of The film and media creators' guide to music / Vasco Hexel (Royal College of Music, London) By prospero.murdoch.edu.au Published On :: Hexel, Vasco, 1980- author Full Article
of The big beat : rock music in Australia 1978-83, through the pages of Roadrunner magazine / Donald Robertson By prospero.murdoch.edu.au Published On :: Robertson, Donald, author Full Article
of A social and economic history of the theatre to 300 BC By prospero.murdoch.edu.au Published On :: Full Article
of Graziano Krätli Reviews Fabiano Alborghetti’s “Directory of the Vulnerable” By news.guernicaeditions.com Published On :: Tue, 16 Feb 2016 20:26:23 +0000 In a recent article for Rain Taxi, Graziano Krätli reviews Fabiano Alborghetti’s Directory of the Vulnerable, translated by Marco Sonzogni. He begins by stating, “Fabiano Alborghetti’s two fine collections to date, L’opposta riva (The Opposite Shore, 2006 and 2013) and Registro dei fragile. 43 canti (2009; Directory of the Vulnerable) represent almost an anomaly, if […] Full Article Commentaries News Poetry Reviews Directory of the Vulnerable Fabiano Alborghetti Graziano Kratli Rain Taxi
of Marina Sonkina Featured on the Cover of BC BookLook! By news.guernicaeditions.com Published On :: Wed, 17 Feb 2016 13:44:48 +0000 Guernica author Marina Sonkina was recently featured on the cover of BC BookLook! In an article entitled “’Face’ mystery unveils ugly poperty values”, Marina Sonkina’s newest collection, Expulsion & Other Stories, is described as “nothing short of brilliant”. The article begins by explaining, “two thirds of Expulsion consists of Chekovian tales of survival set in […] Full Article Commentaries Fiction News Reviews BC BookLook Expulsion & Other Stories Marina Sonkina
of Interview With Pratap Reddy, Author of “Weather Permitting & Other Stories” By news.guernicaeditions.com Published On :: Thu, 03 Mar 2016 15:15:16 +0000 We recently sat down with Pratap Reddy to chat about his new collection of short stories, Weather Permitting & Other Stories, which will be released by Guernica this spring. GE: Pratap Reddy, please tell us about your new book. PR: Weather Permitting & Other Stories is my first book. It’s a collection of short stories. […] Full Article Commentaries Fiction Interviews News Interview Pratap Reddy Weather Permitting & Other Stories
of Interview With F. G. Paci, Author of “Talk About God and Other Stories” By news.guernicaeditions.com Published On :: Mon, 04 Apr 2016 14:34:19 +0000 We recently sat down with F. G. Paci to chat about his new collection of short stories, Talk About God and Other Stories, which will be released by Guernica this spring. GE: Could you tell us about your new book, and about some of the stories in the collection? FGP: TALK ABOUT GOD and Other […] Full Article Commentaries Fiction Interviews News F.G. Paci Interview Talk About God & Other Stories
of U.S. Copyright Office, Subscriber Notice By www.copyright.gov Published On :: Wed, 04 Sep 2019 15:18:18 -0500 Subscriber Notice You are receiving this notice because you subscribe to NewsNet or one of our other email or RSS bulletins. Beginning tomorrow, your subscription will be migrated to a separate U.S. Copyright Office account. You will receive another bulletin after your subscription has been migrated. You do not need to take any action, but please be aware that if you wish to change or cancel your subscription, you will do so through this page. If you subscribe to other newsletters from the Library of Congress, you can continue to manage those subscriptions through this page.You may wish to check your spam folder to be sure you are continuing to receive these bulletins. Thank you for your continued interest in news and information from the U.S. Copyright Office. Full Article
of Getting to the Heart of Digital Accessibility By feedproxy.google.com Published On :: 2019-08-01T13:45:18+00:00 Quick! Think of the word “developer” or “coder” — what’s the first thing that comes to mind? Maybe a whiteish male in his twenties living in a busy metropolis, wearing a nerdy t-shirt and hoodie? Someone a bit like Mark Zuckerberg? Or maybe a younger Bill Gates or Sergey Brin? Any of the dudes from the HBO series Silicon Valley, perhaps? Certainly no one like me. By tech standards, I’m old. I’m also female and a mother. I live in a midwestern town you’ve never heard of and will never visit — a town where the cows vastly outnumber the people. My hair color is (almost) natural and is no longer part of the ROYGBIV collection, so I have no perceived conference street cred. I own about a thousand geeky T-shirts, but never actually wear them in public, opting for more “girly” attire (or so was pointed out by a male colleague). On the surface, I look more suited to taking notes at a PTA meeting than writing code. I’m a bit of an outsider. A tech misfit. So when my 11-year-old daughter finished her recent coding camp and excitedly declared, “Now I’m a real developer, Mom, just like you!” there was the usual parent pride, but also a small piece of me that cringed. Because, as much as I support the STEM fields, and want the next generation of girls to be coding wizard-unicorn-ninjas, I really don’t want my own daughter to be a developer. The rationale behind this bold (and maybe controversial) statement comes from a place of protection. The tech world we live in today is far from perfect. I’ve endured my share of misogyny, self-doubt, and sexual harassment. Why wouldn’t I want to protect her from all of that? The (diversity) elephant in the (computer) room You’ve heard this story before: there is not enough diversity in tech. This puzzling trend seems to continue year after year, even though numerous studies show that by including more people from underrepresented communities, a company can increase its innovation, employee retention, and bottom line. Even with the recent push and supposed support for diversity and inclusivity from many Fortune 500 companies, women and female-identifying people still only hold 20% of all top tech jobs. The data from FY 2018 shows that the number of women in technical roles at three of the top tech giants was 24% for Adobe, 26% for Google, and 22% for Facebook. While these numbers show that there is still not enough representation for women, these numbers do reflect a slight increase from the previous year (FY 2017: Adobe 22%, Google 25%, Facebook 15%). But even with this upward trend of hiring women in tech roles, the marginal growth rate has not caught up with the real world. The tech workforce is seriously out of touch with reality if, in 2019, a demographic (women) that represents more than half the global population is still considered a minority. Sometimes this lack of diversity at the top level is blamed on a “pipeline” issue. The logic being: “If there are not enough girls who learn to code, then there will not be enough women who can code.” However, programs aimed at teaching girls how to code have skyrocketed in the past few years. Girls now make up about half of the enrollment in high-school coding classes and are scoring almost identically to their male classmates on standardized math and science tests, yet, young women make up only 18% of all Computer Science degrees. I have to wonder if this steep drop in interest has more to do with lack of representation in the tech sphere, than with girls and young women simply not being “smart enough” or “not interested” in working with code? At the very least, the lack of representation certainly doesn’t help. Of course, the diversity picture becomes even more abysmal when you consider other underrepresented groups such as people of color, people from the LGBTQ community, and people with disabilities. And while I really don’t like glossing over these deeper diversity issues in tech, because they are abundant and are much more grotesque failings than the male/female ratio, I also don’t feel qualified to speak about these issues. I encourage you to look to and value the voices of others who can speak with higher authority on these deeper diversity issues, such as Ire Aderinokun, Taelur Alexis, Imani Barbarin, Angie Jones, Fatima Khalid, Tatiana Mac, Charlie Owen, Cherry Rae, and so many others. And for those readers who are new to the topic of diversity in tech, watch Tatiana Mac’s recent conference talk How Privilege Defines Performance — it’s well worth the 35 minutes of your life. The four stages in the digital accessibility journey However you look at it, the numbers don’t lie. There are some pretty significant diversity issues in tech. So how do we fix this issue before the next wave of young developers join the tech workforce? Simple: teach developers to write accessible code. This may seem like a joke to some and stretch to others, but hear me out. When we talk about accessible code, what we are really talking about at its core is inclusiveness. The actual process of writing accessible code involves rules and standards, tests and tools; but inclusive development is more abstract than that. It’s a shift in thinking. And when we rethink our approach to development, we go beyond just the base level of simple code functionality. We instead think, how is this code consumed? How can we make it even more intelligible and easier for people to use? Inclusive development means making something valuable, not just accessible, to as many people as we can. That line of thinking is a bit abstract, so let’s go through an example. Let’s say you are tasked with updating the color contrast between the text on a webpage or app and the background. What happens at each stage in the accessibility journey? Stage 1: Awareness — You are brand new to digital accessibility and are still trying to understand what it is and how you can implement changes in your daily workflow. You may be aware that there is a set of digital accessibility guidelines that other developers follow, but you are a bit hazy on what it