The post How to Use a Graphics Tablet to Edit Photos: 10 Powerful Tips appeared first on Digital Photography School. It was authored by John McIntire.

Photo editing is simpler than ever thanks to the power of a graphics tablet! Explore our top 10 tips to level up your skills. If you’re just getting started with post-processing and retouching, you’re probably using a mouse and keyboard combo. You can get by with this setup, sure. But when the tasks become more […]

The post How to Use a Graphics Tablet to Edit Photos: 10 Powerful Tips appeared first on Digital Photography School. It was authored by John McIntire.

The post 12 Tips for Stunning Urban Landscape Photography appeared first on Digital Photography School. It was authored by Leanne Cole.

Urban landscape photography is all about taking the chaotic complexity of a city and turning it into well-ordered, beautiful compositions. But if you’re just a beginner – or even if you’re a more experienced city shooter – you may struggle to get solid results. After all, cities are often messy, unstructured, and full of movement; […]

The post 12 Tips for Stunning Urban Landscape Photography appeared first on Digital Photography School. It was authored by Leanne Cole.

Hasbro has produced a 4-figure set for a 21-year old Timothy Zahn Star Wars books and it DOESN'T feature Thrawn?

By Sara Truuvert

Sweaty palms, shaking limbs, and the distinct possibility of puking. Am I describing riding a rollercoaster or having a crush in middle school? These two thrill rides collide in Jake Maia Arlow's MG debut Almost Flying.

The novel follows thirteen-year-old Dalia, who has planned the perfect summer: finally ride a rollercoaster and make a new best friend. But when Dalia's dad announces he is engaged and expects Dalia to bond with her soon-to-be stepsister, Alexa, Dalia thinks her summer plans are shot. Luckily, Alexa agrees to take Dalia and Rani, a new girl from Dalia's swim team, on an amusement park road trip. What should be a smooth week takes a turn when Dalia realizes she might have more-than-friend feelings for Rani. Almost Flying launched on June 8th, 2021 with Dial Books and is widely available to order.

Jake Maia Arlow is a writer, podcast producer (listen to her work on shows like NPR's Invisibilia), bagel connoisseur, and co-writer of a musical about a gay demon competing in a reality TV show. You can find out more about Jake on her website, Twitter, and YouTube channel. Watch for her YA debut, How To Excavate A Heart launching from HarperTeen in 2022.

Q. A huge congratulations on your MG debut! Your protagonist Dalia is thirteen, which is such a weird, wild, sometimes(?) wonderful age. Did that time in your own life influence this story?

A. Thank you so much! That time in my own life absolutely influenced this story—mostly in that I was a complete weirdo in middle school. And while I wasn’t brave enough or self-aware enough to understand my own early queer feelings, I was so deeply idiosyncratic that I could write 1,000 middle grade novels and never touch on all of my bizarre behavior. For example: I wore mismatched toe socks to school every. Single. Day. 

Q. I love how unique Dalia is—for starters, she absolutely loves watching rollercoaster POVs (but would rather keep this hobby to herself!). Would you speak a bit about developing Dalia’s character?

A. Developing her character was one of the most exciting parts of the writing process, because it involved watching a ton of rollercoaster POV videos! Part of my process included taking notes on different POV videos in Dalia’s voice—some of those early free-writes even made it into the novel in various forms. It’s hard for me to start writing before I know a character’s voice, but Dalia’s came very naturally to me. She’s an anxious queer Jew from Long Island … just like me haha!

Q. Dalia has to navigate some complicated feelings she develops for her friend Rani. Did you map out the trajectory of their relationship before you began writing? Or was it more a matter of seeing where your writing took you?

A. I knew that Dalia had a crush on Rani from the very beginning, but it took me a few rounds of edits to realize that Rani also had a crush on Dalia from the start. Dalia overthinks everything, and even though Rani gives her some pretty clear signals, she doesn’t pick up on them. It was really more of a discovery writing process than I thought it would be!

Q. Do you have any writing routines or rituals that help you get into a good workflow?

A. Oooh, I love this question! I always have rain sounds playing in the background, regardless of whether or not it’s actually raining outside. Other than that, I do the pomodoro method (25 minutes of writing with a five minute break) and I try to have a friend around so I can bounce ideas off of them! 

Q. You have a helpful (and funny) post on your website about the process of getting your agent, which, understandably, involved a fair amount of nerves and panic. What would you say to an author who feels daunted by the idea of starting this process?

A. I’m thrilled that someone has read that! My advice is always to be over prepared. I am almost chronically over prepared because of my anxiety, but in this case it served me well. Listen to podcasts, read sample query letters, read the acknowledgements of your favorite books. There are so many incredible resources that you never have to go through this alone. 

Q. Do you have any advice for young writers?

A. YES! So many people like to say “read,” which is awesome advice, and you should absolutely do that, but my other piece of advice is to WRITE! Write in a journal, write your earth-shattering novel idea on a Google Doc and share it with friends, write recipes, write spells. Write anything and everything. At the very least, you’ll have something to look back on. 

Q. Finally, I understand that both you and Dalia are bagel connoisseurs. I must know, what separates a great bagel from a good bagel?

A. This is the greatest question I’ve ever been asked. First of all, if a bagel isn’t boiled, it’s not a real bagel— it’s just a piece of bread with a hole in the center. But other than that, a great bagel is freshly made, a little warm on the inside; it’s chewy on the outside and soft on the inside. And, most importantly, a great bagel is one that you eat with friends and family. 

