Swimming sensation Ellie Simmonds OBE was guest of honour when she went back to her old school in Aldridge to meet marathon readers.

Tasty theatrical treat served up as part of Celebration Week.

Arts centre commended for excellence and innovation in digital accessibility for all.

West Midlands Police football unit signs up for Great Birmingham Run.

Helen Dixon House receives grant aid from police charity.

Greater visible presence of officers on the streets to reassure the public.

Six guns seized and five arrested in space of 24 hours.

Should private companies be undertaking police work? Dave Woodhall argues not.

Police response followed policy before missing man found murdered.

Security roadshow heads to Snow Hill.

Top BBC presenter Michael Buerk is to return to his old school to chair Solihull’s inaugural Big Debate.

World record football freestyle expert to visit Solihull.

Good Hope Hospital - in partnership with Healthcare at Home Ltd - is launching its first recovery at home (R@H) service this week

England wicket keeper Sarah Taylor is arguably one of the best female cricketers in the history of the ladies game and she could make history this summer by becoming the first woman to play men's second XI county cricket.

Czech warms up for Wimbledon with Edgbaston triumph.

Karolina Pliskova joins star-studded Edgbaston line-up.

Community initiative gains wide support.

Richard Lutz queries just who benefits from ever-newer levels of digital technology.

Gaz & Liam run Jack White & Dan Auerback head to head this week.

There’s also an exclusive Blues Kitchen session with Multiple Grammy Award Winning ‘Fantastic Negrito’ alongside some classic cuts from The Watts 103^rd St Rhythm Band, Clarence Reid, Townes Van Zandt, Larry Williams & Little Richard.

** Join Liam & Gaz for a live recording of The Blues Kitchen Podcast **

Limited £5 tickets from: bit.ly/bkpodcastlive

Weds 16th October 

7pm – 9pm / The Blues Kitchen Shoreditch

When you've caught up with the podcast, head over to The Blues Kitchen YouTube channel:
www.youtube.com/BluesKitchenTV

Email the show: radio@theblueskitchen.com

Listen on Apple Podcasts, TuneIn, Mixcloud, Acast & many more…

After a somewhat over indulgent weekend of music shopping Gaz & Liam bring you music from Little Feat, Love & Arthur Lee, The Lowlands Studio Band, The High Numbers, Big Jim Cartright, Derek Martin & Eric Clapton. 

There’s also an exclusive session with comedian, presenter & musician – Rich Hall.

50^th Anniversary of Abbey Road at The Jazz Cafe

Thursday 19^th December 2019

https://thejazzcafelondon.com/event/beatles-abbey-road-50th-anniversary-celebration-3/

The Blues Chronicles at Bush Hall

Thurs 27^th 2020

Fri 28^th Feb 2020

https://theblueschronicles.com/events/

When you've caught up with the podcast, head over to The Blues Kitchen YouTube channel:
www.youtube.com/BluesKitchenTV

Email the show: radio@theblueskitchen.com

Listen on Apple Podcasts, TuneIn, Mixcloud, Acast & many more…

Help Acorns - by order!

Birmingham's hidden industrial heritage saved from the skip.

Richard Lutz takes his pew for the Ben Johnson classic that caustically sends up his fellow Londoners of 1610.

Imagine a 30 foot high Ariel towering above Propero - that’s what you get in this groundbreaking performance, says Richard Lutz

Richard Lutz plunders his archive to remember what happened last week.....

This week, we talk to one of the foremost thinkers in hip-hop, Professor Tricia Rose. Rose, who teaches at Brown University, is the author of two seminal books about rap. The first, Black Noise: Rap Music and Black Culture in Contemporary America, was published in 1994 and was the first book-length scholarly work about hip-hop. Its extremely influential ideas helped create a framework for writing and thinking about this still-new music.

Professor Rose’s 2008 book The Hip Hop Wars: What We Talk About When We Talk About Hip Hop — and Why It Matters was a critique of the music she loved, which she argued had been warped by corporate influence.

Rose continues to write and speak about hip hop and other topics, in addition to her teaching duties.

See http://theciphershow.com/episode/15/ for full show notes and comments.

