CEDAR RAPIDS — A Dubuque woman who helped her boyfriend and another person buy heroin that later led to a fatal overdose was convicted Thursday in federal court.

Jacqueline M. Birch, 23, pleaded guilty in U.S. District Court to one count of aiding and abetting the distribution of a controlled substance.

During the plea hearing, Birch admitted she knew that another person was going to illegally distribute a drug last May, and she aided in that distribution.

Evidence at a previous hearing showed that Birch drove her boyfriend, Mateusz Syryjczyk, 29, of Rockford, Ill., and another person, not identified in court documents, to a residence in Dubuque on May 27. Birch and the other person went into the residence and bought heroin from a dealer. The three drove to a hotel in Dubuque and all used the heroin.

The other person began to overdose in the room, but Birch and Syryjczyk didn’t immediately call 911, according to evidence. Over many hours, Birch occasionally would perform CPR on the person to restore some breathing function, though the person never regained consciousness.

Eventually, Birch and Syryjczyk decided to call 911, and Syryjczyk took the remaining drug paraphernalia from the room to prevent law enforcement from finding it, according to court documents. Birch and Syryjczyk also made false statements to police about the cause of the person’s condition.

Court documents showed the overdose victim died at the scene. An autopsy later determined the cause of death was use of heroin, fentanyl and valeryl fentanyl.

Syryjczyk previously pleaded to misprision of a felony and remains free on bond pending sentencing.

Birch faces up to 20 years in federal prison, a $1 million fine and supervised release for life following her prison term.

Sentencing will be set after a presentencing report is prepared.

The case was investigated by the Dubuque Drug Task Force and is being prosecuted by Assistant U.S. Attorney Dan Chatham.

Comments: (319) 398-8318; trish.mehaffey@thegazette.com

This Mother’s Day, April Kelley just wants to give her daughter Jessica Kelley a hug. But she can’t. Jessica, 21, works on the COVID-19 floor at Mercy Medical Center in Cedar Rapids.

To protect her family and still do her job, Jessica is living full time at the hospital, which has made housing available to staff who need to isolate from their families during the pandemic.

“Just based on the floor I’m on, I don’t want to put my family at risk. It’s not worth it,” she said.

Her mother has an autoimmune disorder, adding another layer to Jessica’s worries. Though she does not interact with patients with the coronavirus directly, she still knows exposure is a risk.

“It wasn’t too hard of a decision, but it’s hard on me sometimes,” she said. “I really miss her.”

Jessica is a telemetry monitor technician. For her eight- to 12-hour shifts, her job is to watch heart monitors of patients in the hospital’s intensive care unit. If any patient starts to have cardiac distress or irregular heart rhythms, she and her fellow technicians are the first ones to notice and can notify the doctors and nurses in the main ward.

“It was her choice to either work at the hospital or come home, which was really difficult for her,” April Kelley said. “She’s only 21, so I was pretty proud of her for choosing to help. I don’t think people realize the sacrifice people are making to be there, working in the hospitals right now.”

Jessica is finishing her junior year as a nursing student at Mount Mercy University in Cedar Rapids. When classes moved online and the dorms closed, she had to figure out what to do. While many of her classmates moved back home with their families, doing so would have meant quitting her job. Right now, she said, that job feels more important than ever. In addition to being a full-time student, she works 32 to 36 hours a week at the hospital.

She spent about a week at home with her mother and brother in Humboldt after the dorms closed, but even then, she stayed in her mother’s finished basement and didn’t interact directly with her.

Her older brother, 26, is staying at home with their mom, and she misses him, too. Jessica said to stay connected, she does FaceTime with her mom, a social worker, almost every day.

“She’s definitely one of my best friends, one of my biggest supporters. She is a single mom, and she’s worked two jobs for the last 12 years,” Jessica said. “She always provides for us, and she’s just wonderful in every single way. She’s very caring, she takes care of everybody, no matter where you are.”

This Mother’s Day, those roles have reversed. Now, Jessica is protecting her mother instead of the other way around.

“She said, ‘Mom, I just can’t come home again, I couldn’t put you in that kind of danger,’” April said. “I’m extremely proud of the young lady she is and how responsible she is, and what she is doing during this time, to make sure other people are safe.”

Jessica’s interest in nursing came from her family. Her grandmother, aunt and cousin are all nurses. She also had an experience as a child that stuck with her and inspired her current career goal of becoming a pediatric intensive care nurse after graduation.

In the second grade, she had encephalitis. At first, she said, doctors didn’t believe she was actually sick. Her mother had to take her to a different hospital to get help.

“They said I was making it up, that my screaming and vomiting was just trying to get attention. They said I was faking it,” she said. “At one point, I really did not know who my mom was, and that’s the scariest part, to have someone tell you that’s not real. That’s just not right, and I don’t want other people, especially children to have to deal with that.”

She became interested in the telemetry job after touring the hospital as a student. She said watching the monitors can be surreal, knowing each line she watches represents a patient she may never meet but whose life she is responsible for.

“You see their heart, but you don’t see them,” she said. “Sometimes you watch them die, but never see them. Other times, you see someone going into a fatal rhythm, and you call the nurses ... and when they finally get that person stabilized, you know they might not have made it if we weren’t there. It’s very rewarding.”

April stressed the need for people to follow public health guidelines on social distancing to stay healthy.

“I know they’re starting to open back up and people are eager to get on with their lives,” she said. “But there are a lot of people putting their lives on the line right now ... and I would hate for Jessica to have to go back and self-isolate again if there was a second wave.”

April’s sad she can’t spend this Mother’s Day with her daughter, but right now, that’s not what is important.

“Remember, there’s going to be another Mother’s Day, she said. “We all just have to take care of our people.”

Comments: (319) 398-8339; alison.gowans@thegazette.com

Goodwill of the Heartland will reopen 11 retail locations in Eastern Iowa next week, including all its Cedar Rapids stores, according to an announcement on the Goodwill Facebook page. Stores in Marion, Coralville, Iowa City, Washington, Bettendorf, Davenport and Muscatine also will resume business Monday, starting with accepting donations only.

Locations will be open to shoppers, beginning Friday, May 15, and run from 11 a.m.-6 p.m. Monday through Saturday and from noon-5 p.m. Sunday.

All customers are required to wear face masks to enter the store. For more information, including safety guidelines, visit the Goodwill website.

The Iowa Department of Natural Resources encourage visitors to recently reopened campgrounds to check the DNR website for temporary closures before traveling to any of the areas. Campgrounds started to open Friday for walk-in, first come, first served campers with self-contained restrooms, according to a news release.

Some parks and campgrounds have closures due construction or other maintenance projects. Staff will monitor the areas closely, reminding visitors to practice physical distancing guidelines and other policies issued by the DNR earlier this week.

Some pit latrines in high-use areas will be open, but all other restrooms, drinking fountains and shower facilities will be closed. Park visitors are asked to use designated parking areas and follow all park signs.

The DNR’s reservation system for reservable campgrounds is available online, taking reservations for Monday and later.

Iowa has 68 state parks and four state forests, including hiking trails, lake recreation and camping. For more information, visit the DNR website.

The next Cedar Rapids City Council meeting will be hosted virtually. The meeting will be held May 12, beginning at noon. The livestream is available at the city’s Facebook page. Indexed videos can be accessed on the City of Cedar Rapids website.

The public is invited to provide comments, submitting written comments via email to cityclerk@cedar-rapids.org before the meeting or joining the Zoom conference call and registering here before 2 p.m. Tuesday. Registrants will receive an email with instructions to participate. Written comments received before 2 p.m. the day of the meeting will be given to City Council members before the event.

The public will only be invited to speak during designated public comment sections of the meeting. Please visit the City’s website for speaking guidelines. City Hall remains closed to the public. No in-person participation is available.

Tuesday’s meeting agenda will be posted to the website by 4 p.m. Friday.

Michael Buble’s “An Evening with Michael Buble” Tour has rescheduled dates to 2021. The 26-date series of concerts will begin February 6 in Salt Lake City and conclude March 25 in Jacksonville, Fla., according to a news release Friday.

Bubble’s shows at TaxSlayer Center in Moline, Ill., has been switched to Feb. 20, 2021. He will perform at Wells Fargo Arena in Des Moines the following day.

Tickets for previously scheduled dates will be honored.

“I am so looking forward to getting back on stage,” Buble said in the release. “I’ve missed my fans and my touring family. Meantime, I hope everyone stays safe. We can all look forward to a great night out.”

