I'm usually allergic to a lot of the way "find the bright side" kind of things are framed, but this extended quotation from Great Tide Rising by Kathleen Dean Moore came across my Mastodon feed and really resonated with me.

Over the years, college students have often come to my office distraught, unable to think of what they might be able to do to stop the terrible losses caused by an industrial growth economy run amok. So much dying, so much destruction. I tell them about Mount Saint Helens, the volcano that blasted a hole in the Earth in 1980, only a decade before they were born.

Those scientists were so wrong back in 1980, I tell my students. When they first climbed from the helicopters, holding handkerchiefs over their faces to filter ash from the Mount Saint Helens eruption, they did not think they would live long enough to see life restored to the blast zone. Every tree was stripped gray, every ridgeline buried in cinders, every stream clogged with toppled trees and ash. If anything would grow here again, they thought, its spore and seed would have to drift in from the edges of the devastation, long dry miles across a plain of cinders and ash. The scientists could imagine that– spiders on silk parachutes drifting over rubble and plain, a single samara spinning into the shade of a pumice stone. It was harder to imagine the time required for flourishing to return to the mountains – all the dusty centuries.

But here they are today: On the mountain, only thirty-five years later, these same scientists are on their knees, running their hands over beds of moss below lupine in lavish purple bloom. Tracks of mice and fox wander along a stream, and here, beside a ten-foot silver fir, a coyote's twisted scat grows mushrooms. What the scientists know now, but didn't understand then, is that when the mountain blasted ash and rock across the landscape, the devastation passed over some small places hidden in the lee of rocks and trees. Here, a bed of moss and deer fern under a rotting log. There under a boulder, a patch of pearly everlasting and the tunnel to a vole's musty nest. Between stones in a buried stream, a slick of algae and clustered dragonfly larvae. Refugia, they call them: places of safety where life endures. From the refugia, mice and toads emerged blinking onto the blasted plain. Grasses spread, strawberries sent out runners. From a thousand, ten thousand, maybe countless small places of enduring life, forests and meadows returned to the mountain.

I have seen this happen. I have wandered the edge of Mount Saint Helens vernal pools with ecologists brought to unscientific tears by the song of meadowlarks in this place.

My students have been taught, as they deserve to be, that the fossil-fueled industrial growth culture has brought the world to the edge of catastrophe. They don't have to "believe in" climate change to accept this claim. They understand the decimation of plant and animal species, the poisons, the growing deserts and spreading famine, the rising oceans and melting ice. If it's true that we can't destroy our habitats without destroying our lives, as Rachel Carson said, and if it's true that we are in the process of laying waste to the planet, then our ways of living will come to an end – some way or another, sooner or later, gradually or catastrophically – and some new way of life will begin. What are we supposed to do? What is there to hope for at the end of this time? Why brother trying to patch up the world while so many others seem intent on wrecking it?

These are terrifying questions for an old professor; thank god for the volcano's lesson. I tell them about the rotted stump that sheltered spider eggs, about a cupped cliff that saved a fern, about all the other refugia that brought life back so quickly to the mountain. If destructive forces are building under our lives, then our work in this time and place, I tell them, is to create refugia of the imagination. Refugia, places where ideas are sheltered and encouraged to grow.

Even now, we can create small pockets of flourishing, and we can make ourselves into overhanging rock ledges to protect life so that the full measure of possibility can spread and reseed the world. Doesn't matter what it is, I tell my students; if it's generous to life, imagine it into existence. Create a bicycle cooperative, a seed-sharing community, a wildlife sanctuary on the hill below the church. Raise butterflies with children. Sing duets to the dying. Tear out the irrigation system and plant native grass. Imagine water pumps. Imagine a community garden in the Kmart parking lot. Study ancient corn. Teach someone to sew. Learn to cook with the full power of the sun at noon.

We don't have to start from scratch. We can restore pockets of flourishing life ways that have been damaged over time. Breach a dam. Plant a riverbank. Vote for schools. Introduce the neighbors to one another's children. Celebrate the solstice. Slow a river course with a fallen log. Tell stories of how indigenous people live on the land. Clear the grocery carts out of the stream.

Maybe most effective of all, we can protect refugia that already exist. They are all around us. Protect the marshy ditch behind the mall. Work to ban poisons from the edges of the road. Save the hedges in your neighborhood. Boycott what you don't believe in. Refuse to participate in what is wrong. There is hope in this: An attention that notices and celebrates thriving where it occurs; a conscience that refuses to destroy it.

From these sheltered pockets of moral imagining, and from the protected pockets of flourishing, new ways of living will spread across the land, across the salt plains and beetle killed forests. Here is how life will start anew. Not from the edges over centuries of invasion; rather from small pockets of good work, shaped by an understanding that all life is interdependent, and driven by the one gift humans have that belongs to no other: practical imagination – the ability to imagine that things can be different from what they are now.

I actually got paid to do this.

For three years (from 1996 to 1999) I worked as a Public Information and Consultation Advisor for the Federal Treaty Negotiation Office in British Columbia. It was essentially my job to talk to angry and racist non-native people about the land claims settlements we, the federal government, were negotiating with First Nations.

One thing that helped me do this job was a story I heard Utah Phillips tell at the 1997 Vancouver Folk Music Festival. Seems one day he was told of an old cowboy in New Mexico who was dying. This old cowboy had ridden on some of the last cattle drives on the Great Plains in the 1800s and had scores of songs in his head about that time. Utah made an effort to go visit him on his death bed way out in the desert. When he got to the cowboy's cabin, a nurse answered the door, said he was expected and asked him to wait in the sitting room while she got the cowboy ready for the visitor.

