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Napoli: or, The fisherman and his bride / choreography, Nikolaj Hübbe and Sorella Englund after August Bournonville ; music, Edvard Helsted, H.S. Pauli, H.C. Lumbye and Louise Alenius ; the Royal Danish Theatre presents ; in coproduction with DR and

Browsery DVD GV1790.N373 N37 2015




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Einstein on the beach / an opera in four acts by Philip Glass/Robert Wilson ; produced by Pomegranate Arts, Inc., executive producer, Linda Brumbach, in partnership with le Festival d'automne et le Théâtre de la ville, with the support of P

Browsery DVD G463 ein a




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Martha Argerich, Daniel Barenboim, at Teatro Colón.

Browsery DVD Ar378 mar c




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Turandot: dramma lirico in tre atti e cinque quadri / libretto di Giuseppe Adami e Renato Simoni ; musica di Giacomo Puccini ; completamento del terzo atto di Luciano Berio ; RAI, Teatro alla Scala presentano La Scala per Expo dal Teatro alla Scala di Mil

Browsery DVD P961 tur c




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Rodgers & Hammerstein's Carousel / music by Richard Rodgers ; book and lyrics by Oscar Hammerstein II ; based on Ferenc Molnár's play "Lilion," adapted by Chad Beguelin ; directed for the stage by John Rando ; directed by by Gl

Browsery DVD M1500.R63 C3 2017




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Frankenstein / choreography, Liam Scarlett ; music, Lowell Liebermann ; designer, John Macfarlane ; lighting designer, David Finn ; executive producer, Tony Followell ; directed for the screen by Ross MacGibbon ; co-production between the Royal Ballet an

Browsery DVD GV1790.F736 2016




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Das Liebesverbot: opera in two acts / a Teatro Real, Sintonía Media, Euroarts production in coproduction with TVE ; by Richard Wagner ; libretto by Richard Wagner ; Kasper Holten, stage director ; TV director, János Darvas ; TVE producer, Jos&#

Browsery DVD W125 lie




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Chasing Trane: the John Coltrane documentary / Meteor 17 in association with Crew Neck Productions presents ; a film by John Scheinfeld ; produced by Spencer Proffer, John Beug, Scott Pascucci, Dave Harding ; written and directed by John Scheinfeld

Browsery DVD ML419.C645 C43 2017




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[ASAP] Update to Our Reader, Reviewer, and Author Communities—April 2020

ACS Macro Letters
DOI: 10.1021/acsmacrolett.0c00310




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[ASAP] Low-Bandgap n-Type Polymer Based on a Fused-DAD-Type Heptacyclic Ring for All-Polymer Solar Cell Application with a Power Conversion Efficiency of 10.7%

ACS Macro Letters
DOI: 10.1021/acsmacrolett.0c00234





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Cymbala jubilationis sive 6 missae solemniores una cum hymno ambrosiano Te Deum laudamus ; à 4 vocibus oblig., 2 violinis necessariis, alto viola, 2 clarinis, vel cornibus & tympanis ad lib., ac duplici basso generali ; op. 10

Autor: Königsperger, Marianus, 1708-1769
Erschienen 1747
BSB-Signatur 4 Mus.pr. 44470

URN: urn:nbn:de:bvb:12-bsb11148805-6
URL: http://reader.digitale-sammlungen.de/de/fs1/object/display/bsb11148805_00001.html/







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Radical chemistry in oxidation flow reactors for atmospheric chemistry research

Chem. Soc. Rev., 2020, Advance Article
DOI: 10.1039/C9CS00766K, Review Article
Zhe Peng, Jose L. Jimenez
We summarize the studies on the chemistry in oxidation flow reactor and discuss its atmospheric relevance.
To cite this article before page numbers are assigned, use the DOI form of citation above.
The content of this RSS Feed (c) The Royal Society of Chemistry




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Maddalena : zero in condotta (1940) / directed by Vittorio de Sica [DVD].

[Italy] : Surf Video, [2012]




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Maborosi (1995) / directed by Koreeda Hirokazu [DVD].

[U.S.A.] : New Yorker Video, [2000]




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House of flying daggers (2004) / directed by Zhang Yimou [DVD].

[U.K.] : Pathé, 2005.




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Friday Night Lights. The first season (2006) / created, written and directed by Peter Berg [DVD].

[U.K.] : Universal Studios Home Entertainment, [2019]




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Friday Night Lights (2004) / directed by Peter Berg [DVD].