all means in a practical sense. Stage 2: Knowledge — You know a bit more about digital accessibility and feel comfortable using a few testing tools, so you run an automated accessibility test on your website and it flags a possible issue with the color contrast. Based on your awareness of the guidelines, you know the color contrast ratio between the text and the background needs to be a certain number and that you need a tool to test this. Stage 3: Practice — Feeling more confident in your knowledge of digital accessibility rules and best practices, you use a tool to measure the color contrast ratio between the text and the background. Then based on the output of the tool, you modify the hex code to meet the color contrast ratio guidelines and retest to confirm you have met the accessibility requirements for this issue. Stage 4: Understanding — You understand that the accessibility guidelines and tools are created with people in mind, and that code is secondary to all of that. One is the means, and the other is the end. In the color contrast example, you understand that people with low-vision or colorblindness need these color contrast changes in order to actually see the words on your web page. This is a bit of an oversimplification of the process. But I hope you get the gist — that there are different stages of digital accessibility knowledge and understanding. True beginners may not be to even stage one, but I am finding that group rarer and rarer these days. The word about digital accessibility seems to be out! Which is great; but that’s only the first hurdle. What I’m seeing now is that a lot of people stop at Stage 2: Knowledge or Stage 3: Practice — where you are aware of the digital accessibility guidelines, have some testing tools in your back pocket, and know how to fix some of the issues reported, but haven’t quite connected the dots to the humans they impact. From the standpoint of getting daily stuff done, stages two and three are okay stopping points. But what happens when the things you need to do are too complex for a quick fix, or you have no buy-in from your peers or management? I feel that once we get to Stage 4: Understanding, and really get why these kinds of changes are needed, people will be more motivated to make those changes regardless of the challenges involved. When you arrive at stage four, you have gone beyond knowing the basic rules, testing, and coding. You recognize that digital accessibility is not just a “nice to have” but a “must have” and it becomes about quality of life for real people. This is digital inclusion. This is something you can’t unsee, you can’t unlearn, and you can’t ignore. Making digital accessibility a priority — not a requirement In my role as an accessibility trainer, I like to kick-off each session with the question: “What are you hoping to learn today about digital accessibility?” I ask this question to establish a rapport with the audience and to understand where everyone is in their accessibility journey, but I am also evaluating the level of company and individual buy-in too. There is nothing worse than showing up to teach a group that does not care to be taught. If I hear the words “I am only here because I have to be” — I know it will be an uphill battle to get them anywhere close to Stage 4: Understanding, so I mentally regroup and aim for another stage. In my experience, when companies and their leaders say “Digital accessibility is a requirement,” nine times out of ten there is a motivating factor behind this sweeping declaration (for example, impending litigation, or at least the fear of it). When changes are framed as mandatory and packaged as directives from on high with little additional context, people can be resistant and will find excuses to fight or challenge the declaration, and any change can become an uphill battle. Calling something “mandatory” only speaks to Stage 1: Awareness. By swapping out one word from the original declaration and saying “Digital accessibility is a priority,” companies and their leaders have reframed the conversation with their employees. When changes are framed as “working towards a solution” and discussed openly and collaboratively, people feel like they are part of the process and are more open to embracing change. In the long run, embracing change becomes part of a company’s culture and leads to innovation (and, yes, inclusion) on all levels. Calling something a priority speaks to Stage 4: Understanding. Some of the excuses I often hear from clients for not prioritizing accessibility is that it is too difficult, too costly, and/or too time consuming — but is that really the case? In the same accessibility training, I lead an exercise where we look at a website with an accessibility testing tool and review any issues that came up. With the group’s help we plot out the “impact to user” versus the “remediation effort” on the part of the team. From group to group, while the plots are slightly different, one commonality is that close to 80% of the errors plotted fall into the quadrant of “simple to fix” for the team, but they also fall under “high impact” to the user. Based on this empirical data, I won’t buy the argument from clients who say that accessibility is too difficult and costly and time consuming anymore. It comes down to whether it’s a priority — for each individual and for the company as a whole. What will your coding legacy be? The infinite monkey theorem states that a monkey hitting keys at random on a typewriter for an infinite amount of time will eventually type any given text, such as the complete works of William Shakespeare. So by that same logic, a programmer hitting keys at random on a computer for an infinite amount of time will almost surely produce a website that is accessible. But where is the thought process? Where is the human element? While all the things we’ve already talked about — awareness, education, and prioritization of accessibility are important steps in making the digital world more inclusive to all — without intent, we are just going to keep randomly tapping away at our computers, repeating the same mistakes over and over again. The intent behind the code has to be part of the process, otherwise accessibility is just another task that has no meaning. Maybe I’m naive, but I’d like to think we’ve come to a point in our society where we want our work lives to have meaning. And that we don’t want to just hear about the positive change that is happening, but want to be part of the change. Digital accessibility is a place where this can happen! Not only does understanding and writing purpose-driven code help people with disabilities in the short-run, I believe strongly that is key to solving the overarching diversity issue in tech in the long-run. Developers who reach Stage 4: Understanding, and who prioritize accessible code because they understand it’s fundamentally about people, will also be the ones who help create and cultivate an inclusive environment where people from more diverse backgrounds are also prioritized and accepted in the tech world. Because when you strip away all the styles, all the mark-up, all the cool features from a website or app — what’s left? People. And honestly, the more I learn about digital accessibility, the more I realize it’s not about the code at all. Digital accessibility is rooted in the user; and, while I (and countless others) can certainly teach you how to write accessible code, and build you tools, patterns, and libraries to use, I realize we can’t teach you to care. That is a choice you have to make yourself. So think for a moment — what are you leaving the next generation of developers with all that inaccessible code you haven’t given much thought to? Is it the coding legacy you really want to leave? I challenge you to do better for my daughter, her peers, and for the countless others who are not fully represented in the tech community today. Full Article
of The Untapped Power of Vulnerability & Transparency in Content Strategy By feedproxy.google.com Published On :: 2019-08-22T13:30:11+00:00 In marketing, transparency and vulnerability are unjustly stigmatized. The words conjure illusions of being frightened, imperfect, and powerless. And for companies that shove carefully curated personas in front of users, little is more terrifying than losing control of how people perceive the brand. Let’s shatter this illusioned stigma. Authentic vulnerability and transparency are strengths masquerading as weaknesses. And companies too scared to embrace both traits in their content forfeit bona fide user-brand connections for often shallow, misleading engagement tactics that create fleeting relationships. Transparency and vulnerability are closely entwined concepts, but each one engages users in a unique way. Transparency is how much information you share, while vulnerability is the truth and meaning behind your actions and words. Combining these ideas is the trick to creating empowering and meaningful content. You can’t tell true stories of vulnerability without transparency, and to be authentically transparent you must be vulnerable. To be vulnerable, your brand and its content must be brave, genuine, humble, and open, all of which are traits that promote long-term customer loyalty. And if you’re transparent with users about who you are and about your business practices, you’re courting 94 percent of consumers who say they’re more loyal to brands that offer complete openness and 89 percent of people who say they give transparent companies a second chance after a bad experience. For many companies, being completely honest and open with their customers—or employees, in some cases—only happens in a crisis. Unfortunately for those businesses, using vulnerability and transparency only as a crisis management strategy diminishes how sincere they appear and can reduce customer satisfaction. Unlocking the potential