The cowboy was an avid reader and had many hundreds of books. As he was waiting Utah scanned the shelves and saw what was what. He was surprised and shocked to see tract after tract from the John Birch Society, a virulent right wing political movement that clashed deeply with Utah's own hard left politics. Utah reflected on the predicament he was in. Here was this cowboy full of all of these songs, and there was this irresolvable political gap between them.

But thinking on it more, Utah realized that the REASON the cowboy had so many political books is that he didn't actually KNOW much about politics. In fact if he were to ask the old man about politics, he knew the old man would only give him lies, stuff that he didn't believe but that was recited out of the books. Utah Phillips noted that there was not one book on cowboys or cowboy music on the book shelves, and that's what Utah was there for. He entered the bedroom of the dying cowboy and passed a lovely day trading songs and stories of the cattle drives of the 19th century.

In conclusion Utah said "You know, if you talk to people about what they know, they will always tell you the truth."

That line stayed with me as I ventured in cowboy country shortly afterwards. I was meeting with a group of loggers and ranchers in Williams Lake, in the interior of British Columbia and they were a hard crew. Every month we met and every month they told me that they didn't want any land claims settlements with the "goddamn Indians" in their area. One guy, a man I'll call Bob used to go on and on about "you can't make deals with Indians, they can't be trusted, they're no good with their word..." That sort of thing.

Now I am Aboriginal myself, and this rankled after a while. But keeping Utah's words in mind I challenged Bob one day and said, "Bob, you know, I'm Indian and I'm trustworthy and you can make deals with me. I know for a fact that what you're saying is bullshit. It's lies. So I'm not going to ask you about Indians anymore. Instead I'm going to talk to you about something you do know about, and that is logging. Why don't you take me out to see your operation?"

Bob agreed and the next day I met him at 5:00am with a thermos of coffee and a box of Tim Hortons and we climbed into his F350 and headed out into the Cariboo Mountains. We drove for two hours and the whole time we talked about logging and what it's like being in the business, what kind of markest he was trying to develop, and how much he loved his new machinery He talked about his new feller-buncher like he was a dad with a newborn. Gone was the intransigent racist and here beside me was an interesting man, telling me the truth about what he loved.

When we got out to the cut block where his crew was working, he radioed them in and they came down to get coffee and donuts. Of the 12 guys he had working for him, six were First Nations. I laughed when I met them and asked them if they knew Bob's opinions on the trustworthiness of Indians. "Oh yeah," One of them laughed. "He's an old blowhard!"

But Bob countered by saying that THESE guys were great, that they had been with him for coming on 20 years. THEY were different.

We laughed. Really hard. We talked for a while about what THESE guys felt about land claims and they all had different opinions. Respect arose in the space of nuance and reflection.

So many people parrot opinions. In fact opinions are so often just a front for something else, the yawning abyss of ignorance. Very few people hold fixed opinions about things that matter deeply to them. Instead the hold nuanced and thoughtful interests. That's not to say that I wouldn't claw your eyes out if you hurt my child, but that's different from having an opinion on Tiger Woods or abortion or whether or not Obama is doing a good job. Most of us aren't Tiger, a pregnant woman facing a choice or the President. Most opinions are shallow, and the holder of them guards their superficiality with outrage and emotion to prevent you from getting close and discovering nuance. People hold opinons out of fear or loyalty. But when it comes to something you really care about, it's less about an opinion and more about the nuanced, many layered, complex fabric of knowledge, practical, theoretical, aspirational and emotional

From that day on, I never again talked to Bob about First Nations people, but he became a very involved person in our advisory committee because he had a piece of his heart staked in the process. I came to respect him very much, even though he continued to blow hard against my rookie colleagues and say stupid racist things that somewhere he must have believed. He did it just to put them off guard, to protect his own vulnerabilities and mask his fear. I came to respect what lay beneath the opinion, which was a real fear that land claims would ruin his logging operation. I dismissed the racism but respected Bob and what was really at stake for him. And I think he came to respect me too.

It was the best job I ever had.

The growing calls for systemic reform of American policing follow years of rising anger at the ongoing deaths of African Americans at the hands of law enforcement, including the recent killing of George Floyd. The calls for change run the gamut from severely restricting police use of deadly force, creating a national database of abusive officers and re-directing taxpayer money away from police toward social programs that improve education and tackle crises including homelessness, poverty and mental health care . But one key problem has gotten less attention: the conflict of interest, real and perceived, between prosecutors and police unions. When district attorneys run for the office they get political donations from a range of interests including powerful, well-funded police unions who represent the officers that district attorneys will be called to prosecute in the event of officer brutality, corruption or even murder. "We need to do everything that we can in this moment to avoid not

As mysterious displays of fireworks continue to be set off across the country – in Chicago, Philadelphia, Boston, Los Angeles – residents in New York City say the nightly cacophony is driving them nuts. "It's kind of been a bit all-consuming to be honest," said Brooklyn resident Eric Anderson, 33. "I go to bed hearing it. I get woken up hearing it, and then on my Twitter feed all anybody is doing is talking about it." In New York City, the police department said there were 54 fireworks complaints in the first half of last year. In the same period this year, there have been more than 11,000. It's illegal to set off your own fireworks in New York, and Mayor Bill de Blasio has said the city is going to crack down on suppliers. "We're going to start a huge sting operation to go and get these illegal fireworks at the base," he said. Last week he appointed a task force made up of officers from the New York City Police Department, fire marshals and members of the Sheriff's Bureau of Criminal

