It is normal for college students to find it difficult to understand an essay topic. But the big issue is how to write an essay according to the instructions of the paper. An essay topic related to the role of R&B music may pose a little challenge. Students often need a well-written sample to get the perfect picture of what to write. If you are a student with a similar topic, go through this sample essay, and use it as a guide.

Sample Paper: The Role of R&B Music in Culture

Music connects human beings irrespective of culture, ethnicity, or race, and this has become accepted in many regions of the world. Rhythm and Blue or R&B is of African-American origin born popular in the 1940s but has a growing fan base in contemporary times. The role of the R&B lies in connecting with the people, expressing personality, and asserting cultural freedom.

Rhythm and Blues provide the avenue for musicians in this genre to find expression and connect with the people of a particular culture. Like every human on earth, these musicians have encountered life problems. They face racial discrimination and continuous harassment from law enforcement agents. 

Since R&B had its origin from the Black experience (Shaw 71), the emotional connection is often intense. An example of the experience that triggers the same emotional expression is the case of Trayvon Martins.  George Zimmerman shot and killed Martins on February 26, 2012. R&B uses an incidence like this to find expression and create a familiar voice, especially for the black community. 

The intimacy and the ability to relate to the content of R&B music play an essential role in culture, especially in black communities. Most musicians in this genre use their songs as a platform for passing a message or expressing their personal beliefs. 

Although it can turn into a civil movement or used for political propaganda (Higgins 1), in some cases, it has a humanizing end. Imagine how influential the voices and personality of R&B musicians would be in a time of the global pandemic. These powerful voices can make governments begin to care for the masses. Thus, the outcry will yield better healthcare and lasting infrastructure. 

Freedom to live and practice inherited culture can come under threat by social and political forces. R&B, and the movement it drives, can be a force for good and help in liberating cultures considered to be less civilized.

 Limited understanding of the culture of other people can cause social frictions and the inability to live in harmony. With well-written lyrics and well-presented songs, R&B can articulate the grievances by lesser cultures. This will unite different cultures and generate mutual understanding and respect for all cultures of the world. 

The role of R&B music in culture goes beyond the melody, sweet voices, and instrumentals. It connects people who share a common history, presents an avenue to pass global messages, and becomes a tool for racial and ethnic freedom. With the discouragement of the use of arms and ammunition and the approval of non-violent means, R&B can use its popular music genres to forge unity and understanding between cultures. 

Rounding Off

Once you have written your essay according to the above format, you should go ahead to choose a style of reference. If you look at the sample essay, you will notice some in-text citations. This is in the MLA style or Modern Language style, but you may pick APA style or ASA style depending on the requirements of the paper. 

Some supervisors give students the freedom to choose the style of their choice. The important thing is to pay attention to the instructions for the paper. The lack of following instructions can lead to a failed paper. Thus, you will lose the efforts and money spent. 

It is impossible to downplay the importance of proper research, as this serves as the bedrock for an excellent paper. There are many offline books and tons of online resources that can serve as authentic sources of information. When you gather the necessary ideas and materials, writing an essay on R&B will be easy. 

The reason most students claim to not get materials for their essay is that they did not search in the right places. Google Scholar and JSTOR Research are some of the right places to find materials for academic research. 

The bottom line is to view the sample essay, take note of the thesis statement, and understand how to write the topic sentence and detailed explanation of each point in the paragraph. But sometimes the pressure of academic work can be overwhelming, or you needed to come to terms with the technicality of essay writing. At that point, you may seek help from AffordablePapers to get your essay written for you at a reasonable price.