Buble also just completed a series of Facebook Live shows while in quarantine with his family in Vancouver.

Comments: (319) 368-8679; kj.pilcher@thegazette.com

CEDAR RAPIDS — Adam Todd, adjusting like many Iowans to a social-distanced lifestyle since the novel coronavirus hit, celebrated a milestone 21st birthday with a drive-by parade Friday evening.

Todd, best known for being ABC World News Tonight Person of the Week in 2016, stood outside the Cedar Rapids house where he lives with his parents, Dale Todd, a Cedar Rapids City Council member, and Sara Todd, watching the cars drive by wishing him a happy birthday.

“My son has a bigger following than I would ever hope to have,” Dale Todd said. “Everybody knows he loves a parade. He loves the trucks and cars and people that are a part of that.

“There’s no better example that ‘it takes a village.’ He has had a team for 21 years.”

Todd, who will be graduating from Washington High School in Cedar Rapids, has Lennox-Gastaut Syndrome, a severe form of epilepsy.

The parade was arranged by his mother, Sara, who invited friends and teachers to drive by between 5 and 6 p.m. to wave, shout happy birthday, hold up a sign, sing a song or do a dance, all from a safe distance — “whatever they’re able to,” she said.

Sara said Adam would have finished his last semester of education had the coronavirus not cut the school year short.

“That makes it extra special,” Sara said. “He hasn’t really gotten to say goodbye to his friends and teachers.

“We have appreciated his teachers so much. They have been a part of his team and really a part of our family.”

Adam, a member of the Washington High School junior varsity track team, captured national attention in 2016 when, during a cross-country race at Noelridge Park, he became distracted and veered from the course. Evan Hansen, a runner from Iowa City High, loped after him and guided him back to the track.

They ran the last mile together, the last two to cross the finish line.

That show of compassion and sportsmanship is what led to ABC News picking both of them as Persons of the Week.

In addition to Friday’s parade, Adam celebrated his birthday by taking his service dog, Turbo, on a run and trying to spot trains. He and his mom saw two.

“It was a good day,” Sara said.

Adam’s birthday cake, made by a family friend, was decorated with a train and a golden retriever that looks like Turbo.

“We were trying to think of a creative way we can help Adam have fun and celebrate him,” Sara said. “He deserves it.”

Comments: (319) 368-8664; grace.king@thegazette.com

Some Eastern Iowans are ready to go camping.

With Gov. Kim Reynolds allowing campgrounds across the state to open Friday, some people wasted little time in heading outdoors.

“They’re already starting to fill up,” said Ryan Schlader of Linn County Conservation. “By about 7 this morning, we had a dozen at Squaw Creek Park. People were coming in bright and early to camp. We’re not surprised.”

Schlader said Linn County Conservation tried to have the campgrounds open at the county’s Squaw Creek, Morgan Creek and Pinicon Ridge parks at 5 a.m. Friday. He expected all of them would be busy.

“I think people were ready to go,” he said.

Lake Macbride State Park in Johnson County didn’t see quite as much of a rush for campsites, park manager Ron Puettmann reported Friday morning, saying he’d had six walk-ins for the park’s 42 campsites.

Camping this weekend will be done on a first-come, first-served basis. Sites won’t be available for reservations until next week, though online reservations can be made now, Puettmann said.

“I’m quite sure people were waiting anxiously to get on,” he said.

While Reynolds’ campground announcement came Wednesday, Schlader and Puettmann said they had no issues having the campgrounds ready for Friday.

Schlader said county staff have been in touch with the Iowa Department of Natural Resources and other county conservation boards to discuss protocols for reopening to ensure a safe experience for campers and employers.

“We anticipated at some point the order would be lifted,” Schlader said. “We were anticipating maybe May 15. The campgrounds were in good shape and ready to go.”

For now, camping comes with some limitations:

• Campers can camp only in a self-contained unit with a functioning restroom, such as a recreational vehicle.

• Shower houses with restrooms will remain closed for the time being.

• Campsites are limited to six people unless they are from the same household.

• No visitors are allowed at the campsites.

Puettmann said staffers and a DNR officer will be on hand to make sure guidelines are followed, but he didn’t anticipate enforcement would be an issue.

“For the most part, we’re going to allow people to police themselves,” he said.

It’s hard to gauge demand, Schlader said.

The weather isn’t yet deal for camping, and some people might not be ready to camp, given the continuing coronavirus.

“There is a lot of uncertainty,” he said. “Do people feel like they need to get out and enjoy a camping experience within their own campsite, or do people still feel under the weather and think it’s not a good idea for my family to go right now? ... We just want this to be an option for people.”

Comments: (319) 339-3155; lee.hermiston@thegazette.com

DES MOINES — More than 20 days after Iowa signed a $26 million contract with a Utah company to expand testing in the state, the machines the firm supplied to run the samples still have not passed muster.

A time frame for completing the validation process for the Test Iowa lab machines is unknown, as the process can vary by machine, University of Iowa officials said Friday.

The validation process is undertaken to determine if the machines are processing tests accurately. To this point, the lab has processed the Test Iowa results using machines the State Hygienic Lab already had, officials told The Gazette.

Running side-by-side testing is part of the validation process. The lab then compares whether the machines yield the same results when the sample is run, officials said Friday. The side-by-side testing means the Test Iowa samples are being run at least twice to compare results.

The state does not break out how many of the 331,186 Iowans who by Friday have completed the coronavirus assessment at TestIowa.com have actually been tested. Test Iowa was initiated last month to ramp up testing of essential workers and Iowans showing COVID-19 symptoms. The state’s fourth drive-though location where people with appointments can be tested opened Thursday at the Kirkwood Continuing Education Training Center in Cedar Rapids.

On Friday, Iowa posted a fourth straight day of double-digit deaths from coronavirus, with the latest 12 deaths reported by the state Department of Public Health bringing the statewide toll to 243 since COVID-19 was first confirmed March 8 in Iowa.

State health officials reported another 398 Iowans tested positive for the respiratory ailment, bringing that count to 11,457 of the 70,261 residents who have been tested — a positive rate of more than 16 percent.

One in 44 Iowans has been tested for COVID-19, with 58,804 posting negative results, according to state data. A total of 4,685 people have recovered from the disease.

During a Thursday media briefing, Gov. Kim Reynolds told reporters a backlog of test results that occurred due to validation of Test Iowa equipment had been “caught up,” but some Iowans who participated in drive-through sites set up around the state indicated they still were awaiting results.

Reynolds spokesman Pat Garrett confirmed Thursday that “a very small percentage” of coronavirus test samples collected under the Test Iowa program could not be processed because they were “potentially damaged,” resulting in incomplete results.

There were 407 Iowans who were hospitalized (with 34 admitted in the past 24 hours) for coronavirus-related illnesses and symptoms with 164 being treated in intensive care units and 109 requiring ventilators to assist their breathing.

Health officials said the 12 deaths reported Friday were: three in Woodbury County, two in Linn County and one each in Black Hawk, Dallas, Dubuque, Jasper, Louisa, Muscatine and Scott counties. No other information about the COVID-19 victims was available from state data.

According to officials, 51 percent of the Iowans who have died from coronavirus have been male — the same percentage that tested positive.

Iowans over the age of 80 represent 46 percent of the COVID-19 victims, followed by 41 percent between 61 and 80.

Of those who have tested positive, state data indicates about 42 percent are age 18 to 40; 37 percent are 41 to 60; 14 percent are 61 to 80 and 5 percent are 81 or older.

Counties with the highest number of positive test results are Polk (2,150), Woodbury (1,532), Black Hawk (1,463) and Linn (813).

Earlier this week, state officials revamped the data available to the public at coronavirus.iowa.gov, with the new format no longer listing the age range of Iowans who died from coronavirus and providing information using a different timeline than before.

The governor did not hold a daily media briefing Friday due to scheduling conflicts created by Vice President Mike Pence’s trip to Iowa. Garrett said Reynolds would resume her COVID-19 briefings next week.

John McGlothlen and Zack Kucharski of The Gazette contributed to this report.

A man suspected of a workplace shooting last month at a vinyl window manufacturer in southwest Cedar Rapids turned himself into authorities Friday.

Jamal Devonte Edwards, 26, has been wanted since two men were shot at Associated Materials, 3801 Beverly Rd. SW, the morning of April 9.

