Brückenteilzeit heißt das neue Schlupfloch, das Privatversicherten den Wechsel in die gesetzliche Krankenversicherung ermöglicht. Die Flucht aus dem teuren PKV-Tarif funktioniert unter ganz bestimmten Bedingungen.

Ab dem 28. April werden Geschwindkeitsverstöße deutlich härter bestraft und Radfahrer besser geschützt. Der Schilderwald wird größer, und der Führerschein ist viel schneller weg als bisher. Das steht in der Novelle der Straßenverkehrsordnung.

Ein TV-Stick ist die Lösung für all jene, die keinen Smart-TV besitzen, aber auch auf ihrem Fernseher auf Netflix, Amazon Prime & Co. zugreifen wollen.

Viele Privatversicherte bereuen ihren Eintritt in die PKV und suchen nach einer Möglichkeit, sie wieder zu verlassen. Normalerweise ist das extrem schwierig. Doch die Corona-Krise ermöglicht einen solchen Exit. WELT erklärt, wer jetzt die Chance dazu hat.

Meet our Alumni Spotlight for this month: Tracy Avila!

Updated on April 13 at 5:06 p.m. ET Forget living paycheck to paycheck. Many families have lost work during the pandemic and are running out of cash as they wait for unemployment checks and government rescue money to arrive. These are highly unusual times, and family budgeting recommendations are also unconventional. Kathy Hauer, a financial planner based in Aiken, S.C., says she's telling people to do things she has never recommended before: "Defer as many payments as possible and worry about it later." But, she says, don't just ignore all the bills. Make sure to call all the companies and ask for forbearance — either a delayed payment or a new payment plan. This is an especially hard time for lower-income families who don't have a lot of wiggle room in their budgets, Hauer says. They may not be able to borrow money from other family members. If they have bad credit, they can't qualify for personal loans from banks. Many also don't have credit cards or are close to maxing those out.

Updated at 4:04 p.m. ET $600 per week. That's what the federal government is now offering to people who've lost their jobs because of the coronavirus. For many workers and employers, that money is a godsend — a way to keep food on the table while also cutting payroll costs. But the extra money can create some awkward situations. Some businesses that want to keep their doors open say it's hard to do so when employees can make more money by staying home. "We basically have this situation where it would be a logical choice for a lot of people to be unemployed," said Sky Marietta, who opened a coffee shop along with her husband, Geoff, last year in Harlan, Ky. Their goal was to provide good coffee, good Internet service and some opportunity in a community that has been starved of all three. "We're very committed to helping to transform the downtowns and main streets in eastern Kentucky," Marietta said. When the couple advertised for workers, nearly 100 people applied for just a handful of

Editor's note: This is an excerpt of Planet Money 's newsletter. You can sign up here . US Federal Reserve Chairman Jerome Powell ANDREW CABALLERO-REYNOLDS / AFP via Getty Images As the global economy shuts down, the U.S. Federal Reserve has begun sending billions of dollars to central banks all over the world. Last month, it opened up 14 " swap lines " to nations such as Australia, Japan, Mexico, and Norway. A "swap line" is like an emergency pipeline of dollars to countries that need them. The dollars are "swapped," i.e., traded for the other country's currency. The Fed has also started allowing around 170 foreign central banks that hold U.S. Treasury bonds to temporarily exchange them for dollars. Sending billions of dollars abroad in the middle of a historic economic crisis might seem crazy: As America's economy crumbles, why are we moving our precious dollars *out* of the country? The answer has to do with the Fed's unique position in the global economy. Dollars are the lynchpin

Angelita Wynn has driven a school bus for six years. Wynn was driving the kids back home on her afternoon run in Pittsburgh one day in March when she got word her job was going away. Over the radio. "Our dispatcher came across the radio saying that school was closed, so that's how I found out," Wynn said. "And that's the last time I've been in the bus." Her favorite thing about her job was the sense of freedom it offered, where driving can get you from one place to another. Her least favorite thing: It didn't pay a living wage. Wynn notes that most school bus drivers are retired or married to someone who brings in another income. "If you don't fit in those categories it can be a struggle," she said. She typically collects unemployment during the summer when school is not in session. But the abrupt layoff this spring and a weeks-long delay in getting her jobless benefits has thrown her for a loop. "My bank account is in the negative," Wynn said. "I've had to rely on savings that will

