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Lost World reviews video

Reviews of The Cure's Songs of a Lost World. Video sent out by The Cure via Whatsapp.




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Inside the Cure’s Big Halloween Comeback: Concert, BBC Takeover and ‘Lost World’ Album

From Variety:


Brit Beat: Inside the Cure’s Big Halloween Comeback: Concert, BBC Takeover and ‘Lost World’ Album

By Mark Sutherland

It’s been 16 long years since legendary British alternative rockers the Cure last released a studio album, but the campaign for the band’s new outing, “Lost World,” has made it feel like they’ve never been away.

And the band has also returned “home” to the Fiction-via-Polydor label, which released the band’s recordings up until 2004’s self-titled album. The most recent two Cure albums came out via America on Geffen, but Polydor Label Group President Ben Mortimer says he made it his “mission” to bring the band back to the record company.

“I actually can’t believe it’s happened because it’s been a conversation that’s been going on for so long,” Mortimer tells Variety. “Robert Smith sits alongside Paul Weller, who we brought back to Polydor a few years ago, as one of those people who are really in the fabric of the label. [The return] has really energized the whole label and tapped into the soul of what we do.”

Mortimer says “huge credit” should also go to Fiction Records Managing Director Jim Chancellor, “who has had a brilliant relationship with Robert for a long time.” Smith manages the band himself and Mortimer says the release plan came together over numerous emails featuring Smith’s trademark “all caps firmly on” style.

Key to the strategy was a suitably gothic Cure takeover of the BBC on Halloween, the day before “Songs of a Lost World” dropped, with a live session on BBC Radio 6 Music and a career-spanning BBC Radio 2 “In Concert” recording, which was also televised as part of a BBC 2 Cure night on November 2. The “In Concert” recording reportedly received the most ticket applications of any show in the long-running series.

“One of the stipulations Robert had on doing the deal was that the album to come out straight after Halloween,” Mortimer says. “Our production team had to jump through hoops to deliver vinyl and everything in time. It was really touch and go but Robert was very clear, unless it’s coming November 1, we ain’t doing this!”

The band also made a spectacular full live return with an intimate show at London’s Troxy venue on November 1, which featured a full rendition of the new album as well as many other songs. It was livestreamed around the world on YouTube and attended by many other musicians, from Green Day’s Billie Joe Armstrong to Culture Club’s Boy George.

All that attention – and some of the best reviews of the band’s career – has also translated into record sales, with the album set to debut at No.1 in the Official U.K. Albums Chart on November 8. It had already passed 40,000 units by Monday, according to the Official Charts Company. That’s despite this being the band’s first album release of the streaming age – previous studio album “4:13 Dream” came out in 2008 – with Mortimer saying the band racked up huge numbers of Spotify pre-saves.

“The Universal catalog team, alongside Robert, have done a very good job of keeping things alive for years, but it’s more than that,” says Mortimer. “If you look at their streams, there are tracks at over 700 million on Spotify, so there is a young audience there that streams the Cure.

“We’ve brought in new ideas – Robert’s remarkably open to modern ways of thinking, he’s such an intelligent man, he grasps things so quickly – but I don’t think it changed his strategy,” Mortimer adds. “Some artists are able to speak to different generations, and the Cure are one of those.”

With the band likely to announce further touring plans, Mortimer is expecting a long campaign for the album, one of the first big releases through the new Polydor Label Group, after a major Universal U.K. restructure: Mortimer now also oversees the Capitol U.K. and 0207 Def Jam labels, run by Jo Charrington and Alec Boateng respectively.

“It’s been a crazy year across the whole business, but I’m really thankful about the new responsibilities that I have,” says Mortimer. “Working with Jo and Alec is just an absolute dream, they’re some of the best A&R executives of recent generations and they’ve brought so many brilliant artists into our system, so I’m feeling really lucky. Everyone complements each other really well.”

