In a bid to deliver transparency in technology and stay ahead of ethical pitfalls, Google has said that its Artificial Intelligence (AI) calling system "Duplex" would now identify itself while making appointments.

Following the launch of the "Duplex" system, which lets AI mimic a human voice to make appointments and book tables, among other functions, a widespread outcry over the ethical dilemmas were raised by tech critics.

Google clarified to The Verge that the experimental system would have a "disclosure built-in" that means that whenever Duplex gets involved in some type of verbal communication with a human at the other end, it would identify that the human is talking to an AI.

"We understand and value the discussion around Google Duplex, as we have said from the beginning, transparency in the technology is important," a Google spokesperson was quoted as saying.

"We are designing this feature with disclosure built-in, and we will make sure the system is appropriately identified. What we showed at I/O was an early technology demo, and we look forward to incorporating feedback as we develop this into a product," the spokesperson added.

Google CEO Sundar Pichai introduced Duplex earlier this week in the company's annual developer's conference Google I/O and demonstrated how the AI system could book an appointment at a salon and a table at a restaurant.

In the demo, the Google Assistant sounded like a human. It used Google DeepMind's new WaveNet audio-generation technique and other advances in Natural Language Processing (NLP) to replicate human speech patterns.

However, tech critics raised questions on the morality of the technology saying it was developed without proper oversight or regulation.

According to tech critic Zeynep Tufekci, the demo was "horrifying" and the initial positive audience reaction at I/O was evidence that "Silicon Valley is ethically lost, rudderless and has not learned a thing".

Google had originally said in a blog post written by engineers Yaniv Leviathan and Yossi Matias that "it's important to us that users and businesses have a good experience with this service and transparency is a key part of that".

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Aiming to disrupt India's mid-segment smartphone market, Samsung is set to launch four new smartphones -- two each in Galaxy "A" and Galaxy "J" series -- this month.

The upcoming Galaxy A6 and Galaxy A6+ smartphones could be priced between Rs 20,000 and Rs 25,000 while the devices in Galaxy "J" series could cost customers Rs 15,000 to Rs 20,000, industry sources told IANS on Friday.

Two of the four smartphones in the upcoming line-up would come with dual camera set-up, the sources added.

All of them will be made at the company's Noida facility. The smartphones will feature Samsung's super AMOLED "Infinity Display" -- bezel-less screen that creates an immersive viewing experience.

Notably, Samsung's flagship smartphones such as Galaxy Note 8 and Galaxy S9 series feature the "Infinity Display". Now, with the upcoming devices, the display feature would be introduced at lower price points in the Indian market.

The South Korean giant first introduced the "Infinity Display" in Galaxy S8 series in 2017.

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Microsoft Surface Pro 4

After receiving complaints regarding a screen flicker defect in some Surface Pro 4 devices, Microsoft has offered to replace the eligible devices free of charge.

The faulty devices qualified for replacement should be up to three years from the time of original purchase, Microsoft Support said in a blog post late Friday.

"We will ship you a replacement device as soon as you return your existing device. Typically, it will take 5-8 business days for you to receive an exchange device from the date that you ship your current device back to us," the post added.

Users that have already paid for a screen-replacement will get a refund.

In February, Microsoft had said that it was monitoring the situation.

The tech giant has clarified that the replaced devices will be refurbished.

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Google

Google has rolled out a new series of controls that will allow YouTube users to set limits on their video viewing, and help them set "Take a Break" reminder from browsing the channels for too long, a media report said.

The new feature will enable the users to set a reminder for every 15, 30, 60, 90 or 180 minutes, at which point the video will pause and users will receive "Take a Break" notification that they have been binge-watching videos for longer than they decided to.

Users can then choose to dismiss the reminder and keep watching, or close the app, the TechCrunch reported late Friday.

The changes announced during Google's I/O keynote will roll out in the latest update of YouTube, along with YouTube's ability to send notifications.

The reminders will come with an option of being dismissed and the feature will also allow users to disable notification sounds during a specified time period each day.

The new features are first expected to hit the 13.17 and higher versions of the YouTube mobile app on both iOS and Android, the report said.

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One97 Communications Limited, the firm that owns digital payment major, Paytm, announced the unification of bank transfers for its customers with the new 'My Payments' feature on its app.

This will enable Paytm users to make recurring, high-value payment and other monthly expenses in an instant. Using the Paytm app, bank transfers can be done from and to any bank account, making it easier for customers to make payments at zero charge, a facility which even non-KYC Paytm users can avail.

With this new addition to its multilingual app, Paytm is aiming to process Rs 60,000 crore in monthly bank transfers alone by the end of this year. The company is also planning to invest Rs. 5000 crore in its core business, expecting to increase the number of transactions from one billion to two billion this year.

"We have now simplified these payments with 'My Payments' and are expecting six-fold growth owing to this rapid shift in consumer behavior in favor of going cashless. Our users understand that Paytm is more than just a digital wallet company and we will continue adding more such customer-centric features while educating users about the convenience they can experience by using Paytm every day," said Paytm Senior Vice President, Deepak Abbot.

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Do you also start watching a video on YouTube and lose track of time following the recommended/autoplay list? Google wants to tell you that it is concerned over this habit of yours and has inserted a nifty new feature to its video service.

As part of its focus on digital well-being, Google has added a feature to YouTube called 'take a break' which notifies you when you have exceeded a specific amount of consecutive viewing time, The Verge reports.

The feature is optional, and just like how you might scold a little one for exceeding their television viewing time, the feature will show you a prompt when you lose track of time.

You can enable it through the Settings menu and selecting 'Remind me to take a break'. You can choose from options ranging from 15 minutes to 180 minutes.

Whether or not it really contributes to a healthy digital well-being is something we are yet to see, but it surely gives an easy way of timing the consumption of the addictive video service.

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Facebook has rolled out new updates in its Stories feature that are available for the users in India first and will reach the global users later.

One such update is "Voice Posts" that will let users share their thoughts via audio to their friends and families.

"Voice posts lets you share in the moment without having to share a photo or video. This could also help people who can't necessarily write in the language they want to share in," Connor Hayes, Director of Product Management, Facebook Stories, wrote in a blog post on Wednesday.

People will now be able to save the photos and videos they capture through the Facebook camera, where only they can see them when they log into their Facebook account.

"This allows people to save the photos and videos they capture without taking up space on their phone," the post read.

It can also be used to save photos you might want to share later, so you don't have to edit or post them while you're out with your friends and instead enjoy the moment and share them later.

"In the coming weeks we're rolling out an archive for people to save the stories most important to them. After a photo disappears from your story, you can find it in your story archive - a place only you can see. You can always choose to not save them," said the post.

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Keeping up with the promise made at its I/O Developer Conference last week, Google has now officially rolled out its "Google News" for iOS, the media reported.

The new Artificial Intelligence (AI)-powered app is designed with machine-learning technology to make news finding, analysing and fact-checking, crisp and to-the-point, Engadget reported on Wednesday.

"Google News" comes with three options, "For You, "Full Coverage" and "Newsstand," to help users find news of relevance based on their reading habits, let them have an in-depth read of a topic and give access to users to subscribe to a publication and view its content.

Additionally, the app comes with a "favorites section" for users to star topics across entertainment, news and academia and save stories for pocket-style reading later.

The newly launched "Google News" has replaced the previous "Google Play Newsstand" launched on iOS in 2014 as a news and magazine subscription hub.

Samsung Galaxy Note 9. Pic courtesy/YouTube

South Korean electronics giant Samsung has confirmed that its flagship Galaxy Note 9 would have a new version of company's Airtificial Intelligence (AI)-powered assistant "Bixby 2.0".

Speaking to The Korea Herald, Gray G. Lee, Head of the AI Centre Under Samsung Research, revealed that the Galaxy Note 9 will be the launch device for "Bixby 2.0", Forbes reported.

Lee said that "Bixby 2.0" would be more than just a personal assistant.

It would be an 'artificial intelligence platform' which enhances the performance and user experience across the phone.

Bixby itself would also have enhanced natural language processing, improved noise resistance capability and faster response times.

According to the executive, Samsung now has a 1,000-strong AI workforce and would consider merger and acquisitions of promising AI businesses.

He also revealed Samsung expects Bixby to be running on 14 million Samsung devices by the end of 2018.

The German research firm GfK has revealed that Samsung became the leader in the Indian flagship smartphone market, garnering 49.2 per cent share in the first quarter of 2018.

In the full financial year (April 2017-March 2018), Samsung registered 55.2 per cent market share in the Rs 40,000 and above price segment, said GfK that reports final consumption of the devices and not only shipments.

In March alone, the South Korean giant registered a massive 58 per cent market share in the flagship segment, riding on the success of Galaxy S9 and S9+ smartphones that were available for sale in India from March 16.

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Representational Image

Surgeons are developing a new smartphone-based tool that can detect urethral or urine blockage, potentially making it easier for patients to test themselves for the condition from the comfort of their own homes.

The novel technique could take high-speed photography which could capture subtle differences between a normal steady stream of liquid and a stream of liquid with an obstruction.

Urethral strictures are a slowing or blocking of the natural flow of urine due to an injury or infection. It is normally diagnosed by uroflowmetry, a test administered at a physician's office.

"The problem is that patient follow-up after we treat this condition is very poor," said Matthew Gretzer, Associate Professor at the University of Arizona in the US.

"But we need patients to come back to our clinic for a uroflow test to determine if the obstruction is still present," he added.

In order to test Gretzer's hypothesis on high-speed photography, the team created a model of a urethral structure using tubing hooked to a saline bag that could drain through.

Saline fluid was passed through the tubing with and without blockages, created using 3D printed strictures,placed within the tubing. High-speed photography captured both the regular and blocked stream of liquid exiting the tube.

Gretzer contended that photos can be a medium to diagnose blockages and he hopes that patients could send him these images to analyse and make the diagnosis. He plans to create a mobile app which can be downloaded by the patients.

"All patients would need to do is take high-speed images of their urine flow using a strobe light," Gretzer said.

"Strobe light apps are readily available right now for people to use on their phones".

According to the researchers, as fluid exits an opening, a natural breakpoint occurs where the liquid stream forms droplets, but with obstructions in place, it changes.

The results showed that by analysing photos, they could measure the length to this point of droplet formation. This length then directly related to the presence of an obstruction in the tube.

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Illustration/Ravi Jadhav

For years, every time I've gone to a beauty parlour, yaniki, what fancy folks now call salon, one of the ladies there will ask me in that characteristic beautician tone — yaniki, terrorism masked as concern — "eyebrows nahin karaate ho?" (don't you 'do' — thread and shape — your eyebrows?). Depending on my confidence levels (usually low, an unavoidable side effect of entering a beauty parlour) my 'no' might be uttered with giggling diffidence, false hauteur, or bland deflection. The response of the beauty parlour lady is always the same — "accha?", yaniki, "fine, be that way." It's on your head. Don't come crying to me afterwards. I toh have done my due diligence by asking." Sometimes, feeling a little bold, I would ingratiatingly say, "The natural shape is pretty nice na, so why get into one more jhamela." The beautician will give that sweeping, sarcastic glance at my eyebrows and say, "Haan, vaise toh it's fine", yaniki, pity and disdain, bechari thinks natural is a thing.