[U.K.] : Universal Studios Home Entertainment, [2019]




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Performing exile : foreign bodies / edited by Judith Rudakoff




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Audio processes : musical analysis, modification, synthesis, and control / David Creasey

Creasey, D. J. (David J.), author




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Digital signatures : the impact of digitization on popular music sound / Ragnhild Brøvig-Hanssen and Anne Danielsen

Brøvig-Hanssen, Ragnhild, author




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The aging body in dance : a cross-cultural perspective / edited by Nanako Nakajima and Gabriele Brandstetter




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Ivo van Hove : from Shakespeare to David Bowie / edited by Susan Bennett and Sonia Massai




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Paul Kelly : the essays / edited by David Leser




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The art of producing : how to create great audio projects / David Gibson and Maestro B. Curtis

Gibson, David, 1957- author




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Ways of hearing / Damon Krukowski

Krukowski, Damon, author




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Musical imaginations : multidisciplinary perspectives on creativity, performance, and perception / edited by David J. Hargreaves, Dorothy Miell, Raymond A.R. MacDonald




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Theatre, performance and cognition : languages, bodies and ecologies / edited by Rhonda Blair and Amy Cook




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David Huebert Wins the CBC Short Story Competition

Congratulations to David Huebert, the winner of this year’s CBC Short Story Prize! David won this year’s short story competition with a story entitled “Enigma”, which is about a woman who must end the life of her beloved horse. As he explains in a recent article by David Burke, the idea for the story came […]




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Interview With Norman Cornett on Translating “Farida”

In a recent interview with Jeffrey Mackie, translator and scholar Norman Cornett discusses various aspects of translating Naïm Kattan’s Farida. The interview can be listened to below. Norman Cornett begins by briefly describing the basis of the novel, which is “set on the cusp of World War II” and focuses on a Jewish songstress in […]




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Standards for Writing Accessibly

Writing to meet WCAG2 standards can be a challenge, but it’s worthwhile. Albert Einstein, the archetypical genius and physicist, once said, “Any fool can make things bigger, more complex, and more violent. It takes a touch of genius—and a lot of courage—to move in the opposite direction.”

Hopefully, this entire book will help you better write for accessibility. So far, you’ve learned:

  • Why clarity is important
  • How to structure messages for error states and stress cases
  • How to test the effectiveness of the words you write

All that should help your writing be better for screen readers, give additional context to users who may need it, and be easier to parse.

But there are a few specific points that you may not otherwise think about, even after reading these pages.

Writing for Screen Readers

People with little or no sight interact with apps and websites in a much different way than sighted people do. Screen readers parse the elements on the screen (to the best of their abilities) and read it back to the user. And along the way, there are many ways this could go wrong. As the interface writer, your role is perhaps most important in giving screen reader users the best context.

Here are a few things to keep in mind about screen readers:

  • The average reading time for sighted readers is two to five words per second. Screen-reader users can comprehend text being read at an average of 35 syllables per second, which is significantly faster. Don’t be afraid to sacrifice brevity for clarity, especially when extra context is needed or useful.
  • People want to be able to skim long blocks of text, regardless of sight or audio, so it’s extremely important to structure your longform writing with headers, short paragraphs, and other content design best practices.

Write Chronologically, Not Spatially

Writing chronologically is about describing the order of things, rather than where they appear spatially in the interface. There are so many good reasons to do this (devices and browsers will render interfaces differently), but screen readers show you the most valuable reason. You’ll often be faced with writing tooltips or onboarding elements that say something like, “Click the OK button below to continue.” Or “See the instructions above to save your document.”

Screen readers will do their job and read those instructions aloud to someone who can’t see the spatial relationships between words and objects. While many times, they can cope with that, they shouldn’t have to. Consider screen reader users in your language. Embrace the universal experience shared by humans and rely on their intrinsic understanding of the top is first, bottom is last paradigm. Write chronologically, as in Figure 5.5.

FIGURE 5.5 Password hint microcopy below the password field won’t help someone using a screen reader who hasn’t made it there yet.

Rather than saying:

  • Click the OK button below to continue.
  • (A button that scrolls you to the top of a page): Go to top.

Instead, say:

  • Next, select OK to continue.
  • Go to beginning.

Write Left to Right, Top to Bottom

While you don’t want to convey spatial meaning in your writing, you still want to keep that spatial order in mind.

Have you ever purchased a service or a product, only to find out later that there were conditions you didn’t know about before you paid for it? Maybe you didn’t realize batteries weren’t included in that gadget, or that signing up for that social network, you were implicitly agreeing to provide data to third-party advertisers.

People who use screen readers face this all the time.

Most screen readers will parse information from left to write, from top to bottom.1 Think about a few things when reviewing the order and placement of your words. Is there information critical to performing an action, or making a decision, that appears after (to the right or below) an action item, like in Figure 5.5? If so, consider moving it up in the interface.

Instead, if there’s information critical to an action (rules around setting a password, for example, or accepting terms of service before proceeding), place it before the text field or action button. Even if it’s hidden in a tooltip or info button, it should be presented before a user arrives at a decision point.

Don’t Use Colors and Icons Alone

If you are a sighted American user of digital products, there’s a pretty good chance that if you see a message in red, you’ll interpret it as a warning message or think something’s wrong. And if you see a message in green, you’ll likely associate that with success. But while colors aid in conveying meaning to this type of user, they don’t necessarily mean the same thing to those from other cultures.