Reference(s)

1. Tell It Like It Is: A History of Rhythm and Blues

Curled from https://folklife.si.edu/talkstory/2016/tell-it-like-it-is-a-history-of-rhythm-and-blues

2. The Origins and History of R&B Music

Curled from https://www.liveabout.com/what-is-randb-music-2851217

3. Category: R&B

Curled from https://official.fm/rb/

4. How Modern R&B Revitalized Pop Music

Curled from https://www.udiscovermusic.com/in-depth-features/modern-rnb-revitalised-pop-music/

5. Rhythm and Blues' influence on Pop Culture

Curled from https://prezi.com/pf2hsd-bwfhf/rhythm-and-blues-influence-on-pop-culture/

6. R&B CULTURE

Curled from https://prezi.com/tpv5nhfoz5ls/rb-culture/

7. The History Of R&B Music

Curled from https://www.indiegogo.com/projects/the-history-of-r-b-music#/

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Welcomes Grammy Award-Winning Superstar Lyrica Anderson For Latest Edition

Invites Viewers To Donate Live To Historic Memphis Community Orange Mound

April 30th 2020 (Memphis, TN) – Triple threat Grammy Award-winning singer, songwriter, and producer, Lyrica Anderson will appear on Beatroot Music’s The Beatroot Suite for a live performance of her new single “Marriott” and Q&A on Thursday April 30, 2020 at 9:30pm ET/6:30pm PT. 

In addition to this fan experience, Lyrica invites viewers to donate live to support COVID-19 relief efforts in Orange Mound—the oldest African-American community in Memphis, TN. Beginning May 2nd, the team will supply residents of the community affected by the pandemic with care packages comprised of food and hygiene items as part of the Zone 6 CAReavan. All residents in Zone 6 are eligible to the generosity of those who donated across the country. 

Tune in and watch on Instagram Live HERE

The Beatroot Suite is a new music initiative launched by artist-centric label services platform Beatroot Music. In addition to empowering artists with tools and resources to succeed independently, the company hosts this innovative online venue as a stage for its talent roster to showcase and discuss new material. Last week, The Beatroot Suite welcomed award-winning, multi-platinum selling songwriter and artist Elijah Blake.

The post Beatroot Music Presents The Beatroot Suite Live Performance + Q&A Series appeared first on Singersroom.com.

Je’Melody Releases Hot New Album 'JADED'

JE'MELODY DEBUT EP "JADED" PREVIEW : https://soundcloud.com/jemelody/sets/jaded/s-PGpVih8fpvY

WEBSITE: https://www.jemelodymusic.com

SOCIAL MEDIA: IG: https://www.instagram.com/jemel0dy/
STREAM Je’Melody: https://songwhip.com/artist/jemelody
“JADED” by Je’Melody - Official Trailer: https://www.youtube.com/watch?v=r0ALxZBnVKc

The post Je’Melody Releases Hot New Album ‘JADED’ appeared first on Singersroom.com.

CHAMPIONED BY CAPITAL XTRA, REPREZENT RADIO, MNM BELGIUM, TARMAC, PULSE88 RADIO

STREAM HERE: https://open.spotify.com/album/7m6DPu3m1iE76vZDiWRaJ9?si=O7cOB7WgSviNrtRfou8ICA

Introducing 23-year old London-based Belgian Congolese songstress LYNE, who – after teasing us with three well-received introductory singles in the past couple of years that have seen her garner strong support from the likes of Capital Xtra, Reprezent Radio, MNM Belgium, Tarmac, and Pulse88 Radio, among others – is excited to unveil her brand new debut EP titled Bipo Feels, a phrase which Lyne coined about the way relationships can have us feeling bipolar, with completely opposing emotions all the time.

Produced by frequent collaborator D.E.W.I, Lyne’s Bipo Feels EP is an exquisite and expansive R&B offering, with lush afrobeats, soul and rap sensibilities sprinkled across the project, to make it all the more interesting of a listening experience for fans and critics alike. Led by Lyne’s angelic and immersive voice, and her honest and relatable songwriting, as well as D.E.W.I’s glorious musical backdrops, the Bipo Feels EP sees Lyne at her most vulnerable, as she opens up about an undecisive time in her life, which she describes as “those moments where you can have different feelings towards a man you love”.

