Skydiving horror and Kate Siegel's directorial debut are the standouts here.

Give this film your complete attention (phones off!), and you won't be disappointed.

Du lịch một mình cần lưu ý những gì? Điểm đến nào…

The post Du lịch một mình cần lưu ý những gì? Điểm đến nào hấp dẫn cho chuyến độc hành? appeared first on Blog Arabsaudi.

Sapa chắc chắn là một trong những điểm đến du lịch chẳng…

The post Kinh nghiệm phượt du lịch Sapa tự túc: có gì chơi, ăn gì, ở đâu? appeared first on Blog Arabsaudi.

Hội An là một trong những điểm đến thu hút trong bản…

The post TỔNG HỢP kinh nghiệm du lịch phượt Hội An tự túc chỉ từ 3 triệu đồng appeared first on Blog Arabsaudi.

Hà Giang là một điểm đến lý tưởng thu hút du khách…

The post [TỪ A-Z] Kinh nghiệm du lịch phượt Hà Giang tự túc kèm lịch trình CHI TIẾT appeared first on Blog Arabsaudi.

Phan Thiết là một địa điểm du lịch hấp dẫn đối với…

The post [TỪ A – Z] Kinh nghiệm du lịch phượt Phan Thiết ĐẦY ĐỦ NHẤT 2021 appeared first on Blog Arabsaudi.

Mỗi khi tới mùa đông túi ngủ càng được chị em văn…

The post Mua túi ngủ văn phòng ở đâu TPHCM Hà Nội tốt? appeared first on Blog Arabsaudi.

Blu-Ray/DVD Release date: December 3, 2024 (Rated PG)

Go to FilmJabber.com to see The Wild Robot movie information.

The breakthrough comes more than 15 years after the first CNT-based ICs made their appearance.

Find out more about nanotechweb.org's move to the brand-new Physics World site

Pittcon Conference and Expo 2018

In which our heroes are reunited. With Scott Mosier! SPONSOR: Go to https://keeps.com/smod if you're ready to take action to prevent hair loss and get your first month of treatment for FREE!

Most men think about the Roman Empire several times a week, if a recent meme is to be believed. With Gladiator II, Ridley Scott brings the era back to life in the way only a teenage boy could imagine it. Historical accuracy continues to be an irrelevance for the director, and who could blame him? […]

The post Gladiator II Review: Ridley Scott’s Sequel Bests Predecessor By Going Dumb first appeared on The Film Stage.

Here’s a very welcome surprise before the end of the year: Leos Carax’s stunning cine-memoir It’s Not Me is getting a release this December. Sideshow and Janus Films announced today that the Cannes and NYFF selection will hit theaters in NY and LA as well as arrive on the Criterion Channel and VOD platforms on […]

The post Leos Carax’s It’s Not Me Coming to Theaters and Criterion Channel on December 10 first appeared on The Film Stage.

This new feature length film by Amy Flannery is a rollicking docu-comedy about a couple's year-long sailing adventure. Amy and Ken set out on a cruise from Chesapeake Bay to Nova Scotia and then back down the coast to the Bahamas. Along the way they encounter assorted equipment failures, make new friends, visit many interesting places, improve their navigational skills, and film this movie. Now available as a YouTube Rental for just $2.99. Rent more videos at TheSailingChannel YouTube Documentary Playlist. HIGH QUALITY VIDEO DOWNLOAD JUST $12.99 Available in both Windows Media (WMV) and QuickTime (MOV) versions suitable for full screen viewing. Also available in two parts: Chesapeake Bay to Nova Scotia and Norfolk, VA to the Bahamas. Just $7.95 each. Pay with Paypal or your Credit Card, download and watch on your PC or MAC. FULL SHOW 85-minutes . PART 1: Chesapeake Bay to Nova Scotia 49-minutes PART 2: Norfolk, VA to the Bahamas 45-minutes DVD-US: $24.95 (includes s&h) Sailing Videos from $2.99. Brought to you by TheSailingChannel.TV