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Sara Truuvert completed her MLitt in Creative Writing at the University of St Andrews. She also holds a Certificate in Creative Writing from the Humber School for Writers and a BA in English, Drama, and the History and Philosophy of Science from the University of Toronto. Her work has appeared in the Literary Review of Canada among other publications.

For more interviews, see the Inkygirl Interview Archive. Also see Advice For Young Writers and Illustrators, a compilation of tips generously offered by children's book creators Inkygirl.com has interviewed over the years.

Author-illustrator Ken Lamug has created award-winning picture books and graphic novels. Born in the Philippines, Ken moved to the US with his entire family during his teenage years. His debut middle grade graphic series, MISCHIEF AND MAYHEM #1: BORN TO BE BAD, launched this week from Katherine Tegen Books / HarperCollins!

Mischief and Mayhem is about Missy and her cat Gizmo. They were kicked out of superhero bootcamp. Now it's time for some super-villainy! I love the plot twist that the main character, Missy, decides she doesn't really fit into the labels the world she lives in has created; she's not really a villain, nor is she a superhero.  

Links where you can find out more: MischiefBook.com, Ken on Twitter, Facebook and Instagram. His website: Rabbleboy.com.

Q. I read that MISCHIEF AND MAYHEM started as a 32-page picture book story. How did it end up as a graphic novel?

Yep! The idea for Mischief and Mayhem started as a 32-page picture book - originally titled "Mischief the Supervillain". At the time, I was focused on my picture book ideas and wasn't even considering graphic novels. I had experience illustrating books, so I knew it was just a matter of time until something clicked for me. I went through the steps book creators are familiar with: writing the manuscript, creating dummies, and many rounds of revisions.

The dummy went through the submission process and even hopped to another agent (when I switched to a new one). We received a few rejections and a few interesting comments. One of the more resounding comments was that the idea was cool and needed to be expanded. But the picture book format limited what we could do.

We finally received an acceptance offer along with a caveat... turn it into a graphic novel! Yikes!

A few things scared me about this: it would have to be in full color, and at least 240+ pages. How does one turn a 32-page picture book into something that big?

And before anything was signed, I had to give the editorial team a few things: a fully illustrated first chapter, and a full outline for the book. This would give them a better idea of the story and my comic style. So I added new characters, expanded the moments from the story, and added a lot of jokes!

Once the editorial team gave the thumbs up, I was off to the races to get my debut graphic novel complete.

EXTRA: You can find out more about Ken's process as well as sample sketches in his Q&A with We Need Diverse Books.

Q. I've been thinking about a graphic novel middle grade project, but am intimidated by the amount of time the ART could take. Do you have any tips? How much time did MISCHIEF AND MAYHEM TAKE YOU in total? Were you working on anything else at the same time?

No kidding. Graphic novels ARE a lot of work. I've easily spent 1000 hours on Mischief and Mayhem (including creating marketing materials, videos, etc.). I also have a day job, so most of my after-hours are spent working on the book (typically around 5 hours on the weekdays). I basically stare at the computer screen all day!

During this time, I was also creating art for a picture book. And since the schedule for picture books are a bit more relaxed, I was able to squeeze it in without much problem.

Here are some tips I hope you'll find useful:

1. Working digitally has helped increase my productivity. It's easier to create dummies, inking, make revisions, and get feedback.

2. Scheduling and planning are very important. Find out the deadline, how many pages you can complete per day, and do the math.

In my case, I've determined that I am inking(outlining) about 1 page per hour. This means it will take me roughly 250 hours to outline a 250-page book. Based on that number, I can then determine if my deadline is a realistic goal. I know, it's a lot of math but it does help and you will be able to strategize how you approach the project.

3. Streamlining your art style. This varies depending on your abilities and time. Some artists are blessed enough to work full-time on their books and with longer deadlines. But if you're not one of them, then I would suggest streamlining the look of your characters, your drawing techniques so you can work faster and efficiently. Some artists are able to also hire a team to help support the rest of the task such as coloring, inking, letter, etc., but a majority of graphic creators are one-person operations.

4. Don't forget to take a break and enjoy life.

Q. What advice do you have for young graphic novel writers and illustrators?

Start small. You don't have to create a big "novel" length book right away. I started my comic book journey when I submitted a 4-page comic to an anthology. After I gained some confidence, I started creating 24-page comic one-shots (single issues). And it just kept growing from there.

Comics should be fun for both the creator and the reader, so make sure to enjoy the process and don't stress out about getting it right the first time.

Q. What's next for you?

I just finished illustrating a picture book called FAMILY BUSINESS (by Lenore Appelhans). It's about a raccoon family who seems to always get into trouble. I'm excited for that to come out (no dates yet).

I'm also in the middle of Mischief and Mayhem book 2. As I write this my hand is hurting from illustrating a "Where's Waldo-Esque" spread. Ha! But I'm proud to say the art has improved and the story is even bigger than the first one.

I've never really had a big plan for my drawing/art career. It's all a blessing and a humbling experience. I just hope that the readers love the stories and connect with the characters. So we'll see what happens next!

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For more interviews with children's book creators, see the Inkygirl interview archives.

