There will be many people in Heaven with different views on how to live but what we cannot get wrong is what is required to get saved. What does God want from us?

Everyone wants happiness. How do we find true, lasting happiness? Part 1 of 3

Everyone wants happiness. How do we find true, lasting happiness? Part 2 of 3

Everyone wants happiness. How do we find true, lasting happiness? Part 3 of 3

What weapons can we have in church? We trust the Lord but we must also be practical and protect each other in times of danger. The Bible is our most important weapon of all.

We are told to keep promises and vows, but what if you've made a big mistake when making that vow? God forgives sins!

This sermon deals with the topic of when it would be wise for Christians to leave the cities. Country living is the ideal place to live. Yet God calls us to reach the cities as well. The Lord does not want us to be hermits away from people. Neither do we need to live in the inner city environments. But there will come a time at the end in which we should flee the cities.

The nearly four-minute campaign ad begins with scenery of a small town sheriff's race in the South. A camouflage fishing boat winds down a picturesque waterway. The talk from a front porch rocking chair is of hunting, Christian values and guns. Then, more than halfway through the video, Craig Stivender, a Republican candidate for sheriff in Colleton County, S.C., reveals a picture of himself in blackface with his arm around an African American woman. "To those of you who may be upset, I understand your disappointment," he says in the video. Stivender, who is currently a fireman in the rural community just west of Charleston, goes on to explain the photograph was taken at a Halloween party for law enforcement nearly a decade ago. He says he released the picture to begin his campaign with full transparency. The election is in November 2020. "Basically if I'm going to run on honesty and integrity, I'm willing to put out things bad about me," he said in a telephone interview. Stivender

Updated at 11:35 a.m. ET on Saturday A pair of armed robbers and two others, including the driver of a hijacked UPS truck, were killed in an exchange of gunfire with South Florida police officers after the suspects led authorities on a high-speed chase. The robbers held up a jewelry store on Thursday before commandeering the UPS truck and holding its driver hostage, according to Coral Gables Police . After fleeing the scene and evading police for dozens of miles, the truck stopped in the middle of rush-hour traffic as armed officers surrounded it. "There was exchanged fire between law enforcement and the suspects, and unfortunately, the suspects are now deceased," George Piro, the special agent in charge of the FBI's Miami office, said . "But two additional innocent civilians were also deceased." Former Department of Housing and Urban Development official Brandon Friedman described the shootout as "appalling." He said the police department should be held accountable for "choosing to

When I heard the news of John Prine's hospitalization on March 30, I was, of course, saddened. His music has meant so much to me over the decades. On that day, I recorded this cover of one of my favorites from Prine's early output, a political song cleverly disguised as a broken-hearted love ballad. There's a video I posted to YouTube of this very same performance, which also includes some spoken introduction, about how I was feeling upon getting the news of John's contracting the coronavirus, and so forth. So, if you'd like to hear that, and see the song performed, it's here. I did a little bit of work on the audio for this MeFiMu upload, though, so I think it might sound a little better here than on the video. Anyway, rest in peace, John Prine, rest in peace.

I've spent an agonizing 11 days dialing this one to perfection. Another bumper that hearkens back to my high school days, when a song couldn't possibly have enough rhythm tracks. Suitable for all your living-room silent discos.

A bit of a collab that happened via an ill-formed idea for a twitch stream. User Carrot Adventure is in the mix. Can you guess where.

lofi relyricization of harnick/bock song from fiddler on the roof for the sars-cov-2 era. another quarantune! hmm. apparently this idea has also been done, a few days ago, quite well and somewhat more thoroughly. guess i should review the literature for the state of the art before undertaking such things. but i didn't, and this one is mine. lyrics: maskmaker maskmaker make me a mask two plys of cotton that's all i ask maskmaker maskmaker sit at your singer and make me a perfect mask maskmaker maskmaker i'll bring my bandanas if you've nothing to do if you're going bananas cover my face up so i can buy food and a break from this solitude for earloops you can use hairbands to hold it as i sniffle and cough a noseclip might keep it from snagging my stubble and sliding right off maskmaker maskmaker executive orders have kept me all cooped up alone in my quarters the pantry is empty the larders are bare so please make a mask i can wear for papa the family tartan for mama something flowery and bright for me well i'd just be heartened if i could buy groceries tonight maskmaker maskmaker make me a mask stitch me a stitch of cotton not bask maskmaker maskmaker if you're up to the task oh make me a perfect mask

MIDI Lifestyle's Scott Shpak offers ten workflow tips to increase your productivity as a music producer.