Meanwhile, the American release of “Songs of a Lost World” goes through Capitol, meaning Mortimer has reunited with his former Polydor co-president Tom March, now chairman/CEO of Capitol Music Group (“Tom’s wonderful – having a Brit over there who gets it has been really helpful”). The pair revived Polydor’s fortunes in the 2010s and Mortimer is hopeful the Cure’s renewed success could also bring back the buzz to music from this side of the pond.

“It feels like there’s real interest in what the U.K. and Ireland does really well again,” he says. “You look at Oasis, the Cure, plus we’re getting such an explosion of interest on Sam Fender at the moment and we’re seeing growth on a band like Inhaler… We’ve been talking about it for 15 years but it’s genuinely happening now.”




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Thu, Nov 19 NYCDEVOPS meetup: John Allspaw on "Learning From Incidents"

November's nycdevops meetup speaker is John Allspaw, who will give a talk titled "Findings From the Field: 2 Years of Learning From Incidents".

The talk starts at 5pm sharp! (NY is in US/Eastern)

Please RSVP! See you there!

https://www.meetup.com/nycdevops/events/273826675/

(This is a virtual meetup. Everyone in the world is invited!)




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Thu, Nov 19 NYCDEVOPS meetup: John Allspaw on "Learning From Incidents"

Don't forget!

November's nycdevops meetup speaker is John Allspaw, who will give a talk titled "Findings From the Field: 2 Years of Learning From Incidents".

The talk starts at 5pm sharp! (NY is in US/Eastern)

Please RSVP! See you there!

https://www.meetup.com/nycdevops/events/273826675/

(This is a virtual meetup. Everyone in the world is invited!)




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A tiny marsupial is upending ideas about the origins of flying mammals

Sugar gliders and bats are about as distantly related as any two mammals on Earth, but new Princeton research shows their wings are formed from the same genetic ingredients. 




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'I shot her a follow on Twitter,' and soon this Princeton senior was doing research alongside his econ idol

Amichai Feit had known Seema Jayachandran as a Twitter-famous development economist.  She became Feit’s senior thesis advisor for a policy-analysis project that included economic field research in India.




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Buckyballs in space: Weichman combines astrochemistry and spectroscopy to identify complex space molecules

Princeton chemists are expanding our understanding of the universe by identifying complex molecules in interstellar space.




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McCarter Theatre's 'Arts & Ideas' is attracting extraordinary artists to engage with faculty and students

Events this fall include a sold-out conversation with Icelandic-Chinese recording artist Laufey.




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Study shows routes for recycling carbon dioxide and coal waste into useful products

A new report led by Emily Carter and Elizabeth Zeitler *14 offers research and policy ideas, including carbon fiber replacements for rebar in construction and titanium in high-tech applications.




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Nilufer K. Shroff will conclude her service as vice president and chief audit and compliance officer

A leader in her field with over 35 years of experience, Shroff has transformed Princeton’s audit and compliance functions during her more than 17 years at the University.




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Fifteen scholars named Presidential Postdoctoral Research Fellows

The program, now in its fifth year, recognizes and supports outstanding scholars primed to make important contributions in their fields. The 2024 cohort includes disciplines spanning the humanities, engineering, the sciences and the social sciences.




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Brooks, Gitai, Krienen and Skinnider win prestigious NIH awards

Four Princeton researchers won major awards from the National Institutes of Health to support their blue-sky research.




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Endowment continues to provide foundation for Princeton’s groundbreaking research, innovative scholarship and national leadership on college affordability

In the Class of 2028, 71.5% of students qualify for financial aid and 21.7% of the class are lower-income students eligible for federal Pell grants.




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Step Aside, John Barleycorn

See the Shaggy Parasol mushrooms? They were not there two or three days ago. Yet Lammas comes and they burst forth, full of fungal goodness. Here just north of the Colorado-New Mexico line, August is the heart of mushroom season. … Continue reading




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Wool Applique + Thread Embroidery + Beads = Happy Quilts!!!

