or

GLUCK, C.W.: Orphée et Eurydice [Opera] (Lyric Opera of Chicago, 2018) (NTSC) (714308)




or

GLUCK, C.W.: Orphée et Eurydice [Opera] (Lyric Opera of Chicago, 2018) (Blu-ray, HD) (714404)




or

VIENNA JOHANN STRAUSS ORCHESTRA: Musical Journey Across Austria (A) (NTSC) (753008)




or

VIENNA JOHANN STRAUSS ORCHESTRA: Musical Journey Across Austria (A) (Blu-ray, HD) (753104)




or

WAGNER, R.: Fliegende Holländer (Der) [Opera] (Maggio Musicale Fiorentino, 2019) (NTSC) (753808)




or

WAGNER, R.: Fliegende Holländer (Der) [Opera] (Maggio Musicale Fiorentino, 2019) (Blu-ray, HD) (753904)




or

VERDI, G.: Trovatore (Il) [Opera] (Arena di Verona, 2019) (NTSC) (754608)




or

VERDI, G.: Trovatore (Il) [Opera] (Arena di Verona, 2019) (Blu-ray, HD) (754704)




or

Piano Trio and Quartets - ELSNER, J. / SZYMANOWSKA, M. / MOZART, W.A. / LESSEL, F. (Warsaw Music Salon) (Arte dei Suonatori) (CDAccordACD269)




or

Piano Recital: Józsa, Peter - HAYDN, J. / SCHUBERT, F. / CHOPIN, F. / LISZT, F. / BRAHMS, J. (Portrait) (Gramola99213)




or

Piano Music (Norwegian) - TVEITT, G. / GRIEG, E. / KJERULF, H. / BACKER GRØNDAHL, A. (Nordic Light) (Soboń-Wakarecy) (CDAccordACD267)




or

MOÓR, E.: Concerto for 2 Cellos / Suite for 4 Cellos / Cello Sonata (S. Hess, D. Stromberg, Nuremberg Symphony, Piehlmayer) (OC1704)




or

MICHL, J.C.W.: Quartets Nos. 1-6 for Bassoon, 2 Violins and Cello (Hoadley, The Hall String Trio) (8.574054)

Upon hearing a chamber piece by Joseph Michl in Munich in 1772 the English composer and music historian Charles Burney wrote, ‘I hardly ever heard a composition that discovered more genius and invention.’ Even though Michl achieved success writing for the operatic stage and his contemporary reputation rested on his sacred works, the Bassoon Quartets present the epitome of urbane sophistication—elegantly constructed and full of imaginative detail—and at times resembling miniature concertos.




or

MARTINI, G.B.: Azione teatrale / Richiami degli ambulanti al mercato di Bologna (Contro, Troilo, Coro da Camera Euridice, Circe, Scattolin) (TC701307)




or

MAGNARD, A.: Orchestral Works - Ouverture / Chant funèbre / Hymne à la justice / Hymne à Vénus (Freiburg Philharmonic, Bollon) (8.574084)

Although Albéric Magnard’s oeuvre is relatively small, the uncompromising perfectionism with which he worked created a catalogue that is filled with expansive, complex and beautifully crafted music. Composed while he was still a student of Vincent d’Indy, the Suite d’orchestre dans le style ancien follows 18th-century models and is simultaneously solemn and joyful in mood, while the Chant funèbre is seen as his first true masterpiece. The importance of justice in Magnard’s life is expressed in the Hymne à la justice, while the Hymne à Vénus reflects every aspect of love, from tenderness to elation.




or

KORNGOLD, E.W.: Opera Highlights and Orchestral Works - Das Wunder der Heliane / Märchenbilder / Die tote Stadt (Linz Bruckner Orchestra, C. Richter) (C7350)




or

Impressions of China - Winning Works from the 2018 Huang Zi International Chinese Piano Composition Competition (G. Luisi) (8.579070)