Maxwell Kirsner used to build sets for a company that staged big events in New York City. Those events dried up suddenly in mid-March. "I was laid off on Friday the 13th," he recalls. The timing actually turned out to be fortunate, as Kirsner was able to apply for and start receiving jobless benefits before the huge wave of layoffs that soon followed, overwhelming unemployment offices. His fiancée, Natalie Borowicz, and others who worked for the same company got pink slips a few weeks later. When we spoke, some were still waiting for their benefits to begin. "They're struggling to pay rent and buy food and all that," Kirsner said. "We're all in the same boat, but we're all on different seats on that boat." He's grateful that his bosses and coworkers continue to check in on one another regularly, and he hopes to return to work someday. "The light at the end of the tunnel is that it's New York City, and eventually, events have to come back," he said. "So, part of me has faith, but part

There's a call Laura Jean Truman is dreading, and she's convinced it's just a matter of time before it comes. Truman, who's a server at Manuel's Tavern in Atlanta, says the source of her angst is the fear that sometime in the next few weeks her boss is going to call and say it's time to go back to work, putting her in the position of having to make a choice between her safety and being able to pay the bills that continue to arrive despite the coronavirus. "Right now, everyone who is not working at restaurants is able to be on unemployment," she told NPR. "But once restaurants decide to open, and if we decide that we don't feel safe going back into those restaurants, we then are no longer eligible for unemployment because then we have a job opportunity that we're turning down," Truman explained. "It's a tremendously scary thing to have to think about," she said. The predicament is one in which millions of people receiving state unemployment benefits along with federal dollars from the

Updated at 8:38 a.m. ET The telephone lines are still jammed at the nation's unemployment offices. Another 3.8 million people filed claims for jobless benefits last week, according to the Labor Department . While that's down from the previous week's 4.4 million, a staggering 30.3 million have applied for unemployment in the six weeks since the coronavirus began taking a wrecking ball to the U.S. job market. That's roughly one out of five people who had a job in February. The pandemic has cut a wide swath of destruction through the economy, as restaurants, retailers and businesses of all kinds closed their doors in an effort to slow the spread of the virus. Don't see the graphic above? Click here. An NPR/PBS NewsHour/Marist poll found half the people surveyed had either lost a job or had their hours reduced because of the pandemic and the aggressive public health measures to contain it. The sudden job losses are all the more striking after a long period of record low unemployment, in

The private sector slashed a record 20.2 million jobs between March and April — a somber preview of Friday's monthly jobs report. That's up from the 149,000 private jobs cut a month earlier. The ADP National Employment Report released Wednesday was not surprising, given that more than 30 million people have filed for unemployment benefits as the coronavirus pandemic shut down much of the economy. But the latest numbers are stunning nonetheless. "Job losses of this scale are unprecedented," said Ahu Yildirmaz, co-head of the ADP Research Institute. "The total number of job losses for the month of April alone was more than double the total jobs lost during the Great Recession." Small businesses cut 6 million jobs, medium businesses 5.3 million and large businesses nearly 9 million, ADP said. The service sector cut 16 million jobs — including 8.6 million in leisure and hospitality. Manufacturing jobs fell by 4.3 million. The Labor Department's official report for April, which also

Very briefly, at the end of 2019 and the start of 2020, there were slightly more women on American nonfarm payrolls than men. That's no longer true. The historically disastrous April jobs report shows that the brunt of job losses fell on women. Women now account for around just under half — 49% — of American workers, and they accounted for 55% of the increase in job losses last month. One way of looking at why that matters that is to look at the gap that opened up between women's and men's unemployment last month. The below chart shows women's unemployment rate minus men's unemployment rate since 2007. Usually, the line bumps around near or just below zero — meaning men's unemployment is usually near or slightly higher than women's. But that spike on the far right shows how women's unemployment leapt to be 2.7 points higher than men's in April. Women had an unemployment rate of 16.2% to men's 13.5% last month. That's uncommon for a recession. The below chart is a longer view, and the

Fernbeziehungen stellen Pärchen auf eine harte Probe: Zu wenig Zeit für Zweisamkeit ist anstrengend – überall lauern Fallstricke. Doch auch mehr Nähe heißt nicht automatisch mehr Glück.

Hier ein Gläschen, dort ein Fläschchen: Alkohol kann bald zur Sucht werden. Doch wie spricht man einen Partner, einen Freund oder Verwandten auf seinen übermäßigen Konsum an?

Nicht nur Lunge, Herz und Geruchssinn werden bei Covid-19 geschädigt, sondern auch die Nieren. Das zeigen neue Untersuchungen. Ein Nierenexperte erklärt, wieso Risikogruppen wie Dialysepatienten besonders gefährdet sind.

Vergeben – das fällt vielen Menschen schwer: Es braucht Kraft und vor allem auch Zeit, um aus tiefer Überzeugung heraus wirklich verzeihen zu können. Doch der Weg lohnt sich, sagen Therapeuten.

In vielen Ländern wird darüber diskutiert, Immunitätsausweise auszustellen. Sie sollen Menschen, die eine Infektion hinter sich haben, endlich wieder Urlaub und damit eine Rückkehr in den Alltag ermöglichen. Was sagen Immunologen und die WHO dazu?