Oh dear, busy me, four months since I've posted here. Lots of quilting, a little beading, some travels, and recently several sets of house guests have made "retirement" a bit of a joke. For now, since the La Conner Quilt Festival is just around the corner (October 2-4), my subject is one small exhibition on the first floor at the Museum, which is currently up, and will remain through the Festival.

Last year at the Festival (and again this year!) Sue Spargo taught workshops on her wool applique embroidery methods. Those of us who were lucky enough to get in were invited by the Museum to exhibit our finished pieces. These marvelous creations are the subject of this post. Uneven lighting makes it difficult to get good photos, so please forgive poor color or tone on some of these photos.

In case you are unfamiliar with Sue's work, below is an example of her work. Students in her class could choose to make chicks, circles, or flowers. Most chose the chicks. Eight of her students are showing their work in the current exhibit.

My vote for the most awesome-creative piece goes to Bunny Starbuck for She Has Flown the Coop! Here it is:

Having put my chicks all in neat rows similar to Sue's example, I find it amazing that Bunny's mind took the idea and made a whole different story of it... a coop full of chicks, with two in line on the roof ready to follow the one already in the air. Don't you just love the way the lines divide the space?!




Note Bunny's use of whispy yarn to suggest little chick feathers, her use of snaps for eyes, the one chick turned full front, the one with a bead-tassled braid and glasses, and the one with beaded loop fringe and a gathered yellow ribbon (?) yo-yo. I love them! I'm in awe, Bunny!

Below is Chicks on Parade by Dorie Benson. It's so fun the way they are so close together, with two of them going in a different direction, just as you might see in a little cluster of chicks. If you click the photo to enlarge it, you can see some of Dorie's excellent stitching and hand quilting!

The next one is Chicks by Glenys Baker, who not only did all 36 chicks but also made a second quilt featuring circles (shown further down). Awesome work, Glenys!

And next is Birds of a Feather Can Dance Together by Lorraine Jones. The fun of the title is matched by the fun of Lorraine's embellishments, including her border treatment. (You'll have to see this one in person, because the light from a table lamp, made the lower corner of the photo look terrible.)

I guess most of us like to "swim the other way," as you can see in the next piece, Chickadees, by Carrie Unick. I thought many of Corrie's embellishments were especially fun and creative, so I've also included a couple of detail photos.




Last of the chicks is my piece, simply named Chicks. It was so much fun, that I made another small piece (also in the exhibition), shown at the top of this post. Both are displayed in shadow-box type frames to protect them from dust and moth damage.

Glenys Baker, in one year, made not only a 36-chicks quilt (shown above), but also a 48-circles quilt, Circles. How she keeps thinking of new embellishment variations I can't imagine. Yet each of her circles is completely unique! Her choice of border fabrics is perfect for the quilt, complimenting the flow of color among the circles.


I love the fun color combinations and the way the beads enhance her embroidery on Nancy Anders' Bodacious Blooms, a joyful wall quilt if ever there was one! (Again, I couldn't quite get the color right in the photo, so you'll just have to go to the Museum to see it in person.)


The name of Roberta Roberts' flower quilt, Memories, invites us to look closely at the flower with three ladybugs. I don't know the story, but I can tell there is one here... and I love that. Her embellishments are varied and fun as well.



There you have it... 10 quilts by 8 students who learned some methods of wool applique and embroidery from Sue Spargo, last year at the La Conner Quilt Festival. I'm so grateful to be one of them!




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Quilters, Beaders, and Embroiders are the World's Most Generous People!


The quilting community is awesomely generous!!!  Thanks to all who have sent me scraps for making hexie flowers:

Lunnette Higdon Hertel
Judy Lynn
Nancy Anders
Kris Phillips
Carol Holland
Bobbi Pohl
Debbie Schnabel
Sue Shufel
Phyllis Petersen
Thom Atkins
Sabine Keichel
Yvonne Morrill
Sylvia Griffin
Christmas Cowell

I really understand and appreciate that it takes time to sort through your scraps, selecting some that you feel might work for me, packing them to send, getting them to the post office. In some cases, you even took time to cut them into 2" squares for me... WOW! Bless your hearts!

