No one should be complacent about racism but the story is rarely as straightforward as some commentators routinely assert

In my city neighbourhood this summer a man on the run from police custody hit a black woman in the face. Understandably, she reported it as a racial attack. Except it probably wasn’t. The runaway also hit a boy when his mother opened the door and tried to spray another woman’s hair red at a bus stop. He had mental health problems.

Not much harm done in this instance. But it’s one reason why I don’t often write about race relations in modern Britain, though I first did so 50 years ago when many aspects of them were pretty grim.

As the dust settles, hindsight makes the chain of events that culminated in UK’s vote to leave easier to discern

It is two months since British voters surprised themselves by deciding to end the UK’s 43-year relationship with the European Union – “independence day” to some and “the worst political decision since 1945” to others.

As stunned political leaderships on both sides of the Channel continue dithering about what to do next, it is worth looking back at the origins of a crisis the EU elite had not expected.

As he tussled with John Humphrys on Radio 4, the Labour leadership challenger sounded confident, articulate and human

Listening to the radio this morning I had an experience I realised I’d almost forgotten. It was the sound of a Labour politician being combatively quizzed on Radio 4 by Today’s John Humphrys in the key 8.10 spot and giving confident, articulate answers in return. When did I last hear that, I wondered?

What follows here isn’t a party political broadcast for Owen Smith. For the first time since Labour’s glittering leadership contest to succeed Harold Wilson in 1976 – Callaghan versus Healey, Foot, Crosland, Jenkins and Benn – he’s a leadership contender whom OAP Mike doesn’t really know.

The candidate’s excesses appeal to voters who feel marginalised and for whom the temptation is to blur reality and illusion

Whenever I think about the dysfunctional horror of the looming presidential election in America – so weird that Nigel Farage can pop up in Mississippi on the Trump campaign – I can’t get Susan Sarandon or Plato out of my mind. Let’s talk first about the actor. When did Plato make a decent movie, eh?

A few weeks ago Sarandon gave a magazine interview to an overawed writer in which she set out her well-known political stall as a radical feminist who backed Bernie Sanders and doesn’t think much of Hillary Clinton. “There’s nothing about her I find feminist except that she’s a woman,” she said.

From parking fines to airline fares, society’s financialisation is seeing the collective cake shrink as the rich claim an ever larger slice

It is the dog end of August and the sun is shining in many places. A cue for all sorts of predatory people in the thriving British holiday trades to rip off customers who don’t always have a choice and feel ambushed.

In a remote and empty Lake District car park the other day my sister fell foul of an unclear car parking regime. It led to a fine being levied for outstaying the time she had paid for by a few minutes. It happens to us all. In crowded Notting Hill last week, a man told me his car had once been given a penalty notice while he was away at the ticket machine paying his £1.60 for 30 minutes.

Related: Corbyn promises to 'democratise the internet' - Politics live

Howard Green, who has died aged 91, was my first editor, a journalist of the old school who worked his way up from junior reporter at 15 to the board of Thomson Regional Newspapers (TRN) when it was a force in the British regional press.

In the mid-1960s he was a key player in the plans of his Canadian proprietor, Lord (Roy) Thomson of Fleet, to ring London with new evening papers, located on the emerging motorway network and printed on state-of-the-art web offset presses. With well-run local papers still profitable, the big idea was eventually to print and distribute Fleet Street newspapers away from the clutches of its famously disruptive unions.

My firm takes IT projects from an online Service based Marketplace www.guru.com; where Websoft Inc (doing business as Guru.com) is an entity from Pittsburgh, USA and they charge a certain percentage (%) of the total project value as a "Project Fee" and also take a monthly fee as "Subscriptttion

I am stuck between the Advance ruling and the order of Gujarat Big Court on payment of royalty under RCM. Kindly guide

Person registered under GST proprietorship firm but Rent from house property to an individual it is taxable under Gst?

