Billie Henry was given a five-year restraining order

All the clues you need in one picture

Actor also revealed her favourite episodes of the sitcom

There are loads of titles you didn't know were on the streaming service

Brad Pitt and Tom Hanks have contributed to the programme remotely

A third film is also in the works

Show's 2013 winner was approached by store detectives after she appeared to not pay for her shopping

Davidson is currently quarantining in his mother's basement

High-concept drama is just waiting to be binged

Tesla CEO is back on Joe Rogan's podcast

Show promises a 'funny and hopeful look at the search for love, sex and connection during this time of social distancing'

(Matador)
The indie maverick is a purveyor of all styles on his studiously eclectic 12th album

There’s a strange psychological cross-pollination going on behind the mask that Will Toledo, the artist mostly known as Car Seat Headrest, sports on the cover of his 12th album. Indulging an alter ego called Trait, Making a Door Less Open seeks out deliberately eclectic hybrids of his wry, lo-fi indie rock style (heir to the likes of Beck, Lou Barlow and Eels) and the satirical EDM he and his drummer Andrew Katz make as 1 Trait Danger. The result is much better than anyone who’s heard the latter, who often veer perilously close to a Bloodhound Gang remix project, might expect: Can’t Cool Me Down has a sultry 80s electropop feel, while the roil of self-deprecation and naked emotion on There Must Be More Than Blood underlines Toledo’s debt to LCD Soundsystem.

The new styles don’t all gel. The sleazy, fuzzy synth-rocker Hollywood is pleasingly punchy, but brought down by facile lyrics (apparently Tinsel Town isn’t the dreamland it’s cracked up to be – who knew?). Two sister songs – the lumpen alt-rock Deadlines (Hostile) and the Hot Chip-with-extra-dour Deadlines (Thoughtful) – fail to charm, while What’s With You Lately is a wan, mopey strum that seems to have wandered in from an entirely different, very bad record. But on the likes of the pulsing, uplifting Famous and Life Worth Missing, Toledo finds new energy.

The Kraftwerk co-founder remained a mystery even after death, but there is no doubting the impact he made with his group’s sublime, visionary music

• News: Florian Schneider, Kraftwerk co-founder, dies aged 73

Florian Schneider’s death came shrouded in a degree of secrecy. Gossip among fans about his health was first provoked at the end of April, when his fellow former Kraftwerk member Wolfgang Flür posted a sweet photo on social media of him and Schneider together in a bar, without explanation.

It had apparently been taken in 2016 – a decade and a half after Schneider and fellow founder member Ralf Hütter had served Flür with a lawsuit provoked by his autobiography I Was a Robot – and was subsequently deleted from Flür’s Facebook page. Then, a week later, another electronic musician based in Germany, the Manchester-born Mark Reeder, posted a brief eulogy; one commenter claimed that Schneider had died “several days ago”.

(Matador)
Will Toledo’s alt-rockers have emerged out of lo-fi fuzz, but seem unsure of where to turn as they drift toward the mainstream

Anyone wondering how things have changed in the world of lauded US alt-rockers Car Seat Headrest might consider the four years that separate Making a Door Less Open from their last album of new material. Ordinarily there would be nothing unusual about that gap – but in the first four years of Car Seat Headrest’s existence, its mastermind, Will Toledo, released seven albums (one of them a two-hour double), four EPs (one of them as long as an album) and two compilations of outtakes. That’s more than 150 songs and 12 hours of music: a lo-fi spewing forth of ideas that won Toledo a cult following, which then grew exponentially, both in size and rabidity, when he recruited a band and signed to the august US indie label Matador.

US indie rock maverick Will Toledo is back with an experimental album that finds him collaborating with his own electronic side project

You cannot accuse Car Seat Headrest, AKA Will Toledo, of taking the easy route. Four years on from the release of breakthrough record Teens of Denial, Toledo is back with new album Making a Door Less Open, only now he is going under the name Trait and is wearing a gas mask in photos. Toledo’s restless and impassioned indie rock is looking a little different, too. The new album blends his classic songwriting chops with a bold exploration of electronic textures. This is the result of essentially making the album twice: once as Car Seat Headrest, and again alongside producer Andrew Katz as their jokey EDM side project 1 Trait Danger, before landing on a middle ground.

