What weapons can we have in church? We trust the Lord but we must also be practical and protect each other in times of danger. The Bible is our most important weapon of all.

We are told to keep promises and vows, but what if you've made a big mistake when making that vow? God forgives sins!

We all have a name but the Bible tells us there is a name above every name. When you become a Christian you take on the name of Christ.

How much are you willing to endure to see your King? How far are you willing to go?

As Christians we need to have both a practical and a biblical perspective on what is going on in the world. Most importantly, God does not want us to live in fear. We have an unprecedented opportunity to show people where to find peace and the Prince of Peace.

God is our safe shelter in the last days. We don't have to be afraid. God loves us and He will welcome us and protect us.

This sermon deals with the topic of when it would be wise for Christians to leave the cities. Country living is the ideal place to live. Yet God calls us to reach the cities as well. The Lord does not want us to be hermits away from people. Neither do we need to live in the inner city environments. But there will come a time at the end in which we should flee the cities.

President Trump's depiction of urban life in America is often grim, and the tension between the president and big city mayors is often filled with name-calling and lawsuits. For many mayors who end up in the president's crosshairs, it's a balancing act as they try to determine how to ward off criticism, as well as Trump administration policies they think may be harmful, while not jeopardizing federal funds earmarked for city projects. For example, Trump raised plenty of hackles with his recent comments about the homeless in California hurting the prestige of Los Angeles and San Francisco. Darrell Steinberg, chairperson of California's State Commission on Homelessness and Supportive Housing, calls the president's statements hypocritical. "This is a president who is calling for the elimination of the Community Development Block Grant Program, which is a primary source of funding for affordable housing," says Steinberg, who is also the mayor of Sacramento. Last week, Steinberg signed a

Cybercrime is booming, and victims are often at a loss about where to get help. In theory, Americans should report the crimes to the FBI, via its Internet Crime Complaint Center . In practice, the feds get hundreds of thousands of complaints a year, and have to focus on the biggest cases. But the other option, calling the police, can seem even less promising. "They didn't even respond," says Gregg Bennett, whose loss of 100 Bitcoin was described in an earlier NPR story about SIM-swap scams . He says he called his city's police department soon after discovering the theft, but concluded it was a dead end. "They have no ability to look up something like this," Bennett says. "It certainly is not local — this is not a local issue." It's conventional wisdom that cybercrime is too technical and too international for local police to handle. But as daily life becomes more digital, so does everyday crime, and some police say they can no longer avoid wading into the world of phone spoofers,

Uber is testing a new feature in California that allows some drivers to set their own rates. The move comes in response to a new state law that requires more companies to convert their contract workers to employees, which means offering them benefits and added protections. Companies including Uber, Lyft and delivery app Postmates argue that doing so would upend their business model and eliminate the flexibility inherent to the gig economy. Uber is currently testing a feature at airports in Sacramento, Palm Springs and Santa Barbara that allows drivers to increase fares in 10% increments, up to five times the base rate. Riders are then matched with the lowest fare. In the coming days, Uber says it will also allow drivers to decrease their prices below the base rate and opt out of surge pricing. It's part of an effort to give drivers more control — and bolster the argument that they're truly contractors rather than employees. The company acknowledges the experiment could have unexpected

I've been working on a musical collaboration with a fellow musician friend of mine during these crazy coronavirus times, in hopes of generating something fun and creative while we have all this spare time not working or gigging. Here's the first song from that collaboration. It's timely that we've finally finished the song this past weekend, because yesterday I received some dreadful news: a dear friend of mine from college passed away due to complications related to COVID-19. She was a brilliant writer, and funny as hell, and the world is undoubtedly worse off without her in it. She and I met in a creative writing class, where she and I were were two the only four students of color in that class and had to endure micro-aggression upon micro-aggression (and sometimes outright aggression) from the white students whenever it came time for our writing to be workshopped. We always made sure to have each others' backs in that classroom, and even though we've all scattered across the country since college I've always felt like we formed a lifelong bond having gone through that experience with each other. I originally set out to record this cover because over the past five years I have struggled mightily when it comes to loving my own self, and as a result have also done a very poor job of loving those I do love the most in the world. The Indigo Girls meant this song to be a reflection on the idea of literal reincarnation from the lives of those long gone, but to me, especially after having gone through a lot of hard, intensive work over the past few months to better myself so I can be better to myself and my loved ones, this song is about the possibility of a personal reincarnation, of being reborn from a past version of myself that only knew hurt and how to hurt instead of how to love honestly and truthfully. As one of us four in that class put it last night on Facebook, we all loved each other hard in that class because we had to, and so I want to dedicate this song to Kimmy's memory, because I never want to forget the importance and the sustaining power of taking care of ourselves by taking care of each other. I'll miss you a lot, girl. Thank you for always holding me up (and always cracking me up).