The mental and physical stresses caused by fear of layoff have left many workers feeling suicidal

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The number of jobless people in the US rose by more than 20 million in April, something deemed worthy of a mention in the “and in other news” slot on the BBC’s evening TV bulletin.

Sure, it was the 75th anniversary of VE day and there were socially distanced street parties to cover and archive footage of crowds gathered in front of Buckingham Palace to treasure.

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Mother’s have been an important part of Hindi cinema. Over the years, the portrayal of mothers in Bollywood has been changing. Mothers are given much more importance in cinema than just being a character actor who has to nod to everything the husband or the child says. 

On the occasion of Mother’s Day, here’s looking at some of the most popular on-screen mothers. 

Rakhee 

Her dialogue “Mere Karan Arjun aayenge'' is not something that one will forget anytime soon. She played mother to actors Shah Rukh Khan and Salman Khan in the hit film Karan Arjun. While Rakhee has played varied roles in her illustrious career spanning over 50 years, when it came to being a mother onscreen she has been seen as a woman of principles including in films like Baazigar, Ram Lakhan, Soldier, Khalnayak and others. 

Farida Jalal 

Farida Jalal too has been part of the industry for almost fifty years and continues to impress people with her charm. While the actress has played different kinds of roles, her motherly onscreen figure is the one most remembered by people. From being Shah Rukh Khan’s mother in Duplicate to Kajol’s in Dilwale Dulhania Le Jaayenge, she is the kind of mother who is always ready to make sacrifices for her child. She is also popular for the savage yet emotional grandmother of Jiya from the television series Shararat. 

Kirron Kher

She is often cast as the loud Punjabi mother with a soft heart always caring and worrying about her child. From Dostana, to Hum Tum to Singh is King to Om Shanti Om she was the mother who could also make you laugh with her snarky comments. While she started her career in film in 1983, most of her hit films including Main Hoon Na and Rang De Basanti see her play the role of a mother. 

Reema Lagoo

Best remembered for her role in Tu Tu Main Main, she has largely been seen in Bollywood films playing the emotional mother. She has played mother to most superstars in the late 80s and 90s. She was considered as a "new-age mother" in Hindi cinema. She was low on drama and was not too emotional either, perfectly maintaining the balance between the two. From Hum Saath Saath Hai to Hum Aapke Hai Kaun to Kal Ho Naa Ho, she is the kind of mother you just want to give a hug and say everything will be okay. 

 Jaya Bachchan 

How can an onscreen mother’s list be complete without Jaya Bachchan. She raised the bar for on-screen mothers with her performance in Kabhi Khushi Kabhi Gham. The scene with Shah Rukh Khan’s entry in the film will be remembered for Jaya Bachchan’s sixth sense rather than the superstar’s entry. She then went on to ditch the saree and all the parampara and thali and was seen playing a bold single mother in Kal Ho Naa Ho. 

Ratna Pathak Shah

She will always be remembered dearly as Maya Sarabhai who could accept anything else but being middle class. When it comes to playing a mother in Bollywood, she has never been typecast and has shown variety in her characters. In Jaane Tu Ya Jaane Na she was the protective and progressive mother to Imran Khan’s character who could not tolerate violence or any unjust activities. She once again played mother to Imran Khan in Ek Main Aur Ek Tu. She was a rich- sophisticated woman yet very different from her character Maya Sarabhai. Meanwhile, she played a middle-class mother to Taapsee Pannu in the film Thappad who worried more about “Log Kya Kahenge”. 

Let us know your favourites in the comment section.