Cedar Rapids police had indicated Edwards was wanted in particular for the shooting of Mark Robertson, 36.

Edwards faces charges of attempted murder, intimidation with a dangerous weapon, going armed with intent and willful injury.

The U.S. Marshals Service helped locate Edwards, distributing a photo of Edwards along the Gulf Coast. He was located in Mobile, Ala. when his father brought him to the Mobile police department so he could turn himself in, according to a Cedar Rapids police news release.

The April 9 shooting was reported at 5:03 a.m. after two employees were shot at Associated Materials. Both suffered non-life-threatening injuries, police said.

Police said at the time it appeared the shooter knew the two men.

Shawn Hardy, senior vice president of integrated products for Associated Materials, confirmed Edwards worked at the Cedar Rapids business, which gave him access to the building, but said he had been employed through a temp agency.

Iowa State University graduates who celebrated commencement Friday saw lots of caps and gowns, red-and-gold confetti and arenas packed with friends and family.

But none of those images were from this year — which now is defined by the novel coronavirus that has forced education online and put an end to large gatherings like graduation ceremonies.

Appearing in front of a red ISU screen Friday, College of Agriculture and Life Sciences Dean Daniel J. Robison addressed graduates like he usually would at commencement — but this time in a recorded message acknowledging the unprecedented circumstances keeping them apart.

“This year, because of the COVID crisis, we are unfortunately not all together for this happy occasion,” he said, pushing forward in a motivational tone by quoting famed ISU alumnus George Washington Carver.

“When you can do the common things in life in an uncommon way, you will command the attention of the world,” Robison said, citing Carver.

About 12,000 graduates across Iowa’s public universities this month are doing exactly that — capping their collegiate careers with never-before-attempted online-only commencement ceremonies, with each campus and their respective colleges attempting a variety of virtual celebration methods.

ISU and the University of Iowa are attempting some form of socially-distanced livestreamed convocation with countdown clocks and virtual confetti. All three campuses including the University of Northern Iowa have posted online recorded messages, videos and slides acknowledging individual graduates.

Some slides include photos, thank-yous, quotes and student plans for after graduation.

UNI, which didn’t try any form of a live virtual ceremony, instead created a graduation website that went live Thursday. That site hosts an array of recorded video messages — including one from UNI President Mark Nook who, standing alone behind a podium on campus clad in traditional academic regalia, recognized his campus’ 1,500-some spring graduates and their unusual challenges.

“We know the loss you feel in not being able to be on campus to celebrate this time with your friends, faculty and staff,” Nook said. “To walk around campus in your robe and to take those pictures with friends and family members … The loss is felt by many of us as well.”

He reminded those listening that this spring’s UNI graduates — like those at the UI and ISU — can participate in an upcoming in-person commencement ceremony.

And although students were allowed to return caps and gowns they ordered for their canceled walks across the stage, some kept them as keepsakes. The campuses offered other tokens of remembrance as well, including “CYlebration” gift packages ISU sent to graduates in April stuffed with a souvenir tassel, diploma cover, and streamer tube — to make up for the confetti that won’t be falling on graduation caps from the Hilton Coliseum rafters.

In addition to the recorded messages from 17 UI leaders — including President Bruce Harreld — the campus solicited parent messages, which will be included in the live virtual ceremonies.

To date, about 3,100 of the more than 5,400 UI graduates have RSVP’d to participate in the ceremony, which spokeswoman Anne Bassett said is a required affirmation from the students to have their names read.

“Students do not have to sign up to watch,” she said. “So there’s no way at this time to predict how many will do so.”

Despite the historic nature of the first online-only commencement ceremonies — forever bonding distanced graduates through the shared experience — UI graduate Omar Khodor, 22, said it’s a club he would have liked to avoid.

“I’d definitely prefer not to be part of that group,” the environmental science major said, sharing disappointment over the education, experiences and celebrations he lost to the pandemic.

“A lot of students like myself, we’re upset, but we’re not really allowed to be upset given the circumstances,” Khodor said. “You have this sense that something is unfair, that something has been taken from you. But you can’t be mad about it at all.”

Life is too short to dwell on what could have been or what should have been — which sort of captures graduate Dawn Hales’ motivation to get an ISU degree.

The 63-year-old Ames grandmother calls herself the “oldest BSN Iowa State grad ever.”

“It’s the truth, because we’re only the second cohort to graduate,” Hales said. “I’ll probably be the oldest for a while.”

ISU began offering a Bachelor of Science in nursing degree in fall 2018 for registered nurses hoping to advance their careers — like Hales, who spent years in nursing before becoming director of nursing at Accura Healthcare, a skilled nursing and rehabilitation center in Ames.

In addition to wanting more education, Hales said, she felt like the “odd man out” in her red-and-gold family — with her husband, three sons and their wives all earning ISU degrees. She earned an associate degree and became a registered nurse with community college training.

“I was director of nursing at different facilities, but I did not have a four-year degree,” she said. “I always wanted to get my BSN.”

So in January 2019, she started full-time toward her three-semester pursuit of a BSN — even as she continued working. And her education took a relevant and important turn when COVID-19 arrived.

“My capstone project was infection control,” she said, noting her focus later sharpened to “infection control and crisis management” — perfect timing to fight the coronavirus, which has hit long-term care facilities particularly hard.

“We were hyper vigilant,” Hales said of her facility, which has yet to report a case of COVID-19. “I think we were probably one of the first facilities that pretty much shut down and started assessing our staff when they would come in.”

Hales said she was eager to walk in her first university graduation and was planning antics for it with her 10-year-old granddaughter.

“We were trying to think, should I dance across the stage?” Hales said. “Or would I grab a walker and act like an old lady going across the stage?

“She was trying to teach me to do this ‘dab’ move,” Hales said. “I said, ‘Honey, I cannot figure that out.’”

In the end, Hales watched the celebration online instead. She did, however, get a personalized license plate that reads, “RN2BSN.”

Coming from a family-run dairy farm in Jerome, Idaho, EllieMae Millenkamp, 22, is the first in her family to graduate college.

Although music is her passion, Millenkamp long expected to study at an agriculture school — but Colorado State was her original choice.

Then, while visiting family in Iowa during a cousin’s visit to ISU, she fell in love with the Ames campus and recalibrated her academic path.

While at ISU, the musical Millenkamp began writing more songs and performing more online, which led to in-person shows and a local band.

And then, during her junior year, a talent scout reached out to invite her to participate in an audition for NBC’s “The Voice.” That went well and Millenkamp, in the summer before her senior year, moved to Los Angeles and made it onto the show.

She achieved second-round status before being bumped, but the experience offered her lifelong friendships and connections and invigorated her musical pursuits — which have been slowed by COVID-19. Shows have been canceled in now idled bars.

Millenkamp went back to Idaho to be with her family, like thousands of her peers also did with their families, when the ISU campus shut down.

After graduation she plans on returning and working the family farm again until her musical career has the chance to regain momentum.

But she recently returned to Ames for finals. And she and some friends, also in town, plan to celebrate graduation, even if not with an official cap and gown.

“We’ll probably have a bonfire and all hang out,” she said. “We’ll celebrate in our own way.”

Most college seniors nearing graduation get to spend their academic hours focusing on their major and interests, wrapping their four or sometimes five years with passion projects and capstone experiences.

That was Omar Khodor’s plan — with lab-based DNA sequencing on tap, along with a geology trip and policy proposal he planned to present to the Iowa Legislature. But all that got canceled — and even some requirements were waived since COVID-19 made them impossible.

“There were still a lot of a lot of things to wrap up,” he said. “A lot of things I was looking forward to.”

He’s ending the year with just three classes to finish and “absolutely” would have preferred to have a fuller plate.

But Khodor’s academic career isn’t over. He’s planning to attend law school in the fall at the University of Pennsylvania, where he’ll pursue environmental law. But this spring has diminished his enthusiasm, with the question lingering of whether in-person courses will return to campus soon.

If they don’t, he’s still leaning toward enrolling — in part — because of all the work that goes into applying and getting accepted, which he’s already done.

“But online classes are definitely less fulfilling, less motivating. You feel like you learn less,” he said. “So it will kind of be a tossup. There’ll be some trade-offs involved in what I would gain versus what I would be paying for such an expensive endeavor like law school.”

As for missing a traditional college commencement, Khodor said he will, even though he plans to participate in the virtual alternative.

“Before it got canceled, I didn’t think that I was looking forward to it as much as I actually was,” he said.

