The market for Orthodox icons has been revivified by Russian money in recent years – yet the genre’s spiritual charge and innate conservatism make it a challenging field for collectors  

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A concert sponsored by insurance company Direct Line aims to help time-challenged audiences snatch some shut-eye – but a wakeful FT arts writer finds that the relationship between art and sleep is not a straightforward one  

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They seem always to be on, but ‘Rules of Engagement’, ‘The Big Bang Theory’ and their ilk shouldn’t be taken for granted: these immaculately crafted, relentlessly inoffensive series open a window on American society  

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The French conceptualist’s exhibition at the Palais de Tokyo is a sense-scrambling rethink of the relationship between art and the environment in which it appears  

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Efforts to restore historic buildings to their original splendour tell us as much about today’s tastes as they do about yesterday’s  

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The FT’s arts writer finds that, for all the acquisitive buzz around art fairs, they still richly cater for people’s inquisitive side too  

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Author Mohsin Hamid reads his short story 'Alien invasion in the G.L.A.C.', commissioned by the Financial Times for the new year.  

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An exhibition of Soviet-era sporting paintings shows how, even in a repressive political climate, artists still made work with real human insight  

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As Miami’s sparkling new Perez Art Museum hosts a big retrospective of the Chinese artist’s work, the FT’s arts writer reflects on culture’s role in challenging oppression  

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In a persuasive new book, the trend forecaster James Wallman says that our appetite for material possessions is giving way to a hunger for experiences. How will that shift be reflected in the arts?  

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Businesses like buying contemporary art to show off their forward-thinking and investment savvy. Fair enough – but it still sits oddly with artists’ desire to provoke and subvert  

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Christian Bale’s hairpiece in the Oscar-nominated movie caper epitomises the preposterousness of the 1970s – but the decade’s unabashed lack of polish looks increasingly appealing in our technology-dependent age  

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As King’s College, London, devotes an exhibition to its charismatic alumnus, the FT’s arts writer reflects on the artist and film-maker’s earliest inspirations  

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The death of the veteran folk singer prompted numerous tributes to his integrity and idealism. But it was his mythical spat with Bob Dylan that really defined his era’s cultural politics  

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Forget Sartre. The Royal Opera’s new ‘Don Giovanni’ suggests that, in a hyper-connected world, hell is the absence of other people  

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A militarist matchbox, a spoof banknote, a Lennon album. . . the FT’s arts writer presents a very personal history of the past half-century in 10 objects  

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Tate Britain’s new show explores our fascination with ruins. But where yesterday’s aficionados looked to the remains of ancient civilisations, today’s ruinous visions are of the future  

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Art and Mammon are uneasy bedfellows: witness the recent furore over the Sydney Biennale. The solution, says the FT’s arts writer, is for institutions to embrace debates over their funding, not run from them  

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Driven by ubiquitous video technology, a new wave of films – such as the award-winning ‘Gaza: Chronicles of a Conflict’ – favours rawness and immediacy over explanation and context  

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The BBC’s self-parodying show goes too far – in the direction of complacency, complicity and all-round smugness. But comedy can be a remarkable force for exposing the flaws of the society from which it springs  

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The Director of Cultural Partnerships at King's College London reflects on the growing appetite among artists and arts organisations for evidence about the impact and value of what they do  

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A brush with institutional hauteur in Nice makes the FT’s arts writer long for the determinedly inclusive museums and galleries of the UK  

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As St Paul’s Cathedral prepares to unveil a Bill Viola installation, the FT’s arts writer considers the potentially enriching relationship between sacred settings and contemporary art  

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In a despatch from Hong Kong, the FT’s arts writer reflects on the city’s ‘Tate bricks’ moment, and what it tells us about the fast-changing status of contemporary art in China  

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Though shortlisted for the prestigious photography award, Nigeria’s Abraham Oghobase has been refused a visa by the UK government. That’s a sorry state of affairs for a country that professes to be in the vanguard of cultural openness, says the FT’s arts writer. This week’s column is read by Alexander Gilmour.  

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As Sotheby’s prepares for a selling exhibition of the street artist’s work the FT’s arts writer reflects on shock culture – and the art market’s appetite for it.  

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The UK’s culture secretary is a ‘Star Trek’ fan who wants the arts to be ‘accessible to everyone’ - while the filmmakers of the defiantly highbrow ‘Life May Be’ remind us that there are merits in other ambitions.  