Looking for a hugely entertaining alphabet book that also has an uplifting message of empowerment for young readers? I highly recommend T. REXES CAN'T TIE THEIR SHOES by Anna Lazowski and Steph Laberis, launching June 29th, 2021 from Doubleday Books For Young Readers. The back matter also has an alphabetized factoid list of "all the amazing things animals CAN do!"

This is an alphabet book that can be appreciated by grown-ups as well as young readers, with lots of potential discussion points. The illustrations of animals in ridiculous situations are so SOOOOO FUN --- omigosh, even as I'm writing this post, I went back to look through the digital ARC and can't decide which is my favourite, though I'm leaning toward the "Cheetahs can't chew bubble gum" page.

I asked debut picture book author Anna Lazowski if she had any advice for young writers, and here's what she said:

"Write what you want to write, because as you move through the publishing process, it will become incredibly important for you to truly believe in your work. The rejections in this industry are endless, and they come at every stage. Critique partners might reject elements of your manuscript, agents will reject your work, and once you're on submission to editors, they will reject your work. Then once you're finally published, some reviewers will reject your work. If you don't fully believe in your stories, this will be extremely hard to take. It's hard as it is, so make sure you're all in on the work you're doing. It will make the rest a little bit easier to navigate."

Wise advice. Thank you, Anna! And congrats to you and Steph on your upcoming launch!

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Also see other Advice For Young Writers and Illustrators From Children's Book Creators and my other Interviews With Children's Book Creators.

Image at the top of this post was created for my new #BookADay book journal. For more info about Donalyn Miller's #BookADay challenge, see Donalyn's post in the Nerdy Book Club blog.

Hazel Mitchell has helped create more than twenty children's books, including her award-winning picture book Toby (Candlewick Press). Her illustrations appear in books by Cynthia Lord, JaNay Brown-Wood (Imani's Moon was mentioned on the Stephen Colbert show!), Lynn Parrish Sutton, Liza Gardner Walsh and others. You can find out more about Hazel and her work at HazelMitchell.com, Facebook, Instagram and Twitter.

Synopsis of SWEET PEA SUMMER (Candlewick):

During her mother’s absence, a young girl discovers the joys of gardening—and the rewards of persistence and a sharp eye—in a sweet intergenerational story. With warm, child-friendly illustrations and a simple narration, Hazel Mitchell tells a timeless story about holding on to hope in hard times and finding the strength and determination to see it through. A brief author’s note at the end offers a bit of history and a few details about sweet peas for aspiring gardeners.

Q. What inspired you to write Sweet Pea Summer?

My inspiration for the book were memories I have from staying with my grandparents when I was little (4-6 years old). They lived in a row of mill cottages in a Yorkshire town called Huddersfield. The town was born out of the wool trade and had many factories and tall towers, but was surrounded by beautiful countryside. I started to sketch my memories of staying with them - the cottage, the garden, the countryside with the moors and mill chimneys, the cats that were always scampering around, the long road that stretched away up a sloping hill to the town itself.

My granddad was an excellent gardener. I suspect this came from the war years in Britain when everyone grew their own food as much as possible. In my memory the garden was so, so long with a little greenhouse and was stuffed with veggies and flowers. Of course, my memory exaggerated everything. I was seeing through a small child's eyes. I even googled the road on Google Streetview and the cottage and the garden are still there, just much smaller than I recalled.

I decided there was a story in these sketches and my rememberings. I find that I'm often inspired by childhood memories, places and real life things, like my own dog who is the main character in the book 'Toby', also from Candlewick Press. I've even been known to use my house in books, or feature the landscape of Maine, where I live, and sometimes I draw objects from my home. it gives authenticity I think.

Q. What was the writing and illustration process like?

After some note making, more doodles and musing I decided on the main character of a girl. She's not exactly me. My sister also went to stay with my grandparents when my mother was ill and that was really the nugget that set me rolling. The girl is sad and missing her mother, so Grandpa invites her to help in the garden and, in particular, to look after the sweet peas. (My own grandfather grew chrysanthemums, but I decided children would relate more to sweet peas. Plus it is easier to say!).

The grandparents do not look like my grandparents and even though the child is not really me, I guess she shares some of my personality characteristics and DO I love gardening! (Although I always fail with sweet peas, which is ironic). I found I had all the inspiration I needed to get started on roughing out a story.

Writing and illustrating Sweet Pea Summer was a long process, as most books tend to me. There are a lot of images in the book, which is kind of graphic novelish in a way, with multiple images on some pages that follow a grid layout. Although I did preliminary character and setting sketches, I then spent time writing scene progressions and story boarding before I was ready to do the first full dummy.

I've found this saves me time in the long run, when I finally start to sketch I can be pretty certain I have the rudimentary story arc and length of book down. We had 2-3 edits and rehashes before my editors, art director and myself were all happy to go to finals. Finals are always the very long and arduous stage of the book for me. The first spark of story and hashing it out is the inspirational bit.

I did all the art for Sweet Pea in pencil and watercolor (usually I colour an under painting digitally), but I felt this book needed a traditional watercolour feel. It was a longer process for sure! Along the way I did a good amount of picture research especially on the landscapes and the flowers - plus the process of growing them, which features in the story. The parallel between the illness of the m/c's mom and the flowers failing to open was important to me. didn't want it to be too obvious to the reader.