Not so much for the pomp and circumstance, but for the closure, which none of the seniors got this year. When the universities announced no one would return to campus this semester, students were away on spring break.

They had already experienced their last in-person class, their last after-class drink, their last cram session, their last study group, their last lecture, their last Iowa Memorial Union lunch — and they didn’t even know it.

“So many of us, we won’t have closure, and that can kind of be a difficult thing,” he said.

Comments: (319) 339-3158; vanessa.miller@thegazette.com

For a list of commencement times and virtual celebrations, visit:

The University of Iowa’s commencement site at https://commencement.uiowa.edu/

Iowa State University’s commencement site at https://virtual.graduation.iastate.edu/

University of Northern Iowa’s commencement site at https://vgrad.z19.web.core.windows.net/uni/index.html

A 10th wedding anniversary traditionally is celebrated with a gift of aluminum or tin.

For Sondy Daggett, her 10th year of marriage to Liz Hoskins was marked with a gift of Champagne and chocolate-covered strawberries shared through a window.

Employees at Bickford of Marion, the assisted living and memory care center where Hoskins is a resident, surprised the couple with the anniversary gift on May 1. Despite the current coronavirus-related mitigation practices, the staff had created a special moment for the couple, who have been partners for 24 years.

Daggett burst into tears as employees played their wedding song — Billy Joel’s “The Longest Time.”

“It just touched my soul,” Daggett said.

Across the state, moments like this are relegated through windows or over a phone call. As the novel coronavirus pandemic sweeps through the country, long-term care facilities have locked down in an effort to keep residents healthy, which means their families are no longer able to hug their loved ones, or sit with them in their rooms.

For many families, the feelings at such times this time are conflicted. Typical Mother’s Day celebrations have been placed on hold, and recent milestones have been missed by those living in long-term care facilities. Simple visits through windows feel distant.

“Those are the moments you remember and you miss,” said Daggett, recalling memories of visits to Bickford of Marion from Hoskins’s grandchildren and family gatherings during the holidays.

Hoskins, who has dementia, has been a resident at Bickford since August 2019.

“The pandemic has taken this away,” Daggett said.

But beyond this new dynamic with which family members are left to grapple, they also have the constant worry that their loved one could fall ill.

So far, Bickford of Marion has not seen any cases.

“Every time you read about another outbreak — whether it’s close to home or anywhere in the country — it brings home how fortunate we are so far,” said Matt Hoskins, Liz Hoskin’s son. “I can’t imagine the anxiety the residents and staff are having once it breaks through the wall.”

As of Friday, 29 long-term care facilities across the state, which includes skilled nursing facilities and senior living centers, among others — have reported outbreaks of COVID-19 among hundreds of their staff and residents.

As a result, for some Iowans, that fear has become a reality.

Ruth Brackett’s son Jamie Degner, a 38-year-old resident at Harmony House Health Care Center in Waterloo, tested positive for COVID-19 this past week.

Degner, who has severe autism and intellectual disabilities, has been a resident there since he was 15 years old.

More than 60 residents and staff have tested positive for COVID-19 at Harmony House, an intermediate care facility. It’s one of two long-term care facilities in Black Hawk County reporting an outbreak, defined as three or more positive tests among residents.

Degner received his test results on Tuesday. He’s had lower-than-normal oxygen levels, but otherwise has recorded his usual vital signs and has not experienced symptoms.

Brackett said it is “unbelievably difficult to not be able to go be with him through this.”

As with many facilities across the state, Harmony House closed its doors to visitors in early March, when the first cases of COVID-19 began being reported across Iowa and the nation. Brackett said her son’s cognitive abilities make it impossible for him to understand that she is unable to visit because she might make him sick, so the staff instead tell Degner his mom is “at work.”

While she’s optimistic he’ll improve, Brackett worries whether Degner’s virus would take a turn for the worse.

“It’s tough because I have to trust” the staff, Brackett said. “There’s nothing I can do, so I can’t spend a lot of time dwelling on what I might do differently.”

The families that spoke to The Gazette believe the leadership at long-term care facilities are doing what they can to keep its residents safe and healthy.

At Bickford of Marion, officials have taken the unique step of promising public transparency of possible COVID-19 cases in its facility. On the website of every Bickford location is a feature recording the number of residents who have tested positive for COVID-19.

“Whether it’s COVID-19 or not, we want to be transparent with families about their loved ones’ care,” Bickford of Marion Executive Director Jacobi Feckers said. “I don’t know why other nursing homes haven’t taken that step because I haven’t spoken to other facilities, but I’m thankful that’s the route we’ve taken.”

It’s not just families who are placing their trust in management. Ron Moore is an independent living resident at Cottage Grove Place, one of the largest senior living centers in Cedar Rapids that has reported an outbreak of COVID-19 this past week.

According to the latest data from public health officials, five residents and staff there have tested positive.

The outbreak originated in the skilled nursing unit, and officials said they are working to ensure the virus doesn’t spread to the assisted-living and independent-living portions of the facility. They restricted movement between the facilities and conduct frequent temperature checks of staff.

So far, the general feeling among residents at Cottage Grove Place’s independent-living housing is that management has “done a good job” of controlling exposure.

“The feelings of the residents here are positive,” Moore said. “They appreciate what management has done to protect us.”

Still, life looks much differently at Cottage Grove Place. Moore said his schedule typically is packed with weekly book clubs and coffees with friends. Now he and his wife take walks, or try to connect with friends over email.

“I’ve found (residents) are not depressed at this time,” he said. “But in the future, if this goes on for many months? My prediction is yes, depression will be a serious thing.”

Local senior living centers have come up with unique ways to allow visitors to see their loved ones. Gina Hausknecht, a 55-year-old Iowa City resident, was able to see her mother in person for the first time in weeks after her assisted-living home, Oaknoll Retirement Community in Iowa City, created a “drive up” visit option this past weekend.

While Hausknecht sat in the car, she was able to speak with her mother, 93-year-old Ellen Hausknecht, for an hour outside the facility. Before this, it had been emotionally difficult for Hausknecht not to see her mom weekly as she usually does

“It sunk in that I don’t know when I’m going to see my mom again, and that felt really terrible,” Hausknecht previously told The Gazette.

Hausknecht said she hopes to take this year’s Mother’s Day as an opportunity to do something special, particularly given the difficult past few weeks.

“Our family isn’t super-big on these kinds of holidays but we do like to acknowledge them, and this year it feels important to take hold of any opportunity to celebrate,” she said.

Other facilities, including Bickford of Marion, also have eased restrictions on sending food and gifts to residents in time for Mother’s Day. Matt Hoskins, Liz’s Hoskins’ son, said the family’s usual Mother’s Day plans are impossible this year, so they hope to send Liz’s Hoskins artwork from her grandchildren along with other gifts.

Brackett, who will be apart from her son Degner this year, said she hadn’t planned anything for the holiday. She looks forward to her first in-person visit with him after the pandemic, when she will bring his favorite meal from McDonald’s and a new deck of Phase 10 cards.

Despite the feelings of being separated, their wedding anniversary on May 1 likely is something Daggett will cherish, she said. With Daggett acting as Hoskins caregiver since her dementia diagnosis in 2016, their wedding anniversary has been something the couple hasn’t celebrated in a significant way in some time, she said.

But that worry still creeps in the back of her mind. Daggett said she’s trying to remain “as confident as anyone can at this point.”

“I learned a long time ago you can’t worry about what you can’t control,” Daggett said. “But does that mean I still wake up at 2 in the morning worried about it? Of course I do.”

Comments: (319) 398-8469; michaela.ramm@thegazette.com

11 a.m. Iowa sees 214 more positive tests for coronavirus

The Iowa Department of Public Health on Saturday reported nine more deaths from COVID-19, for a total of 252 since March 8.

An additional 214 people tested positive for the virus, bringing the state’s total to 11,671.

A total of 71,476 Iowans have been tested for COVID-19, the department reported.

With Saturday’s new figures from the Department of Public Health, these are the top 10 counties in terms of total cases:

• Polk — 2194

• Woodbury — 1554

• Black Hawk — 1477

• Linn — 819

• Marshall — 702

• Dallas — 660

• Johnson — 549

• Muscatine — 471

• Tama — 327

• Louisa — 282.

For the second consecutive day the number of Iowa patients hospitalized with COVID-19 has dropped.

