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Amended: Finland Industrial Production Rises For Second Month

Finland's industrial production rose for the second straight month in March, figures from Statistics Finland showed on Friday.




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Hungary Inflation At 2-year Low

Hungary's consumer price inflation eased to the lowest level in two years in April, data from the Hungarian Central Statistical Office showed on Friday.




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Finland Trade Deficit Widens In March

Finland's trade deficit widened in March with exports falling more than imports, preliminary figures from the Finnish Customs showed on Friday.




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U.S. Jobless Claims Since Shutdown Reach 33.5 Million

First-time claims for U.S. unemployment benefits pulled back further off their recent record high in the week ended May 2nd, according to a report released by the Labor Department on Thursday, although claims remain at an elevated level and came in above economist estimates.




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U.S. Labor Productivity Slumps 2.5% In Q1, Much Less Than Expected

A report released by the Labor Department on Thursday showed U.S. labor productivity pulled back by much less than expected in the first quarter. The Labor Department said labor productivity slumped by 2.5 percent in the first quarter after jumping by 1.2 percent in the fourth quarter of 2019. Economists had expected productivity to plunge by 5.5 percent.




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Harp Recital: Bianchi, Cristina - SCARLATTI, D. / TAILLEFERRE, G. / BACH, C.P.E. / BALTIN, A.A. (Scarlatti and More) (OC1715)




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GLANERT, D.: Oceane [Opera] (Bengtsson, Schukoff, Pohl, Deutsche Oper Berlin Chorus and Orchestra, Runnicles) (OC985)




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LISZT, F.: Later Piano Music (Historical Hungarian Portraits) (Jandó) (Liszt Complete Piano Music, Vol. 54) (8.574059)




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GLASS, P.: Violin Concerto No. 2, `American Four Seasons` / Violin Sonata (Plawner, Vila, Bern Chamber Orchestra, P. Bach) (8.559865)

Philip Glass has become an iconic figure in American music. His works are often inspired by collaborations with other leading musicians, and the proposal of an “American Four Seasons” by the violinist Robert McDuffie to reflect Vivaldi’s famous masterpiece resulted in a concerto which evokes the Baroque spirit of early 18th-century violin tradition. With the Concerto’s range of moods, listeners are invited to decide for themselves which season the music evokes. The Violin Sonata sees Glass’s melodic and harmonic language haunted by the ghosts of Brahms, Fauré and Franck, “the meditativeness of this piece bringing a unique energy” for award-winning violinist Piotr Plawner.




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CASTÉRÈDE, J.: Flute Works (Complete), Vol. 2 - Ombres et clartés / Sonate en forme de Suite / Musique / Wind Quintet (du Toit, Doreen Lee) (8.573950)

Jacques Castérède was one of many composers who refused to abandon tonality and traditional forms amid the stormy avant-garde of the 20th century. The Quintette for winds was written in 1953, the same year that Castérède won the Prix de Rome, and touches of Gershwin appear among its witty colours. Neo-Classical restraint in the Sonate en forme de Suite contrasts with the grittier and more modernist Musique for flute, harp and string trio, and La Belle Époque takes us on a whistle-stop tour of Classical repertoire, parodying famous tunes by Haydn and Mozart.




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SKALKOTTAS, N.: Sinfonietta / Classical Symphony / 4 Images / Ancient Greek March (The Neoclassical Skalkottas) (Athens State Orchestra, Tsialis) (8.574154)

Despite his tragically short life, Nikos Skalkottas has now become recognised as one of the most important Greek composers of the 20th century. The modernist style of his earlier period is balanced by the four important mature neoclassical works presented here. Both the Sinfonietta and the Classical Symphony are expressions of the deep regard Skalkottas had for traditional forms blended with his unique musical language. Skalkottas was a violinist with the Athens State Orchestra, who are honouring his memory with this and future recordings of his works.




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PERFECT PIANO - Best Loved Classical Piano Music (8.578180)

The piano is one of the most universal and popular of all instruments, from the grand pianos found in prestigious concert venues to battered uprights providing entertainment in pubs and bars. Early keyboard masters such as J.S. Bach laid the foundations for composers and performers to expand the piano’s expressive range, exemplifi ed in the emotive depths of Beethoven’s sonatas against the lightness of his famous musical gift Für Elise. From the tender romance of Schumann and the power and poignancy of Chopin, to the virtuosity of Liszt, the impressionistic magic of Debussy and the enigmatic beauty of Satie, the piano offers a true abundance of musical riches.




