Local schoolboy aims to join world elite.

Momentum building around one of Europe’s largest regeneration schemes in Solihull.

A Solihull woman celebrated her 50th birthday with a world record breaking marathon row in aid of national organisation The Brain Tumour Charity.

Award recognises centre's bike-friendly credentials.

Region’s showcase of ambitions sees 50% increase in media profile.

Bus scheme driving cleaner air and better facilities for Solihull town centre.

Sutton Park’s Donkey Assisted Therapy centre is inviting local people to its Christmas Fair on Saturday 8th December from 10.30am to 3pm.

A Good Hope consultant has won international recognition for leading a new treatment study

England wicket keeper Sarah Taylor is arguably one of the best female cricketers in the history of the ladies game and she could make history this summer by becoming the first woman to play men's second XI county cricket.

A Birmingham-based donkey riding charity is calling on the fun loving public to adopt a donkey this Valentine's Day to help raise vital funds

Last week staff at The Donkey Sanctuary’s Donkey Assisted Therapy Centre in Birmingham received a cheque of £4,900 from Sainsbury's Castle Vale store.

Half a century has passed since they flicked rubbers at each other from their desks, but up to 250 of a Sutton Coldfield secondary school’s first pupils are to reunite to mark its 50th anniversary.

Solihull Junior School pupils were so impressed by their visit to a local children’s charity that they made an Olympian effort to support it.

The Donkey Sanctuary’s Donkey Assisted Therapy Centre in Birmingham is holding a Summer Fair and fun dog show on Saturday 13th July

Superstar Osaka to play Nature Valley Classic.

Tennis legend to compete in Nature Valley Classic.

Nationwide participation event to include Birmingham venues.

Rufus Wainwright, Roddy Woomble and more to play for free.

Exhibition aims to show Birmingham at its best.

The Midlands Media Awards is this year to take place at The Holte Suite, Aston Villa FC’s prestigious hospitality centre.

Les Reid, of the Coventry Telegraph, has been nominated for four categories at this year’s Awards, which are being held next month.

The Birmingham Look Book – a go-to resource for journalists designed to raise the profile of Birmingham, the Black Country and Solihull with national and international media

The sudden shutdown of all channels of Greece's national broadcasting company by the Greek government is 'unacceptable for an EU democracy', says West Mids and Warks Lib Dem MEP Phil Bennion.

A Year 13 student from Birmingham Ormiston Academy (BOA) has secured a role with international news network, Russia Today.

On this week’s episode, there’s a live session from the king of Ameripolitan – Dale Watson, a live recording of his classic ‘I Lie When I Drink’. 

Expect new music from Sturgill Simpson, who has written the title track for the new Jim Jarmusch film – ‘The Dead Don’t Die’, a collaboration between Mavis Staples and the North Mississippi Allstars and a new track with an all-star line up from Pete Molinari.

There’s also some classics from Canned Heat, Little Mary Jane, Morris Pejoe, Clarence Gatemouth Brown and Nina Simone.

To see the Dale Watson performances in full, head over to The Blues Kitchen YouTube channel: https://www.youtube.com/user/BluesKitchenLondon 

When you've caught up with the podcast, head over to The Blues Kitchen YouTube channel:
www.youtube.com/BluesKitchenTV

Email the show: radio@theblueskitchen.com

Listen on Apple Podcasts, TuneIn, Mixcloud, Acast & many more…

Liam & Gaz dig out some classics from Sister Rosetta, Earl Hooker, Black Merda! & Jon Spencer Blues Explosion alongside new tracks from Kelly Finnegan, Charlie Parr & Mystery Jets.

There’s also an exclusive Blues Kitchen live session with Mississippi Bluesman Watermelon Slim. 

** Join Liam & Gaz for a live recording of The Blues Kitchen Podcast **

- Weds 16th October
- 7pm – 9pm
- The Blues Kitchen Shoreditch (Basement)
- Limited £5 tickets from: bit.ly/bkpodcastlive

To see the Amadou & Mariam & The Blind Boys of Alabama performances in full, head over to The Blues Kitchen YouTube channel: https://www.youtube.com/user/BluesKitchenLondon

When you've caught up with the podcast, head over to The Blues Kitchen YouTube channel:
www.youtube.com/BluesKitchenTV

Email the show: radio@theblueskitchen.com

Listen on Apple Podcasts, TuneIn, Mixcloud, Acast & many more…

In this week’s episode, Gaz and Liam bring you new music from The Monophonics alongside classic blues, soul, gospel and roots from: Buddy Guy, Odetta, The Lone Bellow, Earl Hooker, Hightower Brothers and Jackie Wilson.