Officials in Allentown, Pa., have released a roughly ten-minute surveillance video showing officers subduing and arresting a man in front of a local hospital on Monday evening. The man ends up face-down on the ground, and as two officers pin the man's arm behind his back, a third officer kneels on his neck. The release of the footage by Allentown police came days after activists tweeted a shorter, 26-second video , which has been viewed hundreds of thousand of times. Police say the man was taken into the hospital and, after treatment, was released. His name and medical details were not disclosed. Police also didn't release the names of the officers. Reaction to the video has sparked comparisons to what happened to George Floyd, the Black man who was killed by Minneapolis police on Memorial Day. Derek Chauvin, the white officer who was filmed kneeling on Floyd's neck for nearly nine minutes, has since been fired and faces a second-degree murder charge. Three other officers were also

While protests set off by the killing of George Floyd show no signs of letting up, another quieter protest has been stirring at an Immigration and Customs Enforcement facility in Irwin County, Georgia. There, a group of detainees staged a hunger strike and protest over video chat to raise the alarm over a lack of precautions against the spread of COVID-19 inside the detention center.

Today, in celebration of Juneteenth, Power Haus Creative has organized what they’re calling the “ Juneteenth Takeover ” – in which 19 Atlanta artists will display their work on the exterior of the historic Flatiron building in downtown Atlanta. Carlton Mackey and Melissa Alexander are two of those artists.

When COVID-19 hit Savannah, city leaders were particularly concerned about the homeless population — or “roofless people,” as 3 rd District Alderwoman Linda Wilder-Bryan prefers. Her drive to help people who couldn’t get into shelters led to a proposal for “ Dundee Village .” Now, plans are underway for a safe and sanitary complex of tents – which will later be converted to livable shipping containers – to house people displaced by the pandemic and at risk of contracting COVID-19 on the streets.

As Zuleika Yusuf Daffala walks across Kibera, one of the big informal settlements in Kenya's capital, she greets dozens of kids on the streets. Some are jumping rope, others chasing each other through the alley and another group is trying to make a tiny cooking pan out of an aluminum can. Daffala, a 37-year-old community activist, broke the news this week to many of the neighborhood kids that the Kenyan government had decided that the country's more than 12 million grade school students would not be going back to classrooms until January 2021. Not only that, but the government considers the 2020 school year "lost," so all kids will remain in the same grade for another year. "They are still not believing it," she says. "When you go to school, you have a target. So they have their plans already. They are not taking it easy." She says her son, a junior in high school, is resigned. Like most Kenyans, he doesn't have a tablet or a laptop, so he's trying to keep up with whatever books he can

Copyright 2020 NPR. To see more, visit MICHEL MARTIN, HOST: We've been having conversations on this program and elsewhere on the network about inequality in education. Those gaps can start early, often before a student ever enters a classroom. Studies show that kids who don't get any pre-K instruction can lag a year behind those who do in math and verbal skills. In 2012, San Antonio vowed to fix that. The city enacted a 1/8 cent sales tax for a program called pre-K for SA, which now provides early childhood education for just over 2,000 children from low-income, military and English-learning families. Sarah Baray is the CEO of Pre-K for SA, and she is with us now. Sarah Baray, thanks so much for talking to us. SARAH BARAY: It's my pleasure. Glad to be with you. MARTIN: So first of all, I just wanted to ask you to tell us why pre-K matters. You're a former teacher. You're an administrator. You've also taught education courses at the university level, so you kind of have that bird's-eye

Strike-friendly games from the NYT tech guild "New York Times tech workers are still on strike after walking out one day before the presidential election. That means they're still asking people to skip their usual Crossword, Wordle, or Connections routines. But now, the union has released its own offerings for games lovers that could keep them from crossing the digital picket line." - Fast Company

In addition to games like Strikle and Strikeman, they're also sharing recipes like We've Got Beef With Management Stuffed Mushrooms and Solidarity Soup.

That's it. Given this terrible, horrible, no good week, I'd like to hang onto some signs of hope. They don't have to be political, anything will do.

If you're visiting MetaFilter for the first time in a while because whoa, US election, just a friendly reminder that MetaFilter depends on member support in order to keep running. Additionally, MetaFilter is moving to a community-run model, so you might want to check out the latest update about that.

But because this is a weblog, a few additional links about communities below the fold.

Online communities come with real-world consequences for individuals and societies (Communications Psychology; the bibliography is fun)

How to find your community (Vox)

How to find healthy online communities (Mental Health America)

(Nostalgia trip) Online communities (Pew Research, 2001)

And more nostalgia - the classic 1995 Ghosts in the Machine

In November, the typically straitlaced Office of Government Ethics surprised observers with a series of tweets mimicking Donald Trump's bombastic style, exclamation points and all: "Brilliant! Divestiture is good for you, good for America!" The controversy was two-fold: (1) The OGE doesn't typically air its positions publicly, advising White House transition teams behind the scenes. (2) Trump hadn't promised the total divestitures of business interests implied by the tweets. New records shared with NPR on Friday show that behind the curious tweets was the head of the OGE himself, Director Walter Shaub Jr. In two emails, dated Nov. 30, just several minutes apart, Shaub sent to OGE Chief of Staff Shelley Finlayson the nine tweets that took the Internet by storm that day. He then followed up with a link to a legal document referenced in one of the tweets and writes: "Get all of these tweets posted as soon as humanly possible." The emails were part of a 365-page document shared with NPR in