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The post 10 Tips to Increase Your Productivity as a Producer appeared first on Dubspot Blog.

Synth guru Ross Kelly investigates the history of Roland's legendary TB-303 Bass Line Synth in this spotlight series exploring classic vintage gear.

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The post Classic Gear Spotlight: Roland TB-303 Bass Line appeared first on Dubspot Blog.

Dubspot's Rory PQ explores Generative Music and demonstrates an effective technique used to generate complex sequences of music using Live's native devices.

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The post Ableton Live Techniques: Creating Complex Sequences appeared first on Dubspot Blog.

Universal Audio releases UAD Software v9.1 along with five new plugins for Apollo Audio Interfaces and UAD Accelerators.

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The post Universal Audio Releases UAD v9.1 + New Plugins appeared first on Dubspot Blog.

Universal Audio releases UAD Software v9.2 along with five new plugins for Apollo Audio Interfaces and UAD Accelerators.

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The post Universal Audio Releases UAD v9.2 + New Plugins appeared first on Dubspot Blog.

'The Bible gives us formulas for practices that will keep us grounded in God and are designed to maximize our happiness. What can we do to seek to keep faith alive in our homes and families, even if we have made wrong decisions in the past?'

'It could be said that both Ezra and Nehemiah had a purpose in life. They had a vision of where they wanted the people of God to be, and then they put everything into accomplishing the goal.'

'Amid struggles, trials, or even times of great happiness and prosperity, how can we learn to keep Christ at the center of our lives? Why is it so important that we do so?'

'With the coming of the Son of Man, God’s dominion is restored to those to whom it properly belongs. What Adam lost in the garden, the Son of Man recovers in the heavenly judgment.'

'How can we draw comfort from knowing that, in the end, God and His people will be victorious?'

You know what's weird right now? Besides, like, everything? Food. Lots of routines are disrupted, lots of supply lines and food-sourcing habits have gotten all sideways. So: what's going on with your fooding? How's the whole eating thing? Any happy discoveries or rediscoveries? Any weird surprises? Any big shortage headaches? Any horrible cooking failures? Snacking surprises? Foodly frustrations? Can you buy literally any yeast? Get it out, let's talk all kinds of food stuff, let's do a whole roundup of where everybody's at.

Just chat it up, fuzzballs!

It is May 8th and time for the latest check-in thread. As previously ([4][3][2][1])) this is for actual news, updates, personal experiences, and more mutual support from and to people dealing with this virus in their daily lives. All hail the mods for continuing to provide this sanctuary for us, and good health to readers and commenters alike. How is one doing?

My work has been doing mandatory, camera-on videoconference "socials" every Friday -- scheduled at 4pm just to twist the knife. I hate them so much and finally told my manager I'm not going to attend anymore. People seem to think that because we're working from home, they're free to push on the boundaries between work life and private life in a way that is super uncomfortable for me and it has definitely been adding to my COVID stress in isolation.

Well, somebody didn't click through before commenting... Great job, 100%

"fascinating, and I'm going to assume it's not hoax. But it doesn't so much raise my impression of the inherent decency of humanity as get me wondering what sort of values etc they were propagating at that exclusive school in Tonga."

This is actually pretty well-studied -- I have a friend who did a Ph.D. in the total collapse of local civil authority and what happens next -- and Lord of the Flies is flat wrong. Humans in an emergency situation lean on each other and help each other. If they fall into despair and think survival isn't possible, they might destroy themselves -- but they don't (usually) take others with them. But generally they pool resources, create organization, find ways to help the group, and find ways to care for the helpless and infirm. People get really frustrated when they're NOT able to assist the group, and even people who have very limited physical abilities try to find ways to help, maybe keeping an eye on the little children, or teaching kids to read.