My editor, Liz Bicknell at Candlewick Press, was very helpful, as always, keeping the story on track. Pam Consolazio was my art director, and her nickname was Sweet Pea as a child! it is lovely when you find unexpected connections. I scan my own artwork, which gives me the luxury of making any tweaks to the final art. I think the whole book took about 2 years, including edits etc.

It's wonderful when your book finally arrives in your mailbox! (Just like any birth, the pain recedes!) It was especially concerning in this time of the pandemic, but everything went well and the books arrived in time for publication.

Q. What advice do you have for young writers and illustrators?

My advice to young writers and illustrators is always work on stories that you love and feel an emotional response to whether, happy, sad, funny or just that you just love and know the subject. It will always show in your work!

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For more insights from book creators, see my Inkygirl interview archives.

Just read (and loved) a fun reimagining of the classic fairytale Goldilocks and the Three Bears: GOLDIBOOKS AND THE WEE BEAR, written by Troy Wilson and illustrated by Edwardian Taylor, published earlier this year by Running Press Kids.

Here is Troy Wilson's advice for young writers:

"My advice? Write badly. Badly, badly, badly. Include words and ideas that shouldn't be there. Leave out words and ideas that should be there. Put things in the wrong order. Have your protagonist act wildly out of character. Why? Because that is what your favorite author does.

"You don't see your favorite author's horrible first drafts. Or horrible second drafts. Or horrible third drafts. For that matter, you don't see their attempted books that never, ever turned out at all. (Some things are just dead ends, even for your favorite author.) No, you only see their final, super-duper-polished work, after they got lots and lots of great feedback.

"Everyone starts with bad writing. Every single writer, every single time - no matter how long they've been doing it. You can't avoid your own bad writing. You can't go around it or over it or under it. You have to go through it. Just get it onto the page or screen. You can always fix it later. Except if you let the bad writing - or the fear of bad writing - stop you from writing. Because you can't fix what isn't there."

Thanks, Troy! 

Related links:

Publisher page about Goldibooks and the Wee Bear

More about Troy Wilson at TroyStory.ca, Twitter and Facebook.

More about Edwardian Taylor at EdwardianTaylor.com, Twitter and Instagram.

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Find more advice for young writers and illustrators from children's book creators.

By Sara Truuvert

When your novel is deemed "the greatest idea for a book ever", you're probably on to something. That certainly seems to be the case for debut author Victor Piñeiro, whose novel Time Villains has garnered a starred review from Kirkus and a spot as an Amazon Best Book of the Month. The book promises time-hopping high jinx, historic and literary Easter eggs, and even some one-sentence Puerto Rican recipes.

Time Villains follows sandwich-obsessed Javi Santiago, who has to nail his homework assignment if he wants to pass sixth grade. The assignment seems simple enough: if you could invite any three people to dinner, who would they be? Plus, Javi has his best friend Wiki and little sister Brady to help him. What could go wrong? Turns out, a lot! The trio accidentally uses an antique dining table to summon the dinner guests for real. Now, Blackbeard the Pirate is on the loose, and Javi, Wiki, and Brady must figure out how to send him back (perhaps with the help of other historical figures...). Time Villains is the first novel in a three-part series. It launched on July 6th, 2021 with Sourcebooks and is widely available to order. 

Victor Piñeiro is an author and a Creative Director at HBO Max. He has also done a multitude of other cool things, like teach, make documentaries, lead content/social strategies for Big Spaceship, YouTube, Hasbro, and Google, and answer these interview questions while caring for his two-week-old child. You can find out more about Victor on his website, Twitter, and Instagram. 

Q. A huge congratulations on your literary debut! Would you tell me a bit about your journey to publication?

A. Thank you! Being a published author has been the dream since I was a kid, so it’s been quite the journey! In my teens and twenties I couldn’t silence my inner critic long enough to write novels, so I turned to poetry and screenplays, writing and producing documentaries for a spell. I finally coaxed a book out in 2017 after writing daily on my (long) commute for three years. It was a very unconventional first book—the only kind I could coax out on my first try—so I shelved it and started working on Time Villains. 

Three drafts in I sent Time Villains to a bunch of agents, and after chatting with a few, a friend put me in touch with Elana Roth Parker. I feel so incredibly lucky to work with Elana—she saw the seed of something in my draft and we developed it into something far more compelling. When Annie Berger at Sourcebooks showed interest in the book, it felt like winning the lottery twice. Annie and the whole team have been the most incredible partners—thoroughly brilliant and a complete joy to work with. And here we are—the book just hit shelves this week and I’m not sure what to do with myself!

Q. Would you please introduce us to the novel’s hero, Javi Santiago? (I must know what level of dedication to sandwiches it takes to be classified as ‘sandwich-obsessed’!)

A. Javi’s an aspiring chef and sandwichéaste (think cinéaste but for sandwiches) who’ll do anything to pass sixth grade. He’s a zany kid with an overactive imagination and a penchant for asking deep questions about food (because what makes a sandwich a sandwich, really?). He peppers in one-sentence recipes throughout the book—some of Puerto Rico’s most delectable dishes, mixed in with his own recipes (like the Spanglish Sandwich aka The Spanglo Sando™). And while he’s fun and eccentric, underneath the silliness he’s a first generation Puerto Rican kid struggling with imposter syndrome as he tries to excel at something in his life. 