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Curtis Jackson was shot nine times before becoming one of the world’s biggest rappers. He discusses growing up, getting rich and the art of the hustle

Curtis Jackson has downsized. The rapper/actor/businessman, better known as 50 Cent, used to live in a palace of a house formerly owned by Mike Tyson. Not any more. He has been in self-isolation for six weeks and is more than happy to make do with a three-bed apartment (on four floors, mind) in New York. He can’t remember when he was last in one place for so long, he says, and is learning about himself. “I’ve become a bit more comfortable with being in my own space. I don’t think being at home is a punishment.”

He bought the Tyson house after his triumphant first album; Get Rich Or Die Tryin’ shifted 12m copies in 2003, making it the bestselling album of the year. It was explosive – growling rap packed with threats, boasts and great songs such as In Da Club and Many Men.

The Welsh nurse-turned-indie rocker is now one of electronic music’s best exponents. She talks proving herself, the NHS and climate-crisis bangers

Kelly Lee Owens is showing me her crumpled bed, pixelated on the screen. It is five weeks into quarantine and this has quickly become the norm: an interview with an artist in their close quarters; ambivalent levels of grooming. Neither of us is wearing makeup, and neither of us care. “You know what I read?” begins the electronic musician, incredulously. “This is bullshit. There’s a [Daily Mail] headline saying that women’s breasts will be sagging because they’re not going to be wearing bras during this lockdown. So what?! Leave me to my saggy breasts.”

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• Head coach died ‘peacefully at home’ say Dolphins
• Shula recorded only two losing seasons in long career in Miami

Don Shula, the head coach with the most wins in NFL history, has died at the age of 90.

Shula is most famous for leading the 1972 Miami Dolphins to the only undefeated NFL season in history. The team said in a statement on Monday that Shula had “died peacefully” at home.

Related: Favre says Packers 'burned a bridge' with Aaron Rodgers in NFL draft

The Greatest.

Thank you for everything, Coach Shula. pic.twitter.com/7eXY4ZOKn6

In the NFL, weaponizing victimhood hurts black players while favoring white ones

Rare is the NFL draft that provokes second guessing about a kicker. But this year’s edition was no ordinary draft (see: 19, Covid.) And Justin Rohrwasser is no ordinary kicker.

When the New England Patriots selected Rohrwasser in the fifth round to replace the legendary Stephen Gostkowski, it was a shock, especially as the 23-year-old hadn’t been considered an exceptional talent in college. ESPN host Trey Wingo was even forced to admit on live TV that the Worldwide Leader in Sports had no highlights of Rohrwasser’s career.

Related: If athletes like Nick Bosa support Trump they should at least be honest

• NFL releases 2020 schedule despite coronavirus concerns
• Chiefs host Texans on 10 September in annual kickoff game
• Brady to make Buccaneers debut on 13 September at Saints

The Kansas City Chiefs will open defense of their Super Bowl championship by hosting Houston on 10 September in the NFL’s annual kickoff game – pending developments in the coronavirus pandemic, of course.

The Texans won a regular-season game at Arrowhead Stadium in 2019, then blew a 24-0 lead in the divisional round of the playoffs.

Related: Ravens' Earl Thomas held at gunpoint by wife over alleged affair, police say

.@nflcommish on the release of the 2020 schedule pic.twitter.com/Mch0lgXkf8

Herd immunity means that after a certain percentage of a population is immune to a disease, the whole population is. This is usually achieved through vaccination but some are not convinced.

For the first time since 2011, NASA will launch astronauts into space from U.S. soil. It will also be the first time ever a private company will get them there.

As authors from Chaucer to Hollinghurst have shown, sex reveals our emotions, instincts and morals. The question is not why write about sex, claims author Garth Greenwell, it’s why write about anything else?