Corona bringt uns zum Kochen: Den ganzen Tag in der Wohnung und in Kühlschranknähe. Oft bedeutet das: Ran an den Speck! Ein Ernährungspsychologe weiß, wie man mit Kalorienbomben umgeht – und wann eine Pizza-Challenge hilfreich sein kann.

Eine Beziehung, die – aus welchem Grund auch immer – geheim bleiben muss, macht den Partner attraktiver. Dafür leidet diese Art Partnerschaft allerdings unter anderen Problemen.

War der Lockdown übertrieben? Und wie kann die Rückkehr zur Normalität gelingen? Ein Epidemiologe erklärt, welche Optionen Deutschland nun hat – und warum rasche Erleichterungen eine Gefahr für die Wirtschaft sind.

Sorgen, Ängste, Einsamkeit: Die Einschränkungen während der Corona-Pandemie belasten fast alle Menschen psychisch. Forscher untersuchen die Auswirkungen – und haben einen Rat, wie man weniger Stress bei Mitmenschen auslöst.

Arkatech Beatz has a long history of producing for some of Hip Hop's greatest and most notable artist (Big Pun, Nas, Raekwon, Game, Mya, Max B, Meek Mill, Jadakiss, Waka Flocka, Shawty Lo, Killer Mike, etc). We are currently looking for the next talented artist/producer to help reach the next level in their career. Drop your best song/track for us to check it out and we'll provide feedback and advice.

- Mike D. / Arkatech Beatz

Movement Music is seeking artists for management, publishing/licensing, and label roster consideration.

All submissions will be reviewed by our A&R team for release opportunities with us or our partners and publishing/licensing opportunities for commercial sync. Available artist projects will be also be considered by our management team. Movement Music is a record label, publishing, and management company founded in 2016 and based in Los Angeles.

- Zael E. - CEO - Movement Music

Deal Type: Management, Publishing/Licensing, Label Signing
Decision Maker: I'm the final decision maker
Deal Structure: Negotiable
Compensation: $1,500 - $2,000
Song Quality: Rough Mixes, Fully mastered, Broadcast ready
Similar Sounding Artists: Blackbear, Cashmere Cat, Louis The Child, Major Lazer, Calvin Harris, Marian Hill

Overdrive Productions is looking for cutting edge EDM/Dance Tracks/writers/vocals for new artist Jaclyn Walker.

Jaclyn Walker's current release is getting tons of radio spins around the U.S.A., Top 50 on the Mediabase Dance Radio Charts, top ten Billboard Dance Club Charts and Top 100 on the Japan Shazam Charts. We are looking for her next single to be more edgy and more of an EDM club banger.

Check Jaclyn Walker out HERE

We aren’t paying advances but will be using a Radio campaign promotion budget to release the record and you will receive your back end royalties as well as credit.

Looking for finished songs or demos. No HIP-HOP. Please submit your best track(s) for consideration.

- Jared Overeem / Overdrive Productions

Deal Type: Song Placement
Decision Maker: I'm the final decision maker
Deal Structure: Negotiable
Compensation: $500+ (Back-end Royalties)
Song Quality: Rough Mixes, Fully mastered, Broadcast ready
Similar Sounding Artists: Chainsmokers - "Roses", Tritonal "Blackout", Major Lazer - "Lean On", Don Diablo & Steve Aoki - "What we Started", DJ Snake - "Middle", Alesso - "I wanna know"

We are seeking Rock/Hip Hop songs with clean lyrics and no uncleared samples. High quality productions please. Think along the lines of Beastie Boys - Sabotage.

This opportunity is for a non-exclusive contract - all submissions must be 100% owned by the writer/writers. We look forward to your submissions.

Pop-Up Music is a PRS registered music library and publisher located in London. We pride ourselves in providing undiscovered music and bespoke music for advertising, film, TV, gaming and corporate.

- Mark Garfield / Pop-Up Music Uk Limited

Deal Type: Catalog Inclusion
Decision Maker: I'm the final decision maker
Deal Structure: Non-Exclusive
Compensation: Negotiable
Song Quality: Fully mastered, Broadcast ready
Similar Sounding Artists: Beastie Boys - Sabotage

We are seeking vibrant indie-pop songs that have global elements. Lots of drums, percussion and world instruments. A good reference would be tUnE-yArDs.

All songs must be owned by the writer - no samples please. We look forward to your submissions.

Pop-Up Music is a PRS registered music library and publisher located in London. We pride ourselves in providing undiscovered music and bespoke music for advertising, film, TV, gaming and corporate.