"Because by the time I read Lord of the Flies in Grade Nine or thereabouts, I'd experienced enough suburban schoolyard/playground savagery and whatnot to not really find its extrapolations all that unbelievable."

So part of the problem with children and schoolyard savagery is that we keep them in a HUGELY artificial structure and limit their ability to participate in society and contribute to it. We MAKE them savages by refusing to allow them to contribute to the group. One of the things we know about children who find themselves without adults and with a need to organize and survive (which might be like these boys, in an actual hardcore survival situation, or they might have plenty of food and water and heat and just need to wait for the blizzard to end and grown-ups to fetch them from where they got snowed in) is that they are amazing at it. Given a chance to be competent and responsible, they usually do really really well! And children have a HUGE innate sense of fairness (it's a developmental phase), so kids under 14 or so basically IMMEDIATELY sit down as a group and hash out how they're going to make decisions and hold people accountable. Generally, they decide on a democracy -- it's not "fair" unless everyone has a say -- and that everyone will have to take turns at gross jobs, and create some kind of punishment for those who don't do their work, which is usually either an extra turn at gross jobs or having to sleep in the worst spot (where they otherwise take turns). They tend to be very conscious of what they know about safety (problems come in with what they DON'T know, like not using a grill indoors for heat b/c you can die from the smoke), and cautiously warn each other to be careful cooking and with sharp objects, and take care to learn from each other's knowledge. If one kid knows how to build a fire, the others will defer to his expertise and will have him teach them and follow his instructions carefully.

Kids do CRY a lot more than adults do, and they get their feelings hurt a lot, but kids are also very conscious of and used to the fact that you can't just avoid people or cut them out of your life (kids don't have that power), so they tend to do a really good job reconciling in-group disputes. They might not all LIKE each other, but they find a way to work together and just complain about each other.

Do you remember that reality show that was meant to be "Kid Survivor" and they hoped it would turn into Lord of the Flies, and it was a SPECTACULAR FLOP? The producers had set up better and worse "houses" in the "abandoned town" set and expected the kids to race for a free-for-all to get the best stuff, and instead they arrived, explored, and then all sat down and made a group decision about how to divide it all up. A couple kids tried to be selfish and stubborn, but got shamed into compliance by the rest of the group, and one of their first concerns was that the littlest kids be buddied up with older kids because it would be too hard for them otherwise "and they might get scared." They agreed on a decision-making procedure the first night and basically stuck to it through the show. When one kid was a jerk, they would all go sit around the campfire and talk and talk and talk until the jerk agreed to stop being a jerk. The producers would create survivor-like challenges where the "winner" would get extra food or some special thing, and every single time they kids would either a) refuse, as a group, to compete, because it wouldn't be "fair" or b) agree to compete because it would be fun or because they wanted/needed the reward, but the winner would share his winning equally with the group AND ALWAYS DID.

Margaret Mead said that in her opinion, the first sign of civilization was a 15,000-year-old human grave with a healed thigh bone. Which means that the nomadic group rescued that person, immobilized his femur, and then cared for him for MONTHS while he recovered and could not contribute to the group. Wild animals die if they break a bone. Humans became civilized, she felt, when the group cared for the individual and allowed them to heal from such grievous injuries. Turns out that's still how we roll.

So like, nobody else finds the timing of this story kinda culturally suspicious? We had years of warnings of Africanized bees, and now we've got deadly Asian hornets, at a moment when anti-China rhetoric has reached a fevered pitch? Literally two of these bugs have been spotted in the US, and the guy who is the focal point of the NYT story isn't sure these were even involved, but now the Paper of Record and the entire American internet is talking about Asian Murder Hornets? Gaaaaaaaah I'm just going back inside for a while.

