Melatonin is a hormone known to promote sleep. But, have you ever wondered how melatonin helps to promote sleep? Researchers from the University of Missouri School of Medicine have discovered how melatonin suppresses the neurons in the brain that keeps you awake and alert. The findings of the study, which is published in the Journal of Pineal Research, could lead to new therapies for those who suffer from insomnia.

"We as a society are losing sleep because we are working too hard, and it's causing a variety of health concerns," said Mahesh Thakkar, lead author of the study. "We often don't even think about sleep or consider it important. However, there is nothing more important than sleep. We need to focus on therapies that can help you have quality sleep, not just sleep."

Using a mouse model, Thakkar's research found that melatonin infused in the brain at dark -- when the mice are awake and active -- increased sleep and reduced wakefulness by suppressing specific neurons that stimulate the brain to wake up.

Thakkar also discovered that blocking melatonin receptors in the brain at bedtime significantly increased wakefulness. The experiments singled out one receptor, MT1, as the mechanism via which melatonin acts to inhibit the specific orexin neurons that wake you up. This discovery could help lead to medications that target only the MT1 receptor instead of multiple receptors, which could lead to fewer side effects for those who take sleep-promoting drugs.

"Melatonin has been used as a sleep drug for many years, but people didn't know how it worked," Thakkar said. "Our research suggests that if you target the melatonin MT1 receptor, you will get the most sleep with minimal side effects."

(Edited by mid-day online desk, with inputs from PTI)

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It's been a grim one week for residents of Vasai-Virar. Situated in Palghar district, 30 km north of Mumbai, the city — Maharashtra's fifth largest — has been fighting a tough battle against torrential downpour, which left several areas under water for nearly five days.

The situation was so deplorable that, for the first time in its history, the Western Railway was forced to collectively summon the National Disaster Response Force (NDRF), Indian Navy, Army, the Coast Guard along with the Railway Protection Force to rescue over 2,000 passengers stranded in trains mid-way due to waterlogging on July 10 — the day the region received 240 mm rainfall.

On Thursday, two days after rain stopped, several areas continued to be severely waterlogged and had no electricity supply. Meanwhile, three people lost their lives after drowning, and hundreds of residents were forced to remain home bound.

Residents wade through knee-high water near H Colony, Vasai West, on Friday. Pics/Hanif Patel

Far from the hubbub of Mumbai, this fast-developing region, which comes under the Vasai-Virar City Municipal Corporation (VVMC), was drowning and any attempt to save it, appeared foolhardy. For old-time residents, who've witnessed the transformation of this green land into concrete, the flooding situation is new and alarming.

Local experts and environmentalists, however, blame unchecked dumping of sand in wetlands, and haphazard construction activities for residential and commercial spaces in Vasai-Virar — the new address for the up and coming middle-class — as the reason behind the slow crumble the city witnessed this monsoon.

Satish Lokhande, commissioner, VVMC vs Sameer Vartak, activist

How residents suffered
Before Vasai-Virar got its own municipal corporation in July 2009, it was already a chosen destination for real estate sharks due to its proximity to the Maximum City. Located along the banks of Vasai creek, which separates the region from Mumbai and Mira-Bhayandar, the agrarian belt, comprising Vasai, Nalasopara, Naigaon and Virar, soon transformed into a residential hub. This change is evident in the four-fold increase of the population in the short span of 20 years — from three lakh in 1991 to over 12 lakh as per the 2011 Census.

On July 9, Vasai-Virar witnessed the first heavy downpour of the season. Several parts of Vasai and Nalasopara unexpectedly began flooding with low-lying areas along the creek facing the biggest risk. In Vasai, Suncity, Gass, 100 Feet Road, Samta Nagar, Evershine City were waterlogged, while Achole Road, Chheda Nagar and Samta Nagar in Nalasopara were also inundated with flood water. For Sameer Dudhwani, who resides on the second floor of DG Nagar Housing Society in Vasai West, where water levels had reached four feet, the heavy showers brought with it unexpected tragedy.

Sameer Dudhwani (right) shows a photograph of his ailing 65-year-old mother, Dilshad, who died on her way to the hospital on July 10, as he was unable to get her out of their waterlogged residential colony, DG Nagar Housing Society in Vasai West, in time for her dialysis appointment. Pics/Hanif Patel

Dudhwani, who resides with his wife and parents, lost his ailing 65-year-old mother, Dilshad, because he could not take her to the hospital on time. "My mother was on dialysis, and would get it done thrice a week.

She had an appointment for July 10, and we were supposed to take her to the hospital, but couldn't step out. As her condition became worse, my neighbours and I decided to lift her on our shoulders and wade out of the colony," Dudhwani recalled. Outside, they struggled to find transport. "Finally, a tempo driver helped us take her to the hospital. But, she died before reaching the hospital," he said.

Sameer Dudhwani

What made it worse was the fact that they could not bury her immediately due to lack of transport on the waterlogged roads. "We managed to bury the body only the following day," recounted a grief-stricken Dudhwani. Rosario D'Souza, a resident of 100 Feet Road, said the fire brigade officials from VVMC were a godsend, as they helped him drop his nine month-pregnant wife, who was in labour, to the hospital in an inflatable boat.

Rosario D'Souza, a resident of 100 Feet Road, said fire brigade officials from VVMC helped him drop his wife, who was in labour, to the hospital in an inflatable boat

The Vasai-Nalasopara-Virar rail stretch on WR was also severely affected with 400 mm water on the tracks by Tuesday morning. Passenger trains had to be stopped as water levels increased. Several outstation trains, including the Vadodara, Bhuj Bandra, Lokshakti and Jamnagar express trains, were halted. Passengers remained stuck for hours together without food, water or any help.

As the situation continued to get worse, AK Gupta, general manager, WR, rallied for help from all possible quarters. By late afternoon, teams from the NDRF started rescuing stranded local train passengers in inflatable boats. "Meanwhile, RPF teams reached out to passengers on the express trains. They had formed a human chain and taken out many passengers, but we also sought the help of the Navy for transport vehicles that could run in water," said Ravinder Bhakar, WR's chief public relations officer.

WR on Tuesday called the NDRF to help rescue passengers stranded in local trains, after the tracks were submerged in 400 mm water 

Poor town planning
According to bird enthusiast and Vasai resident Amol Lopes, the Vasai-Virar belt has always received heavy rainfall. "It rains a lot in this region every year, but it's the first time that we have witnessed flooding to such an extent," said Lopes, who has been living in Vasai for the last 37 years.

"The main reason is that a lot of construction bodies have recently started dumping sand and debris in the wetland areas. We have a lot of lakes and small ponds in Vasai and Virar, which serve as important channels to carry rain water to the nullahs and the sea. Due to the unchecked dumping, there is no natural reservoir for the rain water, causing townships to choke. In fact, several residents have reclaimed these wetlands and built houses over them," Lopes said, citing areas such as Gogte and Umela salt pans, and Vasai Suncity Road that are at risk due to this activity.

Fasle Hoque Qureshi, 33, (fourth from right) is a resident of Ambali Nagar. On July 10, he arranged biscuit packets for the stranded passengers of the Rajkot Trivandrum Express. The next day, Hoque, who also owns a restaurant, had food cooked and delivered to residents of Sant Jalaram Bapu Nagar. Among those who helped him were Farukh Pathan, a retired government official, advocate Ashok Mishra and local residents Usman Khan, Sandip Shukla and Jaiprakash

Environmentalist Stalin D from NGO Vanashakti raised similar concerns. "Check the maps of Vasai and Virar and you will realise why it is going underwater. Vasai and Virar are natural floodplains and not at all fit for townships, built on raised, reclaimed land. Yet, authorities continue to plan newer projects; due to this, illegal reclamation of land, and destruction of ecologically important wetlands and mangrove forests are rampant. No wetland has been spared and those un-built are also earmarked. Citizens don't have a choice as they cannot afford housing elsewhere," he said.

According to local activist Dominica Dabrey, at present, there are two major colonies under construction in Vasai West, which are blocking the path of the rain water that flows through a nullah. "The local corporation built a boundary wall near the nullah, narrowing its width, and causing excess rain water to overflow," said Dabrey.

Another local activist Sameer Vertak also showed mid-day several spots in Nalasopara where construction next to nullahs was rampant. He also pointed out a spot where debris had been dumped in a narrow gutter. Part of the Ulhas river, locally known as Sopara river, which starts from the hills in the eastern part of Vasai and ends in the Vasai creek, has also been encroached, and diverted, Vertak said.

"Also, while the population in these areas has increased manifold, the drainage system is as it was 15 years ago. The corporation has to increase the width of the drainage culvert, and clean them regularly," he said.

'Blame the rain gods'
Father Francis D'Britto, who first rang the alarm bells in 1989, when he approached the local tehsildar office of Vasai, demanding that they chart out a plan for the township, said, "At the time, I had warned them that if they did not tackle the situation soon, this place would drown. Look what's happening now."

 
Stalin D

Local MLA Hitendra Thakur said that Vasai recorded the highest rainfall till July 10, this season. "Last year, we recorded a total of 1,000 mm rainfall from the beginning of the monsoon season till July 10. But, this year we received around 1,700 mm rainfall," he said.

When contacted, Satish Lokhande, commissioner of VVMC also claimed that Vasai-Virar had received "abnormal rainfall" this year. "Also, due to the high tide, the water levels increased in Vasai creek, causing flooding in low-lying areas like Tulinj, Central Park and Deen Dayal Nagar," he said. Lokhande admitted that the drainage capacity in these areas was poor.

He, however, denied that unauthorised construction and encroachment in the Vasai area was responsible for the flood-like situation. "The drainage culvert carrying water from the city is very narrow. It needs to be enlarged and two new culverts need to be built. But, the culvert is on railway land. Our corporation is working on getting requisite permissions."

Chulna villagers rescue orphans

Over the last one week, residents of Chulna village in Vasai West, have come to the rescue of girls from a nearby hostel, Fatima Mata Convent. The hostel is home to 75 girls, most of whom are orphans. During the heavy showers that crippled Vasai, the area around the ashram was severely waterlogged, and the girls were forced to stay indoors. The residents, however, decided to make room for them in their own houses. Each villager adopted three to four girls. "We have kept them at our homes, where we are taking care of them. We have even arranged bus services for them so that they can go to school as usual. They will be with us till the situation gets better," said Asmita D'Costa.

With inputs by Rajendra B Aklekar

Also Read: Mumbai Rains: Vasai-Virar limp back to normalcy after deluge

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After months of stiff resistance to the high-speed train, villagers in Palghar finally took the bullet for their community. In return for their land, the bullet train authorities have not only promised the residents of 73 hamlets handsome compensation, but will also give them long-pending basic facilities, such as hospitals, schools and water supply.

This is the first time the authorities are using such a tactic to acquire land for government projects. Since June, the villagers have rebuffed all attempts to persuade them to get on board with the project, despite promises of hefty compensation. But when the authorities decided to ask individual land owners what they wanted, most of them demanded basic facilities that would benefit the entire community, which they had long been deprived of.

Authorities built a medical centre and school in pre-fabricated pods

Basic needs met
The locals' needs were simple enough - hospitals, schools, water - and easy to address. The National High Speed Railway Corporation Limited (NHSRCL) used shipping containers and train coaches set up the first two requirements at a cost of just R5 lakh per container, and around R4 lakh per year for salaries. The team is also looking at providing schools. The existing school at Dahanu is being upgraded, and the NHSRCL will ensure that it is staffed.

At Virathan Khurd, a medical facility was built in one of these pre-fabricated pods. At Silte village, the dilapidated health centre is being upgraded and converted into a permanent hospital. Dahanu's civic body will supply doctors and nurses who will visit the villages twice a week.

"Another health centre will be set up in a container at Silte. We are also planning to deploy a mobile health unit once a week in every village with the help of the local  civic body," said Dhananjay Kumar, NHSRCL spokesperson.

On Saturday, Railway Board chairman Ashwani Lohani will visit the villages to inaugurate the facilities. As for the water supply, the authorities will explore the possibility of tapping groundwater. If it is not feasible, then alternative arrangements will be made, said sources.

Everyone wins
This novel approach to appeasing project-affected people (PAPs) was born out of equal parts necessity and empathy. The Mumbai-Ahmedabad bullet train project requires a total of 350 hectares of land in Maharashtra alone, and the lion's share of this land is in Palghar (221 ha). Of the 104 affected villages in the state, 73 are in Palghar tehsil. The resistance from these villagers threatened to derail the project from its 2022 deadline.

"The village sarpanchs have now authorised only a select set of people whose land is actually affected, and only they and the representatives of the sarpanch's office can deal with the land issues. No outsiders are allowed to deal with the NHSRCL teams," said Kumar.

"During conversations with the villagers and the sarpanch, they showed us a new road and other developmental projects for which the authorities had taken land from them. They said that despite these new projects, their village's condition had not improved. They lamented that they did not even have a hospital, and they had to travel far for medical attention," said the official.

"Our teams held extended discussions with the locals and made a list of all their requirements. We prioritised their needs and fixed them one by one, after which the villagers realised that we were serious about their welfare," he added.

All this is in addition to the compensation to be given to the land owners. "We are giving compensation at five times the value of the land, and an additional 25 per cent of the value to those who have willingly consented to the land acquisition in Maharashtra and Gujarat," said Kumar.

Sarpanchspeak
Speaking to mid-day, Dilip Bhoir, sarpanch of Silte village, confirmed: "The bullet train officials have indeed been working for our welfare. We gave them a list of our needs, and accordingly, they are upgrading the medical units. We have strictly told them not to get in touch with anybody except the affected land owners. This way, there will be no political interference or unnecessary activism."

Also Read: NHRCL: Mumbai-Ahmedabad bullet train fares likely between Rs 250 and Rs 3000

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Palghar: A shocking incident of two Rajasthani women having been allegedly "sold off to recover dowry" has come to light on Monday in Virar town in Thane, officials said. Following sustained efforts by social activists, Virar Police on October 9 booked a dozen persons including a chartered accountant and a businessman, besides their family members and other associates, in the case, Investigating Officer Lakshmi Borkar told IANS.

According to the complaint, the two women -- both sisters in their 20s, hailing from Rajasthan -- were married on March 10, 2015 with two brothers, businessman Sanjay Raval and Varun Rawal, a CA -- both based in Virar, around 60 km from Mumbai.Six months after their wedding, the Ravals and their family members started harassing the sisters for dowry as the Sanjay and Varun wanted to buy a shop to launch a new business.

Somehow the victims' family managed to raise Rs 5,00,000 and handed it over to the Ravals, but later they demanded another Rs 4,00,000.The two daughters-in-law said it was not possible for their middle-class parents to raise such a huge amount again, but their pleas fell on deaf ears.

The sisters were subjected to physical torture and mental trauma by their husbands and members of the Raval family. On August 30, the Raval family took the two women to a village in Rajasthan's Pindwara town of Sirohi distict and kept them in captivity. For 10 days, several men including some relatives came and physically abused the two sisters and then ordered them to go back to the Raval family in Virar.

They sent an unknown person to accompany the two sisters to Virar, but when the train stopped at Vasai, their escort seized their bags and barred them from getting off. This led to an altercation in full view of the co-passengers inside the train and the escort said they could not get off at Vasai but at Mira Road, in adjoining Thane district.

The escort was also heard shouting that he had "paid Rs 1,50,000 for the two women and now he would recover that amount fully before freeing them". Fortunately for the distraught sisters, some co-passengers intervened and allowed them to deboard at Vasai before the train departed. The sisters went back to their home in Suman Complex and narrated their sad plight to the neighbours.