All of the works in this programme were prize winners in the hotly contested 2018 Huang Zi International Chinese Piano Composition Competition, an event marking the 80th anniversary of the death of this influential composer and educator. Themes explored include the charm and unpredictability of China’s landscape, alongside elements of Chinese musical and theatrical aesthetics. Joint First Prize winners were Emile Naoumoff, whose Celestial Parade describes the composer’s wonderful experiences while in Shanghai, and Zhiliang Zhang, whose Qiao Ling Liu Dan portrays six widely differing ‘Dan’ or female characters in Sichuanese opera.




or

HERNÁNDEZ, S.: Piano Music Initiation to the Shadow / Terra Santa / Fantasia for Piano / Don't Forget About That (S. Hernández) (8.579072)

The distinguished Spanish composer and pianist Sira Hernández is known especially for her involvement with multi-discipline arts projects at major international festivals and cultural events. Many of her works are inspired by Italian artists as can be heard on this album. Minimalist techniques and the significance of tonality and timbre in communicating darkness and light are heard in Iniciación a la sombra and the sewing-machine ostinatos of Fantasía para piano. The presence of God amidst the bleak spaces of madness are expressed in Terra Santa, and the intensity of Don’t Forget About That invites us to resist oblivion.




or

Harp Recital: Plachá, Barbora - KRUMPHOLTZ, J.-B. / DUSSEK, J.L. (Works for Harp) (UP0216)




or

HANDEL, G.F.: Messiah (1742 version) (Mields, Schachtner, Kristjánsson, Berndt, Gaechinger Cantorey, Rademann) (ACC-30499)




or

COUPERIN, F.: Harpsichord Music (L'Unique) (Vinikour) (CDR90000-194)




or

COLOMBIA Son Real Orchestra: Salsa (EUCD2900)




or

CLARKE, N.: Mysteries of the Horizon / Dial 'H' for Hitchcock / Swift Severn's Flood (Vanhoorne, Grimethorpe Colliery Band, Thornton, Clarke, S.Smith) (8.574097)

Nigel Clarke has always been fascinated by virtuosity and timbre—it is the brass band genre that has lent itself most to his passion for musical athleticism. Dial ‘H’ for Hitchcock is an imaginary film score in the film noir vein, complete with classic and chilling sound effects, while the heroic, brooding and violent Swift Severn’s Flood was inspired by a line from Shakespeare. Cornet concerto Mysteries of the Horizon examines the atmosphere of paintings by René Magritte, and Earthrise celebrates one of the most iconic photographs in history and the drama of the Apollo 8 mission.




or

ČIURLIONIS, M.K.: Sea (The) / In the Forest / Kęstutis Overture (Lithuanian National Symphony, Pitrėnas) (ODE1344-2)




or

CHINA / SYRIA Gao Hong / Issam Rafea: From Our World to Yours (EUCD2899)




or

Cello, Soprano and Piano Recital: Ruh, Janina / Kusnezow, Boris - POULENC, F. / DEBUSSY, C. / FRANCK, C. (Dialogues) (SWR19030CD)




or

BRAHMS, J.: Piano Concerto No. 2 / Handel Variations (Vogt, Royal Northern Sinfonia) (ODE1346-2)




or

BOITO, A.: Mefistofele [Opera] (F. Furlanetto, Filianoti, Theodossiou, Zaramella, Palermo Teatro Massimo Chorus and Orchestra, Ranzani) (CDS581)




or

BERNSTEIN, L.: Songfest / GERSHWIN, G.: An American in Paris (Wolf Trap Opera, National Orchestral Institute Philharmonic, Judd) (8.559859)

An American in Paris is one of Gershwin’s most vivacious works, an orchestral ballet saturated in homesickness and the blues. This recording, however, uses the new 2019 critical edition and offers Gershwin’s original orchestration, unheard for 75 years—leaner, more angular and transparent, it also employs the correct use of the iconic taxi horns, for a new sonic experience. The breezy vitality of Copland’s An Outdoor Overture is balanced by Bernstein’s Songfest—written to celebrate the Bicentennial Year in America, setting the verses of 13 of the country’s poets.




or

BEETHOVEN, L. van: Symphonies Nos. 1-9 (Warsaw Philharmonic Choir and Orchestra, Kord) (CDAccordACD075)




or

BEETHOVEN, L. van: Symphonies (Complete) (Stuttgart Radio Symphony, Norrington) (SWR19525CD)




or

BEETHOVEN, L. van: Mass in C Major / Vestas Feuer / Meeresstille und Glückliche Fahrt (Chorus Cathedralis Aboensis, Turku Philharmonic, Segerstam) (8.574017)