From Lyne expressing how she is hopelessly in love with her man on the opening track ‘Together’, to the following track ‘Not Sorry’, which sees Lyne expressing her frustration with this same man, leading her to even switch between English and her native French language to convey her annoyances, the theme of the EP quickly flips on its head, and by the third track ‘All Mine’, Lyne has done a complete 180-degree switch, as she now professes to want this same man all for herself, but on the EP’s final track ‘9PM’, she finds out her man is cheating on her, and all hell breaks loose, with seemingly fatal consequences.

Speaking about the inspiration behind her Bipo Feels EP, Lyne says, “Writing this EP really helped me release some thoughts I feel like I couldn’t really open up about. Having doubts, and not being able to see clearly, while feeling different emotions at the same time, all caused by the same person, can be very frustrating. We say that there is a thin line between love and hate and I totally believe that. Intense love can seem so lasting and forever that it’s almost surrealistic when we realize how quickly it can turn into anger. I want this EP to be a message of support to anyone feeling that confusion about what their heart is saying, at times. You are not alone but keep praying and God will show you what you need to see”.

‘BIPO FEELS’ EP TRACKLIST

1. Together
2. Not Sorry
3. All Mine
4. 9PM

CONNECT WITH LYNE

Instagram: http://www.instagram.com/lynensongo

Twitter: http://www.twitter.com/lynensongo

Facebook: http://www.facebook.com/lynensongo

Website: http://www.lyne.tv

STREAM HERE: https://open.spotify.com/album/7m6DPu3m1iE76vZDiWRaJ9?si=O7cOB7WgSviNrtRfou8ICA

The post LYNE EXPLORES LOVE’S CONTRADICTIONS ON HER DEBUT EP ‘BIPO FEELS’ appeared first on Singersroom.com.

MODEL DEVYN ADAIR RETURNS WITH HOT NEW SINGLE “MY LOVE” TODAY

STREAM "MY LOVE" HERE: https://www.listen.lt/DevynAdairMyLove

Over a lull of dreamy guitars and minimalist beats, her voice instantly enchants and entrances. The track ebbs and flows as her vocals flutter towards a seductive and soulful hook. The soft ballad illuminates the artist’s dynamic range and highlights her natural charisma. Be on the lookout for the premiere of the music video in the near future.

“My Love” sets the stage for the arrival of her new EP, coming soon.

Devyn Adair has quietly established herself as an enchanting presence. In addition to a successful career modeling, the Korean-American chanteuse continues to build a consistent catalog. 2018’s “Maybe” [feat. AD] attracted acclaim from RESPECT Magazine, and The Hype Magazine, which wrote, “Don’t think for a second Dev will be slow up from here!” Last year, she made waves with Filters, garnering looks from RESPECT. Magazine and more.

STREAM "MY LOVE" HERE: https://www.listen.lt/DevynAdairMyLove

Biography:

Devyn Adair is a contemporary R&B singer and songwriter with a voice that is soothing, smooth and soulful. From a young age, Devyn discovered she had a deep rooted passion for being creative, and a strong interest in the arts. Her urge to be involved in the arts led her to Korea to pursue vocal training and dance. Devyn chose to train in Korea, because of their notable artist camps, and because of her Korean heritage. After completing her training in Korea, Devyn made her way back to the states to pursue modeling and also jump started her process of becoming the artist she is today. Her music is sultry, soothing, and versatile due to her variety in both R&B and pop sounds; drawing inspiration from Chris Brown, Jhene Aiko, Ariana Grande, and more.

Follow Devyn on Social Media:

https://www.instagram.com/devynadair/

https://twitter.com/devynadair

https://web.facebook.com/devyn.adair

https://www.youtube.com/channel/UC65heYYee3utJyahMMGRUvA

The post MODEL DEVYN ADAIR RETURNS WITH HOT NEW SINGLE “MY LOVE” TODAY appeared first on Singersroom.com.

