As governments think of ways to ease lockdown curbs, reviving the economy and opening up offices and shops, residents of Noida find themselves asking a question that involves the most basic of liberties.

A 62-year-old man died due to coronavirus in Noida, becoming the second Covid-19 fatality in Uttar Pradesh's Gautam Buddh Nagar district, officials said on Saturday.

The fake message was fact-checked by the PIB which said in a tweet that the "Government is doing no such thing."

Boeing Co, the aerospace company also submitted its concept for a lunar lander last year but it was not selected.

In the month of Jan, he announced a break from YouTube but continued posting his regular videos after his break.

The finding was published in the journal Astronomy & Astrophysics.

"From a very early age, I imagined myself playing powerful characters," she says, and she proves it with her filmography.

'Girish Karnad has left behind a lot of wonderful plays. We must continue to do his work. That's the way to keep his memory alive,' says Lillete

'People may frown upon things like role play or the fact that the father is talking to his daughter about sex. But slowly, shows like this will shift the conversation to our homes.'

'There's another side, where men have become victims of some women's evil plans.'

'As a society, why are we not talking about the one thing because of which we are born today?'

'So many things opened up for me after I did the show.'

'It was fun trying to regulate ourselves and keep it in the family zone and yet, be tongue-in-cheek.'

'For the past year, people have been asking me about my wife, Sonali, who suffered from cancer. It was a tough year but I have seen worse in my life.'

'If I look in a certain way, have an innocent face, I will only get offers for the girl-next-door roles. As an actor and creative person, you want to explore and experiment more but you don't get the opportunity. That gets frustrating at times.'

Amazing stories about some of our best loved movies from Bhavani Iyer who wrote them.

'We got to know about Bard of Blood coming up on Netflix, just a week after The Family Man's release. So suddenly there are comparisons between the two.'

'India is called the largest democracy in the world, and one cannot believe that there are two Constitutions, two penal codes and two sets of laws.'

'There were times when I thought of quitting but I have always believed in my talent.'

'If you want to see sex, just go watch porn. You don't need to watch a film or a Web series for that.'

'Pagalpanti has no double meaning, no exposure, no bloodshed... Even the villain is very cute!'

'Marriage is a practical solution in terms of bureaucracy, but it's not a real validation of whether your relationship is successful or not.'

'Wherever I am, in the country or abroad, I spend at least one hour on myself.''If you aren't doing that, you are doing injustice to yourself.'

'I want to be that actress who does everything. I want to be that actress who does Lootera as well as Dabangg,' says Sonakshi Sinha.

'Time is throwing something at you, one should grab such opportunities right away.'

'Ishaan was around me a lot and I was around Ishaan a lot but we were promoting Dhadak; we had no one else to be around,' Janhvi Kapoor spills her hearts out on #NoFilterNeha.

'It's a special song and every girl will relate to it.'

'I have to pinch myself to believe that 10 years have just gone by.'

'The past two years have been dramatic, rather then traumatic.''I had bigger challenges that I have ever faced.'

Kamariya Hila Rahi Hai notched up 12 million views in two days!

'Instead of getting rehabilitated in Bollywood, I have forced into legal hassles while everyone else watches the drama.'

'Nobody can put back and seal what the movement has unleashed -- conversation, awareness and support.'

'With Malang, I knew I had a chance to give the audience a new version of myself which they hadn't seen before.'

'I will not take anything for granted now.'

'The entertainment industry is on the verge of a big, big, change over the next few months and years.'

Please Join us for an American Folklife Center Summer Music Jam: Klezmer led by Howard Ungar and Seth Kibel

September 12, 2019, 7:00 to 9:00 pm 
Veterans History Project Information & Welcome Center (LJ-G51) 
Thomas Jefferson Building, Library of Congress

The American Folklife Center's series of informal jams to celebrate our living folk traditions, and to bring to life the collections from our vast ethnographic archive continues in 2019. This jam will be led by Howard Ungar and Seth Kibel. So grab your violin, clarinet, trumpet, or other instruments, and come on over to the Library of Congress for the Klezmer Jam.

Seth Kibel is the leader, clarinetist, and composer for The Alexandria Kleztet, an innovative award-winning klezmer band he founded in the Baltimore/Washington area. The band has released four albums that all recieved the Washington Area Music Award for best album upon their release. In addition to his activities with The Kleztet, Seth has fronted a variety of swing and jazz groups, including Bay Jazz Project.

Klezmer trumpeter Howard Ungar founded the DC Klezmer Workshop. Howard has been playing klezmer trumpet since he attended his first KlezKamp in 1999 and has attended many KlezKamp, Yiddish New York, and KlezKanada festivals. He is a founding member of the DC based klezmer band Mrs. Toretsky’s Nightmare, who have played at numerous weddings, bar-mitvahs, and holiday events. You can also hear him playing trumpet with the DC based Machaya Klezmer Band at the Washington Folk Festival and other venues around town. 

This event is co-sponsored by the DC Klezmer Workshop

Request ADA accommodations five days in advance at 202-707-6362 or ADA@loc.gov

Find more information at this link!