This has been a consistent question, of course, but as any random or regular beauty parlour visitor knows, there are others, spoken in a special voice designed to decimate your ego and turn you into a trembling supplicant, begging for beauty treatments. "Last clean up kab kiya tha?" (When's the last time you had a facial?). "Feets ko bleach nahin kara na? Bahut tanning ho gayi hai." (Don't bleach your feet? They're very tanned).

It doesn't matter if you by-hearted The Beauty Myth when you were 15, you will be engulfed by that doomful self-hate and self-doubt start, like a seventh grader in the principal's office. The crushing stereotypes of advertising are laughable wannabes compared to the beauty parlour interrogation.

These questions derive part of their potency from the fact that you are trapped in electric chair type furniture, usually with a giant plastic bib tied around you as if you still cannot be trusted to eat properly, leave alone look presentable, and several other people getting their eyebrows done, or doing others' eyebrows around, who will come to a cinematic halt and stare at you when you admit that you are not one of them.

This potency is only slightly reduced by the advent of app-based home beautician services. To the usual litany of questions they also add, "Ma'am, braazil karalo na, sab karate hain" (Ma'am, everyone gets a Brazilian wax now). You can answer coldly or pretend to be immersed in your phone, like teenagers do with parents. But dude, these are young women who magically produce footstools and pedicure tubs from a backpack. They are not so easily daunted.
With the passage of time, the questions have dwindled. I've relaxed slowly into the truth that as you approach the out-point of the conventional marriageable age zone, the beautician, like the world, starts to expect less conformity from you. The eyebrow question now comes at me only once in every five times.

It was obviously too good to be true. Last week as I submitted to the plastic bib, the beauty parlour lady looked at me with that familiar intent look. "Hair colouring nahin karate?" she asked, checking out my now no longer tentative greys. "Nahin," I said, stoically, preparing for a couple of decades of this now.

Paromita Vohra is an award-winning Mumbai-based filmmaker, writer and curator working with fiction and non-fiction. Reach her at www.parodevipictures.com

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The numbers don't lie; Mumbai motorists are in selfie-destruct mode. At least 50 per cent of road accidents on the 93-km Mumbai-Pune Expressway are due to cars stopping or stalling on the road.

A report in this paper stated that stopping to take a selfie or to enjoy the greenery along the E-way could cost you your life. The first two months of the year have already seen 91 accidents, in which 52 people have died. Of these, 26 accidents happened because of vehicles halting. We must warn people that however tempting the scenery, it is just not safe to halt on the E-way and take photographs of the greenery. Once you reach Pune or the outskirts, you have the time to park your vehicle, alight and take all the pictures you want, so keep moving along the expressway, which is what is was made for.

Travellers must realise that an expressway is a piece of infrastructure, pure and simple. It is designed to take people to their destination. It is certainly not a picnic spot. It is no place to lounge around and eat, get out of the car and wash your hands, use as a Kodak moment or to idle outside your car for any other reason. Drivers have to drive within the speed limit on the expressway.

Cut going over the speed limits, which is a sure killer. Authorities have to ensure cameras are in excellent condition. If there is a car breakdown, switch on your hazard lights, and get your co-passengers to wave their hands; do all you can to alert oncoming traffic. The upcoming monsoon means more challenges for E-way users. Let us bring those fatality figures down, and let the numbers do some happy talking, for once.

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Representation Pic/AFP

My mother died at 84, on September 1, 2015. I was two oceans away, settling my son into his new university life in Montréal. Back in Mumbai, my two sisters and brother did what had to be done. Relatives were notified, last rites performed, and the body taken to the electric crematorium where we'd interred my father decades ago.

Cremation is a sombre moment. The tears have almost dried up, the words have been said. After years of watching a slow decline, death is not a surprise. So they stood there, my siblings, in the crematorium manager's office, to receive the warm earthen pot with the ashes of the woman who had made us everything we were.

Waiting with them was a fellow, a crematorium worker, blase about yet another death but eager for the customary tip. He made some money-seeking sounds, and my sister, distracted, pressed a Rs 1,000 note into his hand. We normally get Rs 2,000, he murmured. She gave him a second note. He still hung around, and then leaned forward to whisper. Apparently, a senior officer of the crematorium would drop by to see how things were going. It was normal, she was told, to give him Rs 3,000.

My sister, never at a loss for fire, asked him what he had done to merit that sum. It was the tradition, she was told. Haggling over a tip seemed the wrong action for the moment, so she gave him the money. But when she reached home, she Internetted out the email address of BMC's erstwhile municipal commissioner, explaining in plain, unfettered English that he was paying a salary to a staff of flesh-eating vultures who feasted off the grief of Mumbai's bereaved.

To her astonishment, within hours, she had received an invitation to meet with the man himself, three days away. A strange thing happened the following morning. The crematorium's manager and his money-grubbing workers, who had sought and received 'tips', showed up at our house. The envelope they handed over contained all the money they had extorted.

"Please take your tips back, madam," they beseeched my sister. "Just kindly cancel that appointment you have with the municipal commissioner." "Ah, no, I didn't make that appointment, so I cannot be the one who cancels it," said my sister. When she went to the Andheri office that issues death certificates, her name triggered an immediate flutter of interest. Apparently her letter to the commissioner was all the news that day. Many employees congratulated her for standing up to the crematorium's predators. At the BMC three days later, there were more surprises. The manager and key staff of that particular crematorium had been invited and were sitting in the outer room with hangdog looks. The commissioner wasted no time with them.

"You are accused of soliciting and extorting exorbitant tips from grief-stricken family members in the moment of their greatest grief — in return for doing a job that you are already paid to do," he said. "Please sign here, and here and here." He pushed letters of confession towards each of them, and they signed without a murmur. "These letters will be photocopied and mailed to every crematorium worker in Maharashtra, as an object lesson," he said.

They looked at their shoes wretchedly. "That's not all," he continued. "You are all hereby suspended from your jobs for a period of four months. This too will be made known to all your colleagues." He paused. "You may go now," he said, ending the meeting. Mumbai has surprised me in the past with its compassion. I remember during the biblical floods of 2005, when 1,094 people died and thousands were stranded in their cars, householders came out with coffee, tea and hot breakfast for those stranded souls as dawn broke.

But there is a dark underbelly to Mumbai, and it is predatory, ruthless, and astute. In 1996, I wrote in mid-day about a schoolboy, Murtuza, hit by a lamppost too close as he hung out of a train approaching Chembur. The wheels ran over both his legs. He was rushed to Sion Hospital, where he died despite all efforts.

But when his parents came to collect the body from the morgue, they found a leg missing. None of the ward boys seemed to know where it was. Eventually, it was whispered that the leg might be miraculously 'found' if a certain amount was paid to a ward boy. And so it was. That was 1996. Living in distant Bangkok, where too I'm certain corruption smiles, but in more sophisticated ways, I hear often that in the new India of the Modi raj, there is less tolerance for everyday corruption. Moments like this make me believe they may be right.

Here, viewed from there. C Y Gopinath, in Bangkok, throws unique light and shadows on Mumbai, the city that raised him. You can reach him at cygopi@gmail.com Send your feedback to mailbag@mid-day.com

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A top Powai school found itself in a controversy after a lady school bus attendant accused the transport manager of molestation. For a couple of days now, this paper has been running reports about the molestation charge with the complainant saying that the man had harassed her earlier, too, but there was no cognizance taken of her earlier verbal complaints.

This case is interesting and we need to have an outcome here, because it is the protector who has become a molestation survivor. It is mandatory for institutions to have women bus attendants inside school buses. The rule has come in the wake of the molestations of girl students on school buses. All schools and their transporters who may be on contract have been told to abide by the rule to ensure safety of girls in buses. There are other rules such as GPS and CCTV in the buses. It is a matter of great shame that sexual harassment has become so rife that even little girls in school buses need to be protected. One must focus on the fact that an attendant, who is supposed to protect the children, has made allegations of being molested.

The school authorities must launch a thorough internal probe, even as the police are conducting an investigation. The survivor, having had the courage to go to the cops, needs to follow the case to its end. Though this happened outside the school bus, buses need to have a GPS and schools must install CCTV cameras in their premises, buses and outside the school so that footage can be used in cases like these.

A thorough follow up and quick action will assuage the worries and fears of parents who cannot be blamed for thinking their children are extremely vulnerable, given that an adult woman, who is like a caretaker in the school bus, has turned complainant herself.

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The city is shaken up by the brutal murder of a young woman working with an upmarket chain of salons. In what has been dubbed as a case having parallels with the Sheena Bora murder, this beautician's body was kept in a car post the murder and then disposed off in marshy land at Wadala. Police teams are trying to recover the body, but have been unsuccessful so far.

It's time to focus on the reason for this murder. According to the police, two colleagues, who have been caught, killed the young woman because she refused to take back a notice sent to one of the accused because of his shoddy performance at work. Despite their entreaties, the victim had not relented about withdrawing a notice sent to one accused till the last day when his employment may have been terminated.

Both colleagues claim, according to reports, that the murder was done in the heat of the moment. The family of the accused, though, insist they are innocent. What has shocked the city is the triviality of the motive. A life has been lost simply because somebody was going to lose his job. As one tries to absorb this, a much smaller report recently was indication of a society, which is weaned on instant gratification and instant rage. A young gym owner was stabbed to death and his female friend hit with a beer bottle over a quarrel with a Disc Jockey (DJ) over which songs to play.

We have been seeing murders happening over slightest provocations. Bring back regard for human life, which has been cheapened considerably. Cherish patience, logic and encourage our children to think before they act. Put an absolute premium on human life. These seem like knee-jerk murders, where rage consumes the murderers, who are mostly ordinary men and women who have no criminal record. Speed kills and in more ways than one.

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Australia's new head coach and former batsman Justin Langer interacts with the media at Melbourne on May 3. He replaced Darren Lehmann. Pic/Getty Images

Australia have a great coach in Justin Langer to guide them through one of their worst cricketing crises. Correction: They have a batting great as coach. The majority of permanent coaches of the Australian cricket team were not Test greats. In fact, the last batting great to wear the coach's cap was Bob Simpson; their first ever coach.

It was under Simpson that newly-appointed coach Justin Langer made his Test debut for Australia — in the summer of 1992-93 — when the West Indies were still the number one team in the world. Langer will not forget it. How could he? The first ball he faced in Test cricket, off the swift Ian Bishop, landed firmly at the back of his helmet. The blow left him dizzy and dazed at the Adelaide Oval. Interestingly, he was also knocked down in his 100th Test — at Johannesburg in 2006 — when he was hit hard behind the right ear by South African Makhaya Ntini to play no further part in the match.

Much like that delivery, Langer's entry into international cricket in the early 1990s was hard. He expected to be on the flight with Allan Border's England troops in 1993, but he didn't find favour with the selectors. He only became a regular one-drop batsman for his country five years down the line, before combining splendidly with Matthew Hayden in the opening position.

