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BRAHMS, J.: Deutsches Requiem (Ein) (Farcas, Goerne, State Choir Latvija, Bremen German Chamber Philharmonic, P. Järvi) (NTSC) (753208)




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BRAHMS, J.: Deutsches Requiem (Ein) (Farcas, Goerne, State Choir Latvija, Bremen German Chamber Philharmonic, P. Järvi) (Blu-ray, HD) (753304)




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WAGNER, R.: Fliegende Holländer (Der) [Opera] (Maggio Musicale Fiorentino, 2019) (NTSC) (753808)




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WAGNER, R.: Fliegende Holländer (Der) [Opera] (Maggio Musicale Fiorentino, 2019) (Blu-ray, HD) (753904)




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LA PHIL 100 - The Los Angeles Philharmonic Centennial Birthday Gala (Dudamel, Mehta, Salonen) (NTSC) (753408)




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LA PHIL 100 - The Los Angeles Philharmonic Centennial Birthday Gala (Dudamel, Mehta, Salonen) (Blu-ray, HD) (753504)




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Piano Trio and Quartets - ELSNER, J. / SZYMANOWSKA, M. / MOZART, W.A. / LESSEL, F. (Warsaw Music Salon) (Arte dei Suonatori) (CDAccordACD269)




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Piano Music (Norwegian) - TVEITT, G. / GRIEG, E. / KJERULF, H. / BACKER GRØNDAHL, A. (Nordic Light) (Soboń-Wakarecy) (CDAccordACD267)




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MICHL, J.C.W.: Quartets Nos. 1-6 for Bassoon, 2 Violins and Cello (Hoadley, The Hall String Trio) (8.574054)

Upon hearing a chamber piece by Joseph Michl in Munich in 1772 the English composer and music historian Charles Burney wrote, ‘I hardly ever heard a composition that discovered more genius and invention.’ Even though Michl achieved success writing for the operatic stage and his contemporary reputation rested on his sacred works, the Bassoon Quartets present the epitome of urbane sophistication—elegantly constructed and full of imaginative detail—and at times resembling miniature concertos.




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MARTINI, G.B.: Azione teatrale / Richiami degli ambulanti al mercato di Bologna (Contro, Troilo, Coro da Camera Euridice, Circe, Scattolin) (TC701307)




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MAGNARD, A.: Orchestral Works - Ouverture / Chant funèbre / Hymne à la justice / Hymne à Vénus (Freiburg Philharmonic, Bollon) (8.574084)

Although Albéric Magnard’s oeuvre is relatively small, the uncompromising perfectionism with which he worked created a catalogue that is filled with expansive, complex and beautifully crafted music. Composed while he was still a student of Vincent d’Indy, the Suite d’orchestre dans le style ancien follows 18th-century models and is simultaneously solemn and joyful in mood, while the Chant funèbre is seen as his first true masterpiece. The importance of justice in Magnard’s life is expressed in the Hymne à la justice, while the Hymne à Vénus reflects every aspect of love, from tenderness to elation.




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KRČEK, J.: String Quartets Nos. 1-4 (Czech Philharmonic Quartet) (UP0214)




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KORNGOLD, E.W.: Opera Highlights and Orchestral Works - Das Wunder der Heliane / Märchenbilder / Die tote Stadt (Linz Bruckner Orchestra, C. Richter) (C7350)




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HERNÁNDEZ, S.: Piano Music Initiation to the Shadow / Terra Santa / Fantasia for Piano / Don't Forget About That (S. Hernández) (8.579072)

The distinguished Spanish composer and pianist Sira Hernández is known especially for her involvement with multi-discipline arts projects at major international festivals and cultural events. Many of her works are inspired by Italian artists as can be heard on this album. Minimalist techniques and the significance of tonality and timbre in communicating darkness and light are heard in Iniciación a la sombra and the sewing-machine ostinatos of Fantasía para piano. The presence of God amidst the bleak spaces of madness are expressed in Terra Santa, and the intensity of Don’t Forget About That invites us to resist oblivion.