of being transparent and vulnerable with users isn’t a one-off tactic or quick-fix emergency response tool—it’s a commitment to intimate storytelling that embraces a user’s emotional and psychological needs, which builds a meaningful connection between the storyteller and the audience. The three storytelling pillars of vulnerable and transparent content In her book, Braving the Wilderness, sociologist Brené Brown explains that vulnerability connects us at an emotional level. She says that when we recognize someone is being vulnerable, we invest in their story and begin to develop an emotional bond. This interwoven connection encourages us to experience the storyteller’s joy and pain, and then creates a sense of community and common purpose among the person being vulnerable and the people who acknowledge that vulnerability. Three pillars in a company’s lifecycle embrace this bond and provide an outline for telling stories worthy of a user’s emotional investment. The pillars are: the origins of a company, product, idea, or situation;intimate narratives about customers’ life experiences;and insights about product success and failure. Origin stories An origin story spins a transparent tale about how a company, product, service, or idea is created. It is often told by a founder, CEO, or industry innovator. This pillar is usually used as an authentic way to provide crisis management or as a method to change how users feel about a topic, product, or your brand. Customers’ life experiences While vulnerable origin stories do an excellent job of making users trust your brand, telling a customer’s personal life story is arguably the most effective way to use vulnerability to entwine a brand with someone’s personal identity. Unlike an origin story, the customer experiences pillar is focused on being transparent about who your customers are, what they’ve experienced, and how those journeys align with values that matter to your brand. Through this lens, you’ll empower your customers to tell emotional, meaningful stories that make users feel vulnerable in a positive way. In this situation, your brand is often a storytelling platform where users share their story with the brand and fellow customers. Product and service insights Origin stories make your brand trustworthy in a crisis, and customers’ personal stories help users feel an intimate connection with your brand’s persona and mission. The last pillar, product and service insights, combines the psychological principles that make origin and customer stories successful. The outcome is a vulnerable narrative that rallies users’ excitement about, and emotional investment in, what a company sells or the goals it hopes to achieve. Vulnerability, transparency, and the customer journey The three storytelling pillars are crucial to embracing transparency and vulnerability in your content strategy because they let you target users at specific points in their journey. By embedding the pillars in each stage of the customer’s journey, you teach users about who you are, what matters to you, and why they should care. For our purposes, let’s define the user journey as: awareness;interest;consideration;conversion;and retention. Awareness People give each other seven seconds to make a good first impression. We’re not so generous with brands and websites. After discovering your content, users determine if it’s trustworthy within one-tenth of a second. Page design and aesthetics are often the determining factors in these split-second choices, but the information users discover after that decision shapes their long-term opinions about your brand. This snap judgement is why transparency and vulnerability are crucial within awareness content. When you only get one chance to make a positive first impression with your audience, what content is going to be more memorable? Typical marketing “fluff” about how your brand was built on a shared vision and commitment to unyielding customer satisfaction and quality products? Or an upfront, authentic, and honest story about the trials and tribulations you went through to get where you are now? Buffer, a social media management company that helped pioneer the radical transparency movement, chose the latter option. The outcome created awareness content that leaves a positive lasting impression of the brand. In 2016, Joel Gascoigne, cofounder and CEO of Buffer, used an origin story to discuss the mistakes he and his company made that resulted in laying off 10 employees. In the blog post “Tough News: We’ve Made 10 Layoffs. How We Got Here, the Financial Details and How We’re Moving Forward,” Gascoigne wrote about Buffer’s over-aggressive growth choices, lack of accountability, misplaced trust in its financial model, explicit risk appetite, and overenthusiastic hiring. He also discussed what he learned from the experience, the changes Buffer made based on these lessons, the consequences of those changes, and next steps for the brand. Gascoigne writes about each subject with radical honesty and authenticity. Throughout the article, he’s personable and relatable; his tone and voice make it obvious he’s more concerned about the lives he’s irrevocably affected than the public image of his company floundering. Because Gascoigne is so transparent and vulnerable in the blog post, it’s easy to become invested in the narrative he’s telling. The result is an article that feels more like a deep, meaningful conversation over coffee instead of a carefully curated, PR-approved response. Yes, Buffer used this origin story to confront a PR crisis, but they did so in a way that encouraged users to trust the brand. Buffer chose to show up and be seen when they had no control over the outcome. And because Gascoigne used vulnerability and transparency to share the company’s collective pain, the company reaped positive press coverage and support on social media—further improving brand awareness, user engagement, and customer loyalty. However, awareness content isn’t always brand focused. Sometimes, smart awareness content uses storytelling to teach users and shape their worldviews. The 2019 State of Science Index is an excellent example. The annual State of Science Index evaluates how the global public perceives science. The 2019 report shows that 87 percent of people acknowledge that science is necessary to solve the world’s problems, but 33 percent are skeptical of science and believe that scientists cause as many problems as they solve. Furthermore, 57 percent of respondents are skeptical of science because of scientists’ conflicting opinions about topics they don’t understand. 3M, the multinational science conglomerate that publishes the report, says the solution for this anti-science mindset is to promote intimate storytelling among scientists and layfolk. 3M creates an origin story with its awareness content by focusing on the ins and outs of scientific research. The company is open and straightforward with its data and intentions, eliminating any second guesses users might have about the content they’re digesting. The company kicked off this strategy on three fronts, and each storytelling medium interweaves the benefits of vulnerability and transparency by encouraging researchers to tell stories that lead with how their findings benefit humanity. Every story 3M tells focuses on breaking through barriers the average person faces when they encounter science and encouraging scientists to be vulnerable and authentic with how they share their research. First, 3M began a podcast series known as Science Champions. In the podcast, 3M Chief Science Advocate Jayshree Seth interviews scientists and educators about the global perception of science and how science and scientists affect our lives. The show is currently in its second season and discusses a range of topics in science, technology, engineering, and math. Second, the company worked with science educators, journalist Katie Couric, actor Alan Alda, and former NASA astronaut Scott Kelly to develop the free Scientists as Storytellers Guide. The ebook helps STEM researchers improve how and why they communicate their work with other people—with a special emphasis on being empathetic with non-scientists. The guide breaks down how to develop communications skills, overcome common storytelling challenges, and learn to make science more accessible, understandable, and engaging for others. Last, 3M created a film series called Beyond the Beaker that explores the day-to-day lives of 3M scientists. In the short videos, scientists give the viewer a glimpse into their hobbies and home life. The series showcases how scientists have diverse backgrounds, hobbies, goals, and dreams. Unlike Buffer, which benefits directly from its awareness content, 3M’s three content mediums are designed to create a long-term strategy that changes how people understand and perceive science, by spreading awareness through third parties. It’s too early to conclude that the strategy will be successful, but it’s off to a good start. Science Champions often tops “best of” podcast lists for science lovers, and the Scientists as Storytellers Guide is a popular resource among public universities. Interest How do you court new users when word-of-mouth and organic search dominate how people discover new brands? Target their interests. Now, you can be like the hundreds of other brands that create a “10 best things” list and hope people stumble onto your content organically and like what they see. Or, you can use content to engage with people who are passionate about your industry and have genuine, open discussions about the topics that matter to you both. The latter option is a perfect fit for the product and service insights pillar, and the customers’ life experiences pillar. To succeed in these pillars you must balance discussing the users’ passions and how your brand plays into that topic against appearing disingenuous or becoming