- Mark Garfield / Pop-Up Music Uk Limited

Deal Type: Catalog Inclusion
Decision Maker: I'm the final decision maker
Deal Structure: Non-Exclusive
Compensation: Negotiable
Song Quality: Fully mastered, Broadcast ready
Similar Sounding Artists: tUnE-yArDs

Vibey Studios is looking for singer songwriter artists for development in America

We are looking for artists with strong material and image in the acoustic 'singer songwriter indie pop rock alternative' sub genre

We are looking to find the next 'Lorde, Lana Del Ray, Ed Sheeren, Ellie Goulding, Aimee Mann'

Several of our recent artist have signed to record companies and prominent management companies.

As a Writer / producer / programmer James is credited with 60 million record sales worldwide. His work having also won 3 Brit awards, 18 Grammys and 2 Ivor Novello awards since 2001.

James's client list includes: ‘U2’, ‘Madonna,’ ‘Dido,’ ‘Phil Collins’, ‘Manic Street Preachers’, ‘Kylie Minogue,’ 'Mel C', ‘Brian Eno’, ‘Keane’, 'Sinead O'Connor', 'Bryan Ferry', 'Alex James from Blur',' Pet Shop Boys', 'Joe Satriani ', 'Annie Lennox', 'The Cure' Siobhan Donaghy ...and many more!

- James Sanger Owner / Vibey Developments

Deal Type: Artist Development
Decision Maker: I'm the final decision maker
Deal Structure: Non-Exclusive
Compensation: Negotiable
Song Quality: Rough Mixes, Fully mastered, Broadcast ready
Similar Sounding Artists: Lorde, Lana Del Ray, Ed Sheeren, Ellie Goulding, Aimee Mann

We are a sync licensing company based in Hollywood, CA. We are searching for the next big pop artist to place their music in tv, film, commercials, games, etc. We have new placements available weekly. We are open to a wide range of pop artists and sounds such as Ed Sheeran, Taylor Swift, Lady Gaga, Bruno Mars, Justin Beiber, Mindless Behavior, Katy Perry, Calvin Harris. Please submit your best track(s) for consideration. Our clients want high-quality, well-made, well-recorded music in all genres. This music and recording quality needs to stand up to the best that is out there, because that is what we are competing with, so keep that in mind.

Compensation will vary greatly based on the scope of the project and purpose of the songs employed. Placements can range from under $100 to thousands of dollars for a single agreement. Viral Music Media commissions 50% of the gross licensing fee. We keep 50% of the publishing royalties. You retain 100% of your writer’s share.

- Lamar / Viral Music Media

Deal Type: Catalog Inclusion
Decision Maker: I'm the final decision maker
Deal Structure: Non-Exclusive
Compensation: Negotiable based on placement
Song Quality: Fully mastered, Broadcast ready
Similar Sounding Artists: Ed Sheeran, Taylor Swift, Lady Gaga, Bruno Mars, Justin Beiber, Mindless Behavior, Katy Perry, Calvin Harris

We are seeking epic Dream Pop songs and instrumentals. Think big/airy/dreamy songs that also have a driving pulse and a commercial appeal - for pitching to Ads, Movies, and Film & TV.

We need fully completed and mixed songs, no demos please.
All songs must be written and owned 100% by the submitter.

Pop-Up Music is a PRS registered music library and publisher located in London. We pride ourselves in providing undiscovered music and bespoke music for advertising, film, TV, gaming and corporate.

Many thanks,
Pop-Up Music Team

Deal Type: Catalog Inclusion
Decision Maker: I'm the final decision maker
Deal Structure: Non-Exclusive
Compensation: Negotiable based on final placement
Song Quality: Fully mastered, Broadcast ready

SangMister is looking for bands and artists for development, management and production opportunities. (in genres- rock, indie, alternative, pop, electronica, acoustic, classical)

SangMister Music was formed in May 2017 by James Sanger and Paul Inder Kilmister as an artist development, management and music production company. The new company will be looking for international bands and artists both established and emerging to manage, develop and produce.

SangMister Music benefits from the experience of two 25 year plus veterans of the music industry, James and Paul have between them worked on more than a hundred million records sold and know a large percentage of the past and current music industry.

