Taking care of leather shoes in summer is not so cumbersome. Just keep them away from direct sunlight and water, say experts. Kanika Bhatia, Chief Experience Officer, Egoss, and Ambud Sharma, Founder, Escaro Royale Luxury (Escaro.in), tell how to maintain your leather shoes:

1. Keep them away from direct sunlight: Leather fades faster when exposed to sunlight. If it is kept out of direct sunlight, it will fade naturally over time. Sunlight can lead to drying and cracking. Ideal places to store leather footwear are darker places with some humidity, with slight ventilation to avoid formation of mildew.

2. Avoid keeping socks in shoes: Shoes wear off faster if socks are kept inside the shoes as they leave a pungent smell leading to bad odour that transpires into the socks worn with the shoes.

3. Don't store shoes in plastic/grocery bags: Leather shoes need some ventilation. Air should be able to pass through leather. For this, shoes should never be stored in plastic or grocery bags. Use bags made of breathable fabric and pillow cases to keep the shoes.

4. Do not wear the same pair daily: Leather shoes need time to dry up naturally as they have a tendency to soak water from your feet. Wearing the same pair everyday will not help the shoe to dry up leading to a faster wear down.

5. Use shoe tree: Keeping shoe tree in the shoe would enable it to maintain its shape, reduce creases and also to soak in excess moisture and odour.

6. Cleaning is important: Regular cleaning, polishing and conditioning play an important role in taking care of leather shoes. You should clean, polish and condition your leather pieces regularly with high quality cleaners and sprays to increase its lifespan. Always clean your leather shoes with a soft cloth before applying special shoe cream on the soft leather handcrafted products.

7. Stay away from water: Don't put water on your leather products especially hand-painted products.

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"
The cast and crew of Malgudi Revisited

Malgudi - the famous fictitious place that RK Narayan created - has a certain sense of innocence that seems incongruous with the fast pace of life in a city like Mumbai. It offered the characters a chance to enjoy the simpler pleasures of life, be it a young boy following the journey of a paper boat down a nullah or chucking pebbles into a lake. But now, people here can also get a chance to spend a day in the laidback town, as Tantra Theatre Group brings it to life in a series of short plays called Malgudi Revisited.

In it, a narrator will take the audience around different locations, making them meet the locals who populated Narayan's much-loved book. The day begins early, at 8 am, with a visit to the school where Swami - one of Narayan's most iconic characters - studied with his friends. Their exploits were of an everyday nature. And yet, there were lessons embedded in the story that are relevant even today, such as how a wall of conflict can be broken down with just a bit of empathy and understanding.

The short play featuring the astrologer

Then, around noon, the audience will be taken to a chowk where they will meet "the talkative man", who narrates a story called Old Man of the Temple. It deals with how the talkative man had once encountered a ghost while driving by a roadside temple, who possessed the spirit of the young man at the wheel. Krishna Battar, the ghost, was the one who had built the temple. But his spirit refused to leave the area even after his death, since there was no one else to take care of the holy place. Eventually, the talkative man convinces Battar that it is important to let go of the past, no matter how tough that is. And in the end, it seems that Battar has understood this point, because the next time the man comes around to that temple, the ghost is nowhere to be seen.

Later in the afternoon, the scene shifts to a bank, where a watchman is sitting outside the gate. This watchman tells the audience about how, after retiring from his job, he had discovered a talent for making paper dolls. He had received a lot of love for the same, but one day, he got a registered letter from a bank whose manager had been one of the recipients of his dolls. Now, back at that time, receiving a registered letter invariably spelt financial doom for a person. So, the watchman cursed himself for giving the manager his gift, and the insane fear he felt about opening the letter finally made him lose his mind. The irony, though, is that the envelope had contained a sum of `100, which the manager had sent the watchman, elated with his gift.

Soumitra Acharya

After that, in the evening, the audience is taken around to a marketplace, where they meet an astrologer whose quick thinking saves him from being pummelled by a man he had once tried to kill in his village. And finally, the narrator notices that a light is still switched on in the bank, so he goes to find out if someone is still working there. In the process, the audience comes across the character who was the protagonist of a story called Forty Rupees a Month. This man had decided to quit his soul-crushing job to spend more time with his family. The sum of Rs 40 was not completely peanuts back then. But it still didn't allow him to take his wife and children out for movies, for instance, and so he decided to hang up his boots. But at the last moment before submitting his resignation letter, he found out that he had got a pay hike of `5, and that made him change his mind about packing up his working life and calling it a day.

Soumitra Acharya, who directed and wrote the short plays, and also essays the role of the narrator, reveals this plot structure to us. He also points out how relevant Narayan's stories continue to be. "For instance, the main character in Forty Rupees a Month might well be me, where instead of taking my family out for a movie, my ambition could be to take my parents on a foreign trip. So, like him, even I am stuck in my comfort zone, and refuse to get out of that rut come what may," he says, pointing out how some issues remain constant through the years, and some places like Malgudi - fictitious as it may be - have a sense of timelessness that persists through the ages.

ON: May 13, 7.30 pm
AT: Whistling Woods - Andheri Base, Link Road, Andheri West.
LOG ON TO: bookmyshow.com
ENTRY: Rs 350

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London: While scientists agree that the Sun will die in approximately 10 billion years, they were not sure what would happen next, until now. A new study now says that it will turn into a massive ring of bright, interstellar gas and dust, known as a planetary nebula.

"This is a nice result... We even have found out what the Sun will do when it dies!" said one of the researchers Albert Zijlstra, Professor at the University of Manchester in Britain.

A planetary nebula marks the end of 90 per cent of all stars active lives and traces the star's transition from a red giant to a degenerate white dwarf.

But, for years, scientists were not sure if the Sun in our galaxy would follow the same fate as it was thought to have too low a mass to create a visible planetary nebula.

To find out, the team developed a new stellar, data-model that predicts the lifecycle of stars.

The model, detailed in the journal Nature Astronomy, was used to predict the brightness (or luminosity) of the ejected envelope, for stars of different masses and ages.

"When a star dies it ejects a mass of gas and dust - known as its envelope - into space. The envelope can be as much as half the star's mass. This reveals the star's core, which by this point in the star's life is running out of fuel, eventually turning off before finally dying," Zijslra explained.

The new models show that after the ejection of the envelope, the stars heat up three times faster than found in older models.

This makes it much easier for a low mass star, such as the Sun, to form a bright planetary nebula. The team found that in the new models, the Sun is almost exactly the lowest mass star that still produces a visible, though faint, planetary nebula.

"It is only then the hot core makes the ejected envelope shine brightly for around 10,000 years - a brief period in astronomy. This is what makes the planetary nebula visible," Zijslra said.

"Some are so bright that they can be seen from extremely large distances measuring tens of millions of light years, where the star itself would have been much too faint to see," Zijslra added.

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A frame from the series, Music for Everyone. Pic/Yuyang Liu

The town of Siem Reap in Cambodia is a fascinating blend of history, modernity and culture. While the magnificent temple complex of Angkor Wat is no more than 6 km away from the picturesque location, it is also home to artisan collectives and Cambodian Cultural Village that gives a glimpse of the country's diverse cultural heritage. Since 2005, the city has also been the venue for Angkor Photo Festival & Workshops (APFW), a non-profit cultural association founded by noted names in photography from across the world - including members of Magnum Photos - to nurture Asia's photographic community by providing an affordable and self-sustainable platform for professional training.

From the series, Two Eyes Good, Four Eyes Bad. Pic/Rebecca Chew

Over the years, emerging photographers from India, Bangladesh, Pakistan, Iran, Indonesia, Japan and Cambodia among other Asian countries have attended tuition-free professional workshops, worked on a photo story inspired by their surroundings and showcased their project at the end of the festival. The APFW alumni community is a thriving one, where collaborations and creative exchange is common. Photographers from Mumbai, too, have participated in the festival, and to introduce emerging lensmen from the city to its upcoming edition in December, APFW alumni will conduct an interactive session this Saturday. The session, being held in Mumbai for the first time, is part the Angkor Hangover series of events organised across Asia.

From the series, Bokator, on young Cambodians trying to resurrect a traditional form of martial arts. Pic/Zishaan A Latif 

"The mentors are people whose work I admire. And when a group of 30 individuals with eclectic practices and realities specific to their countries come to learn from them, they also learn from each other," says freelance photographer and filmmaker Aishwarya Arumbakkam, who participated in the festival in 2016 and is one of the organisers of the Mumbai session. Multimedia projections by photographers from the 2016 batch are also a part of the evening.

From the series, Ahp. Pic/Aishwarya Arumbakkam

While applications are shortlisted on the basis of merit, freelance photographer and alumna Karen Dias explains that to keep the programme accessible and inclusive, there is no upper age limit for applicants. Fellow alumnus of the 2009 batch, Zishaan Akbar Latif, recalls, "As a budding photographer, you are terrified of showing your work, but you realise that others are in the same boat, too. Being in that quaint part of the world at a workshop that's different from its uptight counterparts helps you loosen up," he shares.

APFW organising committee member Andrea Fernandes, who has been associated with the festival for five years, sums up its nature, "This event is initiated by alumni and this is the direction we want the festival to go in - where every person associated can have a space to speak about their work and collaborations."

ON: May 12, 5 pm to 7 pm
AT: Trilogy by the Eternal Library, Raghuvanshi Mills Compound, Senapati Bapat Marg, Lower Parel.
CALL: 8080590590

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Make your summer stylish and comfortable by teaming up your right dress with apt jewellery and perfect accessory. Shreyasi Pathak, Stylist, Vajor and Sonal Sahrawat, Creative Director, Sonal's Bijoux & Adawna list some tips to look stylish this summer.

1. Jumpsuit: Jumpsuits are the most effortless and sought-after choice when you want to dress up effortlessly in this scorching heat. Sleeveless with floral prints along with a flared silhouette is what will keep you going throughout the day. Wear it with a pair of flats, sunglasses and statement earrings to walk the streets in style.

2. Dress: A casual summer dress is a must during bright sunny days. Whether you opt for solid colours or for soothing prints, nothing can come to your rescue in this heat other than a nice breezy dress. Keep the look chic and boho and style it well with a pair of sandals, tassel earrings and candy pop sunglasses.

3. Top and bottom: For someone who loves to keep their looks effortless, minimalist yet full of class, for someone who loves to explore places when on a vacation, a fun top with a pair of bottoms is your go-to choice! Complete your look with a slip-on and a sling and you're ready with your on-the-go look.

4. Bright coloured stones: Go colour-crazy with your wardrobe and try mixing in some vibrant coloured stone jewellery. Dare to rock a more-is-more look and brighten up your summer outfits with unique coloured jewellery pieces.

5. Stylish pearls: Pearls are something that never goes out of style and this year is no exception. Wear it as a stud or as a dangling earring, this style will never fade away. Opt for long dangling style pearl earrings for any parties, weddings or social events and make a style statement to rock your gorgeous look this year.

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Dress up in light and bright outfits for a summer wedding. At the same time, do not forget to play with appropriate fabrics. To look bright and beautiful, experts suggest minimalistic embellishments and soft Maheshwari and Chanderi fabric for your attires. Designer Sweety Arora, and Renu Rana, Founder at Sihali Jageer, have listed what to wear under the sun, literally.

1. During summer, go with cool fabrics suited to a sizzling day. Think feather-light hand woven silks, fluid modal and cottons. A flowy dress from the traditional Maheshwari cottons and matching Coimbatore cotton silks with Chinese collar will add the extra glam to your look. You can also try Tangail fabrics beautiful cape tops with ikkat pants that look extremely trendy.

2. Colours like pink, blue, and yellow exude charm and tenderness. So, go for delicate pastels, soft maheshwari and Chanderi with a hint of metal, with gold and silver jamdani hand embroidery and booties. It is a perfect synthesis of traditional fabrics for contemporary needs and style.

3. To create an ethnic look, pair chanderi kurta and silver pajama with heavy Dhakai jamdani dupatta. You can also add an angrakha jamdani wraparound kurta over it for a dramatic twist.

4. For a beautiful fusion of traditional and contemporary look, the clothes must blend different styles from various parts of the country, from Rajput to Afghani traditions to our own Indian heritage, thus creating looks which are classy, glamorous and reflect one's signature style and love of colour. This mixture of different influences only helps in creating unique designs, clean cuts and modern style.

5. Rely on breezy prints with minimalistic embellishment.

6. Go for silhouettes that don't bog you down. Go for sheer skirts and wrap tops, cowl dresses, draped saris, light lehengas and anarkalis.

7. Keep your footwear as quirky and off-beat as the rest of your ensemble. Go for customised jutis, or blingy canvas shoes.

8. Invest in nice statement neckpieces and layered neckpieces as they look elegant, comfortable and unique. Try double rings with pearly strings, palm rings and pearl kadah.

9. Try to explore new designs and shapes in bags like bucket bag-inspired potlis, give an indo twist to messenger bags. You can also opt for customised miniature bag packs as those will make you stand out from the crowd.

(Edited by mid-day online desk, with inputs from IANS)

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New Delhi: From decor options to the fabrics to colour code, tweaking your decor can help you keep your home feel cool in summer, say experts. Anuj Srivastava, co-founder and CEO of Livspace, and Adarsh Menon, Vice President and Head of Private Labels at Flipkart, share some tips to keep your home fresh and cool.

Decor options: Going Scandinavian is a summer-friendly choice to make. The emphasis is on creating a muted colour palette with clean lines, to allow the space to breathe and eliminate chaos. You can add plenty of greenery to the mileu that will help keep the temperatures from rising. Floating flower arrangements or installing a waterbody at home, along with muting the lighting to cooler options, will also help.

Keep it cool: Plenty of factors, apart from air conditioning, can aid in keeping your home cool. Replace the heavy rugs, blankets and drapes with lighter, eco-friendly materials in fresh colours like white, light blue, pink and green. If you do have an outdoor space, no matter how small, you should clean it up and set up seating options. If space permits, you can even set up a barbeque and move the party outdoors. As far as fabrics go, stick to cotton, linen and sheer materials to keep your home summer fresh. You can also opt for florals in cushions, accent pieces and paintings, or even get fresh cut flowers for the table to brighten up your living spaces.

Pastel palette: Doing up the home furniture in pastel shades adds a tinge of coolness to the eye that finds its way to the mind. Apart from making one feel cooler, pastel colours add that quirky look we so like. These colours can be incorporated in dining table chairs, bean bags, sofa sets, wardrobes and beds.

The forest look: One of the most refreshing looks for the summers is the forest look. Juxtapose the dark wood furniture with green plants. You can go for real or artificial plants and use them at the sides of your solid wood study table, dark wood TV units, bedsides, on top of dining table. For more adorned look, you could cover the flanks of your wardrobes, and even inside the bathrooms.

Cooling gel mattresses: They go a long way in making summers bearable. Gel memory foam mattresses do not trap heat like latex or ordinary foam mattresses. They are made using open cell technology which helps in air circulation resulting in a cool mattress for your comfort. Apart from giving a luxurious feeling, it also gives comfort.

Metallic accents and glass: Use of of luxe metallic touches in home decors is not new. The choice of metallic finish makes a huge difference. Think silver metallic finish with dark accents. It adds oomph and makes the area look neat and clutter-free.

Important tip for all: Invest in trendy, good quality, affordable furniture. When buying furniture, one major concern is durability. In a market that is largely unorganised the assurance of durability is hard to get.

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New Delhi: With the summer heat scorching and the mercury level soaring, comfort is a serious concern for many. In this scenario, selecting the right fabric is a necessity so opt for the right clothing that makes you feel fresh. Designers Prarena Grover and Dhruv Sehgal list some must haves fabrics and few avoidable ones.

