the

A new orchard, and garden: or, the best way for planting, grafting, and to make any ground good, for a rich orchard: : particularly in the north and generally for the whole common-wealth as in nature, reason, situation, and all probability, may and doth a

London : printed by W. Wilson, for E. Brewster, and George Sawbridge, at the Bible on Ludgate-Hill, neere Fleet-bridge, 1653.




the

A woman personifying friendship weeps before the bust of Giovanni Volpato. Engraving by P. Fontana, ca. 1807, after A. Canova.

[Rome?] : [publisher not identified], [1807?]




the

The head of Lucretia. Etching by P. Fidanza, 1785, after G. Cagnacci.

[Rome] : [Chez Bouchard et Gravier], [1785]




the

The prophet Ezekiel. Engraving by Michele Lucchese, 15--, after Michelangelo.

[Rome] : Ant. Lafrery.




the

The last judgment. Etching by D. Cunego, 1780, after Michelangelo.

Romae: apud Dominicum Cunego.




the

Saint Matthew. Engraving by N. Dorigny, 1707, after D. Zampieri, il Domenichino.

[Rome] : [Nicolaus Dorigny?], Sup. perm. 1707.




the

Poligny (Jura), France: an ancient mosaic floor at the villa of Estavage (Chambrettes), including figures of gryphons and centaurs. Line engraving.




the

Allegory of etching: a sphinx with the tail of a scorpion scratches an etching plate with her claws. Etching and letterpress by F. Rops, 1875.

Bruxelles (rue de l'Industrie) : Félix Callewaert père, éditeur, 1875.




the

The empress Zenobia is brought as a prisoner before the Roman emperor Aurelian. Photograph after J. van Egmont.




the

The drunken Hercules. Photograph by J. Mudd after E.J. Hähnel.

[Manchester] : [James Mudd], [18--]




the

God the father blessing, attended by five children and by cherubim. Engraving.




the

Allegorical tomb of Archduchess Maria Christina of Austria, in the form of a pyramid into which sculpted mourners carry her urn. Engraving by P. Bonato, 1805, after D. Del Frate after A. Canova.

([Rome] : Raffaelle Jacomini impresse)




the

The three Graces, seen from behind and from the side. Engraving by D. Marchetti after G. Tognoli after A. Canova.

[Rome?]




the

The baldachino in St Peter's, Rome. Engraving by G. Patigny, 16--, after G.L. Bernini.

Romae [Rome] : Apud Carolum Losi, Anno 1773.




the

The winged head of a demon (?). Drawing attributed to J. Vanderbank.




the

A shepherd watches the choking of a snared wolf that has killed a lamb; trappers hold back their hunting hounds while a shepherdess grieves for the lamb. Mezzotint by W.T. Annis, 1802, after J. Ward.

London (No. 32 Clipstone Street, Fitzroy Square) : Publish'd ... by S. Morgan, May 1st. 1802.




the

The head of a Turk, surmounted by an eagle holding thunderbolts, and surmounting a strapwork panel announcing the manners and fashions of the Turks. Process print, 1873, after a woodcut, 1553.




the

The device of the Emperor Charles V surrounding initials of the artist Pieter Coecke van Aelst. Process print, 1873.




the

A young poor Irish woman, sadly mending fishing nets or textiles outside a stone cottage, is approached by a young man; inside the cottage, a woman is spinning. Engraving after F.W. Topham.




the

A British soldier seated by a stream plays the flute to a young Scottish woman and two girls. Etching by W.B. Hole, 1897, after J.E. Millais, 1884.

London : Published by J.B. Virtue & Co. Ltd. : Jean Boussod Manzi Joyant & Co., [1897]




the

A blind man plays the fiddle to a large family. Wood engraving by H. Vizetelly after David Wilkie.




the

Fruit on a dish and a tureen, with elaborate vessels, rugs, and a bas-relief of grape-pickers. Colour line block by Leighton Brothers after G. Lance.

[London?] : [Illustrated London News?], [between 1850 and 1870?]




the

A shipwrecked sailor stands on the shore looking up at the sun's rays emerging from the clouds. Stipple engraving by J. Whessell, 1802, after J. Barney.

London (Gt. Newport Street) : Published by John P. Thompson, Jan.y 1 1802.




the

A Scottish gamekeeper armed with a gun, standing on a mountain-top in the falling snow: he holds a shot eagle in his right hand, and a hound stands at his side. Engraving by J. Outrim, 1856, after E.H. Landseer.

[1856]




the

A Scottish gamekeeper armed with a gun, standing on a mountain-top in the falling snow: he holds a shot eagle in his right hand, and a hound stands at his side. Engraving by J. Outrim, 1856, after E.H. Landseer.

London (6, Pall Mall) : Published ... by Henry Graves, & Comp.y, May 10th, 1856.




the

A nymph seated on a rock and holding a lyre, surrounded by water and fish; representing a Rhinemaiden (Die Lorelei, nymph of the Rhine). Stipple engraving by J.H. Baker after F.R. Roffe after L.M. von Schwanthaler.

London : Published for the proprietors, [between 1800 and 1899]




the

An Irish family outside their cottage on a Sunday morning prepares to go to church. Engraving by R.C. Bell after W. Brocas.