DAVID BIANCULLI, HOST: This is FRESH AIR. I'm David Bianculli, editor of the website TV Worth Watching, sitting in for Terry Gross. Today on FRESH AIR, one of our favorite interviews from our archive - Terry's conversation with comedian, actor and writer Steve Martin. He's also an accomplished bluegrass musician and has been posting occasional videos on social media playing banjo in the woods. Last month he visited CBS's "The Late Show" with Stephen Colbert in a special socially distanced comedy bit with Colbert sequestered inside his house and Martin with his guitar, strolling in a forest, determined to sing a song that Colbert is just as determined not to hear. (SOUNDBITE OF TV SHOW, "THE LATE SHOW") STEPHEN COLBERT: So we go now live to Steve Martin in the middle of the woods. Hi, Steve. STEVE MARTIN: Hey, Stephen. Thanks for having me on. COLBERT: Well, Steve, you're certainly welcome. MARTIN: You know, Stephen, I was thinking that something we as people need to remember right now

Updated at 6:12 p.m. ET Andy Serkis, the physically nimble actor largely known for his CGI-assisted roles, did some quarantine reading, performing the entirety of The Hobbit in a livestream on Friday. On a Gofundme page established for the event, Serkis wrote that he would conduct the 12-hour marathon reading of J.R.R. Tolkien's beloved fantasy novel to raise funds for COVID-19 relief efforts. Depending on his copy, that's some 300 pages of Bilbo Baggins' adventure from his humble hobbit hole in the Shire to the mountain lair of the fearsome dragon Smaug – and back again, read and performed by Serkis. The actor began reading the novel at around 10 a.m. in the United Kingdom (that's 5 a.m. ET). "Together we'll face the might of the trolls, journey to the magical Rivendell, encounter the giant spiders in the labyrinths of Mirkwood, and the evil goblins living among the roots of the Misty Mountains, until we meet the dragon Smaug, and see the Battle of the Five Armies," Serkis wrote on

Dr. Grace Farris is chief of hospital medicine at Mount Sinai West in Manhattan. She also writes a monthly comics column in the Annals of Internal Medicine called "Dr Mom." You can find her on Instagram @coupdegracefarris . Copyright 2020 NPR. To see more, visit https://www.npr.org.

Updated at 1:55 p.m. ET Little Richard, the self-described "king and queen" of rock and roll and an outsize influence on everyone from David Bowie to Prince, died Saturday. He was 87 years old. Wayne Chaney, his longtime bandleader and tour manager, tells NPR that Little Richard died at his brother's home in Tullahoma, Tenn., after a battle with cancer. Rolling Stone was the first to report on his death. With his ferocious piano playing, growling and gospel-strong vocals, pancake makeup and outlandish costumes, Little Richard tore down barriers starting in the 1950s. That is no small feat for any artist — let alone a black, openly gay man who grew up in the South. He was a force of nature who outlived many of the musicians he inspired, from Otis Redding to the late Prince and Michael Jackson. His peers James Brown and Otis Redding idolized him. Jimi Hendrix, who once played in Little Richard's band, said he wanted his guitar to sound like Richard's voice. The late David Bowie was 9

Im März startete der Unterhaltungsgigant sein Streaming-Angebot in Deutschland. Kunden können dann Disney-Klassiker, „Star Wars“ und die Marvel-Helden anschauen. Doch der Erfolg ist noch ungewiss – und es wird einige Verlierer geben.

About 17 million people have applied for unemployment benefits in the U.S. in recent weeks. It's an astonishing number that's nearly 10 times what the system has ever handled so quickly. But, by one estimate , that money is still not flowing to about half of those people who desperately need it. And others are only getting a trickle of what they should be receiving. Many people have been out of a job for a month now. That's a long time to be without your income in the midst of the coronavirus pandemic. "It's really intense and it's really frightening," says Nicolena Loshonkohl, a hair stylist NPR has been checking in with in Roanoke, Va. She's a single mom with a 2-year-old daughter. As a regular employee at a local salon, she says it was pretty easy to file for unemployment online. And she's now started to get payments. Loshonkohl feels fortunate about that. But so far, she's only receiving $340 a week. And that doesn't cover her rent, health insurance, food and other basic costs of

