Although it suffers from lack of independence, it should be fixed rather than scrapped

Dr Kate Gaynor’s executive education was soon tested as general manager of a Chinese hospital

Coffee chain lays down plans for 90% of its domestic market cafés to be open by early June

Patrick Jenkins and guests discuss the retrial of former Barclays bankers over the bank's arrangements with Qatar at the height of the financial crisis, the poor level of support among banks for a climate change initiative backed by Bank of England governor Mark Carney, and the Fed's decision to drop the introduction of tougher liquidity rules for foreign banks. With special guest, Erkin Nosinov, a director at BCS Consulting.

Contributors: Patrick Jenkins, financial editor, Caroline Binham, financial regulation correspondent, David Crow, banking editor, and Laura Noonan, US banking editor. Producer: Fiona Symon

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Patrick Jenkins and guests discuss Germany's concession that could unblock progress towards a eurozone banking union, investor moves against Deutsche Bank chairman Paul Achkleitner, and what's behind the recent spate of personnel changes in investment banking. With special guest Lorenzo Bini Smaghi, chairman of Société Générale.

Contributors: Patrick Jenkins, financial editor, Martin Arnold, Frankfurt bureau chief, Olaf Storbeck, Frankfurt correspondent, Jonathan Guthrie, Lex editor, David Crow, banking editor, and Laura Noonan, US banking editor. Producer: Fiona Symon

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Matthew Vincent and guests discuss European banks' readiness to handle a coronavirus epidemic, whether Europe’s investment banks are in full retreat in the US, and Deutsche Bank’s compliance problems in the UK. With special guest Miles Celic, chief executive of TheCityUK

Contrbitutors: Matthew Vincent, regulation correspondent, Katie Martin, capital markets editor, Stephen Morris, European banking correspondent, and Laura Noonan, US banking editor. Producers: Fiona Symon and Persis Love

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Behind the Money is a podcast from the Financial Times that takes listeners inside the business and financial stories of the moment, with reporting from FT journalists around the world. You can find Behind the Money wherever you get your podcasts, including FT.com/behindthemoney.

Mauren Pereira's drapery business was on track for its most financially successful year to date. That was until the coronavirus outbreak reached Virginia. Behind the Money reports on how one small business owner is navigating the current economic crisis. With Brendan Greeley, US economics editor for the Financial Times. 

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UN official warns that war-ravaged country cannot deal with an outbreak of the disease

President’s intervention over Suleyman Soylu suggests division at regime’s heart, analysts say

Israeli leader returns for fifth term as prime minister as head of emergency coalition 

New unity government gives Israeli leader the manoeuvring room he needs

Mustafa al-Kadhimi’s appointment gives country its first functioning government in 6 months

‘The Impossible Collection’ offers a 9.5kg overview of the designer’s whole career

The less well-off will be the most exposed to Covid-19 infection

From business closures to movement restrictions, some countries’ policies show first signs of easing

Arbus in Aberdeen, Long in Lakeland - Tate director Sir Nicholas Serota talks to FT arts editor Jan Dalley about next year’s Artist Rooms programme of touring exhibitions. In its past two years, the scheme has drawn tens of thousands of visitors in towns throughout the UK to shows by Beuys, Ruscha, Woodman, Hirst and others – but how easily can the model be replicated elsewhere? Jan Dalley interviews Sir Nicholas Serota in his office at Tate.  

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Does bad language have a place in the opera house? Is the life of a stripper turned reality TV star a suitable subject for operatic treatment? And, can opera find a viable way of reflecting culture today? The day after the premiere of Mark-Anthony Turnage's "Anna Nicole" at Covent Garden, Andrew Clark, FT classical music critic, puts these questions to Gina Thomas, UK cultural correspondent of the Frankfurter Allgemeine Zeitung, and Laura Battle, FT staff writer and critic. Produced by Griselda Murray Brown  

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Established in 1895, the Venice Biennale has been called anachronistic - with its focus on separate national pavilions despite the international nature of today's art market. Is it an outdated model? If so, why are more countries than ever taking part this year? It is a series of exhibitions not an art fair - yet Venice has long been a centre of trade. Just how commercial is its Biennale? Jan Dalley puts these questions to Jackie Wullschlager and Peter Aspden, and picks some highlights ahead of the 54th Venice Biennale. Produced by Griselda Murray Brown  