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The FT’s arts writer meets one of street art’s biggest names and reflects on what is lost when underground culture becomes part of the commercial mainstream  

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On holiday in Greece, the FT’s arts writer travels to some out-of-the-way ancient sites and wonders whether they still hold lessons for 21st-century visitors – or are just another aspect of vacation kitsch  

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The singer’s New York sculpture show confirms that contemporary art has replaced music as the go-to means of expression for young people with attitude, says the FT’s arts writer  

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The received wisdom is that contemporary art is just what a regenerating city needs, a stimulant for minds and economies alike. But are the wilfully puzzling tropes of the avant-garde really what the public wants?  

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The FT’s arts writer enjoys the troupe’s dance extravaganza at the Barbican – and explains why the fusion of hip-hop and martial arts might just conquer the world  

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Art may be essentially egalitarian as it illuminates the human condition – but that hasn't stopped members of the Porsche Travel Club getting special access to the Sistine Chapel. Should we worry if the wealthy corner the finest cultural experiences?  

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How a legal dispute over the use of a John Lennon song in a sneaker advert paved the way for today’s cultural mash-ups – and put paid to the notion of artists “selling out”  

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Here today, washed-up tomorrow: that’s supposed to be the career trajectory for musicians in the pop age. But, as two recent projects show, great artists will always find ways to keep their signature work fresh and relevant  

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In lending one of its Parthenon sculptures to Russia, the British Museum has provoked Greece and exposed the hollowness of so-called ‘cultural diplomacy’  

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The London venue’s exhibition of Presley memorabilia is curious mix of the banal and the resplendent – and none the worse for that, says the FT’s arts writer  

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Politicians love to keep things simple, at least in their public pronouncements. Artists, by contrast, embrace complication, nuance and imagination – so who better to tackle slippery questions of national identity as the UK prepares for a general election?  

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The Belgian artist has been found guilty of plagiarism. But intellectual property law is a poor fit with contemporary art's mash-ups, multiples and reworkings, says the FT's arts editor  

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Podcasts have existed for more than 10 years but have recently seen a surge of interest, spurred by the success of the true crime drama Serial, which has been downloaded more than 70m times. What is driving the so-called “podcast renaissance”? How are they different from radio shows? And do they pose a threat to traditional broadcasting? FT technology editor Ravi Mattu is joined by literature professor Sarah Churchwell, veteran podcaster Helen Zaltzman and Mark Friend, who is responsible for BBC Radio online. Produced by Griselda Murray Brown and Lily Le Brun  

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This year’s carol was specially commissioned by the FT with the help of Nicola Clase, Sweden’s ambassador to the UK. Jane Owen talks to Clase about the piece, which was composed by Johan Hugosson and features lyrics adapted from medieval Scandinavian rune poems. It is sung by the choir of Stockholms Musikgymnasium conducted by Bengt Ollen.  

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Blind Willie Johnson's gospelly, moaning adaptation of an 18th-century hymn might have seemed an odd choice for the disc of music attached to Voyager 1 in 1977. But artists from Ry Cooder to Jack White have been drawn to its ethereal power. Credit: Legacy/Columbia, Warner Bros., Alligator Records  

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Jethro Tull's prog rock hit rejected the hippy idealism of Swinging London. Ian McCann explores its influence on musicians from Maynard Ferguson to Francis Dunnery. Credit: Parlophone UK, Wounded Bird Records, Rak, Warner Music.  

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"Every Rose Has Its Thorn" by Poison's Bret Michaels was the last popular flourish of transvestism in rock. Ludovic Hunter-Tilney discovers what inspired the classic power ballad. Credit: Capitol Catalog, Hollywood Records, Kidz Bop, BMB/Poor Boy Records  

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Boney M's unlikely disco ballad was a hit on both sides of the iron curtain but was banned by Soviet authorities. Harriet Fitch-Little explores its indestructible appeal. Credits: Ariola Express, Century Media, Super Cassettes Industries, MCI  

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Richard Clayton on how Tracy Chapman's searing ballad of low income life carried her to global acclaim. Credits: Elektra, King Tubby's Music, Virgin EMI  

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Greg Lake died this week, and this track remains an enduring Christmas classic. Credit: Syco Music, Universal, Decca, Symphonia  

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This 1853 Christmas Carol, set to the melody of a 13th-century Nordic Hymn, has since fallen into the hands of Joan Baez, Tom Jones and Ritchie Blackmore of Deep Purple.  

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What makes a good Christmas song? Should it be cheesy or serious? And why do millennials love them? 

FT pop writers discuss festive classics old and new - from carols to Mariah Carey, Greg Lake to Phil Spector, Sufjan Stevens to Run-DMC. Plus, which 2017's best Christmas song: Gwen Stefani's 'You Make it Feel Like Christmas' or Sia's 'Santa's Coming for Us'?

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Urgent action needed to avoid human and economic catastrophe