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Preaching Today provides pastors and preachers sermon prep help with sermon illustrations, sermons, sermon ideas, and preaching articles.




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[ASAP] MymA Bioactivated Thioalkylbenzoxazole Prodrug Family Active against <italic toggle="yes">Mycobacterium tuberculosis</italic>

Journal of Medicinal Chemistry
DOI: 10.1021/acs.jmedchem.0c00003




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[ASAP] Molecule Property Analyses of Active Compounds for <italic toggle="yes">Mycobacterium tuberculosis</italic>

Journal of Medicinal Chemistry
DOI: 10.1021/acs.jmedchem.9b02075




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[ASAP] Pyridine-Embedded Phenothiazinium Dyes as Lysosome-Targeted Photosensitizers for Highly Efficient Photodynamic Antitumor Therapy

Journal of Medicinal Chemistry
DOI: 10.1021/acs.jmedchem.0c00280




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[ASAP] Design, Synthesis, and Mechanism Study of Benzenesulfonamide-Containing Phenylalanine Derivatives as Novel HIV-1 Capsid Inhibitors with Improved Antiviral Activities

Journal of Medicinal Chemistry
DOI: 10.1021/acs.jmedchem.0c00015




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[ASAP] Triazolo-Peptidomimetics: Novel Radiolabeled Minigastrin Analogs for Improved Tumor Targeting

Journal of Medicinal Chemistry
DOI: 10.1021/acs.jmedchem.9b01936




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[ASAP] Design of Radiolabeled Analogs of Minigastrin by Multiple Amide-to-Triazole Substitutions

Journal of Medicinal Chemistry
DOI: 10.1021/acs.jmedchem.9b01937




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[ASAP] Design of Hydrazide-Bearing HDACIs Based on Panobinostat and Their p53 and FLT3-ITD Dependency in Antileukemia Activity

Journal of Medicinal Chemistry
DOI: 10.1021/acs.jmedchem.0c00442




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[ASAP] Chiral Analogues of PFI-1 as BET Inhibitors and Their Functional Role in Myeloid Malignancies

ACS Medicinal Chemistry Letters
DOI: 10.1021/acsmedchemlett.9b00625




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[ASAP] Benzoxazepine-Derived Selective, Orally Bioavailable Inhibitor of Human Acidic Mammalian Chitinase

ACS Medicinal Chemistry Letters
DOI: 10.1021/acsmedchemlett.0c00092




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[ASAP] Development of a Raltegravir-based Photoaffinity-Labeled Probe for Human Immunodeficiency Virus-1 Integrase Capture

ACS Medicinal Chemistry Letters
DOI: 10.1021/acsmedchemlett.0c00009




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[ASAP] Synthesis and Evaluation of <sup>11</sup>C- and <sup>18</sup>F-Labeled SOAT1 Inhibitors as Macrophage Foam Cell Imaging Agents

ACS Medicinal Chemistry Letters
DOI: 10.1021/acsmedchemlett.0c00127




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Germany Facing Mass Blackouts Because The Wind And Solar Won’t Cooperate

Germany’s energy network nearly broken down in January because of poor execution from wind turbines and sun based boards, as indicated by information from a noteworthy exchange union. Wind and sunlight based power plants failed to meet expectations in January, 2017, as a result of shady climate with almost no wind, setting the phase for …

The post Germany Facing Mass Blackouts Because The Wind And Solar Won’t Cooperate appeared first on LatestSolarNews.




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4 Benefits Of Solar LED Lights For Parking Lots

The future is solar LED lights. You will see them in the parking lots and other large areas around a city. They are cheap and save a good deal of money on electricity bills. Nowadays, the majority of parking lots feature the conventional lights that get their power from the grid. These products are not …

The post 4 Benefits Of Solar LED Lights For Parking Lots appeared first on LatestSolarNews.




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A BEM syntax with UX in mind

At some point, while working on the MontageJS framework, the question came up what CSS naming convention we should start using. After a long discussion we settled on using the BEM methodology, but changed the syntax a bit. To keep this post short, I won’t go into detail why using BEM is a good idea, but rather explain why we chose a different syntax. Here some examples:

.digit-Progress          /* org-Component */
.digit-Progress-bar      /* org-Component-childElement */
.digit-Progress--small   /* org-Component--variation */

Note: The org- (digit-) prefix is used as a name-space so it wouldn’t conflict with other packages/libraries/frameworks.