A few neighbours accompanied the sisters to the police to lodge a complaint against the Raval family, but for nearly a month, the police reportedly dodged the issue. It was only after the neighbours and some local social activists approached the higher police authorities that the complaint was finally registered on October 9 naming 12 accused in the case. They include: the victims' husbands, Sanjay and Varun Raval, their father-in-law Mohanlal Raval, mother-in-law Leeladevi Raval, some uncles, aunts, a few relatives and other outsiders.

Borkar said an investigation was underway and no arrests have been made. Independent sources revealed that the two prime accused Raval brothers -- Sanjay and Varun -- have reportedly gone underground.The police have slapped serious charges against them under various sections of the Indian Penal Code (IPC) pertaining to dowry demand, mental and physical torture, kidnapping, Borkar added.

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A nagging defect in his superbike allegedly led to the death of biker Zoheb Merchant, 28, on Sunday morning. The Virar resident was on his way home after a joyride with his biker gang, when the front brake of his MV Agusta F3 800 jammed at Manor, throwing him off in another direction. This was the third time his superbike had malfunctioned since he bought it.

Merchant is survived by his parents, three brothers, wife and a six-year-old son. He was the eldest in the family and had a business selling firecrackers. The incident occurred on Sunday morning when Merchant and his group of 15-18 bikers had gone on their usual Sunday ride from Virar to Dahanu. When they were on their way back, the front brake of Merchant's bike allegedly jammed, leading him to lose control of the bike and ram into a divider.

Front brake of Merchant's bike allegedly jammed, leading him to lose control of bike and ram into divider.

One of his friends said, "We have a bikers' group and every Sunday morning, we ride the bike while following proper safety and traffic norms. Whatever happened came as a huge shock to us. Suddenly, some defect occurred in his bike, jamming the brake of the front tyre disc, which then led to him losing control of the bike and falling on the road." Third time Since they were riding at full speed, the impact of the malfunction became such that he was thrown off the bike in another direction. His vehicle, meanwhile, fell near the direction of the Ahmedabad-Mumbai National Highway.

Merchant's bike is manufactured by the Italian motorcycle maker MV Agusta, and retails for around R 20 lakh. According to his friends, since he bought it, he'd faced the same defect twice, which is an electric malfunction that jams the front tyre disc. He'd got it fixed and extended the vehicle's warranty till March 2019. He'd also written a Facebook post about the earlier issues he faced. However, the same defect occurred a third time, leading to his death.

Cause of death not known Another friend said, " We managed to bring an ambulance to the spot and took him to a government hospital on the highway, where he was declared dead on arrival. Looking at his body, doctors were shocked at not finding any external injuries." He had minor injuries on his head due to the impact of the fall. The cause of death has not been revealed as the post-mortem report is yet to be released. His friends suspect he died of internal bleeding.

This is the third time the MV Agusta 800 had allegedly malfunctioned.

While the case had initially been registered at the Virar police station, the matter has been transferred to the Manor police station as the incident occurred in their jurisdiction.

An officer from Virar police station said, "We have registered a case under section 304( a) ( death by negligence) of the Indian Penal Code and various sections of the Motor Vehicles Act against unidentified accused." Motoroyale, the dealer from whom Merchant bought the bike, couldn't be reached for comment.

18 No. of bikers in Zoheb's group

3 No. of times his bike glitched

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The Nalasopara police are looking for a 20-year-old who allegedly attacked his parents with a hammer, screwdriver and knife and then left them die. Neighbours heard the struggle between the accused Janmesh Pawar and his parents and rushed the victims to hospital. The elderly couple, Narendra, 55, and Narmada, 50, are in critical condition.

While they were sleeping
According to police sources, Janmesh attacked his parents around 4 am on Monday. He struck his father first, stabbing him with a knife. The elderly man woke up screaming. Hearing his cries, Narmada went running and tried to pull Janmesh off, but the youth then turned on her too. He hit her with a hammer and stabbed her with a screw driver. Janmesh then grabbed his clothes and belongings and fled, leaving the couple in a pool of blood.

CCTV footage shows Janmesh leaving the building. Pics/Hanif Patel

Parents were restrictive
Neighbours promptly informed the Nalasopara police and, with the help of the cops, they rushed the victims to a nearby hospital. However, as their condition was serious, they were transferred to KEM hospital for further treatment. While the crime took place at Imperial Tower, Nalasopara, the family had only moved there a fortnight ago. Cops visited their earlier residence, where neighbours remember Janmesh as an extremely shy boy who never spoke to anyone.

The accused is a final year BCom student and was also working part-time in the share market, alongside his father. Sources familiar with the family said Janmesh's parents never allowed him outside the house, except to go to college or work. The police suspect such restrictions may have caused Janmesh to snap and attack his parents. The youth's phone is currently switched off and cops have no clue on his whereabouts. API Rajiv Naravade from Nalasopara police station said, "We have registered a case of attempt to murder under Section 307 against the accused and our investigation is on."

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Akash Ambani and Shloka Mehta's 'mala and mehendi' function in Mumbai was a fun event that had dance, music. Since the families have urged guests to let the private events remain as private as possible, the social networking world gave just a glimpse into Thursday's celebrations at the Dome, NSCI, Worli.

One video doing the rounds with the wedding's hashtag #AkuStoleTheShlo shows the bride's family dancing away on a fancy stage to "Iski uski" from "2 States". The stage was quite elaborately decorated according to the images that surfaced on social media.

 

 

 

View this post on Instagram

Glimpses of the decor last night for the #Mala&Mehndi of #AkashAndShloka at NSCI Dome ! âÂœ¨

A post shared by Akash Ambani Weds Shloka Mehta (@akashwedsshloka) onMar 7, 2019 at 10:10pm PST

 

 

 

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Glimpses of the decor last night for the #Mala&Mehndi of #AkashAndShloka at NSCI Dome ! #BigFatIndianWedding . . . #akashambani #shlokamehta #nitaambani #ishaambani #anantambani #radhikamerchant #antilia #ambani #akashwedsshloka #akashambanipreweddingbash #mukeshambani #india #bigfatindianwedding #richindian #akashshlokawedding #akustoletheshlo #luxurylifestyle #royalwedding #antilia #Decorgoals #weddingdecoration #ambaniwedding #shlokamehtamehndi #shlokaakashmehendi #nscidome #mehendi #mehndi

A post shared by Akash Ambani Weds Shloka Mehta (@akashwedsshloka) onMar 7, 2019 at 10:14pm PST

Pre-wedding celebrations have been on in full swing at the Ambani and Mehta houses. Akash is the son of Reliance Industries Chairman and Managing Director Mukesh Ambani, while Shloka is the youngest daughter of diamond merchant Russell Mehta. There is huge interest in the wedding, especially after the scale at which the industrialist's daughter Isha got married last year.

A dandiya night in Mumbai was followed by a three-day star-studded celebration for Akash and Shloka in St. Moritz, Switzerland, last month. Functions have been on in Mumbai since the beginning of March.

They reportedly had a Harry Potter-themed party where Guru Randhawa took the stage, as well as a musical night concert with Shreya Ghoshal behind the mic. An 'Anna Sewa' was also organised on Wednesday night at the Jio World Centre, which is the venue for all three forthcoming functions.

After the wedding on March 9 is a celebration on March 10, followed by a reception on March 11. The main galas are likely to attend to be attended by a slew of guests from the Bollywood, political and sports world.

Check out the photos and videos here...

 

 

 

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Shloka’s fam, #TeamBride killing it at the dance floor at the Mehendi Night! 🕺🏻💃🏻 . . #AkashAmbani #ShlokaMehta #AkuStoleTheShlo #MukeshAmbani #NitaAmbani #IshaAmbani #AnandPiramal #KokilaBenAmbani #AnantAmbani #RadhikaMerchant #AmbaniWedding #India #Celebrations #IndianWedding #AkashShloka #AkaShloka #RoyalWedding #BigFatIndianWedding #Mehendi #MehendiNight #Dance #DancePerformance

A post shared by Akash Ambani 💍 Shloka Mehta (@akustoletheshlo) onMar 7, 2019 at 11:48am PST

 

 

 

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First glimpse of how grand the “Mala & Mehendi” function of Akash Ambani & Shloka Mehta is! ♥ï¸Â Love it. Also, zoom into the first picture as much as you can, because, the bride to be, Shloka is sitting right there in the centre! 😍🤩 . Follow @akustoletheshlo for all the latest updates about the Ambani Wedding. ðŸ¤Â— . . #AkashAmbani #ShlokaMehta #AkuStoleTheShlo #MukeshAmbani #NitaAmbani #IshaAmbani #AnandPiramal #KokilaBenAmbani #AnantAmbani #RadhikaMerchant #AmbaniWedding #India #Celebrations #IndianWedding #AkashShloka #AkaShloka #RoyalWedding #BigFatIndianWedding #Mehendi #MehendiNight #WeddingRituals #BrideToBe

A post shared by Akash Ambani 💍 Shloka Mehta (@akustoletheshlo) onMar 7, 2019 at 6:10am PST

 

 

 

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Shloka Mehta’s Mala & Mehndi to take place today at NSCI Dome 5.15 pm onwards!

A post shared by Akash Ambani Weds Shloka Mehta (@akashwedsshloka) onMar 7, 2019 at 4:50am PST

Ahead of the wedding of his son, industrialist Mukesh Ambani has sent boxes containing sweets to the around 50,000 police personnel in the metropolis. Every police station in Mumbai is receiving the boxes from the family of the Reliance Industries chairman, whose son Akash Ambani is getting married here on March 9, an official said.

The boxes are accompanied by a small card carrying the names of Mukesh Ambani, his wife Nita and their children and messages seeking blessings and good wishes, said a police constable, who recently received one such box. "I got the box of sweets from police station and came to know it has been sent by Ambani's family on the occasion of his son's wedding," he said.

Also Read: Akash Ambani-Shloka Mehta wedding: Here's all that you need to know

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Industrialist Gautam Singhania and wife Nawaz Modi Singhania attended the starry celebration in honour of newly-weds Akash Ambani and Shloka Mehta on March, 10, 2019. Akash Ambani and Shloka Mehta tied the knot on March 09, 2019, in the presence of their family and friends. The newly-married couple's wedding was attended by various celebs from business, politics, Bollywood, and sports worlds. The lovebirds, who are childhood friends, got married in a lavish ceremony at the Jio World Centre, Bandra-Kurla Complex.

A big fat party was thrown by the Ambanis to welcome the newlywed couple the Jio World Centre which saw all the big personalities of Mumbai together. Industrialist Gautam Singhania and wife Nawaz Modi Singhania graced the celebration with their presence at Bandra-Kurla Complex. Gautam Singhania was suited up in a dashing royal blue suit paired with a striped tie. Nawaz Modi Singhania, his wife complimented his dark suit with a bright red saree and a trendy sleeveless blouse with golden embroidery. She also completed her elegant attire with a jewelry set made of heavy green stones.

Also Read: Akash Ambani-Shloka Mehta's party: Natasha Poonawalla makes a glitzy appearance

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Every city has spaces that have, over the years, become more than just restaurants. They're like little museums of unwritten history, archiving the city's journey through old chinaware, faded signboards and staff that has probably been around for as long as the establishment. Spaces that leave regulars despondent when they shutter, almost as if they have lost one of their own.

Mumbai has its distinct culinary heritage, represented in part by corner-side cafés run by the Irani Zoroastrians and Muslims who made this city their home in the early 1900s. At this year's The Guide Restaurant Awards 2019 presented by mid-day, we celebrate the culinary contribution of this community by honouring 10 surviving cafés. Unique to Mumbai, these Irani cafés have fought inflation, the fast food invasion and a future generation that would rather pick a professional degree over manning a family establishment at low profits. Back in Iran, the Zoroastrians and Muslims, celebrate the onset of spring with the festival of Navroze (new day) on March 21. In Mumbai, it's a day typified by feasting around family.

Six of the 10 winners of this coveted award, discuss what Navroze means to them and the signature dishes to try at their cafes.

Byculla Restaurant and Bakery

Don't forget to try: Mutton pattice
"Since Navroze is a holiday, we keep the shop closed and enjoy ourselves at home. After offering prayers, we relish a feast of kheema and falooda," says Darius Ferzandi, owner. "At night, we have a glass of beer or a peg of whisky and then, off to sleep," he jokes. The best dish here is the mutton pattice (Rs 18).

At: Alexandra Terrace, Byculla Station, Byculla East.
Time: 8 am to 11 pm
Call: 23727375

Cafe Dela Paix

Gustad Dinshaw

Don't forget to try: Egg akuri
Gustad Dinshaw, owner of the 80-year-old café in Girgaum, tells us, "Navroze is the augment of spring and we worship fire, so it's mostly about getting together and offering prayers. We lay out the sofrah table each year and look forward to the rituals." The top selling dish at this café is the humble egg akuri (Rs 30).

At: 7, Shanker Seth Road, Avantikabai Gokhale Street, Opera House, Girgaum.
Time: 10 am to 10 pm
Call: 23824384

Cafe Colony

Don't forget to try: Mutton biryani
For Mirza Mohammed Nazariyan, owner Aga Nazariyan's son, Navroze is all about celebrating togetherness. "The festival is synonymous with happiness and a time for our family to come together," Mirza tells us, adding that while the mutton biryani (Rs 280) is a crowd pleaser, it's his personal favourite, too.

At: Road 1, Shrikanth Lodge, near Tilak Bridge, Hindu Colony, Dadar East.
Time: 6 am to 10.30 pm
Call: 24142321

Cafe Excelsior

Mutton cutlet gravy

Don't forget to try: Mutton cutlet
"A different animal or bird is associated with every new year. This year, it's white pig," explains Ardeshir Maskoori, owner of one of the most popular Irani cafés in the city, which completed a century last month. "It's very difficult for me to pick one favourite dish, but if I had to, I would suggest the mutton cutlet [Rs 300 dry; Rs 320 with gravy]," he says.

Ardeshir Maskoori

At: 23, AK Nayak Marg, opposite New Excelsior Cinema, Fort.
Time: 8 am to 11 pm
Call: 22074543

Ideal Corner

Don't forget to try: Salli boti
At this Fort eatery, Navroze beckons a special menu featuring all-time favourites like pulao dal, salli boti (Rs 180), and mutton dhansak (Rs 230). When asked what the festival means to the family, partner Parvez Patel says, "To drink and make merry."

At: 12 F/G, Hornby View, Gunbow Street, Fort.
Time: 12 pm to 10 pm
Call: 22621930

Koolar & Co

The sofrah at Irani's home last year

Don't forget to try: Irani delight
At Koolar & Co's owner Amir Koolar Irani's home, sofrah, the laying of the table with a mirror, fruits, nuts, alcohol and other goodies on Navroze, is a big affair. "My favourite festival here is Diwali, but Navroze takes us back to our roots," Irani shares, adding, "You must come and try the Irani delight [Rs 120]. It's a unique dish made with egg and honey."

Amir Koolar Irani

At: 541, Noor Mahal, Dr Babasaheb Ambedkar Road, Adenwada Road, Matunga East.
Time: 7 am to 11 pm
Call: 24125062

Caramel custard

Winning Irani cafes

*Kyani & Co: AT JSS Road, Marine Lines. Call: 61229437
*Cosmopolitan: AT 133, Raja Rammohan Roy Road. Call: 23826737
*Sassanian Boulangerie: AT Dhobi Talao, Marine Lines. Call: 22006198
*Cafe Military: AT Tamarind Lane, Fort. Call: 22654181

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A blood donation camp organised at the government-run Bombay Veterinary College on Thursday, saw seven dog parents lining up to get their pets to donate blood. As the hospital does not have a blood bank yet, the plasma and blood cells were extracted from the donated blood to be preserved for treatment of sick dogs in emergency situations, doctors said.