Must have fabrics
Cotton: Beyond any doubt pick up that cotton dress or the cotton shirt from your wardrobe. It not only makes you look smart and elegant but also scores high on the comfort level.
Reason: During summer it is a general tendency to sweat a lot and in such a situation cotton is just the apt fabric that absorbs this sweat. This helps in giving the much required relief and helps in cooling down your body temperature. In addition, cotton fabric gives you a relief if you are prone to any allergic reaction. Thus, cotton is just too apt for your sensitive skin.

Linen: The pastel coloured linen wear is just so perfect for your summer days. Fret no more and choose the right linen wear for yourself.
Reason: Tired of threat of unnecessary sweat? Considering that linen is highly absorbent and a good conductor of heat it helps in keeping your body free of moisture. So, the linen dress or blouse not just feels good to touch but also quickly removes your perspiration during the summer days.

Khadi: Khadi saris to the dress to shirts, it is the perfect wear for your summer evening.
Reason: Khadi is that handloom fabric which uses no chemicals in manufacturing. This skin friendly hand oven, organic fabric is just too perfect for your summer days.

Sheer: This is the ideal fabric for humid days. It is the fall and the interesting cut of the fabric makes it a must-have in your summer days.
Reason: As a fabric usually meant for wedding gowns or floral costumes or stockings or lingerie sheer does very little in the way of warmth for the wearer. This is the reason why it is one of the favourite fabrics for summer wear.

Avoidable fabrics

• Denim: Denim is a strict no for your summer days. It hugs your body too much and creates unnecessary suffocation in summer.
• Synthetic wear: Never indulge in a mix fabric in summer. It creates discomfort and may sometimes cause skin infections in this regard.

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New Delhi: Apart from making healthy organic life choices, incorporating a night time skincare regime into our daily lives, will go a long way in keeping the skin looking healthy and glowing. Start your regime by thorough cleansing and do not forget to use a toner, suggest experts. Shankar Prasad, Founder, Plum, and Megha Sabhlok, Brand Director, Just Herbs, have given some inputs:

Cleanse: Going to bed with make-up on is the worst thing you can do to your skin. It leads to chemical accumulation, blocked pores and reduces the ability of skin to absorb nutrients. Make sure that you use a gentle cleanser first to remove make-up and grime. If required, follow up with a foaming face wash.

While the idea of cleansing the grime on your face with castor oil might seem unappealing to you, however, it not only can draw out the dirt from your pores and purge, it also has anti-inflammatory properties. People with all skin types can benefit from this method.

The best natural cleansing technique is to use one-third castor oil mixed with two-thirds of any oil of your choice; almond, sunflower seed, virgin olive or any other natural, organic oil. Massage the oil gently onto your face with firm strokes focusing on your problem areas

Use a soft washcloth soaked in warm water to cover your face. The warmth allows the oiled pores to soften and open up in order to gently release the toxins and impurities.

Gently wipe without scrubbing and repeat again. This should remove the oil along with the dead skin cells, bacteria and impurities from your face leaving you with deeply cleansed glowing skin.

Tone: This helps reduce pore size, balance skin pH and remove any leftover dirt and make-up still left. Toning will further nourish and hydrate your skin leaving it supple and refreshed. Rose water tops the list for its fragrant refreshing appeal and its universality in suiting all skin types.

Refrigerate a good organic brand and apply all over face and neck using a cotton ball. Green Tea with a few drops of tea tree oil makes for an antibacterial toner that especially suits oily skin types.

Anti-ageing serums: Address your anti-ageing concerns with elixir serums as they nourish and restore the natural glow and youthfulness to tired, ageing and pigmented skin. Plant polyphenols, carotenoids and flavonoids present in these serums slow-down skin ageing process. Once applied, let your skin fully absorb the serum for some time while you rest.

Massage with night cream or gel: Begin by spreading it across the forehead, down the nose, across the cheeks, the chin, neck and towards the chest. Gently massage the cream in upward strokes and circular motions by using your fingertips. This helps in evenly distributing the moisture all over your facial skin, increases blood circulation and minimises puffiness.

The facial oil: Facial oils repair and replenish the facial skin while you sleep. Apply 4-5 drops of facial oil on fingertips and gently massage it in circular motions from nose towards ears while applying horizontally, and always against the gravity while applying vertically.

It is usually applied after the gel/cream as it helps seal-in the moisture.

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New Delhi: You may not be able to escape the sweltering heat when you are outside, but you can make your home a cool haven by playing around with colours and adding greenery to your walls, suggest experts. A colour palette, when used well, can help in creating a naturally refreshing environment at home.

Peeyush Bachlaus, Head of Marketing at Kansai Nerolac Paints Ltd, suggests four decor trends, in hues that range from cool blues and soothing greens to mellow yellows:

For a blissful green escape: Surround yourself with the colours of a secret garden, leaving everything else a pristine white. The colour green is well-associated with nature, allowing a room to feel relaxing to the eyes and refreshing for your mind. When paired with white, this palette can turn a bland room into a welcoming paradise. Green is also one of the easiest colours to adorn your interiors as pairing various shades of green with just about any other colour can work beautifully.

For a breezy haven: Large plants and strong colours are natural decor accents that bring lushness into one's home. This summer, transform your interiors into a cool breezy tropical paradise with the help of verdant aquatic colours with a cheerful palette of cool blues, mellow yellows, bright oranges and lush greens. These colours will make sure that your time home is a breeze and you feel the freshness of an aquatic theme.

For an eccentric summer makeover: Given our busy lifestyles and the sweltering heat to add to it, we all need an escape. Let your home be that much needed exotic escape by curating one area in your home. Mix and match cool blue and violet walls fearlessly, framing it with crisp white accents. Natural materials and details make this a room for all to enjoy. Colours such as blues and whites are cool colours as they help keep our mind cool and relaxed even during the sweltering heat of the summers.

For a refreshing classic look: A carefully curated palette of white and near white tones that form a blank canvas to your artistic home. As a trend, masterpiece white walls are refreshing. Radiant light coming in through the windows is the accent in these calm rooms. Bring artwork to focus by trying out alternative accent wall colours.

Sujit Jain, Founder, Griin, says vertical gardens can transform your dull walls immediately and purify the environment too.
"Vertical gardens not only add to the aesthetic value of the walls but they come with a lot of functional benefits also. The thick vegetation limits the movement of heat and helps to regulate sunlight and temperature even during the hot afternoons that makes it a perfect fit for summer decors.

"Some varieties of plants are also useful in absorbing potentially harmful gases and cleaning the air inside modern buildings. In addition to this, incorporating vertical gardens in the decor of any building brings a living element to the environment and being around greenery helps in reducing the stress levels also."

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A day before voting in the fourth and final phase for 48 seats in Maharashtra today, statistics available with the Election Commission of India (ECI) showed that the worth of drugs, alcohol, precious metals etc. seized here over the past 32 days, was Rs 156.52 crore. The total worth of seizures of such items across the country, is Rs 3,244.59 crore.

As per ECI data about the seizures (from March 26 to April 28), the worth of precious metals (gold, silver etc), Rs 70.12 crore, was the highest in Maharashtra. This was followed by cash worth Rs 52.91 crore. Liquor worth Rs 25.64 crore was also seized. Drugs worth Rs 7.33 crore and freebies worth R9 crore were also seized.

Mumbai specific data
As per a press release issued by the chief electoral officer, Maharashtra, cash worth Rs 18.14 crore was seized from Mumbai city alone and 15 cases related to the violation of the Model Code of Conduct were filed. As per ECI data, from the time the Code of Conduct came into place till date, there have been seizures worth Rs 3,244.59 crore across the country. Of these, the total cash seized was Rs 781.82 crore, the liquor seized was worth R245.738 crore, and the drugs seized were worth Rs 1,193.81 crore. The worth of the precious metals seized was Rs 970.953 crore and the worth of freebies etc seized was Rs 52.26s 7 crore.

Rs 18.14cr
Worth of the cash seized in Mumbai

Rs 52.91cr
Worth of the cash seized in Maharashtra

Rs 781.82cr
Worth of the cash seized across the country

Liquor sales spike this month
Liquor sales have increased in the past 25 days by 10% in Thane district. Last year this month, 19,62,000 litres of liquor was sold in Thane district, and this year this month 20,06,000 litres of liquor has been sold so far. According to an Excise Department official, despite the severe summer, people are consuming whisky, while compared to last year, the sale of beer has reduced.

Earlier this month mid-day had reported that the Thane Election Commission and ED have sent notices to wine shop owners regarding maintaining proper sale records, to avoid cancellation of licences. "We have told them that we will compare sales of this period during last year and take action if they have increased drastically," said an ED official.
The ED and EC have been extra vigilant due to illegal sales during elections.

ED official Y Rathod, said, "Owners usually keep their shops open for longer hours during elections and sell liquor illegally. We have extra teams this time and have followed with strict checking. Due to this the transportation of liquor reduced during the elections. Also wine shop owners have kept their records clear this time."

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A teenager lost his hard-earned money that he was taking home to Bihar, when four to five people looted it. The accused, one of whom attacked him with a knife are at large, and he feels it is God's grace that he is alive and with his family.

Dharmesh Sharma, 19, a resident of Kalyan, works as a JCB operator. According to Sharma, on April 23, he wanted to go to Bihar by a train which starts from Kalyan railway station. At the inquiry window he was told it would arrive at 11 pm.

A person standing nearby claimed he was also going to Bihar and took him to platform 6. Later the man told him the train would start from Kurla (LTT) and after convincing him, took him there on the pretext of better seats.

But at Kurla the accused took him to an isolated spot, and threatening him with a knife, asked him for his valuables. "I pushed him and started running away. But he attacked me with the knife," alleged Sharma.

Soon, the man was joined by four-five more men who stole Rs 7,000 from Sharma, and his mobile. Senior Inspector Kalyan GRP, A Bartakke said, "We have registered the offence. We waiting for Sharma, so we can get details on the suspects' appearance etc."

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The Juhu police have arrested a 37-year-old man for allegedly flashing and making vulgar gestures at women and college students while riding his bike between Juhu and Khar. According to the police, he has been identified as Nitin Bharadwaj, a resident of Malad.

Requesting anonymity, a police officer said, "Bharadwaj used to target women and students near malls, gyms and other public areas along the Santacruz-Juhu-Khar stretch. To avoid being seen in CCTV footages, he would wear helmets all the time."

Speaking to mid-day, Pandharinath Wavhal, senior PI of Juhu police station said, "We have been receiving several complaints about the same type of offence. A team was formed under the supervision of Deputy Commissioner of Police (DCP) Paramjit Singh Dahiya, and after working on the case for 90 days, we finally caught hold of the accused."
Police sources said that Bharadwaj was an estate agent and he runs a family jewellery business. Till now, a total of seven cases have been registered against him, of which the Juhu police have five.

A police officer said, "A team of 15 police personnel headed by two senior officers was formed. In the course of the investigation, police checked more than 300 vehicles and 100 CCTV cameras. It was getting all the more difficult for them as the accused used to change his number plates whenever he travelled between Malad and Juhu."

Meanwhile, the cops were working on the details of the accused provided by the victims, and this, apart from human intelligence, helped them nab the culprit. Speaking to mid-day, Dahiya said, "The accused has been arrested under relevant sections of the IPC and POCSO Act. We are checking whether he has any criminal records in other police stations. After being produced in court, he was sent to police custody till April 30."

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NCP chief Sharad Pawar pitched for a stable government at the Centre and urged citizens to come out in large numbers to cast their votes as he exercised his democratic right on Monday. Voting was underway for the fourth phase of Lok Sabha polls in 72 parliamentary constituencies spread across nine states.

#Mumbai: NCP Chief Sharad Pawar after casting his vote at polling booth 31 in Tardeo. #LokSabhaElections2019 pic.twitter.com/G8VNrNwESd

— ANI (@ANI) April 29, 2019

In Maharashtra, polling was being held in 17 seats, including Mumbai. "Today is an important day for the country. It is required that a stable government is formed. It is expected that Mumbaikars will not lag behind, and will exercise their voting right by coming out in large numbers and voting decisively," Pawar, the former Union minister, tweeted in Marathi.

Earlier, BJP MP Poonam Mahajan, Congress nominee Urmila Matondkar, industrialist Anil Ambani and actor Rekha cast their votes in Mumbai in the initial hours of polling. State education minister Vinod Tawde, BJP candidate from Mumhai-North East Manoj Kotak and Congress nominee from Mumbai-Central Eknath Gaikwad were also among the early voters.

Pic courtesy/Bipin Kokate

Anil Ambani was spotted casting his vote in Mumbai

Pic courtesy/Faizan Khan

Manoj Kotak cast his vote in Mumbai

Pic courtesy/Yogen Shah

Urmila Matondkar present at the polling booth to cast her vote.

It was a delight to participate in the festival of democracy, casting my vote is for progressive development of every Indian, for #NewIndia. I urge Mumbaikars to join in and make each vote count! #MumbaikarVoteKar pic.twitter.com/epS3g0Vwk4

— Chowkidar Vinod Tawde (@TawdeVinod) April 29, 2019

An average 18.39 per cent voter turnout was recorded in the first four hours in Maharashtra's 17 seats on Monday as polling for the fourth and last phase of Lok Sabha elections in the state was underway. Polling began at 7 am and long queues were seen outside many booths, some of which were decorated with balloons and 'rangolis' (colourful decorations). The voting figures till 11 am in other constituencies are as follows: Dhule- 18.26 per cent, Dindori - 21.06 per cent, Nashik- 17.22 per cent, Palghar- 21.46 per cent, Bhiwandi- 17.25 per cent, Thane-17.43 per cent, Mumbai-North- 19.46 per cent, Mumbai-North West 17.64 per cent, Mumbai-North East-18.39 per cent, Mumbai-North Central- 16.21 per cent, Mumbai-South Central-16.80 per cent, Mumbai- South 15.51 per cent, Maval- 18.23 per cent, Shirur- 18.65 per cent and Shirdi 20.55 per cent.

Catch up on all the latest Crime, National, International and Hatke news here. Also download the new mid-day Android and iOS apps to get latest updates

Edited by mid-day online desk with inputs from Agencies

In times when Mumbaikars are criticised for not turning up to vote, many people in the North constituency could not vote because their names were missing from the electoral list. All of them have been voting in many elections, even from the same polling booths.

Gyanchand Somani, a 61-year-old Gorai resident, was frustrated after running around from one polling station to another, to find his and his wife's name in the voters' list. "This is not the first time I am voting. And my address has also not changed. How is it possible that my name is not in the list?" questioned Somani.

Bharat Desai's name was also missing

Bharat Desai, a 71-year-old resident of Eksar was also shocked to find that his name was not in the list. "I have been living on D N Mhatre Road for so many years and have always voted from St Rocks' school poll station," said Desai.

Nityanand Nair, who was born and brought up in LIC Colony in Borivali west had the same story to tell. "My entire family is missing from the list whereas we have been voting regularly," said Nair.

Disha Shah, a first time voter, also could not vote as her name was missing

A 22-year-old Babhai resident, Disha Shah, who was excited to vote for the first time was also disappointed. "My family members names were there, but mine was missing," she said.

Initially Mitali Sarvankar, a 21-year-old Kandivali resident was disappointed that her name was not in the list, but she managed to find it. "I found my name in Oxford Public School's list, thanks to the helpdesks set-up by different political parties," said Mitali who excitedly showed her inked finger.