<strong>EXPECTATIONS</strong> <em>Manikarnika - The Queen of Jhansi</em> is a dream project of Kangana Ranaut and she has given more than a year into making this happen. While it is expected that the film would have the much required scale, canvas and grandeur that the subject necessitates, the same is expected from music as well which is put together by Shankar-Ehsaan-Loy and lyricist Prasoon Joshi. <img class="aligncenter wp-image-941752 size-full" title="Music Review: Manikarnika - The Queen Of Jhansi" src="https://www.bollywoodhungama.com/wp-content/uploads/2019/01/Music-review-–-Manikarnika-The-Queen-of-Jhansi.jpg" alt="Music Review: Manikarnika - The Queen Of Jhansi" width="720" height="405" /> <strong>MUSIC</strong> Shankar Mahadevan is the lead singer for <strong><em>‘Bharat’</em></strong>, a patriotic number which is about bringing the country first before your own self. One wonders if the song is primarily for end credits roll since its theme and tonality suggests a sober conclusion to the war drama that Kangana is bringing on screen. The soundtrack in fact concludes with another version which has Prasoon Joshi narrating (and not singing) it for the audiences. Meanwhile, Shankar Mahadevan is back with <strong><em>'Vijayi Bhava'</em></strong>, yet another theme track which is about moving ahead in the right direction and aim for victory. This is the song that should well have been positioned right at the beginning of the album since it comes with just the right kind of passion and energy that one expects from <em>Manikarnika - The Queen of Jhansi</em>. Reminding of the kind of soundtrack that <em>Baahubali</em> series boasted of, <em>'Vijayi Bhava'</em> should make for a good impression if picturised well on screen. Next to arrive is <strong><em>'Bolo Kab Pratikar Karoge'</em></strong> which has Sukhwinder Singh at the helm of affairs. Yet another song which is high on energy and should arrive at a crucial juncture of the film's narrative when the protagonist is gearing up for the battle, it has a thump to it that should make an impression when experienced in theatres. For the first time in the soundtrack a female voice is heard, what with Pratibha Singh Baghel coming behind the mike for <strong><em>'Rajaji'</em></strong>. A romantic number that should play between Manikarnika and her beau, this one has a sweet sound to it and should bring on some light moments on screen. Pratibha does well as the voice of Kangana and she is joined by Ravi Mishra who arrives in the later part of the song. Yet again, one can't expect the song to emerge as a chartbuster here but should fit in well into the film's narrative. It is back to theme songs in <em>Manikarnika - The Queen of Jhansi</em>, what with Shankar Mahadevan coming up with <strong><em>'Shiv Tandav'</em></strong>. As is expected in a song belonging to this genre, this one too stays on to be strictly situational and one waits to see how it is picturised for the big screen experience. Rest assured, one can expect Kangana Ranaut in a fiery avtar here. A song about waiting for the love of your life to be back soon, <strong><em>'Tak Taki'</em></strong> is yet another song that is rendered by Pratibha Singh Baghel. This too is a situational number and at best should aid in taking the story forward. With a period feel to it, this one does well though in staying well within the mood and ambience of the era gone by. The soundtrack concludes with <strong><em>'Dankila'</em></strong> which has a horde of singers coming together in the form of Prajakta Shukre, Shrinidhi Ghatate, Siddharth Mahadevan and Arunaja. A celebration number that should be set in the happier times of Manikarnika's life, <em>'Dankila'</em> should have arrived much earlier in the film's soundtrack. This one has the right energy to it with a peppy feel. <strong>OVERALL</strong> The music of <em>Manikarnika - The Queen of Jhansi</em> is in line with what the film's subject and narrative warranted. Though one doesn't foresee any chartbusters here, the songs should do well to aid the film's narrative. <strong>OUR PICK(S)</strong> <em>‘Dankila’</em>, <em>‘Vijayi Bhava’</em>, <em>‘Rajaji’</em>