Updated at 8:43 a.m. ET The number of people filing for unemployment climbed by another 5.2 million last week as the toll of the nation's economic dive amid the pandemic continues to mount. That number is down from the revised 6.6 million in the week that ended April 4, the Labor Department said . But in the past four weeks, a total of 22 million have filed jobless claims — nearly wiping out all the job gains since the Great Recession. The dramatic reversal followed a decade of spectacular growth in jobs that brought the unemployment rate to near 50-year lows along with record low jobless rates for blacks and Hispanics. Now the job market is on its knees. Don't see the graphic above? Click here. The unemployment rate is expected to surge in coming months , with many full-time workers pushed into part-time jobs or not working at all. The economy lost about 700,000 jobs in March — ending 113 straight months of increases. And overall job losses are likely to be 10 to 20 times that big in

When the British economy ground to a halt a few weeks ago, Reda Maher suddenly found himself among the ranks of the unemployed, alongside untold millions of other people around the world. But unlike many others, Maher can rest easy, knowing that money will keep flowing into his bank account until he's called back to work. "I woke up a couple of hours later than I normally would. I won't lie," Maher said one afternoon earlier this month. "I took a nice long masked and gloved walk. I've got a remote personal training like fitness session in about 20 minutes." The United Kingdom recently began paying 80% of the salaries of workers laid off because of the coronavirus pandemic. The government caps the pay at about $3,000 a month, but many employers, including the London-based video streaming service where Maher works, add to what the government hands out. Maher also doesn't need to worry about being left without health care coverage, thanks to Britain's National Health Service. Across

"You can't really have a concert if you can't have an audience," David Roode muses. His career as a concert trombonist in Cincinnati went abruptly on hold when stay-at-home orders took effect in March. "I had months of gigs that were just canceled." Roode and his wife, a concert pianist, have done some recording while on lockdown in Cincinnati. And they've tapped into savings they typically rely on during the slower summer months. "If I kind of burn through my summer money now, then when the summer comes and there's no work, there might be more of a problem," Roode says. He's done some soul-searching about the role of a musician during a pandemic. "The medical professionals are the ones who are on the front lines who are really making a difference," Roode says. But he thinks artists and performers will eventually be in demand again. "I really think when this is all over, people are going to want to go hear concerts and they're going to want to have that experience." Read more stories

Very briefly, at the end of 2019 and the start of 2020, there were slightly more women on American nonfarm payrolls than men. That's no longer true. The historically disastrous April jobs report shows that the brunt of job losses fell on women. Women now account for around just under half — 49% — of American workers, and they accounted for 55% of the increase in job losses last month. One way of looking at why that matters that is to look at the gap that opened up between women's and men's unemployment last month. The below chart shows women's unemployment rate minus men's unemployment rate since 2007. Usually, the line bumps around near or just below zero — meaning men's unemployment is usually near or slightly higher than women's. But that spike on the far right shows how women's unemployment leapt to be 2.7 points higher than men's in April. Women had an unemployment rate of 16.2% to men's 13.5% last month. That's uncommon for a recession. The below chart is a longer view, and the

Arkatech Beatz has a long history of producing for some of Hip Hop's greatest and most notable artist (Big Pun, Nas, Raekwon, Game, Mya, Max B, Meek Mill, Jadakiss, Waka Flocka, Shawty Lo, Killer Mike, etc). We are currently looking for the next talented artist/producer to help reach the next level in their career. Drop your best song/track for us to check it out and we'll provide feedback and advice.

- Mike D. / Arkatech Beatz

We are always looking for great music across all genres for eOne UK. We're looking for outstanding artists for possible label release or management. UK radio friendly music a bonus. Please submit your best tracks for consideration.

Entertainment One Ltd. is a global independent studio that specialises in the development, acquisition, production, financing, distribution and sales of entertainment content. The Company’s rights library is exploited across all media formats and includes more than 100,000 hours of film and television content and approximately 40,000 music tracks.