too self-promotional. Nonprofits have an easier time walking this taut line because people are less judgemental when engaging with NGOs, but it’s rare for a for-profit company to achieve this balance. SpaceX and Thinx are among the few brands that are able to walk this tightrope. Thinx, a women’s clothing brand that sells period-proof underwear, uses its blog to generate awareness, interest, and consideration content via the customers’ life experiences pillar. The blog, aptly named Periodical, relies on transparency and vulnerability as a cornerstone to engage users about reproductive and mental health. Toni Brannagan, Thinx’s content editor, says the brand embraces transparency and vulnerability by sharing diverse ideas and personal experiences from customers and experts alike, not shying away from sensitive subjects and never misleading users about Thinx or the subjects Periodical discusses. As a company focused on women’s healthcare, the product Thinx sells is political by nature and entangles the brand with themes of shame, cultural differences, and personal empowerment. Thinx’s strategy is to tackle these subjects head-on by having vulnerable conversations in its branding, social media ads, and Periodical content. “Vulnerability and transparency play a role because you can’t share authentic diverse ideas and experiences about those things—shame, cultural differences, and empowerment—without it,” Brannagan says. A significant portion of Thinx’s website traffic is organic, which means Periodical’s interest-driven content may be a user’s first touchpoint with the brand. “We’ve seen that our most successful organic content is educational, well-researched articles, and also product-focused blogs that answer the questions about our underwear, in a way that’s a little more casual than what’s on our product pages,” Brannagan says. “In contrast, our personal essays and ‘more opinionated’ content performs better on social media and email.” Thanks in part to the blog’s authenticity and open discussions about hard-hitting topics, readers who find the brand through organic search drive the most direct conversions. Conversations with users interested in the industry or topic your company is involved in don’t always have to come from the company itself. Sometimes a single person can drive authentic, open conversations and create endearing user loyalty and engagement. For a company that relies on venture capital investments, NASA funding, and public opinion for its financial future, crossing the line between being too self-promotional and isolating users could spell doom. But SpaceX has never shied away from difficult or vulnerable conversations. Instead, the company’s founder, Elon Musk, embraces engaging with users interests in public forums like Twitter and press conferences. Musk’s tweets about SpaceX are unwaveringly authentic and transparent. He often tweets about his thoughts, concerns, and the challenges his companies face. Plus, Musk frequently engages with his Twitter followers and provides candid answers to questions many CEOs avoid discussing. This authenticity has earned him a cult-like following. Musk and SpaceX create conversations that target people’s interests and use vulnerability to equally embrace failure and success. Both the company and its founder give the public and investors an unflinching story of space exploration. And despite laying off 10 percent of its workforce in January of 2019, SpaceX is flourishing. In May 2019, its valuation had risen to $33.3 billion and reported annual revenue exceeded $2 billion. It also earned global media coverage from launching Musk’s Tesla Roadster into space, recently completed a test flight of its Crew Dragon space vehicle, and cemented multiple new payload contracts. By engaging with users on social media and through standard storytelling mediums, Thinx and SpaceX bolster customer loyalty and brand engagement. Consideration Modern consumers argue that ignorance is not bliss. When users are considering converting with a brand, 86 percent of consumers say transparency is a deciding factor. Transparency remains crucial even after they convert, with 85 percent of users saying they’ll support a transparent brand during a PR crisis. Your brand must be open, clear, and honest with users; there is no longer another viable option. So how do you remain transparent while trying to sell someone a product? One solution employed by REI and Everlane is to be openly accountable to your brand and your users via the origin stories and product insights pillars. REI, a national outdoor equipment retailer, created a stewardship program that behaves as a multifaceted origin story. The program’s content highlights the company’s history and manufacturing policies, and it lets users dive into the nitty-gritty details about its factories, partnerships, product production methods, manufacturing ethics, and carbon footprint. REI also employs a classic content hub strategy to let customers find the program and explore its relevant information. From a single landing page, users can easily find the program through the website’s global navigation and then navigate to every tangential topic the program encompasses. REI also publishes an annual stewardship report, where users can learn intimate details about how the company makes and spends its money. Everlane, a clothing company, is equally transparent about its supply chain. The company promotes an insider’s look into its global factories via product insights stories. These glimpses tell the personal narratives of factory employees and owners, and provide insights into the products manufactured and the materials used. Everlane also published details of how they comply with the California Transparency in Supply Chains Act to guarantee ethical working conditions throughout its supply chain, including refusing to partner with human traffickers. The crucial quality that Everlane and REI share is they publicize their transparency and encourage users to explore the shared information. On each website, users can easily find information about the company’s transparency endeavors via the global navigation, social media campaigns, and product pages. The consumer response to transparent brands like REI and Everlane is overwhelmingly positive. Customers are willing to pay price premiums for the additional transparency, which gives them comfort by knowing they’re purchasing ethical products. REI’s ownership model has further propelled the success of its transparency by using it to create unwavering customer engagement and loyalty. As a co-op where customers can “own” part of the company for a one-time $20 membership fee, REI is beholden to its members, many of which pay close attention to its supply chain and the brands REI partners with. After a deadly school shooting in Parkland, Florida, REI members urged the company to refuse to carry CamelBak products because the brand’s parent company manufactures assault-style weapons. Members argued the partnership violated REI’s supply chain ethics. REI listened and halted orders with CamelBak. Members rejoiced and REI earned a significant amount of positive press coverage. Conversion Imagine you’ve started incorporating transparency throughout your company, and promote the results to users. Your brand also begins engaging users by telling vulnerable, meaningful stories via the three pillars. You’re seeing great engagement metrics and customer feedback from these efforts, but not much else. So, how do you get your newly invested users to convert? Provide users with a full-circle experience. If you combine the three storytelling pillars with blatant transparency and actively promote your efforts, users often transition from the consideration stage into the conversion state. Best of all, when users convert with a company that already earned their trust on an emotional level, they’re more likely to remain loyal to the brand and emotionally invested in its future. The crucial step in combining the three pillars is consistency. Your brand’s stories must always be authentic and your content must always be transparent. The outdoor clothing brand Patagonia is among the most popular and successful companies to maintain this consistency and excel with this strategy. Patagonia is arguably the most vocal and aggressive clothing retailer when it comes to environmental stewardship and ethical manufacturing. In some cases, the company tells users not to buy its clothing because rampant consumerism harms the environment too much, which they care about more than profits. This level of radical transparency and vulnerability skyrocketed the company’s popularity among environmentally-conscious consumers. In 2011, Patagonia took out a full-page Black Friday ad in the New York Times with the headline “Don’t Buy This Jacket.” In the ad, Patagonia talks about the environmental toll manufacturing clothes requires. “Consider the R2 Jacket shown, one of our best sellers. To make it required 135 liters of water, enough to meet the daily needs (three glasses a day) of 45 people. Its journey from its origin as 60 percent recycled polyester to our Reno warehouse generated nearly 20 pounds of carbon dioxide, 24 times the weight of the finished product. This jacket left behind, on its way to Reno, two-thirds [of] its weight in waste.” The ad encourages users to not buy any new Patagonia clothing if their old, ratty clothes can be repaired. To help, Patagonia launched a supplementary subdomain to its e-commerce website to support its Common Thread Initiative, which eventually got rebranded as the Worn Wear program. Patatgonia’s Worn Wear subdomain gets users to engage with the company about causes each party cares about. Through Worn Wear, Patagonia will repair your old gear for free. If you’d rather have new gear, you can instead sell the worn out clothing to Patagonia, and they’ll repair it and then