When I heard the news of John Prine's hospitalization on March 30, I was, of course, saddened. His music has meant so much to me over the decades. On that day, I recorded this cover of one of my favorites from Prine's early output, a political song cleverly disguised as a broken-hearted love ballad. There's a video I posted to YouTube of this very same performance, which also includes some spoken introduction, about how I was feeling upon getting the news of John's contracting the coronavirus, and so forth. So, if you'd like to hear that, and see the song performed, it's here. I did a little bit of work on the audio for this MeFiMu upload, though, so I think it might sound a little better here than on the video. Anyway, rest in peace, John Prine, rest in peace.

I've spent an agonizing 11 days dialing this one to perfection. Another bumper that hearkens back to my high school days, when a song couldn't possibly have enough rhythm tracks. Suitable for all your living-room silent discos.

hoping that some of the things we like, which seem to be shallow comforts until we're deprived of them, will manage to come back sometime soon time to go walking - time to go singing time to go loving - that's what i want to just wander supermarkets of desire and see what's mine there - that's what i want there is nothing on the wind that doesn't blow away something will be saved there is nothing on the wind that doesn't blow away something will be saved maybe be wiser - maybe be foolish maybe there is room where we can be both maybe live a little sweeter knowing we can win or lose maybe there is room where we can do both there is nothing on the wind that doesn't blow away something will be saved there is nothing on the wind that doesn't blow away something will be saved

Special "came to pass in real life" edition!

I never finished my entry for the Kate Bush music challenge a while back, but I liked the bit I did get done.

Multitalented musician Michael Emenau examines some of the benefits and pitfalls of using musical scales and offers some creative practices for using them.

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The post Music Theory Tutorial: Working with Scales appeared first on Dubspot Blog.

'Covenant is a legal establishment of a relationship. We broke it with God, but He is always faithful to His part, even when we are not to ours.'

'Excellence must always be a goal in worship. Praises must come from the heart and be expressed in the best way so that people will be spiritually uplifted. Striving to achieve a balance between joy and reverence is crucial for adoring, praising, and worshiping our Creator.'

'What kind of witness do we present to others in regard to our faithfulness to God and to His law? Would people who know you think that you would stand for your faith, even if it cost you your job, or even your life?'

'With the coming of the Son of Man, God’s dominion is restored to those to whom it properly belongs. What Adam lost in the garden, the Son of Man recovers in the heavenly judgment.'

'How can we draw comfort from knowing that, in the end, God and His people will be victorious?'

'So many different writers, in so many different contexts, and yet the same God is revealed by them all. How does this amazing truth help confirm for us the veracity of God’s Word?'

'This week we will look at some foundational aspects of the origin and nature of the Bible that should impact our interpretation and understanding of it.'

'Jesus taught His disciples obedience to the Word of God and the law. There is never a hint of Him doubting the authority or relevance of Scripture. On the contrary, He constantly referred to it as the source of divine authority. '

'How do we distinguish between the Word of God and human tradition? Why is it so important that we make this distinction?'

There's a venting thread, but maybe you want to share a surprising good thing that has happened despite the terrible situation in the world right now.

Let's create a space to recognise the small good things that are happening.

It's OK to acknowledge the negative here too- this thread is designed to be a space to share the good stuff that is happening despite the negative.

(I felt that posting positives in the Fucking Fuck thread was not fair to that thread.)

I have successfully eliminated feeding time drama. I will tell you how.

But first - if you're willing to make a small screw hole in the pantry door, you can get an inexpensive metal latch hook that will improve that part of your system. If that won't work, you can find another way to keep that door securely closed. If you get stuck, just use your second AskMe question. You should be able to solve this problem :)

If you can't, well, it doesn't sound like you're getting a ton of help from the robot. Would it be just as easy to store the food in an air-tight container and serve whenever you feel like it?