The custom of marking the name-day of Princess Esterházy with a newly composed Mass began in the 1790s and for many years was carried out by Joseph Haydn. In 1807 Beethoven was commissioned and responded with his Mass in C major. Coolly received at court, it is a celebratory work of large-scale brilliance. The cantata Meeresstille und glückliche Fahrt is set to Goethe’s poems and contrasts calm with exuberance. In 1803 Beethoven set two numbers from Vestas Feuer, written by Emanuel Schikaneder, the librettist of Mozart’s Die Zauberflöte.




or

BEETHOVEN, L. van: Chamber Music - Piano Quartet, Op. 16 / Minuets and Dances (Sofia Kim, Kroh, Segal, Sarid, IU Wind Ensemble, Dorsey) (8.574040-41)

In his first decade in Vienna, Beethoven seems to have been preoccupied with music for wind instruments. The best-known example is his Quintet in E flat major, Op. 16, which he arranged at the same time for piano quartet. He also wrote music for dances and settings of folk songs, and reflected the public’s interest in automata by writing for musical clock. The Napoleonic wars were mirrored in Beethoven’s music of the period, especially in his military compositions such as a series of Marches and the Equali, scored for trombones, which were later played at his funeral.




or

BALADA, L.: Clarinet Works - Caprichos Nos. 6 and 7 / Double Concerto (Ivanov, Rominski, Polaczyk, Eryılmaz, Larson) (8.579056)

Barcelona native Leonardo Balada’s creative style has been labelled ‘Dalí’s surrealism in music’—an aspect of his work explored in this programme through the technique of ‘sound transformation’ in which abstract musical materials become familiar melody. Fusing traditional and contemporary elements, Caprichos Nos. 6 and 7 engage intimately with Spanish culture and history, while the virtuoso Double Concerto, heard here in an arrangement for flute, clarinet and piano, blends well-known Mexican folk tunes with the composer’s distinctive avant-garde style.




or

ADÈS, T.: Piano Solo Works (Han Chen) (8.574109)

Composer, conductor and pianist Thomas Adès has been described by The New York Times as ‘among the most accomplished all-round musicians of his generation’. His Concert Paraphrase on Powder Her Face reflects the glamour of the opera’s subject in the grand manner of Liszt or Busoni, while Still Sorrowing and Darknesse Visible explore John Dowland’s haunting lute works. Heard here in its world premiere recording, competition piece Blanca Variations is lyrical and flowing in character, and Traced Overhead is a vivid description of ascent and flight. Adès captures and transforms Polish style in his Mazurkas, and the spirit of Satie and Ravel in a Souvenir from the film Colette.




or

VIVALDI, A.: Four Seasons (The) / VERDI, G.: I vespri siciliani: Le quattro stagioni (R.M. Minasi, La Scintilla Orchestra) (PHR0112)




or

VITALI, G.B.: Sonate, Op. 5 (Italico Spendore) (TC623305)




or

Violin Recital: Arnoldi, Roberto - ANZAGHI, D. / ARNOLDI, N. / GARBARINO, G. / SPINOSA, R. / VACCHI, F. (New Music for Solo Violin) (TC940003)




or

VERDI, G.: Due Foscari (I) [Opera] (Coro del Teatro Regio di Parma, Filarmonica Arturo Toscanini, Orchestra Giovanile della Via Emilia, Arrivabeni) (CDS7865.02)




or

VERDI, G.: Attila [Opera] (I. D'Arcangelo, Monastyrska, S. La Colla, G. Petean, Bavarian Radio Chorus, Munich Radio Orchestra, Repušić) (900330)




or

TCHAIKOVSKY, P.I.: Sacred Choral Works - Vesper Service / Hymn in honour of SS Cyril and Methodius (Latvian Radio Choir, Kļava) (ODE1352-2)




or

SKORYK, M.: Violin Concertos (Complete), Vol. 2 - Nos. 5-9 (Bielow, Ukraine National Symphony, Sirenko) (8.574089)