The Iowa Department of Public Health reported Saturday that 402 people were hospitalized with the coronavirus, down five from the previous day, and down 15 from its current peak of 417 on Thursday.

Saturday’s totals mark the first time back-to-back COVID-19 hospitalization decreases since figures had begun being tracked.

Nine deaths in Iowa were recorded Saturday, according to the Department of Public Health, bringing the total to 252. But it snapped a streak of four consecutive days in which 10 or more deaths were recorded in Iowa.

Four of the deaths were in Polk County, bringing Polk’s total to 58 — matching Linn County’s as most in the state.

Saturday was the first time since Monday that no deaths in Linn County were reported.

Two deaths were in Jasper County, one each in Johnson, Muscatine and Tama counties.

Four of those who died were 81 years of age and older, three were 61 to 80 and two were aged 41 to 60.

Saturday’s report also showed there now have been a total of 29 outbreaks recorded in long-term care facilities statewide.

Including Saturday’s latest figures from the Department of Public Health — with 214 positive cases, for a total of 11,671 — these are the top 10 Iowa counties in terms of total cases:

• Polk — 2,194

• Woodbury — 1,554

• Black Hawk — 1,477

• Linn — 819

• Marshall — 702

• Dallas — 660

• Johnson — 549

• Muscatine — 471

• Tama — 327

• Louisa — 282.

More than 71,000 Iowans — one of 43 — have been tested, and 16.3 percent of those tested have been positive cases, according to the state.

Forty-six percent of Iowa deaths have been those age 81 and older, while 87 percent are 61 and older. Fifty-one percent have been male.

Beginning this past Friday, Gov. Kim Reynolds permitted more businesses to partially reopen.

“I’m proud to say that Iowans do what they always do and they responded,” she said at her Thursday news conference, her most recent. “So since we’ve kind of really accomplished what we were trying to do, ... now we have shifted our focus from mitigation and resources to managing and containing virus activity as we begin to open Iowa back up.”

Reynolds met with President Donald Trump on Wednesday at the White House to discuss the pandemic and mitigation strategies in the state.

Vice President Mike Pence visited Iowa Friday, when he met with faith leaders and agricultural and food company executives.

Comments: (319) 368-8857; jeff.linder@thegazette.com

Announcement of the Members - Give Integration add-on that creates a nicer UI when the GiveWP and Members plugins are active.

Announcement of the Members - ACF Integration plugin, which creates custom capabilities for the Advanced Custom Fields plugin.

Introducing an add-on plugin for Members that integrates the Easy Digital Downloads plugin roles and capabilities.

An add-on plugin that integrates WooCommerce's roles and capabilities into the Members user role editor.

I’ve shot at this location a few times but for some reason I’ve never seen it from the other side. Literal proof that shooting with other creatives gives you new perspective. ???? (at Toronto, Ontario)

I like the philosophy behind shooting with primes; that a photographer shouldn’t stand still but instead, continuously move closer, further, lower, or higher relative to his/her subject as a means of establishing a deeper connection. ????????
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Save 50% on my custom Lightroom presets with HOLIDAY50. Link in profile. (at Toronto, Ontario)

Bricks are better black. ◾️ (at Toronto, Ontario)

Missing Berlin’s gorgeous buildings again. ???? (at Berlin, Germany)

Preset (Everyday) + transform + exposure + graduated filter + radial filter. If shots like this take more than 2 minutes to edit, it’s probably not worth editing. ⏱
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Boxing Day will be the last day to get my Lightroom presets discounted, which leaves you only 3 more days! Get on it! ???? (at Toronto, Ontario)

I just realized that I can export my entire story all at once now, which means uploading my tutorials to my Facebook page will be a million times easier (it was tedious to stitch all the individual clips together before). ????
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Related: I posted a story this morning deconstructing the edit on yesterday’s shot.
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Also related: I uploaded the 3 tutorials from my November feature on @thecreatorclass to my Facebook page this morning too. More to come! (at London, United Kingdom)

This might as well be a Herschel ad. ???? (at London, United Kingdom)

A lot to look forward to in 2017. How did 2016 treat you: ???? or ????? (at San Francisco, California)

Quick survey: on average, what time is it when you check Instagram for the first time on any given day? (Be sure to include your timezone!)
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PS: Thank you for all the incredible support on yesterday’s announcement. ❤️ (at Toronto, Ontario)

Yesterday, Cameron Koczon shared a link to the dingbat font, Pictos, by the talented, Drew Wilson. Cameron predicted that dingbats will soon be everywhere. Symbol fonts, yes, I thought. Dingbats? No, thanks. Jason Santa Maria replied:

@FictiveCameron I hope not, dingbat fonts sort of spit in the face of accessibility and semantics at the moment. We need better options.

Jason rightly pointed out the accessibility and semantic problems with dingbats. By mapping icons to letters or numbers in the character map, they are represented on the page by that icon. That’s what Pictos does. For example, by typing an ‘a’ on your keyboard, and setting Pictos as the font-face for that letter, the Pictos anchor icon is displayed.

Other folks suggested SVG and JS might be better, and other more novel workarounds to hide content from assistive technology like screen readers. All interesting, but either not workable in my view, or just a bit awkward.

Falling down with CSS text-replacement

A CSS solution in an article from Pictos creator, Drew Wilson, relies on the fact that most of his icons are mapped to a character that forms part of the common name for that symbol. The article uses the delete icon as an example which is mapped to ‘d’. Using :before and :after pseudo-elements, Drew suggests you can kind-of wrangle the markup into something sort-of semantic. However, it starts to fall down fast. For example, a check mark (tick) is mapped to ‘3’. There’s nothing semantic about that. Clever replacement techniques just hide the evidence. It’s a hack. There’s nothing wrong with a hack here and there (as box model veterans well know) but the ends have to justify the means. The end of this story is not good as a VoiceOver test by Scott at Filament Group shows. In fairness to Drew Wilson, though, he goes on to say if in doubt, do it the old way, using his font to create a background image and deploy with a negative text-indent.

I agreed with Jason, and mentioned a half-formed idea:

@jasonsantamaria that’s exactly what I was thinking. Proper unicode mapping if possible, perhaps?

The conversation continued, and thanks to Jason, helped me refine the idea into this post.

Jon Hicks flagged a common problem for some Windows users where certain Unicode characters are displayed as ‘missing character’ glyphs depending on what character it is. I think most of the problems with dingbats or missing Unicode characters can be solved with web fonts and Unicode.

Rising with Unicode and web fonts

I’d love to be able to use custom icons via optimised web fonts. I want to do so accessibly and semantically, and have optimised font files. This is how it could be done:

1. Map the icons in the font to the existing Unicode code points for those symbols wherever possible.

   Unicode code points already exist for many common symbols. Fonts could be tiny, fast, stand-alone symbol fonts. Existing typefaces could also be extended to contain symbols that match the style of individual widths, variants, slopes, and weights. Imagine a set of Clarendon or Gotham symbols for a moment. Wouldn’t that be a joy to behold?

   There may be a possibility that private code points could be used if a code-point does not exist for a symbol we need. Type designers, iconographers, and foundries might agree a common set of extended symbols. Alternatively, they could be proposed for inclusion in Unicode.

2. Include the font with font-face.

   This assumes ubiquitous support (as any use of dingbats does) — we’re very nearly there. WOFF is coming to Safari and with a bit more campaigning we may even see WOFF on iPad soon.

3. In HTML, reference the Unicode code points in UTF-8 using numeric character references.

   Unicode characters have corresponding numerical references. Named entities may not be rendered by XML parsers. Sean Coates reminded me that in many Cocoa apps in OS X the character map is accessible via a simple CMD+ALT+t shortcut. Ralf Herrmann mentioned that unicode characters ‘…have “speaking” descriptions (like Leftwards Arrow) and fall back nicely to system fonts.’

Limitations

1. Accessibility: Limited Unicode / entity support in assistive devices.

   My friend and colleague, Jon Gibbins’s old tests in JAWS 7 show some of the inconsistencies. It seems some characters are read out, some ignored completely, and some read as a question mark. Not great, but perhaps Jon will post more about this in the future.

   Elizabeth Pyatt at Penn State university did some dingbat tests in screen readers. For real Unicode symbols, there are pronunciation files that increase the character repertoire of screen readers, like this file for phonetic characters. Symbols would benefit from one.