Now - here's how I got my round little foster cat to stop harassing us for food:

I convinced her that I was not responsible for deciding when to feed her. I had an old phone with a distinctive, not-unpleasant alarm sound (harp glissando), set the alarm for her feeding times, and made a huge show about hearing the alarm sound, running over to it (to shut it off), and feeding her exactly then. It was clear that I was controlled by the harp sound. She made the connection very quickly, and would go sit and watch the sound/alarm system when it was close to meal times. My life improved. Safety improved (no cat weaving around my ankles). My estimation of my own cleverness improved also :)

I've found that about two-thirds of the way through any large knitting or crochet project, most stitchers get bored and antsy and often start a new project instead of finishing, so I'm familiar with this type of thing in another context. But I think anyone who thinks we're in the third quarter of this situation now has another think coming.

"fascinating, and I'm going to assume it's not hoax. But it doesn't so much raise my impression of the inherent decency of humanity as get me wondering what sort of values etc they were propagating at that exclusive school in Tonga."

This is actually pretty well-studied -- I have a friend who did a Ph.D. in the total collapse of local civil authority and what happens next -- and Lord of the Flies is flat wrong. Humans in an emergency situation lean on each other and help each other. If they fall into despair and think survival isn't possible, they might destroy themselves -- but they don't (usually) take others with them. But generally they pool resources, create organization, find ways to help the group, and find ways to care for the helpless and infirm. People get really frustrated when they're NOT able to assist the group, and even people who have very limited physical abilities try to find ways to help, maybe keeping an eye on the little children, or teaching kids to read.

"Because by the time I read Lord of the Flies in Grade Nine or thereabouts, I'd experienced enough suburban schoolyard/playground savagery and whatnot to not really find its extrapolations all that unbelievable."

So part of the problem with children and schoolyard savagery is that we keep them in a HUGELY artificial structure and limit their ability to participate in society and contribute to it. We MAKE them savages by refusing to allow them to contribute to the group. One of the things we know about children who find themselves without adults and with a need to organize and survive (which might be like these boys, in an actual hardcore survival situation, or they might have plenty of food and water and heat and just need to wait for the blizzard to end and grown-ups to fetch them from where they got snowed in) is that they are amazing at it. Given a chance to be competent and responsible, they usually do really really well! And children have a HUGE innate sense of fairness (it's a developmental phase), so kids under 14 or so basically IMMEDIATELY sit down as a group and hash out how they're going to make decisions and hold people accountable. Generally, they decide on a democracy -- it's not "fair" unless everyone has a say -- and that everyone will have to take turns at gross jobs, and create some kind of punishment for those who don't do their work, which is usually either an extra turn at gross jobs or having to sleep in the worst spot (where they otherwise take turns). They tend to be very conscious of what they know about safety (problems come in with what they DON'T know, like not using a grill indoors for heat b/c you can die from the smoke), and cautiously warn each other to be careful cooking and with sharp objects, and take care to learn from each other's knowledge. If one kid knows how to build a fire, the others will defer to his expertise and will have him teach them and follow his instructions carefully.

Kids do CRY a lot more than adults do, and they get their feelings hurt a lot, but kids are also very conscious of and used to the fact that you can't just avoid people or cut them out of your life (kids don't have that power), so they tend to do a really good job reconciling in-group disputes. They might not all LIKE each other, but they find a way to work together and just complain about each other.

Do you remember that reality show that was meant to be "Kid Survivor" and they hoped it would turn into Lord of the Flies, and it was a SPECTACULAR FLOP? The producers had set up better and worse "houses" in the "abandoned town" set and expected the kids to race for a free-for-all to get the best stuff, and instead they arrived, explored, and then all sat down and made a group decision about how to divide it all up. A couple kids tried to be selfish and stubborn, but got shamed into compliance by the rest of the group, and one of their first concerns was that the littlest kids be buddied up with older kids because it would be too hard for them otherwise "and they might get scared." They agreed on a decision-making procedure the first night and basically stuck to it through the show. When one kid was a jerk, they would all go sit around the campfire and talk and talk and talk until the jerk agreed to stop being a jerk. The producers would create survivor-like challenges where the "winner" would get extra food or some special thing, and every single time they kids would either a) refuse, as a group, to compete, because it wouldn't be "fair" or b) agree to compete because it would be fun or because they wanted/needed the reward, but the winner would share his winning equally with the group AND ALWAYS DID.

Margaret Mead said that in her opinion, the first sign of civilization was a 15,000-year-old human grave with a healed thigh bone. Which means that the nomadic group rescued that person, immobilized his femur, and then cared for him for MONTHS while he recovered and could not contribute to the group. Wild animals die if they break a bone. Humans became civilized, she felt, when the group cared for the individual and allowed them to heal from such grievous injuries. Turns out that's still how we roll.