Paul Inder Kilmister has been a pop, rock and roll enigma, from birth. The son of John Lennon's first girlfriend, Patricia Inder and Lemmy Kilmister from legendary British rock band Motörhead. Paul has been with music all his life... So far in his career Paul has vibed with a vast and wide collection of established music luminaries including:
Paul Rodgers (Free, Bad Company, Queen), Robert Plant (Led Zeppelin), John Bonham (Led Zeppelin), Peter Grant (Led Zeppelin), Mutt Lange (AC/DC, The Cars, Def Leppard, Shania Twain, Billy Ocean), Sophie Barker (Zero 7, Sia), Julian Lennon, Nigel Kennedy, Chris Difford (Squeeze), Marti Pellow (WetWetWet), Marcella Detroit (Shakespeare’s Sister), Joey Tempest (Europe), Phill Brown (Traffic, Led Zeppelin, David Bowie, Cat Stevens, Bob Marley, Talk Talk), Zak Starkey (The Who, Oasis, Johnny Marr), Wayne Hussey (The Mission), Youth (Killing Joke, The Orb, The Verve), Zoe, Banararama, Alex Patterson (The Orb, KLF), William Henshall (Londonbeat), Tim Bran (Dreadzone, London Grammar), Pete Waterman (Stock, Aitken & Waterman, Kylie Minogue, Rick Astley, Steps, Jason Donovan), Chuck Zwicky (Prince, Andy Summers), Billy Steinberg (Madonna, Whitney Houston, Cyndi Lauper, The Bangles, The Divinyls, Belinda Carlysle, The Pretenders, Chaka Khan, Celine Dion, Atomic Kitten, Roy Orbison, Mel C, The Veronicas, Tina Turner, Girls Aloud), David Kershenbaum (Tracy Chapman, Joan Baez, Duran Duran, Joe Jackson, Bryan Adams, Supertramp, Cat Stevens, Elkie Brooks, Tori Amos), Matt Sorum (Guns’n’Roses, Velvet Revolver), Steve Vai (Frank Zappa, Whitesnake, David Lee Roth, Mary J. Blige, Ozzy Osbourne), Bob Kulick (KISS, W.A.S.P., Meatloaf, Michael Bolton, Motörhead, Diana Ross), Slash (Guns’n’Roses, Velvet Revolver), Zakk Wylde (Ozzy Osbourne, Black Label Society), Billy Idol, Steve Jones (Sex Pistols) and Billy Duffy (The Cult)…and many more.

James Sanger is credited with over 67 million record sales worldwide as an artist, an artist developer, song-writer, producer, programmer, engineer, instrumentalist or mixer. His work has won 4 Brit awards, 18 Grammys ,2 Ivor Novello, 17 Top 10 Albums, 11 Top 5 Albums and 5 Top 5 singles so far…
James' client list includes:
U2, Madonna, Dido, Phil Collins, Manic Street Preachers, Kylie Minogue, Mel C, Brian Eno, Keane, Sinead O'Connor, The Cardigans, Roxy Music, Bryan Ferry, Alex James (Blur), The Pet Shop Boys, Joe Satriani, Siobhan Donaghy, Bryan Adams, KD Lang, Annie Lennox, The Cure, Faithless, Jimmy Somerville, Mummy Troll, Suede, Lorien, S Club 7, Mytown, Sheena Easton, The Appletons, Liam Howlett (Prodigy), Liam Gallagher (Oasis), The Cooper Temple Clause, A1, Ultra, Lene Marlin, Kym Marsh (Hear’say), Joey Tempest (Europe), Chris Difford (Squeeze), Billy Steinberg, Rick Knowels, Squeezebox, Noa, Boy George (Culture Club), Rob Dougan …and many more.

- James Sanger & Paul Inder Kilmister / SangMister

Deal Type: Development, Management and Production
Decision Maker: I'm the final decision maker
Deal Structure: Exclusive
Compensation: Negotiable
Song Quality: Rough Mixes, Fully mastered, Broadcast ready
Genres: Rock, indie, alternative, pop, electronica, acoustic, classical

Huge New Sync Pitch Opportunities: With the Success we've had with our cut on Miranda Lambert's new record the doors have opened wide folks!!! We are currently seeking songs for Film, Television and Multi-Media Sync Placement opportunities. We Currently are pitching to All major networks ABC,CBS, NBC, FOX, CNN, HBO, MTV, Netfix,Universal Studios, Warner Brothers Pictures and many more opportunities weekly. We are accepting music in all genres. We are seeking slow, mid and uptempo songs. A lot of indie film companies are also looking for Acoustic and Americana music to promote in their films to be connected to. There is no song formula with sync opportunity it just needs to fit what mood they are wanting to capture.

To submit your songs you must own your masters and have clearance to pitch to film, TV and other multi media from co-writers and publishing affiliates and have work for hire release forms signed by musicians and or producers affiliated with your song. We are looking forward to hearing your music.

Merf Music Group is a music publishing company based in Nashville, TN. We specialize in song placement to Major and Indie Recording Artists as well as placements for Film, TV and other multi-media formats. Our company places only exceptional quality music to our clients and it is our goal to be one of the most sought after companies to go to for songs on Music Row.