CLICK TO PLAY After entering the Caribbean from the Panama Canal, cruisers Bob and Kaye stop at a commercial shipyard to get some repairs done on "Bettie's" keel. There they get an opportunity to watch the age-old craft of wooden boat repair alongside modern fiberglass and ocean going freighters. Join cruisers Bob and Kaye on their many adventures in "Cruising with Bettie: L.A. to the Bahamas," a 51-minute cruising life-style video. This is a fast-paced documentary, with gorgeous photography, that will give you a first hand look at the cruising lifestyle. Over 10,000 miles passed under Bettie’s keel since Bob and Kaye left Los Angeles in 2004. They sailed down the west coast to Panama, through the Canal, east to Cartagena, Columbia then north to Honduras and east across the Caribbean to the Bahamas. Available on Sailflix Vimeo on Demand Download-to-Own $9.99 | Streaming Rental $4.99 https://feeds.feedblitz.com/~/559621800/0/thesailingchannel Bob Steadman was a highly acclaimed Hollywood cinematographer. Sadly, Bob past away several years ago. His last Hollywood gig was as technical consultant to the Director of Photography on the feature, Body of Lies directed by Ridley Scott and starring Leonardo de Caprio and Russell Crowe. Check out Bob Steadman's screen credits on the Internet Movie Database. Bob's First Mate, Kaye is a Hollywood costume designer. Sailing Documentaries and How-To Videos. Brought to you by TheSailingChannel.TV

CLICK TO PLAY This is the initial trailer for the Public Television documentary produced by Amy Flannery and TheSailingChannel about Matt Rutherford and his record setting, solo non-stop sailing odyssey around the Americas on a 27-foot sailboat in support of Chesapeake Region Accessible Boating (CRAB). For more information about the documentary, visit reddotontheocean.com. Purchase the Digital Download on Vimeo on Demand Purchase the DVD or Blu-Ray on TheSailingChannel.TV Sailing Documentaries from $2.99. Brought to you by TheSailingChannel.TV

CLICK TO PLAY Filmed for Saudi Airlines in Tenerife, Canary Islands. Wonderfully choreographed and executed. The Red Epic cameras with Cooke cinema lenses make for an incredible piece. Hats off to the video and sailboat crews. Watch more free curated sailing videos at https://www.thesailingchannel.tv/free-sailing-videos/ Sailing Documentaries from $2.99. Brought to you by TheSailingChannel.TV

CLICK TO PLAY Don Street Sailors' Knots From Don Street Sailors' Knots. Filmed in Martinique aboard Iolaire, his 46 ft engineless wooden yawl, master sailor Don Street teaches you and your crew everything you need to know about sailors' knots and more in just 50 minutes. Don starts by covering 8 basic knots then adds more advanced knots like the rolling hitch, fisherman's bend, and tow boat hitch. With a down to earth style, he teaches you how to tie each knot and most importantly, when to use it, making a sometimes difficult subject easy and pleasurable. First Don demonstrates at normal speed then he shows you a slow motion close up that makes the knot's path easy to follow and learn. Don also covers proper line handling, dock line throwing, sail stops, halyards, and how to repair a chafed rope. Don gives you the critical knot and line handling skills every skipper should know. Available at https://feeds.feedblitz.com/~/557582044/0/thesailingchannel Streaming Rental $4.99 | Download-to-Own (mp4) $9.99 DVD US $29.95 | DVD INTL $39.95 (includes S&H) Get The Complete Street - all 5 Don Street Videos for just $49.95 Available at https://vimeo.com/ondemand/thecompletestreet Sailing Documentaries from $2.99. Brought to you by TheSailingChannel.TV

