh Guccii - Luh Guccii - Cant explain this feeling

General Motors’ OnStar service is extending its cooperation with Parkopedia, a service that helps consumers find the nearest available parking spots, through the OnStar mobile app.

Many people are finding social distancing difficult or lonely. Those challenges can become compounded for people recovering from substance abuse disorders. In fact, the coronavirus pandemic and resulting quarantine conditions have been identified as a “relapse trigger.” And it has become a dangerous reality for those who struggle with sobriety. The Georgia Council on Substance Abuse estimates that some 800,000 Georgians are in recovery from alcohol and drug addiction.

For many lucky enough to still have a job, getting dressed and made-up is a vestige of normalcy in a world that feels upended. For others, gray roots, shaggy beards and chipped nails are the last thing to worry about. But what has this unprecedented period behind closed doors revealed about our self-care and priorities? And what will happen to the beauty market when it’s all over? On Second Thought e xplores these questions, which are particularly pertinent now that Gov. Brian Kemp has given the green light for barbershops and hair and nail salons to re-open. The closure of schools, restaurants and hotels has wreaked havoc on the nation’s food culture, from one end of the supply chain to the other. Jon Jackson, founder of Comfort Farms in Milledgeville, joined On Second Thought to share what they’re dealing with, as well as how he got into farming in the first place. We also learn about StagVets , of which he’s executive director, and how it helps veterans dealing with PTSD.

In our last episode of Two Guys on Your Head, Dr. Art Markman and Dr. Bob Duke talked about how to influence behavior using rewards first, then examples, and finally verbal direction. However, things aren’t that simple when it comes to building teams and motivating groups, especially in the workplace. In this follow-up edition, they...

Yes, we are a people divided, but what does that really mean and how can we come together? In this edition of Two Guys on Your Head, Dr. Art Markman and Dr. Bob Duke talk about the psychology of political polarization.

There are a lot of factors that help to regulate our overall health and wellness. If we are content in our lives and relationships, we are more likely to be healthy. If we exercise and eat well, we reap the benefits in our mind and body. Also, as recent studies by Ted Kaptchuck and others show,...

This is too good to leave on the cutting room floor. Dr. Art Markman explains new research on how dogs read human facial expressions and what it could tell us about how they think.

Can you remember what it was like for you to learn your native language?  Probably not, but why is that? As humans, we begin learning to speak our native language during the earliest stages of our lives, in infancy.  Most people don’t have many accessible memories from this period of development. How do we do...

Labels are an essential part of distinguishing between one another but they can also pigeonhole one’s sense of identity. How can we adjust our approach to labeling mental illnesses, particularly in children, in a communally constructive way? On this edition of Two Guys on Your Head, Dr. Art Markman and Dr. Bob Duke discuss labels.

It turns out there is a lot to learn about when studying the psychology of near misses. One thing we learn is that the memories of these events–like the time you almost ran into a tree with your bike, or the time you stuck your head out of a moving train and then pulled it...

Many factors play into how we make sense of the world and our place in it. In this episode of Two Guys on Your Head, Dr. Art Markman and Dr. Bob Duke talk about how the accessibility of certain explanations frames our understanding.

When large groups of people believe something has happened that has not actually happened it is referred to as The Mandela Effect. In this episode of Two Guys on Your Head, Dr. Art Markman and Dr. Bob Duke talk about how this happens from a psychological perspective.

Listen back to a live taping of This is Just to Say with KUT’s Rebecca McInroy and Carrie Fountain as they welcome actor Richard Robichaux, scholar Dr. Carra Martinez, playwright Kirk Lynn, and poet August Huerta for a reading and tribute to the late poet Tony Hoagland.

400 years ago, a group of 20 enslaved Africans were brought to the shores of the Chesapeake Bay for the express purpose of working the land, thus beginning one of the most shameful periods in America’s history. Although Diversity and Inclusion have become a mission of so many academic and corporate entities, the vestiges of...

400 years ago, a group of 20 enslaved Africans were brought to the shores of the Chesapeake Bay for the express purpose of working the land, thus beginning one of the most shameful periods in America’s history. Although Diversity and Inclusion have become a mission of so many academic and corporate entities, the vestiges of...