He was part of the 1997 Ashes series in England, but did not feature in any of the five Tests. That did not stop him from playing the perfect team man. Mark Taylor was in the throes of a treacherous slump that got the critics dissecting every one of his innings. Langer and his skipper happened to be batting together in the side game against Derbyshire, who were captained by former teammate Dean Jones. Taylor slashed at one off Philip DeFreitas and Jones dropped the catch at slip. At the end of the over, Taylor exclaimed to his junior partner, "That's bloody it, mate. I just can't f****n play!" The young bull (that's what Taylor called Langer when he related this incident in his autobiography Time to Declare) refused to accept the negativity from his skipper. "Mark, that's bloody rubbish," Langer shot back and added, "Of course, you can play. You know that. Just watch the bloody ball really close, stick in here and it will come."

Taylor listened to Langer's advice and ended up hitting his first straight drive in six months to score 63 in 181 minutes. In the next game — the opening Test of the 1997 Ashes — Taylor helped himself to a second innings hundred. The following year, while Langer continued to deal with his in-out, in-out situations, he toured Pakistan where his teammates nicknamed him Arthur Morris.

In The Power of Passion, one of Langer's four literary works, he revealed that Morris (who was part of Don Bradman's 1948 Invincibles) used to be asked often by cricket lovers about how it felt to be in the same team as Bradman. Now, Morris happened to be at the non-striker's end when Bradman was famously bowled by Eric Hollies for a duck in his last Test innings at The Oval in 1948. The dismissal prevented The Don from ending up with a three-figure batting average. Morris used to remind his audience about the fact that while Bradman's duck was most talked-about, people forget that he scored 196 in that same innings. Similarly, Taylor's 334 not out is celebrated as an epic performance, but Langer scored a hundred in that innings — his first in Test cricket — at Peshawar, but it never gets talked about. Given the shared irony of their stories, the Arthur Morris moniker stuck.

Langer ended his career in 2006-07, when Australia claimed the Ashes back after England regained the urn in 2005. Gripping cricket notwithstanding, not many Australians will look back on that contest, their first Ashes series loss since 1986-87, with pleasure. While the Australians were playing poorly in 2005 and were made to follow on at Trent Bridge, my Australian friend Andrew Ramsey, who was reporting the series for The Australian newspaper, was asked to pen a piece for The Times in London.

The guest writer was critical of Australia's performance. As Ramsey left his room for the breakfast lounge in the team hotel at Nottingham, he bumped into Langer, who told him that he read the article. Ramsey was expecting a negative reaction, but Langer called Ramsey's analysis "spot on." He patted him on his shoulder twice and ran towards the elevator to join his teammates in the team bus.

Acceptance is a great trait to have. Langer has many more, developed ever since his 11-year-old eyes watched on television his Western Australian hero Dennis Lillee shatter Viv Richards' stumps off the last ball on Boxing Day in 1981 at Melbourne. Lillee's incredible inswinger made Langer yearn to play for Australia someday. Doubtless, he'll want to be a great coach now.

mid-day's group sports editor Clayton Murzello is a purist with an open stance. He tweets @ClaytonMurzello Send your feedback to mailbag@mid-day.com

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Yesterday, this paper carried a front page report about a Malad resident called Abhijit Mukharji, 25, who was arrested for stalking a 26-year-old woman for eight years. The accused was released on bail five days after the woman lodged a complaint against him. While the court granted bail on strict restrictions, senior officers from the Mumbai Crime Branch have said they will be reviewing the case.

To elaborate, the crime branch arrested Mukharji, who worked for a famous search engine company, on May 3 and remanded in police custody till May 6. This man stalked the woman, hacked into her Tinder account and wiped out all the 'likes' on her account.

While there are restrictions put on the stalker, it is surprising that bail has been granted within five days, for harassment that went on for eight years. The report states that he had even met the woman in Mumbai. Post the meeting, where his conversation rang warning bells for the woman, he started threatening her and warning her not to talk to anybody else because he loved her. She finally filed a complaint.

Let us give stalking the seriousness it deserves. Very often, it is dismissed as casual or harmless. Women who are often told by people that they are imagining there is a stalker. Their fears and concerns are trivialised and they may also be accused to exaggerating the harassment or their discomfort with the stalking.

Making excuses for stalking, like he thought she was someone else, or that he was drunk and did not know he was stalking, are also inexcusable. Online stalking is dangerous and can escalate very quickly to offline situations. Stalking is harassment. It is a crime. It can lead to a dangerous obsession. Treat it with the gravitas it deserves and shut down stalking through severe punishment.

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It is the first weekend in Matheran and we hope to see a number of visitors sporting helmets while horse riding. The paper had reported about how a Mumbai resident had donated a sizeable number of helmets to the hill station, after a little girl suffered head injuries after falling from a horse in Matheran.

Horse owners have also bought helmets and will be providing it to the tourists while horse riding. We appreciate that a start has been made towards ensuring safety for riders. Yet, one hopes that the helmet rule does not run parallel with the helmet rule for bikers in the city. Here, we see that constant vigilance is needed to ensure that bikers wear a helmet. Police nakabandis are set up to catch those riding without a helmet and fines are imposed for the same. One should not need a supervisory body to ensure that riders actually wear a helmet. Horse owners need to be held accountable if their horses are being ridden by visitors without a helmet.

Tourists must understand that the rule is made in the interests of their safety. Good counsel needs to prevail and common sense must rule. Having said that, visitors must go slowly on horses. They should refuse to ride if there is no dedicated helper who will walk along with the animal. Wear closed footwear when you are riding as sandals and slippers are hazardous, especially when mounting a horse, and in case your feet slip out of the stirrup. Parents need to see that their child is with a helper who is in control of the animal.

Matheran horse owners want better roads, which is out of the control of visitors. Tourists and hordes of Mumbaikars who believe if-it-is-May-it-must-be-Matheran should take onus for their safety as far as possible. Wearing a helmet is a good beginning.

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Just months after the newly revamped Kamala Nehru Park reopened, a little girl was left with a crushed thumb after she fell from a broken swing in the handicapped section. While the girl's parents alleged that the play area is not maintained properly, the authorities claim that the handicapped section was off bounds and the parents ignored the guards' warnings.

The park was reopened on February 23 this year, a little less than a year after it shut for a makeover. While the main section of the park was being renovated, the handicapped section remained shut. When the park was opened again, the children's facilities earned high praise. However, in mid-day's report on Saturday, a few parents came forward to say that the swings and see-saws were not well-maintained either.

Let us put the accent on quality at our parks. We have to remember that given the paucity of outdoor play venues for kids, there is a great rush to use parks that are available, and equipment is stretched thin because of the sheer traffic of children.

From the very beginning, the authorities need to focus on play facilities with endurance. They must also ensure that the rides are kept in top order, leaving no risk of such horrific accidents. Park authorities must keep a medical kit with basic supplies.

Having said that, children and their parents, too, need to respect park rules. They must follow instructions issued by the park officials and security. Parents must also ensure that facilities meant for differently abled kids are not used by everyone, as that defeats the purpose. Guardians have to remain alert and stop their wards if they try to access parts of the park that are not meant for them.

Blame games are counterproductive. Only quality rides, maintenance, security and respect for rules can ensure a great outdoors experience.

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A vacation brought nightmare news to a 26-year-old Shillong man's family. The man drowned in the Bhatsa River near Shahapur. He was in the city to spend his summer vacation with his cousins at his aunt's place. He had accompanied his cousins who went to the river to beat the heat. Though he was a good swimmer, he was sucked in by the current and drowned. In fact, the drowned man helped his cousins escape, but could not do so himself.

This report comes just days after the a 24-year-old techie allegedly drowned in a swimming pool in Pune. The deceased hailed from Andhra Pradesh and was a resident of Pune's Hinjewadi. He was taking swimming classes since the past one month.

Reports say the lifeguard realised that the techie had not resurfaced for a while when he jumped in and found the man unconscious. Though he was rushed to hospital, he was declared dead. His post mortem report also mentioned death due to drowning.

Both reports show us that swimmers tend to underestimate the power of water. They tend to overestimate their prowess in the water and end up paying a heavy price for that.

In the former instance, where a Shillong-based man died, people need to desist from jumping into rivers, lakes, ponds to cool off. The waters can be deceptively calm. If you are on a picnic, be content with simply submerging your feet in the water, instead of jumping into it. These lessons must be learnt well. The monsoon will bring with it revellers, who cavort in gushing waterfalls and water bodies at green getaways. Some of these picnics end in tragedies. Take extra caution when you swim, and do not enter a deep pool if you are a beginner or still learning. It must be action caution when it comes to water.

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Controversy and fracas is heating up over sugar imported from Pakistan. Reports have emerged about an NCP MLA from Thane district and party activists tearing sugar bags stored in a godown in Navi Mumbai. The MLA, who represents Kalwa-Mumbra constituency, said hundreds of NCP activists raided the godown, located in Dahisar Mori area of the satellite town of Mumbai, and tore the bags containing the imported sugar.

This comes on the heels of the Maharashtra Navnirman Sena (MNS), which had already opposed the sale and distribution of imported sugar. MNS leaders from Navi Mumbai visited wholesale traders in the Vashi agriculture produce market committee (APMC), and warned them against the distribution of sugar.

While sentiment and belief is one thing, we hope that these sugar raids will not disrupt the ordinary person's life or schedule. Every political party has a right to credo and action, but it should not come at the cost of citizens.

The relevant party and its workers can hold a peaceful protest outside these godowns if they so desire, to raise awareness. They could also put up their resistance on social media and create awareness about why they oppose the Pakistani sugar. Do voice your opposition, do give vent to your anger or ire and do reinstate your stand. That is your right as citizens of a democracy.

Yet, one must always do so with a respect for people and violence should play no part in these protests. Beware of political shenanigans, which aim to capture eyeballs, rather than espouse the party line or philosophy. Actions like this must not snowball into confrontations with innocent people caught in the crosshairs.

Say no to Pakistani sugar if you wish, but do not disrupt daily life. Respect the law and the people, otherwise you fear losing sight of your cause in a spiral of violence and hooliganism.

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The desire to stream his speeding stunt live on social media cost a 20-year-old engineering student his life, while his cousin, who accompanied him, is battling for his life in hospital. He had stolen the keys to his uncle's car. This report highlighted once again that social media distractions and driving are a lethal mix.

The police have identified the deceased as Shivam Prakash Jadhav from Kharadwadi in Pimpri. He died on the spot. His cousin Hrishikesh Vilas Pawar, 22, was cited as critical and undergoing treatment in a Pimpri Chinchwad-based private hospital.A senior police officer was quoted in the report as saying that the car was speeding at 120 kmph. The passenger was streaming live on Instagram when the driver asked him to show the speedometer. Later, he lost control of the car, and it rammed into a grid separator.

The thrill of speed coupled with the thrill of likes, adulation and congratulatory messages is so potent that there can never be enough said about desisting from using social media while driving. Even earphones are a no-no when driving because your hands may be free, but the mind is elsewhere on the conversation and your focus and attention is compromised.

Here, we also had another factor thrown into the tragic cocktail. The driver was speeding. It was the passenger who was streaming live on Instagram, but the driver's attention was compromised as he was distracted by Instagram. It was evident that the young men were on a suicide mission unknown to them.

Let there be more awareness and we want to see a blitzkrieg on social media how it is not cool to drive and be on social media at the same time. Speed should be similarly panned. Youngsters, this is so not cool. Losing a life for some likes? Certainly not.

