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100 Christmas Classics (C7331)




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ABERT, J.J.: Ekkehard [Opera] (Kaufmann, Gerhaher, Ingen, H. Böhm, South West German Radio Kaiserslautern Orchestra, Falk) (C5392)




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Vocal and Piano Recital: Miedl, Christian / Springer, Jendrik - PFITZNER, H. / SIRODEAU, C. / LOEWE, C. / RIHM, W. / LISZT, F. (Songs of the Night) (C3009)




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Violin and Cello Recital: Gringolts, Ilya / Kouzov, Dmitry - EISLER, H. / RAVEL, M. / WIDMANN, J. (Duos) (DE3556)




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ROBINSON, M.: Improvisations on The Fourteen Stations of the Cross Based on Themes by N. Rorem (M. Robinson) (DE3549)




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Opera Arias (Soprano): Bayrakdarian, Isabel - HASSE, J.A. / VIVALDI, A. / GLUCK, C.W. (The Other Cleopatra - Queen of Armenia) (DE3591)




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Actie is nu veel beter dan adverteren

Het advies aan marketeers dezer dagen: ‘spend your way out of the crisis’. De merken die blijven investeren in een recessie komen er sneller en sterker uit. Maar de meeste CFO’s zullen op dit moment niet erg gevoelig zijn voor dit argument. Wat kunnen merken dan wel doen? Als je niet kunt adverteren, neem dan actie, handel naar je purpose. De merken die dit doen zullen niet alleen opvallen, ze zullen ook echt betekenisvol zijn. Ze kunnen echte ‘hero brands’ worden.




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Zo zorg je ervoor dat je de juiste klantenergie gebruikt

​Welke boeken zijn interessant en wat vinden ervaren marketingprofessionals ervan? NIMA Register Marketeers recenseren de meest uiteenlopende marketing-gerelateerde boeken. Deze keer: ‘De Klant Energieke Organisatie’, door Sonja Stalfoort. Een boek dat de ogen weer eens opent.




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Waarom je volgens gedragswetenschap juist nú moet communiceren

Het coronavirus heeft een flinke impact op de economie. Er heerst veel angst, wat van invloed kan zijn op consumentengedrag. Daarnaast leeft de vraag of de consument reclame nu wel gepast vindt. Heeft het als adverteerder dan wel zin om te communiceren? Ik bekijk deze vraag vanuit een gedragswetenschappelijk perspectief.




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Welke impact hebben cookieloze browsers op advertising?

Google kondigde begin dit jaar aan dat third party cookies binnen nu en twee jaar zullen verdwijnen. Apple-browser Safari blokkeert al standaard cookies van derden. De deadline van Chrome komt steeds dichterbij en adverteerders, bureaus en ad-tech stoeien nog met een privacyvriendelijk alternatief. Wat kun je zonder cookies nog doen op het gebied van adressability, measurement en analytics?




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In deze coronacrisis wint inhoud het van vorm

Ik merk iets vreemds. Door het vaak thuis zijn en thuiswerken, maar ook door het wegvallen van de vele reclames van de Unilevers, Burger Kings en Starbucksen merk ik hoezeer ik altijd beïnvloed ben door deze reclame-uitingen van ‘bekende merken’. Ook al heb ik mezelf altijd voorgehouden dat ik daar niet gevoelig voor ben. 




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GOMES, C.: Schiavo (Lo) [Opera] (S. Vassileva, Pisapia, Borghini, Balbo, Terenzi, Cagliari Theatre Chorus and Orchestra, Neschling) (CDS7845.02)




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DONIZETTI, G.: Elisir d'amore (L') [Opera] (Dalla Benetta, R. Hernández, Esposito, Salerno, Bergamo Musica Festival Chorus and Orchestra, De Marchi) (CDS577)




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TARTINI, G.: Sonatas for Solo Violin, Vol. 2 (Šiškovič) (CDS7869)




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NOLA, A.: Sacred Works (Tristes erant Apostoli) (Visco, A. Zawisza, M. Fumagalli, A. Tosi, Cappella Neapolitana, A. Florio) (CDS7853)




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ARMENIA Authentic Light Orchestra: The Sky is Cloudy (NXW76112-2)

The Authentic Light Orchestra was founded in 2009 by the Swiss multi-instrumentalist with Armenian roots, Valeri Tolstov. His idea is to combine ancient Armenian folk songs and mix them with classical influences, jazz, rock and a touch of electronica to create a new musical form. In this fusion of styles, all of the elements supplement each other harmonically, producing a unique sound and an original interpretation of Armenian folk—the defining musical language of the Authentic Light Orchestra. In 2014, the band won the Grand Prix at the Armvision contest for Best Arrangement and Performance of a Folk song, and in 2016 they received the first Russian World Music Award.