Q. You offer us such a hilarious dynamic between your protagonists – we have the almost-failing student, Javi, paired with his best friend, Wiki, the human Wikipedia/young professor (plus, Javi’s little sister, who wants to be the president’s bodyguard!). How did you land on this dynamic? Is it something you envisioned from the get-go?

A. The characters were floating around my head disparately but when I put them together I realized how fun their dynamic would be. 

I know a few folks who are so brilliant they seem weighed down by their intelligence—it’s made them world-weary. I thought that’d be really fun to capture in an extremely-precocious sixth grader. As I was coming up with the character I remembered a line in a hip hop song I love, “Catch me solving mysteries like Wikipedia Brown.” And that’s where Wiki’s name emerged and the character solidified in my head.

In terms of Brady, I knew I wanted a hot-headed sibling/partner to steal the spotlight and do much of the butt kicking because I love that dynamic in stories, going all the way back to Frodo and Sam. I also have a few friends with wild kid sister energy and they’re the life of any party, so I knew I wanted to bring that to the trio. 

Q. You had to develop a wide array of voices for this story, including kid Mozart, the Earl of Sandwich, and Blackbeard the Pirate. Was that a challenge? A joy? A spiralling research nightmare?

A. A spiralling research dream! This series gives me the best excuse to research my favorite folks in history and fiction, and it’s been a blast. I loved reading old texts on pirates, delving into the specifics of Mozart at age twelve and dusting off copies of old novels with iconic characters as I researched this book. And I knew nothing about the Earl of Sandwich before writing this, but how could Javi not invite him?

There was one aspect of research that was a bit frustrating. A big focus of this series is exploring characters more representative of the world’s history and fiction, because I’m hoping this book is ultimately a gateway to other books, characters and historical figures for kids to explore. Finding a wealth of information about some historical and mythological figures from other cultures was incredibly difficult. I knew it wouldn’t be easy, but I wasn’t prepared for it to be quite so challenging—which invigorated me to include more of them in the book!

Q. You have such lovely, concise, concrete writing advice available on your website. Is there any advice my-novel-is-getting-published Victor would give I’m-starting-to-write-a-novel Victor?

A. So much advice! I think there are a few super important things that would’ve had me writing novels decades ago, so I take any chance I can get to relay them to other aspiring/young writers.

1. An hour a day can be enough. I always thought I needed to quit my job and write eight hours a day to finish a novel, which held me back for years. Then I read a Murakami interview where he said he completed his first novel by writing an hour a day after work. In that moment I felt like the universe gave me permission to write mine. 

2. Lower the bar far lower than you’re comfortable with for that first draft. (No, lower!) There are passages in the first draft of my books that are barely intelligible, but I now know that’s okay. The first draft is about discovery and getting the story out of your head and onto the page. It’s far too early to be precious about anything. Just get it all out and see what you’ve got when you’re done.

3. Don’t dread rewriting—it’s far more fun than expected. Before writing my first book I was terrified of it, but it’s become one of my favorite aspects of writing. (Which is a good thing considering it’s 75-90% of what you do as a writer!) 

Q. Do you have any advice for young writers in general?

A. Absolutely. Besides everything I said above, read about writing and join online writing communities. Screenwriting books are great for story structure basics, Stephen King’s On Writing is great for process, Brandon Sanderson’s free writing course on YouTube is absolutely brilliant, Neil Gaiman and David Mamet’s Master Class courses are gold, and Reddit’s /r/writing is a fantastic place to learn alongside others in the trenches. I also love John Truby and Lisa Cron’s books. But maybe it’s best to start with this short Ira Glass video. Or this brilliant reflection on writing advice Chuck Wendig just wrote.

Q. Finally, I read that you used to be a documentary filmmaker and a blogger. What are some questions you would ask Blackbeard, if you met him?

A. It’d be one of those long interviews—the kind that take up the entire documentary and usually take the film crew multiple days to shoot—because I’d want to lead up to asking him how many people he actually killed. (Some historians say almost zero!) And I’d also want to ask him a lot of questions about Stede Bonnet, “The Gentleman Pirate” who was an equally fascinating and thoroughly hilarious character. He was rich, had a midlife crisis, became a pirate, and got thoroughly swindled by Blackbeard. (Side note: I was so happy when I heard the news that Taika Waititi would be creating a show about him!) Finally, I’d ask him to get battle ready. Before a skirmish Blackbeard would light fuses or small candles in his beard, since the smoke gave him a demonic appearance. It was his favorite scare tactic. I’d love to see it live!

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Sara Truuvert completed her MLitt in Creative Writing at the University of St Andrews. She also holds a Certificate in Creative Writing from the Humber School for Writers and a BA in English, Drama, and the History and Philosophy of Science from the University of Toronto. Her work has appeared in the Literary Review of Canada among other publications.

For more interviews, see the Inkygirl Interview Archive. Also see Advice For Young Writers and Illustrators, a compilation of tips generously offered by children's book creators Inkygirl.com has interviewed over the years.

I've been gradually adding new and older BookADay posts to my new Bookstagram. One of the most recent:

SOUP DAY by Melissa Iwai (Henry Holt): Celebrates the importance of making a nutritious meal and sharing in the process as a famly. Also be sure to check out Melissa's newest book, DUMPLINGS FOR LILI (Norton Young Readers).