This week, we talk to a man of many names. Deric Angelettie is best known for his work with Bad Boy Records’ production squad The Hitmen, who took over the radio in the mid-90’s. In addition to producing hits like “All About the Benjamins” and “Hypnotize,” he served as Bad Boy’s comic id, The Mad Rapper.

Prior to all that, though, he was a rapper named D.O.P., who released a superb record as part of a duo called Two Kings in a Cipher, with future Hitmen partner Ron Lawrence. We chatted with Angelettie about his whole career and the large collection of top-tier rappers he’s collaborated with or produced.

See http://theciphershow.com/episode/21/ for full show notes and comments.

The inimitable Brownsville representer Sean P gives us a rundown of his long-awaited album, Mic Tyson.

See http://theciphershow.com/episode/23/ for full show notes and comments.

This week, we bring you a convo with Michael P. Jeffries, author of Paint the White House Black: Barack Obama and the Meaning of Race in America, a fascinating examination of how we think about race in a supposedly “post-racial” America.

Jeffries is also a huge hip-hop head, and has written about rap music and culture for The Guardian, The Atlantic, and more. We talk to him about Tupac and “thuggin’,” Rick Ross’ controversial “U.O.E.N.O.” lyrics, the changing meaning of being multi-racial, and lots more.

See http://theciphershow.com/episode/42/ for full show notes and comments.

This episode, we talk to hip-hop impresario Michael Holman. Holman was instrumental in bringing the burgeoning culture in Uptown NYC in the late 1970s — the breakdancers, the DJs, the rappers, and the aerosol artists — to a Downtown crowd and, shortly afterwards, to the rest of the world. He wrote books, made short films, hosted TV shows, made albums, managed breakdance troupes, acted in movies, hosted live shows, you name it. Holman also co-founded the band Gray, whose members have included the legendary artist Jean-Michel Basquiat and film director Vincent Gallo.

He is perhaps best known for Graffiti Rock, a TV show he created and hosted in 1984, which was a Soul Train-style show for hip-hop. While it only aired for one episode, its influence is still being felt. In fact, Holman is currently putting together a documentary on the making of Graffiti Rock. You can find out more about the project, and help him make it, here.

See http://theciphershow.com/episode/45/ for full show notes and comments.

We have a very special episode of Outside the Lines With Rap Genius for you. It’s been one year almost to the day since Kendrick Lamar’s instant classic good kid, m.A.A.d city was released, and RG’s very own Nicole Otero sat down with K. Dot to get inside the record. Get the behind-the-scenes scoop on what inspired one of the most heralded albums of recent years, straight from the artist himself.

See http://theciphershow.com/episode/53/ for full show notes and comments.

Beginning with a hometown crew and a particular style of chopped and screwed remixes, Michael Watts successfully turned regional mix tape distribution into a record label empire - turning the national hip hop scene onto the Houston rap community. As we heard from our talk with Houston Rap author Lance Scott Walker, the Houston rap landscape is an incredibly rich one - widely defined by the rappers, producers, and DJs who have never and will never truly leave the city. No one knows that better than Watts.

We talked to the legendary DJ, founder and CEO of Swishahouse Records about the origins of chopped and screwed music, his “fuck action” mixtapes, the hype behind Mike Jones, the beginnings of Swishahouse, and much more.

See http://theciphershow.com/episode/62/ for full show notes and comments.

This episode of OTL is a special one. We got the incredible opportunity to sit down with the Don, Nas, to engage him in a back and forth about his iconic album, Illmatic. The debut album of Nas and a landmark album in both its regional scene and in the overarching hip hop landscape, Illmatic is a work that continues to hold the same poignance, genius, and relevance today.

Hosted by OTL host Shawn Setaro and Nicole Otero at the Rap Genius Ranch at South by Southwest, the conversation included questions from the hosts themselves, RG users, and even members from the audience who were able to participate in their own Q&A. Nas answered candidly with answers that inform some of the deepest thematic chords that run throughout the album, along with stories of his childhood and come up in the Queensbridge, New York.

See http://theciphershow.com/episode/67/ for full show notes and comments.