When 23-year-old Anita Mehra had rushed an injured dog to the Bombay Veterinary College around a month ago, the canine was bleeding profusely owing to a road accident. Doctors said that he had suffered from internal bleeding and needed a blood transfusion. Now named Tony, the stray has recovered completely and is awaiting adoption.

Tony is just one of many such dogs falling prey to road accidents every year, losing litres of blood. This how the idea for a blood donation camp for dogs came to the hospital authorities.

More than 100 stray dogs have individually donated blood here in the past four years. This blood has not only been used for dogs who are victims of accidents but also for the ones suffering from blood-related disorders. On a daily basis, the animal hospital receives five to ten cases where blood transfusion is required for injured or sick dogs.

A donation camp was, however, organised for the very first time by the hospital. While around 20 dogs were registered for the donation, around 15 of them turned up. Seven of these were found suitable for donation.

Fit for donation
The donor pet needs to be on an empty stomach at the time of donation, weigh not less than 20 kg and be in the age group 1-9 years. Dogs can donate a bag of blood (350 ml) once in three months. "Seven such units were collected on Thursday. As we cannot store whole blood, we have extracted the plasma and blood cells which can be separately stored for a year. Whole blood, on the other hand, lasts only six months," said Dr J C Khanna, director of the hospital.

Universal donors ideal
After donation, the blood is separated into further components that help in the treatment of dogs suffering from liver diseases, anaemia, internal bleeding, etc. As per the Canine Health Foundation, dogs, much like humans, have types of blood classified into groups. Dogs have over a dozen different blood groups, six of which are fairly common.

Both humans and dogs can be classified as universal donors based on their type or group. Roughly 40 per cent of dogs belong to the universal donor group. Blood from dogs belonging to the universal donor group is compatible with any recipient's blood. Dogs, too, can suffer adverse reactions to transfused blood that is of a different type than theirs, the hospital stated.

Criteria for a donor dog
* Weigh more than 20 kg
* Be in the 1-9 years age group
* Must be on an empty stomach
* Must not have donated blood in the past three months

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One of the most-loved actresses, Shraddha Kapoor, recently revisited Sophia College to shoot for a brand. The all-girls college in Mumbai is where she shot for the film Chhichhore. Shraddha Kapoor, who is playing a college girl in her upcoming film Chhichhore, reminisced about her Chhichhore days.

After wrapping up the shoot for Chhichhore alongside Sushant Singh Rajput, Shraddha Kapoor visited Sophia College after a long time. Shraddha who shot most of the sequences in the college developed an attachment with the place.

The actress is also running a tight schedule hopping from one set to another and slipping into diverse characters to ace her roles. Shraddha Kapoor is playing several diverse characters this year and already has four films in her kitty.

Saaho will portray the actress in an action-packed avatar where Shraddha will be essaying a cop, while Chhichhore tests her versatility with dual roles of a college student as well as a middle-aged woman. The film also stars Prateik Babbar, Varun Sharma, Tahir Raj Bhasin, Tushar Pandey, Saharsh Shukla, and Naveen Polishetty. The film is helmed by Nitesh Tiwari, who is best known for his directorial venture Dangal, starring Aamir Khan. There's also Street Dancer 3D, which will showcase Shraddha in a completely new dance avatar. With multiple releases this year, Shraddha Kapoor also has an anticipated release with Baaghi 3.

Also read: Saaho: Shraddha Kapoor and Prabhas' still from a romantic track goes viral

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Ashwiny Iyer Tiwari, 38
Filmmaker

Hyphenated identity is Ashwini Iyer Tiwari's pet peeve. "Why is a woman always someone's someone?" she rightly asks. Filmmaker Nitesh Tiwari and wife Ashwiny, as she's often referred to, for instance. Rather than Ashwiny, hit director of Bareilly Ki Barfi (2017), and the critically acclaimed Nil Battey Sannata (2016), sitting on a two-film deal with Ekta Kapoor's studio, whose next is a comedy-drama with Alia Bhatt.

This could also be because she and her husband, both former advertising professionals, burst into the mainstream movie-scene almost simultaneously — Nitesh (Chillar Party; 2011 and Bhootnath; 2008) picked up a best director Filmfare for India's biggest blockbuster, Dangal (2016) the same year that Ashwiny bagged the black lady as best debutant director for Nil Battey Sannata.

They're also working partners — he's a "quintessential writer," she has an "arts background"; it's a "team." That said, they go about filmmaking like surgeons: "You can discuss surgery forever. But you have to perform it on your own."

They first met at Ghetto, the legendary resto-bar at Mahalaxmi. This warms our hearts already. He was with Lowe. She worked with Leo Burnett, the agency she had joined right after her commercial-arts degree from Sophia Polytechnic, and where she remained for a decade — until turning 30! By then, most of the world's work-force is deep into a monthly addiction stronger than heroin — the phone's beep announcing the salary-deposit.

Instead, Ashwiny picked up "her savings, gratuity, provident fund" to go freelance, and write her first film. She couldn't afford this luxury earlier, as an only child, growing up in Mulund, with middle-class parents, both of them teachers (mother, a school principal; father, a professor in plant-pathology). "I once told them I wanted to be a painter. They said that's for 'business people' [to pursue]! [Job] security was paramount."

What changed her life? A 45-second promo on the girl-child for Kaun Banega Crorepati that she worked on for her client, Sony Television: "The film's tag-line was, 'Badhai ho, ladki hui hai'. It was extremely powerful. I thought if a promo can do this; imagine the impact a feature on the subject could have."

She wrote Nil Battey Sannata, about the mother-daughter relationship, having only recently turned mom (of twins: a boy and girl) herself. To test her skills as director, she attempted a short film, What's For Breakfast Mom, that picked up a National Award, no less. At Delhi airport, returning from Nil Battey's tiring shoot, she chanced upon Nicolas Barreau's novel The Ingredients Of Love, and simply couldn't put it down. That led to Bareilly Ki Barfi.

The secret to her back-to-back success though, is possibly her grounding in advertising: "It teaches you to balance the left and right brain, creativity and commerce — the client in films being the producer, who puts in the money."

Also she keeps safe distance from Bollywood's hustle to remain creatively sane: "Much before a hundred people join the process, and you reach millions, eventually filmmaking, to start with, is a lonesome exercise."

This explains her lovely bungalow in a leafy, quiet, gated colony, close to RK Studio in the central suburb, where Raj Kapoor cemented his career in the '50s, while the rest of the film industry grew north-westwards — almost kissing Ahmedabad now. Which isn't to say Ashwini doesn't encounter that quizzical look from filmies over where she lives: "Chembur?" Yup.

Like all responsible parents, Aastha Pashte, 28, took her two-day-old baby to a clinic for vaccinations, never imagining that the life-saving injections could turn life-threatening. It was only three weeks later, when the infant developed a mysterious fever, that Aastha discovered that the clinic had forgotten a 2-cm needle inside her child's bottom.

It took a two-hour surgery to remove the foreign body at the Bai Jerbai Wadia Hospital for Children. Once the child is discharged, the family is planning to sue the clinic that forgot the needle.

X-ray shows the needle dangerously close to the hip joint

Scans show needle
The baby boy, who is Aastha's first child, was born in perfect health on June 17. A couple of days later, the Chembur resident's family took the child to a local clinic for vaccination. Everything was normal until the 21st day after birth, when the infant became feverish. "When we took him to a private doctor, she thought it was the flu and prescribed some medicines. But when the baby didn't show any relief, we took him to Wadia hospital, where we were shocked to learn that there was a needle inside his buttock. Suddenly we realised why he cried every time we massaged oil on his buttocks," recalled Aastha, while talking to mid-day from the NICU.

Dr Minnie B

At first, the baby was diagnosed with osteomyelitis, an infection of the bone. But X-rays and CT scan showed a persistent shadow, indicating a foreign body. The parents then realised that it was the vaccination needle still stuck in their child's bottom, almost deep enough to graze the hip joint. On July 10, a surgery was performed to remove the needle. The baby is now stable and recovering in the neo-natal intensive care unit (NICU) at Wadia hospital.

Rare case
This was a first-of-its-kind case for the hospital. Dr Pradnya Bendre, paediatric surgeon at Bai Jerbai Wadia Hospital, Parel, said, "The baby was taken for intra-operative surgery for removal of the foreign body. It was difficult to find the exact location; hence, multiple X-rays were taken. It took two hours to remove the needle under C-arm guidance localisations. The 2-cm needle was found embedded in the capsule of the left hip joint and the baby has recovered uneventfully without any complications."

"The needle had gone deep inside, and it was extremely challenging to perform the surgery on a newborn without making a big incision. Thankfully, the child was diagnosed without much delay. We want to highlight the issue so that such a blunder is not repeated in the future," said Dr Minnie Bodhanwala CEO Wadia Hospitals.

Also read: Mumbai: 1-month-old baby has narrow escape as maternity ward ceiling crumbles

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With eight murders in seven months, 10 attempt to murder cases and hundreds of incidents of assault, gangland has taken over Bhandup. Fed up with Bhandup police's inefficiency, the top brass shunted out Senior Police Inspector Shrinivas Panhale to the Local Arms division on Tuesday. Ramesh Khade has been posted as the new senior Inspector of the police station.

A week ago, Bhandup was rocked by the brutal murder of 17-year-old Sushil Verma. The Std XII student was killed by a group of teens right outside his college in broad daylight on July 26. While the cops arrested three suspects, the murder sparked a debate about inefficient policing.

Senior Police Inspector Shrinivas Panhale 

"We consistently told the cops about the situation turning from bad to worst in Bhandup, but they didn't pay any attention. This resulted in the murder of a 17-year-old, which could have avoided by increasing patrolling," said Ramesh Khanvilkar, Director of RK BEd College, Bhandup. "Due to the police's lethargy, addiction among youngsters in on the rise," he added.

A public meeting was organised on August 2 to discuss the rising crime. Politicians across parties urged the police to take action against Matka rackets active in Bhandup. Residents urged that rigorous policing is key to reducing the crime rate. Sanjay Dina Patil, ex-MP from the NCP, said, "Bhandup is becoming a den for drug peddlers; the police must act to prevent any future incidents."

More money and 'bhais'
The new senior PI now faces the challenge of cleaning up crime in the growing suburb. There are 15 lakh residents in this jurisdiction, a majority of whom live in illegal hutments. Two year ago, the police had started a special drive against gangsters, and found three gunny bags of swords in the forest on the hillside.

A policeman who had earlier served as a senior police at the Bhandup police station, said, "In Bhandup, there is a lot of SRA work, which has brought money to the area. This has become a catalyst for youngsters to turn gangsters. Increasing hutments on the hills makes it more difficult for cops to enter as well." "In such a situation, the police have to physically start patrolling the area, which will curb crime to some extent, and reduce the flow of narcotics — mainly ganja — in the pipeline area," the officer added.

Since last year…
Shrinivas Panhale had taken charge of the Bhandup police station on May 20, 2017, but couldn't manage to curb crime or drug flow. According to police statistics, last year, till August, not a single murder had been reported, while three cases of attempt to murder were filed. But this year, eight murders and 10 attempts to murder have been registered in the same period.

Murder central
July 26: Sushil Verma was killed by teen over an affair with a girl.
May 3: Birbal Gupta killed his wife Neha in front of their kids after an altercation over attending a wedding
April 24: Ganesh Padekar, 45, murdered a 30-year-old who had thrown garbage on him
March 25: Naresh Shetty, 27, out on bail, was murdered over a love affair
March 24: A 17-year-old stabbed Ramji Rajbhar, 27, when he objected to the minor blowing cigarette smoke on him
March 18: A vegetable vendor and his two sons were killed after a fight or where to set up their stall

Also Read: Sacked cop posed as policeman to extort money from couples at Aksa

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An unidentified female commuter had a close call after she slipped and almost fell off a moving Mumbai local train. The commuter was standing on the edge of the footboard inside a Mumbai local when she lost her balance and almost fell off the train. However, alert commuters who was standing close managed to grab her hands and pulled her back inside the train to save her life. The entire incident was captured on mobile by a fellow commuter.

A Government Railway Police (GRP) official said that they were investigating the footage to ascertain the identity of the location and the commuters.

Watch video here...

The video has become viral after it was circulated on the social media. In the footage, the girl is seen leaning out of the train and adjusting her earphones when she suddenly loses balance and was about to fall off the train before being pulled back inside by alert fellow commuters.

Also Read: Watch Video: Youth Performs Death-Defying Stunt On Mumbai Local Train

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It's been 35 years since over 2,000 Muslims were killed in the town of Nellie and its surrounding villages in Assam, and 34 years ago, the country was burning in the flames of anti-Sikh violence. In the semblance of the peaceful times we live in, these tragedies have been relegated to the dusty pages of history. But only when lessons are learnt from the past can there be the hope of history not repeating itself. Remembering/Forgetting, a screening of documentaries on the two tragic events, organised by the Godrej India Culture Lab, aims to do that by starting a dialogue between the audience and filmmakers, who will be present at the screening.

"When I visited the Sikh Widows Colony in West Delhi to speak to its residents, I chose to not meet them during October-November, when politicians visit them. It's only when they were sure that I had no political motive, did they start opening up about how they struggled and coped with the loss," recalls Teenaa Kaur Pasricha, whose documentary, 1984, When the Sun Didn't Rise, won the National Award for Best Investigative Film this year.
She adds that the number of cases that stand in court against the perpetrators of the 1984 violence have drastically come down over the years because people have given up hope for any justice to come their way.

Teenaa Kaur Pasricha

For Subasri Krishnan, making her documentary, What the Fields Remember, was an exercise in piecing together her own faint recollection of the word Nellie, which she had heard as an eight-year-old when she lived briefly in Assam. "In 2006, I came across an article on the Nellie massacre.

A still from What the Fields Remember

Later, when I started my research and came across very little material on it, I wanted to know why there is public amnesia about it," says the filmmaker, for whom the idea of citizenship has been an intellectual pursuit. The concern becomes even more relevant with the ramifications of being excluded from the National Register of Citizens, which forms the subject of her next documentary, Shadow Line.

Subasri Krishnan

"The history of minorities, written by the powerful, is always suppressed in the public eye," laments Pasricha — something that is as relevant in the case of the Nellie massacre, where the reality of Bengali-speaking victims in the already-neglected region of the North East only grows more complex.

ON Today, 5 pm
AT Auditorium, Godrej ONE, Vikhroli East 
RSVP indiaculturelab@godrejinds.com
FREE

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In a yet another technical snag, the commuters travelling in Monorail had to face problem on Saturday evening after Monorail services were affected due to issue related to brakes. The technical snag developed between Bharat Petroleum and Mysore Colony stations.

Informing the glitch, on its official Twitter account, Mumbai Monorail said, "We are facing technical difficulties. Dear Mumbaikars, we apologize for the inconvenience. Our technical teams have reached the site and are working to restore the services at the earliest".

We are facing technical difficulties. Dear Mumbaikars, we apologize for the inconvenience.

— Mumbai Monorail (@monorail_mumbai) April 13, 2019

Our technical teams have reached the site and are working to restore the services at the earliest.

— Mumbai Monorail (@monorail_mumbai) April 13, 2019

Following the incident, the monorail was taken to Mysore colony monorail station where passengers were evacuated safely. The authorities plan to take the train to the depot using another train. 

According to authorities, the technical glitches has been attended and full services are expected to be restored in some time.

Skeletal services resumed.
Technical glitches being attended.
Full Services are expected to be restored in some time.

