'For a working actor in Bollywood, it is nearly impossible to criticise its reigning deities.' 'Besides, due care ought to be taken when speaking of the dead too.'

Old songs, retro fashion, 1980s pop culture, childhood icons and sharing space with Kundan Shah on paper, the theme of Sukanya Verma's super-filmi week was consistently nostalgic.

Sukanya Verma talks about her yet another fun filmi week!

PINK, Penaz Masani and a precious picture of Nirupa Roy in and as Superman, a low-down of Sukanya Verma's fully filmi week!

Romance died, came alive and lives on forever, off screen or on it, in Sukanya Verma's fabulously filmi week.

Neither the filmmaker nor the actor who is being targeted, says Syed Firdaus Ashraf, has done anything illegal.

From 'Mera Wala Shah Rukh' to Salman's Being Hygienic ways, my super filmi week, says Sukanya Verma, has a lot on its mind.

Rocky showed up at The Golden Globes -- and she won! Raja Sen sums up the 74th Golden Globes perfectly.

'2016 was the year when Shah Rukh Khan took risks and traversed along the path that would ensure the actor could shine more than the star,' says Aseem Chhabra.

Read about Rishi Kapoor's page-turning debut, SRK's super-charged turn in Raees, Sridevi as potential Dhoom vamp, Sanjay Dutt's contribution to Andaz Apna Apna and more in Sukanya Verma's super-film week.

'Are we seeing the beginning of the communalising of one of the most iconic film industries in the world?' asks Vanita Kohli-Khandekar.

Sukanya Verma discovers what she loves about Anushka Sharma's 'spirit' on more than one occasion in her super-filmi week.

What is the difference between Sakshi Mahraj asking beef-eaters to 'leave' and Karan Johar asking Kangana Ranaut to 'leave', asks Syed Firdaus Ashraf.

A lesson for Jeetendra from Raaj Kumar, Shashi Kapoor delivering gas and Susan Sarandon-Jessica Lange's caustic retelling of the infamous Bette Davis-Joan Crawford feud, Sukanya Verma's super-filmi week turned out to quite a blast from the past.

Kamal Haasan's unrivalled make up skills, Jack Nicholson's haunting imagery, Asha Parekh's life as a Hit Girl and the surprise package of Beauty and the Beast, it's all there in Sukanya Verma's super filmi week.

Satyajit Ray's fabulous use of fantasy to condemn fascism and Shah Rukh Khan's gift of enthralling oratory, Sukanya Verma's fantastic filmi week.

He played James Bond seven times. But the role Roger Moore most cherished was a different one.

Although famously reclusive and fitful in his creative output, Daniel Day-Lewis's decision to hang up his boots feels both untimely and unexpected.

The key to every Daniel Day-Lewis performance was a big theme and a thousand details.And in the final phase of his acting career, says Sreehari Nair, America became his big theme, and the details... well, he just popped them out like waffles.

When Amitabh Bachchan bounced back at 60, why can't Shah Rukh Khan at 51? Picture abhi baaki hai, mere dost, assures Syed Firdaus Ashraf.

I am sad Kundan Shah is no more. I am sad he couldn't make the kind of films he wanted. But I am also grateful. He made me laugh. He made me cry. He made me believe in Hum Honge Kamyab and the power of a shooting star. Sukanya Verma salutes Kundan Shah.

'I will miss you calling me and saying "I am Shashi Kapoor" even when you were at the height of your stardom.'Gitanjali Gurbaxani remembers a dear friend.

Dibakar Banerjee delivers his finest work to date, and Sreehari Nair makes sure to applaud him.

'Despite the pornographic quality of its name, Lust Stories is something of an event in Indian popular culture,' says Shuma Raha.

Why do the biggest, most talented and successful film-makers of India suck up to the establishment so breathlessly, asks Shekhar Gupta.

'Nawaz, who plays my husband, doesn't look at women when he has sex with them.''He never kisses them.''That moment when I am in front of him is decisive,' the New Wave actress tells Subhash K Jha.

It won't be easy for the half-British diva to step into the Desi Girl's sandals, feels Subhash K Jha.

'Mulk questions the very principle, of good-Muslim exceptionalism.''That, of course, we adore Abdul Hamid, A P J Abdul Kalam and Bismillah Khan and if only more Muslims were like them.''Anubhav Sinha sticks his neck out to say that these are no exceptions.''Most Muslims are like them. It is the terrorists who are exceptions,' says Shekhar Gupta.

A meeting with the head of Zee TV, film-maker Dr Chandraprakash Dwivedi, would never be forgotten.'He asked me to leave the show, and the country.''When I refused, he asked his staff members to push me out of the room.''Men like Alok Nath feel empowered to misbehave with women because they have the tacit backing of powerful peers.'

'Even when he moves beyond his traditional repertoire, he sticks to a template that does not take him too far from the viewer's gentler emotions,' notes Vikram Johri.

Why were two of 2018's critically panned films awarded?! exclaims Aseem Chhabra.

Why do Hindi cinema superstars flounder in their fifties, asks Vanita Kohli-Khandekar.

'This film is a product of a dangerous trend to take just a sprinkling of truth, mix it with free-flowing speculation and present it as historical facts,' says Manavi Kapur.

Jaspal Bhatti's feel for the grime, the confusions, and the madness in our system was so complete that he could take on every kind of woman or man God ever gave to the institutions of India, feels Sreehari Nair.

Shah Rukh Khan had David Letterman in his grip, giving him no quarter whatsoever, declares Sreehari Nair.

'Many thought it was the end for me,' Lataji told Subhash K Jha.'I just couldn't sing!'

'My mom is a riot! I thank her with all my heart.'

The long-awaited book is frank, funny, self-lacerating and full of gossip worthy anecdotes. What else could we ask of the Rocketman?

Salman may direct Tiger 3... Katrina drops Vikas Bahl film...

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'You come out of the theatre feeling happy, inspired, with moist eyes and in awe.'

Khandaani Shafakhana neither enlightens nor entertains, feels Sukanya Verma.

Here's your chance to review Khandaani Shafakhana!

Khandaani Shafakhana is a original and socially important subject which had the best potential but unfortunately ends up leaving less emotional impact.