2. Web fonts: font-face not supported.

   If font-face is not supported on certain devices like mobile phones, falling back to system fonts is problematic. Unicode symbols may not be present in any system fonts. If they are, for many designers, they will almost certainly be stylistically suboptimal. It is possible to detect font-face using the Paul Irish technique. Perhaps there could be a way to swap Unicode for images if font-face is not present.

Now, next, and a caveat

I can’t recommend using dingbats like Pictos, but the icons sure are useful as images. Beautifully crafted icon sets as carefully crafted fonts could be very useful for rapidly creating image icons for different resolution devices like the iPhone 4, and iPad.

Perhaps we could try and formulate a standard set of commonly used icons using the Unicode symbols range as a starting point. I’ve struggled to find a better visual list of the existing symbols than this Unicode symbol chart from Johannes Knabe.

Icons in fonts as Unicode symbols needs further testing in assistive devices and using font-face.

Last, but not least, I feel a bit cheeky making these suggestions. A little knowledge is a dangerous thing. Combine it with a bit of imagination, and it can be lethal. I have a limited knowledge about how fonts are created, and about Unicode. The real work would be done by others with deeper knowledge than I. I’d be fascinated to hear from Unicode, accessibility, or font experts to see if this is possible. I hope so. It feels to me like a much more elegant and sustainable solution for scalable icons than dingbat fonts.

For more on Unicode, read this long, but excellent, article recommended by my colleague, Andrei, the architect of Unicode and internationalization support in PHP 6: The Absolute Minimum Every Software Developer Absolutely, Positively Must Know About Unicode and Character Sets.

Stories are everywhere. When they don’t exist we make up the narrative — we join the dots. We make cognitive leaps and fill in the bits of a story that are implied or missing. The same goes for websites. We make quick judgements based on a glimpse. Then we delve deeper. The narrative unfolds, or we create one as we browse.

Mark Bernstein penned Beyond Usability and Design: The Narrative Web for A List Apart in 2001. He wrote, ‘the reader’s journey through our site is a narrative experience’. I agreed wholeheartedly: Websites are narrative spaces where stories can be enacted, or emerge.

Henry Jenkins, Director of Comparative Media Studies, and Professor of Literature at MIT, wrote Game Design as Narrative Architecture. He suggested we think of game designers, ‘less as storytellers than as narrative architects’. I agree, and I think web designers are narrative architects, too. (Along with all the multitude of other roles we assume.) Much of what Henry Jenkins wrote applies to modern web design. In particular, he describes two kinds of narratives in game design that are relevant to us:

Enacted narratives are those where:

[…] the story itself may be structured around the character’s movement through space and the features of the environment may retard or accelerate that plot trajectory.

Sites like Amazon, New Adventures, or your portfolio are enacted narrative spaces: Shops or service brochures that want the audience to move through the site towards a specific set of actions like buying something or initiating contact.

Emergent narratives are those where:

[…] spaces are designed to be rich with narrative potential, enabling the story-constructing activity of players.

Sites like Flickr, Twitter, or Dribbble are emergent narrative spaces: Web applications that encourage their audience use the tools at their disposal to tell their own story. The audience defines how they want to use the narrative space, often with surprising results.

We often build both kinds of narrative spaces. Right now, my friends and I at Analog are working on Mapalong, a new maps-based app that’s just launched into private beta. At its heart Mapalong is about telling our stories. It’s one big map with a set of tools to view the world, add places, share them, and see the places others share. The aim is to help people tell their stories. We want to use three ideas to help you do that: Space (recording places, and annotating them), data (importing stuff we create elsewhere), and time (plotting our journeys, and recording all the places, people, and memories along the way). We know that people will find novel uses for the tools in Mapalong. In fact, we want them to because it will help us refine and build better tools. We work in an agile way because that’s the only way to design an emerging narrative space. Without realising it we’ve become architects of a narrative space, and you probably are, too.

Many projects like shops or brochure sites have fixed costs and objectives. They want to guide the audience to a specific set of actions. The site needs to be an enacted narrative space. Ideally, designers would observe behaviour and iterate. Failing that, a healthy dose of empathy can serve. Every site seeks to teach, educate, or inform. So, a bit of knowledge about people’s learning styles can be useful. I once did a course in one to one and small group training with the Chartered Institute of Personnel and Development. It introduced me to Peter Honey and Alan Mumford’s model which describes four different learning styles that are useful for us to know. I paraphrase:

1. Activists like learning as they go; getting stuck in and working it out. They enjoy the here and now, and are happy to be dominated by immediate experiences. They are open-minded, not sceptical, and this tends to make them enthusiastic about anything new.
2. Reflectors like being guided with time to take it all in and perhaps return later. They like to stand back to ponder experiences and observe them from many different perspectives. They collect data, both first hand and from others, and prefer to think about it thoroughly before coming to a conclusion.
3. Theorists to understand and make logical sense of things before they leap in. They think problems through in a vertical, step-by-step logical way. They assimilate disparate facts into coherent theories.
4. Pragmatists like practical applications of ideas, experiments, and results. They like trying out ideas, theories and techniques to see if they work in practice. They positively search out new ideas and take the first opportunity to experiment with applications.

Usually people share two or more of these qualities. The weight of each can vary depending on the context. So how might learning styles manifest themselves in web browsing behaviour?

• Activists like to explore, learn as they go, and wander the site working it out. They need good in-context navigation to keep exploring. For example, signposts to related information are optimal for activists. They can just keep going, and going, and exploring until sated.
• Reflectors are patient and thoughtful. They like to ponder, read, reflect, then decide. Guided tours to orientate them in emergent sites can be a great help. Saving shopping baskets for later, and remembering sessions in enacted sites can also help them.
• Theorists want logic. Documentation. An understanding of what the site is, and what they might get from it. Clear, detailed information helps a theorist, whatever the space they’re in.
• Pragmatists get stuck in like activists, but evaluate quickly, and test their assumptions. They are quick, and can be helped by uncluttered concise information, and contextual, logical tools.

An understanding of interactive narrative types and a bit of knowledge about learning styles can be useful concepts for us to bear in mind. I also think they warrant inclusion as part of an articulate designer’s language of web design. If Henry Jenkins is right about games designers, I think he could also be right about web designers: we are narrative architects, designing spaces where stories are told.

—∞—

The first Ampersand web typography conference took place in Brighton last Friday. Ampersand was ace. I’m going to say that again with emphasis: Ampersand was ace! Like the Ready Brek kid from the 80s TV ads I’m glowing with good vibes.

Imagine you’d just met some of the musicians that created the soundtrack to your life. That’s pretty much how I feel.

For a long, long time I’ve gazed across at the typography community with something akin to awe at the work they do. I’ve lurked quietly on the ATypI mailing list, in the Typophile forum, and behind the glass dividing my eyes from the blogs, portfolios, and galleries.

I always had a sneaking suspicion the web and type design communities had much in common: Excellence born from actual client work; techniques and skills refined by practice, not in a lab or classroom; a willingness to share and disseminate, most clearly demonstrated at Typophile and through web designer’s own blogs. The people of both professions have a very diverse set of backgrounds from graphic design all the way through to engineering, to accidentally working in a print shop. We’ve been apprenticed to our work, and Ampersand was a celebration of what we’ve achieved so far and what’s yet to come.

Of course, web design is a new profession. Type design has a history that spans hundreds of years. Nevertheless, both professions are self-actualising. Few courses exist of any real merit. There is no qualifications authority. The work from both arenas succeeds or fails based on whether it works or not.

Ampersand was the first event of its kind. Folks from both communities came together around the mutal fascination, frustration, challenge and opportunity of web type.

Like Brooklyn Beta, the audience was as fantastic as the line up. I met folks like Yves Peters of the FontFeed, Mike Duggan of Microsoft Typography, Jason Smith, Phil Garnham, Fernando Mello, and Emanuela Conidi of Fontsmith, Veronica Burian of TypeTogether, Adam Twardoch of Fontlab and MyFonts, Nick Sherman of of Webtype, Mandy Brown of A Book Apart and Typekit, and many, many others. (Sorry for stopping there, but wow, it would be a huge list.)

Rich Rutter opened the day on behalf of Clearleft and Fontdeck at the Brighton Dome. Rich and I had talked about a web typography conference before. He just went out and did it. Hats off to him, and people like Sophie Barrett at Clearleft who helped make the day run so smoothly.

Others have written comprehensive, insightful summaries of the day and the talks. Much better than I could, sitting there on the day, rapt, taking no notes. What follows are a few snippets my memory threw out when prodded.