<strong>EXPECTATIONS</strong> The film <em>PM Narendra Modi</em> is set for release this Friday and the soundtrack has been unveiled too. Given the fact that the film is a biopic, one expects patriotic flavour in this music of <em>PM Narendra Modi</em> which has multiple composers and lyricists collaborating to bring together half a dozen songs. <img class="aligncenter size-full wp-image-968004" src="https://www.bollywoodhungama.com/wp-content/uploads/2019/04/PMNM.jpg" alt="" width="720" height="405" /> <strong>MUSIC</strong> Prasoon Joshi is the lyricist of the opening number <strong><em>'Saugandh Mujhe Iss Mitti Ki'</em></strong> that is composed by Shashi - Khushi and has Shashi Suman singing in a manner that is reminiscent of Sonu Nigam. He is joined by Sukhwinder Singh behind the mike and together they actually come up with a decent outing that reminds one of the kind of music that A.R. Rahman's <em>Lagaan</em> carried. <strong><em>'Namo Namo'</em></strong> has been a prominent slogan for last half a decade and that turns out to be the hook-line of the song. A rap number that is written and rendered by Parry G, this Hitesh Modak composed track is high on intensity and aims at being a power packed outing. Producer Sandip Ssingh too debuts as a singer with this theme song that has Lavaraj as the lyricist as well. Shankar-Ehsaan-Loy and Sameer's <strong><em>'Hindustani'</em></strong> was a huge hit when released back in time for Salman Khan and Sanjay Dutt's unreleased <em>Dus</em>. The song is presented in a new avtar with Parry G's rap kick-starting the proceedings and Sardaana writing added lyrics. This time around it is Shankar Mahadevan's son Siddharth Mahadevan who takes over the mantle and is joined by Shashi Suman as the singer. The overall impact is lacklustre though, as is the case with most of the recreations that are heard first. Shashi-Khushi and Sadaraa come together for <strong><em>'Fakeera'</em></strong> which turns out to be a rather dull outing. Very old fashioned and just not the kind of number that can be expected to make an impression amongst today's audiences, this Raja Hasan and Shashi Suman rendered track belongs to the quick-skip variety. The song which follows next turns out to be even duller, what with composer Hitesh Modak and lyricist Lavraj not really managing to entice any patriotic reactions. Based on Indian classical music, <strong><em>'Junoon'</em></strong> is sung by Javed Ali and though the singer does try, the ordinary tune and the arrangements that accompany it don't really help the cause. The soundtrack concludes with Suvarna Tiwari rendering <strong><em>'Ishwar Allah'</em></strong> which had featured in A.R. Rahman and Javed Akhtar's <em>1947 Earth</em>. Hitesh Modak recreates the song along with lyricist Lavraj and though the 'sur' is in synch with the mood of rest of the album, it doesn't quite entice you much to go for a repeat hearing. <strong>OVERALL</strong> Core situational and thematic. <strong>OUR PICK(S)</strong> <em>‘Saugandh Mujhe Iss Mitti Ki’</em>, <em>‘Namo Namo’</em>