The most interesting thing is that all the fabrics I've received so far are ones I might have picked myself, yet so far there are no duplicates. As of Oct. 19th, I have cut petal sets for about 650 flowers (from my own scraps and fat quarter stash, as well as scraps I've received from other quilters), all of them unique! That's about 90% of what I need to make the quilt, and certainly enough to keep me busy for a looooooong time. It will probably take me a year or so to baste and stitch all of the flowers, although I admit to going at it with a lot of gusto.




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How to Frame Bead Embroidery



During the past 28 years of stitching beads on cloth, I've veered away from making necklaces, bracelets, and bags or purses, mostly producing wall art pieces. Thus, I've had lots of opportunities to experiment with various methods of finishing and framing my work, making it suitable for display.


I always leave ample fabric margins surrounding the actual beaded area, giving me lots of options for finishing or framing.  One simple finishing method is to wrap the extra fabric around the sides of a manufactured painting-canvas (over stretcher-bars), and lace the fabric snugly across the back, as in the photo below.


But the problem with this method, of course, is that the surface of the beading is exposed to dust and air-borne grime, which over the years may spoil the fresh look of the beading, aging the piece prematurely. So we look to frames and glass to protect our work.

Among the various methods for covering (and protecting) beadwork with glass, the following is the one I use most frequently, and like the best.  It's not very expensive, or particularly difficult, although it does take a bit of time. Even if you already know about frames, please take a look at the section called Preparing Your Bead Embroidery for Framing in the Tutorial below.

Tutorial: How to Frame bead Embroidery

Choosing a Frame

This tutorial assumes the beaded work has straight sides, and will be framed in a square or rectangular frame. The frame size, color, and style are important considerations.

Wanting viewers to look at my beading and not be distracted by an overly fancy, gaudy, or large frame, I generally select a plain, narrow frame in a color that compliments my beading without competing for the viewer's attention. Sometimes I choose a stained, wooden frame if it seems to fit the theme of my beadwork better than a metal frame. Depending on the size of my beadwork, I generally size my frame at 2-3 inches more on each side than the beadwork.

Frame: Often I use a painted, metal frame with a cross section similar to this.


I either buy it as a kit (pre-cut pieces and required assembly hardware), assembling it myself, or buy it from a frame shop. The advantage of buying from a framer is that you will be able to see samples. Also, the framer can cut an accurate mat, foam core insert, and backing board for you, and can supply the needed risers. If you decide to work with a framer, I suggest you print this post (to show the framer how you will be preparing your work for the frame), or take the prepared bead embroidery with you to the frame shop.

Glass: I believe in using the highest quality glass, even though it is a lot more expensive than ordinary glass. The UV resistance is good, but the primary reason for using premium glass is its clarity, which allows the viewer to see the details of your work without any distortions or color shift, as if there were no glass at all.  Note: do not use non-glare glass. It only works if it lies directly on the surface of the art. You will be putting risers under the glass so it sits above the uneven surface of your bead embroidery, not touching any of the beads; even at this slight distance from the beadwork, non-glare glass will look frosted and obscure the details of your work.

Other Framing Materials You Will Need

Mat: Choose a simple, acid-free, neutral-colored mat, either warm or cool white, depending on the emotional message and colors in your work. All those beautiful colors in the framer's palette are appealing, but for most bead embroidery, there is color and texture enough in the beads, and no value in adding more with your mat choice. If you do not have a mat cutter, a framer can cut your mat. Although I have not ever used a double mat (because I find them distracting, bringing my eyes away from the beadwork to the edges), it could be a way to gain a little more space for the glass above the beadwork.