Mitali Sarvankar found her name thanks to a helpdesk

Ganesh Mandals help

In areas such as Borivali and Kandivali, Ganesh Mandals, Senior Citizen's groups etc helped voters find their names in the lists and where they had to go to vote. "Though we are registered as Ganesh Mandals, we are all friends from this locality and hold several other activities. Setting up a helpdesk is part of our work," said Deepak Thorat, president of the Shree Siddhivinayak Navatarun Mitra Mandal.

Vijay Kate and his friends, all senior citizens also set up helpdesks. "So many people are frustrated with their names missing from voters' list. There have been instances when two family members' names are there and others are missing," said Kate.

Local restaurants pitch in

Several local restaurants had put up stalls to give out coupons of 10 per cent discount to voters. Many voters made it a point to stop by to pick them up.

Also Read: Elections 2019 in Mumbai: Voters, poll officials confused over ban on mobile phones

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Amid the busy polling booths across the city, was a special room at the Mumbadevi polling station called the Sakhi Matadan Kendra - a polling booth managed entirely by women. The room had four female election officers dressed in sarees and the centre was entirely guarded by female police officers too.

The Election Commission began this unique initiative of an all-female polling centre in every constituency to make the electoral process more women-friendly. The booths were also decorated with rangoli and other art while cold drinks were offered to all the voters at these booths.

A senior officer at the booth told mid-day that the balloon and flower decorations and an all-women staff was meant to "encourage more female voters to cast their votes. It also provided a sense of refreshment among the chaos and tension of elections," she said. The Sakhi Matadan Kendra took up one room among the four at the Mumbadevi polling station.

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I began my Monday by first casting my vote and returned with both my index fingers inked at Municipal School No 1, Pratiksha Nagar.

I reached the polling station at 7.15 am and joined the queue there, but due to some technical snag, it took half an hour for the proceedings to start. Four voters who cast their votes before me were inked on their right-hand index finger and the official there wanted to do the same with me too.

Election 2019: Prominent personalities, other Mumbaikars come out to caste vote!

I informed him that the correct way was to mark the left index finger. He insisted on marking my right hand though and when I requested meeting his senior official to confirm, his colleagues told him that it was indeed the left-hand index finger that must be marked. When he realised his mistake, he wanted to ink my left index finger to rectify his error.

I tried to reason with him saying it was okay now that he had marked my right hand, but he wouldn't budge. While he was ultimately satisfied at having done his job, I had to roam around with two fingers inked.

Salman Khan, SRK, Ranveer Singh, Kangana, Bachchans step out for voting

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Those who take on the world with ideas that outlive them belong as much — perhaps more — to it as they do to their families. While their work and public lives are well-documented, the personal side often remains obscured; the hardships and sacrifices taking a backseat as glory, at times infamy, take centre stage.

In Jenny von Westphalen, however, Karl Marx didn't just find a companion who provided him emotional strength and succour as the Marxes battled penury, persecution and the death of four of their children, but also an unrelenting collaborator as he analysed the flaws of capitalism and provided an alternative that continues to stir up impassioned debates. On the political theorist and revolutionary's 201st birth anniversary on May 5, Michaela Talwar and Satchit Puranik are bringing together their German and Indian backgrounds in the new play Mrs & Marx, to present what they call an impossible love story.

Michaela Talwar

Playing themselves, the city-based artistes invoke the spirits of Karl and Jenny (pronounced Yenny) to examine their story through the annals of history. A Harkat Studios production, work began on it exactly a year ago, on the 200th anniversary of Marx. It is a multilingual piece of documentary theatre that juxtaposes the performers' experiences in the present day with that of the world of the Marxes.

"I am privileged to know German. I read several of Jenny's letters, which opened an insight into her personality. Far from a meek housewife, she was a theatre critic, who was unapologetically outspoken," says Talwar, for whom collaborating with Puranik was an easy decision after she watched the production, Karl Marx in Kalbadevi, in which he plays the protagonist.

Puranik explains how his lived experience after marriage further refined Marx's theories and analysis of capital and cash supply, while Talwar says, "Marx wasn't a feminist to start with. [But with Jenny's outspokenness], he would learn to appreciate a woman's opinion. So, she set a subtle but effective example of feminism." Puranik adds, "'Social progress can be measured exactly by the social position of the fair sex...' is among Marx's oft-quoted statements. He rejected the idea of private property, which lay at the core of patriarchy. Even in his analysis of class struggle, he spoke of how women were appropriated into the factory system."

Two centuries after Marx and his beloved comrade and friend Friedrich Engels wrote The Communist Manifesto, communism as a political ideology struggles for survival today, existing only in a few pockets around the world, including India. Drawing from her experiences in India and Germany, Talwar tells us that opinions on Marx here swing between a deified and demonised image, while in Germany, it is easier to come across detached dissection of his works.

What remains undisputed however, say the directors and actors, is Marx's relevance. "With the financial depression of 2007-08, even his harshest critics couldn't escape the fact that through his works, he lives on to haunt them," asserts Puranik, while Talwar shares, "Nothing has changed in these 200 years, and the world remains an extremely unequal place." But she is quick to add, "Whether you believe in Marxism or not, this is a hopeful play; one that fights the discourse of hate that surrounds us with a love story."

On: May 5, 8 pm (for ages 15 and above)
At: Tata Garden, NCPA, Nariman Point.
Call: 22824567
Entry: Rs 300

ON: May 12, 7.30 pm
At: G5A Foundation for Contemporary Culture, Laxmi Mills, Shakti Mills Lane, Mahalaxmi.
Log on to: bookmyshow.com
Entry: Rs 500

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The 'glamourless' north east Parliamentary constituency saw a lot of drama on voting day since morning. Comprising six assembly constituencies, it saw 55.35 per cent voter turnout. In 2014 the constituency had registered a 51.70 per cent turnout. Of this Ghatkopar east topped the list with 60.30 per cent followed by Mulund at 60.10 per cent, Vikhroli at 59.03 per cent, Bhandup west at 57 per cent, Ghatkopar west at 53.81 per cent and Mankhurd Shivaji Nagar at 44.02 per cent.

'Polling centre goes missing'

The day started with voters at Bhandup east complaining of an entire polling centre gone missing and alleged that it had been shifted two km away without prior notice. Citizens said they realised it only after reaching the spot and did not know what to do.

Bhandup resident Chandra Sreenivasan alleged that it was a ploy to discourage voters. "I wanted to vote. I fought with the election officer on duty and said that such tricks would not put off voters if they intended to do that. We have been voting at the same BMC garden every time and this time when we got the election slip, it had the same address but when we reached the spot, there was nothing there. A few locals then told us that it had been shifted near the old Bhandup phatak which is about 2 km away from the location," she told mid-day.

"The old and ill will not travel 2 km to an unknown spot, but I did not give up. I took an auto and went all the way there and fired the election staff on duty. When I questioned them, they said that they had just received a message in the morning to report here," she added. Election officials, however, said that it was decided to shift the polling centre from the garden to a building and a notice had been put up in the garden, though Sreenivasan said there were no notices.

Candidate posters put up

The BJP's secretary Vivekanand Gupta said they had reported a complaint against the NCP candidate after they found a banner with his photograph within 100 metres of the polling booth in Bhandup. He requested the EC to direct police officials to remove it immediately.

Faulty EVMs

Several complaints of faulty Electronic Voting Machines (EVMs) came to the fore during voting throughout the day, delaying the processes from 45 minutes to one hour. At some centres, there were issues with the Voter Verified Paper Audit Trail (VVPAT) slip as it was not visible after voting and in some cases there was an error displayed. At booth 93 at Sharon English School in Mulund the voting had to stopped after the EVM developed a snag and an engineer had to be summoned to fix it. Voting restarted after 45 minutes.

Also Read: Elections 2019 in Mumbai: Voters, poll officials confused over ban on mobile phones

Candidate's switch disabled

An independent candidate, Anil Hebbar said his name was disabled on EVMs, and after his complaint the machines were replaced. "At booth 155/272 in Mulund, button no 14 next to my name was disabled. The officer in-charge discovered it before polling started and changed the ballot unit leading to a delay of 1 hr and 15 min," he said.

Voted, but not inked

A voter, Reena Verghese, alleged that she cast her vote in booth 243 at St Pius School in Mulund west, but her finger was not inked. She went again inside the booth to get the mark on her finger when she realised this.

Sr citizen's name missing

Kalawati Tambe, 86, missed out on voting as her name was missing from the electoral list. A resident of Kannamwar Nagar building 14, all her neighbours' names were on the list but her's did not figure. She said she came to vote though she was in her hometown for past few days. She complained that she had to climb onto the first floor, her legs were paining and she was very unhappy that she could not vote.

Jugaad chairs

At many places the election commission had put up jugaad chairs tied to sticks like a palkhi to carry senior citizens to upper floors in buildings where there were no lifts. "They showed videos of all those fancy automatic chairs, but they assembled such jugaad plastic chairs," Harkishan Rai, a senior citizen said. The rule of not allowing mobile phones was also leniently followed with cops telling voters that they could carry phones, but requested them to switch them off.

55.35pc

The voter turnout in North East

Also Read: Elections 2019 in Mumbai: Physically challenged, elderly, get little help at polling stations

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Thanks to our time spent in North India, we belong to that bunch of foodies who will settle for nothing short of the ideal version each time we decide to try out a new eatery.

And so we set out to try a parantha and roll delivery kitchen that has recently opened in Chembur. We use an app to order classics like aloo and mooli parantha (R160 each), as well as a chicken tikka roll (R150), chicken shawarma (R110) and a double chicken omelette roll (R190). The service is abysmally slow: we wait for about an hour and 15 minutes for our order to arrive, contrary to their promise of 40 minutes. The reason, we learn is that since it's a home kitchen, all the ingredients aren't available.

Chicken tikka roll. Pics/Datta Kumbhar

The aloo parantha has a decent amount of filling, but lacks salt. And the biggest miss — especially if you've enjoyed countless, delicious North Indian versions — is that the parantha is served without any makkhan. We move on to the mooli parantha, only to realise that it is actually another kind of aloo parantha. We use their measly portion of kokum (R70) to wash the disappointment down with.

Next, we try the chicken shawarma roll, but cannot taste the filling inside, which they have substituted with another chicken roll filling. We bite into it, and in contrast to our forgettable experience with the paranthas, are surprised by the tasty combination of succulent tikka pieces and chutney. It's a no-nonsense approach sans any added masala makes it the star of the deli order. The egg variant is juicier and for once, they have actually doubled up the amount of filling. We'll order their rolls, if we are prepared to check our order and call them to see if there will be any delays.

Kokum

At Loving Paratha & Roll, Jai hind nagar, Samaj Kalyan Society, Chembur East.
Time 8.30 am to 11 pm
Call 7506464646
(for delivery)

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A still from Some Stories Around Witches

In the tribal villages of Odisha, a teenage girl kills an elderly relative believing that she is a witch and the cause of her father’s death. Overnight, a village turns into a mob to kill three people — a man and two women — who were identified as witches by a witch doctor. Meanwhile, a family is threatened and ostracised, for it is believed they bring ill fate, after they cook meat.

Lipika Singh Darai

The audience is engaged with three real life incidents in the 53-minute documentary, Some Stories Around Witches. Directed by Bhubaneswar-based FTII alumnus Lipika Singh Darai and produced by the Public Service Broadcasting Trust (PSBT), the film explores the politics of witch hunting and the humanitarian crisis surrounding it. It will be screened tomorrow as part of the 22nd edition of Dr Bhau Daji Lad Mumbai City Museum’s monthly screening programme, Movies At The Museum.

“There is a mystery surrounding tradition and myths about witchcraft but we should also see it in the light of socio economics and politics to understand the complexity of the events. The cases are very sensitive and my priority was to make the camera’s presence insignificant,” says Darai, who will be present for a Q&A session post the screening, which marks its premiere in Mumbai.

At the event, also catch the screening of another PSBT production, There Is Something In The Air. Directed by Delhi-based filmmaker Iram Ghufran, the Hindi-Urdu documentary is a series of dream narratives, and accounts of spiritual possession as experienced by women ‘petitioners’ at the shrine of a Sufi saint in north India.

Haitham with Shah Rukh Khan on the sets of Dil Hai Hindustani where the two sang SRK’s chartbuster Jabra Fan

When we meet Haitham Mohammed Rafi inside the dimly-lit sets of a popular music reality show, he stands out from those sitting beside him. The white of his traditional dishdasha and the colourful turban — called the massar — make him look like an anomaly. The 23-year-old appears to be closely observing his fellow singer — a girl half his age — who is on stage and singing the famous DDLJ-towel song, 'Mere Khwabon Mein Jo Aaye,' when we raise our hand and call for his attention. There is instant recognition.

"Wallah!" he yells out in Arabic. "How come, you here?" he goes on, in his Middle-Eastern accent.

It has been three years since we first met Haitham. The last time it was in his hometown Muscat, the capital city of the Sultanate of Oman. "I will sing in Bollywood, someday, Inshallah!" he had then rapped, much to the amusement of this correspondent. At the time, we had wished him luck, without mocking his expectations or pointing out the risks.

Last week, when a video of filmmaker Karan Johar sitting in stunned silence after Haitham’s performance of Naina Thag Lenge, went viral on Arab social media, this writer was glad she had kept mum then.

Haitham, an Omani national, has just made it in the final 11 of the first season of music reality show Dil Hai Hindustani. Being an Arab, has only worked in his favour. For the judges, Johar, Badshah, Shalmali Kholgade and Shekhar Ravjiani (of Vishal-Shekhar fame), the first question on their mind was, “Can an Arab sing in Hindi?”

"Okay, maybe!" "But, that good!"

"I have Mohammed Rafi’s blessings," Haitham jokes. Not like, we hadn’t been meaning to ask him the story behind his namesake. Haitham al Balushi takes his middle name, Mohammed Rafi, from his father, who was surprisingly christened by the veteran Hindi singer himself. "Though Omani, my grandfather was a huge fan of Mohammed Rafi," he recounts. “When my father was born, Rafi saab was performing in Bahrain. My grandfather, who was working there, went for the show and managed to have a quick chat with him backstage," he says, adding, “He told Rafi saab, I want you to name my newborn.” The rest, as the Balushi family recalls, is history.

Until seven months ago, Haitham worked as a personal banker with a leading national bank in Muscat. “It was so boring. I hated going to work...it was suffocating," he says. Unable to take it anymore, Haitham put in his papers, and ferociously started looking for opportunities to sing. "I wanted to pursue my passion," he says. We ask him what that is? And, pat comes the reply, "I want to become the first Arab playback singer and composer in Bollywood." Haitham has been harbouring that dream since he was 11.

In Oman, Haitham says, there is no concept of vocal training. "If you're a good singer, you're a good singer." His only source of Bollywood music was audiocassettes and CDs as a child, and later YouTube. "So, when I told my Omani friends that I wanted to become a singer, they laughed. They said, 'You can’t make it big in India…it is so tough'."

On an Indian friend’s advise, he started listening to a lot of ghazals. "I was told that it would help me get my nuances and accent right," he says. His favourite ghazal singers are Jagjit Singh and Rahat Fateh Ali Khan. But, that's how Haitham’s Bollywood dreams first took flight.

In 2012, he became the first Omani to win Muscat Idol, which sees participants mostly from the Indian Diaspora. From there on, due to dearth of a great body of work, Haitham started composing music for Omani TV shows. “But, I realised that I wasn’t enjoying Arabic music. Each time, I sang in Hindi, I was happier,” he says. Of the 500 songs he has composed, 450 were in Hindi. “My mum knew I wasn’t meant for Oman. So, she kept pushing me to try my luck at Indian reality shows,” he says. He tried thrice and failed. The fourth time, he decided to think practically and opted for 'The Voice Ahla Sawt', the Arabic version of the international music show. “Even there, I could not fit in,” he says. This December, after five years of working towards his dream, he got the call. And, that too, from India.