Bradley and Karen discuss types of copyleft generally and introduce the basics of license compatibility and -or-later clauses.

Show Notes:

Segment 0 (00:38)

• This show discusses copyleft and basic issues of license compatibility (04:09)
• Karen mentioned an episode of the old Software Freedom Law Show, Episode 0x08, where Bradley and Karen discussed selecting a FLOSS license and what the various options are. (04:45)
• license compatibility 06:28
• Bradley incorrectly said that the original Emacs license didn't have the word General in it. However, the other explanations appear to be correct. There's a useful history page that someone wrote about the history of GPL. It appears the non-general GNU copylefts existed from 1984-1988. (06:57)
• Karen noted that the Library GPL was renamed to the Lesser GPL which happened in 1999. (09:30)
• Bradley mentioned that when he and RMS worked on the GNU Classpath Exception, Bradley suggested it be called the Least GPL. (10:38)
• GPL doesn't have a choice of law clause. If another copyleft does, it surely is incompatible with the GPL. (14:17)
• AGPLv3 § 13 and GPLv3 § 13 explicitly make themselves compatibility with each other, which Bradley calls compatibility by fiat. (15:40)
• Karen mentioned that the Mozilla Public License § 13 has a section about multiple licensed code (16:50).
• Bradley mentioned that Mozilla Firefox uses a combinatorial license: (GPL|LGPL|MPL), which is a disjunctive tri-license. (19:00).
• Bradley mentioned that the old Software Freedom Law Show Episode 0x17 discussed compatibility of permissively licensed software and copylefted software. (20:22)
• Apache Software License 2.0 was likely the first FLOSS license to have an explicit patent licensing provision (23:40)
• Bradley and Karen discussed the fact that -only vs. -or-later are options with the GPL, while they are not with other copylefts, such as CC-By-SA. (30:11)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Dan Lynch (filling in for Karen) and Bradley play and discuss Matthew Garrett's talk GPL Violations: What Are We Doing? (aka Linux License Violations) from the Linux Collaboration Summit 2011.

If you want to listen to only the off-topic parts of this oggcast, please download the FaiF 0x10 Off-Topic Remix.

Show Notes:

Segment 0 (00:34)

• FaiF Producer Dan Lynch is filling in for Karen as co-host this week. (00:43)
• Karen got married on the day Dan and Bradley recorded the oggcast. (01:03)
• Dan is also known as the co-host of Linux Outlaws, host of Rat Hole Radio, and occasional co-host of FLOSS Weekly. (02:05)
• Bradley mentioned Dick Van Dyke's admission (06:56)

Segment 1 (08:05)

• This segment is Matthew Garrett's talk GPL Violations: What Are We Doing? (aka Linux License Violations) from the Linux Collaboration Summit 2011.
• Matthew Garrett released the slides from his talk which you can follow along with during the talk.

Segment 2 (51:29)

• Bradley mentioned that Matthew is particularly interested in the GPL violations on Android/Linux devices that he's found. (52:57)
• Bradley mentioned Greg Kroah-Hartman's GPL enforcement against Microsoft, which Bradley also blogged about a few years ago. (55:51)
• Dan asked Bradley about DMCA usage in GPL enforcement. Bradley explained that there is a process called DMCA takedown that Matthew was discussing. (57:30)
• Dan and Bradley discussed the Linux Foundation Open Compliance Program. (1:05:05)
• Bradley mentions that he is completely opposed to criminal penalties for copyright infringement, and mentioned his ACTA commenting blog post. (1:12:13)
• Bradley and Dan discussed the Sony DVD rootkit. (1:15:17)
• Karen's wedding invitation got some press since it was a working record player. (1:16:58)
• Karen and Mike's wedding song is at the end of the oggcast, but you can also download the song from the wedding website. (1:21:08)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Karen and Bradley play and discuss Richard Fontana's Linux Collaboration Summit 2012 talk, The Decline of the GPL, and What To Do About It.

Show Notes:

Segment 0 (00:36)

Karen mentioned a legal summit where Richard and Karen spoke; the same event where the organizers said having Bradley speak would be the same as having the caterers speak.