- Ray Hamilton / Merf Music Group

Deal Type: Catalog Inclusion
Decision Maker: We are the final decision maker
Deal Structure: Negotiable
Compensation: $300-$5000 plus with residual income for re-runs / TBD based on final placement
Song Quality: Fully mastered, Broadcast ready
Similar Sounding Artists: Kenny Chesney, Taylor Swift, Pharrell Williams, Kelsea Ballerini, Cam, P!nk, Blake Shelton, Christina Aguilera, Maroon 5

The post houses and advertising agencies we work with seem to have a never ending demand for covers of popular songs. Therefor, we would like to broaden our catalog with inventive cover versions of compositions that have been big worldwide hits.

We are not looking for interpretations trying to imitate the original. We are seeking just the opposite - new takes on well known songs which transport them to new, unexpected directions. Covers are usually considered for film trailers and big ad campaigns, so it would be great to hear submissions that have space and a “cinematic” sound. However, if you have a dynamic, aggressive cover of a slow song, that could work too.

Below are some brilliant examples of what we would like to hear:
- Skylar Grey - Addicted To Love
- Vega Choir - Creep
- Lo-Fang - You’re The One That I Want
- Hannah Peel - Tainted Love
- Think Up Anger feat. Malia J - Smells Like Teen Spirit
- Lorde - Everybody Wants To Rule The World
- KI Theory - Enjoy The Silence

Please submit only professionally recorded and mastered songs.

As an added bonus, if your cover is Selected, we will offer to release your music on Filter Label. The songs by our talented artists can be heard in The OA, Exatlon, The Matrix Revisited, CSI: Las Vegas, Nikita, on ads for McDonald's, Nike, Philip Morris, Nestle Wagner, Bank Millennium, in shows on MTV, CNN, Nat Geo, NBC, Al Jazeera, Esquire, Channel 4 and almost every major TV network in the world.

- Emil Hadji Panzov Founder / CEO - Filter Label

I'm looking for new artist development, production, mixing and re-mixing projects for the new year ... If you have any serious recommendations get in touch.

I love making records, if you are innovative, musically different and interesting please send me a demo!

Indie pop, ambient, electro. (not rap or country)

As a Writer / producer / programmer James is credited with 60 million record sales worldwide. His work having also won 3 Brit awards, 18 Grammys and 2 Ivor Novello awards since 2001.

Not only has James worked for some of the most respected and established artists of this generation, but he has also helped establish the ‘sound’ and ‘sonic identities’ of major league acts. Defining their outputs well after his musical interventions.

James's client list includes: ‘U2’, ‘Madonna,’ ‘Dido,’ ‘Phil Collins’, ‘Manic Street Preachers’, ‘Kylie Minogue,’ 'Mel C', ‘Brian Eno’, ‘Keane’, 'Sinead O'Connor', 'Bryan Ferry', 'Alex James from Blur',' Pet Shop Boys', 'Joe Satriani ', 'Annie Lennox', 'The Cure' Siobhan Donaghy ...and many more!

- James Sanger / Vibey Developments

Deal Type: Artist Development
Decision Maker: I'm the final decision maker
Deal Structure: Non-Exclusive
Compensation: $100K+
Song Quality: Rough Mixes, Fully mastered, Broadcast ready
Similar Sounding Artists: something new!

Artistry Worldwide is seeking easy to clear, well-produced pop music for film and tv licensing. Both instrumentals and vocal songs. We get a constant stream of TV and film briefs and are always in need of quality music. You must own or have the rights to the track(s) you are submitting. Please submit your best work for consideration.

Artistry Worldwide is a new media company headed by Max Gousse based out of Los Angeles with a hub in emerging markets such as Toronto, Dubai, London, and Seoul. The mission for Artistry Worldwide is quite simple: to become the number one brand in developing new talent in media worldwide.

- Artistry Worldwide

Deal Type: Sync Placement
Decision Maker: Selected tracks will be pitched for final decision
Deal Structure: Negotiable
Compensation: Negotiable - Typically $1K+
Song Quality: Fully mastered, Broadcast ready

We are constantly looking for new artists to work with and would be happy to consider your songs.

All our deals, was it digital distribution, licensing, publishing, etc. are artist-friendly and we aim to deliver value via a personal support and involvement in all the projects we work on.

Our current roster includes more than 2,000 artists and we work in partnership mode with a growing number of acts.

JTV Digital is a digital music distribution, licensing and online promotion company that uses all new digital marketing techniques and hacks to help artists building and growing their audiences.

-- 10% of the submission fee is shared with Unicef --

- Jeremie Varengo / JTV Digital

Deal Type: Artist Roster Consideration
Decision Maker: I'm the final decision maker
Deal Structure: Negotiable
Compensation: $500+
Song Quality: Fully mastered

Seeking positive music for use in online video & advertising campaigns!