Brian McLachlan is a cartoonist who's worked for Nickelodeon, The Nib and the New Yorker. He writes the monthly comic Spruce Street Squad for Owl Magazine. His book, Draw Out The Story: 10 Secrets to Creating Your Own Comics is an ILA-nonfiction award winner. Each Tuesday he hosts a group of artists in a PG-13 game of Dungeons & Dragons where they live draw what happens in game on Twitch, called Magical Marker ( MM ). You can find Brian at his website, on Twitter, and Instagram.

Synopsis of COMPLETE THE QUEST: THE POISONOUS LIBRARY (Imprint/Macmillan):

Save your kingdom in this interactive role-playing adventure, which reads like a graphic novel but also plays like a game! It’s perfect for fans of all ages who are interested in the exciting world of fantasy gaming.

Q. How did you come up with the idea for Complete The Quest?

Complete the Quest in a brand new mix of role playing game (RPG) and comic. It started as an experiment to see what would happen if I took a Dungeons & Dragons or Chose Your Own Adventure multi-path story and made it into a comic. How would the gameplay change by putting it into a visual space? For me, it was a literal game changer, turning the CYOA anxiety of multiple choices, into a laid-out, laid-back invitation to check all paths for your favourite way forward. It also encourages people to come up with their own, better solution if they want. While I always give the reader a clear path forward, I invite them to forge their own. It's a great introduction to co-operative storytelling.

Q. What was your writing/illustration process?

I draw a scene much faster than I can write about it. A picture's worth a thousand words and all that. So I draw my scripts in rough, laying out out the word balloons, figuring out how much space I need, how the page turns feel, etc. This was especially important for this comic gamebook which also filled with maps for the reader to navigate. We needed to see if the pathing was clear. Creating the tutorial was the most time intensive part, trying to make the most elegant, clear way to ease the reader into how the game part functions. I think we nailed it. I hear from parents who don't play RPGs that they were worried about the reading a gamebook, but they quickly "got it".

Q. What advice do you have for young writers and illustrators?

Advice is hard to give because everyone's different. Some people need to hear "finish what you start" and some need to hear "stop working on that thing, it's good enough". So my advice is to train your inner advice-giver and follow it. What is it about the way you work that you've been putting off improving, but could do right now? Because you know what type of story or art you're making, and if you're trying to make an apple, the best advice in making a banana isn't going to help. And the best advice in making an apple right-handed isn't going to help you if you're left-handed. Not all advice is for you, it's a skill to figure out what part is for you to take right now, later, or never.

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Also see my other Inkygirl interviews with book creators and advice for young writers and illustrators from book creators.

This website has now been folded into my main DebbieOhi.com website, so please adjust your bookmarks. Thank you!

IKEA hacks that go viral? It’s often the simplest ideas, brilliantly executed, mixed with a healthy dose of “It’s so easy, even you can do it” appeal. The latest sensation comes from Ayse Balci of @interiorundco, whose stylish DIY project has been turning heads on Instagram, amassing an impressive 115,000 likes and counting. Have you seen it yet? It’s a fantastic DIY project that transforms the popular and affordable 13 3/4″ LACK side table into a stylish chrome cube side […]

The post How a Basic IKEA Table Became a Viral Sensation (So Easy Anyone Can DIY It) appeared first on IKEA Hackers.

IKEA has just unveiled a major upgrade to its beloved PAX wardrobe system, introducing a new foldable frame design. This innovation tackles head-on the long-standing challenges PAX customers have grappled with for years. IKEA makes two bold claims that have caught our attention: first, they promise to slash assembly time by half, and second—brace yourselves—they suggest you can now “fold-up the PAX and go” when it’s time to move. These upgrades could be a game-changer for both assembly and relocation. […]

The post The New PAX Wardrobe: IKEA’s Boldest Claims Yet (And We’re Excited To Test) appeared first on IKEA Hackers.

The IKEA NÄMMARÖ storage box serves as a practical solution for the garden and balcony, functioning well as an outdoor storage box and bench. Made from acacia, a naturally durable hardwood, it is pre-treated to withstand the sun, rain, stains, and general wear and tear. However, the loose lid can be a pro or con, depending on your specific needs and space configuration. For John Sharpe, the design was a bit of an inconvenience. “The original box has no hinges,” […]

The post A Quick Fix Makes This IKEA Outdoor Storage Box So Much More Accessible appeared first on IKEA Hackers.

Have you ever stepped into a home and immediately felt that warm, welcoming atmosphere? It’s such a delightful experience, isn’t it? While IKEA offers lots of choices for cozy home decor, it can sometimes feel a bit overwhelming, making it easy to choose pieces that don’t quite fit together. Your space may end up disjointed and cluttered, which is the opposite of the relaxing atmosphere you’re aiming for. And as if navigating the IKEA maze isn’t tricky enough, sifting through […]

The post Can’t Get The Cozy Home Vibe? Here’s What You’re Missing appeared first on IKEA Hackers.

When I saw John J.’s hack, I was thrilled. His clever integration of IKEA wardrobes with kitchen units answered so many questions our community had been grappling with. It felt like he’d cracked a code, opening up possibilities for combining these IKEA ranges. John successfully mixed elements from the IKEA PAX wardrobe and METOD kitchen range to create a built-in wardrobe with drawers and horizontal storage cabinets above the PAX wardrobes. It certainly goes beyond the typical wood frame and […]

The post The PAX Height Extension Hack We’ve All Been Waiting For appeared first on IKEA Hackers.