Myroslav Skoryk is one of Ukraine’s leading composers and teachers, with a portfolio of works that include opera, a symphonic transcription of Paganini’s Caprices, and a cycle of nine violin concertos written over a 45-year span (Volume 1 is on 8.574088). Concerto No. 5 utilises jazz elements and a vivid fugato, while Concerto No. 6 explores the use of sensual moods and provocative dance rhythms. Syncopation and lyricism suffuse Concerto No. 7, while No. 9 is both touching and dramatic. Concerto No. 8 offers a representation of events in Chopin’s life through quotations, in combination with Skoryk’s own distinctive musical voice.




or

SINIGAGLIA, L.: String Quartet Works (Complete), Vol. 1 - String Quartet, Op. 27 / Brahms Variations / Hora Mystica (Archos Quartet) (8.574183)

The renowned Italian composer and mountaineer Leone Sinigaglia wrote a fascinating series of pieces for string quartet that reflect his powers of characterisation and elegance. Flowing melodies can be heard throughout, not least in the Concert-Étude, Op. 5, while the more substantial Variations on a Theme of Brahms, Op. 22 display his technical skill and expressive variety, whether reflective, sombre or exuberant. His String Quartet in D major, Op. 27 exemplifies his dual inheritance: a commanding central European facility, combined with a natural Italian lyricism.




or

SIERRA, R.: Cantares / Loíza / Triple Concierto (Trío Arbós, Cornell University Chorus and Glee Club, Xalapa Symphony, Marcelletti) (8.559876)

Roberto Sierra’s refined compositional voice is subtly combined with contemporary musical techniques and his Puerto Rican heritage in the three works recorded here. Cantares, commissioned by the Cornell University Chorus and Glee Club to celebrate the university’s sesquicentennial anniversary, evokes ancient Peruvian, Aztec and Afro Caribbean voices lost in time. The virtuoso Triple Concierto transforms the popular Caribbean rhythms of salsa, bolero and merengue into complex contemporary expressions, while the polyrhythmic layers of Loíza conjure a Puerto Rican town known for its strong African traditions.




or

SCRIABIN, A. / PASTERNAK, B.: Piano Works (Samson-Primachenko) (UP0213)




or

SCHARWENKA, P.: Piano Trio, Op. 121 / Duo for Violin and Viola / Viola Sonata / 4 Concert Pieces (Breuninger, Berthaud, Triendl) (C5391)




or

PRADO, J.A.R. de A: Piano Concerto No. 1 / Aurora / Concerto Fribourgeois (Rubinsky, Minas Gerais Philharmonic, Mechetti) (8.574225)

At the time of his death in 2010, Almeida Prado was one of Brazil’s most internationally admired composers, one who created music of unique sonority and colour, rooted in his native country. In Aurora (‘Dawn’) he employs his newly developed ‘transtonality’ to radiant effect, while the Concerto Fribourgeois features a collage technique. In his Piano Concerto No. 1 Almeida Prado explores a cogent structure in which the soloist opens up, rips apart or transforms the theme and variations, in a work that is both grandiose and luminous.




or

PETTIFORD, Oscar: Baden-Baden Karlsruhe (1958-1959) (JAH-419)




or

MAYR, J.S.: Due duchesse (Le) [Opera] (M. Schäfer, T.M. Herbert, Bavarian State Opera Chorus, Simon Mayr Choir, Concerto de Bassus, Hauk) (8.660422-23)

As one of the leading operatic composers of his generation, Johann Simon Mayr nurtured a fascination with the chivalric stories of medieval England. Le due duchesse, an opera semiseria with buffa elements, is set during the reign of the 10th-century King Edgar. Huntsmen’s and Knights’ choruses and troubadour-like songs give great vivacity to a score that is both lyrical and dramatic. Mayr’s compound of Viennese Classicism and Italianate melodic beauty, allied to his ambitious writing and a skilful libretto, produced an important and influential opera couched in his own unmistakable idiom.




or

HAYDN, J.: Cello Concertos Nos. 1 and 2 (N. Clein, Recreation - Graz Grosses Orchester, Hofstetter) (OC1895)