Hello everyone! We're the Clark family. Colt (the Dad) is a professional musician and Aubree (me, the Mom behind the camera) is a photographer. Together we home school our three children (even when we're not in the middle of a pandemic). :) We're keeping busy during our time at home by

"The black feminist Combahee River Collective manifesto and E. Franklin Frazier's Black Bourgeoisie share the diagnosis that the wealthy and powerful will take every opportunity to hijack activist energies for their own ends."

On the origins of identity politics with black feminist activists:

The term "identity politics" was first popularized by the 1977 manifesto of the Combahee River Collective, an organization of black feminist activists. In a recent interview with the Root and in an op-ed at the Guardian, Barbara Smith, a founding member of the collective, addresses common misconceptions about the term. The manifesto, she explains, was written by black women claiming the right to set their own political agendas. They weren't establishing themselves as a moral aristocracy—they were building a political viewpoint out of common experience to work toward "common problems." As such, they were strongly in favor of diverse people working in coalition, an approach that for Smith was exemplified by the Bernie Sanders campaign's grassroots approach and its focus on social issues that people of many identities face, especially "basic needs of food, housing and healthcare." According to Smith, today's uses of the concept are often "very different than what we intended." "We absolutely did not mean that we would work with people who were only identical to ourselves," she insists. "We strongly believed in coalitions and working with people across various identities on common problems."

The concept of elite capture originated in the study of developing countries to describe the way socially advantaged people tend to gain control over financial benefits meant for everyone, especially foreign aid. But the concept has also been applied more generally to describe how political projects can be hijacked—in principle or in effect—by the well positioned and resourced, as Yang's "step up" demand exemplifies. The idea also helps to explain how public resources such as knowledge, attention, and values get distorted and distributed by our power structures. And it is precisely what stands between us and Smith's urgent vision of coalitional politics.

To better understand the broader dynamic, we can look to philosopher C. Thi Nguyen's work on games. As he explains in his new book Games: Agency as Art (2020), confusing the real world with the carefully incentivized structure of game worlds can lead to a phenomenon he calls "value capture," a process by which we begin with rich and subtle values, encounter simplified versions of them in social life, and then revise our values in the direction of simplicity. Nguyen is careful to point out that value capture doesn't require anyone's deliberate or calculated intervention, only an environment or incentive structure that encourages excess value clarity.

Nguyen stops short of noting that another risk of gamifying values is the unequal distribution of power across participants. But outside of the world of games, power differentials do shape outcomes. Value capture is managed by elites, on purpose or not. In other words, elites don't simply participate in our community; their decisions help to structure it, much in the way that game designers structure the world of games. After all, elites face a simpler version of oppression than non-elites do: whereas working-class black folk are pressed by racial slights and degradation alongside economic problems that might require "socialized medicine" to solve, elites's economic position makes them comfortable enough to focus on their own status and cultural power—often at the expense of non-elites.

The Congressional Black Caucus's cosponsorship of Ronald Reagan's 1986 Anti-Drug Abuse Act helped supercharge mass incarceration by establishing mandatory minimum sentencing guidelines and adding $1.7 billion toward the drug war while welfare programs were cut. This legislation solved the problem for the black elites of the CBC of how to seem involved with respect to the crack cocaine epidemic. But with the law's passage, working-class African Americans went from dealing with one very complex problem to weathering two interlocking ones: the drug epidemic itself—unsolved by this draconian measure—and the surge of discriminatory law enforcement the legislation unleashed.

Elite capture is not unique to black politics; it is a general feature of politics, anywhere and everywhere. I could just as easily have focused on the world of elite universities. In Philosophy of African American Studies (2015), for example, Stephen Ferguson II makes a similar argument about the elite capture of black studies, which owes its existence to the radical student movements of the 1960s and '70s but has since been "turned into a bureaucratic cog in the academic wheel controlled by administrators, with virtually no democratic input from students or the black working-class community." I could also have kept the general perspective but reversed the role of race and class. In socialist organizations, for example, we might find that white people likewise tend to capture the group's politics.