resell the product at a discount. This interaction encourages loyalty and repeat brand-user engagement. In addition, the navigation on Patagonia’s main website practically begs users to learn about the brand’s non-profit initiatives and its commitment to ethical manufacturing. Today, Patagonia is among the most respected, profitable, and trusted consumer brands in the United States. Retention Content strategy expands through nearly every aspect of the marketing stack, including ad campaigns, which take a more controlled approach to vulnerability and transparency. To target users in the retention stage and keep them invested in your brand, your goal is to create content using the customers’ life experiences pillar to amplify the emotional bond and brand loyalty that vulnerability creates. Always took this approach and ended up with one of its most successful social media campaigns. In June 2014, Always launched its #LikeAGirl campaign to empower adolescent and teenage girls by transforming the phrase “like a girl” from a slur into a meaningful and positive statement. The campaign is centered on a video in which Always tasked children, teenagers, and adults to behave “like a girl” by running, punching, and throwing while mimicking their perception of how a girl performs the activity. Young girls performed the tasks wholeheartedly and with gusto, while boys and adults performed overly feminine and vain characterizations. The director then challenged the person on their portrayal, breaking down what doing things “like a girl” truly means. The video ends with a powerful, heart-swelling statement: “If somebody else says that running like a girl, or kicking like a girl, or shooting like a girl is something you shouldn’t be doing, that’s their problem. Because if you’re still scoring, and you’re still getting to the ball in time, and you’re still being first...you’re doing it right. It doesn’t matter what they say.” This customer story campaign put the vulnerability girls feel during puberty front and center so the topic would resonate with users and give the brand a powerful, relevant, and purposeful role in this connection, according to an Institute for Public Relations campaign analysis. Consequently, the #LikeAGirl campaign was a rousing success and blew past the KPIs Always established. Initially, Always determined an “impactful launch” for the video meant 2 million video views and 250 million media impressions, the analysis states. Five years later, the campaign video has more than 66.9 million views and 42,700 comments on YouTube, with more than 85 percent of users reacting positively. Here are a few additional highlights the analysis document points out: Eighty-one percent of women ages 16–24 support Always in creating a movement to reclaim “like a girl” as a positive and inspiring statement.More than 1 million people shared the video.Thirteen percent of users created user-generated content about the campaign.The #LikeAGirl program achieved 4.5 billion global impressions.The campaign received 290 million social impressions, with 133,000 social mentions, and it caused a 195.3 percent increase in the brand’s Twitter followers. Among the reasons the #LikeAGirl content was so successful is that it aligned with Brené Brown’s concept that experiencing vulnerability creates a connection centered on powerful, shared emotions. Always then amplified the campaign’s effectiveness by using those emotions to encourage specific user behavior on social media. How do you know if you’re making vulnerable content? Designing a vulnerability-focused content strategy campaign begins by determining what kind of story you want to tell, why you want to tell it, why that story matters, and how that story helps you or your users achieve a goal. When you’re brainstorming topics, the most important factor is that you need to care about the stories you’re telling. These tales need to be meaningful because if you’re weaving a narrative that isn’t important to you, it shows. And ultimately, why do you expect your users to care about a subject if you don’t? Let’s say you’re developing a content campaign for a nonprofit, and you want to use your brand’s emotional identity to connect with users. You have a handful of possible narratives but you’re not sure which one will best unlock the benefits of vulnerability. In a Medium post about telling vulnerable stories, Cayla Vidmar presents a list of seven self-reflective questions that can reveal what narrative to choose and why. If you can answer each of Vidmar’s questions, you’re on your way to creating a great story that can connect with users on a level unrivaled by other methods. Here’s what you should ask yourself: What meaning is there in my story?Can my story help others?How can it help others?Am I willing to struggle and be vulnerable in that struggle (even with strangers)?How has my story shaped my worldview (what has it made me believe)?What good have I learned from my story?If other people discovered this good from their story, would it change their lives? While you’re creating narratives within the three pillars, refer back to Vidmar’s list to maintain the proper balance between vulnerability and transparency. What’s next? You now know that vulnerability and transparency are an endless fountain of strength, not a weakness. Vulnerable content won’t make you or your brand look weak. Your customers won’t flee at the sight of imperfection. Being human and treating your users like humans isn’t a liability. It’s time for your brand to embrace its untapped potential. Choose to be vulnerable, have the courage to tell meaningful stories about what matters most to your company and your customers, and overcome the fear of controlling how users will react to your content. Origin story Every origin story has six chapters: the discovery of a problem or opportunity;what caused this problem or opportunity;the consequences of this discovery;the solution to these consequences;lessons learned during the process;and next steps. Customers’ life experiences Every customer journey narrative has six chapters: plot background to frame the customer’s experiences;the customer’s journey;how the brand plays into that journey (if applicable);how the customer’s experiences changed them;what the customer learned from this journey;and how other people can use this information to improve their lives. Product and service insights Narratives about product and service insights have seven chapters: an overview of the product/service;how that product/service affects users;why the product/service is important to the brand’s mission or to users;what about this product/service failed or succeeded;why did that success or failure happen;what lessons did this scenario create;and how are the brand and its users moving forward. You have the tools and knowledge necessary to be transparent, create vulnerable content, and succeed. And we need to tell vulnerable stories because sharing our experiences and embracing our common connections matters. So go ahead, put yourself out into the open, and see how your customers respond. Full Article
of Request with Intent: Caching Strategies in the Age of PWAs By feedproxy.google.com Published On :: 2019-11-21T14:30:06+00:00 Once upon a time, we relied on browsers to handle caching for us; as developers in those days, we had very little control. But then came Progressive Web Apps (PWAs), Service Workers, and the Cache API—and suddenly we have expansive power over what gets put in the cache and how it gets put there. We can now cache everything we want to… and therein lies a potential problem. Media files—especially images—make up the bulk of average page weight these days, and it’s getting worse. In order to improve performance, it’s tempting to cache as much of this content as possible, but should we? In most cases, no. Even with all this newfangled technology at our fingertips, great performance still hinges on a simple rule: request only what you need and make each request as small as possible. To provide the best possible experience for our users without abusing their network connection or their hard drive, it’s time to put a spin on some classic best practices, experiment with media caching strategies, and play around with a few Cache API tricks that Service Workers have hidden up their sleeves. Best intentions All those lessons we learned optimizing web pages for dial-up became super-useful again when mobile took off, and they continue to be applicable in the work we do for a global audience today. Unreliable or high latency network connections are still the norm in many parts of the world, reminding us that it’s never safe to assume a technical baseline lifts evenly or in sync with its corresponding cutting edge. And that’s the thing about performance best practices: history has borne out that approaches that are good for performance now will continue being good for performance in the future. Before the advent of Service Workers, we could provide some instructions to browsers with respect to how long they should cache a particular resource, but that was about it. Documents and assets downloaded to a user’s machine would be dropped into a directory on their hard drive. When the browser assembled a request for a particular document or asset, it would peek in the cache first to see if it already had what it needed to possibly avoid hitting the network. We have considerably more control over network requests and the cache these days, but that doesn’t excuse us from being thoughtful about the resources on our web pages. Request only what you need As I mentioned, the web today is lousy with media. Images and videos have become a dominant means of communication. They may convert well when it comes to sales and marketing, but they are hardly performant when it comes to download and rendering speed. With this in mind, each and every image (and video, etc.) should