- Ted May - Managing Director UK - eOne Music

Deal Type: Label Release & Management
Decision Maker: Selected tracks will be pitched for final decision
Deal Structure: Negotiable
Compensation: Negotiable
Song Quality: Rough Mixes, Fully mastered, Broadcast ready

Def Jam Recordings is seeking outstanding artists for a full record deal. We want an artist that can do it all. If you think you belong on our US roster, which you can see here: www.defjam.com/artists and you have what it takes to make it in today's hyper-competitive music environment, we want to hear what you have before you submit it anywhere else!

Def Jam is home to some of today's music greats and if you belong among them we want to be the first to know.

- Jason "Polo" Carbonell / Def Jam Recordings

Deal Type: Record Deal
Decision Maker: I'm the final decision maker
Deal Structure: Exclusive
Compensation: Negotiable
Song Quality: Rough Mixes, Fully mastered, Broadcast ready
Similar Sounding Artists: Please see our artist roster HERE

We are seeking epic Dream Pop songs and instrumentals. Think big/airy/dreamy songs that also have a driving pulse and a commercial appeal - for pitching to Ads, Movies, and Film & TV.

We need fully completed and mixed songs, no demos please.
All songs must be written and owned 100% by the submitter.

Pop-Up Music is a PRS registered music library and publisher located in London. We pride ourselves in providing undiscovered music and bespoke music for advertising, film, TV, gaming and corporate.

Many thanks,
Pop-Up Music Team

Deal Type: Catalog Inclusion
Decision Maker: I'm the final decision maker
Deal Structure: Non-Exclusive
Compensation: Negotiable based on final placement
Song Quality: Fully mastered, Broadcast ready

We need more Singer Songwriter material in our catalog. We are seeking intelligent storytelling backed with masterful instrumentation. Something along the sound of Elbow, Fink, Feist or Bon Iver would be perfect. Please DON'T SUBMIT UNFINISHED DEMOS. We accept only professionally recorded and fully mastered material.

We are proud to have a unique business model and an artist-friendly agreement. The music released on Filter Label is instantly included in our catalog for licensing placements which is sent out to top music supervisors and agents.

We have hundreds of songs placed in ad campaigns (McDonald's, Nike, Bank Millennium, Nestle, Philip Morris), TV series (The OA, Exatlon, CSI: Las Vegas, Nikita, Top Boy), films (Loneliness, Sex and Compassion, The Matrix Revisited, Cherie, Mission: Wolf), and on network television (CNN, MTV, Channel 5, National Geographic, NBA, UFC), etc.

- Emil Hadji Panzov / Filter Label

We are looking to add some cross-genre material to our catalog. We are hoping to find brave compositions combining two or more genres, like in the following examples:

- Jazz meets Hip-Hop
Guru ft. Donald Byrd - Loungin’
- Rock meets Electronica
The Prodigy & Tom Morello - One Man Army
- Classical meets Pop
Woodkid - Run Boy Run
- Electronica meets Classical
The Glitch Mob - Fortune Days

Please note that we are not looking for copies of the referenced tracks, they are listed only as great examples of combinations of two or more genres. Filter Label is notorious for discovering new talent and setting new music trends, so please submit your best material and surprise us with what could be the next big thing. Songs with uncleared samples WILL NOT BE ACCEPTED. Please submit only professionally recorded and mastered songs.

We are proud to have a unique business model and an artist-friendly agreement. The music released on Filter Label is instantly included in our catalog for licensing placements which is sent out to top music supervisors and agents.

The songs by our talented artists can be heard in The OA, Exatlon, The Matrix Revisited, CSI, Nikita, on ads for McDonald's, Nike, Philip Morris, Nestle Wagner, Bank Millennium, in shows on MTV, CNN, Nat Geo, NBC, Al Jazeera, Esquire, Channel 4 and almost every major TV network in the world.

NFL weekly Highlights show looking for music with a $10k-$15k payout for the 2020/21 regular season.