YC the Cynic is a constantly changing MC. “You’re Welcome”, his first mixtape in 2010, saw YC rapping over classic New York beats — exploring the lineage of rappers that came before him. By the time he released his next mixtape, “Fall Forward”, the following year, the rapper was already exploring and defining a new space for himself. Containing mostly original production, “Fall Forward” allowed YC to experiment, delving into complex, diverse, and imaginative flows, both in rhyme and subject matter. “Fall Forward” proved to be the breakout tape for YC, the success riding off the project pushing him further towards bigger collaborations and bigger stages. A founding member of the Rebel Diaz Arts Collective, YC has traveled with the group in the context of music, social justice, and community engagement alike, weaving the three into a tandem mission.

His newest project, “GNK”, sees YC engaging with some of the themes he does best: the complex associations behind certain uses of language and how speaking through different perspectives can be equally personal and universal.

We spoke to the Cynic about bearing the cross of the Bronx, New York hip hop, gentrification, the similarities behind “profit” and “prophet”, what does it mean to pay homage, the many voices behind “GNK”, and more.

See http://theciphershow.com/episode/70/ for full show notes and comments.

This episode, we have a two-fer. We begin with a really awesome interview with a true West Coast legend, DJ Quik. He has a new album, The Midnight Life, and we talk to him about that, his relationships with longtime collaborators Suga Free and guitarist Robert Bacon, “Hitler microphones,” that time Dr. Dre broke his speakers, and a lot more.

In the second half of the show, we introduce a new artist. Eric Biddines is a Florida-based rapper whose new project, Planet Coffee Bean 2, came to our attention recently. Eric’s futuristic, imaginative, and caffeinated music — and personality — are not to be missed.

See http://theciphershow.com/episode/77/ for full show notes and comments.

This episode, we have a wide-ranging convo with Gene “No Malice” Thornton of Clipse. No Malice (formerly just Malice, before a religious epiphany several years back) and his brother Terrance, a.k.a. Pusha T, form one of rap’s greatest duos. Their smart, vicious raps — often about their real-life experiences dealing cocaine — first brought them to prominence with the massive hit “Grindin’” back in 2002. The group quickly became a critical and commercial favorite, thanks to the brothers’ rhymes and some production help from The Neptunes.

But after some label issues and legal problems, Clipse went on hiatus. No Malice released his solo debut and a memoir, while his brother joined forces with Kanye West. We talk to No Malice about God, going solo, the past (and future) of Clipse, which lyric he regrets most, and more.

See http://theciphershow.com/episode/78/ for full show notes and comments.

Live from Bed Stuy’s Restoration Plaza, we bring you a very special event with Buddha Monk and Mickey Hess, authors of a new biography of the Wu’s Ol’ Dirty Bastard. Occurring only blocks from Dirty’s childhood home, this conversation features not only the authors, but also special appearances from the Wu member’s family and friends. Buddha Monk was Dirty’s close friend since they were children, and had a front row seat to the artist’s rise and fall. His book, co-written with Rider professor Mickey Hess, is The Dirty Version: On Stage, In the Studio, and In the Streets With Ol’ Dirty Bastard, published by Harper Collins. You can buy it here.

If you like this episode, be sure to check out our recent article on the Wu for Radio.com

See http://theciphershow.com/episode/83/ for full show notes and comments.

Greg Nice and Smooth B came together to form a group in 1986. By then, the Bronx rappers already had music business experience that belied their young ages. But when they joined forces, things really took off. Their self-titled 1989 debut and its 1991 follow-up Ain’t A Damn Thing Changed are generally regarded as classics, and spawned hits like “Funky For You,” “Hip Hop Junkies,” and of course “Sometimes I Rhyme Slow.”

Nice & Smooth are currently celebrating three decades as a group with a 30th anniversary tour.

See http://theciphershow.com/episode/158/ for full show notes and comments.

Monica Lynch is a woman who truly was at the center of it all during hip-hop’s Golden Age.