Copyright 2018 NPR. To see more, visit RACHEL MARTIN, HOST: Presidential inaugurations are supposed to be about unity. That may be more inspirational than aspirational, rather, than anything else this year. Donald Trump will be sworn in later this morning in the wake of a divisive and ugly campaign that perhaps describes the deeply partisan era we're living in. We're hearing different perspectives on Trump's Inaugural Day this morning and one of them is that of the novelist Attica Locke. She is also a writer on the TV program "Empire," and she spoke to our own Steve Inskeep. STEVE INSKEEP, HOST: We called you up on the morning after the election. That sounded like an excruciating morning for you. ATTICA LOCKE: It was, and I can't say that things have gotten necessarily better for me. INSKEEP: What do you mean? LOCKE: I wake up every day and think, this is how much this country can't stand black people that this has happened. Or I think, this is how much this country did not want a

Legendary producer/engineer Ron Nevison whose credits include The Rolling Stones, The Who, Led Zeppelin, Kiss, Ozzy Osbourne, Bad Company, Barbra Streisand, Jefferson Starship, Chicago, Styx, Heart, Damn Yankees, Thin Lizzy, and more is seeking new artists or bands to produce, as well as songs for Upcoming Projects.

Note that most projects will require funding which will be discussed in detail if we move forward.

I have many decades of experience in developing one's original voice. Both as an artist and as a coach to musicians and artists. In addition to 11 solo recordings, I've worked with King Crimson, David Sylvian, Vernon Reid, Brian Eno, TOOL, Steven Wilson and Puscifer. I can listen to your music through, both, your ears (to hear if you are reaching your musical aims) and my ears (to hear how the piece matches up with my experience as a player/producer.) I will give advice, opinions, critiques, commentaries, articulations and 'the works' about where you are heading. When you send me a track please include some information about you and where you are heading. This is necessary for me to know how to help you and offer the right kind of critique. Additionally I run my own record label (7d Media) and am a fully independent musician (recording, performing/touring, producing, licensing, composing and more.) All of my experience and advice is available to you. for much information about my process go here: www.treygunn.com/coaching

Pop-Up Music is seeking SAMBA - big loud street samba. Bring on the pandeiro, ago-go, cuica, apito, surdo and the party!

This opportunity is for an exclusive contract with a term - all submissions must be 100% owned by the writer/writers.

Let the party begin! We look forward to your submissions.

Thanks,
The Pop-Up Music Team

Publisher urgently seeking songs for film and television placement. All styles. No demos. No samples. Must control composition and master rights. If your song is selected you will be offered an exclusive publishing agreement. Please submit through Music Xray.

Expressive Artists is a music publishing company with an emphasis on film and television placement. In the past year we've placed hundreds of songs in feature films, major network TV shows including, "S.W.A.T.," "No Activity," "What We Do In The Shadows", documentaries, podcasts and apps. Two of our Music Xray artists songs are featured in the upcoming major motion picture, "The Comeback Trail," starring Robert De Niro, Morgan Freeman and Tommy Lee Jones.

Pop-Up Music needs 'Pop' Music to add to their roster.

We are after all genres of Pop music past and present from 1960's(USA Bubble-gum-Pop would be so cool), 1970's{some original Disco or Glam Rock would be amazing), 1980's(bring on some New Romantic) up-to present Pop - Indie Pop, Electro Pop, Indie Folk, Electro Swing, Dubstep.

This opportunity is for an exclusive contract with a term - all submissions must be 100% owned by the writer/writers.

We look forward to your Pop submissions

Pop-Up Music is in need of authentic Brazilian music. All styles - Samba/Bossa nova/Afoxe/Maracatu/Brazilian Metal/Brazilian Rock.

Please submit your best material for consideration and a member of the Pop-Up Music team will listen and respond.

This opportunity is for an exclusive contract with a term - all submissions must be 100% owned by the writer/writers.

Many many thanks,
The Pop-Up Music Team

Seeking instrumentals for all genres. We're not looking for wallpaper or bland outtakes, but top quality music that will cut it in commercials. Please note, YOU MUST control master and publishing to submit.

This opportunity is for an exclusive contract with a term - all submissions must be 100% owned by the writer/writers.

- Pop-Up Music Uk Limited

Seeking Electro Pop/Indie Folk/Indie Electro. All contemporary styles of Pop welcome.

This opportunity is for an exclusive contract with a term - all submissions must be 100% owned by the writer/writers.

The Pop-Up Music team look forward to your Pop submissions.

Pop-Up Music is a new music library/publisher providing music for Film,TV, Advertising and Gaming.

We are looking to add new songs to our ever growing library all genres new or old are welcome. Pop-Up Music is looking for music that is true to its genre.

If your songs excite us we'll be in touch to discuss some possible next steps.

Please only submit original material that is 100% owned by the writer (or writers).

Happy submitting

We at Pop-up Music are seeking new tracks within specific genres for an exciting new worldwide opportunity.

We need URGENTLY Brit Pop, Ballads (of all genres) Trip Hop, Ska (50's to 80's) Electro Swing, House, 80's 90's Dance, Disco (70's) Contemporary Pop with 80's influence, Funk, 1960's (Any original tracks from back in the day) and Lounge.

This opportunity is for an exclusive contract with a term - all submissions must be 100% owned by the writer/writers.

We look forward to your submission

Thanks in advance,
the Pop-up Music Team.