Segment 1 (04:46)

Fontana's slides for this talk are available on Fontana's website.

Note that this talk is a longer version of Ricahrd Fontana's FOSDEM 2012 talk, The (possible) decline of the GPL, and what to do about it from the FOSDEM 2012 Legal and Policy Issues DevRoom.

Segment 2 (57:24)

Bradley and Karen discuss Fontana's talk.

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Karen and Bradley play and discuss Philippe Laurent's FOSDEM 2012 talk, Open Licences before European Courts from the FOSDEM 2012 Legal and Policy Issues DevRoom.

Show Notes:

Segment 0 (00:36)

Karen and Bradley mention there is one talk remaining after this one from the FOSDEM 2012 Legal and Policy Issues DevRoom.

Segment 1 (03:04)

Philippe's slides are available from faif.us. Note: the slides are licensed differently than the show: they are CC-By-SA-3.0-Unported (rather than -USA).

Segment 2 (32:22)

• Bradley mentioned FSF France's involvement with the AFPA case. (37:30)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Karen and Bradley listen to and discuss Till Jaeger's talk from FOSDEM 2013, entitled What is a derivative work under European Copyright Law?.

Show Notes:

Segment 0 (00:00:31)

Karen and Bradley introduce the talk.

Segment 2 (00:02:41)

The speaker's that you hear are:

• Tom Marble, introduces the talk, and asks one of the questions.
• Till Jaeger, who gives the talk

The slides for Till Jaeger's talk are available.

Segment 2 (00:49:11)

• Bradley and Karen discuss Till's talk.
• Clarence Thomas spoke the first time in the Supreme Court. Bradley said that he said it did not, but apparently he actually said he did not. (59:49)
• Bradley scanned in his Brussels airport train ticket that had his notes on it, where you can read noa push caa. (01:06:40)
• Bradley mentioned the phrase Elvis has left the building. (01:07:15)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Karen and Bradley listen to and discuss Gervase Markham's talk from FOSDEM 2013, entitled Mozilla: Licensing In The Trenches.

Show Notes:

Segment 0 (00:00:34)

• Bradley encouraged listeners to Conservancy's campaign for non-profit accounting software.
(02:10)
• Bradley mentioned his 2009 blog post encouraging people to donate to Free Software charities (02:50)
• Karen asked people to donate to the GNOME Foundation privacy campaign (04:11)

Segment 1 (00:04:57)

Gerv's slides from his FOSDEM 2013 talk can be downloaded from FOSDEM's website.

Segment 2 (00:51:48)

Bradley and Karen discuss Gerv's talk.

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Bradley and Karen discuss the talk, Legally Cementing Licences in Legislation: Two Law Merchant Models for Free Software Licences by Maureen O’Sullivan given at FOSDEM 2013 on Sunday 3 February 2013.

Show Notes:

Segment 0 (00:00:37)

• Bradley mentioned the Planet money t-shirt story (03:04)
• Bradley mentioned he buys Union made sweat pants (04:42)

Segment 1 (00:06:48)

Bradley and Karen introduce the talk.

Segment 2 (00:07:20)

This segment is the talk, Legally Cementing Licences in Legislation: Two Law Merchant Models for Free Software Licences by Maureen O’Sullivan given at FOSDEM 2013 on Sunday 3 February 2013. You can follow along with the slides.

Segment 3 (00:50:55)

• Bradley mentioned a talk he gave on 2005-03-12 at UC Irvine to a workshop of academics meeting about the research area of Computing Communities. Bradley still has some email archives regarding this, but can't find any online link to the workshop (URLs in the emails are all dead) or a recording of his talk. (58:52).
• As Bradley mentioned, ESR self-identifies as a gun nut. (01:00:19)
• Bradley mentioned FaiF 0x3A, which had Gabriel Holloway's talk (01:03:27)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Bradley and Karen discuss Contributor Licensing Agreements, which pulls material from Bradley's blog posts on the subject.