Who knew the original letterforms for Comic Sans were inspired by a copy of The Watchmen Vincent Connare had in his office? Or that Vincent, who also designed Trebuchet, considers himself an engineer rather than type designer, and is working at the moment on the Ubuntu fonts with colleagues at Dalton Maag.

Jason Santa Maria declared himself a type nerd, and gave a supremely detailed talk about selecting, setting, and understanding web type. Wonderful stuff.

Jonathan Hoefler talked in rapid, articulate, and precise terms about the work behind upcoming release of pretty-much all of H&FJ’s typefaces as web fonts. (Hooray!) He clearly and wonderfully explained how they took the idea behind their typefaces, and moved them through a design process to produce a final form for a specific purpose. In this case, the web, as a distinct and different environment from print.

I spoke between Jason and Jonathan. Gulp. After staying up until 4am the night before, anxiously working on slides, I was carried along by the privilege and joy of being there, hopefully without too much mumbling or squinting with bleary eyes.

After lunch, David Berlow continued the story of web fonts, taking us on a journey through his own trials and tribulations at Font Bureau when re-producing typefaces for the web crude media. His dry, droll, richly-flavoured delivery was a humorous counterpoint to some controversial asides.

John Daggett of Mozilla, editor of the CSS3 Fonts Module, talked with great empathy for web designers about the amazing typographic advances we’re about to see in browsers.

Tim Brown of Typekit followed. Tim calmly and thoroughly advocated the extension of modular scales to all aspects of a web interface, taking values from the body type and building all elements with those values as the common denominator.

Finally, Mark Boulton wrapped up the day brilliantly, describing the designer’s role as the mitigator of entropy, reversing the natural trend for things to move from order to chaos, and a theme he’s exploring at the moment: designing from the content out.

The tone of the day was fun, thoughtful, articulate, and exacting. All the talks were a mix of anecdotal and observational humour, type nerdery, and most of all an overwhelming commitment to excellence in web typography. It was a journey in itself. Decades of experience from plate and press, screen, and web was being distilled into 45-minute presentations. I loved it.

As always, one of the most enjoyable bits for me was the hallway track. I talked to heaps of people both in the pre- and after-party, and in between the talks on the day itself. I heard stories, ideas, and opinions from print designers, web designers, type designers, font developers, and writers. We talked late into the night. We talked more the next day.

Now the talking has paused for a while, my thoughts are manifold. I can honestly say, I’ve never been so filled with positivity about where we are, and where we’re going. Web typography is here, it works, it’s better all the time, and one day web and type designers everywhere will wonder, perplexed, as they try to imagine what the web was like before.

Here’s to another Ampersand next year! I’m now going to see if Rich needs any encouragement to do it again. I’m guessing not, but if he does, I aim to provide it, vigorously. I hope I see you there!

Furthermore

• Rich Rutter back in May on The Ampersand Story
• Eye Magazine: Web typography comes of age at Brighton’s Ampersand conference
• Anthony Stonehouse: Ampersand 2011
• Laura Kalbag: Notes from Ampersand
• Dave Bushell: Ampersand Conference!

Last but not least, did I mention that Rich Rutter, Mark Boulton, and I are writing a book? We are! More on that another time, but until then, follow @webtypography for intermittent updates.

Today we released free updates for the Auphonic Leveler Batch Processor and the Auphonic Multitrack Processor with many algorithm improvements and bug fixes for Mac and Windows.

Changelog

• Linear Filtering Algorithms to avoid Asymmetric Waveforms:
  New zero-phase Adaptive Filtering Algorithms to avoid asymmetric waveforms.
  In asymmetric waveforms, the positive and negative amplitude values are disproportionate - please see Asymmetric Waveforms: Should You Be Concerned?.
  Asymmetrical waveforms are quite natural and not necessarily a problem. They are particularly common on recordings of speech, vocals and can be caused by low-end filtering. However, they limit the amount of gain that can be safely applied without introducing distortion or clipping due to aggressive limiting.
• Noise Reduction Improvements:
  New and improved noise profile estimation algorithms and bug fixes for parallel Noise Reduction Algorithms.
• Processing Finished Notification on Mac:
  A system notification (including a short glass sound) is now displayed on Mac OS when the Auphonic Leveler or Auphonic Multitrack has finished processing - thanks to Timo Hetzel.
• Improved Dithering:
  Improved dithering algorithms - using SoX - if a bit-depth reduction is necessary during file export.
• Auphonic Multitrack Fixes:
  Fixes for ducking and background tracks and for very short music tracks.
• New Desktop Apps Documentation:
  The documentation of our desktop apps is now integrated in our new help system:
  see Auphonic Leveler Batch Processor and Auphonic Multitrack Processor.
• Bug Fixes and Audio Algorithm Improvements:
  This release also includes many small bug fixes and all audio algorithms come with improvements and updated classifiers using the data from our Web Service.

About the Auphonic Desktop Apps

We offer two desktop programs which include our audio algorithms only. The algorithms will be computed offline on your device and are exactly the same as implemented in our Web Service.

The Auphonic Leveler Batch Processor is a batch audio file processor and includes all our (Singletrack) Audio Post Production Algorithms. It can process multiple productions at once.

Auphonic Multitrack includes our Multitrack Post Production Algorithms and requires multiple parallel input audio tracks, which will be analyzed and processed individually as well as combined to create one final mixdown.

Upgrade now

• Auphonic Leveler Download
• Auphonic Multitrack Download

Please let us know if you have any questions or feedback!

We are pleased to announce a new Audio Inserts feature in the Auphonic API: audio inserts are separate audio files (like intros/outros), which will be inserted into your production at a defined offset.
This blog post shows how one can use this feature for Dynamic Ad Insertion and discusses other Audio Manipulation Methods of the Auphonic API.

API-only Feature

For the general podcasting hobbyist, or even for someone producing a regular podcast, the features that are accessible via our web interface are more than sufficient.

However, some of our users, like podcasting companies who integrate our services as part of their products, asked us for dynamic ad insertions. We teamed up with them to develop a way of making this work within the Auphonic API.

We are pleased therefore to announce audio inserts - a new feature that has been made part of our API. This feature is not available through the web interface though, it requires the use of our API.

Before we talk about audio inserts, let's talk about what you need to know about dynamic ad insertion!

Dynamic Ad Insertion

There are two ways of dealing with adverts within podcasts. In the first, adverts are recorded or edited into the podcast and are fixed, or baked in. The second method is to use dynamic insertion, whereby the adverts are not part of the podcast recording/file but can be inserted into the podcast afterwards, at any time.

This second approach would allow you to run new ad campaigns across your entire catalog of shows. As a podcaster this allows you to potentially generate new revenue from your old content.

As a hosting company, dynamic ad insertion allows you to choose up to date and relevant adverts across all the podcasts you host. You can make these adverts relevant by subject or location, for instance.

Your users can define the time for the ads and their podcast episode, you are then in control of the adverts you insert.

Audio Inserts in Auphonic

Whichever approach to adverts you are taking, using audio inserts can help you.

Audio inserts are separate audio files which will be inserted into your main single or multitrack production at your defined offset (in seconds).

When a separate audio file is inserted as part of your production, it creates a gap in the podcast audio file, shifting the audio back by the length of the insert. Helpfully, chapters and other time-based information like transcriptions are also shifted back when an insert is used.

The biggest advantage of this is that Auphonic will apply loudness normalization to the audio insert so, from an audio point of view, it matches the rest of the podcast.

Although created with dynamic ad insertion in mind, this feature can be used for any type of audio inserts: adverts, music songs, individual parts of a recording, etc. In the case of baked-in adverts, you could upload your already processed advert audio as an insert, without having to edit it into your podcast recording using a separate audio editing application.

Please note that audio inserts should already be edited and processed before using them in production. (This is usually the case with pre-recorded adverts anyway). The only algorithm that Auphonic applies to an audio insert is loudness normalization in order to match the loudness of the entire production. Auphonic does not add any other processing (i.e. no leveling, noise reduction etc).

Audio Inserts Coding Example

Here is a brief overview of how to use our API for audio inserts. Be warned, this section is coding heavy, so if this isn't your thing, feel free to move along to the next section!