Here, he is still just another contender at the show. But, back home, things have changed for Haitham. After a video of his performance went viral, Omanis in Muscat, who he claims love Hindi cinema, have gone into an overdrive. “I’ve already signed 13 shows in Muscat and Dubai,” he says. “My friends are buying the Indian digital channels, just to watch my show.”

"I think it's a proud moment for my country," Haitham says. Just as we end, he gets his cellphone out, and shows us a photograph of his, clicked with Shah Rukh Khan, where the two are facing each other, striking the latter's signature pose. “India has already opened its arms to me," he gushes.

Sexual harassment is one of the most unfortunate acts that can happen in a workplace. It is a crime in its truest form that puts a woman’s safety and security in question. Sexual harassment is not only difficult to experience, but also an adverse event that is difficult to eliminate. We have heard stories related to sexual harassment in workplaces several times and about female employees getting wrong hints from their male colleagues (managers at times), dirty looks, unwanted dinner invitations, being touched inappropriately or hearing lewd comments. Sexual harassment should be dealt smartly and tactfully. We have listed six such measures to tackle sexual harassment in a workplace:

1. Get in touch with the HR team: Almost every organization has a dedicated Human Resource cell that looks after anti-harassment policies. A woman who falls prey to sexual harassment should immediately get in touch with the anti-harassment team of the HR division for immediate action against the accused and his untoward behavior. Also, the HR team possess good knowledge of anti-harassment policies, which they should implement without any delay.

2. Document the situation: Do not endure sexual harassment and report it immediately. Find out if there are other victims also, gather witnesses and secure the statement of witnesses in written. Also, find out if there are any video recording or CCTV footage of the event. Put all documents and video recordings in front of the HR or top management while complaining.

3. Inform the supervisor: Whoever is harassing you, be it your team member or somebody from other teams, inform your immediate supervisor about the entire incident. Write an official email citing the incident and request the supervisor for a personal meet. A supervisor has the right to know about what is going on with the team members.

4. Draw a line: It is good to engage in jokes and informal talks with colleagues, but do not forget to draw a line and maintain a gap between you and the male colleagues. Be direct and straightforward and speak up when you are not liking their attitude or behaviour towards you. Ask them to stop their 'over-funny' acts and not to cross limits. This will help you tackle sexual harassment in the initial stage right after you get wrong vibes.

5. Talk to the harasser: Do not stay away from the accused and speak with him directly. If he does not apologize and discontinue doing so, let him know that you are going to file an official complaint for being sexually harassed at workplace. If he still continues to harass, take strict and immediate action. Women have the right to go for legal actions too. 

6. Get in touch with senior management: If everything fails and your supervisor cannot take any action against the event, get in touch with the senior management of the organization. Put forth all evidences including video footages and written statements and let the senior management know about it. Ensure that the management handle the situation tactfully and take strict steps against the accused.

Many women who are victims of sexual harassment tend to stay quite because of threats or the fear of losing their jobs. However, this is not the solution to prevent sexual harassment. Women must raise their voice if they are molested or sexually abused in their workplaces. Only if their voices are raised, they will get the strength to fight against such ill acts.

Based on a discussion with Minister for Women and Child Development Maneka Gandhi, the DoPT (Department of Personnel & Training) issued fresh guidelines regarding 'sexual harassment of women at workplace' in December 2016. Following are the guidelines the DoPT issued:

1. Brief details of the implementation of the Sexual Harassment of Women at Workplace Act including the number of cases received and disposed shall form a part of the Annual Report of all ministries/ departments and authorities there under.
2. The enquiry of cases must be completed within 30 days and under any circumstances within 90 days from the date of the complaint.
3. The ministries/ departments etc. have to keep a watch on the complainant so as to ensure that she is not victimized in any manner because of her having filed the complaint. The aggrieved woman has been given further option to send representation to the Secretary or head of the organization in case she feels that she is being victimized because of her complaint. The concerned authority will be required to dispose of this complaint within 15 days.
4. All ministries/ departments etc. are now required to submit a monthly progress report to the Ministry of Women and Child Development so that the progress can be monitored.

Check out a festival that celebrates women's writing across genres, and the long and short forms of writing. Organised by SheThePeople.TV, there will also be workshops on how to get one's work published.

ON: Today, 1 pm; March 18, 11 am onwards.
AT: Goethe-Institut, Kala Ghoda.
REGISTER: shethepeople.tv

Thunderbird. Pic/Illustrated by Tomislav Tomic © Bloomsbury Publishing 2017, taken from Fantastic Beasts and Where to Find Them

One for the muggle library

If you're a Potterhead, you'll love the updated version of Fantastic Beasts And Where To Find Them (Bloomsbury; '599) that comes on shelves 16 years after JK Rowling gave muggles the original edition. An A to Z guide of the magical creatures lurking in the wizarding world, this one includes six new beasts (total of 81 species), new illustrations (neat work by Tomislav Tomic) and a revised foreword by the book's fictional author and magizoologist Newt Scamander. The breezy 144-pager teleported us into the Potter universe as familiar images of Hungarian Horntail and Basilisk flashed before our eyes. We also discovered incredible new beasts, including Thunderbird or Hidebehind. Apart from Scamander's wry humour, evident in the footnotes, we were hooked by the foreword, where he clarifies wild assertions made by Rita Skeeter and hints at being the secret-keeper for Albus Dumbledore. That's some fine foreshadowing, JK.

Gluten-free goodness

We've never shied away from going for the bread basket when it's placed in front of us at a restaurant. But, for those who have embarked on a let's-eat-healthy mission, Kitchen Garden by Suzette has launched the country's first organic, multigrain, gluten free bread, which they say looks and tastes like 'normal' bread. We decided to call for a loaf this week, not knowing what to expect. Organic goodness or just fancy jargon? The bread came as a nicely packaged gigantic loaf. The texture was soft and fluffy. You might not fall in love with it at first go, but with each bite the taste grows on you. Packed with nutrients and fibre, it's got the flavour of buckwheat. We had it with peanut butter and it went well. If you're having a PB & J craving, this could be the healthier version to try.

ACP Sanjay Kadam starts his day early at the gym, before heading to his office in Bandra West. Pic/RANE ASHISH

Right opposite Dongri police station, cut only by a turning road-strip, is a small ground that sees a flurry of activity every evening. Men in khakhi head out here post work, and engage in a few minutes of pushing and pulling under the dim street lighting, before finally calling it a day.

The open-air gymnasium was started 18 months ago. Until then, the vacant plot doubled up as a makeshift storage area for seized goods. But, with a fitness-conscious senior police inspector, Nitin Bangale, at the helm of affairs, the force had a slim chance of escaping a tough physical regime. When not manning his jurisdiction, Bangale goads his juniors to train with him. In 2015, when Sangram Balasaheb Kadam, a trained body-builder, joined as sub-inspector, Bangale found a willing partner to fuel this obsession. Together, they pump enough iron to put Salman Khan to shame. But, could that be said of the rest of the force serving in the 97 police stations within the city's jurisdiction?

Last month, after the Mumbai police fired back at author Shobhaa De for a tweet that fat-shamed a cop, whom she had incorrectly assumed was from Mumbai Police, the force made no pretence at hiding its disdain. Whether this confidence had anything to do with the healthy turnaround that they have witnessed of late, was what piqued our interest. What we learnt on our 'fit cop' trail was that Bajirao Singham and Chulbul Pandey aren't just figments of Bollywood's popular imagination. Some of them are right there in your nearby police thana. The success stories, however, weren't written overnight. They have been in the making for years.

Seasons of change
Mumbai Police historian Deepak Rao says it was Arvind Inamdar, who first introduced the rigours of exercise within the force as joint commissioner of police, crime, in 1987. Now, 77 years old, the retired Mumbai-based top cop, recalls, "Back in the 1980s, the gang wars in Mumbai were at their peak. To tackle them, we started the Special Operations Squad (SOS), with brand new weaponry. But, unless they were physically fit, they wouldn't be able to fight anyone. So, every morning, I would meet them and run with them for at least six kms." However, this fizzled out after five years.

While some health initiatives were revived years later under former CP MN Singh (2002), the noose around ill-health only tightened during the last decade, says Rao. "Unlike earlier, 80 per cent of the force takes fitness seriously. You don't see hawaldars or officers smoking on duty these days," says Chimaji Adhav, inspector, crime branch, Unit 11.

When the present CP, Datta Padsalgikar, took over the post on January 31, 2016, he was confronted with disturbing figures from the previous year's health report. Of the 163 policemen, who reportedly died in 2015, 30 per cent had suffered from heart-related ailments. Long-work hours, stress, and poor-eating habits, were leading contributors to the problem.

Work hours re-jigged
Within a few months of taking charge, Padsalgikar called for a meeting of all senior cops to discuss possible solutions to the problem.

Top on the to-do list was slashing work hours of constables, who form 80 per cent of the force, from 12 to eight. "The idea was to ensure that the constable gets enough time to spend with his family and also exercise. This would ultimately make him mentally and physically fit," said joint CP (Law & Order) Deven Bharti. However, the project is still a work in progress.

Eight months ago, the Mumbai police also launched a free health-check drive, which made it compulsory for every cop to get an annual medical test done.

Defining a cop's fitness
What makes for a fit cop? Someone who has "learnt to start his day with fruit and not chai," says nutritionist Rujuta Diwekar, who has been working with the Mumbai police since 2016. Phase 1 of the Mumbai Police Welfare Project kicked off in October, in Zone IX wherein for over three months, she and her team visited all police stations on Tuesdays and Thursdays to conduct morning and evening sessions. Here, they would share inexpensive tips on diet and relaxation. They also tied up with gyms to help policemen get access to quality workout facilities. "They were reluctant at first — the eight chais a day didn't come down to two for everyone, but we got it down to five. The banana became the first meal of the day. As they observed positive changes in their body, they became more receptive," says Diwekar. The second phase of the programme will see her working with police representatives, in a more feedback-led module.

For holistic health professional Mickey Mehta, who continues to work closely with the Mumbai police, fitness in the force is more about mental resilience. "A cop who can clock in 15 hours a day and still has the energy to go on, is a fit cop. They, I feel, are more tenacious than their counterparts in Delhi and Haryana. The amount of pressure these guys can take is not funny," says Mehta, who conducted a training camp at Naigaon last year. The road to fitness, he says, is an uphill one for the police. There aren't enough training facilities, and maintaining a diet is a challenge. But, he rules out the need for gyms. "We don't want beefcakes. We are looking at resilient cops, not athletic ones. I recommend a desi workout — 21 minutes of dand baithak (push-ups/squats), stretching, naukasan (boat pose), chakrasan (wheel pose), dhanurasan (bow pose). They need more of military drills and agility training. For instance, I'd scatter potatoes on the ground and make them collect them in the least time possible."

While expert guidance is always at hand, the force too, has its own set of in-house experts. Inspector Sanjay Nikam, crime branch, was a fitness enthusiast even before joining the force in 2001. However, for him the need for mental strength trumps physical fitness. "When you don't have the opportunity to maintain a proper diet and get good rest, it is only your mental strength that keeps you going," says the 41-year-old, who set up a gym at the Wadala (East) police station, which was his first posting. "That gym is still used by policemen. Later, when I moved to Unit 4, I built one on the upper floor," says the inspector who would organise body-building competitions between 2001 and 2006, for the police force. Nikam's sustained efforts also inspired his seniors, who have followed his example and provided fitness equipment at their respective outposts.

DCP Dr Vinay Rathod enjoys the advantage of being a medical expert himself. "Having worked as a resident in one of Nagpur's busiest medical colleges has helped me deal with stress and pain. That comes handy when my staff approaches me for help. If someone has migraine or acidity, I'll recommend anulom vilom. The body's well-being impacts the mind and vice versa," says Rathod, who has run the half marathon for five years.

An endearing image
Sub-inspector Sangram, who grew up idolising Ashok Kamte, former additional CP, Mumbai police, still remembers the late cop toiling away at his gym in Kolhapur, during a brief posting there. Another popular role model is Himanshu Roy. ACP Sanjay Kadam says, "He changed how people perceived the police force. When he walked into the crowd, people scattered, not out of fear, but respect."

The ACP says that when a cop is fit, his confidence "increases by 100 per cent". "It boosts your morale," he says, adding that you begin to feel like a 'superhuman,' which changes how you handle work too.

Image consultant Rukhsana Eisa stresses on the importance of a smart-looking cop, because that has a direct impact on how the public perceives them. "Fitness will translate into confidence and that in turn will lend them a positive demea-nour while interacting with people. If they maintain a correct posture and a level of hygeine, it only adds to the overall image of a fit cop. This way, the feeling of negativity that people generally tend to associate with the police, will fade away."

ACP Sanjay Kadam starts his day early at the gym, before heading to his office in Bandra West.  PIC/SHADAB KHAN

Sanjay Kadam, 56ACP, Bandra police division
I begin my day at 6 am with a glass of milk and four almonds. An hour later, I head to the gym. I become a child in the gym, working out for at least two hours. I do a combination of weights, cardio and functional exercises. If I had to give advice on staying healthy, I would suggest taking packed lunch from home. On most days, my dabba comprises four to five rotis and sabzi. I eat rice only on Sundays. I don't smoke, drink or have tea.

Mickey Mehta, holistic health professional
Mehta says, "A cop who can clock in 15 hours a day and still has the energy to go on, is a fit cop. Mumbai cops, I feel, are more tenacious than their counterparts in Delhi and Haryana. The amount of pressure these guys can take, is not funny." For tenacious cops, not beefcakes, he recommends a desi workout of dand baithaks and yoga asanas.

Rujuta Diwekar, nutritionist
Diwekar and her team have been working with the force since 2016, sharing inexpensive diet and fitness tips. She says making the banana the first bite of the day is a small victory.

Arvind Inamdar is believed to have introduced the rigours of exercise within the force as joint commis-sioner of police, crime, in 1987

Himanshu Roy, former ATS Maharashtra chief, says ACP Sanjay Kadam, changed how people perceived the police force with his image.

Sub-inspector Sangram Balasaheb Kadam often works out with his immediate boss, senior PI Nitin Bangale, at a gym near Dongri police station. Pic/SHADAB KHAN 

Sangram Balasaheb Kadam, 29 Sub-inspector, Dongri Police Station
There's never a fixed schedule [for a police officer]. But, if I start work at 8 am, I wake up at 6.30 am. My diet is different because I am training to become a professional bodybuilder. I begin my day with six boiled eggs, one boiled sweet potato and oats soaked in water. I pack my own dabba. So, around 10 am, irrespective of where I am, I eat three boiled eggs, and a sweet potato. For lunch, I eat two chapatis and 300gm boiled chicken. This is followed by a cup of brown rice and 2 boiled eggs at 5 pm. At 9 pm, just before my workout, I have 3 boiled eggs again and mosambi juice, followed by a protein shake. Dinner is at around 12.30 and is the same as lunch.

DCP Vinay Rathod runs at least 15-20 km each week. Pic/BIPIN KOKATE

Dr Vinay Rathod DCP (Detection), Crime Branch
I joined Force 1 (a specialised counter terrorism unit) in 2011. For this, you need to undergo commando training for two months, where you run 25 km in full gear, while carrying 30 kg. I completed my training and then ran my first half marathon in 2011. Since then, running has become a part of life. I run three times a week and try to clock 15-20 km over seven days. As marathon season approaches, I increase the mileage to 17 km and then leave it at that. Also, while running the race, I am not keen on minimising time. I finish it comfortably in 2.5 hours. I intend to take my officers on regular treks as part of their physical training.