We at Pop-Up Music are seeking Electronic music in all genres. Ideally tracks that were created at the time and geographically genre specific. Late 80's Chicago House to contemporary Eletro Pop.

Ambient, Ambient dub, Breakbeat, Baltimore Club, IDM, House Music, Chicago House, Electro Swing, Bitpop (Video Game Music), Trap, 1980's Hip Hop - Break Dance, Electronic pop, Indie electronica, Dream Pop... and all the other forms of Electronic music - if it's good we'll take it!

This opportunity is for an exclusive contract with a term - all submissions must be 100% owned by the writer/writers.

The Pop-Up Music team looks forward to your submissions!

Many thanks,
The Pop-Up Music Team.

Seeking songs with a Summer vibe.
All genres welcome - Pop, Indie, Rock, Folk, Singer songwriter, Synth Pop, Funk, Soul, Electro…. we need tracks that evoke the summer with a feelgood vibe.

This opportunity is for an exclusive contract with a term - all submissions must be 100% owned by the writer/writers.

We look forward to your submissions - many thanks The Pop-Up Music Team.

Robomagic is seeking charismatic, amazing new acts (solo or groups) with infectious music people want to hear. Acts should have an eye toward working hard to make it in the music business and come to the table ready to get involved with experienced teams that know how to make it happen.

Acts can be based anywhere but relocation to London may be necessary, depending upon a range of variables and circumstances. But if you've got the goods, we'd got the team, the know-how, and the resources to help make it happen.

We look forward to hearing your best material.

- Rob Hallett - Founder / President - Robomagic

Audity Music, LLC is seeking strong pop and R&B music for the Korean pop music market. Audity has close relationships with the major record labels and music publishers in Korea, including S.M. Entertainment, JYP, YG. We receive high value and exclusive leads in the Korean market and have direct access to top A&Rs and decision-makers. If we like your song(s), they will make it to the right hands.

We are pitching music currently for urgent projects, including Girls Generation, SHINee, EXO, f(x), Lee Hi, Taeyeon, Taemin, Super Junior and many more. We offer prime access to these opportunities for our writers and producers as well as co-write opportunities with writers and producers with previous success in the K-pop market.

Please note: Although this DropBox will remain open for a while, we have urgent song leads monthly, so please do not hesitate to submit.

Audity Music, LLC is a progressive and forward-thinking songwriting/production, music publishing, music management and music consulting company. We currently operate out of Los Angeles, California, Tokyo, Japan, and Seoul, South Korea.

Audity Music, LLC is seeking strong pop and R&B-leaning music for the J-Pop music market. Japanese is the second largest music market in the world, and not far behind America in terms of annual revenue. It is a unique and complex market that Audity has been able to explore thanks to our having been on the ground living there and in neighboring Korea. Audity has close relationships with the major record labels and music publishers in Japan, including AVEX, Sony, Fuji Pacific, and others. We receive high value and not easily accessible leads in the Japanese market and have direct access to top A&Rs and decision-makers. If we like your song(s), they will make it to the right hands.

We are pitching music currently for major projects in Japan. We offer prime access to these opportunities for our writers and producers as well as co-write opportunities with writers and producers with previous and current success in the J-pop market. Also, for the right writers/producers with the right credentials and talent, we have access to the largest J-Pop camp in the world which takes place in Sweden. We are looking to hear the best of the best in pop music. And, we are looking to hear your grasp of the J-Pop sound, which many Western writers find difficult to achieve. If you have undeniable Western pop music, it can be adapted for the J-Pop market. So, please just send your best! If we like it, we can discuss next steps and also help you develop your "J-Pop ear".

Note: Although this DropBox will remain open for a while, we have song leads monthly, so do not hesitate to submit through Music Xray. Please do not contact Audity Music directly.

Audity Music, LLC is a progressive and forward-thinking songwriting/production, music publishing, music management and music consulting company. We currently operate out of Los Angeles, California, Tokyo, Japan, and Seoul, South Korea.

Bobby Springsteen is seeking an EDM Artist/DJ that already has a completed single. Please submit your best track(s) for consideration and state if you are a writer or producer.

Dreamwire is a multi-media company focusing on management, artist development, production, and publishing.

Compensation: Co-publishing and/or Record deal with Dreamwire Ent. - $1,000+

- Bobby Springsteen / Dreamwire Entertainment

Pop-Up Music is seeking songs/instrumentals recorded in the 80's or with a retro 80's vibe. All genres welcome - New Wave, New Romantic, instrumental Hip Hop, Pop, Rock, Power Ballads, TV Themes, Synth pop and so on.

This opportunity is for an exclusive contract with a term - all submissions must be 100% owned by the writer/writers. No samples please.

Thanks the Pop-Up Music Team!

There are number of artists that come up time and time again in briefs for placements in TV, Ads, and Films, such as:
MGMT, The Royal Blood, Ella Fitzgerald, Nina Simone, Kanye West, Bruno Mars/Mark Ronson, Haim, Florence + the Machine, Black Keys

If you have songs that might be in the vein of any of the above please submit to us now. The songs must be 100% owned by the writer/writers. We look forward to your submissions - many thanks.

- Mark Garfield / Pop-Up Music Uk Limited

Deal Type: Catalog Inclusion
Decision Maker: We are the final decision maker
Deal Structure: Non-Exclusive
Compensation: $500+ / TBD based on placement
Song Quality: Fully mastered, Broadcast ready

Label/Publisher is seeking songs for release, publishing, sync placement opportunities, and promotion. We have a proven record of placing songs with major networks and brands such as FOX, ABC, Roxy, Forever 21, Specialized, etc.