Music must be good vibes, positive and upbeat. All genres considered ie, Dance, Rock, Jazz, Electronica, Pop, R&B, Hip Hop, Classical, Orchestral, Ambient... etc.

Music must be high-quality, mixed and mastered. Instrumental tracks preferred, but great vocal tracks accepted too and if you can supply instrumentals even better!

All music will be listened to, reviewed and feedback given. Artists must own all rights to their music and there must be no copyright infringement.

Selected tracks will be licensed on a non-exclusive basis (so you maintain all rights to your music), simply go 50-50 on deals we get for you and you keep 100% of all publishing rights.

Clients are professional video production companies and advertising agencies that make high-quality online video content. Including JD Sports, The North Face, Asics, Addidas, Pringles, to name a few!

Artist's receive between £50-£1,000 per track depending on use, and there’s no limit the number of times a track can be licensed. So, if you have any positive music really love to hear from you!

Any questions please feel free to ask and look forward to working with you :)

All the best,
Giles

- Giles Gale - Music supervisor, sync & Licensing Manager - Resonant Music Licensing Ps, Due to the number of submissions either myself or my colleague Liam at Resonant will respond to the submissions, thank you.

Currently seeking “beats” for use in TV & Online advertising campaigns in South Korea!
,br> When I say “beats”, I mean any tracks that are driven by a breakbeat, as one, if not the most dominant part of the track. Ie, Drum & Bass, Hip-Hop, Dubstep, Electronica, Edm, Trap, Grime, Experimental etc.

All tracks must be upbeat and have a “Phat Beat”, “Killer Beat”, “Sick Beats”, “Dope Beat” or whatever your preferred description would be.

Music must be well produced, high-quality, mixed and mastered. Instrumental tracks preferred please, but great vocal tracks can be accepted too (if you can supply instrumental versions even better) and all tempos considered.

Artists must own all rights to their music 100% on both sides and there must be no copyright infringement. All music will be listened to, reviewed and feedback given.

The average cost of TV advertising commercial in Korea is $800 to $1,500 per track, and for worldwide rights up to $14,000.

The average cost of Online & YouTube advertising in Korea is $500-$2500 (geo restricted for single country of Korea), and worldwide use for $3000-$5000.

Selected tracks be sent to clients in South Korea and music licensed on a non-exclusive basis (so you maintain all rights to your music), we simply go 50-50 on deals we get and you're paid quarterly.

The South Korean market is built on a unique structure, which is not the same as any foreign market structure around the world. Because of this Korea has a higher advertising music fee than most other countries. This may be due to systemic limitations that the performing royalties cannot be collected, but also because there is no subsequent secondary payment after the initial payment of music fees. The total amount paid in Korea is 100% mechanical payout.

Clients who will be using music in South Korea; Korea's major advertising agencies including the CHEIL and INOCEAN and brands such as; Samsung, LG, Hyundai and SK to name a few.

If you make “beats’ I really look forward to hearing from you !

All the best,


- Giles Gale - Music supervisor, sync & Licensing Manager - Resonant Music Licensing

Global Coffee chain wants music for 2020 advert and music for in store radio.

Radio $5k per track
Advert $20K
Non-Exclusive

Great chance to get music heard by a mass audience at the peak times day and night.
The CMI Music Group has been asked by a Major Coffee Chain to find music for and advert and for their in-store music.

The songs chosen have the potential to be heard globally by millions of coffee drinkers in store.

All styles of music will be considered as the company are looking for top quality standout attention-grabbing, meaningful songs whether softer tracks, ambient music, instrumentals, emotive ballads or harder more powerful driving tracks as the range of music played will be very varied to cater for customer taste.

No songs with explicit lyrics, inciting violence, negative race or gender based lyrics or overly sexually suggestive.

Please submit your best work, radio ready, mastered songs. You must own 100% copyright. Only songs with cleared samples. I will accept demos as I am also a music producer / studio owner so if the song is a 'no brainer' and has enough potential to fit the opp then I would consider re-cutting it for the client.

The CMI Music Group has worked closely with companies such as: Apple, Honda, Samsung, BBC, ABC, New Show Media, Massive Films, Rickety Shack films, H&M, Reebok and more...

- Alexander Johnston / CMI Music Group International

One of the major Software companies is looking for music for several product releases in 2020.

This includes, Global TV and Film advertising campaigns, Web Commercials, Blogs, Vlogs, internet advertising and use in sports and TV shows that the company sponsor.

All styles of music will be considered as the company are looking for songs of all genres and decades. There are several story boards ideas complete so I will update submitters as we go along and get more detailed info.