[Dublin] : National Art Union for Ireland, [between 1847 and 1851?]




the

Horses being ridden into the sea to bathe. Mezzotint by W. Ward, 1814, after G. Morland.

London (96, Gracechurch Street) : Published by R. Lambe, May 10th. 1814.




the

A woman holding a baby; possibly Victoria Duchess of Kent and Strathearn at the christening of Princess Alexandrina Victoria (subsequently Queen Victoria). Wood engraving by P. Naumann, 18--.




the

A shepherd supporting himself with a staff points down to something on the ground. Etching after S. Rosa.




the

A woman walking towards the left and covering her face with her robe. Etching after S. Rosa.




the

Coins of the principal currencies of the world. Coloured engraving, 1851 (?).

Paris (28 et 29 rue St. Sulpice) : Maison Bouasse-Lebel, Imp. Edit. et ancienne Maison Basset reunies, [1851?]




the

The head of a boy looking up towards Christ. Stipple print by M.A. Bourlier, 1813, after H.J. Richter.

[London] (17, Church Street, Soho) : Published ... by M.A. Bourlier, August, 1813.




the

Aeneas carrying his father Anchises on his shoulders as he, his son Ascanius and his wife Creusa flee from the sack of Troy. Engraving by R. Guidi after Agostino Carracci after F. Barocci.




the

Europa (right), grieving after her rape by Jupiter, is consoled by Venus and Cupid (centre); Jupiter disguised as a bull looks on from the left background. Engraving by T. Cook and R. Pollard, 1797, after B. West, 1772.

London (Braynes-Row, Spa-Fields) : Publish'd ... by R. Pollard printseller, Jany: 30th; 1797.




the

Episodes in human life described in Schiller's "The song of the bell". Line engraving by A. Schleich after C. Nilson.

[Dresden? Leipzig?] : Verlag und Eigentum von A.E. Payne, [1848?] (Printed by H. Boulton)




the

An episode in The merry wives of Windsor: Sir John Falstaff is invited to a tryst in Windsor Forest at night, dressed in bizarre clothing: he is attacked by children dressed as fairies and by the merry wives. Stipple engraving by I. Taylor, 1795, after R.

[London], [1795]




the

Phaethon begs Apollo to let him drive the chariot of the sun. Engraving by W. Woollett, 1763, after R. Wilson.

London (in Cheapside) : Published according to Act of Parliament, by J. Boydell engraver, Sept.r 3rd, 1763.




the

The deathbed of the Emperor Henry IV on a makeshift bed outside a ramshackle house: a monk kneels and prays. Photograph by J. Mudd after A. Rethel.

[Manchester] : [James Mudd], [between 1800 and 1899]




the

List of ten drawings in the collection of S.Z. Langton photographed by James Mudd. Letterpress.

[Manchester] : [James Mudd], [between 1800 and 1899]




the

Banditti in Italy: a brigand sleeps, a woman watches him, and another man stands guard. Mezzotint after C.L. Eastake.

[London], [between 1820 and 1829?]




the

Will o' the wisp: a sprite on horseback riding through fog at night holding a flare. Mezzotint by W. Giller after D.T. Egerton.

[London], [1827?]




the

A lion that has escaped from a circus in Florence picks up a baby in its teeth, but when the baby's mother shouts at it, the lion gives the baby back to the mother unharmed. Watercolour by M. Díez de Bulnes, 1817, after N.A. Monsiau.

[Spain?], An. 1817.




the

William Macready in character as Werner in the play Werner by Lord Byron. Engraving by C.W. Sharpe after D. Maclise.

[London?]




the

The flight of Francesco Novello di Carrara, Lord of Padua, with his wife Taddea D'Este, from Padua under attack by Milan. Engraving by F. Bacon, 1839, after C.L. Eastlake.

London (No. 18 & 19 Southampton Place, Euston Square, New Road) : Published ... by the proprietors [E. & W. Finden], May 1, 1839.




the

A young woman and a young man in the reign of King Charles II having a quarrel: they prepare to surrender each other's portrait miniature. Engraving by C. Heath, 1824, after G.S. Newton.

London (6 Seymour Place, Euston Square) : Charles Heath ; [London] (Poultry) : Robert Jennings, May 15 1827 ([London] : Printed by McQueen)




the

The flight of Francesco Novello di Carrara, Lord of Padua, with his wife Taddea D'Este, from Padua under attack by Milan. Engraving by F. Bacon after C.L. Eastlake.

[London?] : Cassell & Company Limited, [between 1800 and 1899]




the

People of Andros enjoying the pleasure of wine. Etching by or after G.A. Podestà after Titian.

[Rome?], [between 1600 and 1699]




the

The personification of the art of painting, supported by Cardinal Girolamo Buonvisi, arrives on a triumphal car at Mount Helicon where she is greeted by the muses. Etching by P. Testa.

[Rome?]




the

Winter weather, associated with the struggle of high art against competition from lowlife artists. Etching by P. Testa, 1641.

Si stampano in Roma (alla Pace ; all'insegna di Parigi) : per Giovan Jacomo Rossi, [1641?]