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Captain Michael Clarke (left) listens as Bill Lawry speaks to the Australian team before the Melbourne Test v Sri Lanka on December 26, 2012. Pic/Getty Images

Bill Lawry has called time on his fulfilling 40-year career as a television commentator with Channel Nine. His retirement is a loss and no commentator can utter 'it's all happening' as excitingly as the former Australian captain. Lawry, 81, (nicknamed Phanto for his love for Phantom comics) decided he had enough of commentary when his employers lost the bid to cover cricket Down Under. Lawry enjoyed every moment of his commentary years. He was grateful for the opportunity Kerry Packer gave him in 1977, six years after retiring from first-class cricket.

Cricket destiny was not so kind to Lawry during the 1970-71 Ashes. Selectors Sir Don Bradman, Neil Harvey and Sam Loxton dumped him despite his 324 runs in five Tests at an average of 40.50. The illustrious ones who wielded the axe didn't feel obliged to inform him. When Lawry tried to meet one of them before flying out of Adelaide on the morning after the sixth Test, he discovered the selectors had already checked out for home. He then headed to the room of his fellow Victorians Ian Redpath and Keith Stackpole who delivered the news of his sacking.

He took it on his chin, headed home to Melbourne and put behind his disappointment in the company of the pigeons he reared as a hobby. Lawry scored 5,234 runs in 67 Tests at 47.15. As a batsman, he could be obdurate and adhesive, but his supporters didn't see that as a negative. Ian Wooldridge, the famous British sports writer, apparently called Lawry, A Corpse With Pads On. Lawry defended Wooldridge in an interview, saying a sub-editor used those words in a headline for one of Wooldridge's pieces. "I always regarded Wooldridge as a tremendous writer. I have always had a good relationship with him," Lawry said in Why Cricket Matters.

Richie Benaud, his first captain, often recalled Lawry's courageous 130 on a difficult, uneven pitch at Lord's in 1961 when England pacemen Fred Trueman and Brian Statham rendered the opener "black and blue" with their body blows. The 1962 edition of Wisden Cricketers' Almanack projected his bravado aptly: "Lawry was Australia's spinal column in the second Test at Lord's. This was an indomitable effort of sheer graft under severe pressure with the ball flying about and he was tenacious, painstaking and wonderfully cool."

On the 1964-65 tour of the West Indies, danger came in the form of the swift Wes Hall and Charlie Griffith, who damaged Lawry's right cheekbone, but couldn't stop him from carving a gritty double century. Lawry had a sweet and sour stint as captain, winning nine of his 25 Tests. His eight losses included four in a row on the dreadful 1969-70 tour of South Africa. For 35 seasons — from 1969-70 to 2004-05 — he enjoyed being the only Australian captain to win a Test series in India.

Despite being on top of MAK Pataudi's 1969-70 side, Lawry found captaincy hard in India. His team were not granted current-day luxuries and amenities. Plus, there were a couple of riots. There's an amusing story about the Mumbai Test of that series when fans set a stand on fire at the Brabourne Stadium. The crowd felt the decision to send back S Venkataraghavan (caught behind by Brian Taber off Alan Connolly) was a dubious one. The Australian players feared for their lives and at one point, vice-captain Chappell suggested to skipper Lawry that the team should retreat to the dressing room. In Lawry's mind, there was a Test match to be won, so he said (according to historian Gideon Haigh in The Summer Game), "Hell, we need a wicket badly."

From a personal point of view, it was a disappointing series for Lawry. His 10 trips to the crease could fetch him only one half century and he became unpopular with the media. However, there were no Australian newspaper journalists on tour for him to give his side of the story. Indeed, commentary was his second innings in cricket. He excelled, he entertained, even exaggerated. He got excited to the point of causing amusement to his fellow commentators. When Venkatapathy Raju and Javagal Srinath were running between the wickets in their quest to clinch a close win over the Australians at the Gabba in the 1992 World Cup, Lawry goaded the Indian pair to run like hares. And once, he confessed to saying, "Inzamam-ul-Haq has taken this attack by the throat of the neck."

Lawry was invariably on air when drama made its way into a match. He called many a memorable Indian cricket moment in Australia — Sachin Tendulkar's two Test hundreds on the 1991-92 tour, Sunil Gavaskar's walkout at Melbourne and the victory that followed in 1981. Australian cricket viewing will never be the same without Channel Nine and the new rights holders could regret that they have no one as good as Lawry to scream on air, "What a ripper!"

mid-day's group sports editor Clayton Murzello is a purist with an open stance. He tweets @ClaytonMurzello Send your feedback to mailbag@mid-day.com

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The mystery behind the death of a group of brothers seems to have been solved, said a report in this paper. The Chavan cousins were found dead between Kandivli and Borivli stations earlier this week.

A day after their death, an eyewitness informed the police he saw them jumping from the train to cross the tracks when it had stopped at a red signal between stations.

An inspector stated in the report that when the train halted, the boys tried to jump to cross the tracks. In doing so, they missed seeing a train coming from the opposite direction and were hit by it. Investigations are on and eyewitnesses are being sought to corroborate the version. Yet, it looks quite certain that this is yet another track death amongst the many in the annals of railway track death history.

We need to see signage on stations warning people not to cross tracks. Even some signage inside train bogies about the danger of crossing tracks will be helpful. This may not be an absolute deterrent, but will at least make people stop and rethink before crossing tracks.

Maybe passengers' unions can put up warnings on social media. A track crossing survivor, who has had a narrow escape, could recount his experience. He could even speak about how lucky he was to escape with his life and exhort the lakhs who use the service not to endanger their lives.

From riding rooftop of trains to crossing tracks, there are so many dangers that commuters bring upon themselves. A service that is already strained to a breaking point is inherently dangerous because of the sheer numbers. It is safety first, when it comes to this service, commuters must realise there is a greater onus than ever on them to ensure their own safety. Crossing tracks is an invitation to a grievous injury or a tragic end.

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A day after this paper published a report about a couple who has been left in limbo because a financial institute has misplaced their Sale Deed or Sale of Agreement papers, there have been a few readers who have written in claiming that they experienced a similar situation. They, too, had a harrowing story to tell.

According to our report, an Andheri couple who had taken a loan from a financial institution years ago to buy a home and were paying it off over years, finished paying their loan. They asked the institute to return their documents and that is when they learnt that the Sale of Agreement has been misplaced. Their nightmare began, but it has been months the paper has not been found and they have subsequently been unable to sell a home on the outskirts of the city because buyers are wary of buying a home without the original Sale Deed.

Finance institutes cannot afford to misplace such important documents. Institutes might have misplaced the documents while shifting or the file has been lost when being transferred from one centre to another.

If this happens, and from the responses we learn that this is unfortunately not very rare, it is the organisation's responsibility to give the affected a way out. There has to be a redressal mechanism. If the true copy of the document does not work for certain people, the institute has to step in and provide them a solution.

They need to be held liable and accountable. You cannot expect the affected people, who are already suffering considerably and have also spent time and money, to do all this on their own. Those who have erred cannot wash their hands off the matter. They need to be there with the people, whose papers they have irresponsibly, though inadvertently, misplaced, right till the bitter end.

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Mayor Vishwanath Mahadeshwar, the first citizen of Mumbai, recently visited Metro III construction sites, and a front-page report in this paper has already highlighted how he blamed the wrong agency (Mumbai Metropolitan Region Development Authority rather than the Mumbai Metro Rail Corporation) for the possibility of flooding in the city.

While that was one aspect of the mayor's tour, it was his answer to our reporter's question about his view about the Metro work, that is cause for concern. The mayor said that although the BMC is the main planning authority of the city, the Metro authorities did not take permission from them before starting the Metro 3 work. They allegedly did not even take the civic body into confidence before beginning the project.

The mayor's answer was especially disturbing, considering the damage caused by the work to BMC's stormwater drains and sewerage lines. Because of this, there will be flooding if there is a rainfall of more than 300 mm. The state government will be responsible for the same, said the mayor.

Citizens are tired of the blame game that seems to have ensued even before the monsoon. They do not care which agency has done what, they only want to see that there is no major flooding this monsoon. If there is, the authorities need to work swiftly to ensure it is dealt with. Other service arms have to work to ensure the city does not go off the rails.

Every authority must be geared to if not prevent, then at least combat, all the challenges that the monsoon is sure to bring with it. We want to hear and see actions that reassure the public, rather than discouraging finger-pointing and statements loaded with ominous portent.

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BS Yeddyurappa submits his resignation as Karnataka chief minister to Governor Vajubhai Vala in Bengaluru on Saturday. Pic/PTI

At a press conference moments after BS Yeddyurappa quit as Karnataka chief minister for the third occasion in his life, this time after just two impotent days, Congress president Rahul Gandhi was asked if he would demand Governor Vajubhai Vala's resignation. Just the day before, Rahul had tweeted that Vala's decision to invite Yeddyurappa to form a government, despite being short of a majority and not having any other party's support, was "unconstitutional". Yet, with the press he was philosophical: "What's the point?" Rahul said. "Even if Governor Vala is made to go, Prime Minister (Narendra) Modi would put another puppet in his place, who will take exactly the same decisions."

Rahul repeatedly stressed the point that the RSS, through Modi, is out to destroy all institutions in India because it respects no institution other than the RSS. Modi did not behave like a democrat, he said, but like a "dictator". (Also, the Congress president referred to his BJP counterpart as "murder accused Amit Shah".)

Some Indians don't mind Modi being a dictator. They think democracy in India is too slow and needs to be speeded up. Not only is this sentiment justified by pseudo-Darwinism — so what if the poor get left behind? — it doesn't seem to bother them that subverting Constitutional niceties may backfire on them one day, when the Great Leader is replaced by someone else, perhaps another regional leader in a hurry. For now it's okay if their Governors try one thing in Manipur and Goa, and then try the opposite in Karnataka.

Rahul did not mention, however, the elephant in the room: the occupant of the highest constitutional office in the land. For much of the republic's life we have had some pretty ordinary occupants in Rashtrapati Bhawan, and one need not go far back in history to find some awful examples. Pratibha Patil was nominated by the UPA to be India's first woman president, but she was far from a leading advocate of gender-equality or even equal-pay issues during her career; her elevation was simply an exercise in tokenism —much in the way that Ram Nath Kovind's is. (Another pedestrian candidate, to my mind, was fixer and murky backroom boy Pranab Mukherjee, who in 2012 end-gamed then Congress President Sonia Gandhi into nominating him.)

President Kovind isn't even the first dalit in Rashtrapati Bhawan. The first was KR Narayanan, who unlike President Kovind, had a distinguished career as a diplomat and an academician before he became vice-president (and in 1997, president). President Kovind's achievements have been modest in the field of education; and though he was personal assistant to Prime Minister Morarji Desai, he has been a Hindutva ideologue for over a quarter of a century. The RSS considers him its man.

President Kovind isn't anywhere near the stratosphere of popularity achieved by the other NDA nominee for president, the late APJ Abdul Kalam, who succeeded Narayanan in 2002. On the contrary, President Kovind was earlier this month left looking diminished thanks to former information and broadcasting minister Smriti Irani (repeatedly the proverbial bull in Modi's china shop) who mismanaged his presentation of the National Film Awards, provoking many artistes to boycott the function. (The photos were catastrophic, showing rows of empty seats at the function.)