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Guitar Recital: Kowalski, Mateusz - ASSAD, S. / BARRIOS MANGORÉ, A. / PONCE, M.M. / TÁRREGA, F. (Classical Guitarist) (CDAccordACD251)




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SZARZYŃSKI, S.S.: Completorium / Missa septem dolorum Beatae Mariae Virginis (Wrocław Baroque Ensemble, Kosendiak) (CDAccordACD261)




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MOZART, F.X.: Rondos / Piano Sonata / 4 Polonaises / Variations on a Russian Theme (Drogosz) (CDAccordACD260)




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Chamber Music (Viola da gamba) - MARAIS, M. / FORQUERAY, A. (J. and K. Karpeta, Birula, Niedźwiecka, Raczyński) (CDAccordACD259)




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PENDERECKI, K.: Symphony No. 6, `Chinesische Lieder` / Clarinet Concerto (Genz, Wojciechowski, Polish Chamber Philharmonic, Rajski) (CDAccordACD270)




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Piano Recital: Siahaan, Jonathan - ALSTED, B. / CHRISTENSEN, S. / OLSEN, M. / ROFELT, K. / STAUNING, M. / WORSAAE, N. (Educate-S) (8.226611)




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MADSEN, A.G.: Nachtmusik / GUDMUNDSEN-HOLMGREEN, P.: For Violin and Orchestra (Duo Åstrand/Salo, Danish National Symphony, Bancroft, Collon) (8.226138)




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DAVIDSEN, J.: World Is Babel and Ivory (The) / Cruel to Be Kind / Closer (FIGURA Ensemble, Jakob Davidsens Chamber Orchestra) (8.226137)




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Violin Music (Danish) - ALSTED, B. / CHRISTENSEN, S. / FUZZY / KONDRUP, E.V. / NØRHOLM, I. / OLSEN, M. (Educate·S) (C. Balling, B.B. Pihl) (8.226614)




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GERVASIO, G.B.: Mandolin Sonatas (InchordisEnsemble) (TC720701)




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VIVALDI, A.: Concertos for Strings, RV 114, 119, 121, 127, 133, 136, 150, 154, 157, 159, 160, 164 (The Paris Concertos) (Modo Antiquo, Sardelli) (TC672260)




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MARGOLA, F.: Chamber Music - Concertos for Soloist and Orchestra (Convervatorio Arrigo Boito di Parma Orchestra) (TC901390)




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WAGNER, R.: Tristan und Isolde [Opera] (Teatro dell'Opera di Roma, 2016) (NTSC) (752208)




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WAGNER, R.: Tristan und Isolde [Opera] (Teatro dell'Opera di Roma, 2016) (Blu-ray, HD) (752304)




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BEETHOVEN, L. van: Symphonies (Complete) / Missa Solemnis (Vienna Philharmonic, Dresden Staatskapelle, Thielemann) (4-Blu-ray Disc Box Set) (749904)




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Piano Recital: Józsa, Peter - HAYDN, J. / SCHUBERT, F. / CHOPIN, F. / LISZT, F. / BRAHMS, J. (Portrait) (Gramola99213)




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Impressions of China - Winning Works from the 2018 Huang Zi International Chinese Piano Composition Competition (G. Luisi) (8.579070)

All of the works in this programme were prize winners in the hotly contested 2018 Huang Zi International Chinese Piano Composition Competition, an event marking the 80th anniversary of the death of this influential composer and educator. Themes explored include the charm and unpredictability of China’s landscape, alongside elements of Chinese musical and theatrical aesthetics. Joint First Prize winners were Emile Naoumoff, whose Celestial Parade describes the composer’s wonderful experiences while in Shanghai, and Zhiliang Zhang, whose Qiao Ling Liu Dan portrays six widely differing ‘Dan’ or female characters in Sichuanese opera.




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HANDEL, G.F.: Messiah (1742 version) (Mields, Schachtner, Kristjánsson, Berndt, Gaechinger Cantorey, Rademann) (ACC-30499)




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Guitar Recital: Egholm, Jonas - BERGNER, Y.L. / CHRISTENSEN, J.J. / FRANDSEN, J. / GLERUP, R. / HEGAARD, L. / HOLMEN, J. / NIELSEN, M. (Educate-S) (8.226615)




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Guitar Recital: Aguiar, Pedro - PEREIRA, M. / GNATTALI, R. / REIS, D. / GAROTO / GUINGA / GARCÍA AGUILERA, J. de D. / VILLA-LOBOS, H. / ASSAD, S. (8.574069)

Rooted in European music, native folk traditions and often infused by jazz, Brazilian music encompasses a huge variety of dance forms and songs. Prize-winning guitarist Pedro Aguiar has selected a panoramic recital to illustrate these elements which include the choro and music rich in melody and rhythmic vitality. From Villa-Lobos, whose Choros No. 1 is one of the most popular guitar solos ever written, through to the work of the revered Dilermando Reis, and on to contemporary examples of the genre, this is music of dazzling virtuosity and finesse.