Risers: Dense plastic rods, risers are 1/8th inch square in cross-section, with an adhesive surface on one side. Use a wire nipper to cut the rods to fit along the outer edge of the glass; remove the paper strips covering the adhesive from the the risers, adhering them to the glass along the edges, as shown above. They prevent the glass from touching your beadwork, by resting on the outer edge of the mat, thus holding the glass above the beaded surface. If the surface height of your beadwork is greater, you can adhere two rods together, making a quarter-inch of space. If the depth is more than a quarter-inch, you might want to consider mounting your work in a shadowbox frame (see this post for a good example and instructions).

3/16th Inch Foam Core Board: Since your beadwork will be mounted directly into this foam core board, be sure to use the white, acid-free, buffered, slightly more expensive variety. You can buy it at art supply or frame shops, in person or on line. You will need a piece at least 3 inches larger than your bead embroidery on each side.

 Preparing Your Bead Embroidery for Framing 

 
The piece above is the example used in the the steps which follow. It's a small piece of bead embroidery, measuring only 1-3/4 inches wide by 2-1/4 inches high. The mat is 2 inches larger on each side. Numerous folks have surprised me with high offers to buy this piece (which is not for sale), illustrating that nicely framed bead embroidery can be sold at a favorable price.

Mounting your bead embroidery in foam core board 

As per the recommendations in the frame section above, draw the frame size (which will always be designated by the inside dimensions, the size of the artwork) on a piece of 3/16th inch foam core. Use a mat knife and ruler to accurately cut out this shape.

Then, measuring carefully, making sure it is exactly centered, draw lines to indicate the outline of your bead embroidery, adding 1/2 inch on each side. For example, if your beaded area was 2 inches wide, you would draw your lines 3 inches apart (2" for the beadwork plus 1/2 inch on each side). Designate one edge as the top, and mark. Draw a vertical arrow from the top through part of the center through part of the outside margin. With a mat knife, cut out the center, being careful not to damage it or the outside frame. The cut out center will eventually be placed back in the hole by aligning the arrow segments drawn on the back.

For the next step, you will need at least a 1.5 inch margin of un-beaded fabric all around your beadwork. If you have less than a 1.5 inch margin, cut strips of any cotton fabric (re-purposed sheet or shirt fabric is fine). Using a zig-zag stitch on the sewing machine, and placing the strips under the margin of the beaded fabric (wrong side), stitch the strips to the margins, extending them to a total of 1.5 inch from the edges of your beadwork on the top, bottom, and both sides.

Center your beadwork on the cut-out piece of foam core board. Hold in place using map or sewing pins, pushed straight through the beading down into the board. Wrap the fabric snugly around the board and pin from the back. Remove the pins from the front. Check to make sure the work is still centered accurately. Re-pin if necessary. Using a sewing needle and beading thread, stitch from side to side, lacing the fabric around the foam core, as in the example below. Start with the longer sides. Knot when finished. Then do the same on the shorter sides.

Tip: I like to rest the beaded side face down on a thick, folded, bath towel while I am lacing the back.


This is how mine looks on the front after being laced around the foam core board on the back. If I had not wanted to frame this piece, I could have used double-sided, archival tape to adhere a heavy paper backing over the laced area on the back; it could then be displayed on a small stand similar to the one in the second photo from the top of this post.


This is how it looks on the back, when it is placed back in the original hole cut into the foam core board. Notice how the arrows match up, insuring a perfect fit.


This is how it looks on the front. Note: the hole in the mat will be cut exactly to the size of the beadwork, so that when it is framed, you will not see any of the fabric around the outside edge of the beaded area.


Assembling a Bead Embroidery Sandwich


Now it's time to make a sandwich with the foam core board between two pieces of acid-free mat board, one which has a beveled hole cut in the center, the other which is solid and goes on the back.