There's also an exclusive Blues Kitchen live session with The Lone Bellow. 

Be sure to check out:

The Blues Chronicles
Bush Hall - London
Thurs 27th 2020
Fri 28th Feb 2020
https://theblueschronicles.com/events/

When you've caught up with the podcast, head over to The Blues Kitchen YouTube channel:
www.youtube.com/BluesKitchenTV

Email the show: radio@theblueskitchen.com

Listen on Apple Podcasts, TuneIn, Mixcloud, Acast & many more…

Birmingham Now TV launched online.

Richard Lutz survives a full assault of Jools Holland.

Birmingham's hidden industrial heritage saved from the skip.

On this episode, we have a fascinating chat with Pharoahe Monch. Pharoahe has been spitting some of the most intricate and meaningful lyrics in all of rap since his first release in 1991 with the duo Organized Konfusion. He took the polysyllabic rhyme style pioneered by Kool G. Rap, combined it with a political critique reminiscent of early-90’s Chuck D and Ice Cube, and added his own unique poetic imagination to create a style unlike anything before or since. We talked to Pharoahe about writing for Diddy, his feelings about Michael Bloomberg, and why he’s obsessed with right angles.

See http://theciphershow.com/episode/6/ for full show notes and comments.

This week, we talk to two of our favorites here on Outside the Lines, Pharoahe Monch and Jean Grae, about their exciting new projects. We start with a song-by-song preview of Pharoahe’s upcoming new album PTSD: Post-Traumatic Stress Disorder. We’re honored to bring you what is so far Pharoahe’s only in-depth chat about these songs. In the second half of our show, we talk to the amazing Jean Grae about her new single, “Kill Screen a.k.a. Steve Wiebe,” and her upcoming Gotham Down album.

See http://theciphershow.com/episode/20/ for full show notes and comments.

This episode, we talk to Rock and Roll Hall of Famer Ron Isley of the Isley Brothers. Ron and his brothers got their start singing together in the late 1940s, but had their first giant hit with 1959’s “Shout.” They rode an incredible streak of success through their time with Motown, and then revamped their lineup in the 1970s, adding younger members to create classic jams like “It’s Your Thing,” “That Lady,” and “Between the Sheets.” More recently, Ron played “Mr. Biggs” in a series of fantastic duets with R. Kelly. His newest project is Dinner And A Movie.

See http://theciphershow.com/episode/46/ for full show notes and comments.

KRS-One is a hip-hop legend beyond compare. He began his career with the classic Criminal Minded, arguably the album that invented gangsta rap. But after the death of his DJ Scott LaRock, KRS took a different turn and began educating and challenging his audience with classics like “You Must Learn,” “Why Is That?” and “My Philosophy.” KRS discussed his work past and present, Plato’s cave, vegetarianism, wants vs. needs, and tons more.

See http://theciphershow.com/episode/56/ for full show notes and comments.

Longtime listeners to the show will recall Pharoahe Monch as OTL’s first three-peat guest, first appearing on the show in July 2012. This time, we sat down with Pharoahe and his manager Guy Routte to talk PTSD: Post Traumatic Stress Disorder: Pharoahe’s new album that’s dropping today. With a desire to continue exploring themes of violence, peace, war, and recovery as well as exploring his own dealings with mental health, Pharoahe transformed what was originally supposed to be an EP into a full length album following his last album, W.A.R. (We Are Renegades).

PTSD is at once a very personal and a very removed project. Pharaohe speaks for many people beyond himself through PTSD, slipping into different narrators to communicate larger issues of dealing with trauma in multiple spheres — in marginalized black communities, in war veterans, and in his own life. The narrator of the record splits into multiple layers — a PTSD riddled veteran grappling with problems of love and drugs and Pharoahe talking about his own career and personal life.

We talked PTSD, how the hip hop genre has changed, how mental health affects the black community, themes of gun violence, sanity and insanity, dealing with depression, the musical and thematic evolution of Pharaohe’s style, and whether or not PTSD is actually Pharaohe’s last full-length album.

See http://theciphershow.com/episode/66/ for full show notes and comments.

This week, we talk to Christopher Jackson, one of the lead actors in Broadway’s ‘Holler If Ya Hear Me’, the musical based on Tupac’s legacy. When ‘Holler If Ya Hear Me’ first hit Broadway, it was marketed as not just a story about Tupac’s music, but as a story about love — and that’s just what it is, a story about love within a world similar to that which Tupac lived, experienced, and rapped about. The play tackles issues such as gun violence, poverty, and racism head-on — all through the lens of a community that feels its pains together. ‘Holler’ is a play that fights against Broadway’s increasingly homogenized landscape, daring to tell a story that doesn’t fit into the cookie cutter Broadway mold.