We are specifically seeking music from artists that have a timeless sound. The overall vibe of the label is one of honest music with warm vintage emotion. We are looking for Singer-Songwriter, Folk, Americana, Indie, and Alternative Country that evokes emotion. We lean toward a more melancholy sound so please no “fun” or overly “happy” songs. At the moment we are only seeking single unreleased songs by active artists or bands. By focusing on singles we can target specific markets when promoting and seeking sync placements. This also allows us to craft the labels’ “sound” while acting as a discovery vehicle for new and emerging artists.

Please DO NOT Submit more than one song. If I like what I hear I will dig around and find more of your material or contact you for additional music.

IMPORTANT: Artists must be willing to sign the master & publishing rights to the selected song over to the label and publisher. The songwriter/writers will retain 100% of the writing credit and will receive all royalties for their share. In addition, an advance will be paid to the writer/performer for the song in an amount to be determined. The advance then becomes a recoupable expense. After the advance is recouped, all income generated by the song will be split 50/50.

Our label is distributed by our digital aggregator, The Orchard, and releases will be available on every major retailer and streaming service including iTunes, Spotify, IHeartRadio, Amazon, YouTube, Google Music, rDio, Shazam, Flipagram, etc.

- Jason Currie / Dog Bites Wolf

Deal Type: Catalog Inclusion
Decision Maker: We are the final decision maker
Deal Structure: Exclusive
Compensation: $251 - $500
Song Quality: Rough Mixes, Fully mastered, Broadcast ready
Similar Sounding Artists: First Aid Kit, William Fitzsimmons, Gregory Alan Isakov, Nikki Lane, Molly Tuttle, Father John Misty

Seeking anthemic female vocal pop songs. Tracks with a drive, energy, epic chorus - think Florence, Goldfrapp, Adele, Feist, Lorde, Sia, HAIM.

The songs must be 100% owned by the writer/writers. Pop-Up Music is a PRS registered music library and publisher located in London. We pride ourselves in providing undiscovered music and bespoke music for advertising, film, TV, gaming and corporate. We look forward to your submissions - many thanks.

- Mark Garfield / Pop-Up Music Uk Limited

Deal Type: Catalog Inclusion
Decision Maker: We are the final decision maker
Deal Structure: Non-Exclusive
Compensation: $500+ / TBD based on placement
Song Quality: Fully mastered, Broadcast ready
Similar Sounding Artists: Florence , Goldfrapp , Adele, Feist, Lorde, Sia, HAIM

We are seeking songs that have a sense of adventure - modern American rock pop style like X Ambassadors and Imagine Dragons. Songs that have lyrical content that might contain key words like Driving, Uplifting, Outdoor life, Exploring, Wilderness and so on.

The songs must be 100% owned by the writer/writers.

Pop-Up Music is a PRS registered music library and publisher located in London. We pride ourselves in providing undiscovered music and bespoke music for advertising, film, TV, gaming and corporate.

- Mark Garfield / Pop-Up Music Uk Limited

Deal Type: Catalog Inclusion
Decision Maker: I'm the final decision maker
Deal Structure: Non-Exclusive
Compensation: Negotiable
Song Quality: Fully mastered, Broadcast ready
Similar Sounding Artists: X Ambassadors, Imagine Dragons

Major Beer Company Seeks music for advertising campaign 3 Slots $15k

The opp is for several different pieces of music as it will cover 3 major tv / film ads and several web-blog adverts and music to show off a new product. They have asked for intense and dramatic songs, positive songs, friendship songs, and holiday and travel themed songs. Once again they are choosing different songs for different territories so there are many slots they are looking for me to fill.

The videos and ads will be seen by over a million people across the globe.

All styles of music and genres will be considered as the company are looking top quality songs but also lyrical substance and they are also looking for top quality standout attention-grabbing, meaningful songs whether softer emotive ballads or harder more powerful driving tracks as the range covered by the company is huge.

THEY JUST NEED BE TOP SONGS!!

Please submit your best work, radio ready, mastered songs. You must own 100% copyright. Only songs with cleared samples. I will accept demos as I am also a music producer / studio owner so if the song is a 'no brainer' and has enough potential to fit the opp then I would consider re-cutting it for the client.

Grand Northern Sync has worked closely with companies such as: Apple, Honda, Reebok, Samsung, BBC, ABC, New Show Media, Massive Films, Rickety Shack films, Seat, H&M, Busch,

Payouts and rights: If selected you will keep 100% of your rights, royalties and payments dependent on the number of times the tracks are used. Payout is $25k dependent on usage and length of use.

If selected the songs will be passed to the company and they will have the final say, Grand Northern Sync will be on hand to help the artist all the way through the process with chosen artists (at no financial charge).

All songs submitted will be considered for all the other opps we have.

I am looking forward to hearing your music.

PLEASE DO NOT SEND US TRACKS TO OUR SOUNDCLOUD, EMAIL, LINKEDIN OR ANY SOCIAL MEDIA....Please?

- Alexander Johnston / Grand Northern Sync

We are looking to expand our catalog with hot new Jazz music. We are huge fans of jazz in all its forms, from be-bop to the new, electronica infused tendencies. Please send what you think is the strongest part of your material and if hear something we like, we will ask for more. Please don't submit covers of standards or other people's music. No knock-offs! No demos! No concert recordings! We can only accept professionally recorded, produced and mastered music.