In a great profile in Saturday's New York Times promoting his new novel Agent Running in the Field, author John le Carré  reveals that his sons' production company, The Ink Factory, are plotting an epic new TV series about his most famous character, spymaster George Smiley. "According to le Carré," asserts the article's author, Tobias Grey, "The Ink Factory now plans to do new television adaptations of all the novels featuring Cold War spy George Smiley - this time in chronological order. 'That means that if you actually go back to the first big conspiracies in The Spy Who Came In From the Cold, you've got to consider how Smiley ages and how young he was at that time,' le Carré says. That would mean finding an actor who can play younger than the Smiley incarnated by Gary Oldman in the film version of Tinker, Tailor, Soldier, Spy. Le Carré says that his sons are interested in casting the British actor Jared Harris, whose performance they all admired in the recent TV mini-series Chernobyl." Harris (The Man From U.N.C.L.E., Allied), interestingly, was originally cast in Tomas Alfredson's 2011 le Carré  adaptation Tinker Tailor Soldier Spy as Circus (MI6) chief Percy Alleline, but had to drop out due to scheduling conflicts with Sherlock Holmes: A Game of Shadows, in which he played Professor Moriarty. Toby Jones took on the Alleline role, and embodied the character perfectly. Besides Oldman, Smiley has been played in the past by Denholm Elliott, James Mason, Rupert Davies, and, most memorably, Alec Guinness in two famous BBC miniseries.

A new miniseries version of The Spy Who Came In From the Cold was first announced back in 2016 as a follow-up to the hugely successful le Carré miniseries The Night Manager. Le Carré worked with the producers and writer to crack their take on the material, and that work led him to write a whole new sequel to the book, A Legacy of Spies, but did not yield a series. Instead, The Little Drummer Girl (2018) proved to be the next le Carré miniseries, but work continued on The Spy Who Came In From the Cold. Now, apparently, that project has grown in scope and morphed into this one. I've long craved a long-form TV series about le Carré's Circus, devoting a season to each book and dropping in the short stories from The Secret Pilgrim at the appropriate historical moments and, most crucially, finally giving us a television version of the (to date unfilmed) middle book in the Karla trilogy, The Honourable Schoolboy. This sounds like it could turn out to be exactly that! (Though hopefully they'll begin at the real beginning with Call For the Dead, and not The Spy Who Came In From the Cold.) It's a most tantalizing prospect!

Read my George Smiley Primer here.

Wow! We're so close to the release of a new Bond movie now that a new James Bond theme song has been released into the world! Listen for yourself to Billie Eilsish's title track to the twenty-fifth EON 007 movie, No Time to Die. Eilish recently won all the Grammies, pretty much, and performed at the Oscars. It seems pre-ordained that this track will shoot to the top of the charts. Eilish reportedly wrote the song with her brother, Finneas. Hans Zimmer composed the film's score.

No sooner has Anthony Horowitz completed his trilogy of excellent, period-set James Bond novels than the next iteration of Ian Fleming Publications' literary continuations appears on the horizon via HarperCollins: Double or Nothing, by Kim Sherwood. And this one forsakes 007 (for the moment, anyway) to put the crosshairs on 003, 004, and 009... and the whole Double O Section! It should be unsurprising, given the name of this site, that I find that prospect tantalizing. Since I was a kid, I've been very curious to read about the adventures of the other 00 agents! 

Usually when we meet them in the movies, they're already dead or just about to die. The only other active agents we've ever really gotten to know well were Suzie Kew and Briony Thorne in Jim Lawrence's Daily Express James Bond comic strip, Nomi in No Time to Die... and I suppose we ought to also count Scarlett Papava in Sebastian Faulks's thoroughly disappointing Devil May Care. (Read my review here.)

Now, I know. You might ask, "What's the point of a James Bond continuation novel without 007?" To which I would point out that this has actually worked very successfully in the past! Some of my very favorite Bond continuation novels ever are Kate Westbrook's (aka Samantha Weinberg's) Moneypenny Diaries trilogy. (Read my review of the second one, Secret Servant, here, and read my in-depth interview with Weinberg about writing the series here.) Weinberg put the spotlight on Moneypenny, and created thrilling and original narratives in the familiar setting of Fleming's Secret Service. 