Or we could look away from race to a different set of identity characteristics altogether. In the Buzzfeed article "You Wanted Same-Sex Marriage? Now You Have Pete Buttigieg," Shannon Keating laments the trajectory of mainstream queer politics away from the more radical elements dramatically on display in the Stonewall riot of 1969 and ACT UP. Or take how The Wing, a coworking space touting itself as a "women's utopia," exploits the women who work for it.

And, of course, elite abuse of identity politics isn't limited to the United States. It is also a particularly salient problem in Global South politics, where national, ethnic, and caste identities are shaped by an unstable mix of indigenous and colonial history. Peace studies scholar Camilla Orjuela argues that, from Sri Lanka to Kenya, politics in multiethnic Global South societies easily fall into cycles of expecting elites to allocate resources along blatantly ethnic and regional lines. After all, the thinking going, the elites of every other ethnic group will do the same when they're in power. Journalist John Githongo describes such ethnic elites as "creatures of patronage and . . . influence peddling" who treat the state as a ladder to their own goals rather than an institution of collective responsibility. These conceptual strands are vividly illustrated by the history of the U.S.-backed Haitian dictators "Papa Doc" and "Baby Doc" Duvalier. The Duvaliers cynically used tropes drawn from the Vodou religion, popular with the country's poor, to intimidate the citizenry while enriching themselves. At the same time, they unleashed unspeakable violence upon actual Vodou practitioners, fearing the revolutionary potential of the religion, which was instrumental in ending slavery on the island.

As the Combahee River Collective acknowledged, simply participating in activism is no guarantee that we will develop the right kind of political culture; its founding members were veterans of important radical political movements that nevertheless made crucial oversights along the way. Elites have to get involved—actually involved—but that involvement needs to resist elite capture of values and the gamification of political life.

We have our work cut out for us, but fortunately we aren't starting from scratch: there's a rich history to draw from. In the 1960s, feminists held regular group meetings, in houses and apartments, to discuss gender injustice in ways that would have been taboo in mixed company. A set of such "consciousness raising" guidelines by Barbara Smith and fellow activists Tia Cross, Freada Klein, and Beverly Smith provides an example of identity politics work as the Combahee River Collective envisioned it. The exercise starts by asking participants to examine their own shortcomings ("When did you first notice yourself treating people of color in a different way?"), but ends by asking how they can use an element of shared oppression as a bridge to unite people across difference ("In what ways can shared lesbian oppression be used to build connections between white women and women of color?"). Because, in the end, we're in it together—and, from the point of view of identity politics, that is the whole point.

"Fuck the Bread. The Bread Is Over." Sabrina Orah Mark reflects on fairy tales, the academic job market, and being a mother during the COVID-19 pandemic. (SLParisReview)

Brian May hospitalized after injuring buttocks in 'over-enthusiastic' gardening incident.

What happened when six boys were shipwrecked for 15 months

The "obscure blog" he refers to is probably this article by Jay Griffiths.

God has billions of children who are still trapped in spiritual darkness globally. Today, you can help liberate them with the light of God’s Word through your sacrificial gift for Amazing Facts’ soul-winning work. Will you please stand with us?

Liling desperately searched for truth on the Internet in the heart of the world’s largest atheistic country. Yet even there, she found Amazing Facts and soon became a joyful, baptized believer in Christ—all thanks to loving gifts from people like you! Will you help thousands and thousands more discover Bible truth and be ready for Jesus’ soon return?

Gov. Brian Kemp is encouraging all Georgians to undergo screening for the coronavirus as the testing supply continues to rise and the federal government plans to send enough swabs to test 2% of the state’s population. Speaking at the Capitol Thursday, Kemp said the change in guidance from the Centers for Disease Control and Prevention means those without symptoms can contact their doctor, local health department or use a free app from Augusta University to start the process.