Below are a few examples of the type of music that would be a perfect fit for our catalog:

- Goce Stevkovski Septet - Monday
- Drew Paralic - Down In Soho
- Redman Mehldau McBride Blade - Right Back Round Again
- Nubya Garcia - The Message Continues

We are proud to have a unique business model and an artist-friendly agreement. The music released on Filter Label is instantly included in our catalog for sync licensing which is available to our network of contacts in the film, TV and advertising industry.

Songs by our talented artists can be heard in Legacies, Shameless, The OA, Exatlon, The Matrix Revisited, CSI: Las Vegas, Nikita, in commercials for Samsung, McDonald's, Nike, Masterclass, Philip Morris, Nestle, Alkaloid, Bank Millennium, in shows on MTV, CNN, National Geographic, NBC, NBA TV, Al Jazeera, Esquire, Channel 4 and almost every major TV network in the world.

- Emil Hadji Panzov - Founder / CEO - Filter Label

We are seeking covers - not replicas of the original but an original twist on a well-known song. All styles welcome - take us by surprise!
Chosen tracks will be pitched for Film/TV trailers plus TV commercials. Please only submit tracks for which you own the master recording rights.
We look forward to hearing your tracks.

Pop-Up Music is a PRS registered music library and publisher located in London. We pride ourselves in providing undiscovered music and bespoke music for advertising, film, TV, gaming and corporate.

Thanks in advance,
The Pop-Up Music Team

Deal Type: Catalog Inclusion
Decision Maker: I'm the final decision maker
Deal Structure: Non-Exclusive
Compensation: Negotiable
Song Quality: Rough Mixes, Fully mastered, Broadcast ready
Similar Sounding Songs: Think - The White Stripes, ‘Jolene’ - The Ramones: ‘California Sun’ - Jeff Buckley, ‘Hallelujah’ - Johnny Cash, ‘Hurt’

Seeking a driving upbeat Pop song along the lines of Fire by Barns Courtney. The songs must be 100% owned by the writer/writers.

Pop-Up Music is a PRS registered music library and publisher located in London. We pride ourselves in providing undiscovered music and bespoke music for advertising, film, TV, gaming and corporate.

Many thanks
- The Pop-UP Music Team

Deal Type: Catalog Inclusion
Decision Maker: I'm the final decision maker
Deal Structure: Non-Exclusive
Compensation: Negotiable
Song Quality: Fully mastered, Broadcast ready
Similar Sounding Artists: Fire by Barns Courtney

We are seeking Rock/Hip Hop songs with clean lyrics and no uncleared samples. High quality productions please. Think along the lines of Beastie Boys - Sabotage.

This opportunity is for a non-exclusive contract - all submissions must be 100% owned by the writer/writers. We look forward to your submissions.

Pop-Up Music is a PRS registered music library and publisher located in London. We pride ourselves in providing undiscovered music and bespoke music for advertising, film, TV, gaming and corporate.

- Mark Garfield / Pop-Up Music Uk Limited

Deal Type: Catalog Inclusion
Decision Maker: I'm the final decision maker
Deal Structure: Non-Exclusive
Compensation: Negotiable
Song Quality: Fully mastered, Broadcast ready
Similar Sounding Artists: Beastie Boys - Sabotage

Dancehall tracks needed urgently. We are looking for male vocal tracks that have a genuine vibe. Instrumental tracks also welcome.

All submissions must be 100% owned. all submissions must be 100% owned by the writer/writers. No samples please. Thanks the Pop-Up Music Team!

Pop-Up Music is a PRS registered music library and publisher located in London. We pride ourselves in providing undiscovered music and bespoke music for advertising, film, TV, gaming and corporate.

- Mark Garfield / Pop-Up Music Uk Limited

Deal Type: Catalog Inclusion
Decision Maker: I'm the final decision maker
Deal Structure: Non-Exclusive
Compensation: Negotiable
Song Quality: Fully mastered, Broadcast ready

We are seeking vibrant indie-pop songs that have global elements. Lots of drums, percussion and world instruments. A good reference would be tUnE-yArDs.

All songs must be owned by the writer - no samples please. We look forward to your submissions.

Pop-Up Music is a PRS registered music library and publisher located in London. We pride ourselves in providing undiscovered music and bespoke music for advertising, film, TV, gaming and corporate.

- Mark Garfield / Pop-Up Music Uk Limited

Deal Type: Catalog Inclusion
Decision Maker: I'm the final decision maker
Deal Structure: Non-Exclusive
Compensation: Negotiable
Song Quality: Fully mastered, Broadcast ready
Similar Sounding Artists: tUnE-yArDs

Our Clients are independent and multi platinum artist(s) Seeking high quality, energetic trap, pop, & R&B style beats for production placement on upcoming releases. We are looking for industry quality production to shop throughout our network, as well as to consider signing new talent for production management opportunity. We will provide you with feedback & rate your submissions!

: Please submit your best work. Songs will go through the review process and if selected you will receive negotiated compensation. We look forward to hearing what you have to offer. 
- The Administration

Deal Type: Producer / Production Management Decision Maker: We are the final decision makers Deal Structure: Negotiable Compensation: Negotiable Song Quality: Rough Mixes, Fully Mastered, Broadcast Ready Similar Sounding Artist: Future, Migos, The Weeknd, Drake, Ty Dolla Sign, 2Chainz, Gucci Mane, Tory Lanez, Chris Brown, Cardi B, Lil Baby

We are seeking epic Dream Pop songs and instrumentals. Think big/airy/dreamy songs that also have a driving pulse and a commercial appeal - for pitching to Ads, Movies, and Film & TV.