Kim Sherwood has already demonstrated her bona fides in her Twitter feed and on her website, and it sounds like she knows her spy stuff. (Not only is she well versed in Fleming, but she's also a Modesty Blaise fan!) I can't wait to see what she does with Fleming's supporting characters and the new 00 agents she creates in her Double O Section trilogy! The first book, Double or Nothing, is due out September 1 in Britain. A signed edition with stenciled page edges is also available exclusively from Waterstones (pictured below). No U.S. publication date has been announced so far, but Sherwood recently hinted on Twitter that such an announcement might be imminent. 

AIP’s Vincent Price vehicle Dr. Goldfoot and the Bikini Machine was one of the first Sixties Bond parodies I ever heard of, long before I actually saw it. In a way, that was a good thing, because it afforded the movie years to percolate in my imagination, growing far beyond a potential it could possibly live up to when I finally saw it. Ultimately I was bound for disappointment, because, let’s face it, Dr. Goldfoot and the Bikini Machine is a far better title than it is a movie. But because of all those years that it lived in my mind as pure potential, I went into it for the first time after college (during college I had tried in vain to track down a 35mm print to program on campus) with a pre-built nostalgia, and nostalgia is a wonderful—and possibly essential—cushion for a movie like this. If you remember it from your childhood, you’ll probably enjoy it more than it deserves to be enjoyed. And the same can be said if you’ve somehow approximated such a nostalgia like I did. But even after that lengthy apologia for liking the movie, I have to admit that I only really like certain parts of it. Most of it is pretty bad.

Made at the height of the Sixties (and here I’m grudgingly conceding that that phrase, which I usually use very positively, can also have negative connotations), Dr. Goldfoot and the Bikini Machine is a as much a blend of what was popular then as those Seltzer and Friedberg “parody” movies (usually with “movie” in the title) were in the early 2000s. (Though to be fair it’s a lot better than those!) And since it was made by American International Pictures, it’s a blend of its time that particularly reflects that studio’s output. Therefore it’s as much a parody of their two bread-and-butter genres—Frankie and Annette beach movies and Poe-inspired Vincent Price horror movies—as it is of James Bond. While I’m indifferent to beach movies, I do love those Poe movies… so I’m not being an espionage chauvinist when I say that the only bits that really work are those inspired by the spy craze. And even then the hit-to-miss ratio is probably 50/50... at best.

Appropriately, Dr. Goldfoot and the Bikini Machine opens with one of the strangest title sequences of any Sixties spy movie. Under a rather great and undeniably infectious theme song performed by the Supremes (available on the stellar Ace Records Sixties spy theme compilation Come Spy With Us), instead of the Bond-style credits most spy spoofs opted for, Bikini Machine treats us to Claymation, courtesy of Gumby creator Art Clokey. And the entire Claymation sequence is built around the stupidest thing in the whole movie: a pair of stupid gold elf shoes with little bells on their pointed toes that Price’s character wears to justify his name, Dr. Goldfoot. I’m aware that I just used the word “stupid” twice in that sentence, but that’s because these shoes are seriously stupid. I don’t know whose idea they were, but I sure am glad that Ken Adam wasn’t struck by a similar necessity to equip Gert Frobe with jingling golden thimbles.

After the titles, we meet an attractive robot woman (Susan Hart) in a trenchcoat and fedora walking through the streets of San Francisco. We learn that she’s a robot woman through a series of stupid gags (there’s that word again… are you detecting a pattern?), like a car crashing into her and getting wrecked (because she’s metal, get it??), or two bank robbers escaping and crashing into her and getting knocked down (because she’s metal!), then shooting her full of holes with no discernable result (because… you’ve figured it out by now, haven’t you?). Then we meet Frankie Avalon being annoying in a restaurant and sporting a really annoying helmet of hair. (Uh-oh. There’s another word that bore repeating twice in one sentence!) The robot woman comes in and drinks a sip of his milk and then spouts out gallons of the white stuff (all from that one sip, apparently) through the “bullet holes” in her body. (John Cleese would recycle the same questionable gag years later in that Schweppes commercial on the original Licence to Kill VHS.) Despite her leakage, the holes (which aren’t visible) don’t seem to have damaged her mechanics one bit, and in minutes she’s successfully picked up Avalon and is heading back to his apartment with him.