<strong>EXPECTATIONS</strong> When a film is set as a high school musical, expectations are obviously there for a youthful and vibrant score in the offering. Vishal-Shekhar return from Student of the Year to the second instalment of the franchise and this time around they have multiple lyricists for company. Considering the fact that the mantle of direction has moved on from Karan Johar to Punit Malhotra, one waits to see how the soundtrack turns out to be. <img class="aligncenter size-full wp-image-973392" src="https://www.bollywoodhungama.com/wp-content/uploads/2019/04/Mumbai-Dilli-Di-Kudiyaan-Student-Of-The-Year-2-Tiger-Shroff-Tara-Sutaria-Ananya-Pandey.jpg" alt="" width="720" height="405" /> <strong>MUSIC</strong> First to arrive is the recreated version of 70s chartbuster <em>'Yeh Jawaani Hai Deewani'</em> which has been presented as <strong><em>'The Jawaani Song'</em></strong>. While the combo of R.D. Burman, Anand Bakshi and Kishore Kumar had created magic back then, the new team of Vishal-Shekhar, Anvita Dutt and Vishal Dadlani-Payal Dev chip in well to amalgamate the original with the new version. This one is an experiment on the same lines as Vishal-Shekhar's <em>'Bachna Ae Haseeno'</em> where both new as well as old world had integrated quite seamlessly. The one that actually turns out to be the best song of the album though is <strong><em>'Mumbai Dilli Di Kudiyaan'</em></strong>. Vishal Dadlani chips in with his rap portion for this fun number that has an intoxicating hook is pretty much on the lines of several chartbusters that Vishal-Shekhar had delivered around a decade ago. Dev Negi and Payal Dev do well behind the mike for this fun celebration number written by vayu that has the trio of Tiger Shroff, Tara Sutaria and Ananya Pandey come together on screen and dance away to glory. A chartbuster track. Yet again, it's the hook that makes an instant impact, what with Vishal-Shekhar getting the youthful feel right again. It is always so delightful to hear Shekhar Ravjiani's voice, especially considering the fact that the composer sings quite rarely. He does quite well though in Kumaar written <strong><em>'The Hook Up Song'</em></strong> which has Alia Bhatt making a special appearance alongside Tiger Shroff. Neha Kakkar is the singing partner of Shekhar here and together they ensure that the album so far has three out of three songs working quite well. Sanam Puri, who had shot to fame with <em>'Dhat Tere Ki' </em>In Punit Malhotra's <em>Gori Tere Pyaar Mein</em> is back for the filmmaker's <em>Student of the Year 2</em>. The song he renders this time around is <strong><em>'Fakira'</em></strong> which has Neeti Mohan giving him company behind the mike. A 'desi' number with a hint of 'sufi' to it, this one written by Anvita Dutt is the kind that needs time to grow and hence should be unveiled pronto if it has to reach out to the audience. Next to arrive is <strong><em>'Main Bhi Nahin Soya'</em></strong> and yet again it is Anvita Dutt who is the lyricist here. A Punjabi-Hindi track by Arijit Singh, this one is a sad number and surprisingly doesn't quite fetch your attention even after repeated hearing. Agreed that the feel had to be sober right through its playing time considering its sad theme, one just hopes that it doesn't slow down the proceedings of the film's narrative, especially if it arrives in the second half. The album concludes on a high though with Vishal Dadlani and Payal Dev pairing up for Anvita Dutt written <strong><em>'Jat Ludhiyane Da'</em></strong>. On the same lines as <em>'Mumbai Dilli Di Kudiyaan'</em> and <em>'The Hook Up Song'</em> when it comes to the fun youthful quotient, this one may not go on to emerge as a huge chartbuster but still should do its job well to keep the film's proceedings entertaining. Moreover, it is sung quite well too, especially by Payal Dev who has bagged good opportunity to feature in as many as three songs and has made a good impression each time around. <strong>OVERALL</strong> One expected the music of <em>Student of the Year 2</em> to be largely fun and youthful, and in that aspect the soundtrack does well. There are half a dozen songs in there and while a couple of these are set to be chartbusters, another couple is set to grow in days to come. <strong>OUR PICK(S)</strong> <em>‘Mumbai Dilli Di Kudiyaan’</em>, <em>‘The Jawaani Song’</em>, <em>‘The Hook Up Song’</em>

Priyanka, who is vocal about her ideas on issues pertaining to women's health, says being an entertainer gives her a platform to spread awareness about social causes.

 





Priyanka Chopra is a veteran Actress.

Have a Good Experience.





Priyanka Chopra says women have the superpower to balance career with family and it is high time men understood that their aspirations are equally important.

 

The 35-year-old actor, who entered the film industry soon after winning the Miss World title at the age of 18, credits her parents, especially her father, for understanding her dreams and helping her achieve them.

 

1. "I came from a family where everyone questioned my decision to become an actor.
There was a big debate in my house. But my parents, especially my father said, 'I am standing by her in whatever she wants to do.


 

2. I will make sure nothing wrong happens to her.' He kept his promise. He was with me always till I was 23. He used to be my manager. I had the support of my father," Priyanka told in an interview.