Gregory McMichael and his son, Travis McMichael, have been arrested on murder charges in connection with the fatal shooting of 25-year-old Ahmaud Arbery, the Georgia Bureau of Investigation confirmed Thursday.

In the week since Georgia’s shelter-in-place order ended for most, businesses have started to open back up. But with new rules and wary customers, many small businesses are still finding their feet. GPB News reporters fanned out across the state to ask small business owners how their reopening process changes the way they operate.

Compared to the lockdowns and shuttered businesses in countries across the world, Sweden is an outlier. Swedish officials have advised citizens to work from home and avoid travel, but most schools and businesses have remained open. This relaxed approach aims to minimize impact on the economy, and slow the spread of the virus through what is known as “herd immunity.” Now, as the U.S. weighs further spreading the disease against the impact of a tanked economy, some Americans — particularly conservatives — are looking toward Sweden’s model as an option. On Second Thought unpacks the merits, risks and strategy behind Sweden’s approach, and what has become a political talking point here in the U.S.

The head of the Georgia Bureau of Investigation said in a Friday briefing that after two days of investigating the two-month-old shooting death of Ahmaud Arbery there was “sufficient probable cause” to arrest two men on charges of aggravated assault and felony murder. And GBI Director Vic Reynolds didn't rule out more arrests in the future.

Friday on Political Rewind , a brief look at the two-month timeline that led up to murder charges this week in the case of Ahmaud Arbery. New developments draw into question decision-making at the local level.

In addition to changing many aspects of our waking lives, coronavirus has also shifted how we dream. Institutions around the world have been collecting examples of dreams since the outset of the pandemic, and some researchers found a 35% increase in dream recall since lockdown. On Second Thought sat down with Harvard University Assistant Professor Deirdre Barrett to learn more about the impact of COVID-19 on our dreaming minds. Barrett has analyzed dreams of World War II soldiers, 9/11 first responders, and Kuwaitis under Iraqi occupation. Since March, she’s collected details on more than 7,000 dreams to study how people are responding to coronavirus in their dreams.

Alan David Tucker of the Tucker & Browning law firm said Friday he is not representing anyone in the murder case against Travis McMichael and his father, Gregory McMichael.

A huge crowd rallied in Brunswick Friday to celebrate the arrests made in the February shooting death of Ahmaud Arbery, and to call for further action.

"The Architect of Rock 'n' Roll" is being remembered in his hometown of Macon, Georgia, after he died Saturday at 87. "Little" Richard Penniman created music like no one had heard before. And, growing up in Macon’s historically Black Pleasant Hill neighborhood, he was a kid like no one had seen before.

'This week we will look at some foundational aspects of the origin and nature of the Bible that should impact our interpretation and understanding of it.'

'This week we will look at sola Scriptura in greater detail. We will learn that sola Scriptura implies some fundamental principles of biblical interpretation that are indispensable for a proper understanding of God’s Word.'

'If we approach and interpret the Bible wrongly, we will likely come to false conclusions, not just in the understanding of salvation but in everything else that the Bible teaches.'

'The first chapters of Genesis are foundational for the rest of Scripture. The major teachings or doctrines of the Bible have their source in these chapters.'

http://www.musicxray.com/xrays/1319782 Grazehopp Music - Crazy Eye Chiwi | Breakaway

http://www.musicxray.com/xrays/1319783 Grazehopp Music - Surrender To The Source

http://www.musicxray.com/xrays/1319787 bowalton - rebecca once

http://www.musicxray.com/xrays/1319793 washizawa - Amazing Grace covered by vargi

http://www.musicxray.com/xrays/1319798 MarcHirst - Daydreamer

http://www.musicxray.com/xrays/1319810 Tripnotic - Tricky Treat (Radio edit)

http://www.musicxray.com/xrays/1319814 HUNNAFIEDRECORDS - WRONGKIND FT REDMCFLY,BOSSMANFRESH 100 ROUNDS

http://www.musicxray.com/xrays/1319818 HUNNAFIEDRECORDS - BWALK blood- g-love L-dog ,redrum781