Avalon is Craig Gamble, a bumbling agent of Secret Intelligence Command (or SIC, which I think is supposed to pass for a joke) who decorates his walls with a picture of Sherlock Holmes, apparently for inspiration. The robot woman is named Diane, and she talks with an annoying put-on Southern accent and, we and Gamble soon come to learn, wears only a gold lamé bikini underneath her fashionable spy trenchcoat! (The latter makes up for the former.) But what made her pick him?

The answer comes back at Dr. Goldfoot’s lair, where we meet the diabolical mastermind and his sidekick, Igor (occasional Elvis cohort Jack Mullaney). While Vincent Price deserves an iconic entrance in any movie he makes, it’s kind of undercut here by those stupid gold shoes, which really are quite stupid. (Have I mentioned that?) I am not a production designer, nor a fashion maven, but I am confident I could have designed much better gold shoes for the same purpose. And regular readers will know that I am not given to making such claims. Anyway, it transpires at Goldfoot HQ that the idiotic Igor programmed poor Diane to go after the wrong man. While Gamble hasn’t got two pennies to rub together, she was supposed to be seducing Avalon’s beach buddy Dwayne Hickman, as millionaire playboy Todd Armstrong. (As either an inside joke or laziness, Hickman’s character is named after Avalon’s character in Ski Party, and Avalon’s Craig Gamble is named after Hickman’s character from that movie.) To Igor’s credit, the two actors do look a lot alike (in a very generic Sixties heartthrob way), and that fact actually makes the movie a little bit confusing. The fact that Gamble turned out to be a secret agent was just bad luck—or bad scriptwriting. Luckily Dr. Goldfoot can operate Diane by remote control, and he’s able to reprogram her to suddenly walk out on Craig and set off to lay a trap for Todd.

Diane’s trap for Todd involves bending over and pulling her trenchcoat far enough aside to expose a glimpse of that golden behind as she pretends to inspect a flat tire. It also involves Dr. Goldfoot somehow taking remote control of Todd’s car, and driving him backwards until he sees Diane. (Dr. Goldfoot possesses a magical universal remote long before its time, and uses it primarily for making cars drive the wrong direction and various things blow up. He also threatens people with it a lot, though I’m not sure if he’s threatening to blow them up or to reverse them.) One glimpse of Diane, however, is enough to make Todd forget that it might be a little suspicious and just a tad weird to find yourself suddenly pulled backwards by an unseen force while driving. Their meeting also offers the movie’s choicest bit of dialogue—and, yes, it’s every bit as sexist as you would expect/hope for from a movie called Dr. Goldfoot and the Bikini Machine.

“Thank heavens you came along, darling, I’m completely flat!” declares Diane as she opens the front of her trenchcoat.

“Well, I wouldn’t say that,” replies Todd, ogling her gold bikini-clad breasts jutting out of the London Fog.

So what’s all this about? Well, sadly all of Dr. Goldfoot’s ingenuity is expended on a simple gold digging scheme. Diane is supposed to get millionaire Todd to marry her and then make him sign over power of attorney to her (which is of course the same as signing it to Dr. Goldfoot). Honestly, I find it a little disappointing that Dr. Goldfoot has the ingenuity and the wherewithal to build perfectly human-looking robots and universal remotes that control anything, and yet the best scheme he can come up with is gold digging. Why not aim higher, Dr. G? Why not strive for world domination? (Well... that's what sequels are for!)

Anyway, Igor’s error with the target has accidentally tipped off an agent of SIC to the mad doctor’s big gold digging plot. Fortunately for Dr. Goldfoot, though, he’s not a very good agent.