 

3. "The men in the world need to understand that as soon as you empower a woman, as soon as you give her the opportunity to be her best, she can handle both family and career.
I feel boys can't tackle both. Look at the medals at Commonwealth Games, most of

them have been won by women because they had this opportunity," she says.


 

4. The actor believes society needs to be more open towards the idea of women being ambitious. People have still not warmed up to the idea of a career-oriented woman.

 

 

The entire Bollywood industry is pouring in Celebration Sports Club, Mumbai, to bid the last adieu to the legendary actress of Indian cinema, Sridevi. The prayer meeting is crowded by biggies of Bollywood, like Kajol, Ajay Devgn, Aishwarya, Jaya Bachchan, 

 

Jacqueline Fernandez, Sonam Kapoor, Salman Khan, Arbaaz Khan, Farhan Khan, Nimrat Kaur, Satish Kaushik, Sanjay Kapoor, Waheeda Rehman, Isha Deol, Hema Malini, Madhuri Dikshit, Subhash Ghai, Sushmita Sen, and many others, who have come to pay a last visit before Sridevi's body will be taken for the last rights to Vile Parle Seva Samaj Crematorium and Hindu Cemetery, next to Pawn Hans around 3.30 pm.

 

 

 

 

While a lot has already been said about the versatile actress's sudden death, due to accidental drowning after losing her consciousness in the bathtub of a hotel room in Dubai. One of her close friends has now come out making a shocking new revelation about Sridevi’s health condition.

In an interaction with a leading daily, Pinky Reddy who knows Sridevi since childhood recalled her last phone-call with Sridevi saying, “I have lost a sister. It (Her demise) is shocking. We are devastated. I spoke to her the day she was leaving for Dubai. She was down with fever and was on antibiotics. She was feeling tired, but she said that she has to go for the wedding.”

 

 

Guest expectations have changed and Agilysys is ready with contactless and cashless integrated solutions at every step along the hotel guest journey. This webinar will explore: Which Agilysys solutions to use at each step along the guest journey Wha...

Reinforcing its globally acknowledged Responsible Luxury ethos that seeks to create a better and secure world, ITC Hotels today announced the launch of its path breaking 'WeAssure' initiative. In a first for the hospitality industry, the discerning ...

Scott Solombrino, CEO, GBTA chats with Patrick Pacious, President and CEO of Choice Hotels as part of the GBTA Industry Forum Series. Patrick shares his experience working for a hotel company where 100% hotels are franchised, the challenges facing s...

Indian-American women politicians are making a mark in this year's general elections in the US with Democrat Kamala Harris all set to be elected as the first Senator from the community.

Democratic presidential nominee Hillary Clinton leads her Republican rival Donald Trump by 4% points, a latest national opinion poll said on Sunday, two days ahead of the crucial US general elections.

As Donald Trump and Hillary Clinton slug it out for the most coveted and powerful seat, the entire world waits with abated breath to see who becomes the next US president on November 9th 2016 and gets their name inked among the pantheon.

California's Attorney General Kamala Harris on Wednesday scripted history as she won the U.S. Senate seat from the state, becoming the first Indian-American to reach the feat.

The world is still coming to grips with the sensational victory of Donald Trump over Hillary Clinton in a closely fought election to become the 45th president of the United States.

Donald Trump hushed all his detractors after winning the US elections to become the 45th president of the United States. He has stunned the whole world with this victory, driving on a wave of populist rage for defeating Hillary Clinton.

Two-term Louisiana Governor Bobby Jindal, the first ever Indian-American to be elected as a state Governor, is among the shortlisted candidates for Trump's Cabinet, according to a media report.

Four Indian-Americans, including two women, elected to House of Representatives and the Senate in the historic US general elections are here for their first official Congressional orientation meeting to find out how they can work collectively.

Top 20 Fashion Trends for Summer

With so many Fashion Trends appearing in all of our favorite shops, it can be a little confusing to figure out which of these fabulous...

My mouth was open when i saw this shoe. It is nice to know about the 150 year old fashion.