Please us for our next Homegrown Concert:

Jones Benally Family Dancers
Navajo (Diné) traditional dance from Arizona
TUESDAY, SEPTEMBER 10, 2019, 12:00 PM
Coolidge Auditorium, Ground Floor
Thomas Jefferson Building
The Library of Congress

World Champion hoop dancer and traditional healer Jones Benally, his daughter Jeneda, his son Clayson, and his three young grandchildren form the Jones Benally Family Dancers. Navajo dance is a sacred tradition encompassing a wide variety of forms, all of which aim to heal the body, mind, or spirit. When presented outside the Navajo community, these dances are modified for public viewing, but they retain their deep capacity to move hearts and minds. The family sings, chants, plays traditional rhythm instruments, and performs a repertoire of over 20 dances, including traditional forms such as basket dance, eagle dance, feather dance, and corn grinding. They are particularly well known for the hoop dance, in which they evoke traditional figures and shapes using five, nine, a dozen, or many more hoops.

Jones Benally is a respected elder of the Navajo Nation in northeastern Arizona. His skill as a hoop dancer has won him worldwide acclaim and multiple world champion titles as well as the first Heard Museum Hoop Dance Legacy Award. Jones was featured as a singer in the 1993 film Geronimo. He works as a traditional healer, and was among the first traditional medical practitioners to be employed by a "Western" medical facility, where he worked for nearly 20 years. Jones Benally is also recognized by the state of Arizona as an Arizona Indian Living Treasure. Jeneda and Clayson Benally have performed with their father for over three decades, and have also made their mark (along with brother Klee) as the Native American Music Award-winning "alter-Native" punk band Blackfire. The siblings' newest project is the duo Sihasin ("hope"). Jones Benally's grandchildren are the next generation to take up the family legacy of Navajo music and dance.

Request ADA accommodations five days in advance at 202-707-6362 or ADA@loc.gov

More information is at this link!

Homegrown Concerts from the American Folklife Center of the Library of Congress

Les Filles de Illighadad
Tuareg Music and Song from Niger 

THURSDAY, SEPTEMBER 19, 2019, 12:00 PM, No Tickets Required
Coolidge Auditorium, Thomas Jefferson Building

Fatou Seidi Ghali, lead vocalist and guitarist of Les Filles de Illighadad, is one of the only Tuareg female guitarists in Niger. Sneaking away with her older brother's guitar, she taught herself to play. While Fatou's role as the first female Tuareg guitarist is groundbreaking, it is just as interesting for her musical direction. In Tuareg society, woman have traditionally been musicians, but not guitarists. They have been deeply involved with tende, a form of music centered on a drum traditionally made out of a mortar and pestles. Tende rhythms also deeply informed the development of Tuareg guitar music, which is mostly the province of men. In a place where gender norms have created these two divergent musics, Fatou and Les Filles de Illighadad are reasserting the role of tende in Tuareg guitar. In lieu of the djembe or the drum kit, so popular in contemporary Tuareg rock bands, Les Filles de Illighadad incorporate the traditional drum and the pounding calabash, half buried in water. They are thus reclaiming the importance of this forgotten inspiration of Tuareg guitar and asserting the power of women to innovate using the roots of traditional Tuareg music.

Fatou Seidi Ghali, Alamnou Akirwini, Fitimata Ahmadelher, and Abdoulay Madassane Alkika are from Illighadad, a secluded commune in central Niger, far off in the scrubland deserts at the edge of the Sahara. The village is only accessible via a grueling drive through the open desert and there is little infrastructure, no electricity, and no running water. But what the nomadic zone lacks in material wealth it makes up for deep and strong identity and tradition. The surrounding countryside supports hundreds of pastoral families, living with and among their herds, as their families have done for centuries.

Visit the concert page at this link for more information.

Request ADA accommodations five business days in advance at (202) 707-6362 or ADA@loc.gov

Please join us for a day-long symposium:

Women Documenting the World
Women as Folklorists, Ethnomusicologists & Fieldworkers
Thursday, September 26, 2019 
9:30 am -5:00 pm
Mary Pickford Theater, James Madison Building, Library of Congress

The American Folklife Center launches its multi-year initiative to highlight, explore, and celebrate the contributions of women as ethnographic fieldworkers and scholars with Women Documenting the World, a day-long program of talks, interviews, and discussions on Thursday, September 26. 

The free event, which is open to the public, calls attention to the role of women in establishing many of the foundational collections that enrich the American Folklife Center archive as well as other ethnographic archives throughout the world. It features presentations by contemporary researchers who are currently engaged in both national and international fieldwork, and includes brief presentations by American Folklife Center staff about important fieldwork collections in the American Folklife Center archive that were created by women, and that are too often overlooked.

Request ADA accommodations five days in advance at 202-707-6362 or ADA@loc.gov

Find further information at the link!

On the Neta app, which describes itself as “Leaders ka report card”, users can also share their opinion in the form of video reviews and comments, tag their MLA and conduct polls, with the most active users being highlighted in a separate section called ‘star citizens’

Barker Library - TA439.C366 2012

Barker Library - TA440.E358 2012

Barker Library - TA444.F53 2015

Barker Library - TA443.P58 M63 2015

Barker Library - TA439.J36 2016

Barker Library - TA441.E286 2013

Barker Library - TA444.R43 2016