We talked to Broadway vet Christopher Jackson, Vertus in the production, about Broadway’s changing landscape, the significance of co-star Saul Williams’ work as a slam poet and actor, the cultural relevance of Pac, and how ‘Holler”s reviews revealed an ugly truth about Broadway culture today.

See http://theciphershow.com/episode/73/ for full show notes and comments.

Lisa Leone has lived a life for the ages. She began photographing some of the most important figures in the early days of hip-hop culture (who were also her friends) as a teenager. Then she took some of the best, most revealing photos ever of musical icons like Snoop Dogg, Nas, The Fugees, Mary J. Blige, and tons more. Lisa moved from there into working on music videos, before her career took an unexpected left turn.

She turned a short research photo assignment for a friend into four years working closely with film legend Stanley Kubrick on his final film, Eyes Wide Shut. Then she took that experience and co-directed the iconic documentary on sneakers and sneaker heads, Just for Kicks.

A gorgeous book of Lisa’s hip-hop photos, Here I Am - Photographs By Lisa Leone, is available now. An exhibit of that name is running through January 11th at the Bronx Museum of the Arts. You can view a slideshow of some of her photos over at Complex.

See http://theciphershow.com/episode/79/ for full show notes and comments.

Live from Bed Stuy’s Restoration Plaza, we bring you a very special event with Buddha Monk and Mickey Hess, authors of a new biography of the Wu’s Ol’ Dirty Bastard. Occurring only blocks from Dirty’s childhood home, this conversation features not only the authors, but also special appearances from the Wu member’s family and friends. Buddha Monk was Dirty’s close friend since they were children, and had a front row seat to the artist’s rise and fall. His book, co-written with Rider professor Mickey Hess, is The Dirty Version: On Stage, In the Studio, and In the Streets With Ol’ Dirty Bastard, published by Harper Collins. You can buy it here.

If you like this episode, be sure to check out our recent article on the Wu for Radio.com

See http://theciphershow.com/episode/83/ for full show notes and comments.

This week, we celebrate the new year by bringing you an improved, remixed version of our talk with Ron Isley. Isley is the legendary lead singer of The Isley Brothers, and a soul music icon who has been a vital force in popular music for over half a century.

The Isley Brothers first reached the charts with the 1959 hit “Shout,” and had an amazing run all the way through 1983’s oft-sampled “Between the Sheets.” Ron’s career was revitalized by a series of collaborations with R. Kelly starting in 1996, including 2001’s memorable hit “Contagious.” His most recent solo album, released right around the time of this conversation, was This Song Is For You, which featured the single “Dinner and A Movie.”

We talked to Ron about his whole career, from his early years singing gospel straight through to today, with stops in Motown, his influential songs of the 1960s and 70s, the inside scoop on working with R. Kelly, and lots more.

See http://theciphershow.com/episode/87/ for full show notes and comments.

We speak to the rapping team at the head of the powerful rap/rock group ¡Mayday! – Ben “Wrekonize” Miller and Bernardo “Bernz” Garcia. Since the early 2000s, the band has been delivering powerful music to a growing legion of fans. That fan base was dramatically increased when the Miami group teamed up with Tech N9ne’s Strange Music label a few years ago. The most recent album released by the hardworking collective is a joint project with West Coast legend Murs called, appropriately enough, Mursday.

Wrek and Bernz talk about their career and songwriting process, but also find time to discuss their famous relatives, partying with Lil Wayne, and which group member is best with a slow cooker.

See http://theciphershow.com/episode/93/ for full show notes and comments.

Bishop Lamont is one of the West Coast’s premiere lyricists. He first came to rap fans’ attention with his 2004 mixtape Who I Gotta Kill To Get A Record Deal. The title proved prophetic, as shortly afterwards he was scooped up by Dr. Dre.

During his time on Aftermath, Bishop released a ton of fantastic free “street albums,” but not a proper debut, and he left the label after several years in limbo. His latest release is The (P)Reformation, and his long-awaited album The Reformation will be out later this year.

We talked to the often-controversial rapper about his relationships with Dilla and Proof, how he was rhyming about Selma before it was cool, his pre-rap life as a stuntman – and, of course, cartoons. Plenty of cartoons.

See http://theciphershow.com/episode/96/ for full show notes and comments.