As someone who practically grew up with ABBA’s “Dancing Queen” as my childhood soundtrack (thanks, Dad!), I couldn’t be more excited to share this news: IKEA launched an album! IKEA just dropped the mic with their first-ever global talent show, and let me tell you, it’s not about building furniture – it’s about building harmony. Earlier this year, they turned the spotlight on their musically gifted co-workers, and did they deliver. Picture this: 150 talented IKEA co-workers from 21 countries, […]

The post Move Over Billy, IKEA’s Got a New Greatest Hit appeared first on IKEA Hackers.

We’ve all been there – the frustration of searching high and low for that elusive piece of furniture to turn our home decorating vision into reality. For Sabrina, her search was for the ideal console table. “Unfortunately, I could not find the perfect console, so my husband had to believe in it again and build one himself!” she shared on her Instagram post. After realizing that the perfect entryway console was nowhere to be found, the couple decided to take […]

The post Failed Furniture Hunt Inspires Couple’s Fabulous Entryway Console Hack appeared first on IKEA Hackers.

My search for the perfect sideboard has been going on for like ever. Like many home decor enthusiasts, I found myself caught between my champagne taste and lemonade budget – until I came across @interiorxlifestyle‘s IKEA hack. She transformed the affordable IKEA GURSKEN nightstands into a sophisticated storage sideboard that may just be the thing I’m looking for. On its own, a single hacked GURSKEN might not amount to much. But when you place five of these hacked beauties in […]

The post The $20 IKEA Bedside Table That Became a Luxury Sideboard appeared first on IKEA Hackers.

In the IKEAHackers Facebook Group, Brianna shared how she turned basic KALLAX units into something totally unexpected — a gorgeous credenza that includes a perfect spot for her dog to lounge. Brianna took two 2×4 KALLAX units and set them up on either end of the nook. The middle section would be left open for a dog bed. But she didn’t stop at just placing the units – she snuck in a little hacking to give the credenza an upgraded […]

The post This IKEA KALLAX Hack Combines Storage and a Cozy Dog Bed in the Coolest Way appeared first on IKEA Hackers.

New Disney+ Star Wars TV series The Mandalorian premiered on Tuesday and people haven't been able to stop tweeting about "Baby Yoda." Can you blame them? He's just so goddamn cute. The catch here is that Baby Yoda isn't actually Yoda at all, but rather of the same species. Either way, people are positively freaking over him, and we don't blame them.

Here we have two hardened, wild bunnies of the north! Perfectly camouflaged to blend in with their wintery world.

-Sally Squeeps

A much less famous, but just as squee, story than "The Tortoise and The Hare".

Momma loves showing off the new one.

This widdle rabbit is obviously a big fan of Beatrix Potter's books about Peter Rabbit.

-Sally Squeeps

Find more squeedorable moving pictures over at Animal Gifs!

CHKDSK can't check an empty drive, and Windows considers RAW to mean empty.

What Does “CHKDSK Is Not Available for RAW Drives” Mean? from Ask Leo!.
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When I was young, I had my first out of body experience (OBE for short). While I did not know about them at the time, I later learned that my experience matched the usual description: I felt as if the …Read more »

This book contains essays from the 2016 postings of A Philosopher’s Blog. Subjects range from the metaphysics of guardian angels to the complicated ethics of guns. There are numerous journeys into the realm of political philosophy and some forays into …Read more »

I was made redundant from my previous job as a design engineer. As such, I look for any work just to keep the lights on. I get approached by an employer who offers competitive rates of pay and other perks. It’s a small company but I go for the interview.

When I get there it’s the grounds of a huge mansion. The interview is completed in the drawing-room and they offer to show me around. I assume we would be in an office or factory or working from home… I am wrong.

I’m taken out of the house to a small shack with no heating; inside are stacks and stacks of paper. When asked about this I am told the employer doesn’t trust computers… for a computer-aided-design based business…

Instead of running, I ask one final question regarding the perks: “Oh you get a Christmas dinner with us too and it’s compulsory and unpaid.”

I left so fast!

I got something far better three weeks later!

My boss is a seventy-something-year-old man with barely a clue on how to get a computer to boot. He gave me an old book and wanted me to convert it into an ebook to sell. And mind, this was a thick, large-format book chock-full of maps and other illustrations with tiny blackletter script.

Me: “Sure, I can do it, but I’d have to scan it in a massive resolution so the detail isn’t lost. The final file would be massive; it wouldn’t be practical to download it, and a normal ebook reader wouldn’t be able to display it correctly.”

Boss: “So, we’d have to make it less detailed.”

Me: “How do you mean?”

Boss: “It wouldn’t be possible with the illustrations; you’ll just have to make the writing bigger on all the pages.”

Me: “…”

Boss: “As for the pages with only text on them, you will just convert them into a Word document.”

Me: “That’s not how that works.”

Boss: “Why not?”

Me: “It’s just straight-up not possible, at least not with the software we have.”

Boss: “Can you do it on the Internet?”

Me: “No.”

Boss: “How do you know?”

Me: “I know.”

Boss: “Show me.”

I showed him that it’s not possible to convert a scanned book page into a text document on some random converter found on page one on Google.

Boss: “Okay, so you will instead cut the text out in Photoshop, make it larger, and arrange it on a new Photoshop file the same size, with less of a rim around it so the number of pages doesn’t get much higher.”