— Mumbai Monorail (@monorail_mumbai) April 13, 2019

More details are awaited.

This is the second incident Monorail has faced within a week. On Wednesday, Monorail was stuck mid-way towards Wadala depot affecting its services. After the passengers were evacuated, the monorail was being transported to the depot but it ceased to move mid-way. Another train was then used to push the monorail further. Since other trains could not use the same alignment, services were shut for about an hour.

The second phase of the Chembur-Wadala-Jacob Circle monorail was flagged off in March 2019.

Also Read: Mumbai: Garland wire glitch delays new Chembur-Wadala-Jacob Circle Monorail services

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Four people have been arrested for allegedly setting ablaze a chemical factory in Thane district of Maharashtra, police said on Thursday. According to assistant police inspector Pramod Badak, some unidentified persons barged into the factory located in Kashimira area on February 10 and set it ablaze. While there was no casualty, the factory suffered damage in the incident, he said.

The local crime branch investigated the case and found that the factory owner had failed to pay dues worth Rs 8 crore to a financier. The financier, in a bid to settle scores with the factory owner, allegedly gave a contract to some persons to destroy the chemical unit, Badak said.

While probing the case, the police on Tuesday arrested four people - Kamlesh Parekh (41), Rahul Munnalal Satpute (24), Akshay Chavan (21) and Lucky Raj Rajput (21) - for torching the factory, he said.

The financier and another key accused were yet to be nabbed, the official said. The accused were booked under Indian Penal Code Sections 435, 436 (both pertaining to mischief by fire or explosive substance with an intent to cause damage), 452 (house-trespass) and 120-B (criminal conspiracy), he added.

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

The Nature Club of Wilson College is an active one, with me­m­bers participati­ng in platforms to raise awareness about environment­al issues. And with professor Sudhakar So­l­omon Raj, HOD of the political science depa­r­tment and head of the club, being a music aficionado, the move to celebrate the 40th year of the club's initiation by combining his two pass­ions to organise a nature concert this Monday was only natural. A part of a year-long series, which includes environmental talks, this celebration aims to highlight crucial issues via songs about nature.

The evening will feature collaborations between students of the college. A choir perfo­r­mance by North East Collective comprises 10 students from the re­gion, for examp­le. Then there is the college a cappella gr­oup, which, inter­e­­s­tingly, resulted from a dare issued by St Xavier's College. The college band, led by Sambhav Singh, will also perform, besides alumni Keegan Pereira, Reinhardt Dias and Riya Kartha. Plus, students from Andrew Vi­sion Centre will perform co­vers. "We have been using nature-themed songs as an educational tool since 1983. We wanted to share this by providing a platform for our students to express their talent," says Raj.

Keegan Pereira and Reinhardt Dias

Proceeds will go towards organizing nature trails for underprivileged kids, a tree planting drive and publishing an environmental handbook.

ON Today, 7 pm to 9.30 pm
AT St Andrew's Auditorium, St Dominic Road, Bandra West.
LOG ON TO bookmyshow.com
COST Rs 500 onwards

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As part of its commitment to support the local community and its responsibility as a conscientiousness citizen, Growel’s 101 Mall in Kandivali hosted a blood donation campaign at the mall premises. The blood donation drive was organised in association with Rotary Club of Mumbai, Borivali East and was hosted to help children suffering from Thalassemia. People who suffer from Thalassemia need regular blood transfusions to treat Anaemia and other symptoms.

The team from Rotary Club brought their blood donation van which was parked at the mall waiting for volunteers to contribute to the noble cause. A team of around 95 members including doctors and other supporting crew was present at the venue. The activity was held from 10 am till 5 pm. The team approached visitors who were present in the mall to volunteer for the blood donation activity and received a good response with over 100 people donating blood. A total of 26,000 ml blood was donated.

A team of doctors and volunteers together collected 26,000 ml blood as part of the blood donation drive at a mall in Kandivli

Speaking about the activity, Vikas Shetty, Mall Head, Growel’s101 Mall said, "We are pleased to have made our little contribution by organising this blood donation activity in our premises for thalassemia children. Sometimes, regular blood transfusion is the only option for some patients to survive, but the cost of blood is unaffordable for many. Replacing blood donors for obtaining blood is an option. But often parents have difficulty to find a blood donor for their child. So, we wanted to urge people to donate blood for children with thalassemia."

He praised Rotary Club for having done a great job by organising the drive in the mall. “As a responsible organisation, it is our duty to support the community and those in need. We are proud to host such an event at our premises, which highlights a noble cause towards an important contribution to reduce one of the major causes of death due to non-availability of blood,” he added.

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Microsoft Surface Pro 4

After receiving complaints regarding a screen flicker defect in some Surface Pro 4 devices, Microsoft has offered to replace the eligible devices free of charge.

The faulty devices qualified for replacement should be up to three years from the time of original purchase, Microsoft Support said in a blog post late Friday.

"We will ship you a replacement device as soon as you return your existing device. Typically, it will take 5-8 business days for you to receive an exchange device from the date that you ship your current device back to us," the post added.

Users that have already paid for a screen-replacement will get a refund.

In February, Microsoft had said that it was monitoring the situation.

The tech giant has clarified that the replaced devices will be refurbished.

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Facebook has rolled out new updates in its Stories feature that are available for the users in India first and will reach the global users later.

One such update is "Voice Posts" that will let users share their thoughts via audio to their friends and families.

"Voice posts lets you share in the moment without having to share a photo or video. This could also help people who can't necessarily write in the language they want to share in," Connor Hayes, Director of Product Management, Facebook Stories, wrote in a blog post on Wednesday.

People will now be able to save the photos and videos they capture through the Facebook camera, where only they can see them when they log into their Facebook account.

"This allows people to save the photos and videos they capture without taking up space on their phone," the post read.

It can also be used to save photos you might want to share later, so you don't have to edit or post them while you're out with your friends and instead enjoy the moment and share them later.

"In the coming weeks we're rolling out an archive for people to save the stories most important to them. After a photo disappears from your story, you can find it in your story archive - a place only you can see. You can always choose to not save them," said the post.

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On the ferry, leaving the island of Burano at dusk. pic courtesy/Rosalyn D'mello

Because the high chairs and tables extending onto the pavements are arranged like invitations; because the indigo sky greets us with its distinct hue, informing us that though the sun has set and it is past 8 pm, the evening has only just begun; because our feet, so tired from daytime explorations, miraculously find the strength to continue their march; because Mac's Ruby Red lipstick enhances our personalities, making spectacles of our skin tone; or maybe because we are not alone, by 9 pm, unfailingly and with impressive regularity, Mona and I become Queens of the Italian night. There are travellers who tuck themselves in early so they can restore their bodies for the future that awaits them when they awake. Not us.

We are nocturnal explorers, un-bound by the limitations of cartography. We find tentative destinations and then walk the streets like we own them, like they belong to us. We allow ourselves to get distracted by the sights we suddenly stumble upon; we make commentaries on street signs, we take pleasure in seducing policemen into smiling sheepishly at us, we keep ourselves open to conversations with strangers. During the day you could ostensibly call us tourists. We visit monumental sites; pay entry fees, download audio guides and take photographs of everything that impress us. But at night, we are uninhibited.

Because we come from a reality that is both condemned and celebrated as third world, we have few filters about what constitutes safe and unsafe European streets. We trust our intuitions that have been fine-tuned through years of navigating streets that ought to be friendlier towards women's presences, that could do much more to encourage women's loitering. Online guides tell us to be wary of specific areas, but because Napoli feels like a somewhat seamless city with one street urging you on to the next, one inviting façade leading you to explore another, we do not exercise too much restraint as we navigate a city that feels overwhelmingly familiar. We walk through gritty and un-pretentious streets, walk into dive bars and surprisingly cheap restaurants. On our first evening in Napoli, for example, we followed a cyber suggestion and found ourselves at an institution where every drink on the menu was priced at one euro. It was teeming with as many people as could be found in a single Mumbai local compartment, all elated and happy drunk. We had a few Apero-Spritzes and proceeded towards a jazz bar, stopping in between because we were lured by a boutique shop on a wayside street.

There we had excellent red wine, and the choicest green olives. The jazz bar was a bust; it turned out to be a pretentious speak-easy where the bartenders wore white coats like mixologist doctors. Yes, there was what sounded like Billy Holiday singing in the background, and plush red sofas and a superbly well stocked bar, but it was cosmetic, and expensive, and after a small moment of indecision, we decided to simply walk out and go elsewhere. It wasn't a disappointment because on the way we had encountered so much of the city's past by way of arcades, historic fountains, grand edifices and random ruins.

This behaviour of ours hasn't been confined just to Napoli. Even in Firenze and Venezia, our nightly excursion was the day's highlight. In those cities, more than in Napoli, night-time turned out to be the only time when we weren't part of a swarming mass of tourists; when we didn't have to wait in extensive, un-ending lines to get in somewhere. It was surreal, navigating the canals of Venice at 2 am, when the water-borne city feels like an abandoned ghost town, when there isn't a single tourist for miles. Our friends and us had no compunctions being the last to leave a bar. Our friends lived just around the corner, while we, for cost-effectiveness, had chosen an Airbnb in neighbouring Mestre. We were undaunted by the prospect of finding our way to the 24x7-hour ferry to Piazzale Roma, then taking the night bus home. There was something deeply thrilling about having the luxury of public transport at that hour.

I always remember the feminist Shilpa Phadke when I've had a successful late-night out. She speaks frequently about the significance of the feminist claim to 'fun'. "Fun in public spaces cannot be quantified or sometimes even explained," she says. "How does one communicate the pleasure of asphalt under your feet; the rush of finding the bus you want at a traffic signal and managing to jump into it… the exhilaration of wandering in your city at night laughing with your friends. This is not simply fun, it's belonging to your city and having it belong to you." I could argue there's something similarly exhilarating about doing all of that as two women in a foreign land. When our male friends in Venice caringly offered to let us crash in their spare bedroom because it was past midnight, we politely declined. "Are you sure you want to go back so late?" they asked. "Yes," Mona replied. "Because we can!"

Deliberating on the life and times of Everywoman, Rosalyn D'Mello is a reputable art critic and the author of A Handbook For My Lover. She tweets @RosaParx Send your feedback to mailbag@mid-day.com

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Illustration/RAVI JADHAV

Concern is sometimes a mask for control. This is interestingly true when it comes to films that are concerned about the situation of women. If these "concerned" films attract censorship, then they control even more subversively. They become imbued with a revolutionary halo, becoming an urgent cause to be supported, a badge of honour, not a film that tells us deep truths about our lives.

The film Nude arrived on a white horse, after a similar symbolic battle. It's very title had disturbed the Ministry of Information and Broadcasting. It traces the journey of Yamuna after she leaves her village and her brutish husband and becomes a nude model in the JJ School of Arts, with her aunt's help, going on to sit for some famous artists. She has a parallel journey, from shame to pride in work, which is shown minimally. But in the end, she alienates her son and feels defeated and hopeless.

Nude has it's good points — the interesting subject, the strong performances from Kalaynee Mulay and Chhaya Kadam in the main roles, tiny flashes of earthy humour.

But on the whole, it is a plodding work of bad faith and a strangely colonial mindset. Here is a film in which the two main characters are women, which should be evidence of concern and interest in women. Yet they are given hardly any interiority or room to be more than an example of social issues. That's because many such films are not about the characters. They are really about establishing the filmmaker as a noble and high-minded being who will uplift women.

There are only three types of people in the film. There is the poor woman who needs saving from her own men; poor men, who are portrayed as bestial or passive; and bhadralok middle-class artists who are noble and pious with the higher purpose of art. The point is taken, that, cruel or benign, to all of them the woman is an instrument. But this is unfortunately as true of the filmmakers who bring no irony to looking at this 'higher purpose'. Why are there no middle-class women in the film? There are some token women art students — but they never speak, nor is there a single shot of a woman art student drawing a nude.

This absence further prevents any complications in the story of class, caste and gender relations. Complications about what it means to draw a naked woman, exalt her as Devi or pure spirit (the body is the garment of the spirit as one character says unctuously) to serve other people's higher purpose for a paltry pay. To the artist, the model is just a body. To the filmmaker, too, the woman is mostly a victim, a sufferer in search of a saviour.

In such films, women can never truly free themselves from circumstances. They are imprisoned in dead-end film narratives forever to serve the purpose of saviour-filmmakers in films like Nude, Pink and even Lipstick Under My Burkha. Why would filmmakers conceive of different meanings of women's lives, which point to a certain liberation, when these upliftment projects accrue such rewards and privileges? It is only when we, the audience decline to be grateful for this self-serving false realism, that we can hope for stories more true to the complexities of our lives.

Paromita Vohra is an award-winning Mumbai-based filmmaker, writer and curator working with fiction and non-fiction. Reach her at www.parodevipictures.com

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The Sena chief says if BJP opts out in Palghar, he will support the ally in Gondia-Bhandara, which too will go to Lok Sabha bypoll on the same day (May 28).

Shiv Sena may have discovered a way to bend the BJP its way. The political precision with which the party snapped up the disgruntled son of a late BJP parliamentarian for fielding in the Palghar Lok Sabha bypoll has taken Uddhav's resolve of outsmarting the saffron frenemy to a decisive level. Uddhav wants to fly solo, escape BJP's trap for emerging as the single largest party in the state next year.

Palghar, a testing lab, may decide the fate of the strained relation between the two partners, which the Sena is using to try and carve a niche for itself by playing a detractor within and outside the government.

Uddhav has a spring in his step, as Sena prepares to run Palghar, and the guts to ask the BJP to withdraw from the race. It would be interesting to see who blinks first in a barter proposed by Uddhav. The Sena chief says if BJP opts out in Palghar, he will support the ally in Gondia-Bhandara, which too will go to Lok Sabha bypoll on the same day (May 28).

But will they reach a compromise? The possibility of the two parties backing out seem remote. There are others in the fray who too want the BJP defeated. The BJP has fielded a former Congress junior minister, Rajendra Gavit, who had started his political career with Janata Dal. Gavit came in amid high drama after Sena's nomination of BJP's late MP Chintaman Wanga's son Shrinivas surprised all. Gavit had lost two Assembly elections in a row for the Congress, and before that, he was unceremoniously asked to pull out for a BVS candidate in 2014 Lok Sabha polls.

'Well played, Sena'
The BJP camp does not admit it openly, but insiders say the Sena was tactically much superior this time. Sena explored the emotional turmoil in the Wanga family, which felt ignored by the BJP. The family members accused the BJP high command, including the CM, of not giving them audience. In response, Fadnavis blamed the poaching on Sena. He said it was unexpected of the ally, and that the BJP would win, with or without Sena.

The Palghar bypoll is important for the BJP to reaffirm its influence in the tribal belt. In the 2014 Lok Sabha elections, four out of the 48 seats were reserved for Scheduled Tribes, of which all went to the BJP, an unprecedented result. BJP had been contesting Dahanu (delimited and named Palghar) for many decades but with limited success.

In the Assembly, 25 of the 288 seats are reserved for STs. Of these, BJP won 11, followed by Congress's five, NCP's four, Sena's three and one each by CPI(M) and Bahujan Vikas Aghadi (BVA).

The results of Lok Sabha bypolls in Maharashtra should measure BJP's influence in the four years of government. Sena hasn't fielded in Gondia-Bhandara because its poor strength will never secure it a prominent place. Knowing his weakness in the region well, Uddhav paid an impromptu visit to Nagpur last week. Again, his was an attempt to create some nuisance for the BJP, where they expect BJP and NCP to fight straight.