have to fight for its place on the page. A few years back, a recipe of mine was included in a newspaper story on cooking with spirits (alcohol, not ghosts). I don’t subscribe to the print version of that paper, so when the article came out I went to the site to take a look at how it turned out. During a recent redesign, the site had decided to load all articles into a nearly full-screen modal viewbox layered on top of their homepage. This meant requesting the article required requests for all of the assets associated with the article page plus all the contents and assets for the homepage. Oh, and the homepage had video ads—plural. And, yes, they auto-played. I popped open DevTools and discovered the page had blown past 15 MB in page weight. Tim Kadlec had recently launched What Does My Site Cost?, so I decided to check out the damage. Turns out that the actual cost to view that page for the average US-based user was more than the cost of the print version of that day’s newspaper. That’s just messed up. Sure, I could blame the folks who built the site for doing their readers such a disservice, but the reality is that none of us go to work with the goal of worsening our users’ experiences. This could happen to any of us. We could spend days scrutinizing the performance of a page only to have some committee decide to set that carefully crafted page atop a Times Square of auto-playing video ads. Imagine how much worse things would be if we were stacking two abysmally-performing pages on top of each other! Media can be great for drawing attention when competition is high (e.g., on the homepage of a newspaper), but when you want readers to focus on a single task (e.g., reading the actual article), its value can drop from important to “nice to have.” Yes, studies have shown that images excel at drawing eyeballs, but once a visitor is on the article page, no one cares; we’re just making it take longer to download and more expensive to access. The situation only gets worse as we shove more media into the page. We must do everything in our power to reduce the weight of our pages, so avoid requests for things that don’t add value. For starters, if you’re writing an article about a data breach, resist the urge to include that ridiculous stock photo of some random dude in a hoodie typing on a computer in a very dark room. Request the smallest file you can Now that we’ve taken stock of what we do need to include, we must ask ourselves a critical question: How can we deliver it in the fastest way possible? This can be as simple as choosing the most appropriate image format for the content presented (and optimizing the heck out of it) or as complex as recreating assets entirely (for example, if switching from raster to vector imagery would be more efficient). Offer alternate formats When it comes to image formats, we don’t have to choose between performance and reach anymore. We can provide multiple options and let the browser decide which one to use, based on what it can handle. You can accomplish this by offering multiple sources within a picture or video element. Start by creating multiple formats of the media asset. For example, with WebP and JPG, it’s likely that the WebP will have a smaller file size than the JPG (but check to make sure). With those alternate sources, you can drop them into a picture like this: <picture> <source srcset="my.webp" type="image/webp"> <img src="my.jpg" alt="Descriptive text about the picture."> </picture> Browsers that recognize the picture element will check the source element before making a decision about which image to request. If the browser supports the MIME type “image/webp,” it will kick off a request for the WebP format image. If not (or if the browser doesn’t recognize picture), it will request the JPG. The nice thing about this approach is that you’re serving the smallest image possible to the user without having to resort to any sort of JavaScript hackery. You can take the same approach with video files: <video controls> <source src="my.webm" type="video/webm"> <source src="my.mp4" type="video/mp4"> <p>Your browser doesn’t support native video playback, but you can <a href="my.mp4" download>download</a> this video instead.</p> </video> Browsers that support WebM will request the first source, whereas browsers that don’t—but do understand MP4 videos—will request the second one. Browsers that don’t support the video element will fall back to the paragraph about downloading the file. The order of your source elements matters. Browsers will choose the first usable source, so if you specify an optimized alternative format after a more widely compatible one, the alternative format may never get picked up. Depending on your situation, you might consider bypassing this markup-based approach and handle things on the server instead. For example, if a JPG is being requested and the browser supports WebP (which is indicated in the Accept header), there’s nothing stopping you from replying with a WebP version of the resource. In fact, some CDN services—Cloudinary, for instance—come with this sort of functionality right out of the box. Offer different sizes Formats aside, you may want to deliver alternate image sizes optimized for the current size of the browser’s viewport. After all, there’s no point loading an image that’s 3–4 times larger than the screen rendering it; that’s just wasting bandwidth. This is where responsive images come in. Here’s an example: <img src="medium.jpg" srcset="small.jpg 256w, medium.jpg 512w, large.jpg 1024w" sizes="(min-width: 30em) 30em, 100vw" alt="Descriptive text about the picture."> There’s a lot going on in this super-charged img element, so I’ll break it down: This img offers three size options for a given JPG: 256 px wide (small.jpg), 512 px wide (medium.jpg), and 1024 px wide (large.jpg). These are provided in the srcset attribute with corresponding width descriptors.The src defines a default image source, which acts as a fallback for browsers that don’t support srcset. Your choice for the default image will likely depend on the context and general usage patterns. Often I’d recommend the smallest image be the default, but if the majority of your traffic is on older desktop browsers, you might want to go with the medium-sized image.The sizes attribute is a presentational hint that informs the browser how the image will be rendered in different scenarios (its extrinsic size) once CSS has been applied. This particular example says that the image will be the full width of the viewport (100vw) until the viewport reaches 30 em in width (min-width: 30em), at which point the image will be 30 em wide. You can make the sizes value as complicated or as simple as you want; omitting it causes browsers to use the default value of 100vw. You can even combine this approach with alternate formats and crops within a single picture. ???? All of this is to say that you have a number of tools at your disposal for delivering fast-loading media, so use them! Defer requests (when possible) Years ago, Internet Explorer 11 introduced a new attribute that enabled developers to de-prioritize specific img elements to speed up page rendering: lazyload. That attribute never went anywhere, standards-wise, but it was a solid attempt to defer image loading until images are in view (or close to it) without having to involve JavaScript. There have been countless JavaScript-based implementations of lazy loading images since then, but recently Google also took a stab at a more declarative approach, using a different attribute: loading. The loading attribute supports three values (“auto,” “lazy,” and “eager”) to define how a resource should be brought in. For our purposes, the “lazy” value is the most interesting because it defers loading the resource until it reaches a calculated distance from the viewport. Adding that into the mix… <img src="medium.jpg" srcset="small.jpg 256w, medium.jpg 512w, large.jpg 1024w" sizes="(min-width: 30em) 30em, 100vw" loading="lazy" alt="Descriptive text about the picture."> This attribute offers a bit of a performance boost in Chromium-based browsers. Hopefully it will become a standard and get picked up by other browsers in the future, but in the meantime there’s no harm in including it because browsers that don’t understand the attribute will simply ignore it. This approach complements a media prioritization strategy really well, but before I get to that, I want to take a closer look at Service Workers. Manipulate requests in a Service Worker Service Workers are a special type of Web Worker with the ability to intercept, modify, and respond to all network requests via the Fetch API. They also have access to the Cache API, as well as other asynchronous client-side data stores like IndexedDB for resource storage. When a Service Worker is installed, you can hook into that event and prime the cache with resources you want to use later. Many folks use this opportunity to squirrel away copies of global assets, including styles, scripts, logos, and the like, but you can also use it to cache images for use when network requests fail. Keep a fallback image in your back pocket Assuming you want to use a fallback in more than one networking recipe, you can set up a named function that will respond with that resource: function respondWithFallbackImage() { return caches.match( "/i/fallbacks/offline.svg" ); } Then, within a fetch event handler, you can use that function to provide that fallback image when requests for images fail at the network: self.addEventListener( "fetch", event => { const request = event.request; if ( request.headers.get("Accept").includes("image") ) { event.respondWith( return fetch( request, { mode: 'no-cors' } ) .then( response => { return response; }) .catch( respondWithFallbackImage ); ); } }); When the network is available, users get the expected behavior: Social media avatars are rendered as expected when