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MORLACCHI, F.: Tebaldo e Isolina [Opera] (1825 Dresden version) (Polverelli, Pastrana, Giustiniani, Baglietto, Vlad, Virtuosi Brunensis, Fogliani) (8.660471-72)

Francesco Morlacchi was a native of Perugia, but early success led him to become music director of the Dresden Opera where he remained for the rest of his life despite having an opportunity to succeed Rossini in Naples in 1822. He did make tours to Italy however, and Tebaldo e Isolina received its triumphant premiere in Venice, becoming the most successful of all his operas. Morlacchi’s gifts as a lyricist and for characterisation are heard here at their best, with showpiece arias and duets in a version of the Romeo and Juliet story that ends in happiness and the victory of reason over vengeance.




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MAYR, J.S.: Mass in E-Flat Major (Szczepańska, Krödel, M. Schäfer, Ochoa, Simon Mayr Choir, Concerto de Bassus, Hauk) (8.574057)

Mayr’s great Mass in E flat major is a late work, largely composed in 1843. It conforms to the prevailing Italian messa concertata tradition with its clear divisions into distinct vocal numbers, as opposed to the symphonic Mass which held sway north of the Alps. In this reconstruction and musical revival, Mayr’s imposing, tonally consonant and expressive setting can be heard in all its grandeur and eloquence. With its striking vocal solos and choruses, and characteristically songlike instrumental roles, Mayr contributed a late pinnacle in the long history of this form of the Mass.




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MALIPIERO, G.F.: Symphony No. 6 / Ritrovari / Serenata mattutina / 5 Studi (Orchestra della Svizzera Italiana, Iorio) (8.574173)

The unconventional structure of Gian Francesco Malipiero’s music takes us on a journey through unexpected, sometimes incredibly beautiful vistas. The Sixth Symphony is a rich and songful celebration of string sonorities and moods, while the heroic Ritrovari and evocative Serenata mattutina display Malipiero’s expertise in writing for unusual chamber ensembles. The Cinque studi, heard here in their premiere recording, demonstrate an astonishing range of contrasting moods—a kaleidoscopic sonic tour with no more than a small orchestra, which juxtaposes orchestral strings with a wind group of a single flute, oboe, clarinet and bassoon and two horns, and a percussion group of cymbal, bass drum, tambourine, celesta and piano.




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Lute Duo Music (Two Lutes with Grace - Plectrum Lute Duos of the Late 15th Century) (Lewon, Kieffer) (8.573854)

The plectrum lute duo was one of the most popular ensembles for professional instrumentalists in late 15th-century Western Europe. This recording presents for the first time the bulk of a surviving repertoire that can arguably be considered for the lute duo, performed on two equal plectrum lutes or with a combination of lute and gittern—a smaller member of the lute family. The album, inspired by the Ferrarese virtuoso Pietrobono dal Chitarino (c. 1417–1497), acclaimed in his lifetime as ‘the foremost lutenist in the world’, includes the earliest printed lute duos by Francesco Spinacino and Joan Ambrosio Dalza and the two-voice instrumental works by Johannes Tinctoris. The often highly ornamented instrumental duos are mostly reworkings of songs, some of which are given here in a performance with the singer Grace Newcombe to provide the context for the lute arrangements that follow.




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HANDSOME HARPSICHORD - Best Loved Classical Harpsichord Music (8.578184)

While the keyboards of the piano and harpsichord are similar, their playing techniques are quite different. The strings of the harpsichord are plucked with a quill rather than struck with a hammer, so every nuance of phrasing is down to the subtle touch of the player. There is something special about hearing music on the instrument for which it was originally written, and this programme treats us to dances from England with Byrd and Purcell, Baroque masterpieces by Bach and Handel, and elaborate and descriptive French works by Couperin and Rameau, whose Les Sauvages was inspired by Native American chieftains who danced for king Louis XV.




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Guitar Recital: Park, Ji Hyung - ALBÉNIZ, I. / BROUWER, L. / CASTELNUOVO-TEDESCO, M. / SCARLATTI, D. / TAKEMITSU, Toru / THIELEMANS, T. (8.574140)

Ji Hyung Park has won numerous prestigious competitions, with the 7th Changsha International Guitar Competition in 2018 his most recent triumph. The diverse selection of music performed in this programme features three virtuoso sonatas by Scarlatti, the world premiere recording of Leo Brouwer’s evocation of ancient Greek culture Las Cíclades arcaicas, Castelnuovo-Tedesco’s Sonata ‘Omaggio a Boccherini’ in its original, pre-Segovia manuscript form, Takemitsu’s final work In the Woods and rare selections from Albéniz’s masterpiece Iberia. The programme ends with a colourful arrangement of Toots Thielemans’ gorgeous Bluesette.