Inspector Chimaji Adhav swims twice a week to stay fit. Pic/NIMESH DAVE

Chimaji Adhav, 47 Inspector, Crime Branch, Unit 11
I wake up at 5.30 am and head out for a one-hour morning walk. I follow that with an hour in the gym in my housing society, where I do weights, skip-jumping and walk the treadmill. Twice a week, I swim. For breakfast, I have chapati-bhaji and do a light lunch if I get the time, which is usually three days a week. Else, I make do with a vada pao and bananas. For dinner, I have chapati-bhaji and one glass of milk.

Inspector Sanjay Nikam carries a mobile workout kit wherever he goes, so that he doesn’t miss a session

Sanjay Nikam, 41 Inspector, Crime Branch, Unit 4
I follow a seven-day workout rule because during a work week, you are bound to miss at least one day. My morning and evening workout schedule lasts from 6.30 to 8.30 am, and 20 minutes after 9 pm. In the morning I do cardio and weights. In the night, it's walking, running and lunges. I also carry a mobile workout kit, comprising extension, rollers and dip sets. That helps me maintain my schedule even when I'm on duty, especially out-station. I begin my day with 15 egg whites and a glass of protein shake, followed by a light lunch of three chapatis and bhaji (if possible). Between 4 and 5 pm, I have 100 grams of chicken. At 7 pm, I have a light snack with coffee. This is my last meal for the day. I only have a glass of warm water before going to bed.

Constable Sushant Mohite is professional body builder and continues to participate at events

Sushant Mohite, 30 Constable, LOCAL ARMS DIVISION, MAROL
I wake at 6 am, and eat an apple, three boiled egg whites, and brown bread or chapati. At 10 am, I eat two to three idlis, a banana and drink a glass of mosambi juice. If I don't manage to get my hands on this, I eat a sandwich without butter and potatoes. For lunch, I eat boiled chicken, chapatis and salad. Around 5 pm, I eat dry fruit, apple and some boiled eggs. Dinner is light with salad and fruit. I work out twice a day — 20 minutes in the morning and another 20 in the evening. I have struggled with my fitness, but a disciplined lifestyle has helped.

Raj Khatri at his Malad home. Pic/NIMESH DAVE

As a teen studying at a Khandala boarding school, Raj Khatri was an ardent fan of Hardy Boys. Every week, he’d head to the school library to pick up a copy from the limited edition series, The Hardy Boys Casefiles, that explored mature, espionage-based themes. But he never read a single one. "It was to gaze lovingly at the cover," he laughs. "If you remember, the cover always carried an action shot. Sometimes, it was of a car chase or a person fleeing an explosion or a man hanging precariously from a bridge. They [covers] had a dynamic, kinetic energy that I loved." He would then return to the dorm, sit with a paper and recreate the cover of the week in his notebook.

Khatri, now 35, continues to nurture his fascination with pop art and posters. He spends hours recreating posters of iconic Hollywood films and television shows, presenting his own unique interpretation. Spearheading the alternative movie poster movement in India, now a global phenomenon, Khatri creates re-imagined posters using bold brushstrokes and vibrant colours. Kill Bill, The Dark Knight and The Matrix have all got a cover each. "What artists usually do is take one object from the film and create a poster around it. I decided to make posters that look like abstract paintings, but when you place the movie’s name below them, you get the message."

Most Hollywood films, he explains, have a thematic colour palette. "Uma Thurman’s yellow costume became synonymous with Kill Bill. I watched it and made notes of all the focal elements in the film," he says, adding that he makes posters keeping a film’s fans in mind. "For instance, in the 2014 film, Night Crawler, there’s an iconic red car that the protagonist drives. You’ll get the poster only if you’ve watched the film."

It was on an impulse, that he decided to upload the posters on social media in 2010, not realising they would get him recognition. The artworks later landed him a chance to exhibit his work at a Los Angeles exhibition in 2014. The following year, he launched his first minimal series posters — a take off from alternative posters that instantly went viral.

As creative head with a city-based ad firm, Khatri is also the man behind original posters for Hindi cinema projects Neerja, Phantom, Kahaani 2 and Bang Bang. "Of course, I love the process of digitally creating movie posters, but more often than not, there’s a filter between what I conceive and what is released. It’s not entirely indigenous because there are so many people involved and they all have an input to offer. After a point, fatigue develops," he says.

It was the creative release that alternative posters offered him and a Wacom tablet that his girlfriend, now wife, gave him that saw him through. "No pesky clients and deadlines. I was free to use my own style, and that’s what I love about this," he says.

Bhrigu Sahni at a concert at antiSOCIAL earlier this week. Pic/Satej Shinde

The use of guitar isn't limited to playing solos and rhythms using a plectrum (a small flexible piece of plastic). When a discussion emerges about the co-existence of genres within the guitar language, there is a lack of clarity between Flamenco, Western Classical and finger-style. One can pluck (guitar) strings with their fingers but finger-style is a technique that involves the usage of fingertips, nails and the palm. You need to hit the woodwork for percussions. The sound is a perfect balance of bass, treble and harmonies. These days, Mumbai is witnessing the rise of finger-style guitarists. While some learnt from watching videos of legends like Andy McKee and Tommy Emmanuel, others took a cue out of popular songs.

Manan Gupta

One-man band
"By playing finger-style, one can arrange a whole song by playing the bass line, melody, rhythm and harmony simultaneously without using any backing track," shares Manan Gupta. The 23-year-old started off as a pianist but the track Drifting (by McKee) brought him closer to guitar.

Gupta believes finger-style also helps a musician to be self-sufficient. "You are a one-man band; there is no need to rely on other musicians to co-ordinate rehearsal timings," chuckles Gupta, whose tune Dear Mother (released in 2013) is an online hit.

Local inspirations
Bhrigu Sahni, who has toured the Mumbai-Pune circuit, took to the genre after watching his father play Western Classical. "As a kid, I realised that this style had the ability to create a rich musical tapestry. It is challenging to sustain being just a finger-style player but that shouldn't deter one from following his heart," says Sahni, who is a Berklee graduate and has jammed with Karsh Kale and Angelique Kidjo.

Unlike others, he also pointed out a few names among Indians who inspired him. "I went to Rock and Jazz concerts when I was 15. I used to improvise after watching guitarists like Sanjay Joseph and Derek Julian," he adds. Sahni released his debut album, What is Now, last year in New York. "I shuffle between Brooklyn, Khadki (Pune) and Mumbai for gigs," he shares.

Varun Singh started his journey listening to Eric Clapton. He even played for Metal band Albatross for sometime, but the song More Than Words (Extreme) pushed him towards finger-style. He seconds Sahni highlighting guitarists from India who are fluent with it. "Mahesh Tinaikar (Indus Creed) and Floyd Fernandes are great examples. Clapton's Tears In Heaven is a finger-style song too," he shares. The 23-year-old recently released a video of a song called Midnight Express paying tribute to Nuno Bettencourt. "He is my hero."

(From left) Kamal Sidhu, Purab Kohli, Dino Morea, Maria Goretti, Cyrus Sahukar, Mini Mathur, Cyrus Broacha, Luke Kenny. Location Courtesy/The Bombay Canteen; Pics/Rane Ashish

When video killed the radio star in the 1990s, we were not complaining. Our eyes were glued to the TV as cable television made its debut. We had heard our rock and pop idols on FM, and now, we had them, in our living rooms. MTV had landed, followed by Channel V. Along with them came a glam and chatty species called VJs. On them we pinned our hope for a favourite song, crushed on them, and sought fashion wisdom during our fumbling teenage years. Suddenly, we had new pin-up stars.

At a reunion of India's first set of VJs at Lower Parel's The Bombay Canteen, we saw model-VJ from MTV and Channel V Kamal Sidhu; the brain behind Channel V Luke Kenny; mad-hatter MTV VJ Cyrus Broacha; crush-worthy Channel V VJ Purab Kohli; model-actor with dear dimples Dino Morea; MTV's effervescent Mini Mathur; MTV's Mr Comical Cyrus Sahukar and MTV VJ-turned-food TV host Maria Goretti.

Madness ensued, with a whole lot of laughter and wisecracks. There were blows below the belt but not a brow was raised. For us, the '90s kids, they were the epitome of cool. It's true that we saw them in a different light — some of them are now parents — but they are just as charming.

Launching with the '90S
Kamal: I think I speak for everyone when I say, without the '90s, we wouldn't have had a career.

Mini: I was doing TV much before music television arrived. At that time, all of it was based out of Delhi, and only fiction came out of Bombay. But the music channels made it all cool.

Cyrus S: There were a handful of these networks in operation. It was a great time to be in and we got away with murder.

Luke: One of the things that happened was that the 18 to 24 demographic was created. That's the demographic for youth programming even today. Once 2000 rolled in, the concept of the TV anchor was born, but the VJ had died.

Kamal Sidhu makes a point as Purab Kohli listens in

Kamal: While the role of the VJ was fairly new to India, around the world there were VJs we were exposed to. In Canada, we had a local music channel, which didn't allow MTV to enter the country. There was Downtown Julie Brown (who hosted Club MTV from 1987 to 1992). On the show, the light switch went on, with the camera going up her legs and under her skirt, while she went, 'Waba Waba Waba Downtown Julie Brown'. She was among the real pioneers. When MTV launched in Asia, we beamed shows from Hong Kong. And, then, we launched in India with a party at the Taj Mahal Hotel [in 1992] in Mumbai. It was called The Bombay Blast Weekend. It received a lot of backlash, I remember, because the riots (Babri Masjid) had just happened.

Where i want to be: Vjing
Maria: I used to watch Kamal and Danny [McGill] VJ, and, suddenly, I was one of them. I didn't know what I was getting into until I did. The thing about VJing in the '90s was that it let you be who you wanted to be. I was lucky to be part of something I loved. Today, everyone wants to be something more, so, a lot of people get nudged out of television. MTV put Indian VJs on air and that changed something. It was now damn cool to be Indian; there was no need to have an accent. I didn't realise I was cool but apparently, I was.

Purab: I joined Channel V as a host for a travel show, and, gradually, when other slots opened, I started VJing too. There was a serious naiveté back then and VJing wasn't thought of as a stepping-stone to other things.

Cyrus Sahukar tells a story to Luke Kenny

Cyrus S: We were all there with the knowledge that this where we want to be.

Behind the scenes
Purab: There were times when we shot close to five episodes a day. It was intense. Sophiya [Haque], Laila [Rouass] and Meghna [Reddy] would do their own make up, write their own shows and select their own music. There was a transition, when I came in 1999 to Channel V. There was one show where we were asked to write and select songs. We would run it by Luke.

Cyrus B: Luke? Was everything right?

Purab: Yes!

Cyrus B: Luke himself didn't know what his designation was.

Purab: He would approve songs and that was our process.

Maria: Producers hated it when VJs would get together because that meant no one would be working. Once a year, we did a show together for Christmas or New Year and that would be a blast. I miss all of us working together — miss the travelling, the early morning flights, sleeping at airports because we had missed our plane. When I look back I realise that what I did was part of history.

Music then, music now
Luke: What do I think of the indie music scene? It's very niche, and some of the musicians have a chip on their shoulder. But, that aside, what business are they doing? Few manage to get paying gigs, and whoever turns up to support, comes, has a drink, pays R300 and then doesn't buy the album. How does it help the artist? I have been consulting with Channel V recently, and we are trying to go back to the model where the music channel only plays music, and supports indie acts by giving their originals air time.

Cyrus Broacha monkeys around as Dino Morea greets Kamal Sidhu

Kamal: I remember they would send us pop music videos at the Hong Kong office. And most of them were bad. We had to consciously decide to help some artists with their videos. And then Rahman and acts like Indus Creed came in, and the videos changed.

Luke: Kids today love their pop as they did back in the '90s.

Kamal: It was more authentic back then.

Luke: That's because the labels saw a market and invested in it. No one sees a market in today's indie scene.

Cyrus S: They were competing with an international kind of space and knew that spending money on videos was requisite. Everybody was trying to match international standards.
Kamal: And then everything got homogenised into one game plan — the Bollywood game plan.

The '90S role model
Dino: I landed in Bombay in December 1997, looking for opportunities and I remember sharing a room, not even a flat, with a girl who wanted to be a model too. Back in Bangalore, I remember seeing Kamal. I was in college and had to go meet a photographer. There she was, shooting for some perfume or cosmetics ad, and I was like, "Whoa!" Models were these superstars then. I did stare at her.

Kamal: Did I stare back at you?

Dino: (Laughing) I don't think you noticed me.

Sinking into reality
Kamal: A big change from the '90s, well, is that reality television came about, for better or worse.

Luke: One of the earliest reality shows to come was Channel V's Popstars, from which [girl band] Viva emerged. History rewrote itself in that decade with reality television.

Cyrus B: There was also MTV Bakra, which started towards the end of 1999.

Kids with an edge
Kamal: I think it was the time of the Asian liberation. Everything was booming. Also, it was a time for adjustment. Parents of '90s kids looked at people like us and questioned our place as role models. They said, we need to control the remote control.

Luke: No, there was no parental control at all.

Purab: I think it was because those kids were the first movers into the globalisation space.

Cyrus S: Even I used to come home and watch TV. It was a time when I had a VCP, not even a VCR.

Luke: Do you know why those kids had an edge over today's? Because they didn't have these. (Points to a mobile phone).

Maria: I think it was because there was a more organic interaction between people. The communication was real, which I don't see today. These days, it's about the phone. My kids just asked me why they don't have the blue tick on Instagram. Everyone is looking into their phones. We have become tech-savvy but have lost a bit of the soul. (Snapping her fingers). It's now all about reaching a place and changing the game.

Your fav music video of the '90S was?
Luke: Pretty Child by Indus Creed
Cyrus Sahukar: Ice Ice Baby by Vanilla Ice
Dino: Can't Touch This by MC Hammer
Kamal: Anything by AR Rahman
Maria: Freedom by George Michael
Mini: All Sukhbir and Lucky Ali videos

How do you improve on a 1998 game that is so good it is still played today? Not many games can make that claim but Starcraft can with legions of fans and stadium level competitions not bad for a 20-year-old game.

The original Starcraft is free and so anyone with a battle.net account can potentially download and play it, no fancy hardware required. The remastered version, however, costs $15 and it is worth every penny. The game's graphics and sound have had a major update, you can also play multiplayer online complete with leaderboards.

While the new game is friendly to first-time players the online multiplayer is brutal. Prepare to die in minutes. Unfortunately, there is no system in place to train players in the complexity of multiplayer battles in a game that people have been potentially been playing for 20 years.

For fans of Starcraft there is everything that you would ever want in the game. The original game mechanisms are untouched which means everything plays as it should.

Starcraft Remastered
Rating: 4/5
Developer: Blizzard Entertainment
Publisher: Blizzard Entertainment
Platform: PC, Mac
Price: $14.99 (Rs 960 approx)

As promised during the 2016 Auto Expo, Honda Motorcycle and Scooter India (HMSI) brought 50 units of the Africa Twin to India, all of which have been booked and many delivered to enthusiasts across the country. We convinced HMSI to give us some saddle time on what they term "the most reliable, versatile and proven adventure touring motorcycle". Here are six reasons why the Africa Twin stands out.

Planning to go off-road? Press 'G' for Gravel mode

1. Design
The Honda has an imposing stance and the bright red-white-black colour combination is difficult to ignore. Not intimidating maybe, but surely attractive. The Africa Twin has been conceptualised on the company's current Dakar competition bike — the CRF 450. Many parts are very similar to the rally bike including the frame and the brakes. This gives the 2017 Africa Twin the necessary genes it needs to live up to its iconic predecessors that have conquered the Dakar Rally, the world's toughest raid.