Monica started out in late 1981 as the very first employee of a small record label called Tommy Boy, which was releasing early rap and electro singles by the likes of Afrika Bambaataa and the Jonzun Crew. She quickly worked her way up to becoming the label’s president, and oversaw its most fertile period during hip-hop’s golden age of the late 1980s and early 90s. Under her tenure, the label released classic albums by Queen Latifah, De La Soul, Naughty By Nature, Stetsasonic, Paris, Digital Underground, CNN, House of Pain, and many more.

Monica was a key part of bringing Tommy Boy to the attention of the masses. She oversaw the label’s clothing line, its successful compilation albums, and also played a key role in the development of careers of artists, executives, and more ranging from The RZA to Dante Ross to Prince Paul.

See http://theciphershow.com/episode/171/ for full show notes and comments.

Ernest Dickerson is a director, cinematographer, and writer who has played a key role in some of the best and most important film and television of the past four decades. He got his start in the mid-1980s as the cinematographer on movies by his NYU film school pal Spike Lee. Ernest show every one of Spike’s movies up through 1992’s Malcolm X—a historic run that included She’s Gotta Have It, Do the Right Thing, and Jungle Fever, just to name a few.

Ernest struck out on his own with a hip-hop cinema classic, 1992’s Juice. The film, about four Harlem teenagers who slowly get dragged into a perilous situation, featured Tupac Shakur in his first starring film role—and also had cameos from hip-hop figures of the time like Treach, Queen Latifah, Red Alert, and Yo! MTV Raps hosts Fab 5 Freddy, Ed Lover, and Doctor Dre. A 25th anniversary edition of the movie, with tons of never-before-seen extras including an alternate ending, is available now.

But that’s not nearly all of Ernest Dickerson’s story. He has directed other great films like Surviving the Game, Demon Knight, and the Snoop Dogg-starring Bones. And he has helmed notable episodes of great TV series like The Wire and The Walking Dead. His latest project, out now on the festival circuit, is Double Play.

See http://theciphershow.com/episode/205/ for full show notes and comments.

Welcome to a special episode of The Cipher. This is an episode dedicated to Houston. Like countless people around the world, we were devastated by news of Hurricane Harvey and its effects on the city. If you’re a regular listener, you’ve noticed that we have many episodes discussing Houston music and culture with the city’s artists, businesspeople, and authors.

So, because of that love for Houston’s music, culture, and most of all its people, we decided to reach out to three H-town rap legends and find out what’s really going on in the storm and its aftermath, and to find out what you can do to help. We caught up by phone with Trae tha Truth, Killa Kyleon, and Z-Ro. All three have been involved in recovery efforts —in fact, you may have seen Trae on the news, rescuing people by boat. And all three have seen first-hand the devastation the storm has caused.

See http://theciphershow.com/episode/213/ for full show notes and comments.

Mathematics, or Allah Mathematics, is a DJ and producer who has been part of the Wu-Tang Clan since before there was a Wu-Tang Clan. He DJ’d for GZA in the early 1990s, back when the rapper was known as “The Genius.” At the same time, Mathematics kept seeing a young rapper named Rakeem around town. That guy, Rakeem, would soon become the RZA, and would assemble an all-star team of MCs to form one of the most influential rap groups of all time.

Mathematics DJ’d for almost all of the Wu members at different points, as well as spinoff groups like Red and Meth. But starting in the mid-1990s, he really made his mark as a producer. Mathematics produced some of the best-loved songs from Wu-related projects, including “Mighty Healthy,” “Cobra Clutch,” “Wu Banga 101,” and more. He also designed the crew’s famous “W” logo.

In recent years, he’s been heavily involved with group albums like Iron Flag and A Better Tomorrow. All of this culminated in his new album, Wu-Tang: The Saga Continues. The record features contributions from almost every member of the Clan, and is executive-produced by RZA himself.

See http://theciphershow.com/episode/225/ for full show notes and comments.

Ice is someone who surely needs no introduction…which won’t stop us from giving him one anyway. He got his start in music as part of L.A.s mid-1980s electro scene, emceeing and managing the stage at the noted club Radio, working with people like The Unknown DJ and Chris “The Glove” Taylor, and making a notable appearance in the 1984 film Breakin’.