the network is available. But when the network is interrupted, images will be swapped automatically for a fallback, and the user experience is still acceptable: A generic fallback avatar is rendered when the network is unavailable. On the surface, this approach may not seem all that helpful in terms of performance since you’ve essentially added an additional image download into the mix. With this system in place, however, some pretty amazing opportunities open up to you. Respect a user’s choice to save data Some users reduce their data consumption by entering a “lite” mode or turning on a “data saver” feature. When this happens, browsers will often send a Save-Data header with their network requests. Within your Service Worker, you can look for this header and adjust your responses accordingly. First, you look for the header: let save_data = false; if ( 'connection' in navigator ) { save_data = navigator.connection.saveData; } Then, within your fetch handler for images, you might choose to preemptively respond with the fallback image instead of going to the network at all: self.addEventListener( "fetch", event => { const request = event.request; if ( request.headers.get("Accept").includes("image") ) { event.respondWith( if ( save_data ) { return respondWithFallbackImage(); } // code you saw previously ); } }); You could even take this a step further and tune respondWithFallbackImage() to provide alternate images based on what the original request was for. To do that you’d define several fallbacks globally in the Service Worker: const fallback_avatar = "/i/fallbacks/avatar.svg", fallback_image = "/i/fallbacks/image.svg"; Both of those files should then be cached during the Service Worker install event: return cache.addAll( [ fallback_avatar, fallback_image ]); Finally, within respondWithFallbackImage() you could serve up the appropriate image based on the URL being fetched. In my site, the avatars are pulled from Webmention.io, so I test for that. function respondWithFallbackImage( url ) { const image = avatars.test( /webmention.io/ ) ? fallback_avatar : fallback_image; return caches.match( image ); } With that change, I’ll need to update the fetch handler to pass in request.url as an argument to respondWithFallbackImage(). Once that’s done, when the network gets interrupted I end up seeing something like this: A webmention that contains both an avatar and an embedded image will render with two different fallbacks when the Save-Data header is present. Next, we need to establish some general guidelines for handling media assets—based on the situation, of course. The caching strategy: prioritize certain media In my experience, media—especially images—on the web tend to fall into three categories of necessity. At one end of the spectrum are elements that don’t add meaningful value. At the other end of the spectrum are critical assets that do add value, such as charts and graphs that are essential to understanding the surrounding content. Somewhere in the middle are what I would call “nice-to-have” media. They do add value to the core experience of a page but are not critical to understanding the content. If you consider your media with this division in mind, you can establish some general guidelines for handling each, based on the situation. In other words, a caching strategy. Media loading strategy, broken down by how critical an asset is to understanding an interface Media category Fast connection Save-Data Slow connection No network Critical Load media Replace with placeholder Nice-to-have Load media Replace with placeholder Non-critical Remove from content entirely When it comes to disambiguating the critical from the nice-to-have, it’s helpful to have those resources organized into separate directories (or similar). That way we can add some logic into the Service Worker that can help it decide which is which. For example, on my own personal site, critical images are either self-hosted or come from the website for my book. Knowing that, I can write regular expressions that match those domains: const high_priority = [ /aaron-gustafson.com/, /adaptivewebdesign.info/ ]; With that high_priority variable defined, I can create a function that will let me know if a given image request (for example) is a high priority request or not: function isHighPriority( url ) { // how many high priority links are we dealing with? let i = high_priority.length; // loop through each while ( i-- ) { // does the request URL match this regular expression? if ( high_priority[i].test( url ) ) { // yes, it’s a high priority request return true; } } // no matches, not high priority return false; } Adding support for prioritizing media requests only requires adding a new conditional into the fetch event handler, like we did with Save-Data. Your specific recipe for network and cache handling will likely differ, but here was how I chose to mix in this logic within image requests: // Check the cache first // Return the cached image if we have one // If the image is not in the cache, continue // Is this image high priority? if ( isHighPriority( url ) ) { // Fetch the image // If the fetch succeeds, save a copy in the cache // If not, respond with an "offline" placeholder // Not high priority } else { // Should I save data? if ( save_data ) { // Respond with a "saving data" placeholder // Not saving data } else { // Fetch the image // If the fetch succeeds, save a copy in the cache // If not, respond with an "offline" placeholder } } We can apply this prioritized approach to many kinds of assets. We could even use it to control which pages are served cache-first vs. network-first. Keep the cache tidy The ability to control which resources are cached to disk is a huge opportunity, but it also carries with it an equally huge responsibility not to abuse it. Every caching strategy is likely to differ, at least a little bit. If we’re publishing a book online, for instance, it might make sense to cache all of the chapters, images, etc. for offline viewing. There’s a fixed amount of content and—assuming there aren’t a ton of heavy images and videos—users will benefit from not having to download each chapter separately. On a news site, however, caching every article and photo will quickly fill up our users’ hard drives. If a site offers an indeterminate number of pages and assets, it’s critical to have a caching strategy that puts hard limits on how many resources we’re caching to disk. One way to do this is to create several different blocks associated with caching different forms of content. The more ephemeral content caches can have strict limits around how many items can be stored. Sure, we’ll still be bound to the storage limits of the device, but do we really want our website to take up 2 GB of someone’s hard drive? Here’s an example, again from my own site: const sw_caches = { static: { name: `${version}static` }, images: { name: `${version}images`, limit: 75 }, pages: { name: `${version}pages`, limit: 5 }, other: { name: `${version}other`, limit: 50 } } Here I’ve defined several caches, each with a name used for addressing it in the Cache API and a version prefix. The version is defined elsewhere in the Service Worker, and allows me to purge all caches at once if necessary. With the exception of the static cache, which is used for static assets, every cache has a limit to the number of items that may be stored. I only cache the most recent 5 pages someone has visited, for instance. Images are limited to the most recent 75, and so on. This is an approach that Jeremy Keith outlines in his fantastic book Going Offline (which you should really read if you haven’t already—here’s a sample). With these cache definitions in place, I can clean up my caches periodically and prune the oldest items. Here’s Jeremy’s recommended code for this approach: function trimCache(cacheName, maxItems) { // Open the cache caches.open(cacheName) .then( cache => { // Get the keys and count them cache.keys() .then(keys => { // Do we have more than we should? if (keys.length > maxItems) { // Delete the oldest item and run trim again cache.delete(keys[0]) .then( () => { trimCache(cacheName, maxItems) }); } }); }); } We can trigger this code to run whenever a new page loads. By running it in the Service Worker, it runs in a separate thread and won’t drag down the site’s responsiveness. We trigger it by posting a message (using postMessage()) to the Service Worker from the main JavaScript thread: // First check to see if you have an active service worker if ( navigator.serviceWorker.controller ) { // Then add an event listener window.addEventListener( "load", function(){ // Tell the service worker to clean up navigator.serviceWorker.controller.postMessage( "clean up" ); }); } The final step in wiring it all up is setting up the Service Worker to receive the message: addEventListener("message", messageEvent => { if (messageEvent.data == "clean up") { // loop though the caches for ( let key in sw_caches ) { // if the cache has a limit if ( sw_caches[key].limit !== undefined ) { // trim it to that limit trimCache( sw_caches[key].name, sw_caches[key].limit ); } } } }); Here, the Service Worker listens for inbound messages and responds to the “clean up” request by running trimCache() on each of the cache buckets with a defined limit. This approach is by no means elegant, but it works. It would be far better to make decisions about purging cached responses based on how frequently each item is accessed and/or how much room it takes up on disk. (Removing cached items based purely on when they were cached isn’t nearly as useful.) Sadly, we don’t have that level of detail when it comes to inspecting the caches…yet. I’m actually working to address this limitation in the Cache API right now. Your users always come first The technologies underlying Progressive Web Apps are continuing to mature, but even if you aren’t interested in turning your site into a PWA, there’s so much you can do today to improve your users’ experiences when it comes to media. And, as with every other form of inclusive design, it starts with centering on your users who are most at risk of having an awful experience. Draw distinctions between critical, nice-to-have, and superfluous media. Remove the cruft, then optimize the bejeezus out of each remaining asset. Serve your media in multiple formats and sizes, prioritizing the smallest versions first to make the most of high latency and slow connections. If your users say they want to save data, respect that and have a fallback plan in place. Cache wisely and with the utmost respect for your users’ disk space. And, finally, audit your caching strategies regularly—especially when it comes to large media files.Follow these guidelines, and every one of your users—from folks rocking a JioPhone on a rural mobile network in India to people on a high-end gaming laptop wired to a 10 Gbps fiber line in Silicon Valley—will thank you. Full Article