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AWESOME ORGAN - Best Loved Classical Organ Music (8.578179)

Mozart referred to the organ as ‘the king of instruments’, and with the breathtaking sound produced by huge cathedral organs glistening with thousands of pipes it is easy to hear why. This introduction takes us from one of the most famous pieces ever written for the organ, Bach’s Toccata and Fugue in D minor, to Widor’s wedding favourite Toccata from the Symphony No. 5, taking in masterpieces from the distinctive German and French schools of organ composing along the way. This album also features genial and spectacular music by Handel and Pachelbel and the ‘devastating tornado’ of Jehan Alain’s Litanies.




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ZÁDOR, E.: Sinfonia Technica / Music for Clarinet and Strings / Trombone Concerto (Sólyomi, Fejér, Budapest Symphony Orchestra MÁV, Smolij) (8.574108)

The music of Eugene Zádor is both warmly expressive and colourful. The composer took great delight in writing for overlooked solo instruments, as his Trombone Concerto, garnished with elements of Hungarian folklore, clearly shows. The easy-going, gypsy-influenced Music for Clarinet and Strings is a beautifully proportioned quasi-concerto. The Sinfonia Technica, composed much earlier when he was living in Vienna, and something of a one-off, is an enchanting and exuberantly orchestrated example of ‘industrial music’.




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Wind Band Music - MASLANKA, D. / PERRINE, A. / WALCZYK, K. (Freedom from Fear) (University of Kansas Wind Ensemble, Popiel) (8.574169)

Contemporary American music for wind band continues to offer a rich combination of colour and variety. David Maslanka was one of the most prolific and admired of all wind band composers, and in Liberation he utilises plainchant in a moving exploration of death, the afterlife and the continuance of hope. Inspired by Walt Whitman, Aaron Perrine’s In the Open Air, In the Silent Lines creates a rich sense of space, while Kevin Walczyk’s moving Symphony No. 5: Freedom from Fear – Images from the Shoreline is unified by its themes of adoption, segregation and immigration.




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WEINBERG, M.: Clarinet Music - Clarinet Concerto / Clarinet Sonata / Chamber Symphony No. 4 (Oberaigner, Schöch, Michail Jurowski) (8.574192)

Mieczysław Weinberg was familiar with the clarinet from his youth, given its prominent place in klezmer bands and theatre ensembles, and he wrote three works specifically for the instrument. In the Clarinet Concerto he draws a wide range of textures from the accompanying strings, over which the soloist explores the clarinet’s extremes of register in virtuosic fashion. Despite having been written when Weinberg was still in his mid-twenties, the Clarinet Sonata is a mature work with Romantic and folkloric elements. His last completed work was the Chamber Symphony No. 4, an impassioned piece with a wrenching chorale theme and role for obbligato clarinet.




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SCARLATTI, D.: Keyboard Sonatas (Complete), Vol. 23 (Monteiro) (8.574075)

Domenico Scarlatti’s distinguished career included a royal post in Rome where he competed against Handel, the latter being declared the better organist and Scarlatti the better harpsichordist. Written for his pupil the Infanta Maria Bárbara, Scarlatti’s legacy of hundreds of single-movement keyboard sonatas forms a valuable resource for performers today. This collection includes a wealth of Spanish dances with virtuoso leaps, unusual modulations, flourishes and ornamentation, as well as Scarlatti’s irrepressible verve and energy.




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Flute Sonatas (20th Century) - Lupachev, Denis - HINDEMITH, P. / NAGOVITSIN, V.L. / DENISOV, E. / PROKOFIEV, S. (Lupachev, Laul) (8.579069)

Written over the course of a quarter-century, these four flute works reflect the individual approaches to the flute sonata taken by their composers. Hindemith’s aim was to offer new music of buoyancy and brio, tempered by elegiac moments. Prokofiev’s famous sonata has Classical formal elegance, while the sonatas of Denisov and Nagovitsyn are single movement works that explore the flute’s extreme registers, as well as its dynamic contrasts and virtuosic capacities.