Following the release of his classic song “6 in the Mornin’” and a fateful 1986 trip to New York City, Ice landed a deal with Sire Records, and began producing a string of huge-selling and groundbreaking albums like Rhyme Pays, Power, and O.G. Original Gangsta. In the 1990s, he turned his attention to acting as well, and appeared in dozens of films including New Jack City, Surviving the Game, Johnny Mnemonic, Trespass, Tank Girl, and more. Oh, and somewhere in there his rock band Body Count recorded the notorious track “Cop Killer.”

These days, Ice’s day job is starring as Detective Fin Tutuola on Law and Order: SVU. But he’s still making music, both on his own and with Body Count.

See http://theciphershow.com/episode/230/ for full show notes and comments.

Erick Sermon got his start alongside Parrish Smith as a member of the iconic duo EPMD. Starting with their debut single in 1987 and their first album the following year, the group released four classic LPs in a row - a nearly unprecedented run in a still-new genre - before splitting (for the first time) in 1993. At the same time, Sermon was instrumental in finding and introducing hit acts like Das EFX, K-Solo, Keith Murray, and Redman for his Hit Squad collective. After the breakup, Erick began a successful career as a solo artist and producer, culminating in his giant 2001 hit “Music.” As a producer, he’s helmed hits for LL Cool J, Jay Z, Illegal, Jodeci, and even Shaquille O’Neal. Most recently, Sermon completed a successful campaign to crowdfund a new album.

See http://theciphershow.com/episode/233/ for full show notes and comments.

Sage Francis and B. Dolan are both from Providence, are both rappers who have roots in spoken word, have toured and sporadically recorded together for years, and even share a label—the Sage-founded Strange Famous Records. But it has taken them until 2018 to release a full project as a duo: the Epic Beard Men.

Sage is a beloved underground rap veteran who has been releasing albums of his smart, introspective, and emotional music consistently since 2002, and touring the universe maniacally to support them—all while running Strange Famous. B. Dolan is an equally talented wordsmith whose solo work is as likely to give new life to old union hymn as it is to pay tribute to the Ol’ Dirty Bastard. The group has a new EP, Season 1, and an album on the way.

See http://theciphershow.com/episode/234/ for full show notes and comments.

Nick, as you undoubtedly already know, is a musician, actor, comedian, TV executive, and all-around entertainer. He got his start doing stand-up comedy while still a teenager. He parlayed that into work at Nickelodeon, where he wrote for and starred in now-classic shows like All That, Kenan & Kel, and the appropriately-named Nick Cannon Show. He moved from that into starring in movies like Drumline and Love Don’t Cost a Thing, putting out several stand up specials, and even hosting America’s Got Talent.

But, as you’ll hear, Nick has always thought of himself as a musician first. He has released numerous albums and mixtapes, written and produced for other artists, and has worked with everyone from Biz Markie to Gucci Mane to the Neptunes to Kanye West. And, of course, he combined his loves of hip-hop and improv comedy into the long running hit TV show Wild ‘N Out. Nick’s latest musical project, released earlier this year, is Calling All Models: The Mixtape.

See http://theciphershow.com/episode/245/ for full show notes and comments.

Jericho Jackson is a group made up of producer Khrysis and rapper Elzhi. Khrysis is best known for his work with the rap collective the Justus League, which counts among its members 9th Wonder. He is currently a member of 9th’s production team the Soul Council. In addition to his North Carolina crew, Khrysis has produced for Sean Price and Heltah Skeltah, Jean Grae, Evidence, Talib Kweli, Black Thought, and many others.

Dedicated Cipher listeners will remember Elzhi from our talk with him on episode 152. The Detroit rapper came to a lot of fans’ attention during his time as a member of Slum Village. He followed that up with a staggering series of solo albums, including the Nas reinvention Elmatic and the deeply personal Lead Poison.

Khrysis and Elzhi’s recent joint album is called Khrysis and Elzhi Are Jericho Jackson.

See http://theciphershow.com/episode/247/ for full show notes and comments.

How Welsh National Opera is helping city music students

A charity concert has raised £700 for the Edgbaston-based charity Ammalife.

"Help us to help you get the treatment you need across Birmingham and Solihull."