President KR Narayanan distinguished himself in office with a couple of correct Constitutional decisions that shocked the political establishment, because he acted impartially rather than be the government's rubber stamp. In October 1997, he returned the recommendation by then Prime Minister IK Gujral's to put UP under President's Rule. He is the only president to have refused to impose central rule (he did it again the next year), setting an important precedent for federalism.

Given the recent partisanship of members of the Election Commission and of the Supreme Court, and with Governor Vala's naked and shameless partiality — he disregarded recommendations by various Centre-State Commissions set up since Independence on the Governor's role in inviting a party for government formation — you need not be a rocket scientist to predict President Kovind's behaviour if the 2019 election produces a hung parliament.

Imagine a scenario where the BJP wins about 180 seats and the Congress wins about 185, or the other way around. Forget for a moment how the pre-poll and post-poll alliances shape up. Then ask yourself the question: who will President Kovind invite first to form the government? This must be weighing on the minds of Rahul Gandhi and his team. It is obvious to most of us why Modi appoints whoever he appoints to high Constitutional office — it is to do his bidding. President Kovind's critical moment in history will come when he will have to make a choice — to be another KR Narayanan, or to be another Vajubhai Vala.

Aditya Sinha's latest book, The Spy Chronicles: RAW, ISI, and the Illusion of Peace (HarperCollins India), written with former spychiefs AS Dulat and Asad Durrani, is out this week. He tweets @autumnshade Send your feedback to mailbag@mid-day.com

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This paper ran a disturbing front page story on the weekend. It cited how, for several months, the Mumbra Police have been at their wits' end over bikes and scooters going missing from various parts of the suburban township. Last week, however, the police tracked the culprits, who were a gang of 10- to 15-year-olds.

All the nine boys who were apprehended by the police were minors. All of them hail from poor families in Mumbra and they are passionate about bikes and just wanted to ride them for fun. While the boys have been put in a home, what is worrying is that a couple of parents are in denial about their boys being involved in the theft.
The report said that Mumbra residents had complained to the police about rash driving by young children, who didn't have a driving licence. A social activist in the area had even said that many children here start riding bikes when they are as young as 12.

Most of these kids have not been to school. There is also the prospect that this crime may be a stepping stone for them and it may escalate to bigger crimes once they are out of this home. Parents need to pay much closer attention to what their children have been doing. They may not know about the crime, as it is natural these children will hide this from their parents. But, as a parent, they must try to investigate and question their children in case they suspect an unusual pattern in their behaviour.

It is unacceptable that 10-year-olds are riding bikes, putting not only themselves, but also other bikers and pedestrians in danger. Report them, if you suspect it's an underage boy riding a bike.

Finally, much more social awareness, sustained campaigns, and acceptance rather than denial by parents, can counter this menace. The bike robberies are not all innocent fun, it has grave ramifications for the future.

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The lull in incidents involving doctors and relatives of patients has been broken once again. An indefinite strike called by resident doctors of the civic-run JJ Hospital entered its second day on the weekend. The doctors held a candlelight march to protest the attack on their colleagues and to pressure the management to take action to ensure their safety.

Doctors from other hospitals were supporting the protest as well. It started with over 400 resident doctors from JJ Hospital going on strike over the weekend after two were attacked by the family of a deceased patient.

We had seen these flare ups and thought that a long lull may spell the end of the doc-patients' fracas, which has been a very worrisome aspect of the health service sector in the country. It was not to be and the latest incident shows that measures have to be in place to tackle these incidents before they spiral out of control.
Doctors must have adequate security at hospitals. Fears for safety can inadvertently crop up in medical decisions or diagnosis, where sometimes a professional's judgement may be compromised if they think that their workplace does not care enough to protect them.

Violence is not the answer even if the relatives think that the doctors have neglected them or are shocked by the death of their family member. Our civic hospitals have too many patients, but staff is small is comparison. Awareness campaigns, an intermediary between doctors and patients' family, security measures, counselling, and somehow bringing the sense that patients' relatives and doctors are on the same side, could defuse volatile situations. The time for talk, discussion and clucking in disappointment is over. This is a medical emergency at our hospitals. An antidote needs to be found.

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Richa Kaul Padte

When I set out to write this book, I expected to find that Indian women were watching, making and enjoying porn. And indeed, I found that! What I didn't expect, though, was how comfortable and open they would be while talking about it," says Richa Kaul Padte of her debut non-fiction, Cyber Sexy (Penguin Random House). Through an intimate tour of online sex cultures — from camgirls to fanfiction writers, homemade videos to consent violations — the book investigates what it means to seek out pleasure online. Padte grew up in Kodaikanal and has lived most of her life in Brighton, England. Apart from being the co-founder of the award-winning publication Deep Dives, her writings have appeared in several publications. The well-researched book is full of interesting anecdotes, which had us questioning what we think we knew of porn. We spoke to her about women who romantacise porn, what inspires her, and if women would rather read erotica than watch the act on screen.

Excerpts from an interview:

In retrospect, what would you say the true vision of the book is?
Looking back on the project, what has come to the surface is that Cyber Sexy allows readers to feel less alone. Many people I interviewed said that the experience of sharing their stories removed a sense of isolation, and I know for sure that I as the listener felt a lot of relief, just hearing them. It's a comfort to know how varied desire is; that no matter how strange what's inside us can feel, we're never truly alone.

You have had intense, deep conversations with varied women for this book. Share some anecdotes that really stayed with you.
Not just with women, but with men too. For example, I spoke to one man who said he had always been embarrassed and bullied about the size and shape of his penis, but through participating in nude photoshoots, he came to terms with and started loving his body. This stayed with me, because men are often under pressure to be a certain type of masculine — and they rarely express these vulnerabilities. So, whenever men were able to talk about these gentler, less confident parts of their sexualities, it stood out for me.

What revelations did you have about the Indian woman and her sexuality?
As girls and women we're not encouraged to talk about sex, so I thought there would be some degree of reservation in interviews. I was so heartened to find this was not the case – women were happy to openly share their experiences, and I was more than happy to hear about them.

In your experience, how do men and women consume porn? For example, one may watch porn to please themselves, but quite often, we also think of people we desire. Do you think woman romanticise porn?
I think this might be more of an individual preference than a gendered thing. Desire is constantly shifting, just like fantasies, just like porn preferences. And I don't think romaticising porn is a gender-specific experience. Having said that, I think where women and men's porn preferences do differ is on the question of consent. Almost every woman said that as soon as porn seemed non-consensual, they were instantly turned off. I think as women we are constantly worried about having our consent violated, so our porn consumption reflects this fear.

Do you think women prefer reading porn rather than watching it?
I don't think I've surveyed enough women to make this claim definitively, but what I can say for sure is that erotica, fanfiction, and other sexy writings on the Internet are predominantly women-led spaces. Personally speaking, sex scenes in novels was how I first started exploring my own desires as a teenager, and I think for many women the written word is a safe, intimate space in which to express sexuality — both as readers and as writers.

Women usually find it easier to go without sex for long periods of time. Could this affect their desires?
My point is, everyone can survive without sex, but sex is also a deep human need. I think what does affect women's desires is fear — fear of unwanted pregnancies, abuse, violence, etc. We think twice — or 50 times —before we go home with unknown men. Not because we want sex any less than them, but because gender violence is a reality we have to perpetually contend with. So we often forgo desire because we want to, you know, stay alive.

Also Read: Married? This Dating Site Is Meant For You

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Yakuza 6 is the final chapter in the Kazuma Kiryu saga and the debut of a new engine for the game. For those who have never played Yakuza before, there is a handy back story that you can read through complete with choice visuals from the previous game. Even without the story mode, the game is self-sufficient and you won't feel like you are missing something. It plays out like a melodramatic Japanese movie — there are lots of cut-scenes and it will be a while before you go around breaking bones and destroying property. Fortunately, the story is decent enough to keep you engaged, considering it is around 30 hours long.

For the uninitiated, you play Kazuma Kiryu, a yakuza, who is part of the Japanese mafiosi. The idea of the game is to go around completing the tasks assigned in the story mode. However, you are also in Japan, which means there are many fun distractions to while away time. In the past, these distractions have been many and made Yakuza a game that you could play forever. In Yakuza 6, however, the side activities are few, but they are well made. Some choices are playing mahjong, working out, playing baseball, visiting a hostess bar or a cat café.

The biggest addition to the side activities is the Clan Creator mini-game, where you direct gang members in a top down view of a brawl. You can add special characters to your clan, by defeating them in combat. This mini-game is a lot of fun, even though defeating your foes is often too easy. The overall combat in Yakuza is also super easy. Kiryu is capable of handling multiple thugs with just a few basic moves. You can pick up anything off the street and use it as a weapon. Building rage can trigger special moves, which is essentially just beating people senseless with whatever you have in your hand. The simplicity of combat makes it easy to learn, but it can get repetitive after a while.

Visually, the new engine shows off the cut-scenes and characters really shine through. The motion is seamless and once you are in an area, the game never stutters. Japan is recreated beautifully, it is like you are roaming the streets of the country. You can enter stores, narrow lanes and explore anything that is on the map. The game is a fitting end to the story of Kazuma Kiryu. The top-notch storytelling and the graphics more than do justice to the Yakuza series. More side activities and layered combat could have kept the game interesting beyond the main storyline, but despite all of this, Yakuza manages to entertain.

Yakuza 6: The Song of Life
Rating: 4/5
Developer: Sega
Publisher: Sega
Platform: PS4
Price: Rs 2,999

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Vishnudas Bhave. Pic/Premji Sosa

The next time you book your tickets for a play, think of this name: Vishnudas Bhave. An important figure in the history of Indian theatre, Bhave is best known for his pioneering work in the mid-1800s. Born in Sangli, Bhave arrived in Mumbai in 1852, only to change the face of not just Marathi theatre, but the whole infrastructure surrounding the industry. "He didn't invent theatre, but he certainly innovated it," says historian and researcher Murali Ranganathan.

Bhave will form the core of a talk on the modernisation of theatre in Mumbai that Ranganathan will deliver this Friday as part of arts and science conversation platform, Mumbai Local's first curated session by playwright Ramu Ramanathan. For over a decade, Ranganathan has been extensively researching the history and development of the entertainment industry in Mumbai, and this session is a leaf borrowed from the pages of his larger project. He says, "Bhave looked at the theatre infrastructure available in then-Bombay. He decided that, instead of staging plays in the backyards of the rich or through building temporary sheds, where people could just walk in, he could change the non-ticketed scene to actually charging for plays at Grant Road Theatre."

Interiors of Grant Road theatre. Pic/Drama Queens Representation purposes

The Bhave-fication of theatre in Mumbai also meant that people wanted value for money. Before Bhave's arrival, says Ranganathan, instead of tickets, an aarti plate was passed around at the end of a show, on which people would place a patron sum voluntarily. "Buying a ticket meant that audiences expected more from plays. Hence from semi-religious plots, the plays shifted to pure entertainment," he explains. A byproduct of this entertainment factor was the introduction of the genre of farce, in which the foibles of the rich and contemporary issues were critiqued through the veil of humour. Bhave and his company staged farces on widow remarriage, children's education, English missionaries, and, oddly, a cautionary tale to raise awareness on a series of murders of children that happened for robbing them of jewellery.