Show Notes:

Segment 0 (00:36)

• Bradley mentioned FSF's copyright assignment process. (05:50)
• Bradley mentioned RMS' essay regarding what you should do if a company asks you to assign copyright on Free Software. (14:00)
• Open Stack is reconsidering their CLA.
• Bradley mentioned again that goofy Eclipse contributor poster. (27:22)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Bradley and Karen host a panel discussion on CLAs with Van Lindberg and Richard Fontana.

Show Notes:

Segment 0 (00:38)

Bradley and Karen introduce the panel discussion.

Segment 1 (01:28)

• The panel guests are Van Lindberg and Richard Fontana.
• Van quoted from the Apache Corporate CLA. (40:55)

Segment 2 (48:17)

• Bradley and Karen wrap up the discussion.
• Bradley mentioned the AKG C1000S which we use to record the oggcast. (50:40)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Bradley and Karen discuss the talk, Copyleft vs. Permissive vs. Contributor License Agreements: A Veteran’s Perspective by Simo Sorce given at FOSDEM 2013 on Sunday 3 February 2013.

Show Notes:

Segment 0 (00:00:38)

Bradley and Karen introduce Simo's talk.

Segment 1 (00:03:02)

The slides from Simo's talk are available, if you want to follow along

Segment 2 (00:59:50)

• Bradley menitoned his blog post about CLA's on Conservancy's website. (01:00:10)

Segment 3 (01:10:22)

Bradley and Karen are still trying to decide what to do about the FOSDEM 2014 talks.

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Bradley and Karen discuss what plagiarism is (or isn't) and how it interacts with copyleft licenses.

Show Notes:

Segment 0 (00:00:37)

• Please donate to to send Dan to a conference. There's a progress bar on faif.us now.
• You can also donate to support Software Freedom Conservancy, where Bradley and Karen work, by becoming a supporter.
• Karen mentioned her blog post about the supporter program. (00:08:30)
• Bradley mentioned his blog post about the supporter program as well. (00:09:30)

Segment 1 (00:16:16)

• Bradley and Karen pick up on a topic original discussed in Segment 1 of FaiF 0x02. (00:16:50)
• Bradley discussed the Laurie Stearns' article from the California Law Review, entitled Copy Wrong: Plagiarism, Process, Property, and the Law (00:23:50)
• Bradley mentioned The GNOME Foundation Copyright Assignment Guidelines that he co-authored. (00:28:05)
• Bradley mentioned the Doris Kearns Goodwin Plagiarism controversy, and how it would have been simply redressed if the material she reused had been copylefted. (00:29:26)
• Karen mentioned that Flickr made different policies for CC-BY-SA'd works when selling printed versions. (32:30)
• Bradley mentioned that even software freedom advocates just comply with the copyleft licenses and don't work collaboratively, particularly during hostile forks, using Conservancy's Kallithea project as an example. (00:35:25)
• Bradley reiterated a point he made in FaiF 0x08, where he discussed that Linus Torvalds switched to GPL for Linux because he realized non-commercial restrictions weren't appropriate. (00:37:50)
• Bradley mentioned the hostile fork of GCC called egcs. The H-Online years later wrote a long article that discussed the egcs fork egcs fork. (00:39:46)
• Bradley mentioned that plagiarism is ultimately about attribution, and modern DVCS systems makes attribution easy and renders plagiarism impossible (if DVCS logs are accurate). (00:44:15)
• Bradley mentioned that he continually has learned the lesson that if you let your employer keep copyright, you lose everything you had when you switch employers (if the work isn't copylefted). (00:47:00)
• Bradley discussed the methods of attribution required in GPLv3. (00:50:05)
• Bradley mentioned that copyright notices are the primary method of attribution in copyleft licenses, and even non-copyleft ones too. (00:53:19)
• Karen discussed the attribution requirements in text of CC-BY-SA 4.0. (00:53:49)
• Bradley wants to do a whole FaiF show about how CC-BY-SA may not be a true copyleft since it has no source code requirement (00:54:40)
• Bradley mentioned the “fake name” that film directors use when they wish to disavow a work they aren't happy with. The name is, in fact, Alan Smithee, and indeed the 1984 film Dune lists Smithee as a director even though David Lynch is known publicly to be the director. (00:58:40)
• Bradley mentioned the unfair accusations against Red Hat when they stopped publishing their internal Linux Git repository and instead released a more standard ChangeLog. (01:05:30)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Bradley and Karen interview Nick Coghlan, who works onn development and test infrastructure for Red Hat and is heavily involved with the Python community.