Now let’s take a look at the reasons for choosing such a syntax.

Hyphens (-)

The main reason why we’re using a hyphen (-) instead of underscores (_), has to do with the fact that their behavior is different when double-clicking to select text. Try for yourself:

component__element /* underscores */
component-element  /* hyphen */

See how when you’re using underscores it selects the part before and after, in this case the whole component__element. But with hyphens it let’s you select only the part you double-clicked. component OR element. This let’s you quickly edit only the parts you want:

camelCase

Now, what if the component or child element consists of multiple words? We could use underscores like component_name-element_name. It would still be double-clickable, but readability suffers since it’s harder to see what belongs together. Better to use camelCase which groups each part visually: componentName-elementName.

MainComponent

OK, I think we’re getting closer. As a last rule, for the “main” component we use PascalCase. The reason for it is to add emphasis and make it easier to distinguish the main component from a child element. Also when using a namespace, the component moves to the second position, which makes it even more important to have it stick out: org-Component-childElement

–variation

We kept the more commonly used double hyphens (–) for variations. digit-Progress--small. It makes sense, because it pulls the variation (–small) visually more apart and makes it look like it’s something “different” than the default component.


So that’s about it. For more details about this naming convention, take a look at the SUIT framework, which also started to use the same syntax and documented it really well.

In the end, whatever Shade of BEM you choose to cook with probably depends on your personal taste, but thinking about a great UX by improving usability and readability won’t hurt either.




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Email Personalization: Your Secret To Better Engagement

One of the struggles that marketers face is how to send the right message at exactly the right time to target people in a way that will appeal to them. To solve the problem, businesses need to get themselves acquainted with new technologies and the power of personalization. In the past few years, digital marketing […]




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8 Best CMS for 2020

Content Management Systems are arguably the internet’s most powerful web development tool. In a rapidly growing market where every business under the sun requires a website that is not only fully functioning, but optimised, easy to update regularly, and implement the latest features, the right CMS is important. As a web developer it can be […]




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Thanks to Covid-19, Website Accessibility Has Never Been More Important

The first global pandemic of the digital era is upon us. We’re living in unprecedented and uncomfortable times. For our senior citizens, these past several weeks have been particularly discomforting. According to the CDC, men and women over the age of 65 are significantly more likely to develop complications from COVID-19. As we seek to […]




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The matter of photography in the Americas / Natalia Brizuela and Jodi Roberts ; with contributions by Lisa Blackmore, Amy Sara Carroll, Marianela D'Aprile, María Fernanda Domínguez, Heloisa Espada, Rachel Price, Diana Ruiz, Tatiane Santa Ro

Rotch Library - TR184.B75 2018




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How art can be thought: a handbook for change / Allan deSouza

Rotch Library - N7425.D459 2018




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Djordje Ozbolt: regaining memory loss / exhibition curator, Nicoletta Lambertucci

Rotch Library - N6488.I8 V433 2019 Y8




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New design, neoplasticism: Nieuwe beelding / Piet Mondrian ; English translation by Harry Holtzman and Martin S. James

Rotch Library - N6948.5.D42 M6613 2019




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Gordon Parks: the new tide, early work, 1940-1950 / Philip Brookman ; with essays by Maurice Berger, Sarah Lewis, Richard J. Powell, Deborah Willis ; series editor, Peter W. Kunhardt, Jr

Rotch Library - TR647.P37 2018




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Art for people's sake: artists and community in Black Chicago, 1965-1975 / Rebecca Zorach

Rotch Library - NX512.3.A35 Z67 2019




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On desire: BIII / Herausgeber, Bernd Kracke, Marc Ries

Rotch Library - N6498.V53 B15 2018




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Altered states: Substanzen in der zeitgenössischen Kunst = substances in contemporary art / herausgegeben von = edited by Milena Mercer ; Texte = texts, Max Daly ... [and thirteen others]