There is a widely held belief, among English-language writers, that sex is impossible to write about well – or at least much harder to write about well than anything else. I once heard a wonderful writer, addressing students at the Iowa Writers’ Workshop, say that her ideal of a sex scene would be the sentence: “They sat down on the sofa …” followed by white space. This is a prejudice I can’t understand. One of the glories of being a writer in English is that two of our earliest geniuses, Chaucer and Shakespeare, wrote of the sexual body so exuberantly, claiming it for literature and bringing its vocabulary – including all those wonderful four-letter words – into the texture of our literary language. This is a gift not all languages have received; a translator once complained to me that in her language there was only the diction of the doctor’s office or of pornography, neither of which felt native to poetry.

More than this, surely it is absurd to claim that a central activity of human life, a territory of feeling and drama, is off-limits to art. Sex is a uniquely useful tool for a writer, a powerful means not just of revealing character or exploring relationships, but of asking the largest questions about human beings.

Lockdown Britain has embraced the sausage, with sales up 33%. But there’s much more you can do with them than fry-ups, sandwiches and casseroles

When you Google famous quotes about sausages (say you need an opener for an article), one of the first comes from Phoebe Waller-Bridge, who apparently once said: “Sausages are just funny. I don’t know why. I can’t explain it.”

Waller-Bridge is not wrong. Sausages are inherently funny. But their comedic value is also what holds them back. In the kitchen, no one takes sausages seriously. You very rarely see anyone serving sausages on Come Dine With Me; it would be an act of self-sabotage. You cannot win with sausages. They’re a culinary joke, unrefined, a bit naff.

With comedy festivals cancelled around the world, Amazon Prime is releasing 10 original Australian standup specials to tide you over. Filmed at Melbourne's Malthouse theatre during the Before Times, the biweekly series has featured names like Celia Pacquola, Zoë Coombs Marr and Dilruk Jayasinha – with Tom Gleeson, Anne Edmonds and Tom Walker coming up soon. A few minutes of each is being published exclusively on Guardian Australia, and this week we have Judith Lucy, from her 2019 tour Judith Lucy vs Men

• Two Amazon Original standup specials will be released each week from 10 April. Amazon Prime is offering a 30-day free trial here

With comedy festivals cancelled around the world, Amazon Prime is releasing 10 original Australian standup specials to tide you over. Filmed at Melbourne's Malthouse theatre during the Before Times, the biweekly series has featured names like Celia Pacquola, Zoë Coombs Marr and Dilruk Jayasinha – with Tom Gleeson and Anne Edmonds  coming up soon. A few minutes of each is being published exclusively on Guardian Australia, and this week we have the exceptionally odd new show from Tom Walker, which was directed by Zoë Coombs Marr.

• The full version of Tom Walker's Very Very is released today. Amazon Prime is offering a 30-day free trial here

With comedy festivals cancelled around the world due to the coronavirus crisis, Amazon Prime is releasing 10 original Australian standup specials to tide you over. The biweekly series was filmed at Melbourne's Malthouse Theatre and has featured Celia Pacquola, Zoë Coombs Marr and Dilruk Jayasinha. A few minutes of each is being published exclusively by Guardian Australia and this week we have eventual Gold Logie winner Tom Gleeson's show Joy. Come to hear about the disgusting wonders of parenting; stay for the killer punchline 

• The full version of Tom Gleeson's Joy is out now. Amazon Prime is offering a 30-day free trial here

Huge losses driven partly by fall in valuation of Australian pay TV service Foxtel and decline in news advertising revenue

Rupert Murdoch’s global media empire, News Corp, lost US$1bn in the three months to the end of March and is expecting more financial pain as the economic fallout from the coronavirus crisis continues.

The chief executive, Robert Thomson, said there was a fresh wave of cost-cutting ahead for the group, including a “strategic review of our Australian newspaper holdings” that could signal further job losses at the company’s smaller mastheads.