Other factors in Palghar
For Sena, Palghar has turned out to be a sharper tool to cut the BJP to size. Uddhav has nothing lose in a skirmish that will be four-way in case some candidates don't pull out, while a victory would be a shot in the arm for Sena.

Former allies Congress and influential local outfit, led by Hitendra Thakur, BVA are also in the fray. BVA's role will be significant in splitting votes because it had won the LS seat in 2009, and lost the next to BJP, despite having its vote share of 30 per cent intact. In 2014, BJP increased its vote share by a whopping 25 per cent. BJP and Sena were together then, while Congress had withdrawn Gavit (now BJP's candidate) for supporting Thakur's candidate. BVA continues to be a big player in two urban Assembly segments of Vasai and Nalasopara, which Thakur and son represent.

If it were to ensure BJP's defeat, will Congress withdraw the candidature of former MP Damu Shingda this time? Congress insiders say supporting BVA may not be a good idea, and instead, the party should have a tacit understanding with the Sena for beating the BJP at the hands of the ally. But will that be acceptable to Congress, which is working to emerge as a strong alternative to BJP?

All eyes will be on developments taking place on Monday, the last day of withdrawal of candidatures.

Dharmendra Jore is political editor, mid-day. He tweets @dharmendrajore Send your feedback to mailbag@mid-day.com

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The Roman Forum in the center of Rome. Pic Courtesy/Rosalyn D'mello

I did not account for what now seems like the inevitable consequence of so much travel: the blurring of existential categories that define my raison d'etre as I continue my Italian sojourn. What am I first, writer, tourist, traveller or pilgrim? To which of these vocations do I owe my primary allegiance?

Starting out in the northern region of Bolzano, within which I somehow managed to ensconce myself, thanks to my residency at Eau&Gaz, within exactly 30 days I have found myself in the deep south - the autonomous Mediterranean island of Sicily; a lived repository of continuous histories dating two millennia. I accessed the regions of Tuscany, Veneto, Neapolitan and Lazio through my explorations of Firenze, Venezia, Napoli and Roma, before taking a flight to Palermo, from where I am transcribing this dispatch. By the time you will have read this, I will already have returned to Roma where I will spend another night before I make my way to Ortona and Assisi, thereby initiating the more pilgrim end of my travel. I am deeply aware that I now have less than two weeks left in Italy, and I am struggling (really, really struggling) to make sense of everything I have encountered through my witness. How to distil the vast everything-ness of my recent realities into bottled significance; something that is easier to swallow, digest, imbibe, share?

I was grateful to land in Palermo; grateful to have found a cheap flight that got me here from Rome in under an hour, grateful to avoid what would otherwise have been a 14-hour journey. But, mostly, I discovered I was grateful to be in a city that felt like the opposite of Rome; un-pretentious, unabashed about its past, non-ostentatious and aesthetically more austere. Here I felt I could allow my body to recover from the sensual assault of the spectacle that is that city of grand beauty, magnificence, un-mindful excess. No guide I'd perused had prepared me for my sensory dyslexia, particularly on the perceptual front, like the difficulty I would experience in simply focussing my gaze.

As a sightseeing tourist, one is mentally prepared to encounter a monument; a spectacle; a historic site. In Rome, however, you are condemned to stumble upon multiple. You walk into a street and your eyes rest first on a fountain, then naturally zoom out to witness the larger frame, except you spot, next door, an opulent church façade, and across from it another, but perhaps from another century altogether, and for a moment you feel like you're experiencing a glitch in a time-travelling machine. You walk later at night to catch your bus back to your Airbnb and come upon a vast excavation site bearing just a two-paragraph description and you empathise with the historians and archaeologists who seem themselves to be struggling with this excess; this dense populace of relic, debris, pagan vestige and Catholic worship sites.

Each night my feet, exhausted and overwhelmed from walking, cried themselves to sleep as my mind, unable to still my still-restless body, tried to make sense of what I'd seen, thought, remembered, and referenced: the Sistine Chapel, the wonders of Bernini, the cinematic odes by Fellini, Rosselini, Passolini and Sorrentino; and the more obscure works of writers like Malcolm Lowry. I had to re-read one of his protagonist's visit to the Keats and Shelley Memorial Museum next to the Spanish Steps as I sat by the side of The Pantheon, after having been to that museum, and in preparation for the next day's visit to the Non-Catholic cemetery containing both poets' tombs. Had I not had the sense of mind to seek solace in relatively more obscure churches and smaller chapels, both to escape the madding crowd of tourists and to offer my body an indulgent moment of pause, I'm sure I would have been defeated by that city.

It was the only reason why, despite being drained of all energy, I could make one final schlep towards the Coliseum and also convince Mona to meet me there. After a very leisurely stroll at what felt like perfect timing, when the final rays of the sun hit the millennia-old façade, we found a corner to park ourselves for a while. I couldn't help, but show her a clip from Sorrentino's The Great Beauty; of Sister Maria on the balcony of the protagonist's home in front of the Coliseum, gathering the flamingos in the thick of night, then blowing into the air to gesture at them to fly away. I felt as though I'd finally 'got' Sorrentino's film, despite having seen it a while ago. I had to come to Rome to solve its mystery.

I cannot shake off this lingering feeling that something beyond my own free will is designing my itinerary, is customising each imprint my feet make. Whether I am either or interchangeably a writer, tourist, traveller or pilgrim has become inconsequential. All that matters now is that I willingly surrender in order to be remade.

Deliberating on the life and times of Everywoman, Rosalyn D'Mello is a reputable art critic and the author of A Handbook For My Lover. She tweets @RosaParx Send your feedback to mailbag@mid-day.com

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This paper ran a disturbing front page story on the weekend. It cited how, for several months, the Mumbra Police have been at their wits' end over bikes and scooters going missing from various parts of the suburban township. Last week, however, the police tracked the culprits, who were a gang of 10- to 15-year-olds.

All the nine boys who were apprehended by the police were minors. All of them hail from poor families in Mumbra and they are passionate about bikes and just wanted to ride them for fun. While the boys have been put in a home, what is worrying is that a couple of parents are in denial about their boys being involved in the theft.
The report said that Mumbra residents had complained to the police about rash driving by young children, who didn't have a driving licence. A social activist in the area had even said that many children here start riding bikes when they are as young as 12.

Most of these kids have not been to school. There is also the prospect that this crime may be a stepping stone for them and it may escalate to bigger crimes once they are out of this home. Parents need to pay much closer attention to what their children have been doing. They may not know about the crime, as it is natural these children will hide this from their parents. But, as a parent, they must try to investigate and question their children in case they suspect an unusual pattern in their behaviour.

It is unacceptable that 10-year-olds are riding bikes, putting not only themselves, but also other bikers and pedestrians in danger. Report them, if you suspect it's an underage boy riding a bike.

Finally, much more social awareness, sustained campaigns, and acceptance rather than denial by parents, can counter this menace. The bike robberies are not all innocent fun, it has grave ramifications for the future.

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When the first State of Decay came out, it was unique in the way that it focused on the survival aspect of a zombie apocalypse rather than the all-out destruction and gore of killing countless zombies. With the new game, the developers have focused their attention on the community aspect of survival.

Right from the start, you get to choose two characters instead of one and each group and character has their own strengths, skills and background. Like the previous game, you can make your posse and build a base of operations complete with a farm and fortification. There are three open world maps — each the size of the map in the original game.

This huge world is littered with empty cabins, new places to build outposts and gather resources. Risky as it may be, the game forces you to explore resources simply because weapons break and you can run out of fuel, food and medical supplies. Venturing out also helps you meet new people to add to the community. State of Decay 2 really hits you home with all the death — losing a built-up human resource can be painful. You can die by getting killed in combat or by way of infection.

Dying in combat is also rare as the AI-controlled characters do a good job of handling themselves, while you take care of business. The only real time you are in danger is when you encounter morbidly obese super zombies that can tear you apart. These guys are tough, but they are the most fun combat you will face in the game, second only to running over zombies with a car, which could have been better if the cars handled better.

Plus, it pays to remember that fuel is a limited resource that you might want to save. Scavenging for resources is fairly simple — if you need fuel, you can raid a gas station; if you need food, find a convenience store or abandoned encampment. Gathered resources can be used to build up, upgrade and fortify your own camp. While there is a ton of stuff to do in the camp and in the surrounding areas, State of Decay 2 does have a main story.

The story mode is a great way to learn about the game and experience various situations as you search for plague hearts to destroy. Plague hearts are throbbing masses of flesh, and it is what produces the infectious plague zombies, identifiable with their glowing eyes. To reduce their numbers, you need to find and destroy the hearts. While the story mode is fulfilling, the camp building and exploring is where the game's strength lies.

We played an advanced copy of the game and the final game will be released on Tuesday. State of Decay 2 still has a lot of bugs, which hopefully will be ironed out soon. Some bugs we encountered on the PC version of the game were floating zombies, breaks in rendering and freezing. This is not a big issue and the developers are sure to patch this over time. And, while the game is very competitively priced, we would recommend waiting for a future bug-free version before jumping in.

State of Decay 2
Rating: 3.5/5
Developer: Undead Labs
Publisher: Microsoft
Platform: PC, XBOX
Price: Rs 1,924

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Over a phone call from Kolkata, Vikram Rajan*, an audio engineer and guitarist formerly based out of Mumbai, wants us to listen to a track that he has composed. It's available on Soundcloud and, as we stream it, we more or less agree that its flavour of electronica-jazz could accompany a languorous Sunday evening. "For a long time, I had been unable to come up with something good. And, then, I composed this around March while I was microdosing and sometimes, megadosing on acid," says Rajan.

The 33-year-old is referring to a way-of-life that's effectively snapping the ties between drug abuse and the creative arts. This is a lifestyle experiment that some of the brightest techies in Silicon Valley are engaging in, and has got psychiatrists and anti-drug crusaders distraught. "From a 100 mics paper, I take about 20 mics, twice a week, giving the doses a 2-3 days gap. The effects of acid last for about six hours for me," says Rajan, who started experimenting with drugs as a teenager.

After a litany of prescriptions failed to control her mood swings and depression, Ayelet Waldman found relief in LSD. The former federal public defender authored A Really Good Day: How Microdosing Made a Mega Difference in My Mood, My Marriage, and My Life, in 2016. She wrote: "(It) made room in my mind not necessarily for joy, but for insight. It allowed me a little space to consider how to act in accordance with my values, not just react to external stimuli. This, not the razzle-dazzle of pleasure, was its gift." Pic/Getty Images

In need of a quick glossary before we proceed? Acid is officially called Lysergic Acid Diethylamide (LSD), a psychedelic drug banned in India, the possession of which can lead to imprisonment from one to 20 years under the Narcotic Drugs and Psychotropic Substances Act. LSD is often illegally sold in the form of stamps, with the hallucinogen embedded on blotter paper. Mics is micrograms, that's one-millionth of a gram. A microdose is when you have about one-tenth of a recreational 'party' dose, which starts at about 200 mics.

"With microdosing, you are not tripping — this is not a trip. The euphoria isn't there. It's not about feeling good, it's about calmness," continues Rajan. Microdosing first hit headlines after Steve Jobs' passed away in 2011, when a number of inspiring tales on how LSD became the new go-to substance for enhanced performance by tech employees hit the net. Espresso became passé. 'Flow states' were the new yoga. While Jobs did more than just microdose (he was known to have gone all the way), Silicon Valley techies are reportedly doing acid in quantities such that their effects are 'sub-perceptual', where you won't "see stuff" but you harness its "positive" effects.

A dropper with CBD cannabis oil, used for medicinal purposes. Initial research in the area has shown that patients can reap the benefits without its full-blown 'high' effects

Paul Austin, founder of The Third Wave, where you will find a manifesto on microdosing, defines it as, "the act of integrating sub-perceptual doses of psychedelics, such as LSD or Psilocybin Mushrooms, into your weekly routine for higher levels of creativity, more energy, increased focus, and improved relational skills." The Third Wave, according to Austin, follows the first two waves, in which psychedelics were used indigenously for thousands of years, and then, in the 60s and 70s, when they were a part of American counterculture. Austin writes that The Third Wave is upon us, "brought about by recent developments in cannabis legalisation and psychedelic research — and it will change the way mainstream culture perceives psychedelic use."

Classically acid, now weed
For Rajan, however, it wasn't sub-perceptual Silicon Valley that got him to ration his 100 mics stamps, each of which costs about R2,000. It was simply a matter of demand and supply. Mumbai had better stuff than Kolkata, and more availability. Microdosing has classically been associated with LSD, but now has been extended to cannabis as well. Austin's website has guided instructions for microdosing on nine drugs, including cannabis and ayahuasca. Mumbai-based communications officer Varna Kumar*, 25, smokes a mandatory post-work joint every night in order to cope with anxiety and panic attacks. "I feel I have worked enough through the day, without much time to understand what I am going through. At night, when I am by myself, I smoke a small joint to achieve REM sleep," she says. The joint, a mix of two strains, sativa and indica, help her body relax. It makes her anxiety seem defeatable, is how she describes it. Her counsellor, who also smokes up, has not advocated this as a coping mechanism. "It's different from when I am smoking up recreationally during the weekend or when I am away on a vacation. I will do three to four joints when I have nothing to take care of," she says.

Rajan doesn't buy it. He offers an example that may be best contemplated upon or contested by those who have done both LSD and cannabis. "With weed, you are either stoned, or you are not. You will need to smoke up as soon as the high wears off. When you get stoned, your mind becomes passive. But, microdosing on LSD allows you to be calm enough to multitask, allowing a lot of information to be funnelled into your brain easily. You are alert, you are awake," he says, adding, "What is LSD all about? When you start tripping, you see a shift in perspective." You need not agree with Rajan, as he himself says, "We are all chemical reactions", with each of us reacting differently to drugs.

Covert, not convenient
Microdosing will often be compared to that hard-earned and well-deserved one drink after work hours. It's nothing like that, microdosers will tell you, and so will psychiatrists and rehab therapists. For one, microdosing has none of the ease of getting a drink at your favourite pub. You will be persecuted in your search for your creative spell or a calmer mind. Next, it's not even like getting a drug prescription that your GP advises you to have for the course of a fortnight. Kumar and Rajan know it all too well. Microdosing means self-experimentation, knowing when you are crossing the threshold into recreational high dosages. Cannabis, for instance, is best microdosed through edibles, like space brownies, which are available legally in some parts of the world. It's probably the reason why microdosing is yet to take on Silicon Valley proportions in India. "Here, we don't often get to know what strain of cannabis we are using, or where it is sourced from," says Kumar. Saying "this stuff is craazzyy" is, therefore, not enough if you want to microdose. "If you are living with family, it's hard to make edibles. All this means that the convenience factor associated with a drink is not the same with this covert process," she adds.

The idea of the junkie, with matted hair and piercings, is a stereotype that microdosing is replacing. It's no longer cool to be a junkie, especially in the vegan-conscious, gluten-free, aerial yoga health lifestyle that we are seeing around us. Microdosing may be the most metrosexual among the various kinds of drug use, and it carries the allure of high-performance and alleviation of mental health issues, with published studies to back these up. But doctors and psychiatrists are warning us about the glamourisation of microdosing, even as research to mainstream it for mental health is going on. Psychiatrist Dr Samir Parikh says, "Microdosing encourages the thought process that you need a drug for enhanced performance or better creativity or to calm your nerves. This will mean that students microdose before exams, athletes before a run, couples before a wedding, and the next thing you know, because someone has to attend a birthday bash. There is no end to important situations in life. We are making people believe that a student could have scored an additional five marks in an exam had she just microdosed. Can you imagine the perils of this philosophy?" he says. He backs this up with the number of risks associated with prolonged drug abuse, such as a permanent change in brain circuitry, cerebrovascular diseases, and panic attacks.