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GAVRILIN, V.A.: Russian Notebook (The) / Anyuta (excerpts) (Shkirtil, St. Petersburg Philharmonic Symphony, Serov) (8.573883)

Valery Gavrilin was one of the most colourful and significant Russian composers of the second half of the 20th century. He was only 25 when he composed The Russian Notebook, a ‘poem of love and death’ crafted in a new musical language that doesn’t employ folk melodies but does use folkloric texts, and with a virtuosic vocal part. These stylised tunes are combined with rich melodies to form a haunting cycle heard here in a 2018 orchestration. The ten numbers from the ballet Anyuta are lively, melodious and touchingly beautiful.




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FISCHER-DIESKAU, Dietrich: Lied Edition, Vol. 1 - ZELTER, C.F. / REICHARDT, J.F. / SPOHR, L. / WOLF, H. / PFITZNER, H. (C992205)




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DOHNÁNYI, E.: Piano Concertos Nos. 1 and 2 (Gülbadamova, Rheinland-Pfalz State Philharmonic, Matiakh) (C5387)




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COUPERIN, F.: Harpsichord Music (L'Unique) (Vinikour) (CDR90000-194)




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CLASSICAL MUSIC - 30 of the Best (8.578355-56)

This introduction to the exciting world of classical music will take you on a voyage of discovery as you experience the beauty and drama of some of the most famous music ever written. This essential collection presents something for every moment: excitement, relaxation, elation and more, with critically acclaimed recordings selected from the vast Naxos catalogue. Let your mind and emotions be transported by the greatest music from the greatest composers.




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CIPULLO, T.: Parting (The) [Opera] (Strickling, C. Cook, Mayes, Music of Remembrance, Willis) (8.669044)

Heard here in its world premiere recording, The Parting is a daring opera by award-winning composer Tom Cipullo and librettist David Mason that explores the life and art of Miklós Radnóti, one of the most important poetic witnesses to the Holocaust, and one of its tragic victims. Radnóti’s poems express emotions from love and enchantment to absolute loss, and The Parting includes texts found in his jacket pocket after his death. This opera is a profound meditation on what it is about art that outlives us, that enables us to be creative even in the face of unimaginable adversity, and reminds us to guard against hatred and to celebrate what makes us human.




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BRUCKNER, A.: Symphony No. 4, `Romantic` (1886 version, ed. L. Nowak) (Bavarian Radio Symphony, M. Jansons) (900187)




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BOLIVIA Ruphay (Los): Music of the Andes - Jach'a Uru (The Great Day) (EUCD2893)




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BERNSTEIN, L.: Songfest / GERSHWIN, G.: An American in Paris (Wolf Trap Opera, National Orchestral Institute Philharmonic, Judd) (8.559859)

An American in Paris is one of Gershwin’s most vivacious works, an orchestral ballet saturated in homesickness and the blues. This recording, however, uses the new 2019 critical edition and offers Gershwin’s original orchestration, unheard for 75 years—leaner, more angular and transparent, it also employs the correct use of the iconic taxi horns, for a new sonic experience. The breezy vitality of Copland’s An Outdoor Overture is balanced by Bernstein’s Songfest—written to celebrate the Bicentennial Year in America, setting the verses of 13 of the country’s poets.




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BEETHOVEN, L. van: Symphonies Nos. 1-9 (Warsaw Philharmonic Choir and Orchestra, Kord) (CDAccordACD075)




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BEETHOVEN, L. van: Mass in C Major / Vestas Feuer / Meeresstille und Glückliche Fahrt (Chorus Cathedralis Aboensis, Turku Philharmonic, Segerstam) (8.574017)

The custom of marking the name-day of Princess Esterházy with a newly composed Mass began in the 1790s and for many years was carried out by Joseph Haydn. In 1807 Beethoven was commissioned and responded with his Mass in C major. Coolly received at court, it is a celebratory work of large-scale brilliance. The cantata Meeresstille und glückliche Fahrt is set to Goethe’s poems and contrasts calm with exuberance. In 1803 Beethoven set two numbers from Vestas Feuer, written by Emanuel Schikaneder, the librettist of Mozart’s Die Zauberflöte.




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BEETHOVEN, L. van: Chamber Music - Piano Quartet, Op. 16 / Minuets and Dances (Sofia Kim, Kroh, Segal, Sarid, IU Wind Ensemble, Dorsey) (8.574040-41)

In his first decade in Vienna, Beethoven seems to have been preoccupied with music for wind instruments. The best-known example is his Quintet in E flat major, Op. 16, which he arranged at the same time for piano quartet. He also wrote music for dances and settings of folk songs, and reflected the public’s interest in automata by writing for musical clock. The Napoleonic wars were mirrored in Beethoven’s music of the period, especially in his military compositions such as a series of Marches and the Equali, scored for trombones, which were later played at his funeral.