John Lydon, a.k.a. Johnny Rotten, is a true punk legend. He was the singer of the Sex Pistols, the ground-breaking British punk band. The Pistols formed in 1975, and their raw sound combined with Lydon’s powerful, unfiltered lyrics taking shots at the Queen, the music industry, and the system as a whole created something entirely new – a sound, look, and attitude that would quickly be picked up and copied by legions of bands to follow, and would spark the punk rock revolution.

The Sex Pistols broke up in early 1978, and Lydon went on to form the influential group Public Image Limited, or PiL. The group went in an entirely different direction, making often-danceable, experimental music. Their second album, 1979’s Metal Box, is generally regarded as a landmark release, and was chosen as one of the 500 Greatest Albums of All Time by Rolling Stone.

Lydon’s new memoir, which covers the entirety of his life and career, is called Anger Is An Energy: My Life Uncensored (Dey Street).

We were joined by legendary photographer Janette Beckman (soon to be a Cipher guest herself), who took some pictures – the first time she had photographed Lydon since she took now-famous shots of him with the Sex Pistols and in the early days of PiL, like the image you see above.

See http://theciphershow.com/episode/106/ for full show notes and comments.

J-Zone is a rapper, producer, musician, and author whose ability to find and chop the perfect sample is paired with a rap persona that combines raunchiness, self-depreciating humor, social commentary, and a deep love for all of rap history, including some of its more bizarre corners. And, naturally, an alter ego who just happens to be a four foot three, baseball bat wielding rodent named Chief Chinchilla.

His first album, 1999’s Music For Tu Madre, began life as a college senior project, but quickly caught on with the underground scene. He then released a ton of albums - with his Old Maid Billionaires crew, solo, with collaborators like Celph Titled, and even a record of malt liquor jingles.

But by 2009, he was noticing diminishing returns financially and creatively, and decided to get out of the rap game, a decision he explored in his 2011 memoir Root for the Villain: Rap, Bull$hit, and a Celebration of Failure. In a surprising turn of events, the book’s success inspired him to return to music to create his first new solo album in nine years, 2013’s Peter Pan Syndrome.

See http://theciphershow.com/episode/108/ for full show notes and comments.

Joe Conzo Jr. has been called “the man who took hip-hop’s baby pictures” by the New York Times – a title that’s right on the money. Conzo, a third-generation Bronx native, first got into photography as a young boy and took to shooting pictures of his neighborhood.

But it was when he followed some high school friends who had formed a rap group to an early concert that he really found his calling. That group, the Cold Crush Brothers, was perhaps the most influential of hip-hop’s first generation. Joe was there to document their every step, from high school gymnasiums to giant clubs and movie sets. His pictures provide the single best visual record of hip-hop’s early years.

Personal troubles caused Joe to put away his camera for many years. But over the past decade, his work has been re-discovered and used for documentaries, exhibited in museums all over the world - including the Museum of the City of New York, where an exhibit of his photos is running until September 27th - and even published in a book, Born In The Bronx: A Visual Record of the Early Days of Hip Hop. A fictional version of Joe appears in Baz Luhrmann’s upcoming Netflix series The Get Down, about the early days of hip-hop, where the real Joe was on set as a behind the scenes photographer.

NOTE: To see the photographs that we talk about during this interview, visit this episode’s photo gallery at Imgur

See http://theciphershow.com/episode/118/ for full show notes and comments.

This week, we have a two guests for you. In the first half of the show, we talk to Baje One, the rapping half of the long-running underground duo Junk Science. And in part two, we sit down with NIKO IS, a Florida-by-way-of-Brazil rapper whose world-class freestyling skills put him on the radar of none other than Talib Kweli, who signed Niko to his Javotti Media label.

Baje One and his group’s producer, DJ Snafu, first met in in their native NYC in the mid-1990s and have been making smart, funny, and ambitious music together since 2003. The success of their 2005 debut album Feeding Einstein led to a deal with El-P’s seminal Def Jux label, which put out their 2007 follow-up, Gran’dad’s Nerve Tonic. The album, in the first of a long run of packaging innovations from the group, came with its own beer, brewed by Sixpoint Craft Ales. Since then, Baje has released three more albums with the group, and several solo and collaborative projects.

NIKO IS was born in Rio De Janeiro, but has spent his rapping life in sunny Orlando, Florida. He made a name for himself in his adopted city as a teenager with his almost supernatural freestyling skills, and started releasing mixtapes in 2012 with Chill Cosby. The following year, he would cross paths with Kweli, and eventually sign to the rapper’s label. NIKO’s first album on Javotti, Brutus, was released earlier this year.

See http://theciphershow.com/episode/121/ for full show notes and comments.