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Established in 1895, the Venice Biennale has been called anachronistic - with its focus on separate national pavilions despite the international nature of today's art market. Is it an outdated model? If so, why are more countries than ever taking part this year? It is a series of exhibitions not an art fair - yet Venice has long been a centre of trade. Just how commercial is its Biennale? Jan Dalley puts these questions to Jackie Wullschlager and Peter Aspden, and picks some highlights ahead of the 54th Venice Biennale. Produced by Griselda Murray Brown  

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What's happening in the world of pop? FT critics Ludovic Hunter-Tilney and Richard Clayton join Neville Hawcock in the studio to look forward to this summer's pop festivals - and to ask whether pop itself has become too backward-looking, as Simon Reynolds argues in his new book Retromania. Are we really addicted to the past? And are YouTube and now the Apple iCloud part of this trend? Produced by Griselda Murray Brown  

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Postmodernism defined itself against the stifling clarity and seriousness Modernism. It put style before drab functionality. It embraced pop culture and garish colour. But it got a bad rep. “PoMo” was called vacuous and kitsch, and in the 1980s it became associated with corporate culture and consumerism. Now this controversial cultural movement is the subject of a major exhibition at London’s Victoria and Albert museum, "Postmodernism: Style and Subversion 1970–1990". Neville Hawcock talks to Glenn Adamson, co-curator of the show, and to FT columnists Edwin Heathcote and Peter Aspden. Produced by Griselda Murray Brown  

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Jan Dalley is joined by Louis de Bernières, author of Captain Corelli’s Mandolin, the playwright Mike Packer, and journalist Carl Wilkinson to discuss literary adaptations. At the Oscars this month, six of the nine movies up for Best Picture are based on books – and the film version of de Bernières’ novel Red Dog is released in the UK on February 24. Why are adaptations so popular? Are filmmakers and investors just playing it safe in uncertain times? And how does it feel to see your novel – or play – on the big screen? Produced by Griselda Murray Brown  

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The emirate’s contemporary arts event considers some thorny regional issues in a deceptively laid-back way, says the FT’s arts writer  

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Culture is becoming a refuge for the digitally brutalised: an evening at the opera, or cinema, or theatre, is where we go to escape technological overload, the FT’s arts writer argues  

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Neglected in his lifetime, the singer-songwriter is now revered, as an event devoted to his album ‘Bryter Later’ demonstrates. But it’s doubtful his genius would have flourished any better in today’s impatient world, the FT’s arts writer says  

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As pop star Swift, 24, takes a stand against Spotify and dancer Guillem, 49, announces her retirement, Peter Aspden reflects on two very different divas  

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How a legal dispute over the use of a John Lennon song in a sneaker advert paved the way for today’s cultural mash-ups – and put paid to the notion of artists “selling out”  

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Here today, washed-up tomorrow: that’s supposed to be the career trajectory for musicians in the pop age. But, as two recent projects show, great artists will always find ways to keep their signature work fresh and relevant  

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Mike Hobart tells the story of Jimmy Forrest’s 1952 hit, an R&B smash that and crossed over to the pop charts with James Brown’s reinvention.Credits: Maarten Eilander, Soul City Blues, The Island Def Jam Music Group  

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David Cheal follows Modest Mussorgsky's dramatic 19th-century composition from orchestral standard to Disney classic and floor-filling disco anthem. Credits: Disney Records, Masterworks Jazz, Bee Gees/Reprise.  

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First recorded in 1934 by Lead Belly the 'Homicidal Harmoniser', David Cheal follows the waltzing lament of 'Goodnight, Irene' through interpretations by the Weavers, Ry Cooder and Bryan Ferry. Credits: Hallmark, H&H Music, Rhino/Warner Bros, Virgin Germany.  

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How did a dirge-like song about a serial killer written by a Marxist playwright and a left-wing composer become a swinging jazz classic and global commercial success? David Cheal follows a trail not yet gone cold. Credits: Naxos; Decca Music Group Ltd; Not Now Music; Delta  

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Blind Willie Johnson's gospelly, moaning adaptation of an 18th-century hymn might have seemed an odd choice for the disc of music attached to Voyager 1 in 1977. But artists from Ry Cooder to Jack White have been drawn to its ethereal power. Credit: Legacy/Columbia, Warner Bros., Alligator Records  

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The coolification of Phil Collins is among pop's most curious turnarounds. Richard Clayton explains what the song owes to gangsta rap, "gated reverb" - and a drumming gorilla. Credit: Rhino, Atlantic, Def Jam  

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Jimmy Webb's mournful ballad became one of the most-covered songs of the 20th century. Sue Norris explores its appeal for artists from Nick Cave to Isaac Hayes. Credit: Imperial, Capitol, Mute, Enterprise  