You can add audio insert files with a call to https://auphonic.com/api/production/{uuid}/multi_input_files.json, where uuid is the UUID of your production.
Here is an example with two audio inserts from an https URL. The offset/position in the main audio file must be given in seconds:

curl -X POST -H "Content-Type: application/json" 
    https://auphonic.com/api/production/{uuid}/multi_input_files.json 
    -u username:password 
    -d '[
            {
                "input_file": "https://mydomain.com/my_audio_insert_1.wav",
                "type": "insert",
                "offset": 20.5
            },
            {
                "input_file": "https://mydomain.com/my_audio_insert_2.wav",
                "type": "insert",
                "offset": 120.3
            }
        ]'

More details showing how to use audio inserts in our API can be seen here.

Additional API Audio Manipulations

In addition to audio inserts, using the Auphonic API offers a number of other audio manipulation options, which are not available via the web interface:

Cut start/end of audio files: See Docs

In Single-track productions, this feature allows the user to cut the start and/or the end of the uploaded audio file. Crucially, time-based information such as chapters etc. will be shifted accordingly.

Fade In/Out time of audio files: See Docs

This allows you to set the fade in/out time (in ms) at the start/end of output files. The default fade time is 100ms, but values can be set between 0ms and 5000ms.
This feature is also available in our Auphonic Leveler Desktop App.

Adding intro and outro: See Docs

Automatically add intros and outros to your main audio input file, as it is also available in our web interface.

Add multiple intros or outros: See Docs

Using our API, you can also add multiple intros or outros to a production. These intros or outros are played in series.

Overlapping intros/outros: See Docs

This feature allows intros/outros to overlap either the main audio or the following/previous intros/outros.

Conclusion

If you haven't explored our API already, the new audio inserts feature allows for greater flexibility and also dynamic ad insertion.
If you offer online services to podcasters, the Auphonic API would also then allow you to pass on Auphonic's audio processing algorithms to your customers.

If this is of interest to you or you have any new feature suggestions that you feel could benefit your company, please get in touch. We are always happy to extend the functionality of our products!

In late August, we launched the private beta program of our advanced audio algorithm parameters. After feedback by our users and many new experiments, we are proud to release a complete rework of the Adaptive Leveler parameters:

In the previous version, we based our Adaptive Leveler parameters on the Loudness Range descriptor (LRA), which is included in the EBU R128 specification.
Although it worked, it turned out that it is very difficult to set a loudness range target for diverse audio content, which does include speech, background sounds, music parts, etc. The results were not predictable and it was hard to find good target values.
Therefore we developed our own algorithm to measure the dynamic range of audio signals, which works similarly for speech, music and other audio content.

The following advanced parameters for our Adaptive Leveler allow you to customize which parts of the audio should be leveled (foreground, all, speech, music, etc.), how much they should be leveled (dynamic range), and how much micro-dynamics compression should be applied.

To try out the new algorithms, please join our private beta program and let us know your feedback!

Leveler Preset

The Leveler Preset defines which parts of the audio should be adjusted by our Adaptive Leveler:

• Default Leveler:
  Our classic, default leveling algorithm as demonstrated in the Leveler Audio Examples. Use it if you are unsure.
• Foreground Only Leveler:
  This preset reacts slower and levels foreground parts only. Use it if you have background speech or background music, which should not be amplified.
• Fast Leveler:
  A preset which reacts much faster. It is built for recordings with fast and extreme loudness differences, for example, to amplify very quiet questions from the audience in a lecture recording, to balance fast-changing soft and loud voices within one audio track, etc.
• Amplify Everything:
  Amplify as much as possible. Similar to the Fast Leveler, but also amplifies non-speech background sounds like noise.

Leveler Dynamic Range

Our default Leveler tries to normalize all speakers to a similar loudness so that a consumer in a car or subway doesn't feel the need to reach for the volume control.
However, in other environments (living room, cinema, etc.) or in dynamic recordings, you might want more level differences (Dynamic Range, Loudness Range / LRA) between speakers and within music segments.

The parameter Dynamic Range controls how much leveling is applied: Higher values result in more dynamic output audio files (less leveling). If you want to increase the dynamic range by 3dB (or LU), just increase the Dynamic Range parameter by 3dB.
We also like to call this Loudness Comfort Zone: above a maximum and below a minimum possible level (the comfort zone), no leveling is applied. So if your input file already has a small dynamic range (is within the comfort zone), our leveler will be just bypassed.

Example Use Cases:
Higher dynamic range values should be used if you want to keep more loudness differences in dynamic narration or dynamic music recordings (live concert/classical).
It is also possible to utilize this parameter to generate automatic mixdowns with different loudness range (LRA) values for different target environments (very compressed ones like mobile devices or Alexa, very dynamic ones like home cinema, etc.).

Compressor

Controls Micro-Dynamics Compression:
The compressor reduces the volume of short and loud spikes like "p", "t" or laughter ( short-term dynamics) and also shapes the sound of your voice (it will sound more or less "processed").
The Leveler, on the other hand, adjusts mid-term level differences, as done by a sound engineer, using the faders of an audio mixer, so that a listener doesn't have to adjust the playback volume all the time.
For more details please see Loudness Normalization and Compression of Podcasts and Speech Audio.

• Auto:
  The compressor setting depends on the selected Leveler Preset. Medium compression is used in Foreground Only and Default Leveler presets, Hard compression in our Fast Leveler and Amplify Everything presets.
• Soft:
  Uses less compression.
• Medium:
  Our default setting.
• Hard:
  More compression, especially tries to compress short and extreme level overshoots. Use this preset if you want your voice to sound very processed, our if you have extreme and fast-changing level differences.
• Off:
  No short-term dynamics compression is used at all, only mid-term leveling. Switch off the compressor if you just want to adjust the loudness range without any additional micro-dynamics compression.

Separate Music/Speech Parameters

Use the switch Separate MusicSpeech Parameters (top right), to see separate Adaptive Leveler parameters for music and speech segments, to control all leveling details separately for speech and music parts:

For dialog intelligibility improvements in films and TV, it is important that the speech/dialog level and loudness range is not too soft compared to the overall programme level and loudness range. This parameter allows you to use more leveling in speech parts while keeping music and FX elements less processed.
Note: Speech, music and overall loudness and loudness range of your production are also displayed in our Audio Processing Statistics!

Example Use Case:
Music live recordings or dynamic music mixes, where you want to amplify all speakers (speech dynamic range should be small) but keep the dynamic range within and between music segments (music dynamic range should be high).
Dialog intelligibility improvements for films and TV, without effecting music and FX elements.

Other Advanced Audio Algorithm Parameters

We also offer advanced audio parameters for our Noise, Hum Reduction and Global Loudness Normalization algorithms:

For more details, please see the Advanced Audio Algorithms Documentation.

Want to know more?

If you want to know more details about our advanced algorithm parameters (especially the leveler parameters), please listen to the following podcast interview with Chris Curran (Podcast Engineering School):
Auphonic’s New Advanced Features, with Georg Holzmann – PES 108

Advanced Parameters Private Beta and Feedback

At the moment the advanced algorithm parameters are for beta users only. This is to allow us to get user feedback, so we can change the parameters to suit user needs.
Please let us know your case studies, if you need any other algorithm parameters or if you have any questions!

Here are some private beta invitation codes:

jbwCVpLYrl 6zmLqq8o3z RXYIUbC6al QDmIZLuPKa JIrnGRZBgl SWQOWeZOBD ISeBCA9gTy w5FdsyhZVI qWAvANQ5mC twOjdHrit3
KwnL2Le6jB 63SE2V54KK G32AULFyaM 3H0CLYAwLU mp1GFNVZHr swzvEBRCVa rLcNJHUNZT CGGbL0O4q1 5o5dUjruJ9 hAggWBpGvj
ykJ57cFQSe 0OHAD2u1Dx RG4wSYTLbf UcsSYI78Md Xedr3NPCgK mI8gd7eDvO 0Au4gpUDJB mYLkvKYz1C ukrKoW5hoy S34sraR0BU
J2tlV0yNwX QwNdnStYD3 Zho9oZR2e9 jHdjgUq420 51zLbV09p4 c0cth0abCf 3iVBKHVKXU BK4kTbDQzt uTBEkMnSPv tg6cJtsMrZ
BdB8gFyhRg wBsLHg90GG EYwxVUZJGp HLQ72b65uH NNd415ktFS JIm2eTkxMX EV2C5RAUXI a3iwbxWjKj X1AT7DCD7V y0AFIrWo5l

If you have an invitation code, you can enter it here to activate the advanced audio algorithm parameters:
Auphonic Algorithm Parameters Private Beta Activation

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