Patrick Jenkins and guests discuss RBS as Alison Rose, the first woman to lead one of the UK’s top banks, takes the helm, Iqbal Khan and the hiring spat between Credit Suisse and UBS, and the role of US investment banks in the failed WeWork IPO. With special guest John Cronin of Goodbody stockbrokers in Dublin.

Contributors: Patrick Jenkins, financial editor, Nicholas Megaw, retail banking correspondent, Stephen Morris, European banking correspondent, and Laura Noonan, US banking editor. Producer: Fiona Symon

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David Crow and guests discuss the scandal that has engulfed Credit Suisse, including the apparent suicide of a security consultant involved in a corporate espionage operation for the bank, US bank Wells Fargo's new chief executive, and the merits of the European Central Bank's interest rate policy. With special guest Jean Pierre Mustier, president of the European Banking Federation and chief executive of Italian bank UniCredit.

Contributors: David Crow, Banking editor, Sam Jones, correspondent in Zurich, Laura Noonan, US banking editor, and Patrick Jenkins, financial editor. Producer: Fiona Symon

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David Crow and guests discuss Standard Chartered chief Bill Winters' 'voluntary' pay cut after a dispute over his pension allowance, Citigroup's confidence in the City of London regardless of the outcome of Brexit, and gathering clouds for Facebook's much hyped digital currency, Libra. With special guest David Livingstone, chief executive of Citigroup in Europe, the Middle East and Africa.

Contributors: David Crow, banking editor, Stephen Morris, European banking correspondent, and Laura Noonan, US banking editor. Producer: Fiona Symon

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Patrick Jenkins and guests discuss the latest from the World Economic Forum in Davos, the outlook for Bank of America, and JPMorgan Chase's decision to buy a second office in Paris. With special guest Brian Moynihan, chief executive of Bank of America. 

Contributors: Patrick Jenkins, financial editor, David Crow, banking editor, Laura Noonan, US banking editor, and Stephen Morris, European banking correspondent. Producer: Fiona Symon

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Matthew Vincent and guests discuss the double-digit fall in the 2019 bonus pool for Barclays investment bankers, Goldman Sachs's shift in focus towards consumers, and UK subprime lender Amigo's dramatic fall in value. With special guest Dr Monica Franco-Santos, reader in governance at the Cranfield School of Management.

Contributors: Matthew Vincent, regulation correspondent, Stephen Morris, European banking correspondent, Laura Noonan, US banking editor, and Nicholas Megaw, retail banking correspondent. Producers: Fiona Symon and Persis Love

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Matthew Vincent and colleagues discuss Goldman Sachs and Amazon - another big tech tie-up for the Wall Street name, Deutsche Bank's profit targets, and what a case of stealing from a workplace canteen tells us about the current climate for ethics and compliance in banking. With special guest Russell Quelch of Redburn, the equity research house.

Contributors: Matthew Vincent, regulation correspondent, Stephen Morris, European banking correspondent, Robert Smith, capital markets correspondent, and Laura Noonan, US banking editor. Producer: Fiona Symon

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Matthew Vincent and guests discuss revelations about the UK's opening gambit in seeking a deal on 'equivalence' with the EU, Tidjane Thiam's ouster from Credit Suisse, HSBC's delay in choosing a permanent chief executive, and challenger bank Starling's fund raising. With special guest Ann Boden, chief executive of Starling Bank.

Contributors: Matthew Vincent, regulation correspondent, David Crow, banking editor, Stephen Morris, European banking correspondent, and Nicholas Megaw, retail banking correspondent. Producer: Fiona Symon

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Matthew Vincent and colleagues discuss the hunt for new chief executives among Europe's top banks and JPMorgan's plans to launch a digital bank in the UK. With special guest Sir Mike Rake, former CBI president, and former deputy chairman of Barclays.

Contributors: Matthew Vincent, regulation correspondent, David Crow, banking editor, Stephen Morris, European banking editor, and Nicholas Megaw, retail banking correspondent. Producer: Fiona Symon

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Behind the Money is a podcast from the Financial Times that takes listeners inside the business and financial stories of the moment with reporting from FT journalists around the world. You can find Behind the Money wherever you get your podcasts, including FT.com/behindthemoney.

A costly investigation into the conduct of senior Barclays bankers during the 2008 financial crisis has raised questions about what it means to prosecute allegations of corporate crime, and whether Britain’s fraud laws need overhauling. The FT's Caroline Binham and Jane Croft report.