Then there are those who will argue that moderation as 'one-drink-a-day' is more addictive than the weekend drunken revelry. Is addiction, even in microdoses, still addiction, where the brain searches for rewards compulsively? Kumar disagrees. "Microdosing is the difference between dependence and addiction. For example, I am dependent on a cab to take me to the station. Can I get through my day without it? Can I walk to the station? Yes, I can. That's what microdosing is. I can get through my day without a joint, but a joint just makes it a little easier," she says.Psychiatrist Dr Yusuf Merchant, who runs a rehabilitation centre at Kalyan, says microdoses pose the risk of turning into overdoses. "With any drug, the body learns to metabolise it faster. Which means, that the quantity for a microdose will keep increasing and your hold on reality will keep getting more tangential."

Rajan himself admits to a 'bad trip'. LSD users will tell you that recreational doses are best done in settings that you feel comfortable in, to enjoy, or cope, with the hallucinations. With microdosing, you are headed into your office or your studio to function better. Rajan had once taken more than a microdose, leading him to have a panic attack, the kind where he couldn't even see his hands. The golden rule, he says, is that if you don't go on a full trip, you will never know what a microdose is.

That ailing pain
The push for microdosing is coming from a quarter where its future seems to be most secured — pain management. Mumbai-based homemaker Susheela Kamath*, 48, was diagnosed with stage II breast cancer a couple of years ago, and having undergone nearly a year's worth of chemotherapy and radiation, the accompanying pain and nausea, were all too real. Her daughter provided her with high-grade hash oil. The dealer provided her with a tiny spoon, the kind that you are handed inflight to stir your coffee with. "I had to initially understand, through a lot of trial and error, by gauging my mother's mood, on what a microdose for her would be. Hash oil is very potent," says the daughter.

A little drop of it on her toast every day, helped Kamath cope with pain. "From the third day to the tenth day after chemotherapy, my mother would have about three to four spoons a day, and, on other days, just half a spoon," says the daughter. Coping with the pain meant she could do more during her day, and also have an appetite. Now, months after she has wound up chemotherapy and radiation, she has bid adieu to the prescription drugs that came along with it, and the hash oil as well, without yearning for that high. Unfortunately, unlike medical grade marijuana that is available in some countries, and still not permitted in India, the daughter did not know if the oil had cannabidiol (CBD), which gives marijuana its medical properties, or tetrahydrocannabinol (THC) which gives you the "high".

Dr Kailash Kothari, interventional spine and pain management specialist at Fortis Hospital, Mulund, says that there is not enough evidence to either prove or disprove that microdosing on cannabis can help with pain management, the way opioids, such as morphine, act on the nervous system. "Do cannabinoids work like tranquilisers or do they have long-term effect? There is not enough research as of now," he says, adding, "Getting dependent on these takes a lot of time and not something that can happen in about 15 days of use." In the meanwhile, you can enjoy a night of quiet or a better track on Soundcloud by rationing your stash. But, is it short-term solace or long-term abuse?

*All names have been changed on request to protect identity

When we first lay our hands on Pashmina, we didn't know what to expect. And that perhaps, is one of the first indications of a good read. A coming-of-age graphic novel which explores the relationship between an Indian-American mother and her teenage daughter, illustrator and writer Nidhi Chanani's Pashmina (HarperCollins) is filled with magic and tied together in such a heartfelt narrative, it would be a challenge not to find bits of your own life in it.

Chanani says her affair with illustration began long ago and that the first step was to fall in love with art, which began when she started drawing as a child. The birth of Pashmina, she says, can be traced back to that phase of her life as well. "My inspiration for Pashmina came from a variety of sources: my mom, growing up in the US, my first trip to India, and the choices women make — all of these things are woven into the story. When I was younger my parents would travel to India often. When they returned, their suitcases had a pungent, almost magical smell — from a place that seemed very far away. I was probably 10 years old. Opening their suitcase made me feel close to this other world. In a way, I believe this story has been with me since then."

The relationship between Priyanka, the protagonist, and her mother hits home the hardest, in that it is an apt depiction of the dichotomy that characterises a quintessential Indian mother — egging us to be freer than they were but also being restrictive at the same time. Explaining what this depicts for her, Chanani says, "As I wrote Pashmina, it also became about the relationship between an immigrant mother and a first-generation daughter. Touching upon the layers of understandings and misunderstandings, I explored my own relationship with my mom. Priyanka, is a teenager and being one is hard enough, especially if you are glaringly different. Many of Priyanka's struggles are ones I experienced myself. She is not only racially different, she's a nerdy teacher's pet, she comes from a single-parent household, and doesn't have as much money as her Orange County counterparts. Her mother struggles to understand her and raise her with her Indian beliefs and values."

Nidhi Chanani

The story comes full circle when Priyanka finally visits Kolkata, her hometown (as well as Nidhi's) in a quest to understand more about her roots. Travelling solo to the country of her heritage forces Priyanka to break free of her sheltered life and grow up, to face herself and begin the process of seeing her mother as a whole person. "I wanted to explore a different path to India than I had experienced. My teenage understanding of India was tainted by poverty-stricken, third world imagery. How wonderful would it be if a young person learned about their culture through only positive representations? That's the root of Pashmina; opening a suitcase and travelling to a fantasy version of India where a character can learn about their heritage in a favourable light," Chanani says. While some aspects of Priyanka's life are similar to hers, the story is not autobiographical. "I love samosas and comics! However, unlike Priyanka, I grew up close to my family in India. Fortunately for me, I wasn't so alone," she shares.

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Smeetha Bhaumik

The poet-artist, for whom this is the second Glo/NaPoWriMo attempt, says, "Platforms like these are precious to a poet, because of the sense of community and writing in unison that they offer. Writing to new prompts every day is a challenge in itself, and an exciting one; I say this because I have seen unexpected beautiful verses emerge out of my pen [or mouse]." For Bhoumik, it's tough to pinpoint where her tryst with poetry began, "I have grown up with poetry as a background motif in an environment of science and engineering that dominated my Bengali household. So, its aesthetics have been with me all along. Though I took up writing much later, it was as if I had written it all my life. It just flowed," she says.

Moonlit haibun writes itself,
silver crescents that speak to silence
often.
On the walls trellises of poetry,
On the night:
Shadows
Of poems
To come

Ritu Poddar

A NaPoWriMo novice, Poddar says for her, the takeaways are many. "This has been the most productive and creative month of my life so far. I learnt that passion alone cannot take you anywhere but, passion combined with discipline can," she shares. Speaking of the challenges she faced, Poddar says, "There were days when I would easily find inspiration or an idea to write about. But on others, even the prompts could not help. I have stayed up all night to ensure I don't break the chain of writing continuously."

Collecting from every corner of my body
Debris of past heartbreaks,
Stench of hoarded guilt,
Leftovers of repeated mistakes,
Scraps of untreated anguish
Digging hard to pull out weeds of hurt
Rooted deep into the memory bed.
Cutting cobwebs of relations I weaved,
Which had turned into fetters.

When Washington-based poet and publisher, Maureen Thorson began the National Poetry Writing Month (NaPoWriMo) in 2003, little did she realise that it was going to turn April into the busiest month for poets across the world? The objective is to pen down 30 poems in 30 days — spurred on by prompts (available on the official NaPoWriMo blog) and a general camaraderie that allows you to find the much sought-after inspiration writers are constantly pining for. Today, this has become a global community, with most preferring to call it Glo/NaPoWriMo. It has found its way into the lives of many Indian poets.  We speak to four of them as the month comes to an end.

Rakhee Panth

Panth quit her job as a school teacher to pursue writing full time. This was her first NaPoWriMo attempt and she says the experience was exhilarating. She began writing when she was 11 and published her first short story at 14 in Children's World Magazine. "Writing is a lonely profession. This forum encourages writers across the world to stay inspired and motivated as a community [albeit virtual]. It is believed that creativity often follows its own graph but NaPoWriMo pushes you to harness your creative energy every day and expand your horizon in a guided manner — something that many writers are hungry for in our country. It helps inculcate discipline and is a creative and fun alternative to structure your writing process," she says.

When rain finally falls
And takes with it
The earth's sorrow,
Winnows its way
Into her heart
And stays,
I will call to you then

When eternity stops
And time stands still
I shall have dissolved you in me

Aashish Vaidya

The blog, which is maintained by Thorson features a participant every day. Aashish Vaidya was one of the few Indians to be named. Originally from Vadodara, Gujarat, Vaidya says that his foray into poetry was encouraged by his grandfather, and began with their affinity for Hindi ghazals. "Ghazal singing is that beautiful confluence of good poetry, good singing and good music. I wrote poems and articles sporadically in high school, and in college, for newsletters and community magazines. But, I can relate to Picasso's quote 'Every child is an artist. The problem is how to remain an artist once we grow up.' So for many years, the desire to write lay dormant, as the proverbial life happened," he says. Vaidya, who is participating in the challenge for the fourth time, believes its significance is manifold. "It provides this huge nudge to write. And if you tap into the NaPoWriMo blog community, you can also find other individuals around the globe, who are writing. And in many cases, they are struggling to write, like you, at this maddening pace." he says.

But, talking anything rational with them is more
Like 'burning daylight,' or 'whistling up the wind.'
I mean it takes a special someone with,
'Too many cobwebs in the attic,' to believe someone who is
'Slicker than a slop jar or a boiled onion.'
I mean, come on y'all, howdayya believe someone who,
'Knows more ways to take your money than a roomful of lawyers.'

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A frame from the series, Music for Everyone. Pic/Yuyang Liu

The town of Siem Reap in Cambodia is a fascinating blend of history, modernity and culture. While the magnificent temple complex of Angkor Wat is no more than 6 km away from the picturesque location, it is also home to artisan collectives and Cambodian Cultural Village that gives a glimpse of the country's diverse cultural heritage. Since 2005, the city has also been the venue for Angkor Photo Festival & Workshops (APFW), a non-profit cultural association founded by noted names in photography from across the world - including members of Magnum Photos - to nurture Asia's photographic community by providing an affordable and self-sustainable platform for professional training.

From the series, Two Eyes Good, Four Eyes Bad. Pic/Rebecca Chew

Over the years, emerging photographers from India, Bangladesh, Pakistan, Iran, Indonesia, Japan and Cambodia among other Asian countries have attended tuition-free professional workshops, worked on a photo story inspired by their surroundings and showcased their project at the end of the festival. The APFW alumni community is a thriving one, where collaborations and creative exchange is common. Photographers from Mumbai, too, have participated in the festival, and to introduce emerging lensmen from the city to its upcoming edition in December, APFW alumni will conduct an interactive session this Saturday. The session, being held in Mumbai for the first time, is part the Angkor Hangover series of events organised across Asia.

From the series, Bokator, on young Cambodians trying to resurrect a traditional form of martial arts. Pic/Zishaan A Latif 

"The mentors are people whose work I admire. And when a group of 30 individuals with eclectic practices and realities specific to their countries come to learn from them, they also learn from each other," says freelance photographer and filmmaker Aishwarya Arumbakkam, who participated in the festival in 2016 and is one of the organisers of the Mumbai session. Multimedia projections by photographers from the 2016 batch are also a part of the evening.

From the series, Ahp. Pic/Aishwarya Arumbakkam

While applications are shortlisted on the basis of merit, freelance photographer and alumna Karen Dias explains that to keep the programme accessible and inclusive, there is no upper age limit for applicants. Fellow alumnus of the 2009 batch, Zishaan Akbar Latif, recalls, "As a budding photographer, you are terrified of showing your work, but you realise that others are in the same boat, too. Being in that quaint part of the world at a workshop that's different from its uptight counterparts helps you loosen up," he shares.

APFW organising committee member Andrea Fernandes, who has been associated with the festival for five years, sums up its nature, "This event is initiated by alumni and this is the direction we want the festival to go in - where every person associated can have a space to speak about their work and collaborations."

ON: May 12, 5 pm to 7 pm
AT: Trilogy by the Eternal Library, Raghuvanshi Mills Compound, Senapati Bapat Marg, Lower Parel.
CALL: 8080590590

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Representational picture

New Delhi: With the summer heat scorching and the mercury level soaring, comfort is a serious concern for many. In this scenario, selecting the right fabric is a necessity so opt for the right clothing that makes you feel fresh. Designers Prarena Grover and Dhruv Sehgal list some must haves fabrics and few avoidable ones.

Must have fabrics
Cotton: Beyond any doubt pick up that cotton dress or the cotton shirt from your wardrobe. It not only makes you look smart and elegant but also scores high on the comfort level.
Reason: During summer it is a general tendency to sweat a lot and in such a situation cotton is just the apt fabric that absorbs this sweat. This helps in giving the much required relief and helps in cooling down your body temperature. In addition, cotton fabric gives you a relief if you are prone to any allergic reaction. Thus, cotton is just too apt for your sensitive skin.

Linen: The pastel coloured linen wear is just so perfect for your summer days. Fret no more and choose the right linen wear for yourself.
Reason: Tired of threat of unnecessary sweat? Considering that linen is highly absorbent and a good conductor of heat it helps in keeping your body free of moisture. So, the linen dress or blouse not just feels good to touch but also quickly removes your perspiration during the summer days.

Khadi: Khadi saris to the dress to shirts, it is the perfect wear for your summer evening.
Reason: Khadi is that handloom fabric which uses no chemicals in manufacturing. This skin friendly hand oven, organic fabric is just too perfect for your summer days.

Sheer: This is the ideal fabric for humid days. It is the fall and the interesting cut of the fabric makes it a must-have in your summer days.
Reason: As a fabric usually meant for wedding gowns or floral costumes or stockings or lingerie sheer does very little in the way of warmth for the wearer. This is the reason why it is one of the favourite fabrics for summer wear.

Avoidable fabrics

• Denim: Denim is a strict no for your summer days. It hugs your body too much and creates unnecessary suffocation in summer.
• Synthetic wear: Never indulge in a mix fabric in summer. It creates discomfort and may sometimes cause skin infections in this regard.

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Representational picture

New Delhi: Apart from making healthy organic life choices, incorporating a night time skincare regime into our daily lives, will go a long way in keeping the skin looking healthy and glowing. Start your regime by thorough cleansing and do not forget to use a toner, suggest experts. Shankar Prasad, Founder, Plum, and Megha Sabhlok, Brand Director, Just Herbs, have given some inputs:

Cleanse: Going to bed with make-up on is the worst thing you can do to your skin. It leads to chemical accumulation, blocked pores and reduces the ability of skin to absorb nutrients. Make sure that you use a gentle cleanser first to remove make-up and grime. If required, follow up with a foaming face wash.

While the idea of cleansing the grime on your face with castor oil might seem unappealing to you, however, it not only can draw out the dirt from your pores and purge, it also has anti-inflammatory properties. People with all skin types can benefit from this method.

The best natural cleansing technique is to use one-third castor oil mixed with two-thirds of any oil of your choice; almond, sunflower seed, virgin olive or any other natural, organic oil. Massage the oil gently onto your face with firm strokes focusing on your problem areas

Use a soft washcloth soaked in warm water to cover your face. The warmth allows the oiled pores to soften and open up in order to gently release the toxins and impurities.

Gently wipe without scrubbing and repeat again. This should remove the oil along with the dead skin cells, bacteria and impurities from your face leaving you with deeply cleansed glowing skin.

Tone: This helps reduce pore size, balance skin pH and remove any leftover dirt and make-up still left. Toning will further nourish and hydrate your skin leaving it supple and refreshed. Rose water tops the list for its fragrant refreshing appeal and its universality in suiting all skin types.