Rotch Library - N8251.S555 A48 2018




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Neuer Norden Zürich: ein Kunstprojekt im öffentlichen Raum, 9. Juni-2. September 2018 = New north Zurich: a public art project, 9th of June-2nd of September 2018 / herausgegeben von Christoph Doswald ; fotografiert von Pierluigi Macor ; Übe

Rotch Library - N6496.3.S9 Z876 2018




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Beatriz Milhazes: rio azul / White Cube

Rotch Library - N6659.M55 A4 2018




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Albanian pavilion 2019: maybe the cosmos is not so extraordinary: Driant Zaneli

Rotch Library - N6488.I8 V433 2019 A38




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Raoul de Keyser: oeuvre / editors, Martin Germann and Bernhart Schwenk

Rotch Library - ND673.K396 A4 2019




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Performance now / RoseLee Goldberg

Rotch Library - NX460.5.P47 G65 2018




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Exercises in freedom: polnische Konzeptkunst, 1968-1981 = Polish conceptualism, 1968-1981 / Herausgeber = editor, Staatliche Kunstsammlungen Dresden, Kupferstich-Kabinett, Björn Egging

Rotch Library - N7255.P6 E88 2018




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The stronger we become: the South African pavilion / Dineo Seshee Bopape, Tracey Rose, Mawande Ka Zenzile ; curated by Nkule Mabaso, Nomusa Makhubu

Rotch Library - N6488.I8 V433 2019 S6




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Unfinished conversations on the weight of absence: Belu-Simion Făinaru, Dan Mihălțianu, Miklós Onucsán / curator, Cristian Nae

Rotch Library - N6488.I8 V433 2019 R6




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Jakob Mohr / herausgegeben von Doris Noell-Rumpeltes + Thomas Röske

Rotch Library - NC251.M64 J35 2018




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Isuma: padiglione Canada, May 11-November 29, 2019

Rotch Library - N6488.I8 V433 2019 C2




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Socially engaged art and the neoliberal city / Cecilie Sachs Olsen

Rotch Library - N72.A76 O47 2019




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Conversation pieces: the world of Bruegel / Abdelkader Benali, Alexandra van Dongen, Katrien Lichtert, Sabine Pénot, Lucinda Timmermans ; translation, Patrick Lennon, Michael Lomax

Rotch Library - ND673.B73 B46 2018




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Photography reframed: new visions in contemporary photographic culture / edited by Ben Burbridge and Annebella Pollen

Rotch Library - TR185.P52 2018




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The moon: from inner worlds to outer space / edited by Lærke Rydal Jørgensen and Marie Laurberg ; translations, Glen Garner, James Manley, Jane Rowley

Barker Library - NX650.M6 M663 2018




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Discordo ergo sum: Renate Bertlmann / curator, Felicitas Thun-Hohenstein

Rotch Library - N6488.I8 V433 2019 A9




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Per Kirkeby / herausgegeben von Florian Steininger ; mit Beiträgen von Robert Fleck, Per Kirkeby, Florian Steininger

Rotch Library - ND723.K53 A4 2018




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Belonging: a German reckons with history and home / Nora Krug

Barker Library - NC975.5.K78 A2 2018




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Illuminated Paris: essays on art and lighting in the belle époque / Hollis Clayson

Rotch Library - N8214.5.F8 C539 2019




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Studies in Armenian art: collected papers / by Nira Stone ; edited by Michael E. Stone, Asya Bereznyak

Rotch Library - N7274.S76 2019




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Picture industry: a provisional history of the technical image 1844-2018 / edited, with an introduction by Walead Beshty ; foreword by Maja Hoffmann, Tom Eccles

Rotch Library - TR350.P53 2018




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The mobility of people and things in the early modern Mediterranean: the art of travel / edited by Elisabeth A. Fraser

Rotch Library - N72.G55 M63 2020




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What is "Islamic" art?: between religion and perception / Wendy M.K. Shaw

Rotch Library - N6260.S56 2019




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Art beyond borders: artistic exchange in communist Europe (1945-1989) / edited by Jérôme Bazin, Pascal Dubourg Glatigny, and Piotr Piotrowski

Online Resource