To cut my own mats, I first measure and draw the exact outline of my bead embroidery centered on the wrong side of the mat. I always mark the top, because sometimes the work is not precisely square or rectangular. Of course you can give the dimensions to a frame shop, and have a professionally-cut mat made for your beadwork.

Tip: One way to get an exact measurement of the beaded area is to make a 100% copy of it on a scanner or copy machine. Cut out the copy with a ruler and mat knife, test it by holding it over your beadwork. If it is exact, use it as a template to mark the hole on the mat board. If the mat is hand-cut, the hole does not have to be precisely square or rectangular.


Using a special, beveled, mat-cutting tool, I then cut away the center, where the beading will show.


Here is how the top and middle of the sandwich looks, with the mat placed on top of the foam core board and beadwork.


The photo above shows a piece of mat board cut for the sandwich back (on the right). Note that I've drawn around the laced beadwork, and cut away a layer of the mat board to make space for the laced fabric in the sandwich. Do this by gently cutting along the drawn lines, being careful not to cut very deeply into the mat. Then, use a knife to lift one corner of the inside area and peel it back creating a shallow empty space.


This is what the completed sandwich looks like. The beading is supported well between two pieces of mat board, and can't shift when hung. No glue or tape (to later fail or chemically alter the mat or beading) is necessary in this process. And it looks so neat and professional!

Assemble the Frame

With the more challenging steps already completed, the final assembly goes very quickly !


Assemble the bottom and sides of the frame by inserting the metal corner plates, and tightening the tension screws. Insert and tighten the corner plates into the top of the frame. Make a double-decker sandwich by putting the glass with the attached risers on top of the mat. Be sure the glass is clean and clear of any finger prints. Slide the complete d-d-sandwich into the obvious slot in the bottom part of the frame. The hanging wire can be added now or later.


Slip the corner plates at the top of the frame into the slots on the sides, and tighten the tension screws. You should have gotten metal spring strips with your frame kit. Lay them out on the back, spaced evenly around. Push down on the center of a spring and slide it under the edge of the frame, between the backing mat and the frame. Do the same with each of the springs. If you haven't already, add a hanging wire. Add a felt or rubber wall-bumper to each of the lower corners.


That's it! You are finished... your bead embroidery is ready to hang on your wall!  For those who would like a little more detailed step-by-step explanation of how to assemble this type of frame, this is a good one or if you prefer videos, this one is pretty complete.

Tip: Whether using a metal or wooden frame, the depth of the frame is an important consideration because the d-d-sandwich will be thicker than a photograph or most paintings. The measurement of the depth, or space inside the frame structure to accommodate the thickness of the artwork, is called the rabbet. The rabbet measurement on the above metal frame is 9/16th of an inch, which is adequate with a single riser under the glass. But it's a tight fit, the springs having to be nearly flat when inserted. If I had used a double riser, I would need a frame with a deeper rabbet. I've found it rather difficult to find small, narrow, simple, plain, wooden frames with a deep enough rabbet.

Here is a link for downloading this post as a printable PDF. It's a free, and slightly expanded version of what you've seen above. Free Download: How to Frame Bead Embroidery by Robin Atkins




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Strother named assistant vice president for public safety

Kenneth Strother Jr., director of operations in Princeton University's Department of Public Safety (DPS), has been named assistant vice president for public safety, effective June 1.




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Barton named Princeton’s assistant vice president for facilities operations




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Guided tour of "Monsters and Machines: Caricature, Visual Satire, and the Twentieth-Century Bestiary"

A 30-minute guided tour of the latest exhibition in the Milberg Gallery in Firestone Library at Princeton University. Tours meet in the lobby of Firestone Library. The exhibition is open Monday to Friday from 10 a.m. to 6 p.m., and 11 a.m. to 6 p.m. on Saturday and Sunday in the Milberg Gallery, Firestone Library. Open to the public. “Monsters and Machines: Caricature, Visual Satire, and the Twentieth-Century Bestiary” will focus on the use of bestiary – animal or zoological motifs – in visual satire during the period between World War I and the end of the Cold War. Drawing from PUL’s rich collections of 20th-century posters, illustrated periodicals, and ephemera from North America, Europe, Asia, Eurasia, and the Middle East, the exhibition will look at works of weaponized visual humor created by and aimed at exponents of different national cultures and ideologies. The exhibition will run from September 12 to December 8, 2024.