Refrigerate a good organic brand and apply all over face and neck using a cotton ball. Green Tea with a few drops of tea tree oil makes for an antibacterial toner that especially suits oily skin types.

Anti-ageing serums: Address your anti-ageing concerns with elixir serums as they nourish and restore the natural glow and youthfulness to tired, ageing and pigmented skin. Plant polyphenols, carotenoids and flavonoids present in these serums slow-down skin ageing process. Once applied, let your skin fully absorb the serum for some time while you rest.

Massage with night cream or gel: Begin by spreading it across the forehead, down the nose, across the cheeks, the chin, neck and towards the chest. Gently massage the cream in upward strokes and circular motions by using your fingertips. This helps in evenly distributing the moisture all over your facial skin, increases blood circulation and minimises puffiness.

The facial oil: Facial oils repair and replenish the facial skin while you sleep. Apply 4-5 drops of facial oil on fingertips and gently massage it in circular motions from nose towards ears while applying horizontally, and always against the gravity while applying vertically.

It is usually applied after the gel/cream as it helps seal-in the moisture.

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An auto driver has been arrested by the Mumbai police for looting a senior citizen in Chembur last month. According to the police, the arrested accused has been identified as Subedar Bind, 34. An officer said that on March 23, 72-year-old Kalawati Pednekar was looted by Bind and a friend. Pednekar told the police that on that day she had visited Chembur Gymkhana to attend a wedding.

However, owing to her advanced age, she had become tired and left the reception around 9pm. Outside, she found Bind's auto and got in. On the way to Pednekar's residence in Kalina, the driver stopped his auto near Kurla, where his friend, whose name is not known, got into the auto. Bind told Pednekar that the friend wanted to be dropped off at Kalina.

On the way, he stopped the auto and told Pednekar that because he had some work, the friend would drop her home. Bind's friend drove the auto for a few kilometers when he stopped the auto and told her that the fuel was over and hence he could not drive any further. Pednekar paid him and took another auto home. Once she reached home, she found all her valuables missing from her bag.

She approached the Chembur police and lodged an FIR against the auto driver. An officer said, "We scanned CCTV footage and spotted the accused. On April 26, we arrested him from Uttar Pradesh. We are looking for the other accused." During investigation, the police came to know that Bind had arrived in Mumbai one month ago and had been driving the auto of one of his friends.

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A teenager lost his hard-earned money that he was taking home to Bihar, when four to five people looted it. The accused, one of whom attacked him with a knife are at large, and he feels it is God's grace that he is alive and with his family.

Dharmesh Sharma, 19, a resident of Kalyan, works as a JCB operator. According to Sharma, on April 23, he wanted to go to Bihar by a train which starts from Kalyan railway station. At the inquiry window he was told it would arrive at 11 pm.

A person standing nearby claimed he was also going to Bihar and took him to platform 6. Later the man told him the train would start from Kurla (LTT) and after convincing him, took him there on the pretext of better seats.

But at Kurla the accused took him to an isolated spot, and threatening him with a knife, asked him for his valuables. "I pushed him and started running away. But he attacked me with the knife," alleged Sharma.

Soon, the man was joined by four-five more men who stole Rs 7,000 from Sharma, and his mobile. Senior Inspector Kalyan GRP, A Bartakke said, "We have registered the offence. We waiting for Sharma, so we can get details on the suspects' appearance etc."

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Polling for the fourth phase of the Lok Sabha polls began on Monday in 71 Lok Sabha constituencies spread across nine states. Over 12.79 crore voters will decide the fate of 945 candidates today. Mumbai Police on Twitter shared a heartwarming post of senior citizens at the polling booths. 

Mumbai police on Twitter known for their quirky yet remarkable tweets, share an impactful message of senior citizens of Mumbai setting an example for the youth of the city with their active voting.

Leading by example, they vote till this age so that democracy lives longer and healthier! They have fulfilled their responsibility of creating a legacy, it is our responsibility to keep it alive. MRA Marg policemen assisting senior citizens to vote comfortably #LetsVoteMumbai pic.twitter.com/lDUkJyJSVm

— Mumbai Police (@MumbaiPolice) April 29, 2019

The Mumbai police is also seen helping the elderly voters at the polling booths by holding their hand and offering them assistance as they walk towards the booth.

Raising the bar for the youth, senior citizens across the city are turning out in large numbers at the polling booths to vote. It is our pleasure to help them in every little way we can. #YourChoiceMatters #LetsVoteMumbai #LokSabhaElections2019 #लà¥Â‹à¤Â•à¤¸à¤­à¤¾à¤¨à¤¿à¤µà¤¡à¤£à¥Â‚à¤Â•à¥¨à¥¦à¥§à¥¯ pic.twitter.com/jH2KAO0IcS

— Mumbai Police (@MumbaiPolice) April 29, 2019

As many as 40 polling booths in these constituencies, including 26 in suburban Mumbai, are being managed women. As many as 3.11 crore voters spread across the Mumbai metropolitan region and northern and western Maharashtra are eligible to exercise their franchise to decide the fate of 323 candidates in the fray in these 17 seats.

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A dog with pro-BJP stickers on its body was detained along with his master in north Maharashtra's Nandurbar town where polling for the Lok Sabha elections took place Monday.

Eknath Motiram Chaudhary (65), a resident of Navnathnagar area, was spotted with his dog near Andhare hospital Monday afternoon. The dog's body was found covered with stickers bearing the BJP's symbol and the message "Modi Lao, Desh Bachao" (Vote for Modi and save the country), a local police official said.

As the polling was underway, police had received a complaint about the dog and his master who were roaming around the town, he said.

A case was registered against Choudhary under section 171 (A) of the IPC for violation of election rules which prohibit campaigning on polling day. The police have asked the municipal corporation to take custody of the dog, the official added.

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It is not often that you see practitioners of Kathak, Odissi and Mohiniattam share the stage to present not multiple performances, but one that threads together the three traditions. That’s what connoisseurs of the dance forms will witness at a performance that highlights their underlying unity.

It will be presented by Sujatha Sanjay Nair, daughter and disciple of Mohiniattam exponent Jayashree Nair; Indrayanee Mukherjee, the first ganda-bandh shagird of well-known Kathak dancer Uma Dogra; and Dr Prachi Jariwala (in pic), senior disciple of renowned Odissi dancer Daksha Mashruwala.

Free
On: Today, 6 pm
At: Visitors Centre, Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, Fort.

Art power

Attend a group exhibition where over 40 artists will showcase their works under one roof. The Power of Colours will feature paintings by nationally and internationally renowned artists such as Subrata Bose and Rabin Bar.

Till May 6, 11 am to 7 pm
At Nehru Centre Art Gallery, Dr Annie Besant Road, Worli.
call 24964676
Free

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Voter's names missing from lists is not unusual any more. But, in Bhendi Bazaar, an entire building full of voters has vanished from the list, leaving around 100 residents without their right to vote in this election.

Salam Khan, a 32-year-old businessman, has been casting his vote for years. On Monday, however, he got the shock of his life when he was informed that his name was missing from the voters' list. When he returned home, miffed, he discovered that all the residents of his building, Zainabiya, were not on the list for some reason.

"When I reached the polling booth, I was told that my name was not on it. I was very upset. Then when I reached home, my neighbours, too, start complaining about the same thing. Later, we got to know that the name of the building had gone missing from the list. This is such a big mistake, they have lost so many voters," said Khan.

Also Read: Election 2019: Mumbai scrapes through in voting report card

The residents alleged that they heard that because the building was old, the election officer was told that the structure had been demolished for redevelopment. "We cast our last vote during the BMC election in 2017. There was no problem then. But now, the whole building has gone missing. How is it possible?" asked Rasheed Sheikh.

Election 2019: Prominent personalities, other Mumbaikars come out to caste vote!

Crèches at polling booths

The Election Commission roped in Aanganwadi Sevikas on voting day to take care of children coming with their parents to voting centres. While several such Sevikas were seen standing near the polling stations to take care of children so that they don't enter polling booths, other arrangements were made in rooms inside various schools where parents could leave their kids for a short while to vote.

Also Read: Elections 2019: Regular voters find their name missing at polling booths

In Prabhadevi, 147 Aanganwadi workers were roped in for this. A municipal school at Prabhadevi saw about 40 children taken care by these workers throughout the day. Even at Malad, the crèche was a big hit. Vandana Kothekar, who was on election duty and taking care of these kids from Prabhadevi, said, "We saw a good turnout and parents were willing to keep their children as it was just a matter of a few minutes."

Salman Khan, SRK, Ranveer Singh, Kangana, Bachchans step out for voting

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Couple begins 36th anniversary by casting votes
Ranibai and Ramanlal Bakliwala

Ramanlal Bakliwala, an 81-year-old resident of Colaba arrived at the polling booth to cast his vote along with his 77-year-old wife Ranibai. It was a special day for them because it was their 36th anniversary which they started with a "noble" cause. "Every year, we first go to the temple to seek blessings but today, we came here to cast our votes as it is more important. We wanted to start the day with a noble cause. We missed the previous elections as we were out of Mumbai. This time we thought there is no better way to celebrate our anniversary than by first voting for the development of our nation," said Ramanlal holding Ranibai's hand.

'Found name only after searching for two hours'
Sanjay Jain

Like thousands of Mumbai residents, Sanjay Jain, a 48-year-old businessman, left home early with his family to cast his vote at Mumbai Central. But he had to run from pillar-to-post for hours as his name was missing from the voters' list. "When I reached the polling booth, I was told that my name is missing. Then I was told to go to the main office where after almost two hours of searching, I was told that by mistake they have put another similar name in my place. After almost three hours of waiting, I had to return home without casting my vote," he said.

Senior citizen encourages voting
Pervin Daruwalla

Like thousands of Mumbai residents, Sanjay Jain, a 48-year-old businessman, left home early with his family to cast his vote at Mumbai Central. But he had to run from pillar-to-post for hours as his name was missing from the voters' list. "When I reached the polling booth, I was told that my name is missing. All my family members cast their votes except me. Then I was told to go to the main office where after almost two hours of searching, I was told that by mistake they have put another similar name in my place. After almost three hours of waiting, I had to return home without casting my vote," he said.

Also Read: Elections 2019 in Mumbai: Physically challenged, elderly, get little help at polling stations

Lack of facilities
Anil Kejarival shows his mother's voting ID

Lalitadevi Deviprasad Kejarival, an 81-year-old resident of Pedder Road, fractured her leg few months back and was advised bed-rest. On Monday, she was determined to cast her vote. But the lack of basic facilities at the polling station meant she couldn't do so. "Her serial number was at booth No 2 which was on the first floor. She can't move so it was impossible for her to climb 22 steps. She requested she be allowed to cast her vote on the ground floor but the officials told her that it is not allowed. But don't rules say that for senior citizens there should be volunteers and other facilities? This is a very sad state of affairs," said her son, Anil Kejarival.

Also Read: Elections 2019 in Mumbai: Official inks both fingers of mid-day photographer

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The art display at the debut edition of the festival

This weekend, if you step into the heritage precinct of the Great Eastern Mills compound in Byculla, you’ll get to feast your eyes on oil and watercolour paintings by 50 artists from across India. The showcase is part of the second edition of Art 35, a three-day carnival that celebrates affordable art. “Though we had a basic festival last year, I have taken it to a bigger scale this year by curating carpet displays, fashion apparel, jewellery and food stalls; paper and origami workshops for children and music performances too,” shares Charu Tewari, CEO of Ficus Fine Living, that’s presenting the festival.

Mooralala Marwada

The performance line-up includes an afternoon of Sufi renditions by Mooralala Marwada, a well-known folk singer from the Janana village in Kutch district of Gujarat. The artiste, who sings in the Kaafi form of music, will regale the audience with poetry of Kabir, Mirabai and Ravidas. Other must-catch acts include a Dastangoi storytelling session with Ankit Chadha and a stand-up comedy show titled Oye... Stand Up by Ankita Shrivastav and Mohit Sharma. The latter will also perform a solo act of Toba Tek Singh. The play based on Saadat Hasan Manto’s famous short story set in the aftermath of Partition will see the actor don 19 characters in 60 minutes.

Mohit Sharma in an earlier performance of Toba Tek Singh

The fest also offers a range of workshops — from one on digital photography by Himanshuu Chandrakant Sheth to tarot card reading by Ruchi Shah, finger painting, fabric painting, mural painting, collage making as well as cupcake decoration with fondants and frostings. Each workshop is curated for specific age groups, including two-year-olds.

What’s a carnival without yum food? Dig into chaat, sandwiches, baos and organic fare from the stalls set up at the fest. These include gourmet lunchboxes for `500 whipped up by Savor, a subscription service launched by the folks behind The Secret Supper Project along with probiotic European fermented milk drink, Kefir, by Moina Oberoi, who runs the city’s first Kefir delivery service. You can also binge on Mutton Kheema Samosas, biryani and other sumptuous fare from a pop-up by The Bohri Kitchen.

If you’re looking for retail therapy, check out faux and semi precious jewellery, fashion apparel by Neelu Oberoi as well as exotic carpets and hides from The Merge Projekt in Bandra.

Posters created for the podcast. Pics courtesy/Chuski PoP Facebook

"Mujhe woh haseen dard de do, jise aaj ke baad main kisi doosre ke saath na baant sakun." This cheesy line from the movie Prem Aggan is the start of what goes on to be a fun, witty podcast about the fascination about Valentine's Day and how V-Day should be called a U-Day.

Welcome to Chuski Pop, a desi podcast starring Sweety and Pappu, 'two desi women riding the fourth wave of feminism in their salwar kameez and golden heels'. Sweety is a graphic designer and Pappu, a copywriter. Their podcast, launched in 2015, has a new episode releasing every second week and has 27 episodes out already.

Each podcast starts with a cheesy, ridiculous line from a Hindi film. It lasts for about an hour or longer, and usually sticks to one topic, but the two women talk about anything that happened through the week. The tone is conversational, with a few over-the-top reactions thrown in for effect. They talk about eating their 'shiny, glossy candy toes', make-up, explain mansplaining, how not to be a cool girl, social media detoxes, body positivity and finding like-minded girlfriends to hang out with.

They've even introduced Bhindi Awards (showing the ladies' finger to patriarchal society) given to women who celebrate being themselves. Past awards gave gone to MIA, Beyonce, Harnaam Kaur and Lily Singh. Their 19th episode was a collaborative one, with fellow desi podcasters Chai Tea Party.

Last Sunday evening, nearly 400 people made it to Juhu's Novotel Hotel to watch a screening of Pulp Fiction. What made the evening special was that the "seats" i.e. the gaddas were laid by the pool, with cool breeze blowing in from the Arabian Sea.

It was the first film screening in the city organised by SteppinOut Movie Nights, which has presence across Chennai, Delhi and Bangalore. Ojal Kulkarni, the brand head for the firm, says they chose Novotel for its cool vibe and plan a movie night at the venue every two months.

In a city that's brimming with cinephiles it only makes sense to have non-commercial venues that will screen the classics as well as the indie films. And, Novotel promises to be a killer of a venue. Tickets will range from Rs 300 to Rs 400 and the movies will be chosen after a poll is conducted on their FB page.

But, if you can't wait until then to catch a screening of some well-curated films, along with other lovers of cinema, here are the some of the other venues in the city to watch out for.