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EŠENVALDS, Ē.: Choral Music (Translations) (Portland State Chamber Choir, Sperry) (8.574124)

The multi-award-winning Latvian composer Ēriks Ešenvalds’ 21st-century choral sound is both exquisite and angular, and in this album he explores ideas of ‘translation’, legend and the divine. With his expanded tonality and employment of shimmering singing handbells in Translation, and the angelic use of the viola and cello in In paradisum he creates music of ravishing refinement. In Legend of the Walled-In Woman Ešenvalds transcribes and employs an authentic Albanian folk song.




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DANIELPOUR, R.: Passion of Yeshua (The) [Oratorio] (UCLA Chamber Singers, Buffalo Philharmonic Chorus and Orchestra, Falletta) (8.559885-86)

Richard Danielpour’s dramatic oratorio The Passion of Yeshua—a work which has evolved over the last 25 years—is an intensely personal telling of the final hours of Christ on Earth. It incorporates texts from the Hebrew Scriptures and the Christian Gospels inspiring extraordinarily beautiful music that stresses the need for human compassion and forgiveness. Danielpour returns to the scale and majesty of Bach in this oratorio, creating choruses that are intense and powerful, and giving both Mary the mother of Jesus and Mary Magdalene a central place in a work of glowing spirituality. Conductor JoAnn Falletta considers The Passion of Yeshua to be “a classic for all time.”




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WEILAND, D.: String Quartets Nos. 4 and 5 (Melbourne Quartet) (8.574028)

British composer Douglas Weiland has long been acclaimed as one of contemporary music’s most outstanding composers for the string quartet medium, and his evolving cycle has won much admiration. Composed between 2011 and 2012 the Fourth and Fifth Quartets show him at the height of his artistic powers, where he seeks connections across time, and shows a Classical commitment to form, invention and melodic beauty. His conceptions can be Schubertian in scale and scope, while also displaying the influence of Haydn and Bartók.




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ST. TERESA OF AVILA: Interior Castle (The) (Unabridged) (NA0405)

In The Interior Castle, Carmelite nun, mystic and patron saint of Spain Teresa of Ávila uses the metaphor of a giant crystal castle to explain her theory of the soul and the various stages it passes through as it progresses towards God. Beginning in the outer rooms, where demons are fought and vices are purged, the soul must reach the inner chambers, where it will enter betrothal and intimate union with God. Prayer is central to the journey, as the soul is guided by its practice and each phase represents a different category of devotion. Originally written as counsel for the sisters in her convent, The Interior Castle is a poignant and poetic reflection on prayer, humility and self-knowledge, and the path towards a deeper communion with God.




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ZOLA, E.: Masterpiece (The) (Unabridged) (NA0417)

Perhaps the most autobiographical of Zola’s Rougon-Macquart cycle of novels, The Masterpiece is a hard, bleak and raw portrait of unrecognised artistic genius. Claude Lantier, brother to Nana and son of Gervaise, is a struggling painter who dreams of conquering Paris’s art scene with his revolutionary ‘open air’ style of painting. Discouraged and mocked, Claude retreats to the countryside with a young woman from Clermont, with whom he has fallen in love, before returning to Paris, where he continues to experience rejection at every turn. Zola’s depiction of a frustrated artist is said to have drawn heavily on the real-life experiences of Édouard Manet and Paul Cézanne, the latter of whom broke off his friendship with the author upon reading the novel.




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LEBLANC, M.: Arsène Lupin, Gentleman Burglar (Unabridged) (NA0411)

The first of Maurice Leblanc’s collections about his devilish, debonair rogue, Arsène Lupin, Gentleman-Burglar presents eight dazzling short stories that display some of Lupin’s greatest thefts and escapes. Lupin robs from within prison, leaves its walls with ease, steals priceless diamonds from the rich and outwits the greatest detective of all: Sherlock Holmes. Witty, cunning and taunting, Lupin is a genius on the wrong side of the law, although his noble code of ethics and Robin-Hood-like ways often see him use his talents for good.




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PIZAN, C. de: Book of the City of Ladies (The) (Unabridged) (NA0456)

Shocked and distressed by a male writer’s vilification of women, Christine de Pizan has a powerful dreamlike vision in which she is visited by three personified Virtues: Reason, Rectitude and Justice. They tell her she has been chosen to write a book which will be like a city, housing virtuous women and protecting them from feminist attack. Heroines past and present form the foundations of this city—biblical and mythical heroines, ruling queens, Christian saints, and inventors are among them. Partly myth, partly fact, The Book of the City of Ladies is an extraordinary, pioneering and impassioned defence of women that set out to shatter medieval misogynist clichés, and serve to instil self-worth in its female readers of the time.




