It’s vital for wellness, full participation in society

The online food delivery market in India is expected to outpace the growth of the food services market itself between 2023 and 2028

For every tonne of copper used in renewable energy systems, carbon emissions are reduced by 100 to 7,500 tonnes over the system’s lifecycle

Sustainability-assured statements ensure risks not captured by financial statements are properly disclosed and evaluated

‘PEAK’ emissions.The emissions from air travel, local transport and accommodation for COP delegates are staggering

SC ruling curtails untrammelled State powers

With a scramble for feedstock and the food-versus-fuel conflict, it needs impartial evaluation

While the monetary policy normalisation is proceeding on expected lines, the change in regime in the US, following the Presidential elections is likely to pose currency related issues in particular for global central banks

Monitoring spot and future prices, hedging, and greater adoption of digital transactions will help them pare the risk

Merry Christmas brims with Sriram Raghavan's signature style and ample cheeky look-what-I-did-there moments.

There is an authenticity and sense of purpose about Dry Day which is appealing, observes Deepa Gahlot.

Kho Gaye Hum Kahan is a light glimpse into healthy young lives ready to soar in their own sweet skin, applauds Sukanya Verma.

Safed is a lame attempt at social commentary, with terribly dull and thoughtless direction, observes Mayur Sanap.

Merry Christmas has a breathtaking climax that will have you sighing like you've never sighed in a Sriram Raghavan movie before, applauds Sukanya Verma.

The three women, because of their names and position, would get the eyeballs anyway, but if they do not rise above the superficial, it would be a wasted opportunity to reach out to and inspire women in particular, observes Deepa Gahlot.

Even though the story has nothing much to say beyond its central conflict, the film is consistently poignant and, in one scene near the end, it leaves you dewy-eyed, observes Mayur Sanap.

A feeble fable masquerading as a robo rom-com, Teri Baaton Mein Aisa Uljha Jiya aspires to address what unrealistic expectations in a relationship can lead to, observes Sukanya Verma.

Aarya Aakhri Vaar should have been slicker and more polished than the first, or at least ended with a louder bang, observes Deepa Gahlot.

Love Storiyaan comes alive in the courageous and fearless voice of six spirited romantics speaking direct dil se, applauds Sukanya Verma.

Mammootty is towering as the unflinching enigma that prevents Bramayugam from being a middling genre exercise, observes Arjun Menon.

Manjummel Boys gets so many things right, applauds Arjun Menon.

If Indrani Mukerjea wanted to whitewash her image, this docu series was not the right platform, asserts Deepa Gahlot.

For all its oddball energy and earnest ambition, Fairy Folk cannot be missed, applauds Mayur Sanap.

Big Girls Don't Cry is too solemn to be fun and too timid to be truly bold, feels Deepa Gahlot.

The Naxal movement has such a complex history that several books have been written to understand it. Bastar: The Naxal Story seeks to reduce it to bullet points and stereotypes, observes Deepa Gahlot.

It's on the lead character's charm and rugged shoulders that Yodha shamelessly rests, giving Arun perfectly good reason to gloat, 'Is picture ka hero main hoon,' observes Sukanya Verma.

With the kind of money and talent that has gone into making this movie, a really good biopic of a personality like Savarkar could be made.But this film is lost in polemics, as is the case with almost every biopic and period drama today, observes Utkarsh Mishra.

Yeh Meri Family 3 is developing into a Wonder Years kind of coming-of-age comedy that Indian viewers can relate to, observes Deepa Gahlot.

There is only so much that Vijay Deverakonda is allowed to work on from a clueless script that bounces from one wrong choice to another, observes Arjun Menon.

Forget comic chops, you'll not find an ounce of camaraderie between Akshay Kumar and Tiger Shroff as they go about firing ammo and flexing abs at a zombie-like army for nearly three excruciating hours of this noisy drivel, observes Sukanya Verma.

The show takes its own pace to pick up, but then when you least expect, it grabs you by the throat, notes Aseem Chhabra.

Scoop seems like they conclude he is but Vaihayasi Pande Daniel recommends that you watch the film to find out for yourselves.

Pratik Gandhi's emotional range makes him a treat to watch while Vidya is as wild as she's wise, observes Sukanya Verma.

Ranneeti: Balakot And Beyond veers between intriguing and boring, observes Deepa Gahlot.

Women Of My Billion is stark and disturbing, but at the end of it Srishti Bakshi is still able to say, 'My India is not beyond repair', observes Deepa Gahlot.

The Boy And The Heron offers a thrilling joyride inside Hayo Miyazaki's unquantifiable imagination, applauds Sukanya Verma.

If you are looking for an average political thriller with good performances, Thalamai Seyalagam may interest you, suggests Divya Nair.

Guruvayoorambala Nadayil is a no-holds-barred, silly comedy that will keep you glued to the screen even when the going gets tough towards the end but the smile on your face will not leave, observes Arjun Menon.

A film with a one-line plot, needed a lot more pizzazz, whistle-worthy dialogue, and a large-than-life, invincible protagonist. Karki makes a Rajinikanth kind of actioner (Bhaiyya Ji fights with a bidi in his mouth) but with a realistic soul, and falls between two boats.

There are enough threads left to weave a Season 4, hopefully without the dark clouds hovering over Phulera.

Chhota Bheem: The Curse of Damyaan is a fun movie, its adventurous story and lovable characters make it worth watching with family, notes Riddhi Soni.

Despite its horror movie momentum, what draws us to Aditya Sarpotdar's narrative is Bittu's homely universe and sweet struggle to confess his feelings to Bela, not Munjya's malevolent antics.

Given that Twelve Final Days doesn't really delve into the genesis of Roger Federer, the ups and downs of his career, the assumption is that it is meant for people who are already familiar with his work, observes Deepti Patwardhan.

The new season takes the students out of their preoccupation with studies to other problems -- jealousy of another's easy success, a blip in a romance, financial crunch, meltdowns, discovers Deepa Gahlot.

Malayalee From India is trapped within its self-serving corniness and refuses to break free in the process, observes Arjun Menon.

When it gets to its silly climax where the dots are finally joined, you can't help but see how cheap these thrills are, sighs Mayur Sanap.

Bloody Ishq comes off looking even more shoddy and ill-conceived when there is so much superior content to entertain the horror buff, observes Deepa Gahlot.

Dhanush deserves credit for imagining a visually rich, edgy action thriller which is enhanced by a fascinating background score from A R Rahman, observes Divya Nair.

There is no doubt that Akshay Kumar is a total hoot in comedic roles but Khel Khel Mein ain't it, observes Mayur Sanap.

There are elements that make this show entertaining, and if you haven't seen the original show, the concept is wild enough to keep you hooked, notes Mayur Sanap.