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Worsening conditions in the capital increase threat posed by the virus

An activist who dug his own course in pursuit of reform

Demand for tech services expected partly to counter pandemic downturn

Funeral homes are full in working class section of Queens where immigrants pursue American dream

Our predicament is that wealth has become the only apparent source of safety

Succession spotlight on younger sister Kim Yo Jong

The FT’s pick of the year’s best visual journalism, from extreme weather patterns to signs of a growing surveillance society

The death of inflation has been exaggerated and after the pandemic we may need it

It premiered at Cannes to cheers and boos, and went on to win the Palm D’Or. Some called it a masterpiece; others dismissed it as overblown nonsense. But what’s so divisive about Terrence Malick’s ambitious new film? It’s a coming-of-age story set in 1950s Texas but it also has long sequences that explore the natural world and the origins of the universe. Does it work? And is its strong religious strain likely to turn off non-believers? Raphael Abraham is joined in the studio by Nick James, editor of Sight & Sound magazine, Peter Aspden, FT arts writer, and Leo Robson, film critic. Produced by Griselda Murray Brown  

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Postmodernism defined itself against the stifling clarity and seriousness Modernism. It put style before drab functionality. It embraced pop culture and garish colour. But it got a bad rep. “PoMo” was called vacuous and kitsch, and in the 1980s it became associated with corporate culture and consumerism. Now this controversial cultural movement is the subject of a major exhibition at London’s Victoria and Albert museum, "Postmodernism: Style and Subversion 1970–1990". Neville Hawcock talks to Glenn Adamson, co-curator of the show, and to FT columnists Edwin Heathcote and Peter Aspden. Produced by Griselda Murray Brown  

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Author Amy Waldman reads her short story set in Afghanistan 'Mile 54', commissioned by the Financial Times for the new year.  

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The late choreographer and high priestess of Tanztheater Pina Bausch once said she was not interested in how people move but in what moves them. As part of the London 2012 Cultural Olympiad, the Barbican Centre and Sadler’s Wells will stage Bausch's 10 Cities. Peter Aspden talks to Alistair Spalding, artistic director of Sadler’s Wells and a friend of Bausch, and to FT dance critic Clement Crisp, who “owns to a mistrust of Tanztheater, or dance-theatre, or Euro-tedium – call it what you will.” Produced by Griselda Murray Brown  

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The Cultural Olympiad spans four years and encompasses more than 500 events – culminating with the current London 2012 Festival. This unprecedented artistic marathon has cost a reported £97m – but is it worth it? Jan Dalley puts this question to Sarah Weir of the Legacy List, a post-Olympic charity for arts, culture, education and skills; William Sieghart, founder of the National Poetry Day and of Winning Words, a national project to incorporate poetry in the games; and Peter Aspden, FT arts writer. Produced by Nicholas Spencer  

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London will host seven international art fairs during October, including Frieze London and Frieze Masters, and there will be three more in European cities. FT Arts editor Jan Dalley, dealer and gallerist Thomas Dane, FT Collecting columnist Georgina Adam and Stephanie Dieckvoss, director of Art 13, a new event launching in March 2013, discuss the global appetite for this kind of showcase and the dangers of “fairtigue”  

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Based on a novel by Peter Stephan Jungk, 'The Perfect American' is the story of one of the 20th century's biggest entertainment moguls. The FT's arts writer gives his verdict on the work's premiere at the Teatro Real, Madrid.  

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Pre-first world war Vienna has some curious parallels with Spain today  

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Where there is a public clamour for explanation, writers and artists should be unafraid to step in, says the FT's arts writer  

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Author Mohsin Hamid reads his short story 'Alien invasion in the G.L.A.C.', commissioned by the Financial Times for the new year.  

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David Cheal tells the tale of the Burt Bacharach penned classic 'I Just Don’t Know What to Do With Myself', from the 1964 soul of Dusty Springfield to its 2001 raw-rock treatment by The White Stripes. Credits: Philips, Stiff, Elephant  

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Ludovic Hunter-Tilney looks at 'It's the Hard Knock Life' from Broadway's musical Annie and its influences on Katy Perry's 'Roar' and Jay-Z's 'Hard Knock Life (Ghetto Anthem)'. Credits:Columbia, Roc-A-Fella, Columbia  

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Written for a 1935 romcom, this song complies with the strict moral codes of the time, but turns Hollywood convention on its head, says Mike Hobart. Credits: 4:Squared Entertainment, Nostalgia Music Catalog, Universal Island Records  

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A Motown classic and Beatles favourite that went on to become perhaps the first postmodern pop song: David Cheal on the many lives of 'Money (That's What I Want)'. Credits: Motown Records Inc., EMI, Simitar.  

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A pocket symphony, “Surf’s Up” was written by Brian Wilson at the peak of his creative brilliance. David Cheal discusses the Beach Boy who didn’t surf, and how he caught the wave of emerging 1960s counterculture. Credits: Capital Catalog, Smog Veil Records  

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How did Bill Withers' little blues inspire a 1990s R&B hit and a Simon Cowell-produced football anthem? Ian McCann charts its history. Credit: Columbia, Legacy, Sony, Ministry of Sound, Syco  

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Ben Lerner is one of the most highly praised and unconventional writers of his generation. The 37-year-old recently met John Sunyer, a commissioning editor on FT Weekend, to talk about why he's 'doomed to write more novels'. Here, he reads one of his favourite poems.  