Oh for fuck's sake. There's some really interesting stuff in these links, most of it has nothing to do with the three-quarter point of anything, and none of it is making any kind of claim about when this will end.

It's a bunch of interesting stories about how people fail under isolation, and fail harder when relief still feels out of reach. Sure, one thing that can make it feel out of reach is knowing you've still got a quarter of your mission left. Another thing is having no clue how long things will last, which hopefully we can all agree is relevant?

Can we take a deep breath, pretend that Athanassiel chose a pull quote that wasn't total pedant-bait, and start over?

Inspired by the iconic Drag Race "unboxing," Shangela takes an audio quiz on unboxing videos found on YouTube. Heard on D.J. "Shangela" Pierce: Quaran-Queen. Copyright 2020 NPR. To see more, visit OPHIRA EISENBERG, HOST: All right, are you ready to have a little ASK ME ANOTHER challenge? SHANGELA PIERCE: I'm going to tell you guys, I love games. EISENBERG: Great. PIERCE: So I'm super competitive. I'm not playing against anyone I know. But I love games. So this is so cool because I haven't been able to go to a game night. My mom and I play Connect Four (laughter) a lot. JONATHAN COULTON, BYLINE: (Laughter). PIERCE: But yeah, I'm so excited. Yes. EISENBERG: Shangela, longtime fans of "RuPaul's Drag Race" will remember the truly iconic moment when you surprised the Season 3 contestants by jumping out of a giant box. OK, so was that your idea? PIERCE: Oh, well, it wasn't my idea at all... EISENBERG: Oh. PIERCE: ...For the first time I did it, that was Season 3. Because I remember the

Updated at 6:12 p.m. ET Andy Serkis, the physically nimble actor largely known for his CGI-assisted roles, did some quarantine reading, performing the entirety of The Hobbit in a livestream on Friday. On a Gofundme page established for the event, Serkis wrote that he would conduct the 12-hour marathon reading of J.R.R. Tolkien's beloved fantasy novel to raise funds for COVID-19 relief efforts. Depending on his copy, that's some 300 pages of Bilbo Baggins' adventure from his humble hobbit hole in the Shire to the mountain lair of the fearsome dragon Smaug – and back again, read and performed by Serkis. The actor began reading the novel at around 10 a.m. in the United Kingdom (that's 5 a.m. ET). "Together we'll face the might of the trolls, journey to the magical Rivendell, encounter the giant spiders in the labyrinths of Mirkwood, and the evil goblins living among the roots of the Misty Mountains, until we meet the dragon Smaug, and see the Battle of the Five Armies," Serkis wrote on

Copyright 2020 NPR. To see more, visit https://www.npr.org.

Dr. Grace Farris is chief of hospital medicine at Mount Sinai West in Manhattan. She also writes a monthly comics column in the Annals of Internal Medicine called "Dr Mom." You can find her on Instagram @coupdegracefarris . Copyright 2020 NPR. To see more, visit https://www.npr.org.

Samanta Schweblin is not a science fiction writer. Which is probably one of the reasons why Little Eyes , her new novel (translated from Spanish by Megan McDowell) reads like such great science fiction. Like Katie Williams's 2018 novel Tell The Machine Goodnight before it, Little Eyes supposes a world that is our world, five minutes from now. It is a place with all our recognizable horrors, all our familiar comforts and sweetnesses, as familiar (as if anything could be familiar these days) as yesterday's shoes. It then introduces one small thing — one little change, one product, one tweaked application of a totally familiar technology — and tracks the ripples of chaos that it creates. In Tell The Machine , it was a computer that could tell anyone how to be happy, and Williams turned that (rather disruptive, obviously impossible) technology into a quiet, slow-burn drama of family and human connection that was one of my favorite books of the past few years. Schweblin, though, is more

Copyright 2020 NPR. To see more, visit https://www.npr.org.

Copyright 2020 NPR. To see more, visit https://www.npr.org.