Rally style console shows information including speed, gear position, odometer, trip metre and a clock

It's a tall bike with fully adjustable front forks. The dual LED headlights and tall windscreen accentuate the bike's towering figure. The seat's almost triangular shape makes it very comfortable for long rides as well.

2. Engine
This is the largest capacity Africa Twin ever made. Its 999.11-cc twin-cylinder, liquid-cooled engine produces 88.4 PS and 91.9 Nm of torque. The six-speed gearbox is managed through Honda's Dual Clutch Transmission (DCT), which changes gears automatically. The way it delivers power isn't too exciting. Instead, it comes in as a steady flow. However, the convenience of having a DCT makes it very friendly off the roads.

These buttons help engage the riding mode - Auto Drive, Manual or selecting Neutral

3. Using DCT
We have to admit that not having a clutch lever or gearshift felt quite unusual at first, but one can adapt to this in no time. It's brilliant because while off-roading, one can focus on the tricky sections, or stand on the pegs and ride, while the DCT takes care of the clutch modulation and gear selection on your behalf. All you need to do is select the drive or sport riding mode. If you like, you can select manual gearshift too and there are buttons on the left, that can be used to change gears manually on the go.

The seat narrows down as it meets the slender fuel tank, which makes the bike  manageable

Since the bike doesn't come with a clutch there are two things to keep in mind. Firstly, on an Africa Twin, one needs to ensure that the bike is in neutral when stationary, else it might pounce forward if one blips the throttle out of habit. Secondly, the DCT equipped bike comes with a handbrake on the left side of the handlebar, which can be mistaken for a clutch lever.

4. Off-Road Features
The bike comes packed with riding aids, which can help setup the bike in dozens of ways. It gets dedicated switches for gravel riding and one for ABS specifically for off-road, which allows the rear to lock and it can be activated by a simple push of a button. For now, it doesn't include Cornering ABS. There's a dedicated toggle lever just above the passing light on the left switchgear that changes the level of HSTC (Honda Selectable Torque Control).

5. Riding Dynamics
The Africa Twin comes with a massive 21-inch front wheel and an 18-inch wheel at the back, shod with dual-purpose Dunlop tyres. These did manage to give versatile grip on tarmac, wet roads, and even on some loose off-road surface. Long distance touring is what most buyers will be doing with it. There are slots to mount panniers on either side, and hooks to harness your saddlebags. Honda is offering accessories to make the bike more touring friendly.

6. Price and Fuel Efficiency
Honda claims that the bike returns 21.5 km/l, which is pretty decent from a bike of this size. The DCT has a big role to play in this. The 18.8 litre fuel tank will give the Africa Twin a range of close to 400 km. Coming to on-road price, depending on which part of country you belong to the Honda Africa Twin will cost you between R15-R16 lakh (on-road) and will compete with the likes of Triumph Tiger and Ducati Multistrada. The biggest advantage Honda has is its goodwill for making reliable products, and the convenience of having a DCT.

The Accidental Prime Minister
U: Biography, drama
Dir: Vijay Gutte
Cast: Anupam Kher, Akshaye Khanna
Rating:

Given the imagery in the trailer, it is impossible to walk into The Accidental Prime Minister anticipating anything. The intent of its makers is evident: its strategic release, months prior to the election, solidifies its positioning as a propaganda film. Films are meant to have fodder for debate and discussion. And the topic of discussion here, I propose, is how Mayank Tewari, the writer of Newton (one of India’s most balanced political films) and Hansal Mehta (Shahid) came up with something as abhorrent as this.

Probably hoping to pitch this as India’s answer to House Of Cards (HOC), the film’s narrative is too incoherent to make a political statement, let alone start a dialogue. HOC, of course, made with tremendous gumption, never has a political bias. It merely mirrors the goings-on behind the closed doors of the White House. Based on the book by Sanjaya Baru, this movie attempts to make sense of power games in the corridors of the coveted bungalow No. 7, Race Course Road (the official residence of PMO). But there’s no escaping the fact that it can only pass as a run-down, Made In China version of HOC.

If at all the idea was to shame and embarrass the Congress party, the writing here lacks the desired punch. The onus of shaping the material lies in the hands of the director, and Vijay Gutte is visibly inept. Of course, the lofty and on-point casting of Akshaye Khanna as Baru and Anupam Kher as PM Dr Manmohan Singh, salvages the situation considerably, but there’s no saving the film from shoddy direction.

Baru’s book walks the tightrope carefully, making ground-breaking political revelations, but never reducing Dr Singh to a laughable figure. Even his worst critics would agree, Singh was a man of poise. On Gutte’s insistence (or so I would like to believe) Kher turns Singh into a mute cartoon, who deserves to be pitied. It almost feels like the makers want to mock Singh — mimic his voice, slouch his gait. Baru had carefully carved Singh as a fiercely loyal man, standing strong on his ideals; one who is manipulated by the Gandhis (Sonia and Rahul). Gutte never focuses on the vulnerable equations between Singh and the Gandhi family.

He, in fact, allows Khanna to get disturbingly Frank Underwood-ish, turning up the dark humour in every third sentence. Khanna is great at what he does, but he makes Baru seem more like a saffron loyalist, not a Congress insider. Gutte takes us through the hallmarks of the Congress government, from the nuclear deal to the 2G scam, in a news bulletin, decade roundup-sort of a fashion, creating the build up for the film’s Singham (PM Modi). Do we know how Singh felt through it all? That’s for another film. There’s enough to laugh about in this offering, but the joke here is that while Hollywood continues to make great content, we are still nitpicking and name-calling.

Watch The Accidental Prime Minister Trailer

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The Escape Room

U/A: Drama, Mystery, Sci-Fi
Director: Adam Robitel
Cast: Taylor Russell, Logan Miller, Deborah Woll, Jay Ellis, Tyler Labine
Rating: 

These so-called 'live' reality game movies occupy a sub-genre of their own and Hollywood has been churning out quite a few of them following the Young Adult's obsessive fixation with material that encompasses it in entirety. But they are not all as thrilling or compelling as the first few that made it to hit franchise levels.

'Escape Room' is basically a set-up to get rid of six nondescript lone survivors through a series of life-threatening puzzles designed to test their survival instincts. And why pray does that have to happen? There's not much explanation here for that. Just swim with the tide, is all they ask. Unfortunately, it's not that easy for the audience because the viewer has to constantly suppress the disbelief that springs up every time the participants go through haranguing moments that willy-nilly put their lives in peril.

Check out the trailer here:

This is a far more perilous version of the more recent spurt of high-risk Telly games and since we don't get to know or understand the participants' motives (other than the 10,000 dollar prize money) it's difficult to empathize or find a reason to pay attention to their trauma. The writers also use some uninteresting physics theory to justify the random six players' participation in a largely predictable schema of disjointed thrills. They are made to go from intense heat to intense cold, then to a gas chamber, a space crusher and a few more vicarious routines before the winner can be decided.

While the production design is vivid, there's not much holding it together. Nik Dodani as nerd Danny, Jason Ellis as irritating yuppie Jason, Tyler Labine as trucker Mike, Deborah Ann Wolf as the tough, capable war vet Amanda, Logan Miller as a young alcoholic Ben and Taylor Russell as a withdrawn college student Zoey put in imminently indistinct, forgettable performances. The writing is largely formulaic too and the helming lacks serious edge. There's really nothing here to hold your attention for the near 100 min runtime.

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Gully Boy
U/A: Drama
Director: Zoya Akhtar
Cast: Ranveer Singh, Alia Bhatt, Siddhant Chaturvedi
Ratings: 

What does it take to so gently bottle up an overflowing volcano like Ranveer Singh, into a completely subdued bloke like Murad? Who is yet someone with such seething anger within, wholly internalised, that you can almost sense his brain inhaling life and surroundings, and exhaling potent words of poetry, in response? It's the script/story, Gully Boy, of course.

Kya bolta hai, bhaay! Lead actor Singh, like this newspaper, grew up in the city this film is set in. He's perhaps, for the first time, playing a character so close to home, and yet so far. For it's also a city that so perennially lives in the cross-section of classes, that all it takes for you to see Bombay and Mumbai at once, is to draw your curtains wide, from any point in the bustling metropolis.

Singh's leading man Murad operates from right at that casual intersection - a college-going temp driver during day (or night), and an amateur rapper, 24x7. There's, on the one hand, plush interiors of high-rise Bombay. And, on the other, stuffy squalor of the city's lower-deck (worthy of poverty tourism), shot by Jay Oza, in a natural gold-dust palette - almost like a dream.

Around these two natural extremes, and with several layers between, Gully Boy is foremost a befitting tribute to Bombay - among very few places in the world where popular art has traditionally existed as possible exit-route for someone born into rags, or resigned to fate/naseeb.

A lot of the times, it's taken a full chawl/slum to raise a star (lyricist, composer, actor, name it). Besides, Internet has made showbiz redundant, making it possible for anyone to pole-vault into stardom, with growing hits, likes, and shares on social media - a fact that was equally well tackled, around a Baroda girl, in Advait Chandan's recent Secret Superstar (2017). And it's the same Internet providing access to inspirations, worldwide.

This is in that sense a global story with a Mumbai heart - totally bereft of any obvious, on-screen self-awareness. Only fair that it should come from director Zoya Akhtar (Luck By Chance, Zindagi Na Milegi Dobara) who, if I'm not mistaken, first developed deep interest in filmmaking through Mira Nair's iconic Salaam Bombay! (1988).

Not one to make gender distinctions among directors, or indeed actors (talent's talent, of course), but I do feel it is Akhtar's deft touch that allows for the female lead character (25-year-old Alia Bhatt: astoundingly amazing, almost as always), and her life's story and insecurities, to take root, and equally flower within a film that is essentially centred on two Mumbai, local, raapchik Rap artistes.

And there's as much to be said about the fact that while the film entirely belongs to Singh, it's his co-rapper (brilliant debutant Siddhant Chaturvedi), who gets to walk around with all the swag instead. It's the interplay between the main and minor characters, spot-on twang, dialogues (by Vijay Maurya), and indeed a superb play-list (put together by Ankur Tewari) that truly makes this movie, the food of love - at 155 minutes, very much a long main course, too.

Maybe because I watched Gully Boy among an altogether Mumbai audience, or perhaps it would the same anywhere: Never have I observed folk at a press preview periodically break into loud claps during key dramatic sequences, especially given that the scenes have been quite subtly staged, in fact. This is a new kind of 'Angry Young Man' movie, in effect - seamlessly merging sub-culture with pop mainstream.

Also Read: From Scarlet Macaw to Unicorn - Ranveer Singh's flora and fauna inspired clothes are hilarious

People in my hall, or indeed outside it, would have first heard about a booming, Mumbai Rap/Hip-hop underground scene, with open-mic nights, and proper gigs at venues like Anti-social (also referenced in the pic), only a few years ago. It's almost at the same time that stand-up comedies in the city began to draw totally untested, raw greenhorns concentrating on the all-important self-expression - or content (which can't be taught) - and then, delivery (which can be learnt).

Rap, or Rhythm and Poetry, you can tell, similarly opens lines of (a very visceral form of) communication - between heartfelt (often antsy) words, thumping beats, and the crowds that instantly relate to both.

This film, as per its opening slate, is a "shout-out" to budding Mumbai stars Naezy (Naved Sheikh) and Divine (Vivian Fernandes). Their story, and of desi rap itself, is still unfolding, as we speak. When it's written in hindsight, I'm pretty sure, this film will be considered, the high-point, if not the turning point, for the genre, after all!

Also Read: Exclusive: Naezy on Gully Boy: People are looking at us like we're pioneers of Indian hip hop

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The Wife
Director: Bjorn Runge
Cast: Glenn Close, Jonathan Pryce, Christian Slater
Rating: 

The two lead performances are what make The Wife so special. In this unsettling drama - an adaptation of the 2003 Meg Wolitzer novel by Jane Anderson - Glenn Close plays Joan, the wife of a Nobel Prize-winning writer Joseph Castleman (Jonathan Pryce).

Directed by Bjorn Runge, The Wife opens in 1992 when Joe and Joan Castleman, in their Connecticut home, are trying to fall asleep when they get a call from the Nobel academy, informing them of the prize. It's their moment of triumph after 40 years of struggle with the written word, in which Joan, supposedly, has played a largely complementary role. Of course, there are flashbacks that hint at her own phenomenal ability to write prose, stifled by a marriage that demands she subjugate her talents to a life of reflected glory in a period (late '50s and early '60s), where women writers were not given the importance they command today.

There's no great suspense or mystery powering this tale of a breakdown that spirals into tragedy at the crowning moment of an author's accomplishments. In fact, Runge doesn't appear to be as interested in developing the suspense as he is in showcasing the unravelling of a suppressed human mind.

Close literally steals the thunder with her role as the devoted wife of a celebrated novelist. She is the keeper of his deepest, darkest secret; a stunningly nuanced expressionism that is more than likely to take your breath away. The restraint and modulation she brings to the role are simply phenomenal. It's a performance that is deservedly walking away with a slew of awards.

Pryce is no mean performer either. His role may not garner much sympathy, but his act complements that of Close so well that you begin to believe in their togetherness.

The Wife is a little compact and contrived, given its novel origins. The attempt to complicate matters for the Castlemans by showcasing their troubled relationship with their budding novelist son, David, seems passé. Also, Joan's seething frustrations don't seem completely justified, even whilst considering the period they take wings in. While the movie is not a great piece of work, the lead artistes definitely are worthy contenders for the awards.

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2019 Oscar Nominated Short Films
U/A: Action, documentary
Director: Reyka Zehtabchi, Rodrigo Sorogoyen, Marianne Farley, Jeremy Comte, Vincente Lambe, Guy Nattivi
Ratings: 

This anthology film features five Oscar-nominated short films each in the Live Action category and one short documentary set in India. The live action line-up includes Madre, Fauve, Marguerite, Detainment, and Skin.

The documentary film Period. End of Sentence by Reyka Zehtabchi from the USA, tells the story of women, in a rural village just outside of Delhi, fighting the deeply rooted stigma of menstruation in India. It's factual, hard-hitting and exposes India's hinterland underbelly that puts premium on dogmatic tradition and self-defeating old school beliefs.

Stills from Detainment

Madre (Mother), a stirring short from Spain directed by Rodrigo Sorogoyen, has a single mother enveloped in a living nightmare - having to deal with her seven-year-old son, who tells her he can't find his father who he was vacationing within the French Basque Country. The film is a taut, frightening thriller that grips you till the end.

Marguerite, the short from Canada, by Marianne Farley, opens up locked-up memories through an evolving friendship between an ageing woman and her nurse, thus allowing her a sort of redemption from all the hurt and guilt accumulated over long lonely years. It's a human story that allows emotions to creep in steadily and eventually makes the precarious journey through memory lane a fulfilling one.

Fauve, another Canadian short, by Jeremy Comte, deals with an innocent, seemingly harmless power game between two boys that eventually turns scary. It's a stirring indictment on the brash, confrontational, competitive arrogance that has enveloped every aspect of young life today.

The most shocking of the lot are, of course, Detainment and Skin. Vincent Lambe's Detainment, a short from Ireland, based on the James Bulger case - for which two 10-year-old boys are detained by police under suspicion of abducting and murdering a toddler. It's a gruesome and harrowing tale told through interview transcripts of the case and the tension-ridden treatment is bound to leave you disturbed and despondent.

Skin, a short from the USA by Guy Nattiv, spins a horrific drama that has its origins in racial incrimination. A black man smiles at a 10-year-old boy in a small supermarket in a blue-collar town, and all hell breaks loose. This one's a blinder about how conditioning rules the way we think and behave even in such harmless, innocuous moments.