Stating that he is interested in "excavating" libraries with an archaeologist's enthusiasm, Ranganthan's research draws extensively from news archives. The reason is that Bhave's methods paved the path for previews, reviews, and ads, many of which are to be found in these archives. "Mumbai's theatre scene in the 20th century has been well-researched, but the times before that still need more work," says Ranganathan. He adds that his talk will also cover other theatre groups that followed Bhave's suit, a maverick balloonist who drives mass entertainment, and how practices like yoga caught the modern imagination. It all sounds intriguing, and best heard from Ranganathan himself.

Where: Kitab Khana, Somaiya Bhavan, Flora Fountain, Fort
When: May 18, 5.30 PM
Free
Call: 61702276

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Pic Courtesy/Sameer Malhotra

Why am I biking so much? Maybe, because I work only as much as I need to," says actor Satyadeep Misra, who you will remember as Rosie's suitor Johnny from Bombay Velvet and TV series P.O.W. — Bandi Yuddh Ke, where he played a soldier. We are sitting at his Versova home talking about bikes over a glass of gin.

Kemmu and Misra's social media is full of riding clicks, including those taken outside Café Monza in Kharghar, where they ride down on Sundays. Pics/Instagram

The cupboard next to us in the living room, is topped with helmets, which he says will grow in number. If you follow Misra on Instagram, you know that over the last year, he has biked to Uttaranchal, Himachal, Goa, Nepal and Hampi. His biking friends include actor Kunal Kemmu, who will next be seen in Karan Johar's Kalank, and whose social media feed is also full of riding clicks. Some of these see him posing with his bike, and some are taken with Misra outside Café Monza in Kharghar, where they ride down early on most Sunday mornings for breakfast.

Satyadeep Misra

Misra has a Ducati Scrambler, and Kemmu used to have a MV Agusta Brutale 1090 RR, and now has a Ducati Scrambler too. Their retail indulgences include biking jackets, one helmet after another, gloves and of course, biking boots. "After the Uttaranchal trip, riding became a big part of my life. I wake up only thinking of riding. The question on my mind always is 'when is my next biking trip going to be?' I think I work, just so I can ride," says Misra.

Kunal Kemmu

Unlike Misra, who caught the bug last year, Kemmu harboured the dream of biking since school, because he thought it was "cool". "My uncle bought me a bike, but the day it got delivered, I was in college, and my father sent it back," he tells us. "I have always been a rider. But, it's only in the last six months that I have started to enjoy what it's all about. I have made friends with those who ride with me. And I have been getting all this gear that improves the riding experience," says the new father, who is quick to tell us that the one thing wife Soha Ali Khan tells him, is to be careful.

In Robert M Pirsig's Zen and The Art of Motorcycle Maintenance, the author writes, "In a car, you're always in a compartment, and because you're used to it, you don't realise that through that car window everything you see is just more TV. You're a passive observer and it is all moving by you boringly in a frame. On a cycle the frame is gone. You're completely in contact with it all. You're in the scene, not just watching it anymore, and the sense of presence is overwhelming."

When Misra speaks of riding on a bike, he compares the feeling to flying. "If you see my bike, which is an off-roader, it's high up there, and as you are sitting on it, you too are sort of squatting in air. So, when you are cruising along, it does feel like you are flying," he says. When we ask, what he thinks about when he rides, he says, "It's hard to think because you are focussed on the road. All your instincts are tuned to the road, and keeping the bike in control. But as you start doing it more, it gets easier to disconnect and ride. As I said, it's the closest I have come to flying."

For Kemmu, it started off by being about the sound, speed and how the bike looks. But, in recent times, he has felt it become a stress buster. "There are days when you will be stuck in traffic, and feeling baked in all that gear, but then, there will be days where it will be a breeze. The risk factor also adds to the romance. At the end of the day, it's about the relationship between man and machine, and that's priceless."

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Gallery Art & Soul

How often have we heard friends say, "Let's grab a drink?" and the next thing you know, you are headed to Lower Parel? That same enthusiasm, purposefulness, and the promise of an evening well-spent are what art spaces in and around that part of the city are gearing up for this year.

Priyasri Art Gallery

Starting June 29, art lovers can say hello to the Mumbai Midtown Arts Collective (MMAC). An initiative by Anupa Mehta and Rashmi Dhanwani, the MMAC will bring together seven spaces in Worli, Dadar, Byculla and Lower Parel to build upon a format that their counterparts in South Mumbai have cracked over the past few years.

Tao Art Gallery

In this city, artists and visitors mark their calendars for Art Night Thursdays, the second Thursday of every month, when galleries have extended hours instead of their usual closing time of around 6 pm. Similarly, the MMAC will host Art Night Fridays, to be held on the third Friday of the month once every quarter. There will also be Art Sundays, when galleries will remain open, and workshops and sessions will be held in public spaces.

Volte Art Projects

Art Night Thursdays was conceptualised in 2011, along with Mumbai Gallery Weekend, by a group of about eight galleries in South Mumbai. It continues to visibly draw more visitors than what they would have on most other days. To boil it down to basics, it is a mix of two factors — geography and programming.

Piramal Museum of Art + their Byculla gallery

For most Mumbaikars, a weekday visit to South Mumbai, particularly Colaba and Kala Ghoda, where a number of galleries are located, usually means wrapping up early from work, and making at least a 45-minute trip from the suburbs. Art Night Thursdays mean that visitors from Jogeshwari or Mulund can spend more time with exhibitions, walkthroughs and talks.

Anupa Mehta Arts & Advisory

"There is a reason why we are planning for Fridays and not Thursdays. That's the day most professionals working in this part of town will step out and unwind," says Dhanwani, founder of The Art X Company, an arts management consultancy, which will drive MMAC.

Saffronart

There's enough for everyone
Mehta and Dhanwani tell us that the idea to form a central Mumbai collective is not new, and has been on their minds for some time now. And, then, last year, some of the midtown art spaces got a massive push for the first time during Mumbai Gallery Weekend, an outreach programme with a series of art events. Mehta, an arts consultant, who runs Anupa Mehta Arts & Advisory from the studio that earlier used to be a gallery, The Loft, at Lower Parel, could see the difference.

Anupa Mehta and Rashmi Dhanwani

"We had a tea party here, and I expected the regular audience to turn up. Instead, a different crowd dropped by — people who had heard that there was something going on," she says. Lower Parel and Mahalaxmi now have a number of creative clusters, such as indie design studios, today. These areas also house and employ well-travelled aesthetes with disposable incomes.

Dhanwani cites a report by KPMG in India and FICCI (February 2018), titled Visual arts industry in India: Painting the future, which stated that 'a new segment of art buyers in India consists of entrepreneurs, company executives and professionals... An increasing number of young art enthusiasts in their late 20s to early 40s are attending shows at art galleries and festivals, to both participate in workshops as well as buy original artwork.

Pics/Ashish Raje; Map/Deshna Mehta; Imaging/Ravi Jadhav

"Lower Parel has a sizeable presence of such professionals, who are open to different experiences such as catching a comedy or music gig or a new exhibition. Although there is the perceived notion that art is an elite preoccupation, these barriers can be lowered to open arts spaces even further," she says.

Focus on accessibility
In recent years, Lower Parel and its surrounding pincodes have turned into the great corporate heart of the city, drawing thousands through railway networks and SUVs for work and leisure. Mehta says that history always speaks through, as the place that was once devoted to mills, and mill workers. It is reason why accessibility is a key focus of the MMAC — how do you draw the waiting staff from the nearby pub as much as corporate consultants? "We forget that art is the great equaliser, and Lower Parel is a constant reminder that different classes co-exist here," says Dhanwani.

The MMAC, interestingly, is not a homogenous clutch of galleries, but has, under its umbrella, a museum, an arts advisory, an auction house, and galleries that have been around for more than a decade, and those that are fairly new. More are likely to join hands in the near future (check MMAC's Facebook page for more info).

The MMAC, thus, strategically, means more visibility to these spaces, and the recognition of the presence and growth of another art district, co-existing with the one in Colaba. "We are complementing our friends in South Mumbai. We hope that many more area-specific art circles may occur, and cater to local communities," says Mehta. She adds that with galleries showcasing a range of artistic practices, there is a growing audience for all.

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Cousins Ayush, Aryan and Arjun Asher enjoy some quiet book reading time with their friend Rudra Shukla at their Worli residence. Pic/Ashish Raje

Of gods and humans

Author Arshia Sattar is no stranger to mythological retellings. Best known for her English translation of Valmiki's Ramayana, Sattar recently released a new children's collection titled Garuda and the Serpents (Juggernaut Books), which draws from the Puranas, the Mahabharata and the Ramayana to deliver stories that will evoke both wonder and delight. From tales of why the gods and the asuras churned the ocean, to how Vishwamitra and Vasishtha became enemies for life, these marvellous adventures of gods and humans is not to be given a miss. And, with Sattar, who has a PhD in South Asian Languages and Civilizations from the University of Chicago, helming the narrative, these stories, we know, rest in safe hands.

Garuda and the Serpents by Arshia Sattar
Age Group: 10+
Price: Rs 350

A rare friendship

The recently-released graphic novel, Indira (Context, Westland), definitely has a special place in history. The young adult novel, which has been brilliantly executed by writer Devapriya Roy and animation filmmaker and illustrator Priya Kuriyan, begins with the story of Indira Thapa, a Std VI student at a government school, who is given an assignment to write an essay around her namesake. Over the course of a long, hot summer and a curious friendship with an artist who is working on a biography of Gandhi, Thapa gets tangled up in the life and times of the country's only female prime minister Indira Gandhi. Through graphic panels and beautiful prose, Roy and Kuriyan lead us through Gandhi's rich legacy, including her rise during the Bangladesh War (1971) and fall, post the Emergency (1975-77). This one is for teenagers who'd like to revisit history differently.

Indira by Devapriya Roy and Priya Kuriyan
Age Group: 13+
Price: Rs 599

Magic on wheels

Lavanya Karthik's Neel on Wheels (Duckbill) is what we think, should be on every kid's must-read list. The book, illustrated by Habib Al, tells the story of Neel, who is wheelchair bound. But, that's hardly holding him back. Neel's wheelchair transforms itself to fight dragons and monsters and chase away scary creatures of the night. One of the prize winners in the Children First contest — started to create more books featuring children with disabilities as protagonists — this book deals sensitively with his challenges and the lovely relationship between Neel and his younger brother, who regards him with awe and respect.

Neel on Wheels by Lavanya Karthik and Habib Al
Age Group: 5+
Price: Rs 299

Family matters

Sharanya Manivannan's poetry is a sheer delight to read. With The Ammuchi Puchi (Puffin Books), the poet and writer has collaborated with illustrator Nerina Canzi to tell the story of Aditya and Anjali, who love listening to their grandmother's stories. Unfortunately, their lives fall apart on the night their grandmother passes away. Suddenly, her stories seem to lose their meaning. It's only when something magical happens that they feel their grandma is with them, after all. The dreamy illustrations complement the poetic prose, for a poignant story.