I flat-out refused, telling him it would be months of absolutely pointless work. He didn’t believe any of my claims, anyway, so I just converted the whole d*** thing into an ebook, which, in the end, was like 8GB in size. Since our server had 10TB, he also didn’t believe me when I tried to tell him that it was an absurdly massive file that few people would want to buy on that account.

Ah, well. At least I didn’t have to rearrange like 300 pages of text.

I am a freelance writer with particular academic expertise. My work is becoming more well-known and widespread, so my profile is rising somewhat. As a result, I am emailed out of the blue by an old acquaintance whom I’d worked with previously on a media project. He works in the media himself, and it shows.

Client: “Hi, mate. Long time no see. So, I’m putting together a new site, all about [subject]. I reckon it’ll be a really great resource, but I’m trying to get it off the ground. Would you be willing to write a piece for it? With your profile, it would really help get it noticed.”

I realise it will be a very quick job, and I bear the guy no ill will, so I am fine to do him a favour.

Me: “Yeah, okay. Sounds doable. I’ll send something over in a couple of days.”

Client: “Great, thanks. I’m afraid there’s no budget, so I can’t pay you, but it will be great exposure for you.”

Me: “So, you’ll get exposure because it’s me writing for you, and that exposure will be how I’m paid?”

Client: “Yeah. That all okay?”

I just sent him a quick piece in the end, seemed easier. Never saw the eventual site; presumably, it didn’t happen because his “pay me to work for me” strategy didn’t pan out.

This story happened a few years ago. A friend refers me to his mother, a real estate agent who wants a new website for her business. I call her to set up an appointment.

Client: “So, what is your expertise in real estate?”

Me: “I’ve done two real-estate websites in the past, and they’ve been quite successful. I can provide you with a searchable database of listings where buyers can filter by price and other factors, as well as a homepage with featured listings, your bio, and anything else you’d like to include.”

Client: “Yes, but have you ever sold a house before?”

Me: “No.”

Client: “Why not?”

Me: “Because I’m not a real estate agent. I’m a web developer.”

Client: “So how do you expect to do a website for me if you don’t know anything about being a realtor?”

Me: “I know enough to build a website with a listing database which you can very easily populate with descriptions, photos, and any other info you wish to provide the buyers with. I can also provide other tools, such as a mortgage calculator and a lead-tracking system that allows potential buyers to contact you with listings they are interested in.”

Client: “I really don’t think you know what you’re doing. I think I’m going to have to pass and find someone who knows how to sell a house.”

Later, I discovered she had finished her website. On Geocities. Yellow background. 50pt font. Seemingly designed by a ‘real’ real estate agent…

Me: “I’ve looked at the brief and it’ll cost [total].”

Client: “I thought you were a freelancer.”

Me: “I am.”

Client: “No, you’re not. You’re a chargelancer!”

I’m designing a photographic history exhibit for a prestigious university. The project requires a series of panels that each depict a different decade, from the 1930s to the present.

Client: “You know, this is all great, but it could use a little more diversity. Right now, there are a lot of photos of all white men, and we don’t want to send the wrong message.”

Me: “Okay, that’s a reasonable request. I could pull some photos of your black student organizations and women’s center and add those to the panels showing the school’s more recent history.”

Client: “Actually, we’d love more diversity in the early panels too.”

Me: “What do you mean?”

Client: “Like this panel depicting the university in the 30s. All the photos are of white men!”

The school did not admit black students until the 1970s.

I work as dispatch for a trucking company. One of my duties is to provide the closest truck driver for shipment. I get a call from a customer.

Customer: We can pay [generous amount] for this shipment, can you please check with your driver if that will be enough for him?”

I ask the driver:

Driver: “Yes, lock it down!”

Customer: “Alright, send your driver to the address.”

When the driver arrives at the address, he needs to wait for a couple of hours because they “made a mistake” with the paperwork. After asking them when they will be ready, only at the end do they tell him they sent their shipment with another courier for less money, and they didn’t even contact us. The driver tells me this and I call them asking for an explanation. They only said “sorry “and hung up.

Related:
Absolutely Trucking Mad, Part 4
Absolutely Trucking Mad, Part 3
Absolutely Trucking Mad, Part 2
Absolutely Trucking Mad

Client: “I need the number for Jack. Can you give me his number, please?”

Me: “Jack? Jack who?”

Client: “The manual for the modem said that I need to connect to Jack, so if you could give me his number, then I can connect with him.”

Where modern design, affordable living and sustainability meet, there is CABN. The first home of this project has just been created and soon, CABN's design will be the basis of a 67-home, net-zero community. If this is what the future looks like, there is hope that humans will actually have a healthy, happy future on this planet.[...]

Have you heard about Mississippi? It's a construction project brought to life by Waechter Architecture after more than 10 years of planning and investigation. This building isn't just your ordinary structure; it's a game-changer in terms of sustainability and creativity.[...]

Garden ponds are increasingly becoming popular among homeowners. The scramble for ponds can be attributed to their aesthetics, growing appreciation for wildlife and environmental awareness. As homeowners increasingly become aware of the need to maintain a sustainable ecosystem, they are more willing to adopt unique ideas such as keeping garden ponds. But are garden ponds really sustainable?[...]

The ways buildings are constructed has to change. It has become something else instead, something more sustainable, something newer. And it doesn't get much more modern than buildings that can actually move and adapt at will.[...]