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BEETHOVEN, L. van: Celebrate Beethoven - Music from His Late Compositional Period (c.1815–1827) (9.30207)




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BALADA, L.: Clarinet Works - Caprichos Nos. 6 and 7 / Double Concerto (Ivanov, Rominski, Polaczyk, Eryılmaz, Larson) (8.579056)

Barcelona native Leonardo Balada’s creative style has been labelled ‘Dalí’s surrealism in music’—an aspect of his work explored in this programme through the technique of ‘sound transformation’ in which abstract musical materials become familiar melody. Fusing traditional and contemporary elements, Caprichos Nos. 6 and 7 engage intimately with Spanish culture and history, while the virtuoso Double Concerto, heard here in an arrangement for flute, clarinet and piano, blends well-known Mexican folk tunes with the composer’s distinctive avant-garde style.




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VIVALDI, A.: Four Seasons (The) / VERDI, G.: I vespri siciliani: Le quattro stagioni (R.M. Minasi, La Scintilla Orchestra) (PHR0112)




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VITALI, G.B.: Sonate, Op. 5 (Italico Spendore) (TC623305)




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Violin Sonatas (American) - SCHOENFELD, P. / STUCKY, S. / HARBISON, J. (Three American Sonatas) (Cho-Liang Lin, J.K. Parker) (8.559888)

The three sonatas on this recording were written at the behest of violinist Cho-Liang Lin, who worked closely with each composer at their premiere performance. Paul Schoenfeld’s Violin Sonata references literary influences and the composer’s past as well as his Jewish heritage in the work’s final Freilach or “joyous dance”. Steven Stucky acknowledged Debussy as the source of inspiration in his work, while the alchemy of John Harbison’s style creates music that is simultaneously abstract and narrative. Wryly introduced as “crazy modern music”, Bernstein’s brief Canon for Aaron was composed for Copland’s 70th birthday celebrations.




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Violin Recital: Arnoldi, Roberto - ANZAGHI, D. / ARNOLDI, N. / GARBARINO, G. / SPINOSA, R. / VACCHI, F. (New Music for Solo Violin) (TC940003)




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VERDI, G.: Due Foscari (I) [Opera] (Coro del Teatro Regio di Parma, Filarmonica Arturo Toscanini, Orchestra Giovanile della Via Emilia, Arrivabeni) (CDS7865.02)




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VERDI, G.: Attila [Opera] (I. D'Arcangelo, Monastyrska, S. La Colla, G. Petean, Bavarian Radio Chorus, Munich Radio Orchestra, Repušić) (900330)




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TCHAIKOVSKY, P.I.: Sacred Choral Works - Vesper Service / Hymn in honour of SS Cyril and Methodius (Latvian Radio Choir, Kļava) (ODE1352-2)




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SINIGAGLIA, L.: String Quartet Works (Complete), Vol. 1 - String Quartet, Op. 27 / Brahms Variations / Hora Mystica (Archos Quartet) (8.574183)

The renowned Italian composer and mountaineer Leone Sinigaglia wrote a fascinating series of pieces for string quartet that reflect his powers of characterisation and elegance. Flowing melodies can be heard throughout, not least in the Concert-Étude, Op. 5, while the more substantial Variations on a Theme of Brahms, Op. 22 display his technical skill and expressive variety, whether reflective, sombre or exuberant. His String Quartet in D major, Op. 27 exemplifies his dual inheritance: a commanding central European facility, combined with a natural Italian lyricism.




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SAURET, É.: 24 Études Caprices, Vol. 4 - Nos. 20-24 (Rashidova) (8.574159)

The final volume of the 24 Études-Caprices by the internationally renowned virtuoso Émile Sauret, crowns one of the most impressive but seldom performed bodies of solo violin writing in the entire canon. In the last five Études, once again played by Nazrin Rashidova on Sauret’s own Stradivarius violin, the full range of his art can be heard, from double- and triple-stopping, to registral leaps, chordal and staccato techniques and exercises for absolute control of the bow. Of Volume 3 (8.573975) The Strad wrote: ‘Rashidova plays superbly’.