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of Gilead in talks to expand global supply of Covid-19 drug remdesivir By timesofindia.indiatimes.com Published On :: Wed, 06 May 2020 12:17:05 IST Gilead Sciences Inc said on Tuesday it was in discussions with chemical and drug manufacturers to produce its experimental COVID-19 drug remdesivir for Europe, Asia and the developing world through at least 2022. Full Article
of Sanofi to enroll thousands for its coronavirus vaccine trials By timesofindia.indiatimes.com Published On :: Wed, 06 May 2020 15:10:07 IST French drugmaker Sanofi SA said it plans to enroll thousands of subjects globally for trials of an experimental vaccine for the coronavirus it is developing with GlaxoSmithKline Plc, and that it has started to discuss advanced purchases with several countries. Sanofi teamed with British rival GSK to come up with a candidate it hopes will be ready next year. Full Article
of Trump admin petitions court to not revoke working rights of H-1B spouses By timesofindia.indiatimes.com Published On :: Thu, 07 May 2020 08:03:45 IST In a major development, the Trump administration has urged a federal district court not to block an Obama-era rule allowing certain categories of spouses of H-1B visa holders to work in the United States. This move, for now, provides a breather to the estimated one lakh plus Indian-spouses of H-1B workers who hold an employment authorisation document. Full Article
of China faces risk of global 'economic distancing' By timesofindia.indiatimes.com Published On :: Thu, 07 May 2020 17:18:09 IST Full Article
of Lufthansa Group airlines to take off again in June with 160 aircraft, 106 destinations By timesofindia.indiatimes.com Published On :: Fri, 08 May 2020 21:35:49 IST Lufthansa Group on Friday announced that Lufthansa, Eurowings and SWISS will be starting June offer monthly restart schedules to significantly more destinations in Germany and Europe than in the past few weeks. The repatriation schedules will end on May 31. Full Article
of Fate of business travel could hang on Covid-19 tracing apps By timesofindia.indiatimes.com Published On :: Sat, 09 May 2020 14:55:03 IST Mobile phone applications that trace the new coronavirus could help decide whether business travelers and vacation-goers get to meet clients or visit their favorite beaches this summer. But politics and disagreement over what system to use threatens to thwart that solution. Full Article
of The Hemingway Society reprints “Love in the Time of Influenza: Hemingway and the 1918 Pandemic” By www.kentstateuniversitypress.com Published On :: Tue, 21 Apr 2020 17:44:58 +0000 The Hemingway Society reprints “Love in the Time of Influenza: Hemingway and the 1918 Pandemic” by Susan F. Beegel. “In 1918 a virulent strain of influenza emerged that would spread around the world, fueled by World War I with its patriotic rallies and parades, its streams of refugees, and its mass movements of troops, such as the [...] Full Article News hemingway History pandemic world war I
of Publisher’s Weekly features The Other Veterans of WWII By www.kentstateuniversitypress.com Published On :: Fri, 24 Apr 2020 14:46:32 +0000 Publisher’s Weekly features The Other Veterans of WWII by Rona Simmons. https://bit.ly/3bBMyMi Find out more about the book at: http://www.kentstateuniversitypress.com/…/other-veterans-o…/ Full Article News History military history veterans World War II
of The Magic of Classics By endeavors.unc.edu Published On :: Thu, 19 Mar 2020 12:10:09 +0000 Classicists help connect our lives to those of the ancient world, but in Suzanne Lye's course on magic and religion, her students do more than just connect — they create. And they learn to relate to the everyday problems and spellbinding solutions of ancient peoples. Full Article Creativity Society Ancient Civilizations Ancient Greece Ancient Rome Classics Classics Department Greek Humanities Language Studies Latin Research Roman UNC Department of Classics UNC Research
of As virus hits consumer sentiment, jewellers offer online sweeteners for Akshay Tritiya By economictimes.indiatimes.com Published On :: 2020-04-23T17:27:29+05:30 Senco Gold & Diamonds is offering a discount on the gold rate. Sankar Sen, CMD of the Kolkata-based company, said the special Akshay Tritiya offer entails giving a discount of Rs 400 per gram on the gold rate during the offer period that runs from April 22-27. Full Article
of Jewellers offer online sweeteners for Akshay Tritiya By economictimes.indiatimes.com Published On :: 2020-04-23T17:32:53+05:30 Senco Gold & Diamonds is offering a discount on the gold rate. Sankar Sen, CMD of the Kolkata-based company, said the special Akshay Tritiya offer entails giving a discount of Rs 400 per gram on the gold rate during the offer period that runs from April 22-27. Full Article
of Jewellers use digital platform, offer discount to sell gold this Akshaya Tritiya By economictimes.indiatimes.com Published On :: 2020-04-26T14:29:14+05:30 "As we started getting a lot of enquires from our regular customers, we have started taking Akshay Tritiya bookings online from 21st April onwards on our e-commerce platforms. The same will be delivered to the customers post lockdown ends," Aditya Pethe, director, WHP Jewellers said. Full Article
of Covid-19 Impact: Stylish face mask is the new focal accessory of India’s top fashion brands By economictimes.indiatimes.com Published On :: 2020-05-08T20:43:46+05:30 Several apparel makers and fast-moving consumer goods companies had earlier stepped up to produce medical-grade masks as a philanthropic act when Covid-19 struck but now it is apparent that the pandemic is set to alter lifestyles for at least some time to come. Full Article
of Comprehensive Accounts of Pharmaceutical Research and Development: From Discovery to Late-Stage Process Development. / Ahmed F. Abdel-Magid, editor, Jaan A. Pesti, editor, Rajappa Vaidyanathan, editor ; sponsored by the ACS Division of Organic Chemistry By library.mit.edu Published On :: Sun, 26 Feb 2017 06:27:27 EST Online Resource Full Article
of Comprehensive accounts of pharmaceutical research and development: from discovery to late-stage process development / Ahmed F. Abdel-Magid, editor, Jaan A. Pesti, editor, Rajappa Vaidyanathan, editor ; sponsored by the ACS Division of Organic Chemistry By library.mit.edu Published On :: Sun, 26 Feb 2017 06:27:27 EST Online Resource Full Article
of The SAGE handbook of drug & alcohol studies / edited by Torsten Kolind [and 4 others] By library.mit.edu Published On :: Sun, 2 Apr 2017 06:29:38 EDT Online Resource Full Article
of Computational methods for processing and analysis of biological pathways / Anastasios Bezerianos, Andrei Dragomir, Panso Balomenos By library.mit.edu Published On :: Sun, 23 Apr 2017 06:25:20 EDT Online Resource Full Article
of Medical management of psychotropic side effects / Aniyizhai Annamalai By library.mit.edu Published On :: Sun, 23 Apr 2017 06:25:20 EDT Online Resource Full Article
of Gendering drugs: feminist studies of pharmaceuticals / Ericka Johnson, editor By library.mit.edu Published On :: Sun, 27 Aug 2017 06:34:53 EDT Dewey Library - RM301.3.S48 G46 2017 Full Article
of Non-medical and illicit use of psychoactive drugs Suzanne Nielsen, Raimondo Bruno, Susan Schenk, editors By library.mit.edu Published On :: Sun, 24 Sep 2017 06:33:48 EDT Online Resource Full Article
of Science of Ashwagandha: preventive and therapeutic potentials / Sunil C. Kaul, Renu Wadhwa, editors By library.mit.edu Published On :: Sun, 22 Oct 2017 06:29:07 EDT Online Resource Full Article
of Chemical biology of natural products / [edited by] David J. Newman, Gordon M. Cragg, and Paul Grothaus By library.mit.edu Published On :: Sun, 29 Oct 2017 06:34:15 EDT Online Resource Full Article
of Enabling precision medicine: the role of genetics in clinical drug development: proceedings of a workshop / Morgan L. Boname [and four others], rapporteurs ; Forum on Drug Discovery, Development, and Translation ; Roundtable on Genomics and Precision Heal By library.mit.edu Published On :: Sun, 5 Nov 2017 06:36:29 EST Online Resource Full Article
of Particulate technology for delivery of therapeutics Sougata Jana, Subrata Jana, editors By library.mit.edu Published On :: Sun, 19 Nov 2017 06:29:25 EST Online Resource Full Article
of Sigma proteins: evolution of the concept of sigma receptors / Felix J. Kim, Gavril W. Pasternak, editors By library.mit.edu Published On :: Sun, 19 Nov 2017 06:29:25 EST Online Resource Full Article
of Therapeutic use of medicinal plants and their extracts. A.N.M. Alamgir By library.mit.edu Published On :: Sun, 26 Nov 2017 06:43:18 EST Online Resource Full Article
of Interaction of mycophenolic acid and pantoprazole: a pharmacokinetic crossover study / Olesja Rissling By library.mit.edu Published On :: Sun, 31 Dec 2017 06:35:37 EST Online Resource Full Article