The Ammuchi Puchi by Sharanya Manivannan and Nerina Canzi
Age Group: 4-7
Price: Rs 199

Grandma knows best

No summer reading is complete without escaping into the stories by author Ruskin Bond. In his new book, Memories of Hills and Dales (Rupa), Bond's protagonist is an affectionate, brimming-with-stories grandmother, who shares tales of the past with her granddaughter Koki. From a mysterious kiss by a stranger in the dark to schoolboys taking off for a trek to a glacier, an old kite-maker reminiscing about his heydays and a beautiful village girl whose charms a city boy can't resist, this slice-of-life collection — many of which are autobiographical — takes us through the life in the hills and the joys, sorrows and excitement it holds.

Memories of Hills and Dales by Ruskin Bond
Age Group: 8+
Price: Rs 195

Suitcase memories

Nidhi Chanani's heart-warming debut graphic novel, Pashmina (HarperCollins India) weaves a tale about the hardship and self-discovery that is born from juggling two cultures. The story revolves around Priyanka Das, who has many unanswered questions — why did her mother abandon her home in India? What was it like there? And, most importantly, who is her father, and why did her mom leave him behind? Pri's mom avoids all these questions. For Pri, her homeland only exists in her imagination, until she finds a mysterious pashmina tucked away in a forgotten suitcase. When she wraps herself in it, she is transported to a fantasy world more vivid and colourful than anything she could have ever imagined. But to know whether this world is for real, she needs to travel further. For young readers, Chanani creates a world that magical through her prose and illustrations.

Pashmina by Nidhi Chanani
Age Group: 8+
Price: Rs 399

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Order of the day
Start your week with Before Sunset
8 pm – 11 pm: Some films one can never watch enough. If you call yourself a die-hard Richard Linklater fan then you wouldn’t want to miss the chance of watching this film. Join Ethan Hawke and Julie Delpy as they meet nine years after they first found each other serendipitously, on the streets of Vienna. One of the finest performances from the lead pair, this one never gets old.
14 Monday
WHERE: Drishyam VFX, Andheri West
Entry: R200
log on to: www.1018mb.com

Enjoy some spontaneous laughter
7.30 pm: Tired of the same old rehearsed lines? Then this act is for you. Mosey on to Bandra this evening where you will be treated to some improv comedy. There’s no pre-written material and your stand-up for the day, Max Fernandes, will pick up from you to bring humour on the go. You can be a participant (recommended) or a passive audience. Take your pick.
15 Tuesday
where: The Cuckoo Club, Bandra
Entry: Rs 200
Call: 9619962969

Give in to some waffle pleasure
1 PM onwards: You’ve managed to make it through Monday and Tuesday. So, you need a little treat. Celebrate the day at The Waffle Factory and avail their offers on shakes and iced teas. The offer is on every Wednesday right up until August 29. So, if you have a friend you meet only mid-week, this can become a standing date. Sweet idea? We think so, too.
16 Wednesday
where: The Waffle Factory (across outlets)

Hear the women out
9.30 PM: It’s not often that you hear women take the stage in India’s Indie music scene. Which is why #ladiesfirst is an initiative that needs your support. This evening, Social Offline x nrtya will host the Nush Lewis band and Ladies Compartment. Your ears, tonight, will be treated to jazz, blues, American folk, indie, and Carnatic Indian classical traditions.
17 Thursday
Where: Todi Mill Social, Near Viva Center, Lower Parel West
Entry: Rs 400
Call: 65110361

Relive Bollywood’s golden melodies
6.30 pm: Why should every evening out be about Western music? Relive some good old Bollywood memories as a host of playback singers along with live musicians bring to the stage, the tunes of Laxmikant-Pyarelal. And, if you are a fan, then one more reason to not give this a miss: Pyarelal Sharma Ji himself will conduct the whole 40 piece orchestra team and singers.
18 Friday
Where: Shanmukhananda Hall, Sion
Entry: Rs 250-Rs 3,000
Call: 24078888

Make your own organic make-up
2 PM to 5 PM: This is what we have always wanted. Make-up that’s organic, not tested on animals and perfectly suitable for our own skin. The Mumbai Fashion Academy is hosting this workshop where you will learn how to make your own concealer stick, liquid foundation, powder cake, make up remover and more. All material will be provided.
19 Saturday
Where: Mumbai Fashion Academy, Parel
Entry: Rs 2500
Call: 9769671960

Take it slow this time
If you think speed dating is not quite your thing, there’s the option to try this. Life of Line, a speed-dating company is slowing things down with this unique event. Participants will get to spend 30 minutes with the eligible singles of their choice, as opposed to the regular eight minutes. The custom category has been created following feedback from over a 1,000 people. The idea is to give more time to the right person. Life of Line verifies the profiles, both professional and social. The profiles of your date is shared ahead of the meet.
When: 3 pm, May 26 
Where: Hoppipola, 5th Lane, Ramkrishna Nagar, Khar West
Entry: Rs 3,999
Log on to: bookmyshow.com

See flowers in all their arty glory
Bas Meeuws is a Dutch photographer known for his photographic still life series. This exhibition titled Spring In The Wintertime is being presented in India for the first time. It’s a selection of 43 photographs that also includes a previously unseen work.
When: 11 am to 6.30 pm, 
till May 31 
Where: Tarq, Colaba 
Call: 66150424

Enjoy handcrafted cocktails
Here are the drinks that promise to take you through the heat. The summer-themed drinks at Nara are inspired from those in Thailand. Sip on cocktails like Chiang Rai (Mango and Galliano), Chiang Mai (Mango mojito), Mae Sot (pineapple and Bacardi). For a fruity mix, try the Kerff Rot Spritz and the raspberry and cranberry drink. There’s also the Thai Monk and the Fangs Tonic, which is a spin on the gin and tonic.
When: 12 pm to 1 am 
Where: Nara, Raheja Towers, BKC 
Call: 61378080

Catch the Boyzlife
The two-member band Boyzlife featuring Keith Duffy and Brian McFadden, formerly of Boyzone and Westlife respectively, are in India for the first time. Their concert titled Boyzlife Live will feature a blend of the greatest hits for their former bands. The Boyzlife show has been performed several times since 2016 and Mumbai will get to see it finally. For 90s kids especially, this concert would make for an ideal trip down memory lane.
When: 7 pm onwards, May 19
Where: Dublin Square, Phoenix Marketcity, Kurla
Entry: Rs 1,000-Rs 1,750
Log on to: bookmyshow.com

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Pics/Gautam Benegal

The setting of Gautam Benegal's A1 Chiken Sope cartoons is largely familiar to those who get their meat from the local market. The air is thick with down feathers, and dismembered bits of chicken scattered about, with butchers being none too fussy about our sensitive nerves. In Benegal's hands, however, this scene is turned into a humorous commentary of our contemporary socio-political scenario.

A1 Chiken Sope series, where we meet a butcher named Salim Bhai and his rather chatty coop of chicken, has been one of Benegal's longest series. The National Award-winning animation filmmaker and cartoon first invented A1 Chiken Sope in 2006 for the supplement of a newspaper, after a bird flu scare, when people had stopped consuming chicken. The poultry business was evidently suffering. A minister smuggled in a tandoori chicken leg into the Lok Sabha, and started eating it to prove that it was perfectly safe. "I drew a cartoon of a chicken shop where one bird boasts to another, showing the headlines, 'Hey guys check this out, my second cousin, twice removed, made it to the Lok Sabha'," says Benegal, 52. In 2009 A1 Chiken Sope found more takers, the year when Benegal joined Facebook.

Having made nearly a thousand cartoons in this series, he says, "On social media, you can post a rough sketch and it becomes a mass pool of conversation with several people contributing to it, which is not the case with mainstream media," he says. The chicken, or chiken as Salim Bhai's shop terms them, play the role of both the naive public and the court jester. In one cartoon, the chicken bid adieu to their former coop-mate, bundled in a black bag, as Salim Bhai hands it over to a customer. "There goes Sonu... recruited into the militia," says one hen. "The chicken's work is to get slaughtered. They are a captive population, but a large percentage is happy at being kept. There is a person who is their benefactor, and is selling them out. We are all chicken," he says, adding, "There is an existential angle to this. The only way to escape is to stop being chicken," he says.

About 35 of these cartoons will be shown at Chemould Prescott Road, Fort, starting May 25, for 10 days. You may want to pay close attention to Benegal's caricatures, where the strength of these cartoons lies. Rather than state the obvious visually, Benegal thrives on allusions and references. Everything is an open secret. "I draw a lot from the earlier part of the century, when cartoons were couched in symbolism and stylised references. The latter is true in my case — it's like guerrilla warfare. You won't be able to put your finger on it, but everybody knows and everybody smiles about what they are seeing," says the cartoonist, whose first brush with the art was as a 15-year-old with Satyajit Ray's children's magazine, Sandesh.

There is a certain rawness to them, with a lack of standardisation that we may see with daily cartoons in mainstream media. And Benegal is not interested in polishing them up either. His taste in cartoons, for that matter, is very James Thurber, the American cartoonist who was featured regularly in The New Yorker, and the late Abu Abraham, whose worked for several publications, including Punch and The Observer. "We are used to a very gentle form of cartooning in India, be it themes or visuals. I wanted A1 Chiken Sope to be very ad hoc, much like how politics in India is," he says.

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Sanjukta Basu

Delhi-based photographer Sanjukta Basu had an epiphany right before her 39th birthday. "I was introspecting on the years gone by, and realised that although I had achieved much, I didn't think I had reached a 'destination'. It was as if I was lost at sea, and needed direction. But then I decided to embrace the fact that I go where the wind takes me. I was going to be 40, and this was me. I wasn't going to change. That's how my first tattoo took shape in my mind," says Basu, who once practiced law.

And so, her first tattoo was a sailboat, with a wave and birds in flight, with the line "wherever the wind takes me". This was also the time the idea of a project on women with tattoos took shape. Typically, some of them got one to signify something profound, like a break up with a lover or a violent relationship. Others didn't think it needed a reason. "The project is about challenging the stereotype around women with tattoos. They don't get them because they are slutty or hippie, or because they are reckless," she argues.

The photographer, who is on the lookout for new subjects to shoot in Mumbai and Delhi, says, ideally, all women should get in touch with her and tell her their stories. Sunday mid-day got Basu to shares some of her favourites.

Vimala is an aviation professional, and loves wings. Years after she got married to the man she loved, she realised he was addicted to gambling, and draining her of finances. At 48, when she found herself free from the toxic relationship, she got a tattoo — a heart with wings. It was time to fly again.

Parama, Sanjukta's first subject for the Women And Body Art project, is not one person. Within her sits the essence of Kolkata, the city she comes from and loves. The tattoo on her forearm and is an image of Kolkata landmark Victoria Memorial, an angel atop it. It signifies her belief that something good lies in everything she sees.

Archana, a women's rights activist, grew up in a protective, privileged Tamil Brahmin family. While she has grappled with body image issues, she also didn't know that you could be anything else other than a doctor, an engineer or a lawyer. When she went to college, she met women from a variety of backgrounds and, before she knew it, the seeds of female solidarity had been sown. Her first tattoo is a symbol of feminism, and she got it on the day she learnt that feminism in fact, had a symbol.