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PROKOFIEV, S.: Symphonies Nos. 3 and 6 (German Radio Saarbrücken-Kaiserslautern Philharmonic, Inkinen) (SWR19086CD)




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PRADO, J.A.R. de A: Piano Concerto No. 1 / Aurora / Concerto Fribourgeois (Rubinsky, Minas Gerais Philharmonic, Mechetti) (8.574225)

At the time of his death in 2010, Almeida Prado was one of Brazil’s most internationally admired composers, one who created music of unique sonority and colour, rooted in his native country. In Aurora (‘Dawn’) he employs his newly developed ‘transtonality’ to radiant effect, while the Concerto Fribourgeois features a collage technique. In his Piano Concerto No. 1 Almeida Prado explores a cogent structure in which the soloist opens up, rips apart or transforms the theme and variations, in a work that is both grandiose and luminous.




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Piano Music (French) - BOULEZ, P. / DEBUSSY, C. / MESSIAEN, O. / RAVEL, M. (Rare French Piano Music) (van Raat) (8.573894)

This album of French piano rarities features seldom-heard and recently discovered works by composers who had an influence on Pierre Boulez, as well as the premiere recording of Boulez’s Prélude, Toccata et Scherzo. This large-scale early work looks back on virtuosic Romantic music, while at the same time exploring the new compositional styles that Boulez would subsequently embrace. Among the rarities is a posthumously discovered piano study by Debussy, a reconstructed birdsong work by Messiaen, and a tiny masterpiece by Ravel found in a notebook.




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HAUG, H.: Guitar Concertino / Wind Quintet / Guitar Quintet (Minder, Basel Philharmonic Quintet, Il Piccola Orchestra, Zemtsov) (8.551426)




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FRANCK, C.: Psyché (version for choir and orchestra) / Le Chasseur maudit / Les Éolides (RCS Voices, Royal Scottish National Orchestra, Tingaud) (8.573955)

César Franck was a childhood prodigy who gained later renown as an organist and teacher. His compositions received scant attention until the success of Le Chasseur maudit, a symphonic morality tale that vividly portrays the ‘accursed huntsman’ from his defiance of the Sabbath to a dramatic chase and a horrific fate. Les Éolides is infused with Wagnerian colours and depicts the mythological Aeolids as they reawaken nature with their song. Franck’s lushly orchestrated final symphonic poem Psyché expresses the power of love in dreams and a passionate union.




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Flute Music - CASTALDI, P. / COSMI, G. / DAVISMOON, S. / FANTICINI, F. / MORRICONE, E. / PROCK, S. / TACCANI, G.C. (Flute XXI) (Fabbriciani) (TC980090)




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DOPPLER, F. and K.: Flute Music (Complete), Vol. 10 (Arimany) (C5304)




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CHINA Folk Music of China, Vol. 6: Folk Songs of China's Tajik and Russian Minorities (NXW76093-2)

This album features folk songs from the Tajik and Russian ethnic minority groups living in the western and northwestern areas of Xinjiang, China. These folk songs have an earthy beauty that is theirs alone. Many of the Tajik songs featured here are accompanied by the Rewap—an ancient stringed instrument made from mulberry trunks. The sound is similar to that of an acoustic guitar, but the tone is brighter and more elastic. Many of the Russian songs feature the Bayan (a type of accordion) and the Balalaika.




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CELTIC Brian Ó hEadhra / Fiona Mackenzie: TÌR - Highland Life and Lore (NXW76115-2)




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Cello Quartet Recital: Kolophonistinnen (Die) - BRAMBÖCK, F. / STRAUSS I, J. / STRAUSS II, J. / SHOSTAKOVICH, D. / TANSMAN, A. (Heldinnenleben) (Gramola99218)




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BEETHOVEN, L. van: Celebrate Beethoven – Keyboard Music (9.30211)




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AFRICA Pure Africa (EUCD2903)




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ABEL, M.: Intuition's Dance / 4 Poems of Marina Tsvetaeva / The Elastic Hours / Clarinet Trio (The Cave of Wondrous Voice) (Shifrin, Sherry, Plitmann) (DE3570)