Support for five networks around England follows coronavirus rescue packages for bus and train sectors

Tourism in east Africa’s renowned wildlife reserves has collapsed amid the global shutdown

Safety and commercial concerns remain but football, rugby and cricket begin talks to resume play in pandemic

Paddy Power owner topped the FTSE leaderboard in April despite near-total lack of sport

The recruitment process in the industry is slowly starting to turn more professional

Denmark and the Netherlands lead surge in bookings but company still cuts 25% of workforce

Court hears claim in lawsuit that has laid bare feud over media, retail and hospitality empire

In China, a shrinking bottom line has intensified the already tense affair of splitting profits

Our ‘Round on the Links’ quiz tests your ability to draw connections. Thinking caps on!

Hope is not lost. An army of organisations, private hospitals and industries could be mobilised

Pandemic has added to pressure on companies already facing tough financial conditions

Boris Johnson’s government was focused on Budget and Brexit — until disease took a grip

Steve Easterbrook lost his job after relationship with colleague but kept stock options

Even without scale, the fake meat industry is challenging the economics of its blood and guts rivals.

David Crow and guests discuss the scandal that has engulfed Credit Suisse, including the apparent suicide of a security consultant involved in a corporate espionage operation for the bank, US bank Wells Fargo's new chief executive, and the merits of the European Central Bank's interest rate policy. With special guest Jean Pierre Mustier, president of the European Banking Federation and chief executive of Italian bank UniCredit.

Contributors: David Crow, Banking editor, Sam Jones, correspondent in Zurich, Laura Noonan, US banking editor, and Patrick Jenkins, financial editor. Producer: Fiona Symon

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Behind the Money is a podcast from the Financial Times that takes listeners inside the business and financial stories of the moment, with reporting from FT journalists around the world. You can find Behind the Money wherever you get your podcasts, including FT.com/behindthemoney.

When credit markets seized up earlier in March, more than 130 companies rushed to their lenders to draw down at least $124bn of emergency credit lines to shore up cash, with Ford and General Motors drawing among the largest amounts. We look at how the auto industry is preparing for the economic uncertainty that lies ahead. With the FT's Peter Campbell and Gillian Tett.

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President’s intervention over Suleyman Soylu suggests division at regime’s heart, analysts say

Shock unity deal with rival Benny Gantz delivers prime minister a record fifth term

Shady Habash died in prison aged 22 and had been held without trial for two years

Too many big brands have been coasting for too long

Republicans continue to give the US president high marks for his handling of coronavirus

Formation of regional coalitions offers a path to a staggered exit

Laura Noonan and Lauren Fedor respond to your queries on the state of SBA rescue funds

Succession spotlight on younger sister Kim Yo Jong

Agreement raises spending by $320bn but has limited offsetting budget cuts

Mortality statistics show 122,000 deaths in excess of normal levels across 14 countries analysed by the FT

From business closures to movement restrictions, some countries’ policies show first signs of easing

Factories reopen but economy still faces challenges from weak services sector

From formaldehyde sheep to giant horses, Simon Schama - in this recording of his FT Frieze week lecture - traces contemporary animal attractions to great works in the history of art  

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It's been a big week for contemporary British art. First the opening of the British Art Show 7 in Nottingham, then the second instalment of Newspeak at the Saatchi Gallery in London. To round it off, on Sunday Channel 4 will show “Modern Times”, the fifth in its series The Genius of Britain, this time presented by Janet Street-Porter. Peter Aspden, FT arts writer, and John Lloyd, FT television columnist, discuss art and celebrity: Charles Saatchi, Damien Hirst and the inimitable Janet Street-Porter. FT art critic Jackie Wullschlager reports on the British Art Show. Does it really represent the art of the nation? Produced by Griselda Murray Brown  

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The music scene is currently awash with aging rockers and pop groups re-united. Take That, complete with Robbie Williams, will tour next year; space rockers Hawkwind, formed in 1969, tour the UK next month; while Lemmy, born 1945, is currently taking the stage with Motorhead. Whatever happened to “hope I die before I get old”? Aren’t they old enough to know better? Neville Hawcock, deputy arts editor, talks to Peter Aspden, the FT’s arts writer, and Richard Clayton, who regularly reviews pop for the paper.  

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On the announcement of the BBC's 'Sounds of 2011' list, FT pop critics and panel judges Ludovic Hunter-Tilney and Richard Clayton look back at the year in pop, and forwards to 2011. What do polls like this say about the state of pop? And what do we want our pop music do to - soothe the soul or confront difficult issues? They talk to deputy arts editor Neville Hawcock about their artists and bands of the year: Rumer, Warpaint, Everything Everything, Ellie Goulding, Kings of Leon and Arcade Fire - their band of 2010. Produced by Griselda Murray Brown  

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As the Royal Ballet rehearses Christopher Wheeldon's 'Alice in Wonderland', its first new full-length ballet in 15 years, Peter Aspden talks to Royal Ballet principal Tamara Rojo, Sadler’s Wells artistic director Alistair Spalding and FT critic Clement Crisp. Does 'Alice' represent a return to traditional values? Are ballet companies doing enough to encourage new work? And, what is the relationship between classical ballet and contemporary work? Produced by Griselda Murray Brown  