Please submit your best work, radio ready, mastered songs. You must own 100% copyright. Only songs with cleared samples. I will accept demos as I am also a music producer / studio owner so if the song is a 'no brainer' and has enough potential to fit the opp then I would consider re-cutting it for the client.

The CMI Music Group has worked closely with companies such as: Apple, Honda, Samsung, BBC, ABC, ITV, New Show Media, Massive Films, Rickety Shack Films, H&M, Reebok, WalMart, Seat, Costa and more.

Payouts and rights: If selected you will keep 100% of your rights, royalties and payments dependent on the amount of times the tracks are used. Payout is $5,000 per song, per use (defined as one campaign sector) and is dependent on usage and length of use. The license is Non-Exclusive. If selected the songs will be passed to the company and they will have the final say, CMI Music Group will be on hand to help the artist all the way through the process with chosen artists (at no financial charge).

All songs submitted will be considered for all the other opps we have.

PLEASE DO NOT SEND US TRACKS TO OUR FACEBOOK, SOUNDCLOUD, EMAIL, LINKEDIN OR ANY SOCIAL MEDIA.

- Alexander Johnston / CMI Music Group International

GET PAID BEFORE THE END OF THE YEAR!!!

One of the few industries not suffering right now is gaming. In fact, video game companies are selling more titles than ever.

2 of the biggest game publishers who release on Playstation, Xbox and mobile are both looking for new music for a number of upcoming titles.

We can’t give the names of the game titles (for obvious reasons) but in total over 100 tracks are required across them, straddling pretty much all musical genres.

We are happy to consider Rock, Indie, Pop, Hip Hop / Rap, Christian, Blues, Jazz, Easy listening, Romantic Ballads, Metal, New Age / World, R&B, Country, Industrial, EDM, Beats, Funk, Classical and Soundtrack. Covers are also acceptable as are partial, cues and instrumentals as well as full tracks with vocals of course!

We will take demos too but if selected they will need to be completed for delivery this year.

This is a 100% NON exclusive deal so you are not giving up any rights. Payments will range from one or two thousand dollars per track right up to 5 figure deals and each track you select will be considered for numerous titles.

So, if you want to be considered for this opp then all you need to do is SUBMIT TODAY!

Finally we have said this before but it is SUPER IMPORTANT. We will happily take and include multiple tracks from the same artist, band or writer, so feel free to submit multiple pieces. And as always, a track being previously selected, currently on hold, or not by us does NOT exclude it from this opp. This opp is totally new and you have JUST as much chance to be placed as anyone. In fact, more often if we have heard a track before, it is likely to resonate due to the familiarity. So, let’s hear your amazing tracks, old and new!

Last date for submissions is the 27th of May 2020.

- Stuart Cheese / One Night Stand

Episode #945 features Justin Townes Earle, Adia Victoria, Courtney Marie Andrews and The Trews, recorded live in Charleston, W.V. *Tank and the Bangas set is not included here at the request of the artist. Keep up with the band and purchase music at tankandthebangas.com. Support for this podcast is provided by Adventures on the Gorge. www.adventuresonthegorge.com

Performances from renowned duo The Milk Carton Kids, Steve Poltz, Vera Sola, Griffin House and Twisted Pine. Support for our podcast is provided by Adventures on the Gorge. www.adventuresonthegorge.com

Guest host Kathy Mattea welcomes Steve Earle & the Dukes, Damien Jurado, Alsarah & the Nubatones, Erika Wennerstrom, and Vanessa Peters. Support is provided by Adventures on the Gorge. www.adventuresonthegorge.com

John Pizzarelli Trio, Catherine Russell, Devotchka, Kate Vargas and Bob Thompson Unit all in live performance. Support provided by Adventures on the Gorge.https://adventuresonthegorge.com/

Guest host Kathy Mattea welcomes Shawn Colvin, Bruce Robison & Kelly Willis, Lucy Kaplansky, Rebecca Loebe, and Kacy & Clayton.Support is provided by Adventures on the Gorge.https://adventuresonthegorge.com/

Live performances from Shovels & Rope, Cris Jacobs, Kelsey Waldon, Wayne Graham, and Tyler Grant & Robin Kessinger. Recorded in Charleston, WV Sunday Oct. 06, 2019. Support provided by Adventures on the Gorge. https://adventuresonthegorge.com/

Live performances from Chely Wright, Andrew Combs, The Claudettes, Michaela Anne, and Cave Twins. Recorded 11/3/2019 in Charleston, WV. Support is provided by Adventures on the Gorge. https://adventuresonthegorge.com/

Guest host Kathy Mattea welcomes Russell Moore & IIIrd Tyme Out, Peter Mulvey, Dom Flemons, Christopher Paul Stelling and The Small Glories. Support is provided by Adventures on the Gorge. https://adventuresonthegorge.com/