Victoria Cross recipient’s suit against Nine newspapers can’t be held until in-person hearings resume after coronavirus

The highly anticipated defamation trial brought by Victoria Cross recipient Ben Roberts-Smith against the Age and the Sydney Morning Herald will not go ahead next month after the federal court ruled a remote hearing under Covid-19 rules may breach national security.

The delay in the case came as justice Anthony Besanko said he had to consider whether to delay the trial despite a submission that Roberts-Smith and his family are suffering from the ongoing publication of articles by the Nine newspapers.

‘Sophisticated’ identity theft attack leads to Australian Tax Office stopping early super withdrawals until Monday

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Allegations of identity theft involving 150 Australians have forced the government to pause the early release of superannuation, after police froze $120,000 believed to have been ripped off from retirement savings.

On Friday the assistant treasurer, Michael Sukkar, announced the Australian Tax Office would pause requests for early access of superannuation until Monday “out of an abundance of caution” to consider further anti-fraud protection.

A 16-year-old Aboriginal boy was forced to remove his shorts and squat during a search, but disciplinary action has not been recommended

A New South Wales police watchdog investigation into seven strip searches including one in which a 16-year-old Aboriginal boy was physically forced to remove his shorts and squat has found that all of them were unlawful.

But the watchdog has been criticised for “not going far enough” in its findings, with Sarah Crellin, a principal solicitor at the Aboriginal Legal Service, saying she was “deeply disappointed that there have been no recommendations for disciplinary action” against individual officers.

Australian National Audit Office evidence to Senate appears to contradict Morrison’s claim that he provided no authorisation

The prime minister’s office asked Bridget McKenzie to seek Scott Morrison’s “authority” for intended recipients of $100m of sports grants and coordinate the announcement with Coalition campaign headquarters, according to new evidence to the sports rorts inquiry.

The evidence from the Australian National Audit Office to the Senate inquiry contradicts Morrison’s claims that McKenzie, the former sports minister, was the ultimate decision-maker for the grant program, and that changes were not made after parliament was dissolved.

The comic essayist on crying over Olive Kitteridge, his love for Richard Yates and the books that make him laugh

The book I am currently reading
Hidden Valley Road. It’s a nonfiction book about a family with 12 children, half of whom turn out to be schizophrenic. In the opening pages the mother sews a live bird’s eyes shut. And she’s one of the few who isn’t mentally ill!

The book that changed my life
Kurt Vonnegut’s Breakfast of Champions. A friend read it out aloud to me when we were hitchhiking across America in 1976, and it made me think: “That’s right – books!” After high school I had forgotten about them. As soon as I got a stable address, I secured a library card, and started making up for lost time.

Word of mouth turned the riches-to-rags show into a sleeper hit. Its creator and stars explain why it is going out at its peak

Schitt’s Creek was always going to be a hard sell. There is that title for a start; an off-putting pun that instantly sets the comedy bar below ground level. Couple that with a hackneyed fish-out-of-water premise involving a rich family forced to slum it in a backwater town and you’ve got a one-season sitcom at best. Co-created by and starring Dan Levy, best known as a presenter on MTV Canada, and his dad Eugene, most famous for playing Jim’s embarrassing dad in the American Pie films, it was rejected by HBO and Showtime, eventually finding a home on the little-known US pay-to-view channel Pop. Even its main draw, the great Catherine O’Hara, was initially unenthused by the project, turning down the role of the Rose family’s self-obsessed matriarch Moira, citing her own laziness.

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Those less convinced in Australia cast doubt on source of Wuhan lab ‘intelligence’. Plus: Trump and Jennifer Hawkins

The origin of the coronavirus has opened up a new battlefield between the Murdoch press and just about everyone else – and given the Daily Telegraph’s Sharri Markson an international platform on Rupert Murdoch’s Fox News.

Following in the footsteps of her colleague Miranda Devine, who also made it onto Fox News, Markson told Tucker Carlson Tonight the “bombshell dossier” she had uncovered showed some of the world’s foremost intelligence agencies were investigating whether the virus was linked to a lab in Wuhan.