Shraddha Kapoor and Sushant Singh Rajput bring a touch of glamour and of course, the much sought after romance to campus life.

For most part of it, Section 375 keeps you confused about the possible outcome of the case, and that’s a moral victory the director can claim.

In Dream Girl, Ayushmann plays Karam, an unemployed young man in Gokul, Mathura, who takes a job at a call centre. Read our review of the film here.

Section 375 is a well-made film with a persuasive argument that is nevertheless disturbing. read our review of the film here.

Fortune favours the brave and this one with all the talent it's equipped with plus 'The Zoya Factor' certainly seems to hold the promise of box office success. Read our full review below.

Sonam Kapoor and Dulquer Salmaan's The Zoya Factor is not an unwatchable film by any measure. But it squanders the opportunity to say something about the world we live in, and our reliance on luck as both a crutch and an excuse.

Bard of Blood, directed by Ribhu Dasgupta, presents Emraan Hashmi as a rogue spy who goes inside Balochistan for a dangerous mission.

Bulbul Can Sing unfolds unhurriedly, as if matching the pace of life in a small village. It can get testing especially in the later half, but stay with it.

Coming at a time when graphic and lurid on-screen violence are being questioned and and even condemned, Asuran would appear needlessly falling back to the old formula.

Downton Abbey, is a reboot of the television series of the same name. The film picks up the saga of the Crawley family and their mostly loyal servants in 1927, a year and a half after the series ended.

Mistress of Evil never manages to justify the return of all its characters and it delves deeper into its fantasy world.

'A Son', which was part of the ongoing Mumbai Film Festival, talks about a family in turmoil. Read our full review of the film below.

Kaithi plays at multiple levels. Karthi's Dilli is a murder convict out on parole to meet his 10-year-old daughter whom he has never seen.

Had there not been Akshay Kumar, it would have become a really painful watch. He has barely managed to stop Housefull 4 from becoming another Tees Maar Khan.

'Saand Ki Aankh' is based on the amazing true story of two of the oldest sharpshooter champions in the world-- Chandro and Prakashi Tomar. Read our full review of the latest Bollywood film below.

Rajkummar Rao and Boman Irani's characters in 'Made in China' sell Magic Soup to men suffering from performance issues. Read our full review of the Diwali 2019 release below.

Despite a meaty premise, there are too many missed opportunities in 'Ujda Chaman'. Read our full review of the movie below.

The film is mounted with ace production values. The era is aptly recreated by production designer Jan Roelfs and captured by cinematographer Chung-Hoon Chung.

Bala starring Ayushmann Khurrana, Bhumi Pednekar and Yami Gautam, certainly gets your attention but does not manage to sweep you off your feet.

Ayushmann Khurrana, who’s cornered the market when it comes to playing flawed, insecure men with confidence issues, continues his winning streak with Bala.

Last Christmas may not be remembered as one of the great holiday rom-coms – it’s no Love, Actually – but it’s a perfectly satisfying one-time watch.

Dhruv Sehgal and Mithila Palkar's Dhruv-Kavya moments in Little Things season 3 surely gives us the oh-so-me moments but such situations worked more as small videos.

House Arrest, the way we generally understand the term, is really not a nice word, and connotes horror in its most basic form.

'Motichoor Chaknachoor' could have been a blockbuster comedy. But alas, with its ambling laidback storytelling style, it falls short. Read our full review of the latest Bollywood film below.

Watching 'Marjaavaan', the stench of creative bankruptcy is hard to miss. Read our full review of the latest Bollywood film below.

Overall, the film, while speaking about "girl power", is wildly entertaining despite not letting you get emotionally invested. Read our full review of the latest Hollywood film below.

In the cinematic world run by superheroes, it is increasingly difficult for the audience to be impressed by the exploits of regular, on-screen heroes.

In the face of it, The Irishman is Scorsese's final farewell to those immigrant hitmen who ruled suburban America in the 1950s.

Panipat, a film about Maratha warrior Sadashiv Rao Bhau who staves off Afghan ruler Ahmad Shah Abdali, disappoints only because of a linear screenplay that fails to rouse dramatic emotions so important to historicals.

Vishal Jethwa as the villain of the piece is quite a find. He performs exceedingly well as the psychotic mercenary-on-hire with no redeeming qualities.

'Mardaani 2' holds up a mirror to our times when crimes against women are an unfortunate reality. Read our full review of the latest Bollywood film below.

Dabangg 3 review: The challenge to a popular movie franchise like Dabangg is that it requires novelty and sameness in equal parts and the team does get its balance right.

Kareena Kapoor deserves special mention for rooting her character in believability. There's a lot to enjoy in the film despite its bumps. Not a bad way to end the year.

Ghost Stories is experimental but not overwhelming. The directors have tied individual short films together with good production value and vision.

'1917' is a visually wondrous experience. It’s also emotional and moving in parts. Read our full review of the Hollywood film below.

Varun Dhawan and Shradha Kapoor's dance film struggles at crucial junctures. Here's our movie review of Remo D'Souza's Street Dancer 3D.

The film’s big success is in delivering its message without making a big noise about it. Panga is all about its little moments. It’s a film about love disguised as a sports-movie.

A proper character sketch of Malala Yousafzai never really happens over Gul Makai's runtime of around 130 minutes, and the life story of the film's titular protagonist remains a shallow sideshow in her own biopic.

In Jawaani Jaaneman, Saif Ali Khan is in good form once again, but saddled with the kind of material he knows inside out.

Shikara resembles a painting, a work of art with Rangarajan Ramabadran’s delicate cinematography accompanied by excellent production and costume design.

The world of Malang is dark and twisted, and Mohit Suri depicts the beach state as a Wasseypur-like badlands with rampant drug use.

Thappad isn’t a film about a wife teaching her husband not to take her for granted. It’s about a woman rediscovering her sense of self, contemplating what is fair and what isn’t.

A foreign locale, bone-crunching scenes one after another and piling up choppers, instead of cars, do not make Baaghi 3 an entertaining film.

Tiger Shroff, who is the star attraction of the 'Baaghi' films, is in reliably good form as the third installment hangs by a thread off its leading man’s strong shoulders.

'Guilty' boasts of some fine performances by the cast -- Kiara Advani, particularly, deserves mention. But the actors are weighed down by mediocre storytelling and the film is a wasted attempt.

There’s a bit of Hindu mythological references and a tinge of supercop extravaganza, Asur travels back and forth in time zones 18 years apart.

Netflix's new show, She, which is created by Imtiaz Ali, gives the impression that a woman’s body could also work as the chain to control the developments around her.

With a strong hook for Season 2 that has already stoked much curiosity, Home Before Dark could well fill the void left behind by Stranger Things.

As the seven-episode storyline unfolds, you realise that the hunch is not altogether misplaced. Series director Aditya Sarpotdar and his team of writers have obviously made extra efforts to balance schmaltz with suspense.

The best thing about the movie is that one does not have to know about the politics of the countries Sergio served, and this includes his last assignment as the UN Special Representative in Baghdad.