Show Notes:

Segment 0 (00:00:35)

Bradley and Karen interviewed Nick Coghlan who works for Red Hat and contributes to various Open Source and Free Software projects such as Python. Nick discussed his work on the infrastructure team at Red Hat, and his advocacy of Kallithea for use for the CPython project.

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Bradley and Karen enjoy and discuss Molly De Blanc's keynote at the first annual CopyleftConf, entitled The Margins of Software Freedom, followed by an exclusive interview with Molly!

Show Notes:

Segment 0 (00:37)

• Bradley mentioned (without the title) the film, When a Stranger Calls, which is indeed a real movie, not a TV movie, and was from the late 1970s — although Bradley saw it on TV sometime in the 1980s. (02:15)

Segment 1 (04:11)

A recording of Molly De Blanc's keynote at the first annual (2019) CopyleftConf, entitled entitled The Margins of Software Freedom. Slides for Molly's talk are available on her gitlab account.

Segment 2 (20:11)

Bradley and Karen talk about the keynote and set up the interview.

Segment 3 (23:56)

Extended interview with Molly from on site at CopyleftConf 2019!

Segment 4 (34:06)

• Bradley and Karen discuss what ideas Molly's interview got them thinking about.
• Bradley wrote a blog post about Delta's anti-union marketing. (40:50)
• Molly De Blanc is now an employee at the GNOME Foundation and President of the Open Source Initiative (52:53)

---

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).



Full Article

Karen and Bradley discuss the end to Microsoft's e-book platform and generally the dangers and disasters that Digital Restrictions Management (DRM) cause for software users and developers.

Show Notes:

Karen and Bradley discuss the end to Microsoft's e-book platform and generally the dangers and disasters that Digital Restrictions Management (DRM) cause for software users and developers.

Segment 0 (00:35)

• Bradley mentioned that Microsoft ended their e-book platform. He said this was “last month” but we ended up releasing this show late, so it was in August 2019 (01:31).
• Bradley mentioned the analog hole. (09:50)
• Karen discussed the exception process under DMCA, which Conservancy participated in regarding “Smart” TVs. (12:30)
• Bradley mentioned this historical burning of the Library of Alexandria as a Roman weapon, comparing it to DRM. (15:07)
• Bradley talked about how Netflix and Microsoft used Silverlight initially as the method of DRM, and that Microsoft was a leader in the entertainment industry in providing DRM (20:00)

Segment 1 (26:31)

• Bradley and Karen discuss how DRM and other lock-down of devices, including medical devices, are creating problems in society generally.
• Karen noted that the role of for-profit companies is not to safeguard the public interest. (41:10)
• Bradley mentioned you can turn off DRM on the Google Play store for your book (as the publisher). (43:04)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Imagine the powers of motion effects - but with the ability to control all of them, parameter by parameter, and use assets dynamically without only rendering video. From artists and VJs to big events, that's significant. CDM's Ted Pallas breaks down Notch in a review for the real world. -Ed.

The post Notch, endlessly parameterized visual tool, explained and reviewed for mere mortals appeared first on CDM Create Digital Music.

Jamila Woods is a singer, songwriter, and poet from Chicago. She’s released two albums, and she’s collaborated with artists like Chance the Rapper, Noname, and Macklemore.

In May 2019, she put out her second album, LEGACY! LEGACY!, to critical acclaim. NME called it one of the albums of the year, Rolling Stone called it a “revelation,” and Pitchfork named it “Best New Music.”