This week, we talk to MF Grimm, along with his producer and group-mate Drasar Monumental. Grimm is a rapper, producer, and now an award-winning comic book writer, who is just now making some of the greatest music of his long and storied career.

After growing up in the New York City of the 70s and 80s - and making a short stint as a child actor on Sesame Street - Grimm began his hip-hop career on the city’s battle scene. He quickly gained attention, started ghostwriting for more successful acts, and was on the verge of solo stardom when he was shot and paralyzed in 1993, in an incident that also killed his brother.

Grimm recovered, and even executive produced his friend MF Doom’s 1999 solo debut Operation: Doomsday, which was recorded in the basement of Grimm’s Rockland County house. Starting in 2001, he began releasing a string of powerful solo albums that molded the ups and downs of his life into powerful artistic statements. He also moved into another medium, writing the autobiographical graphic novel Sentences: The Life of MF Grimm.

Since 2012, he has been working on the Good Morning Vietnam trilogy of albums with our second guest, producer Drasar Monumental.

See http://theciphershow.com/episode/123/ for full show notes and comments.

The Seattle-based producer Jake One got his start as an in-house beat-maker for the influential local label Conception Records. His work there quickly caught the ear of 50 Cent’s camp, and Jake’s beats for 50 and G-Unit led to other high-profile tracks with De La Soul, Rakim, T.I., MF DOOM, and more, as well as whole album collaborations with the likes of Freeway and Brother Ali.

Most recently, Jake has produced hits for Wale (“The Matrimony”), Drake (“Furthest Thing”), Chance the Rapper (“Acid Rain”), and Rick Ross (“3 Kings”). He’s also joined forces with singer Mayer Hawthorne to form the group Tuxedo, who just released their self-titled debut.

See http://theciphershow.com/episode/129/ for full show notes and comments.

Phonte Coleman is best known for his work with the pioneering rap group Little Brother, who came straight out of North Carolina in the early 2000s and garnered praise from fans and artists alike by giving a new spin to classic hip-hop. Phonte was a standout, with his witty, dense rhymes - packed with sometimes obscure allusions - and his powerful singing.

With supporters like ?uestlove and Pete Rock, Little Brother gained enough attention to garner a deal with Atlantic Records for their 2005 record The Minstrel Show. While the deal itself was short-lived, the group continued to release material up until they disbanded in 2007.

While Little Brother was still extant, Phonte met the Dutch producer Nicolay, and the two began collaborating as The Foreign Exchange. That group is still going strong, with their latest album Tales From The Land Of Milk And Honey coming out just last year.

As if all that wasn’t enough, Coleman has released his own solo album, 2011’s Charity Starts At Home, and a follow-up is due later this year. Most recently, he played a key role in the VH1 movie – soon to be a series – The Breaks, a story about the hip-hop industry in 1990.

See http://theciphershow.com/episode/146/ for full show notes and comments.

Anton Pukshansky’s name may be unfamiliar to hip-hop fans, but you definitely know his work. He was a key person at Power Play Studios in Queens, New York, and was deeply involved as an engineer, musician, and producer on classic performances by Kool G. Rap and Polo, Main Source, Eric B. and Rakim, Organized Konfusion, Akinyele, and more.

He also got a front-row seat to the development of soon-to-be iconic talents like Nas and Mobb Deep, who he worked with at the very beginning of their careers. Anton worked hand-in-hand with one of hip-hop’s greatest producers, Large Professor, and has also won Grammys for his work with Santana and Ozomatli.

See http://theciphershow.com/episode/147/ for full show notes and comments.

Allah B is a longtime member of the Nation of Gods and Earths, formerly known as the Five Percenters. He grew up in Harlem in the 1950s and 60s, a time when the Nation of Islam had huge influence thanks to its minister, Malcolm X. Clarence 13X Smith was an NOI member who became disenchanted with the group around 1963, and formed his own organization the following year. Clarence quickly became known as “Allah” or “The Father,” and most of his early disciples were teenage boys, Allah B among them.

The group, originally known as the Five Percenters and now as the Nation of Gods and Earths, grew steadily until Allah’s murder in June 1969. It would have a rebirth in the 1980s and 90s, as many of the young children raised in the group’s beliefs would go into hip-hop and spread Five Percenter beliefs, slang, and practices far and wide.

If you’ve ever listened to Rakim, Big Daddy Kane, or the Wu-Tang Clan, said “Peace” or “word,” or stood in a b-boy stance, you owe a huge debt to the Gods and Earths, whether you realize it or not. Allah B has been there for the group’s whole history, and shares it with us in this interview.

See http://theciphershow.com/episode/151/ for full show notes and comments.