Traipse through America
Sunset Cinema Club (SCC) is holding a Travel Movie Night in association with travel start-up Unpland. The movie to be screened is Into The Wild, a 2007 film about a young man who decided to renounce his possessions and hitchhike across America. "We have hosted several themed movie nights in the past. This time, we wanted to do something travel-centric. We ran an online poll to pick the movie for the screening," says SCC co-founder Sanchit Gupta.
On: September 3, 8.30 pm
At: The Barking Deer, Senapati Bapat Marg, Lower Parel. log on to insider.in
Entry: Rs 312 (includes a beer or mocktail)

Understand the works of Renaissance masters
This evening, Dr Bhau Daji Lad Mumbai City Museum, in collaboration with Alliance Francaise de Bombay, is showing three documentaries on Renaissance painters by filmmaker Alain Jaubert. The first film delves into Grünewald's painting Retable d'Issenheim (Altarpiece of Issenheim), while the second focuses on Baldassare Castiglione (Portrait of Baldassare Castiglione) by Raphaël. The third film is about Le Repas Chez Levi (The Meal at Levi's; in pic) by Veronese. If you walk in after 5.30 pm, entry is free.
On: Today, 6 pm to 7.30 pm
At: Dr Bhau Daji Lad Mumbai City Museum, Byculla East
Call: 23731234

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The Accidental Prime Minister
U: Biography, drama
Dir: Vijay Gutte
Cast: Anupam Kher, Akshaye Khanna
Rating:

Given the imagery in the trailer, it is impossible to walk into The Accidental Prime Minister anticipating anything. The intent of its makers is evident: its strategic release, months prior to the election, solidifies its positioning as a propaganda film. Films are meant to have fodder for debate and discussion. And the topic of discussion here, I propose, is how Mayank Tewari, the writer of Newton (one of India’s most balanced political films) and Hansal Mehta (Shahid) came up with something as abhorrent as this.

Probably hoping to pitch this as India’s answer to House Of Cards (HOC), the film’s narrative is too incoherent to make a political statement, let alone start a dialogue. HOC, of course, made with tremendous gumption, never has a political bias. It merely mirrors the goings-on behind the closed doors of the White House. Based on the book by Sanjaya Baru, this movie attempts to make sense of power games in the corridors of the coveted bungalow No. 7, Race Course Road (the official residence of PMO). But there’s no escaping the fact that it can only pass as a run-down, Made In China version of HOC.

If at all the idea was to shame and embarrass the Congress party, the writing here lacks the desired punch. The onus of shaping the material lies in the hands of the director, and Vijay Gutte is visibly inept. Of course, the lofty and on-point casting of Akshaye Khanna as Baru and Anupam Kher as PM Dr Manmohan Singh, salvages the situation considerably, but there’s no saving the film from shoddy direction.

Baru’s book walks the tightrope carefully, making ground-breaking political revelations, but never reducing Dr Singh to a laughable figure. Even his worst critics would agree, Singh was a man of poise. On Gutte’s insistence (or so I would like to believe) Kher turns Singh into a mute cartoon, who deserves to be pitied. It almost feels like the makers want to mock Singh — mimic his voice, slouch his gait. Baru had carefully carved Singh as a fiercely loyal man, standing strong on his ideals; one who is manipulated by the Gandhis (Sonia and Rahul). Gutte never focuses on the vulnerable equations between Singh and the Gandhi family.

He, in fact, allows Khanna to get disturbingly Frank Underwood-ish, turning up the dark humour in every third sentence. Khanna is great at what he does, but he makes Baru seem more like a saffron loyalist, not a Congress insider. Gutte takes us through the hallmarks of the Congress government, from the nuclear deal to the 2G scam, in a news bulletin, decade roundup-sort of a fashion, creating the build up for the film’s Singham (PM Modi). Do we know how Singh felt through it all? That’s for another film. There’s enough to laugh about in this offering, but the joke here is that while Hollywood continues to make great content, we are still nitpicking and name-calling.

Watch The Accidental Prime Minister Trailer

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Manikarnika: The Queen Of Jhansi
U/A: Biography
Director: Krishna Jagarlamudi, Kangana Ranaut
Cast: Kangana Ranaut, Danny Denzongpa, Ankita Lokhande
Rating:

As a film, this might seem a bit too ultra-patriotic/nationalistic for the fact that it's set in the mid 1800s, when the idea of India itself wasn't as concrete, let alone the concept of "Swarajya" (used here often), which was first popularly coined by Lokmanya Tilak, only born in 1856. The film itself though, right in its opening disclaimer, washes its hands of any pretense towards complete, uncontestable historical accuracy, which is only for the better. Helps you view it as a fabulous legend/fable first.

Be that as it may, the fact that the Indian Revolt/Rebellion of 1857, that began with the Sepoy mutiny, with Mangal Pandey firing the first shot, is widely considered the First War of Indian Independence, among Indians, can't be denied either. At the centre of this piece though, with absolutely no other players even in the periphery, understandably, is Rani Lakshmibai, born Manikarnika, a bibliophile 'brahmin' girl, raised by the Peshwa as a warrior, who eventually takes over as the Queen of Jhansi (currently in Uttar Pradesh). Yes, this is a big-budget, wholly star-driven, action-packed, period picture. Except the star is female, which is rare enough. Even if you consider Sanjay Leela Bhansali's Padmaavat (or Padmavati), where Deepika Padukone played the eponymous character all right, but the film focused on Ranveer Singh as the antagonist Alauddin Khilji far more. Speaking of which, this is the sort of passion project that Bhansali, as master of magnificence (Padmaavat, Bajirao Mastani, Ram-Leela), has excelled in to a point that subsequently similar works, by most other craftsmen, are likely to somewhat pale in contrast. And so while the inspirations here are obvious, it might be unfair to compare still. This holds just as true for any allusion to SS Rajamouli's astoundingly massive Baahubali, given that the screenwriter (Vijayendra Prasad) is the same.

For, the story here has to be enjoyed for its own worth. It relates to a legend that pretty much remains unsurpassed in Indian history—of a woman, who lost her husband, the king, and her little son, the heir, giving way to the British to take over her kingdom, with help of locals (as they almost always did), and a 'doctrine of lapse', which applied to heirless princely states.

Instead of wallowing in widowhood, as per tradition, the Queen got on the white horse-back, and led a full-frontal attack against the mighty British, all by herself, holding fort until the point that she could, and then creating alliances, organizing her brigade, to go at the Brits all over again. Her valour is a common, modern metaphor. You see a fearless woman, and inevitably go: "Aa gayi Jhansi ki Rani!"

Frankly, as a public figure from Bombay films, I can't imagine anybody as naturally earning that sobriquet as Kangana Ranaut. Dainty but fierce, Ranaut plays Rani Lakshmibai with the ferocity that suits her character best. She leads the charge not just as an actor, but also as director, the baton she took over midway through the making of this film. One can't help but conjecture if there are really two separate movies here, given that two directors were helming it at different times.

Well, there are two huge battle sequences in the picture. And one could argue that the second one, the climax, in its tone and shot-taking, looks considerably different from the first. But then, that could just be me as audience noticing, because consciously searching. Either way, there is nothing to hugely fault this film on technical competence, and indeed the scale at which it's been mounted.

Watch Manikarnika: The Queen Of Jhansi Trailer

The sets are grand. Extras, both Brits and desis, fill up the screen. War scenes look reasonably authentic. Mortal combats appear real. Riding through the artillery lined-up on either end is Manikarnika with her sword, the ultimate symbol of female power, from around the time that feminism as a word had only but been coined (in the West). It is an aspect that's thankfully quite dialed -down here. You can see it. You don't need to be incessantly told.

We've all read about Rani Lakshmibai in middle-school history. But we remember her best from the Allahabadi poet Subhadra Kumari Chauhan's long poem with the famous descriptor, 'Bundele har bole ki muh, humne suni kahani thi. Khoob ladi mardani, who toh Jhansi wali Rani thi.' A genuine, soul-stirring tribute to her phenomenal heroism can at best hope to come close to Chauhan's immortal lines. Yes, this one does.

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Alita: Battle Angel
U/A: Action, Adventure
Director: Robert Rodriguez
Cast: Rosa Salazar, Christoph Waltz, Jennifer Connelly, Mahershala Ali
Rating: 

This film, which has Robert Rodriguez and James Cameron working together with Peter Jackson's visual effects, has wonders never experienced before in cinema. The film may have taken a long while (twenty years) coming to screen, but the end result is fantastic enough to keep you asking for more. A manga-based action thriller, James Cameron's $200 million-worth, long cherished dream is aimed at young adults seeking fresher pastures from that of The Hunger Games variety and hopes to make it to bigger box-office returns than that sub-genre hit-starter.

Cameron started on the cinematic adaptation of Yukito Kishiro's original manga comics way back in the late 1990s, (much before Avatar), but the phenomenal success of Avatar had him relinquishing directorial control to Rodriguez while holding firm as screenwriter (with Jon Landau and Laeta Kalogridis) and producer.

The resultant kick-ass cyberpunk adventure may not be as original as he imagined it, but it has certainly got all the chops to make it to a long-term fan-following on its own.

The filmed adventure is set 500 years from now, in Iron city - a junkyard that is a wasteland for the flying citadel of Zalem. The city is peopled with AI controlled cyborgs mingling with real humans in a community so tech-spangled that it's hard to decipher one from the other. Kindly Doctor Dyson Ido (Christoph Waltz) reconfigures a former robot superweapon and rechristens her Alita (Rosa Salazar), after his own daughter. I do, who moonlights as a hunter-warrior, tries to protect the young Alita, but her mind has memories of a past that keeps haunting her present. She even develops a crush on handsome robo-junk dealer Hugo (Keean Johnson) and eventually ends up becoming the super weapon she once was.

The plotting here is a little too jumbled up, ensnared as it is in creating set-piece thrills and out-of-this-world experiences. Stereotype characters and genre tropes make the engagement less than wondrous. The tech-specs are certainly the best we've seen in a long time, the IMAX imagery is splendid and beguiling and the vivid expressions of the actors make it feel all the more real and intimately experiential.

Watch the trailer of Alita: Battle Angel

Even though Salazar is the most riveting and fascinating of characters, she does feel a little artificial at times. The CGI blends in effortlessly with digitally morphed motion-capture performance, but the artifice can be felt - too strongly at times. The array of side characters also feels like old hat killing the originality of the experience and allowing déjà-vu to creep in. Even so, there's no belittling this explosive cutting-edge adventure that takes cinema thrills to never-seen-before heights!

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2019 Oscar Nominated Short Films
U/A: Action, documentary
Director: Reyka Zehtabchi, Rodrigo Sorogoyen, Marianne Farley, Jeremy Comte, Vincente Lambe, Guy Nattivi
Ratings: 

This anthology film features five Oscar-nominated short films each in the Live Action category and one short documentary set in India. The live action line-up includes Madre, Fauve, Marguerite, Detainment, and Skin.

The documentary film Period. End of Sentence by Reyka Zehtabchi from the USA, tells the story of women, in a rural village just outside of Delhi, fighting the deeply rooted stigma of menstruation in India. It's factual, hard-hitting and exposes India's hinterland underbelly that puts premium on dogmatic tradition and self-defeating old school beliefs.

Stills from Detainment

Madre (Mother), a stirring short from Spain directed by Rodrigo Sorogoyen, has a single mother enveloped in a living nightmare - having to deal with her seven-year-old son, who tells her he can't find his father who he was vacationing within the French Basque Country. The film is a taut, frightening thriller that grips you till the end.

Marguerite, the short from Canada, by Marianne Farley, opens up locked-up memories through an evolving friendship between an ageing woman and her nurse, thus allowing her a sort of redemption from all the hurt and guilt accumulated over long lonely years. It's a human story that allows emotions to creep in steadily and eventually makes the precarious journey through memory lane a fulfilling one.

Fauve, another Canadian short, by Jeremy Comte, deals with an innocent, seemingly harmless power game between two boys that eventually turns scary. It's a stirring indictment on the brash, confrontational, competitive arrogance that has enveloped every aspect of young life today.

The most shocking of the lot are, of course, Detainment and Skin. Vincent Lambe's Detainment, a short from Ireland, based on the James Bulger case - for which two 10-year-old boys are detained by police under suspicion of abducting and murdering a toddler. It's a gruesome and harrowing tale told through interview transcripts of the case and the tension-ridden treatment is bound to leave you disturbed and despondent.

Skin, a short from the USA by Guy Nattiv, spins a horrific drama that has its origins in racial incrimination. A black man smiles at a 10-year-old boy in a small supermarket in a blue-collar town, and all hell breaks loose. This one's a blinder about how conditioning rules the way we think and behave even in such harmless, innocuous moments.

This entire package is a delightful showcase of talent and diversity and therefore, rightfully enshrined in the nominations for the best and worthiest shorts of 2018. They are definitely winners!

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Luka Chuppi
U/A: Romance, comedy
Dir: Laxman Utekar
Cast: Kriti Sanon, Kartik Aaryan, Pankaj Tripathi
Ratings: 

If you ever needed a better proof of the fact that most 'star-actors' (especially the new-age ones) are inevitably over-rated, given that the success of their characters, or indeed their films, depends so much on the script: Well, here is one.

This picture stars Kartik Aaryan, lately anointed the rising star among millennials, largely on the back of three super-hit rom-coms in a row - Pyaar Ka Punchnama (2011), its sequel (2015), and Sonu Ke Titu Ki Sweety (2018) - by the same director (Luv Ranjan).

Social media, and of course the usual entertainment portals, have been fired up ever since, capturing his newly captive mass-base. He walks into a picture of a similar genre, with hardly a story, let alone a screenplay, and you can watch the same actor, looking dumbfounded, fumbling all over the frickin' place - much like his film.
Which is about a girl, with a stock-expression (Kriti Sanon), taking stock of her young-adult life. She isn't quite ready to get married. But doesn't mind being with the guy she's just about met. She decides to live-in. For? 20-odd days, pretending to be married, in another town - sounds like a long vacation to me!

Either way, it's a logical step for a modern couple to take. Not for the characters in this movie, who live in seriously moronic times. Local news channels have gone berserk over, "Desh mein naya system aaya hai" - referring to an epidemic called live-in relationships! Goons, with the heroine's dad lording over them, are at every nook and corner, whacking/harassing couples over an inescapable pandemic. A top Khan Bollywood superstar has been boycotted/trolled nationwide for moving in with his girlfriend!

The hero-heroine in this pic play news reporters - continuously covering this earth-shattering story. Those behind the writing of this ultra-filmy picture were obviously born in PVR/Fun Republic. What happens next? Honestly, absolutely nothing. Or rather nothing that you may like to know, since the couple is still very much together, and their families seem okay with them being so forever. Eh?

This is supposed to be a comedy, exploring a perceived taboo, set in small-town India. Which, as a movie, is just the reverse from a decade and half ago, when Bollywood films just had to be set abroad, in order to do well - think Salaam Namaste (2005), also about a couple (Saif Ali Khan, Preity Zinta) living in, but in Melbourne!

Writer Javed Akhtar, astute cultural observer, ascribes this shift towards small towns as a fairly settled, secure, migrant Indian middle-class finding solace in its roots or where it came from. Given a massive string of commercial successes, emanating from stories from Meerut, Agra, Kota, Lucknow, Kanpur and the like, a formula is bound to set in.

This picture is placed in Mathura and Gwalior. An ensemble cast of rustic faces, dressed down, attempt some semi-rural humour, with odd, local mannerisms, and 'horny uncle' sex jokes. There is mention of caste and religion for the realism.

In walks Pankaj Tripathi, giving you a glimpse of how a performer can still rise above poor material - but only that much. Forget the audience, just wondering why/how they managed to chipkao this non-script on an actor, who's seriously in top form right now. Anyhoo, that's probably another story.

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