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Kate Bush retreated to a farmhouse to craft her richly layered song of love and insecurity. It reaffirmed her place as a pre-eminent songwriter and went on to feature in the London Olympics closing ceremony. Richard Clayton follows its history. Credits: Noble & Brite, Beams, Frontiers Records, Elevator Lady, Italians Do It Better, Obsolete Media Objects  

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Fiona Sturges follows Patti Smith's lustful 1970s song of youthful abandon. Credits: Arista, Columbia, Coqueiro Verde Records, Stun Volume  

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The song crystallises a moment in time between the optimism of the Summer of Love and the darkness on the desert horizon. Cathi Unsworth explores its history. Credits: Boots Enterprises, Inc., 4AD, Columbia, Ever  

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Sue Norris on how Cissy Houston and Gladys Knight respectively transformed the sound, and meaning, of Jim Weatherly's country number. Credits: X5 Music Group, Jim Weatherly, Carinco AG, Capitol Records LLC.  

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Peter Aspen looks at how The Eagles turned a few improvised chords into one of the most iconic, and enigmatic, rock songs of the 1970s. Credits: Rhino/Elektra, Parlophone UK, UMG Recordings, Elemental Records, Sony Music Entertainment  

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What makes a good Christmas song? Should it be cheesy or serious? And why do millennials love them? 

FT pop writers discuss festive classics old and new - from carols to Mariah Carey, Greg Lake to Phil Spector, Sufjan Stevens to Run-DMC. Plus, which 2017's best Christmas song: Gwen Stefani's 'You Make it Feel Like Christmas' or Sia's 'Santa's Coming for Us'?

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From the unstoppable rise of hip-hop to the 'millennial whoop', what does today's new music sound like? And how has social media changed the relationship between artists and fans?

Harriet Fitch Little, India Ross and Griselda Murray Brown discuss Drake, Cardi B and DJ Khaled - in particular 'Wild Thoughts' ft. Rihanna and Bryson Tiller from 2017, which leans heavily on the melody and mood of Santana's 1999 hit 'Maria Maria', the coming-of-age soundtrack for the oldest cohort of millennials. 

Warning: this podcast contains a live 'millennial whoop'.

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Tidjane Thiam lends voice to call for private sector to join debt moratorium 

Africa’s biggest crude exporter seeks $7bn in emergency funds in face of imminent recession

G20 agriculture ministers urge governments not to disrupt global supply chains

Retirement property has a reputation for being a rip off, but several large operators claim to have reinvented the model. The FT's Money Mentor columnist Lindsay Cook joins Claer Barrett to discuss the issues. Next up, is your mobile phone a drain on your finances? Guy Anker from MoneySavingExpert tells us how. And finally, listeners hear from the FT's Rich People's Problems experts about the controversy surrounding his local tennis club.

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What are the biggest barriers to managing our money? Special guests Martin Wolf, Bobby Seagull and Justin Urquhart Stewart tell presenter Claer Barrett what they would banish to ‘Room 101’ to improve the nation’s finances. This week's podcast comes to you from the FT Money tent at the FT Weekend Festival at Kenwood House. 

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What's the best bank account for students? Who will give you an interest-free overdraft? And how can you get hold of a student railcard? Lucy Warwick-Ching, FT Money digital editor talks to three experts about how to make the most of your money as a student. Plus we hear how your credit rating as a student can affect your ability to get finance long after you've finished studying. And finally Guy Anker of Moneysavingexpert.com tells us why you shouldn't automatically pay off your student loan if you can afford it. 

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Taxing questions ahead of the General Election - as the spending pledges of the major parties add up, how might the tax rules change to pay for it all? Presenter Claer Barrett talks to Nimesh Shah, a partner at Blick Rothenberg to get the answers. Plus, if you’re already dreading your annual tax return, would you prefer it if computers did it for you? Chris Giles, the FT’s economics editor, has been probing the future shift toward personal tax accounts that could deduct what you owe in real time! And finally, Becky O'Connor from Royal London tells listeners about a host of savings tips and tricks that could help you balance your own budget. 

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How to find a financial adviser - a relationship with an adviser you can trust is something that FT readers often tell us is hard to come by. FT Money editor Claer Barrett talks to Damian Fantato, deputy editor of FT Adviser about the solution. Plus, with less than a month to go until the general election, financial advisers tell us they are getting calls from a lot of worried clients - we discuss what's troubling them. And finally, the rise of the 40-year mortgage - Paul Lewis, presenter of BBC Moneybox is here to share his own worries about extra long hours.

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