Gamble’s code number is only Double O and a half. “Why they won’t even let you carry a gun until you get a digit instead of a fraction!” yells his boss and uncle, Uncle Donald (genuine comic genius Fred Clark, of Zotz! and Hammer's Curse of the Mummy's Tomb). Donald’s not really in any position to berate his nephew, though, because he’s not the sharpest knife in the drawer himself. When Igor shows up in his office dressed in what looks like a Sherlock Holmes Halloween costume (deerstalker and Inverness cape) claiming to be SIC director Inspector Abernathy, Donald believes him despite Gamble’s protestations.

The gags in this movie are mostly lame (as opposed to lamé), and recycled for the hundredth time. When an upper file cabinet drawer is closed, a lower one pops out knocking someone on the head. A beautiful girl robot is mis-programmed (Igor!) and starts talking like a Brooklyn gorilla. When Igor tries to spy on his boss using a periscope, Dr. Goldfoot splashes some ink on the top end giving Igor a black ring around his eye from the viewer. (Actually, that one's still kind of funny.) Even the spy-specific jokes tend to fall flat a lot of the time. Igor shows Dr. G a new attaché case (pronounced the American way, not the British “attachee”) with its own From Russia With Love-style gadgetry. What surprises does it have in store?  Would you believe a fist with a boxing glove that pops out and punches someone when they open it? (Neatly and obviously accomplished by situating a stuntman underneath the table the case is set on, easily able to reach through a hole in the table and the case.)

While the jokes often fall flat, highlights come in the form of random outbursts of go-go dancing, whether from Dr. Goldfoot’s bikini girls (whose default mode seems to be set as “go-go,” befitting their gold bikini costumes) or in nightclubs. (There’s a odd number from a band all dressed up as Fred Flintstone credited as Sam and the Apemen and accompanied by—you guessed it—go-go girls. But for some reason the go-go girls aren’t dressed in fur bikinis, just regular bikinis.)

Price himself camps it up to the extreme (surprise, surprise), parodying his own other AIP performances and even donning costumes from a few of them at times. To that end, the movie becomes more and more of an AIP in-joke as it proceeds (complete with an Annette Funicello cameo), and eventually Gamble and Todd end up in Dr. Goldfoot’s torture chamber, getting a tour that includes portraits of all his illustrious forebears (again bearing certain resemblances to famous Price roles past) and lots of familiar torture implements. It’s poor Todd who ends up strapped down beneath the swinging pendulum from The Pit and the Pendulum.

But then, in its final act, something unexpected happens. The movie becomes… really fun! The undisputable high point of the film is the fifteen-minute-long final chase through the streets of San Francisco in which the heroes and villains keep changing vehicles. It’s accomplished mostly through obvious rear projection, but the San Francisco scenery is quite real. The heroes (Gamble and Todd) start out in a gadget-laden Cadillac spy car whose gags include inflatable seats that inflate when you don’t want them to and a steering wheel that switches sides between the driver and the passenger at inopportune moments. The villains start out in a motorcycle and sidecar that become detached in the course of the chase and eventually manage to re-attach themselves. When Dr. Goldfoot uses his magic remote control device to blow up their spy car, the heroes swipe a red convertible (a Sunbeam Alpine, like Bond drove in Dr. No), and when the motorcycle and sidecar end up smashed on the front of a train, the villains (their faces coated in black soot, just like a cartoon character’s after surviving such a collision) appropriate an E-Type Jag. Eventually the heroes are on a bicycle while the baddies commandeer a San Francisco cable car—and manage to drive it right off its tracks and all over town! By the end the good guys are in a boat on a boat trailer careening wildly down San Francisco’s steep hills. It’s all pretty fun, really, in a typically zany way.

The end titles feature those stupid gold shoes again (though not Claymation this time), performing a disembodied dance (accomplished simply—and effectively—enough with a dancer dressed all in black dancing in front of a pitch black background) alongside gold bikini-clad go-go dancers—and similarly disembodied writhing gold bikini tops and bottoms. (That’s actually a really cool effect!) All of which handily beats (and makes up for) the Claymation opening in my book.