We need fully completed and mixed songs, no demos please.
All songs must be written and owned 100% by the submitter.

Pop-Up Music is a PRS registered music library and publisher located in London. We pride ourselves in providing undiscovered music and bespoke music for advertising, film, TV, gaming and corporate.

Many thanks,
Pop-Up Music Team

Deal Type: Catalog Inclusion
Decision Maker: I'm the final decision maker
Deal Structure: Non-Exclusive
Compensation: Negotiable based on final placement
Song Quality: Fully mastered, Broadcast ready

The post houses and advertising agencies we work with seem to have a never ending demand for covers of popular songs. Therefor, we would like to broaden our catalog with inventive cover versions of compositions that have been big worldwide hits.

We are not looking for interpretations trying to imitate the original. We are seeking just the opposite - new takes on well known songs which transport them to new, unexpected directions. Covers are usually considered for film trailers and big ad campaigns, so it would be great to hear submissions that have space and a “cinematic” sound. However, if you have a dynamic, aggressive cover of a slow song, that could work too.

Below are some brilliant examples of what we would like to hear:
- Skylar Grey - Addicted To Love
- Vega Choir - Creep
- Lo-Fang - You’re The One That I Want
- Hannah Peel - Tainted Love
- Think Up Anger feat. Malia J - Smells Like Teen Spirit
- Lorde - Everybody Wants To Rule The World
- KI Theory - Enjoy The Silence

Please submit only professionally recorded and mastered songs.

As an added bonus, if your cover is Selected, we will offer to release your music on Filter Label. The songs by our talented artists can be heard in The OA, Exatlon, The Matrix Revisited, CSI: Las Vegas, Nikita, on ads for McDonald's, Nike, Philip Morris, Nestle Wagner, Bank Millennium, in shows on MTV, CNN, Nat Geo, NBC, Al Jazeera, Esquire, Channel 4 and almost every major TV network in the world.

- Emil Hadji Panzov Founder / CEO - Filter Label

We are seeking to expand our catalog with hot new Soul, Funk and R'n'B music. We are huge fans of The Heavy, Charles Bradley, Leon Bridges, Sharon Jones and the Dap-Kings, Michael Kiwanuka, Lee Fields... If you have anything similar, please send immediately. No knock-offs! No demos! Only professionally recorded, produced and mastered music will be accepted.

We are proud to have a unique business model and an artist-friendly agreement. The music released on Filter Label is instantly included in our catalog for licensing which is available to our network of contacts in the film, TV and advertising industry.

Songs by our talented artists can be heard in Legacies, Shameless, The OA, Exatlon, The Matrix Revisited, CSI: Las Vegas, Nikita, in commercials for Samsung, McDonald's, Nike, Philip Morris, Nestle Wagner, Alkaloid, Bank Millennium, in shows on MTV, CNN, National Geographic, NBC, NBA TV, Al Jazeera, Esquire, Channel 4 and almost every major TV network in the world.

- Emil Hadji Panzov - Founder / CEO - Filter Label

We need more Singer Songwriter material in our catalog. We are seeking intelligent storytelling backed with masterful instrumentation. Something along the sound of Elbow, Fink, Feist or Bon Iver would be perfect. Please DON'T SUBMIT UNFINISHED DEMOS. We accept only professionally recorded and fully mastered material.

We are proud to have a unique business model and an artist-friendly agreement. The music released on Filter Label is instantly included in our catalog for licensing placements which is sent out to top music supervisors and agents.

We have hundreds of songs placed in ad campaigns (McDonald's, Nike, Bank Millennium, Nestle, Philip Morris), TV series (The OA, Exatlon, CSI: Las Vegas, Nikita, Top Boy), films (Loneliness, Sex and Compassion, The Matrix Revisited, Cherie, Mission: Wolf), and on network television (CNN, MTV, Channel 5, National Geographic, NBA, UFC), etc.

- Emil Hadji Panzov / Filter Label

We have noticed a repeating trend in the music requests we receive from our partners in the advertising world and therefor we would like to enrich our catalog with more songs about human kindness.

The genre is not really important as long as the song has a hopeful, optimistic feel. Possible lyrical directions could be: diversity, inclusion, walking the same ground, love (not romantic), people's kindness, help, togetherness etc.

Below are two great examples of the type of songs we are seeking:

- Birdy - People Help the People
- Brandi Carlile - The Joke

Please submit only professionally recorded and mastered songs. The best submissions will be included in our catalog for licensing which is available to our network of contacts in the film, TV and advertising industry.

As an added bonus, if your song is Selected, we will offer to release your music on Filter Label. The songs by our talented artists can be heard in Legacies, The OA, Exatlon, The Matrix Revisited, CSI: Las Vegas, Nikita, in commercials for Samsung, McDonald's, Nike, Philip Morris, Nestle Wagner, Bank Millennium, in shows on MTV, CNN, Nat Geo, NBC, Al Jazeera, Esquire, Channel 4 and almost every major TV network in the world.

- Emil Hadji Panzov - Founder / CEO - Filter Label

We are on the search for 80s songs/tracks in any genre - the submissions must be orginal back-in-the-day recordings.

All submissions must be 100% owned by the writer/writers. No samples please. Pop-Up Music is a PRS registered music library and publisher located in London. We pride ourselves in providing undiscovered music for advertising, film, TV, gaming.

- Mark Garfield - Co Director - Pop-Up Music Uk Limited