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From the Naxos Blog: Playing the fool (Apr 03, 2020)

April Fool’s Day occurs each year on 1 April and although the day has been marked for many centuries in different cultures, its exact origin is difficult to pin down. One speculation links it to the move by France in 1582 to move from the Julian to the Gregorian calendar, effectively moving the start of the year to 1 January from the last week in March through to 1 April. People who were slow off the mark as regards this development, and continued to mark the transit ...more




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Podcast: Ludwig van Beethoven. Music from his late compositional period. (Apr 24, 2020)

BEETHOVEN, L. van: Celebrate Beethoven – Music from His Late Compositional Period (c.1815–1827) 9.30207 Raymond Bisha introduces the latest release in the Naxos Beethoven anniversary digital album series. Ranging from a solo piano to the huge resources required for his final symphony, the programme comprises ten works that define the last ten years of Beethoven’s creative life, exemplifying his ever more technically c ...more




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Podcast: Black History Month. Some musical notes. (Feb 14, 2020)

The guest host of this podcast is Ashley Jackson. She is an accomplished musician, who has studied the music of both Margaret Bonds and Florence Price, who composed and worked during the civil rights movement in the United States. In this podcast, Dr Jackson gives us both an historical and a personal perspective on how the struggles of these composers, and those of her grandmother, helped make possible what she does today. Harpist Ashley Jack ...more




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LUTOSLAWSKI, W.: Symphonies Nos. 2 and 3 (Finnish Radio Symphony, Lintu) (ODE1332-5)


Review by Freya Parr
BBC Music Magazine, May 2020




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GOULD, G.: String Quartet / GULDA, F.: String Quartet in F-Sharp Minor (Acies Quartett) (Gramola99028)

Review by Guy Rickards
Gramophone, May 2020




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EŠENVALDS, E.: Choral Music (Translations) (Portland State Chamber Choir, Sperry) (8.574124)


Review by Malcolm Riley
Gramophone, May 2020




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BACH, J.S.: Well-Tempered Clavier (The), Book 2, BWV 870-893 (A. Schiff) (NTSC) (2.110654)

Review by Jed Distler
Gramophone, May 2020




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BACH, J.S.: Well-Tempered Clavier (The), Book 2, BWV 870-893 (A. Schiff) (Blu-ray, HD) (NBD0105V)

Review by Jed Distler
Gramophone, May 2020




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BACH, J.S.: Well-Tempered Clavier (The), Book 1, BWV 846-869 (A. Schiff) (NTSC) (2.110653)


Review by Jed Distler
Gramophone, May 2020
Gramophone, May 2020




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BACH, J.S.: Well-Tempered Clavier (The), Book 1, BWV 846-869 (A. Schiff) (Blu-ray, HD) (NBD0104V)


Review by Jed Distler
Gramophone, May 2020
Gramophone, May 2020




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BACH, J.S.: Well-Tempered Clavier (The), Book 1, BWV 846-869 (A. Schiff) (NTSC) (2.110653)




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BACH, J.S.: Well-Tempered Clavier (The), Book 1, BWV 846-869 (A. Schiff) (Blu-ray, HD) (NBD0104V)




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BACH, J.S.: Well-Tempered Clavier (The), Book 2, BWV 870-893 (A. Schiff) (NTSC) (2.110654)




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BACH, J.S.: Well-Tempered Clavier (The), Book 2, BWV 870-893 (A. Schiff) (Blu-ray, HD) (NBD0105V)




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RESPIGHI, O.: Bella dormente nel bosco (La) [Opera] (Teatro Lirico di Cagliari, 2017) (NTSC) (2.110655)




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RESPIGHI, O.: Bella dormente nel bosco (La) [Opera] (Teatro Lirico di Cagliari, 2017) (Blu-ray, HD) (NBD0106V)




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MOZART, W.A.: Mass No. 18, `Great` / MOZART, L.: Litaniae Lauretanae de BVM (Salzburg Bach Choir, Camerata Salzburg, Manze) (NTSC) (BVE08057)




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MOZART, W.A.: Mass No. 18, `Great` / MOZART, L.: Litaniae Lauretanae de BVM (Salzburg Bach Choir, Camerata Salzburg, Manze) (Blu-ray, HD) (BVE08058)




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DEUTSCHER, A.: Cinderella [Opera] (Viennese version for children) (Vienna State Opera, 2018) (NTSC) (BVE08044)