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Spider-Mother: The Fiction and Politics of Rokeya Sakhawat Hossein

Pioneering Indian Muslim feminist Rokeya Sakhawat Hossain (1880-1932) wrote speculative science fiction, manifestoes, radical reportage, and incisive essays that transformed her experience of enforced segregation into unique interventions against gender oppression everywhere. Her radical imagination links the realities of living in a British colony to the technological and scientific breakthroughs of her time, the effects of hauntingly pervasive systems of sexual domination, and collective dreams of the future, forging a visionary, experimental body of work. If her contemporary B. R. Ambedkar urged the “annihilation of caste,” Rokeya demands nothing less than the annihilation of sexism, with education as the primary instrument of this revolution. Her brilliant wit and creativity reflect profoundly on the complexities of undoing deep-seated gender supremacy and summon her readers to imagine hitherto undreamed freedoms.




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Behavioral Science Desk with ideas42

The Kahneman-Treisman Center is pleased to announce its newest initiative: Behavioral Science Desk. We know Princeton scholar-researchers from a range of disciplines are interested in finding ways to have their work intersect not only the insights of behavioral science but also real-world settings. The world's first and largest non-profit behavioral science innovation lab, ideas42(Link is external), is partnering with SPIA to bring Princeton students and faculty closer to research and design in the field in our new BSci Desk. Senior leaders from ideas42 will be available to students and faculty on campus as well as virtually, by appointment. See more at https://behavioralpolicy.princeton.edu/news/bscidesk




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CST 2024 Anthony B. Evnin Lecture – Hideo Mabuchi: Making and Knowing

Join us for this exciting public lecture featuring Hideo Mabuchi, a 1992 Princeton Alumnus and Professor of Applied Physics at Stanford University. A physicist by training, Dr. Mabuchi explores a nexus of conventional scientific research in quantum engineering, traditional craft (as a dedicated ceramist), aesthetic philosophy, new materialism, and integrative education.




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Trump Reelected President Of United States: Discussion Thread

An outlet for Cartoon Brew readers to share what you're feeling and how you're doing today.




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Tomoyuki Niho Animated ‘Taxi To The Moon’ Music Video In His Distinctively Minimal Style

His style complements the whimsical narrative of a woman taking an unconventional cab ride to the moon.




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5 Gift Ideas For Your Food Lover Friend

Gifting your conscious foodie friend can be tricky, especially when you have no idea of what presents would align with their choices. Adding to it, there are chances that you’re already navigating through hundreds of different websites and blogs, only to end up in a confusion. Therefore, to help you out, we’ve curated this list ... Read more

The post 5 Gift Ideas For Your Food Lover Friend appeared first on Star Two.




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Musician’s Guide to TikTok: 6 Tips for Growing Your Fanbase

With TikTok going viral, it has become the perfect platform for musicians to showcase their talent and reach new audiences. No matter what genre you specialize in, this blog will provide you with all the tips and tricks to get noticed on TikTok and grow your fanbase. So, what are you waiting for? Let’s get ... Read more

The post Musician’s Guide to TikTok: 6 Tips for Growing Your Fanbase appeared first on Star Two.




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6 Most Popular Music Videos on YouTube in the Last 7 Years

There is not a soul in the world who doesn’t know about YouTube and this platform is the home of more than 800 million videos. If someone chose to watch every single video that is on this platform, they would need close to 20,000 years to finish them all. Some of the content on this ... Read more

The post 6 Most Popular Music Videos on YouTube in the Last 7 Years appeared first on Star Two.