This entire package is a delightful showcase of talent and diversity and therefore, rightfully enshrined in the nominations for the best and worthiest shorts of 2018. They are definitely winners!

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Luka Chuppi
U/A: Romance, comedy
Dir: Laxman Utekar
Cast: Kriti Sanon, Kartik Aaryan, Pankaj Tripathi
Ratings: 

If you ever needed a better proof of the fact that most 'star-actors' (especially the new-age ones) are inevitably over-rated, given that the success of their characters, or indeed their films, depends so much on the script: Well, here is one.

This picture stars Kartik Aaryan, lately anointed the rising star among millennials, largely on the back of three super-hit rom-coms in a row - Pyaar Ka Punchnama (2011), its sequel (2015), and Sonu Ke Titu Ki Sweety (2018) - by the same director (Luv Ranjan).

Social media, and of course the usual entertainment portals, have been fired up ever since, capturing his newly captive mass-base. He walks into a picture of a similar genre, with hardly a story, let alone a screenplay, and you can watch the same actor, looking dumbfounded, fumbling all over the frickin' place - much like his film.
Which is about a girl, with a stock-expression (Kriti Sanon), taking stock of her young-adult life. She isn't quite ready to get married. But doesn't mind being with the guy she's just about met. She decides to live-in. For? 20-odd days, pretending to be married, in another town - sounds like a long vacation to me!

Either way, it's a logical step for a modern couple to take. Not for the characters in this movie, who live in seriously moronic times. Local news channels have gone berserk over, "Desh mein naya system aaya hai" - referring to an epidemic called live-in relationships! Goons, with the heroine's dad lording over them, are at every nook and corner, whacking/harassing couples over an inescapable pandemic. A top Khan Bollywood superstar has been boycotted/trolled nationwide for moving in with his girlfriend!

The hero-heroine in this pic play news reporters - continuously covering this earth-shattering story. Those behind the writing of this ultra-filmy picture were obviously born in PVR/Fun Republic. What happens next? Honestly, absolutely nothing. Or rather nothing that you may like to know, since the couple is still very much together, and their families seem okay with them being so forever. Eh?

This is supposed to be a comedy, exploring a perceived taboo, set in small-town India. Which, as a movie, is just the reverse from a decade and half ago, when Bollywood films just had to be set abroad, in order to do well - think Salaam Namaste (2005), also about a couple (Saif Ali Khan, Preity Zinta) living in, but in Melbourne!

Writer Javed Akhtar, astute cultural observer, ascribes this shift towards small towns as a fairly settled, secure, migrant Indian middle-class finding solace in its roots or where it came from. Given a massive string of commercial successes, emanating from stories from Meerut, Agra, Kota, Lucknow, Kanpur and the like, a formula is bound to set in.

This picture is placed in Mathura and Gwalior. An ensemble cast of rustic faces, dressed down, attempt some semi-rural humour, with odd, local mannerisms, and 'horny uncle' sex jokes. There is mention of caste and religion for the realism.

In walks Pankaj Tripathi, giving you a glimpse of how a performer can still rise above poor material - but only that much. Forget the audience, just wondering why/how they managed to chipkao this non-script on an actor, who's seriously in top form right now. Anyhoo, that's probably another story.

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Badla
U/A: Thriller
Dir: Sujoy Ghosh
Cast: Amitabh Bachchan, Taapsee Pannu, Amrita Singh
Ratings: 

Sujoy Ghosh takes us back to the basics with his latest offering. Badla, as the title suggests, is a revenge-drama loosely based on the Spanish thriller, The Invisible Guest. Like with the original, it's not too difficult to decipher the end a good while before we get there.

Yet, Badla isn't predictable. What it certainly does lack, though, is the smarts that could be expected. Ghosh designs this film as more than just a whodunit. He lays out his cards neatly, unfolding one incident after another. So, it's all about cracking codes in the wobbly story, narrated by Naina (Taapsee Pannu), a top-notch businesswoman embroiled in a murder case.

She was found injured in a hotel room, with her lover lying dead on the floor. There is no sign of anyone else entering or leaving the room. Naina maintains, she didn't kill her lover. The film revolves around a single meeting with her potential lawyer, Badal Gupta.

Badla soars because of its unpredictability before we arrive at the end. The key lies in the names of its lead characters - Naina (eyes), a play on how truth depends on whose point of view is being considered. There is an inherent Rashomon philosophy in the narrative. Badal's name is a play on the film's title itself. Ghosh uses these props to confuse his viewers, create mirages that they are frequently misguided by in their tryst to keep the guessing game going.

At one point in the midst of this rigmarole, we look towards the screen and wonder why Bollywood doesn't exploit the terrific Amrita Singh enough. As Bachchan and Pannu battle it out in a verbal duel, it's Singh who does the emotional heavy lifting. Of course, both Bachchan and Pannu are terrific actors, but Pannu's Naina is played in a rather single note. Naina wins awards, is intoxicated by power, and is guilty about her affair. But the required nuances demanded by the narrative are missing from Pannu's act. There are a few genuine shockers, but it is largely a simplistic tale put together in a complicated fashion.

As admirers of thrillers, we are not failed by Ghosh. The tapestry of tension that he weaves is unparalleled. The camerawork by Avik Mukherjee deserves a mention. Set in Glasgow, the setting plays a part that's as essential as the characters. I was sold to the ride that Badla took me on; but, does it live it up to the thrill of Ghosh's Kahaani? Nah, that will need cleverer writing. Yet, this is worth a watch.

Also Read: Exclusive - Taapsee Pannu on Badla: I am a very vindictive person by nature

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Mere Pyare Prime Minister
U/A: Social drama
Dir: Rakeysh Omprakash Mehra
Cast: Anjali Patil, Om Kanojiya
Ratings: 

What's the first thing you wonder about this film, given its title, and the fact that no head honcho of a democratic state in world history has ever had as many biopics - shorts, docs, features, web-series - simultaneously being made on him/her, even while they're still in office?

So, well, no, this isn't really a film on Prime Minister Narendra Modi. Or it is, only by suggestion, since a boy writes a letter to the PM, which would be Modi (who else), but we don't see his lookalike on screen (unlike Uri, and many others in the pipeline).

Be that as it may, a film that focuses on the problem of urban, open defecation, the eradication of which should be on the agenda of every corporator/legislator, and of course the PM (current, or ones to follow), belongs to proper public service advertising/announcement (PSA) space, rather than propaganda of any kind.

Why are your suspicions slightly legit still? For it's hard to explain why the filmmakers would go ahead with this PSA script (unless they're genuinely struggling, or been forced into coming up with one), when every element here has been dished out plenty of times before, and there is no attempt to top any of it either.

Check out the trailer here:

And you could go right from trying to meet, or connect, with a head of state (I Am Kalam, My Name Is Khan), to detailing life among kids in a Mumbai slum (Salaam Bombay, Slumdog Millionaire), or in general, the Mumbai slum itself (Dharavi, Gully Boy), to addressing head-on how the poor in India (men, but women, in particular) have to bear the burden of shitting in the open, because there are no frickin' loos, which is what the rather entertainingly done, recent Akshay Kumar picture, Toilet: Ek Prem Katha, was all about.

Even as a peek into the lives of Mumbai slum-dwellers, who constitute about half the metropolis, the Iranian Majid Majidi's Beyond The Clouds (2017) seemed a far more perceptive, original and thought-provoking take, than this local, thoroughly distant, predictably upper-class view of the lives of the downtrodden others, with every conceivable cliche that must dictate it - rape, domestic violence, drunken males, and Sheela Ki Jawani, Baby Doll type of Bollywood songs/entertainment as the only route towards momentary escape.

This is the sort of film that ideally aims to ride on its supposedly noble intentions alone, rather than engaging characters or story, the gist of which is that there's a little boy (a wonderfully cast Om Kanojiya), who does odd jobs selling newspapers, condoms, etc.

He shares a lovely bond with his single mother (Anjali Patil). He writes a letter to the PM hoping for a public toilet in his slum. That the right to shit in peace must involve a petition to the PM, no less, is tragic enough. That you don't feel for anyone in this film (let alone, the issue), with the camera hovering around a bunch of parallel songs/story-lines, aimed to extend a simple short film into a full-length feature, is perhaps worse.

Also Read: Watch video: The fun-filled making of Mere Pyare Prime Minister's title track

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How to Train Your Dragon: The Hidden World
U/A: Animation, Action, Adventure
Director: Dean DeBlois
Cast: Jay Baruchel, Gerard Butler, America Ferrera, Jonah Hill, Christopher Mintz-Plasse
Rating: 

The much-awaited Hiccup and Toothless' return to the big screen may not be as scintillating and effortless as the first two editions but it's certainly no slouch in terms of form and technique. The cutesy appeal of the ameliorating animation craft adds to the poignancy developed on the unlikely pairing of a rare Night Fury dragon with a brave young Viking. This CG animated feature that finds its inspiration in Cressida Cowell's children's books, is as vividly artistic as its predecessors and culminates in an emotionally resonant finale that apparently puts the cap on any further sequels in the offing.

The storyline finds Hiccup (Jay Baruchel), Chieftain of the tribe, having taken over the title from his late father, Stoick (Gerard Butler) - alongside the fearless Astrid (America Ferrera) and his newly found mother Vulcan (Cate Blanchett), engaged in the noble pursuit of freeing caged dragons and bringing them to the Isle of Berk. But the villainous Grimmel (F, Murray Abraham) is hell-bent on destroying their new-found tranquillity – so the tribe agree to leave in search of their Hidden kingdom, with Grimmel hot-on-their-heels, in pursuit. Amidst this hullabaloo, enters a new pure white lioness known as the Light Fury and she catches Toothless eye, and they engage in a hide-n-seek courtship that forces Hiccup to reassess his own abilities and his relationship with his favourite dragon.

Check out the trailer of How To Train Your Dragon:

Returning director-screenwriter Dean DeBlois, with able help from visual consultant Roger Deakins, presents an opulent harvest of computer-generated visuals – exquisite in details, bathed in a light and shadow so dramatic as to look almost heavenly. The eye-pleasing look of the Light Fury, the mating dance sequence between Toothless and his new love, the flickering flames, the resplendent panoramic and scenic views from the skies are all rendered with an unerring artfulness that is simply splendid to behold. Forget the ennui borne from a repetitive and familiar plotting. This one has the power to give flight to your imagination!

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Romeo Akbar Walter
U/A: Action
Director: Robbie Grewal
Cast: John Abraham, Mouni Roy, Jackie Shroff
Ratings:

John Abraham's latest nation-in-peril movie is set against the backdrop of the 1971 India-Pakistan war. Releasing nearly a year after Raazi, this one suffers from an acute hangover of the Alia Bhatt-film. It even ends with a song that seems inspired (read blatantly copied from Ae Watan…).

Romeo Akbar Walter (RAW) has a confusing structure, is supported by a blaring background score, and lacks both the smarts and the menace of being a good espionage thriller. The problem here lies with director Robbie Grewal (also director of Aloo Chaat, Mera Pehla Pehla Pyaar, and Samay), who botches his own script.

Given the twists and turns, the film comes across as a convoluted and tedious mess. For a major portion of the film, you find yourself trying to decipher where it is leading. In order to fit the sub-plots, the script is stretched to a point that you stop caring. The first part revolves around Romeo's (Abraham) induction into the task force and imbibing the nuances of Akbar as he enters Pakistan. What could have been an interesting depiction, is reduced to a clichéd montage of training. In the second half, our super-spy hero is in pursuit of getting details of the Pakistani Army which threatens to set a bomb in a part of East Pakistan (now Bangladesh).

Watch the Romeo Akbar Walter trailer:

The sequence is shot so casually that it makes you wonder if walking on the streets of Pakistan while trying to gather sensitive information, is a cakewalk. The attempt to create a sense of urgency and intrigue are undermined by the lack of coherence. The film manages to pick up the pace in the second half, but by then, it is too late to salvage the situation.

Also Read: Romeo Akbar Walter director shoots across the country in 46 days

The screenplay moves at a snail's pace and is devoid of tension. The unnecessary inclusion of a love story between Romeo and Parul (Mouni Roy) makes it further lethargic. That's not all, amidst the supposed high-tension situation, a lovemaking scene seems like a desperate attempt to titillate the audience.

Grewal tries to bank on the emotional side of Romeo as he remembers his mother. The scene is almost an ode to Darsheel Safary from Taare Zameen Par (2007). It comes across as pretentious and dreary. It seems, the director hoped to present the film as a complete package, and failed miserably. Had he stuck to the narrative of a spy, the outcome would have been very different.

Sikander Kher is the only one who has attempted to salvage the film. Jackie Shroff as the director of Research & Analysis Wing (RAW) sails by. Abraham's deadpan expressions are a hindrance but he somehow manages to hold his ground. And Roy should stick to doing Naagin instead of a gratuitous role like this. As for RAW, YAW(n).

Also Read: John Abraham: RAW: Romeo Akbar Walter isn't a jingoistic, flag-saluting film

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Pet Sematary

U/A: Horror, Mystery, Thriller
Director: Dennis Widmyer, Kevin Kolsch
Cast: Jete Laurence, Hugo Lavoie, Jason Clarke, Lucas Lavoie, Amy Seimetz
Rating: 

The 1989 version of Pet Sematary based on the 1983 Stephen King novel, was certainly no classic but it was a cheesy horror tale powered by a solid performance from Fred Gwynne and the title song from the Ramones was quite rage. Given the cult popularity of horror films today, it's no surprise that even such an unremarkable representative of the genre gets recast for the GenNext voyeurs of horror thrills. Co-directors Kevin Kölsch and Dennis Widmyer don't have much of a challenge on their hands, given the fact that there's no attempt being made here to tell the story from a different vantage point.

Dr Louis Creed (Jason Clarke), wife Rachel (Amy Seimetz), eight-year-old daughter Ellie (Jete Laurence), two-year-old son Gage (Hugo and Lucas Lavoie) and pet cat Church—relocate to a rustic home in the quaint rural town of Ludlow, Maine. Though there's plenty of land, with a mysterious pet cemetery and a strange bog behind the home there's not much of it in front - with a state highway running through right at the curb just off their driveway. So one would think that responsible parents would take the trouble of checking out their abode and taking the necessary precautions before moving in.

Check out the trailer here:

Such deliberate contrivance is of course a given for a horror film attempting to spook you by suggestions rather than facts. Soon enough the pet cat gets crushed under a speeding mammoth and the grieving Dr Clarke, helped on by friendly neighbour Jud Crandall(John Lithgow) takes the cat to be buried near the mysterious bog which apparently has mystical powers of resurrecting the dead. A rather convenient ploy to give wandering souls a rejuvenated body to do evil. The rest of it is rather brutal.

The film, as the book, is riddled with plenty of plot holes but King's book at least had a descriptive set-up that kept the interest going. The film doesn't have much exposition. The wife's torment from a traumatic experience during childhood is represented through hallucinatory flashbacks and the tragedies that befall the Creed family just keep piling up soon after they move in. The directors and writer Jeff Buhler, make a few deviations but they play out as altogether facile and non-requiting. The actors do their job well but the narrative doesn't create enough empathy for us to be worried about their fate. Closing it out with a Starcrawler cover of the Ramones's original theme may stir up some nostalgia but that's not going to spook you. Even King's original denouement gets replaced and that makes this particular effort altogether superficial.