In this episode, Jamila and her producer Slot-A break down a song from that album, called “BALDWIN,” named after the late author and civil rights activist James Baldwin.

songexploder.net/jamila-woods

Claire Cotrill is a singer, songwriter, and producer who goes by the name Clairo. She started releasing music in 2014 as a teenager. A few years later, songs she had uploaded to YouTube had racked up over 40 million views. This year, Clairo put out her debut album, Immunity. She’s recently performed on Ellen and Jimmy Kimmel, and played arenas, opening for Khalid. In this episode, Clairo breaks down her song “Alewife.” I spoke to Claire and her co-producer Rostam Batmanglij about how the song was made.

songexploder.net/clairo

Natasha Khan makes music under the name Bat for Lashes. She’s released five albums, including Lost Girls, which came out in September 2019.

In this episode, she breaks down the making of the lead single from that album, called “Kids in the Dark.” But just before she started writing it, she wasn't sure if she would make another album at all.

songexploder.net/bat-for-lashes

Right now, Radiotopia is holding its annual fundraiser. You can help support Song Exploder and the network that makes it possible. Make your mark. Go to Radiotopia.fm to donate today.

Tame Impala is the project of Kevin Parker, a songwriter, multi-instrumentalist, and producer from Perth, Australia. Since putting his first EP in 2008, Tame Impala has been nominated for two Grammys and won eight of Australia’s ARIA Awards. Multiple albums of his have been named best of the year. As a producer, he has collaborated with Lady Gaga, Mark Ronson, The Weeknd, and more. The most recent Tame Impala album is The Slow Rush, which came out in February 2020. For this episode, Kevin chose to take apart the song, "It Might Be Time."

songexploder.net/tame-impala

Laura Marling is a singer and songwriter from London. She won the Brit Award for Best British Female Solo Artist—she’s been nominated five times for that, along with the Mercury Prize, and the Grammy for Best Folk Album. Since 2008, she’s released seven albums. The most recent album is called Song for Our Daughter. It’s also the name of the song that she takes apart in this episode.

songexploder.net/laura-marling

Jesus said there will be a time of great trouble before He comes again. Do not worry about getting through it. He promised to be with us.

The book of Revelation is about Jesus. He is the central figure and hero. Part 1 of 2

The book of Revelation is about Jesus. He is the central figure and hero. Part 2 of 2

Special guest Rene Ritchie returns to the show. Topics include Google's new Pixel 4 phones, Apple's travails in Hong Kong and China, whether there will be another Apple event this year, and MacOS 10.15 Catalina.

For at least three days, 83-year-old Pope Francis has canceled events and appearances due to illness at the same time the COVID-19 coronavirus has spread in Italy. How should believers approach the burgeoning crisis?

Azar Lawrence is an American jazz saxophonist who was hired by McCoy Tyner following the death of John Coltrane. In this edition of Liner Notes, Rabbi and jazz historian Neil Blumofe talks about what Lawrence can teach us about continuing a legacy, finding our voice, and knowing our value while holding on to our mortality.

2 new tracks from Liquid Delay. Buy: Liquid Delay – AMFH (Drift Deeper Recordings 016) Tracklist 1.Liquid Delay – am5-UN 05:00 2.Liquid Delay – FH78i 05:46 Photography by Bailey Heredge Label: Drift Deeper Recordings (www.driftdeeper.com) – [ddr016] Format: 2 × File, .wav, LP, 1,411 kbps Released: 29 August 2016 Genre: Electronic Style: Dub Techno

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Jesus said there will be a time of great trouble before He comes again. Do not worry about getting through it. He promised to be with us.

The book of Revelation is about Jesus. He is the central figure and hero. Part 1 of 2

The book of Revelation is about Jesus. He is the central figure and hero. Part 2 of 2

Raj Patel, Tom Philpott and Rebecca McInroy talk with peasant farmer Blain Snipstal about the history of agriculture and racism in America, power, food sovereignty, La Via Campesina, land, and much more.

In this episode of The Secret Ingredient we talk with Rob Wallace, author of “Big Farms Make Big Flu: Dispatches on Infectious Disease, Agribusiness, and the Nature of Science,” about pathogens, zika, bird flu, capitalism, and so much more.

“There isn’t a single aspect of what we eat that is not touched by industry spin.” -Anna Lappé There are so many logistical barriers to healthy, fresh, ethically produced and farmed foods — from food deserts to our busy daily schedules — that managing to eat well is a challenge. But there is another layer...