We are looking for music of all genre and styles for 2 program packages.
*NFL weekly highlights show, broadcast in US
*NFL weekly Highlights show, broadcast in Europe and Asia

We are looking for at least 10 different either full songs or sections for both territories.

Payments are $10k - $15k on a non-exclusive basis. Please submit radio, broadcast release material but if you have a track not finished but you think its a fit and so do we, we will record and mix it free of charge at the CMI Studio's for you.

So send in your best work guys, good opportunity for global exposure Very Best
Alex CMI Music Group

Deal Type: Sync Placement
Deal Structure: Non-Exclusive
Compensation: $10K - $15K

PLEASE DO NOT SEND US MUSIC OR LINKS VIA EMAIL OR SOCIAL MEDIA

Currently seeking “beats” for use in TV & Online advertising campaigns in South Korea!
,br> When I say “beats”, I mean any tracks that are driven by a breakbeat, as one, if not the most dominant part of the track. Ie, Drum & Bass, Hip-Hop, Dubstep, Electronica, Edm, Trap, Grime, Experimental etc.

All tracks must be upbeat and have a “Phat Beat”, “Killer Beat”, “Sick Beats”, “Dope Beat” or whatever your preferred description would be.

Music must be well produced, high-quality, mixed and mastered. Instrumental tracks preferred please, but great vocal tracks can be accepted too (if you can supply instrumental versions even better) and all tempos considered.

Artists must own all rights to their music 100% on both sides and there must be no copyright infringement. All music will be listened to, reviewed and feedback given.

The average cost of TV advertising commercial in Korea is $800 to $1,500 per track, and for worldwide rights up to $14,000.

The average cost of Online & YouTube advertising in Korea is $500-$2500 (geo restricted for single country of Korea), and worldwide use for $3000-$5000.

Selected tracks be sent to clients in South Korea and music licensed on a non-exclusive basis (so you maintain all rights to your music), we simply go 50-50 on deals we get and you're paid quarterly.

The South Korean market is built on a unique structure, which is not the same as any foreign market structure around the world. Because of this Korea has a higher advertising music fee than most other countries. This may be due to systemic limitations that the performing royalties cannot be collected, but also because there is no subsequent secondary payment after the initial payment of music fees. The total amount paid in Korea is 100% mechanical payout.

Clients who will be using music in South Korea; Korea's major advertising agencies including the CHEIL and INOCEAN and brands such as; Samsung, LG, Hyundai and SK to name a few.

If you make “beats’ I really look forward to hearing from you !

All the best,


- Giles Gale - Music supervisor, sync & Licensing Manager - Resonant Music Licensing

One of the major Software companies is looking for music for several product releases in 2020.

This includes, Global TV and Film advertising campaigns, Web Commercials, Blogs, Vlogs, internet advertising and use in sports and TV shows that the company sponsor.

All styles of music will be considered as the company are looking for songs of all genres and decades. There are several story boards ideas complete so I will update submitters as we go along and get more detailed info.

Please submit your best work, radio ready, mastered songs. You must own 100% copyright. Only songs with cleared samples. I will accept demos as I am also a music producer / studio owner so if the song is a 'no brainer' and has enough potential to fit the opp then I would consider re-cutting it for the client.

The CMI Music Group has worked closely with companies such as: Apple, Honda, Samsung, BBC, ABC, ITV, New Show Media, Massive Films, Rickety Shack Films, H&M, Reebok, WalMart, Seat, Costa and more.

Payouts and rights: If selected you will keep 100% of your rights, royalties and payments dependent on the amount of times the tracks are used. Payout is $5,000 per song, per use (defined as one campaign sector) and is dependent on usage and length of use. The license is Non-Exclusive. If selected the songs will be passed to the company and they will have the final say, CMI Music Group will be on hand to help the artist all the way through the process with chosen artists (at no financial charge).

All songs submitted will be considered for all the other opps we have.

PLEASE DO NOT SEND US TRACKS TO OUR FACEBOOK, SOUNDCLOUD, EMAIL, LINKEDIN OR ANY SOCIAL MEDIA.

- Alexander Johnston / CMI Music Group International