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Avengers: Endgame
U/A:  Action, Adventure, Fantasy
Director: Anthony Russo, Joe Russo
Cast: Robert Downey Jr, Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson
Rating: 

Avengers: Endgame, undoubtedly the most anticipated film of recent year's, lives up to most expectations. This film is a befitting finale for the decades-old, 21 films, Marvel Cinematic Universe that heralded the likes of Iron Man, Captain America, Thor, Hulk, Black Widow and Hawkeye. Together they formed the original Avengers team while the newer allies and villains added more power to subsequent outings. This may not be a non-stop action spectacle. Instead, what we get is a well- proportioned, engagingly structured narrative that spreads out its content and thrills in momentous expansiveness, End game basically posits a finale worthy of the superhero characters it promotes. Marvel's time-travelling sci-fi adventure saga throws up a few surprises too along the way.

The story is rather basic - After the devastating events of Avengers: Infinity War (2018), which ended with Thanos getting all of the six Infinity Stones and then using them to wipe out half of existence, including beloved heroes like Black Panther, Star-Lord, and Spider-Man. The surviving heroes go through a period of self-recrimination, hopelessness, heartache and self-doubt before they take the necessary steps to reverse Thanos' actions, they're fatalism keeps us grounded.  

Also Read: Box Office report: Avengers: Endgame sells 1 million advance tickets in India

The script by Christopher Markus, Stephen McFeely among others, is surprisingly inventive, fraught with emotion and funny. The performances live up to the iconoclastic expectations of the fans while the CGI and effects lend whole new meaning and dimension to quantum physics and chaos theory. The film is a sort of nirvana for the thousands of people who sweated night and day to make such a unique and unprecedented experience come good. Endgame has a much slower, deliberate pace allowing for deeper character development and strong motivations while developing intensity and attachment all the way through. A major portion of the action happens only towards the last half hour of a nearly 3-hour runtime – yet, doesn't feel bloated or unnecessarily expanded.

Also read: Avengers: Endgame Box Office Prediction: Will the film open at Rs 50 crore in India?

This film incorporates beloved elements from earlier outings and recalls character beats, origins, and sub-plots while adding texture and complexity to the inter-galactic drama envisioned as homage to the never-say-die superhero spirit. Alan Silvestri's amazing background score elevates the intensity and involvement. The helming by the Russo brothers is also quite remarkable – creating a well-sprung of entreaty that is truly an event!

Also Read: Avengers Endgame release: A look at how Avengers films fared at the Indian box office

Check out the Avengers: Endgame trailer here:

Also Read: Critics review Avengers: Endgame, say it's 'everything you want it to be and more'

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Avengers: Endgame
U/A: Action, Adventure, Fantasy
Director: Anthony Russo, Joe Russo
Cast: Robert Downey Jr, Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson
Rating: 

How does one put together words about a film that, for all practical purposes, anything and everything you write, is likely to be misconstrued/diagnosed as a spoiler?

Suffice it to know that this expectedly dramatic conclusion of Marvel's three-part Infinity Saga is a relatively internalised, deep and sober film, concerned more with the motivations of super-heroes, the choices before them, and what they should pick, in order to take on super-villain Thanos—of course.

For one, the earth is a much quieter place, since as you're aware, its species have been annihilated, decimated by Devil Thanos, ever since he got his hands on the infinity stones, and went on to execute the bizarre plan of supposedly ethical ethnic cleansing—randomly ridding planets of half its populations, to make them more sustainable, by restoring balance of sorts, as it were.

Of course, there will be survivors. And Iron Man or Tony Stark (Robert Downey Jr), to start with, is thankfully rescued or reunited with the human family back home. So is Hawkeye (Jeremy Renner). Both of them, like all the others, seem to be somberly dealing with the aftermath of a universal tragedy.

Surely, you have your own favourites from this cinematic universe (and how can Iron Man not top that list?). But there's something about the inherent cuteness of Hulk (Mark Ruffalo) that saves this franchise's final installment from turning into a complete depresso—left to be downed over rounds of espresso, what with the screen-time running three hours plus.

Also Read: Box Office report: Avengers: Endgame sells 1 million advance tickets in India

Indians might thank their theatres for the usually hated interval. I caught it without one, but didn't miss it either. There's enough material here to keep you engaged, even if to wonder, on occasion, if some of it makes any sense. You may or may not be impressed with the long drawn explanations, but you're only too happy to go with it.

Frankly, I'm no Marvel fanboy/fanatic—if the movie-world is indeed divided into two types, then more the DC demographic. That said, there is an infectious verve and energy that multiple super-heroes bring to this cinematic universe that is hard to not be swayed by, even if an individual or sub-set, Guardians Of Galaxy in particular, may be difficult to appreciate on their own.

Check out the Avengers: Endgame trailer here:

Avengers: Endgame does a fine job of navigating a reasonably cogent script without over-populating the screen. Avengers: Infinity War seemed more overwrought in comparison. I re-watched portions of the 2018 prequel on my phone (for quick revision), which of course means I didn't watch it at all.

For, at the end of the day, battle sequences and pyrotechnics is the point of it all, isn't it? Endgame, despite all the philosophy, is not an exception. It shines gloriously as 3D spectacle on the IMAX screen, ideally viewed from the third-row, from the back—and if you're not on IMAX, then the third row from the front—for a stunningly immersive experience, with such depth of field that the points where the camera focuses on a river, the ripples flowing towards you, you almost feel like you can wade through the frickin' water!

I know, don't need to put in a word (spoilers be damned). Suffice it to know that seldom has the excitement of audiences entering a theatre, matched by those exiting, after a hugely hyped pic. Endgame equals its astounding anticipation. And that's saying a whole lot!

Also read: Avengers: Endgame Box Office Prediction: Will the film open at Rs 50 crore in India?

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Brihanmumbai Municipal Corporation (BMC) Mayor Kishori Pednekar on Monday informed that the total number of containment zones in the city is now 1036.

"There has been a significant drop in the number of containment zones in Mumbai," Pednekar said. The Mayor said that many zones are out of the list as they reported zero COVID19 cases in the last two weeks. "231 zones are out of the containment zone list after they didn't record a single COVID-19 positive patient for the last 14 days," she added.

According to the Union Ministry of Health and Family Welfare, the total number of positive COVID-19 cases in Maharashtra is 8,068. Till now, 1,076 people have either been cured and discharged, while 342 deaths have been reported in the state.

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With the Railways refusing to comply with Maharashtra's request to help migrants reach their hometowns, the state government is working out its own plans to despatch them. Sources said the government has roped in the Maharashtra State Road Transport Corporation (MSRTC) for help.

An internal plan of just one district — Yavatmal by MSRTC (a copy of which is with mid-day) has revealed that it has lined up 115 buses to 15 state capitals. In an unprecedented gesture, these buses will travel around 1,000 to 1,800 km to drop off over 2,000 migrants and return back to base. Mentioning about the cost element, the letter has sought a sum of R1.35 crore from the district collector to release the buses as per the plan.

Labourers wait in a queue to collect Ifatri food packets at Kidvai Nagar in Wadala on Monday

Sources also said that the state government is negotiating with other states to accept the proposal and two states - Odisha and Uttar Pradesh have displayed readiness. However, a few states have claimed that they do not have enough money to arrange transportation for the migrants and also conduct the COVID-19 testing at the same time. Therefore, they want either Maharashtra or the Union government to spend on transportation which can be a contentious point in the entire deal.
However, MSRTC officials said the plan was still under consideration and nothing has been finalised yet.

Moreover, MSRTC and transport department officials said that meetings have been held at Mantralaya about these issues and discussions have been going on with various stakeholders. But as of now, no final decision has been taken yet.

The delay is because it involves stakeholders from other states and there are issues like streamlining the process and to develop a standard operating procedure to allow Maharashtra state buses into their state borders. A comprehensive plan involving all stakeholders needs to be arrived at so that the transport becomes smooth from end to end. This is besides the decision of who will bear the expenses of the journey.

Buses for students in Raj?
The MSRTC has also proposed to run another 91 buses from six bus depots to get about 1,764 medical students stranded in Rajasthan back home. Sources said since it is a long road journey, the buses will have two drivers. Of the 1,764 students, about 23 are from Mumbai, Thane and Palghar districts. However, MSRTC spokesperson denied this saying that no plan has been finalised yet.

17,000
Total no. of buses with MSRTC

115
Total no. of buses lined up from Yavatmal

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The Brihanmumbai Municipal Corporation (BMC) on Monday claimed that around 75 per cent of the nursing homes in the city have restarted services, after its warning of cancelling their licences if they did not do so, on Saturday. The municipal commissioner has ordered the cancellation of licences of the remaining 25 per cent nursing homes. Action will also be taken against private clinics who continue to remain shut, under the Epidemic Diseases Act, 1897.

Warning issues
The associations of doctors, nursing homes have expressed fear to work during the COVID-19 pandemic without proper safety kits and strict guidelines. The BMC has several times offered to provide safety kits but most private clinics and nursing homes remain closed due to fear of transmission of COVID-19. On Saturday, the BMC warned nursing homes and clinics to restart immediately and refer patients who have symptoms of COVID-19 to its centres. On Monday, the BMC claimed that out of 1,416 nursing homes, 1,068 have restarted their service. "Out of 99 dialysis centres, 89 are working," said an officer with the health department of the BMC.

According to the press note issued by the civic corporation, the municipal commissioner has ordered the health department to start the process of cancelling licences of the 348 nursing homes which haven't started services yet.

Mayor in nurse's uniform

Mayor Kishori Pednekar visited Nair hospital to meet the nurses

Kishori Pednekar, mayor of Mumbai and a former nurse, donned on a nurse's uniform and visited the COVID-19-only Nair hospital on Monday morning. She was there to encourage nurses. The mayor will visit Sion hospital on Tuesday to communicate with nurses. Pednekar followed social distancing norms during her visit. "I was a nurse by profession and am aware of their challenges. I am getting many calls from nurses and their parents who expressed fear. This is a challenging time and we all should fight the pandemic," said Pednekar.

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No one informed us that my brother had been killed. We heard about his death on news," said Rakesh Tiwari, the brother of Kalpavrishkgiri Chikne Maharaj who was lynched in Palghar earlier this month, from Uttar Pradesh's Bhadohi taluka where the deceased priest's family lives.

On the night of April 16, a frenzied mob of close to 450 tribals lynched 70-year-old Chikne Maharaj, another priest and their driver, suspecting them to be thieves, at Gadchinchale village. While the incident made headlines across the nation, Chikne Maharaj's family learnt about his death only two days later.

Rakesh told mid-day over the phone that neither the police nor the authorities in the state informed them about his demise. We learnt through the news two days later that Kalpavrishkgiri had been brutally murdered in Palghar, he said.

Kalpavrishkgiri had left his home in Uttar Pradesh at the age of nine and was reunited with his family after 20-long years. When Kalpavrishkgiri was nine years old, he left home for Gramsabha Bhusavla school at Bhadohi one day, and never returned. We searched for him across the town but didn't find him." After reuniting with him 26 years later, the family learnt that he had gone to Nashik to become a monk, Rakesh said.

"We found his address when Kalpavrishkgiri was about 35-year-old and learnt that he had become a priest. After leaving UP, he had gone to Trimbakeshwar Shiva Temple to become a monk and later moved to Mumbai. He was a priest at Vandevi temple at Jogeshwari East. We accepted him and I used to meet him whenever I visited Mumbai."

Kalpavrishkgiri wanted to attend the last rites of our mother, who died on March 22, said Rakesh, adding that he couldn't make it to Uttar Pradesh due to the lockdown in Mumbai announced by the Maharashtra government in an attempt to contain the spread of the novel Coronavirus.

"On March 22, I called to my brother to inform him about our mother's demise, but due to the restrictions he could not attend her funeral. He was our mother's favourite son," Rakesh told mid-day. Rakesh said, "Our wish was to attend my brother's final rites but we received the information very later and that too from the media."

He also accused the police of failing to save his brothers and the two others with him. The videos clearly show that the police surrendered my brother to the mob, who then brutally thrashed him to death, said Rakesh, adding that the police could have saved Kalpavrishkgiri.

"Not a single police officer informed us about his death," Rakesh told mid-day.

Tilghate was driving Chikne Maharaj and Sushil Giri to Surat where the duo were headed to attend the last rites of a head priest, Ramgiri Maharaj. However, they came across the tribals, who were enraged by the rumours that a gang of child lifters were active in the region. While the police maintain that close to 450 people were part of the mob, a local leader had said as many as 2,500 tribals had gatheredthat night.

16 April
Day the two priests and their driver were lynched

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The Aurangabad bench of the Bombay High Court on Monday pulled up the state for its claim that the novel Coronavirus could spread through newspapers. The state had, accordingly, banned the distribution of newspapers, while allowing its printing. The court, in an order dated April 20, directed the state to justify its claims with evidence and expert opinions instead of meagre statements.

A suo moto public interest litigation (PIL) in this regard was filed at the Nagpur bench of HC after the distribution ban was announced on April 18.

Government pleader DR Kale told the court that the order was amended on April 21 to allow "door-to-door distribution except in MMR, Pune, and other containment zones."

While Kale said that the virus stayed on surfaces for a while, and hence newspapers could be potential carriers when passed from hand-to-hand, the court said that there was no evidence to prove this.

It, however, added that door-to-door delivery could be restricted in some areas while asking the government to respond to its queries along with a report by amicus curiae advocate Satyajeet Bora.

The next date of hearing in the case is June 11.

11 June
Date of the next hearing in the case

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Every day for over 10 days, a 39-year-old mechanic has been driving down to Mumbai from his house in Virar, to sanitise the vehicles of the police and the BMC. Vijay Kumar Babanna Rajappa runs a small garage opposite the Siddhivinayak temple at Prabhadevi. It has been closed since the lockdown, but Rajappa, who wanted to do something for our frontline warriors in the battle against COVID-19, has been helping them free of cost. So far he has sanitised over 150 vehicles.

Rajappa has sanitised all the vehicles of police stations at Shivaji Park, Mahim, Dadar, Virar and Arnala. He was given a letter of appreciation from many police stations for this. "We gave a letter of appreciation to Rajappa for helping the police department by sanitising our vehicles including mobile vans, cars, beat Marshal's bikes etc. It protects us from this virus while traveling from one place to another place," said Sunayana Nate, inspector of Dadar police station.

Virar corporator Maya Chaudhary said, "We took Rajappa's help to sanitise municipal emergency service vehicles, buses, police vehicles and auto rickshaws in Vasai-Virar. Rajappa is doing great work without charging for it. We have also asked him to sanitise vehicles used by doctors, nurses and ward officers."

'Keeping our police safe'
"Every day the police deal with many people including accused and have to take them to police stations or courts. Currently these may include COVID-19 positive people. The accused touch many areas inside the vehicle. So I decided to clean their vehicles and keep all our police personnel safe from the danger. I also clean the bikes of beat Marshals. If their vehicles are safe, they are safe," said Rajappa.

Rajappa even explained the process of cleaning the vehicles. At first he washes a vehicle with water from both inside and out. "Then I wash it with diesel and dry the entire vehicle. Then I use a litre of water mixed with sanitiser and apply it to the vehicle. It takes me an hour to completely clean a car. I use a sanitiser which is WHO and FDA-approved. It is only used on the metallic body of cars and bikes."

'Sanitisation helps'
He added, "If a person who is infected by COVID-19 travels in the car, there are chances it can spread to others who use the vehicle. The air-conditioning can also increase chances of spreading this virus, but if we sanitise the vehicle, there are no chances of the virus spreading." He claimed after a vehicle is sanitised, it is safe for about 15 days. He now wants to approach hospitals to sanitise ambulances.

Rajappa has been working as a mechanic since 1999. The usual charges for deep washing of vehicles are around R300-R500 each, but he has not been charging for the same.

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