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Beginner’s Guide to Electronic Music Production: Tips and Tricks for Starting Out

The beginner’s guide to electronic music production is a comprehensive resource offering a thorough introduction to the fundamentals of electronic music production. Tailored for beginners, the guide covers essential concepts, techniques, and tools in the field, spanning from basic sound design to the application of effects plugins and mixing strategies. Electronic music production is a ... Read more

The post Beginner’s Guide to Electronic Music Production: Tips and Tricks for Starting Out appeared first on Star Two.




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The Vienna Dioscurides

The Vienna Dioscurides is an early 6th-century copy of De Materia Medica, a manuscript first created by the ancient Greek physician and pharmacologist Dioscurides. A precursor to all modern pharmacopeias, it remained in practical use until about 1600. The Vienna Dioscurides contains more than 400 pictures of animals and plants and is the earliest known manuscript to use a solid gold background. It is also the oldest surviving illustrated treatise on what type of animal?




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Improved Photo And Video Posting To Facebook Pages And Groups.

No doubt, media content is very important  when it comes to updating your blogs and social network pages. We totally understand that and constantly improve images and videos processing, either in content feeds or posting campaigns. Today we are glad to introduce one of the latest updates to our Facebook Poster, which improves posting images […]

The post Improved Photo And Video Posting To Facebook Pages And Groups. appeared first on RSSground.com.







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An expert guide to Val Thorens, ‘the world's best ski resort’






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Video: Friday Fails #332



Pile ups and loop outs...This week's Friday Fails has it all!
( Comments: 46 )




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Video: Best of Switzerland's Riding Scene in 'Chainz Out - A Piece of Swiss Cheese'



Showing off the best parts of the Swiss riding scene, both on small and on big bikes.
( Comments: 4 )




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Video: Back to Back Laps on a 2002 DH Bike & A Modern DH Bike at Mount Prevost



A lot has changed in 22 years.
( Photos: 1, Comments: 64 )




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Video: A Summer Bike Holiday with Friends in Morzine



Ride, eat, party, sleep, repeat.
( Comments: 49 )




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Video: Welcome to the 2025 Trail Bike Field Test



Eight bikes, four testers, and some of the best trails in the world.
( Photos: 19, Comments: 342 )




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Video: CJ Hauptman Gets Loose at Sun Peaks



Drifty summertime fun at Sun Peaks Bike Park.
( Comments: 11 )




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The Pinkbike Holiday Gift Guide: Top Gifts for All the MTBers in Your Life



We've pulled together an eclectic mix of mountain bike-related gift ideas for all the riders on your list.
( Photos: 12, Comments: 49 )




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Pinkbike's 2024 Community Survey: What Bikes Do Pinkbike Readers Ride?



The most-desired bike brands, what travel Pinkbike readers expect their next bike will have, and whether you're sold on mullets.
( Photos: 2, Comments: 112 )




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Video: This is Home with Brage Vestavik



The Viking at home where his journey to the forefront of freeriding all began.
( Photos: 48, Comments: 6 )




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How to Measure Your Child’s Ring Size: A Simple Guide for Parents

When our loved ones are young they get showered with plenty of gifts. Usually, we’re talking about toys and that’s nice. Once they get a little bit older, the types of gifts we present to them change. In no time, your toddler is old enough to be wearing a ring. Rings are nice presents. Valuable ... Read more

The post How to Measure Your Child’s Ring Size: A Simple Guide for Parents appeared first on Star Two.




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Guide to Buying a Lab Grown Diamond Engagement Ring

The decision to purchase an engagement ring is a momentous occasion in one’s life, and with the growing popularity of lab grown diamonds, individuals now have an alternative to traditional mined diamonds. Lab grown diamonds offer a stunning option for those seeking a beautiful symbol of commitment. In this comprehensive guide, we will explore key ... Read more

The post Guide to Buying a Lab Grown Diamond Engagement Ring appeared first on Star Two.