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What's happening in the world of pop? FT critics Ludovic Hunter-Tilney and Richard Clayton join Neville Hawcock in the studio to look forward to this summer's pop festivals - and to ask whether pop itself has become too backward-looking, as Simon Reynolds argues in his new book Retromania. Are we really addicted to the past? And are YouTube and now the Apple iCloud part of this trend? Produced by Griselda Murray Brown  

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On the occasion of his British Film Institute retrospective, Ken Loach, the acclaimed director of films such as Kes, Land and Freedom and the Cannes Palme d’Or winning The Wind that Shakes the Barley, talks about the state of political filmmaking. He is in the studio with Raphael Abraham, Peter Aspden and Lucian Robinson. Produced by Griselda Murray Brown  

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Postmodernism defined itself against the stifling clarity and seriousness Modernism. It put style before drab functionality. It embraced pop culture and garish colour. But it got a bad rep. “PoMo” was called vacuous and kitsch, and in the 1980s it became associated with corporate culture and consumerism. Now this controversial cultural movement is the subject of a major exhibition at London’s Victoria and Albert museum, "Postmodernism: Style and Subversion 1970–1990". Neville Hawcock talks to Glenn Adamson, co-curator of the show, and to FT columnists Edwin Heathcote and Peter Aspden. Produced by Griselda Murray Brown  

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As the winners of the BBC’s Sound of 2012 poll are announced, FT deputy arts editor Neville Hawcock asks three of the judges: who are the real “tastemakers”? What’s more important nowadays, a rave review or hits on YouTube? And how do unsigned artists make it? He is joined in the studio by FT pop critics Ludovic Hunter-Tilney and Richard Clayton, and NME assistant reviews editor and blogger Laura Snapes; music clips from Sound of 2012 winner Michael Kiwanuka, as well as Context, Emeli Sandé and Skrillex. Produced by Griselda Murray Brown  

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Ever been to a classical club night or an opera in a warehouse? This week on the arts podcast Jan Dalley talks to her guests about how people consume classical music today. She is joined by Gabriel Prokofiev, composer, DJ and grandson of the Russian composer Sergei; Frederic Wake-Walker, artistic director of pioneering company The Opera Group; and FT writer Laura Battle. With clips from Gabriel Prokofiev's 'Concerto for Turntables and Orchestra', and Elena Langer's 'The Lion's Face', commissioned performed by The Opera Group. Produced by Griselda Murray Brown  

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She's the most successful female recording artist ever – and now, 30 years after her first single, Madonna has released her twelfth album, 'MDNA'. It's already caused a stir, with the video for the opening track 'Girl Gone Wild' banned on YouTube for being 'too raunchy'. But is she still good? What's more important: Madonna the brand or the artist? And, at 53, should she really be wearing those hot pants? Neville Hawcock puts these questions to FT writers Lucy Kellaway, Ludovic Hunter-Tilney and Richard Clayton. With clips from 'Girl Gone Wild', 'I'm a Sinner' and 'I'm Addicted'. Produced by Griselda Murray Brown  

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Forget “London 2012”, this summer it’s all about the 1990s – with the Stone Roses reunion gigs, Suede headlining the Hop Farm festival, and Blur playing the Olympics closing ceremony gig. As 40-something fans relive the glory days of “Cool Britannia”, FT pop critic Ludovic Hunter-Tilney looks back at the renaissance of British rock 20 years ago, and asks – was it all it was it cracked up to be? And what is its legacy? He is joined in the studio by Richard Clayton and David Cheal. Featuring music from the Stone Roses, Oasis, Blur and Pulp. Produced by Griselda Murray Brown  

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Spoken word is a form of poetry usually written to be performed in front of an audience, and often associated with hip hop culture. In recent years its popularity has soared in the UK – and now, as part of the London Literature Festival, the Southbank Centre is hosting the final of “Shake the Dust”, a national poetry slam for teenagers. So, what’s the difference between “page” and “stage” poetry? Does spoken word have a political bent? And can poets hope to change anything? Jan Dalley puts these questions to the poet, rapper and playwright Kate Tempest; poet and artistic director of the “Shake The Dust” Jacob Sam-La Rose; and critic Suzi Feay. Produced by Griselda Murray Brown  

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With his brother Jake, the British artist has tackled some of modernity’s grisliest themes. The FT’s arts writer finds out why he’s now trying his hand at music  

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The emirate’s contemporary arts event considers some thorny regional issues in a deceptively laid-back way, says the FT’s arts writer  

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The Nevada resort, a byword for pleasure-seeking in the here and now, is starting to take its history seriously, says the FT’s arts writer  

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The market for Orthodox icons has been revivified by Russian money in recent years – yet the genre’s spiritual charge and innate conservatism make it a challenging field for collectors  

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An exhibition of Soviet-era sporting paintings shows how, even in a repressive political climate, artists still made work with real human insight  

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Businesses like buying contemporary art to show off their forward-thinking and investment savvy. Fair enough – but it still sits oddly with artists’ desire to provoke and subvert  

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In a despatch from Hong Kong, the FT’s arts writer reflects on the city’s ‘Tate bricks’ moment, and what it tells us about the fast-changing status of contemporary art in China  

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When David Cameron presented Li Keqiang with a ‘Downton Abbey’ shooting script recently, the gesture was fraught with subtext. But what should a post-imperial premier give to his rising-power counterpart? Peter Aspden has some suggestions. . .  

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20 years after the launch of the National Lottery, Jan Dalley celebrates how it has become the most successful form of cultural crowd-funding ever  

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