Updated at 1:55 p.m. ET Little Richard, the self-described "king and queen" of rock and roll and an outsize influence on everyone from David Bowie to Prince, died Saturday. He was 87 years old. Wayne Chaney, his longtime bandleader and tour manager, tells NPR that Little Richard died at his brother's home in Tullahoma, Tenn., after a battle with cancer. Rolling Stone was the first to report on his death. With his ferocious piano playing, growling and gospel-strong vocals, pancake makeup and outlandish costumes, Little Richard tore down barriers starting in the 1950s. That is no small feat for any artist — let alone a black, openly gay man who grew up in the South. He was a force of nature who outlived many of the musicians he inspired, from Otis Redding to the late Prince and Michael Jackson. His peers James Brown and Otis Redding idolized him. Jimi Hendrix, who once played in Little Richard's band, said he wanted his guitar to sound like Richard's voice. The late David Bowie was 9

Updated on April 13 at 5:06 p.m. ET Forget living paycheck to paycheck. Many families have lost work during the pandemic and are running out of cash as they wait for unemployment checks and government rescue money to arrive. These are highly unusual times, and family budgeting recommendations are also unconventional. Kathy Hauer, a financial planner based in Aiken, S.C., says she's telling people to do things she has never recommended before: "Defer as many payments as possible and worry about it later." But, she says, don't just ignore all the bills. Make sure to call all the companies and ask for forbearance — either a delayed payment or a new payment plan. This is an especially hard time for lower-income families who don't have a lot of wiggle room in their budgets, Hauer says. They may not be able to borrow money from other family members. If they have bad credit, they can't qualify for personal loans from banks. Many also don't have credit cards or are close to maxing those out.

Editor's note: This is an excerpt of Planet Money 's newsletter. You can sign up here . US Federal Reserve Chairman Jerome Powell ANDREW CABALLERO-REYNOLDS / AFP via Getty Images As the global economy shuts down, the U.S. Federal Reserve has begun sending billions of dollars to central banks all over the world. Last month, it opened up 14 " swap lines " to nations such as Australia, Japan, Mexico, and Norway. A "swap line" is like an emergency pipeline of dollars to countries that need them. The dollars are "swapped," i.e., traded for the other country's currency. The Fed has also started allowing around 170 foreign central banks that hold U.S. Treasury bonds to temporarily exchange them for dollars. Sending billions of dollars abroad in the middle of a historic economic crisis might seem crazy: As America's economy crumbles, why are we moving our precious dollars *out* of the country? The answer has to do with the Fed's unique position in the global economy. Dollars are the lynchpin

When the British economy ground to a halt a few weeks ago, Reda Maher suddenly found himself among the ranks of the unemployed, alongside untold millions of other people around the world. But unlike many others, Maher can rest easy, knowing that money will keep flowing into his bank account until he's called back to work. "I woke up a couple of hours later than I normally would. I won't lie," Maher said one afternoon earlier this month. "I took a nice long masked and gloved walk. I've got a remote personal training like fitness session in about 20 minutes." The United Kingdom recently began paying 80% of the salaries of workers laid off because of the coronavirus pandemic. The government caps the pay at about $3,000 a month, but many employers, including the London-based video streaming service where Maher works, add to what the government hands out. Maher also doesn't need to worry about being left without health care coverage, thanks to Britain's National Health Service. Across

Angelita Wynn has driven a school bus for six years. Wynn was driving the kids back home on her afternoon run in Pittsburgh one day in March when she got word her job was going away. Over the radio. "Our dispatcher came across the radio saying that school was closed, so that's how I found out," Wynn said. "And that's the last time I've been in the bus." Her favorite thing about her job was the sense of freedom it offered, where driving can get you from one place to another. Her least favorite thing: It didn't pay a living wage. Wynn notes that most school bus drivers are retired or married to someone who brings in another income. "If you don't fit in those categories it can be a struggle," she said. She typically collects unemployment during the summer when school is not in session. But the abrupt layoff this spring and a weeks-long delay in getting her jobless benefits has thrown her for a loop. "My bank account is in the negative," Wynn said. "I've had to rely on savings that will

"You can't really have a concert if you can't have an audience," David Roode muses. His career as a concert trombonist in Cincinnati went abruptly on hold when stay-at-home orders took effect in March. "I had months of gigs that were just canceled." Roode and his wife, a concert pianist, have done some recording while on lockdown in Cincinnati. And they've tapped into savings they typically rely on during the slower summer months. "If I kind of burn through my summer money now, then when the summer comes and there's no work, there might be more of a problem," Roode says. He's done some soul-searching about the role of a musician during a pandemic. "The medical professionals are the ones who are on the front lines who are really making a difference," Roode says. But he thinks artists and performers will eventually be in demand again. "I really think when this is all over, people are going to want to go hear concerts and they're going to want to have that experience." Read more stories