For example, although red might indicate excitement, or danger in the U.S. (broadly speaking), in other cultures it means something entirely different:

  • In China, it represents good luck.
  • In some former-Soviet, eastern European countries it’s the color strongly associated with Communism.
  • In India, it represents purity.

Yellow, which we in the U.S. often use to mean “caution” (because we’re borrowing a mental model from traffic lights), might convey another meaning for people in other cultures:

  • In Latin America, yellow is associated with death.
  • In Eastern and Asian cultures, it’s a royal color—sacred and often imperial.

And what about users with color-blindness or low to no vision? And what about screen readers? Intrinsic meaning from the interface color means nothing for them. Be sure to add words that bear context so that if you heard the message being read aloud, you would understand what was being said, as in Figure 5.6.

FIGURE 5.6 While a simple in-app message warning a user to save their work before proceeding is more effective, visually, if it is red and has a warning icon, as seen on the left, you should provide more context when possible. The example on the right explicitly says that a user won’t be able to proceed to the next step before saving their work.

Describe the Action, Not the Behavior

Touch-first interfaces have been steadily growing and replacing keyboard/mouse interfaces for years, so no longer are users “clicking” a link or a button. But they’re not necessarily “tapping” it either, especially if they’re using a voice interface or an adaptive device.

Instead of microcopy that includes behavioral actions like:

  • Click
  • Tap
  • Press
  • See

Try device-agnostic words that describe the action, irrespective of the interface, like:

  • Choose
  • Select
  • View

There are plenty of exceptions to this rule. If your interface requires a certain action to execute a particular function, and you need to teach the user how their gesture affects the interface (“Pinch to zoom out,” for example), then of course you need to describe the behavior. But generally, the copy you’re writing will be simpler and more consistent if you stick with the action in the context of the interface itself.




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Mother's Day 2020: A session to address pregnancy, natural birthing and other related topics

For a happy pregnancy: Coimbatore Parenting Network rings in Mother’s Day with a two-day online session on pregnancy, raising babies, and making informed birthing choices




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Relief for daily wage earners in Dimapur

Relief for daily wage earners in Dimapur




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‘Declining quarantine cases may jump up in Darrang’

‘Declining quarantine cases may jump up in Darrang’




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Subscribe to the Preaching Today Newsletter

Preaching Today provides pastors and preachers sermon prep help with sermon illustrations, sermons, sermon ideas, and preaching articles.




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April jobs data to show epic losses and soaring unemployment

The economic catastrophe caused by the viral outbreak likely sent the US unemployment rate in April to its highest level since the Great Depression and caused a record-shattering loss of jobs. The unemployment rate likely jumped to at least 16% — from just 4.4% in March — and employers cut a stunning 21 million or more jobs in April.




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Samsung heir apologises over corruption scandal

The heir to the Samsung empire bowed in apology on Wednesday for company misconduct including a controversial plan for him to ascend to the leadership of the world's largest smartphone maker.




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2014 Personal Tax Update – The Year in Review

The 2014 T1 season is almost upon us, so it's time for tax return preparers to get updated again on all the current issues that may impact their clients' tax returns. This webinar will get you in position to prepare your clients' 2014 personal tax returns, and will review some of the more commonly experienced issues faced by tax preparers.

Join Erin Swint, a tax partner with Squire and Company, for a thorough overview of the key changes from the past year that will impact personal tax return filing including the 2013 Federal Budget, CRA announcements and relevant court cases. Erin will also discuss some other tax matters that are integral to personal taxation as well as administrative issues related to filing returns.

Available Sessions for this Seminar:

January 20, 2015 12:00 PM - 2:00 PM EST




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Sunil Sethi appointed executive chairman for Dixcy Textiles & Gokaldas Intimatewear

Sunil Sethi has more than three decades of multi-category experience in the fast-moving consumer goods industry with expertise in sales, marketing, strategy and general management across international markets, according to a release.




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Allosterism in drug discovery / editor: Dario Doller

Online Resource




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Formulating poorly water soluble drugs / Robert O. Williams III, Alan B. Watts, Dave A. Miller, editors

Online Resource




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Anti-diabetes and anti-obesity medicinal plants and phytochemicals: safety, efficacy, and action mechanisms / Bashar Saad, Hilal Zaid, Siba Shanak, Sleman Kadan

Online Resource




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Drug and gene delivery to the central nervous system for neuroprotection: nanotechnological advances / Hari S.Sharma, Dafin F.Muresanu, Aruna Sharma, editors

Online Resource




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Plantas medicinais / Mara Zélia de Almeida

Online Resource




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Chemical biology of natural products / [edited by] David J. Newman, Gordon M. Cragg, and Paul Grothaus

Online Resource




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Concepts in pharmacogenomics: fundamentals and therapeutic applications in personalized medicine / [edited by] Martin M. Zdanowicz

Online Resource




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Pharmaceutical chemistry / Joaquín M. Campos Rosa, M. Encarnación Camacho Quesada

Hayden Library - RS403.C32 2017