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FISCHER-DIESKAU, Dietrich: Lied Edition, Vol. 1 - ZELTER, C.F. / REICHARDT, J.F. / SPOHR, L. / WOLF, H. / PFITZNER, H. (C992205)




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ČIURLIONIS, M.K.: Sea (The) / In the Forest / Kęstutis Overture (Lithuanian National Symphony, Pitrėnas) (ODE1344-2)




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CIPULLO, T.: Parting (The) [Opera] (Strickling, C. Cook, Mayes, Music of Remembrance, Willis) (8.669044)

Heard here in its world premiere recording, The Parting is a daring opera by award-winning composer Tom Cipullo and librettist David Mason that explores the life and art of Miklós Radnóti, one of the most important poetic witnesses to the Holocaust, and one of its tragic victims. Radnóti’s poems express emotions from love and enchantment to absolute loss, and The Parting includes texts found in his jacket pocket after his death. This opera is a profound meditation on what it is about art that outlives us, that enables us to be creative even in the face of unimaginable adversity, and reminds us to guard against hatred and to celebrate what makes us human.




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CHINA / SYRIA Gao Hong / Issam Rafea: From Our World to Yours (EUCD2899)




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Cello, Soprano and Piano Recital: Ruh, Janina / Kusnezow, Boris - POULENC, F. / DEBUSSY, C. / FRANCK, C. (Dialogues) (SWR19030CD)




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BOITO, A.: Mefistofele [Opera] (F. Furlanetto, Filianoti, Theodossiou, Zaramella, Palermo Teatro Massimo Chorus and Orchestra, Ranzani) (CDS581)




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BERNSTEIN, L.: Songfest / GERSHWIN, G.: An American in Paris (Wolf Trap Opera, National Orchestral Institute Philharmonic, Judd) (8.559859)

An American in Paris is one of Gershwin’s most vivacious works, an orchestral ballet saturated in homesickness and the blues. This recording, however, uses the new 2019 critical edition and offers Gershwin’s original orchestration, unheard for 75 years—leaner, more angular and transparent, it also employs the correct use of the iconic taxi horns, for a new sonic experience. The breezy vitality of Copland’s An Outdoor Overture is balanced by Bernstein’s Songfest—written to celebrate the Bicentennial Year in America, setting the verses of 13 of the country’s poets.




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BEETHOVEN, L. van: Mass in C Major / Vestas Feuer / Meeresstille und Glückliche Fahrt (Chorus Cathedralis Aboensis, Turku Philharmonic, Segerstam) (8.574017)

The custom of marking the name-day of Princess Esterházy with a newly composed Mass began in the 1790s and for many years was carried out by Joseph Haydn. In 1807 Beethoven was commissioned and responded with his Mass in C major. Coolly received at court, it is a celebratory work of large-scale brilliance. The cantata Meeresstille und glückliche Fahrt is set to Goethe’s poems and contrasts calm with exuberance. In 1803 Beethoven set two numbers from Vestas Feuer, written by Emanuel Schikaneder, the librettist of Mozart’s Die Zauberflöte.




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BEETHOVEN, L. van: Celebrate Beethoven - Music from His Late Compositional Period (c.1815–1827) (9.30207)




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Vocal and Piano Recital: Fingerlos, Rafael / Mouissi, Sascha el - BRAHMS, J. / SCHUBERT, F. / WOLF, H. / STRAUSS, R. / SCHUMANN, R. (Fremde Heimat) (OC1711)




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Violin Sonatas (American) - SCHOENFELD, P. / STUCKY, S. / HARBISON, J. (Three American Sonatas) (Cho-Liang Lin, J.K. Parker) (8.559888)

The three sonatas on this recording were written at the behest of violinist Cho-Liang Lin, who worked closely with each composer at their premiere performance. Paul Schoenfeld’s Violin Sonata references literary influences and the composer’s past as well as his Jewish heritage in the work’s final Freilach or “joyous dance”. Steven Stucky acknowledged Debussy as the source of inspiration in his work, while the alchemy of John Harbison’s style creates music that is simultaneously abstract and narrative. Wryly introduced as “crazy modern music”, Bernstein’s brief Canon for Aaron was composed for Copland’s 70th birthday celebrations.




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PROKOFIEV, S.: Symphonies Nos. 3 and 6 (German Radio Saarbrücken-Kaiserslautern Philharmonic, Inkinen) (SWR19086CD)




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PRADO, J.A.R. de A: Piano Concerto No. 1 / Aurora / Concerto Fribourgeois (Rubinsky, Minas Gerais Philharmonic, Mechetti) (8.574225)

At the time of his death in 2010, Almeida Prado was one of Brazil’s most internationally admired composers, one who created music of unique sonority and colour, rooted in his native country. In Aurora (‘Dawn’) he employs his newly developed ‘transtonality’ to radiant effect, while the Concerto Fribourgeois features a collage technique. In his Piano Concerto No. 1 Almeida Prado explores a cogent structure in which the soloist opens up, rips apart or transforms the theme and variations, in a work that is both grandiose and luminous.




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LISZT, F.: Wanderer Fantasy / SCHUBERT, F.: Piano Sonata No. 13 / BRAHMS, J.: Handel Variations (C. Park, Eschenbach) (C5412)