The Labor Department is expected to deliver a historically bad employment report Friday, showing millions of jobs lost last month as the jobless rate soared to around 16% — the highest level since the Great Depression. Unemployment inched up to 4.4% in March as the coronavirus began to take hold in the United States. It approached 25% during the Great Depression and remained elevated until World War II. As painful as the report for April will be, it won't tell the full story of the economic wreckage left by the coronavirus and the government's drastic efforts to control it. The report is based on surveys conducted in the middle of April, and claims for jobless benefits suggest that millions of additional jobs have been lost since then. What's more, the headline unemployment figure includes only people who are actively looking for work and those on temporary furlough, ignoring millions more who have been involuntarily idled by the pandemic. Even with those limitations, the April

Updated at 11:43 a.m. ET The Labor Department delivered a historically bad employment report Friday, showing 20.5 million jobs lost last month as the nation locked down against the coronavirus. The jobless rate soared to 14.7% — the highest level since the Great Depression. The highest monthly job loss before this was 2 million in 1945, as the nation began to demobilize after World War II. The worst monthly job loss during the Great Recession was 800,000 in March 2009. Loading... Don't see the graphic above? Click here. Unemployment was 4.4% in March as the coronavirus began to take hold in the U.S. It approached 25% during the Great Depression and remained elevated until World War II. Loading... Don't see the graphic above? Click here. The carnage was felt across industries in April. With most travel shut down, leisure and hospitality jobs fell by 7.6 million. The retail and health care sectors each dropped by 2.1 million. Manufacturing lost 1.3 million and government jobs fell by 980

Very briefly, at the end of 2019 and the start of 2020, there were slightly more women on American nonfarm payrolls than men. That's no longer true. The historically disastrous April jobs report shows that the brunt of job losses fell on women. Women now account for around just under half — 49% — of American workers, and they accounted for 55% of the increase in job losses last month. One way of looking at why that matters that is to look at the gap that opened up between women's and men's unemployment last month. The below chart shows women's unemployment rate minus men's unemployment rate since 2007. Usually, the line bumps around near or just below zero — meaning men's unemployment is usually near or slightly higher than women's. But that spike on the far right shows how women's unemployment leapt to be 2.7 points higher than men's in April. Women had an unemployment rate of 16.2% to men's 13.5% last month. That's uncommon for a recession. The below chart is a longer view, and the

Den Ursprung einer Epidemie zu finden ist nicht leicht, sagt Fabian Leendertz. Er jagt seit Jahrzehnten Erreger – und hat die Quelle für Ebola in Westafrika gefunden. Der Forscher erklärt, warum die Suche so schwierig ist und welche Rolle Affen dabei spielen.

I looking forward to hearing your original tunes and to finding the diamonds in the rough! Please submit your song(s) for a critique.

I am looking to both critique artists as well as find new talent. If your music is great I will present it to The Orchard for possible distribution. We are always looking for new good talent. Since we are a subsidiary of Sony Music there are endless opportunities for me to present an artist that has real talent.

I believe in developing relationships and making connections. When I work with you I begin by finding out about you, what you like, and where you've been. I learn who your favorite artists are, who inspires you, what entertains you or brings you joy. Always authentic I speak to you on a human level and share freely about lessons and tips I've learned along the way. I've been at The Orchard/SONY corp for the past 8 years. Before that I worked at Polygram Classics & Jazz, as well as Rolling Stone Magazine. I feel lucky every day that I can work with what I love - music & people - and I don't have to wear a suit!

- Lauren Perl / The Orchard (SONY Music Entertainment)

Looking for commercial hit songs for a host of pop artists in China, Taiwan, Hong Kong, Japan etc. We work closely with Universal Music in Hong Kong, giving us direct access to major artists in South East Asia and Japan searching for tracks for their next and current projects.

We are looking for commercial radio tracks which have great beats, memorable hook lines and current styles. Uptempo K-Pop, ballads, R&B/Pop, Rock, Soul and MOR suitable for male, female and boy and girl-bands.

Lyrics may be translated depending on the artist so send in all language demos or masters.

We are looking forward to hearing some great music.

- Dean Hart / Afrikan Cowboy Publishing

Deal Type: Song Placement
Decision Maker: Selected tracks will be pitched for final decision
Deal Structure: Non-Exclusive
Compensation: $1,000+ based on final placement
Song Quality: Rough Demos, Fully mastered, Broadcast ready