Even though Doctor Goldfoot and the Bikini Machine leaves things open for a sequel with Dr. Goldfoot and Igor surviving their cable car crash (and subsequent bombardment by gunboats) and turning up on the plane winging our victorious heroes off to Europe, the end credits instead tout the next beach movie, The Girl in the Glass Bikini. Which kind of brings us back to this movie’s title. Say it out loud to yourself. Think about it. Based on that title more than my (or any) review, I suspect you already know if this movie is for you or not.

Top Gun: Maverick star Glen Powell addresses whether or not he'll replace Tom Cruise as Ethan Hunt in the iconic action franchise Mission: Impossible.

90 Day Fianc star Angela Deem is dealing with heartbreak on a grand scale. It's easy to feel sorry for the feisty woman who misses Michael.

Deadpool is notorious for his meta-commentary and cutting remarks, many of which are on full display in the MCUs Deadpool & Wolverine.

Feyres empathy, bravery, and unique diplomacy with magical creatures make her an ideal High Lady in Sarah J. Maas A Court of Thorns and Roses.

Florida hopes to put it all together and make a little history during its inaugural SEC meeting with Texas and first trip to Austin since 1939 and second in 100 years, dating to a 7-7 tie in 1924.

UF athletic director Scott Stricklin publicly backed his embattled coach — once again— before his vastly undermanned team entered a difficult closing stretch that could further amplify calls to replace the Gators' third-year coach. Even so, Napier's Gators were overwhelmed by the Longhorns.

Orlando Sentinel tourism reporters Katie Rice and Dewayne Bevil discuss the robot, modeled after the character Judy Hopps from Disney’s 2016 animated film “Zootopia,” and when it might show up at theme parks.

Theme park experts say advanced robotics technologies help bring popular film and TV characters to life in convincing ways.

Orlando's theme parks and attractions dominate the nominations of 10Best travel website's reader poll.

Fun Spot owner John Arie Jr. is enthused about his huge, new roller coaster coming to Atlanta park.

Gov. Ron DeSantis vows to keep fighting for control of Disney's Reedy Creek Improvement District.

It’s actually good one of the world’s largest cruise ships strayed into the safety zone and delayed a SpaceX rocket launch, Port Canaveral CEO Capt. John Murray says.

Gov. DeSantis says he will void the Reedy Creek deal that stripped the new board of its power and consider new hotel taxes and tolls on Disney World.

Disney sets the dates for the 2023 edition of Epcot International Food & Wine Festival. It starts July 27.

About 15% of The Walt Disney Co.’s entertainment staff could be cut next week as the company begins a second round of layoffs.

Disney World says Mickey's Not-So-Scary Halloween Party will begin Aug. 11. Tickets go on sale in May.

Mine Blower roller coaster making rail upgrades with RMC at Fun Spot park in Kissimmee.

The robot’s debut next month does not signal the AI takeover just yet, convention center leaders say.

Disney World to host new meet-and-greets with Ariel in conjunction with new live-action "Little Mermaid" movie

On this episode of Theme Park Rangers, Orlando Sentinel tourism reporters Dewayne Bevil and Katie Rice discuss the fire that damaged the Maleficent dragon at Disneyland and its impact on Disney World shows.

The Home and Lifestyle author talks with keepsakes photographer Shana Novak about how she takes the poignant items in people's lives and elevates them.

Scottie Scheffler delivered the best performance of his greatest year by rallying from four shots behind on Sunday with a 9-under 62 to win the Olympic gold medal in men’s golf in a thriller at Le Golf National.

Scottie Scheffler capped off the biggest year in golf in nearly two decades by winning the biggest prize in golf.

Scottie Scheffler capped off the biggest year in golf in nearly two decades by winning the biggest prize in golf.

His mental strength will need to be stronger than ever going forward. Scheffler has the Presidents Cup in two weeks, a title to defend in the Bahamas at the Hero World Challenge after Thanksgiving and then it’s on to 2025.