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It took Wilbert Harrison a long time to get traction with his ode to fidelity, but it became a hit for him, Canned Heat and later Bryan Ferry. Richard Clayton traces its progress. Credits: The Restoration Project, Marianne Melodie, Universal Music Group International, Thousand Mile Inc, Naïve  

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Snippets of Isaac Hayes' classic were used by trip-hop pioneers Portishead and Tricky. Richard Clayton tells the life of a sample. Credits: Decca, Universal Music, Virgin EMI  

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Prince wrote his song about partying in the face of nuclear threat during the cold war but it gets heavy rotation to this day  

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Joy Division's stripped-down sound signaled a new direction for music in 1978, but the lyrics to this song would prove horribly portentous. Credits: WM UK, London Records, Universal Music International Ltda, Palare, BBE  

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Harriet Fitch Little on how Dolly Parton's anti-work anthem went from the movies to the White House to a muddy field in Glastonbury. Credits: Sony Music Entertainment, Capitol Steps, Pumpin' UK Records, Dolly Records, BBC/Glastonbury  

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Helen Brown looks at how Serge Gainsbourg's infamously salacious love song originally written for Brigitte Bardot would become a hit for the French composer and his English girlfriend Jane Birkin, despite facing widespread bans and condemnation. Credits: Mercury France, Mercury Music Group, Rarity Music, Parlophone UK, Barclay.  

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David Cheal looks at how Bob Dylan took inspiration from an old Scottish border ballad while writing this era-defining apocalyptic vision of what he saw as the violent, ignorant and hypocritical socio-political landscape of 1960s America. Credits: Sony Music Entertainment Inc, A Wing & A Prayer Ltd, Vanguard Records, Virgin Records. Patti Smith Nobel ceremony recording courtesy of: Nobelprize.org.  

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David Honigmann looks at how a sleeping Keith Richards dreamt up a riff that would later develop into a number one hit for Rolling Stones and become one of the most recognisable rock anthems of all times. Credits: ABKCO Records Inc, Universal International Music B.V, Rhino Atlantic, Virgin Records Ltd.  

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Twenty years after they headlined Glastonbury, Radiohead return to the British music festival. FT pop writers Ludovic Hunter-Tilney and David Cheal discuss the band's lullaby of despair 'No Surprises' from their 1997 album OK Computer. Credits: Sire/Warner Bros, mudhutdigital.com, XL Recordings, Easy Star, SKIP Records  

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The singer’s old label boss called the song ‘a morbid mess’, but it shot to number one in the US. Ahead of the 40th anniversary of Elvis’s death in August, FT pop writers Peter Apsden and David Cheal discuss the song's origins, dark appeal and afterlife. Credits: 104pro Media, Legacy Recordings, Entertain Me Ltd, Spectrum, Omnivore Recordings, Vengeance Records  

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Set against a backdrop of protest and upheaval, the songs released in 1968 represent a turning point in music. FT pop writers David Cheal and Peter Aspden are joined by author Tot Taylor to debate the year's most important songs and artists, from Tyrannosaurus Rex, The Beatles and Pink Floyd to Joni Mitchell and Tim Buckley.

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When "Wuthering Heights" was released 40 years ago this year, it became the first song written and performed by a woman to reach number one in the UK charts. What was the song's — and Bush's — special appeal? Why have there been more parodies than straight covers? And why is it so popular now, with re-enactments of the music video taking place around the world? FT music writers Jude Rogers, Helen Brown and David Cheal discuss the song and its afterlife.

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Africans in Guangzhou evicted from hotels and had passports confiscated, officials say

Do you find yourself stumped by questions about how much to put towards your mortgage payment versus your investments? It may be time for a midlife financial MOT. Presenter James Pickford talks to FT reporter Lucy Warwick-Ching about why advisers are targeting people in their forties and fifties. Next, we speak to a woman who cleared credit card debt to the tune of £16,000. And finally, we discuss what's behind Britain's growing tax gap. 

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Facebook plans to shake up the finance world with a new digital currency called Libra - we hear about its pros and cons. Next up, we discover what Moll Flanders, the literary anti-heroine, can tell us about modern day bank fraud. And finally we find out how smaller shareholders can stand up for their rights. 

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Having a baby is one of the best things that could happen in your life - but sadly it could also be the worst thing that could happen to your finances. We discuss the effects of the gender pay gap. Plus FT Money editor Claer Barrett talks to guests about what kind of investor Adrian Mole could have grown into. And what could happen to the 'best buy' lists used by fund supermarkets in the wake of the Woodford scandal?

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