http://www.musicxray.com/xrays/1319822 HUNNAFIEDRECORDS - RED RAG DRIPPIN-KRAVE,VEE,GUNZ

http://www.musicxray.com/xrays/1319834 HUNNAFIEDRECORDS - Wats Poppin BOMPTON REMIX

http://www.musicxray.com/xrays/1319835 HUNNAFIEDRECORDS - Hunnafied records - blood money

http://www.musicxray.com/xrays/1319840 Marina Litvinova - I Can't Breath

http://www.musicxray.com/xrays/1319847 21stcenturyfugitives - Oppressor

http://www.musicxray.com/xrays/1319864 Visual Shaman - Basis of Knowledge (Mastered Version)

http://www.musicxray.com/xrays/1319868 CAROLINA CLAY - cc1premixmp3

http://www.musicxray.com/xrays/1319869 CAROLINA CLAY - cc4premixmp3

http://www.musicxray.com/xrays/1319870 CAROLINA CLAY - cc5premixmp3

http://www.musicxray.com/xrays/1319873 Adam Lynch/Leferia - Chase Your Dream

http://www.musicxray.com/xrays/1319875 malakaiprez - Malakai Prez ft Andy - Bones Final Mix Radio Edit

Before she performed under the name TORRES, she was Mackenzie Scott, a teenager in Macon, Ga. Hear Scott perform three songs off her album Sprinter and talk about what its like to come home in this performance at Capricorn Studio in Macon. Listen above, watch below.

Brett Harris writes the sort of crystalline pop songs that hearken back to the days of Power Pop. Plus, he's a really good guitarist who knows better than to upstage his own voice. Between songs from his new album Up In The Air, Harris talks about how he first discovered music he could call his own and about to how adapt songs he wrote for a band to a solo tour. Brett's new album Up In The Air will be released on March, 4. Listen above or watch below.

Repeat Repeat started its life as surf rock from high atop the Cumberland Plateau. East Nashville, Tenn. to be exact. As they get ready for their next album, titled Floral Canyon and tentatively set for a July release, the band is growing past the purely sunny sounds of their debut Bad Latitude, changes you can hear in the Field Session recorded with the Field Note Stenographers. On the track "Mostly", Jared and Kristyn Corder sing about a tumultuous relationship. Chunky, doomy guitar and bass accentuate the drama. On "Plugged In", the band rips through a summer jam that asks us to think hard about the beliefs we hold dear, why we have them and why we try to convince others of their truth. Repeat Repeat is on the road through April, then back in their Tennessee home for a while. They expect to be out again this summer in support of Floral Canyon after its release. You can find their music on Bandcamp. Check out the entire Field Session recorded with the Field Note Stenographers.

In Athens in the 1980s, they formed one corner of a holy trinity: R.E.M, B-52s and...Pylon. Though they broke up, for the first time, in 1983, Pylon's itchy, dancey influence can still be felt around the world of what we now call Indie Rock. Today, original Pylon vocalist Vanessa Briscoe Hay helms the Pylon Reenactment Society, a crew of like minded Athens musicians who get a kick out of bringing the music of Pylon back to old audiences and introducing it to new ones, too. Look for a Pylon double live LP in July, but for now, enjoy these three tracks from the Pylon Reenactment Society.

Before his album of duets with Carla Thomas, before "Dock of the Bay," even before wowing the crowd at the Monterey Pop Festival, Otis Redding was in a band not as the front man, but mostly because he could drive. That band was Johnny Jenkins and the Pinetoppers, a staple of the Macon music scene in the early days of rock and roll. And yes, guitar ace Jenkins couldn't drive, but he also had the foresight to give Redding the microphone. The partnership led to one of Redding's first singles, the rocker "Shout Bama Lama." In this Songs On Site, the teenage punk rockers of Failing Acts of Society fill you in on the history of the song. With the Field Note Stenographers