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Missed out on last week's Zal? You can read it here.

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Pics/Crossing lines

On a fine April morning, when Mumbai-based slackliner Samar Farooqui drove into Settlement Number 63 in Chtaura, a town wedged between Beirut and Damascus, all he could see was a sea of white tents glistening in the sun. Under the plastic tarps lived thousands of displaced Syrians who had fled to the Bekaa Valley, the largest affected area and temporary home to over 3,00,000 Syrian refugees, when a brutal civil war broke out in 2011. Lugging the nylon webbings, carbiners and other slacklining equipment, Farooqui and 14 other volunteers, stationed themselves at the nearby parking lot waiting for the refugee children.

This was to be their playground for the next two weeks. Life on the line Slacklining is the art of balancing along a narrow, flexible piece of portable fabric which is usually anchored between two points, mostly trees. "Apart from being a fun fitness activity, it has an incredible ability to connect people, start conversations and change lives," says 27- year old Farooqui. It's the reason he booked a flight to Beirut and signed up for the Crossing Lines Project, an initiative launched in 2013 by Sonya Iverson, a scientist from San Francisco, who uses slacklining to change the way we see and talk about refugees. "I had met Sonya several times at different events. The last time we interacted was at the Move Copengagen festival in Denmark, when she mentioned her plan to introduce slacklining to Syrian refugees and organise a highline festival in Lebanon. It was just the kind of inspiration I was looking for," says the Neral resident who made a career out of slacklining when he founded Slacklife Inc. — a sport and recreation company — in 2014. A level playing field At the Chtaura parking lot, the lines are hooked to the cars in the absence of trees. It's one of the things the sport has taught him — to make the best use of whatever is available at hand. "In Mumbai, I've slacklined in building compounds, garden and promenades. In fact, I was even been arrested for slacklining at Marine Drive," he laughs. Once the line was set up at the camp, Farooqui says the excitement among kids was palpable.

"Children everywhere are the same. You don't have to be concerned about the language or the way you look. I didn't speak Arabic but we managed to communicate fairly well through non-verbal cues in those two weeks. With hand gestures, I would tell them to slow down or stop or move ahead," he says. It was through two local volunteer-based NGOs Salaam and Sonbola that provides education and recreational facilities to those living in the camps in the Bekaa Valley, that the team got access to the children. Forging a personal rapport with each child — there were nearly 400 of them — was difficult for the volunteers who hailed from Iran, America and the UK.

"On the face of it, you couldn't tell that the children had gone through so much trauma. There were some who were more reserved and took time to open up," he says. Periodically, the team would sit down and discuss the day's progress. "If one of students perhaps struggled through the slacklining experience and we noticed it, we discussed it and psycho-analysed it till we came up with a solution to make sure that we didn't leave with someone feeling demoralised," he says. In the two weeks, Farooqui picked up a couple of Arabic words from them, and in turn taught them English. What was most interesting, though was how the sport changed the dynamics among the children themselves. "When you are standing on the rope, wobbling and holding the hand of the person standing on ground, you are opening up to them. So the bullies in the group ended up bonding with the rest. Everybody was on the level playing field," he says.

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Photographer and graphic designer Anusha Yadav started the Indian Memory Project, an online, visual, narrative-based archive in 2010, to trace the history of the subcontinent via photographs and letters. Pic/Ashish Raje

EarLier this week, artist and oral historian Aanchal Malhotra, 28, travelled nearly 240 km to Chandigarh from Delhi, to meet a nonagenarian, who had lived through the Partition of 1947. As she speaks about it now, there's a lump in her throat. "I couldn't sleep that entire night," Malhotra confesses. "Even 70 years on, the woman is so afraid to talk about it. It had everything, from gun fire, to fleeing from her home in Pakistan, to her brother and mother being taken as prisoners, and to giving birth in a forest on her way to India. When she first delivered the baby, her immediate response was to throw it away. You can imagine what trauma she was experiencing." What surprised Malhotra most was when the 90-year-old asked her what she would do with her story. "I said that I wanted to publish it. The woman's immediate response was, 'who will read this?'. They really think that nobody cares. But, this is the story that has shaped the future of contemporary India."

The jewellery Aanchal Malhotra is wearing, was made in the North-West Frontier Province and was given to her great-grandmother, Lajvanti Gulyani, by her in-laws on her wedding to Hari Chand Gulyani in the year 1919. But it could have been in the Gulyani family before that as well. Since she became a widow quite young and was a single mother at the time of Partition, it was carried by her to India in 1947 because she thought she would be able to sell it and earn money to put her children through school. She then gave it to Malhotra’s grandmother, who has now given it to her. Pic/Nishad Alam

Malhotra is the author of Remnants of Separation (HarperCollins India), a book that revisited the Partition through objects carried across the border, and the co-founder — along with Navdha Malhotra — of The Museum of Material Memory, a digital repository of material culture of the Indian subcontinent, tracing family histories and ethnography through heirlooms and objects of antiquity. Since the launch of the archive last year, the founders have put together over 35 heartwarming object stories. Closer home, photographer and graphic designer Anusha Yadav's Indian Memory Project — an online, visual, narrative-based archive, founded in 2010, which traces the history of the subcontinent via photographs and letters — has helped us see history in another light. There is also Paris-based perfumer Jahnvi Lakhota Nandan, whose recently-published book, Pukka Indian: 100 objects that Define India (Roli Books), documents the most coveted symbols and designs representing our culture, by tracing its origin and significance in our lives. All three projects while different in essence and form, have one common intent — to record untold stories from our history and preserve them for posterity. But, as Malhotra's subject asked her, why should anyone be curious?

The chakla and belan originated in 7,500 – 6,000 BCE in Punjab. At the time, this region was cultivating wheat and barley extensively. Rather than using the flatness of the chakla and the pressure of the belan to what we might expect to be used around the country to make flatbread, whatever the ingredient might be, it is only in this region of north India that the chakla and belan were used simply because wheat and barley lend themselves to kneading. What must have been perceived as a high-technology kitchen tool then, the chakla and belan soon spread to other parts of the country. Text courtesy/Pukka India by Jahnvi Lakhota Nanda, Roli books; Pic/Shivani Gupta

Celebrating the mundane
Nandan, an alumnus of the School of Art and Design at Tsukuba University, Japan, admits that her project stemmed out of her curiosity to find out about the designs that define us an Indian. "Design is a mirror of our attitudes and habits. Through the course of writing this book on Indian design, I found that uniquely Indian gestures like churning, combing and calculating were reflected in it," she writes in the book. From the dabba, agarbatti, and kulhad, to Babuline gripe water, most of the objects Nandan chose for the book, have "either been made or originated in India, or have an element that is very Indian, or are being used in a very Indian context".

This picture is of Purvi Sanghvi’s grandfather Dwarkadas Jivanlal Sanghvi (extreme right in a black coat) and his brother Vallabhdas Jivanlal Sanghvi with their business partners at a Pen Exhibition in Bombay around 1951. The family ran Wilson Pens that quickly rose to huge fame and became a preferred choice of pens across the country. All government offices, law court, used the Wilson pens. The Wilson Pen Family made the orange, thick-nibbed pen that wrote the most fundamental document that defines the state of India: The Constitution of India written by Dr Babasaheb Ambedkar. Pic, Text Courtesy/Indian Memory Project/Contributed by Purvi Sanghvi, Mumbai

It's while working on the book that Nandan realised how "our own homes are a repository of history". Here, she relays an incident when Shivani Gupta, the photographer for Pukka Indian, had been anxious about finding a mandira — a butter churner — that Nandan had mentioned in the book. "She went home, and realised that she had five of them in her kitchen. She didn't even know she was sitting on so much wealth." Nandan adds, "We don't tend to celebrate the mundane. What we celebrate are things that have obvious value, like jewellery, the beautification of the body or the exotic."

Paris-based perfumer Jahnvi Lakhota Nandan's recent book, Pukka Indian, documents the most coveted symbols and designs representing Indian culture, by tracing its origin and significance in the lives of its users. Pic/Suresh Karkera

Object as a catalyst
Malhotra's interest in people's histories began while working on Remnants of Separation, which was an extension of her Master of Fine Arts thesis project for Concordia University, Canada. Malhotra's research began after she came across a gaz (a measuring device) and ghara (a pot), which belonged to her nana's family, and had crossed the border. "Sometimes the Partition is too traumatic to speak about. When I started my research, I didn't know where to begin or what I could ask, without sounding frivolous. The object became a catalyst to enter into that conversation. So, rather than me saying 'Oh! You lived through the Partition, that must be awful,' I was now asking relevant questions, like 'why did you choose to take this gold bangle with you?'. The object then, didn't become something that recessed into the background, but something around which the entire background was arranged."

That's when she and Navdha decided to start The Museum of Material Memory. The duo encourages everyone to contribute, provided the object is from or before the 1970s. The archive comprises everything from a 5-inch-long, mottled sewing needle to a chaddar with traditional baagh and phulkari embroidery and a former Class II Income-Tax officer's diary filled up with the repeated words 'Sri Rama Jayam', meaning Jai Sri Ram. Each post is accompanied with the story behind the object. "Material ethnography is so vastly explored in the West, especially when it comes to events of trauma and crisis. What we are recording here, will never be found in any textbook. We need active memoralisation, not just of traumatic events, but of our tradition and culture, which is primarily oral."

Not just for nostalgia's sake
The indianmemoryproject.com, says Yadav, started off as a book idea, where she wanted to collect old, wedding photographs. "I wanted to document the idea of weddings in different cultures, and explore the entire phenomena behind the crew that makes it possible," she says. "While the book didn't happen, the pictures stayed with me." That's how, her archive, a first-of-its-kind in India, took off. "If you are fascinated with history, you will know that India really is a melting pot. Every civilisation has passed through it. And so we have all kinds of DNA in us. And considering photography was discovered two centuries ago, we did have a lot of content to discuss," says Yadav.

She admits that it wasn't as easy to get people to share their photographs or talk about their stories. "But, there needs to be integrity, transparency and you need to earn the trust of your subject. When you have these value systems in place, people are more open. I always thought of the archive as an institution." Funding for the project has been tough, says the archivist. "When I began, I was very clear that I didn't want to become a trust. Unfortunately, that's the channel through which most of the money comes from. But, there's a server and maintenance cost and the site constantly needs to be upgraded. Now, I have started putting in requests for honorariums. The only way I will get money is through a private funder, who is fascinated with the idea, and wants to back it as well. Sometimes, when a good sum comes from my own work as a photographer, part of the profits go to it. At the end of the day, it is an unofficial record of history, and I'm doing my best to sustain it."

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A result of the 2013 floods, which wreaked havoc and killed thousands of people, is that the river Mandakini, which passes the temple area disappears after a stretch

I happily strut on through the Gaurikund market where vendors pour hot chai and roll parathas for eager yatris freezing under their overalls. It is April 29, the first darshan of the season. I have set out at 4.45 am, dodging horses and men wearing pithoo baskets ready to carry pilgrims to the top. I am in the company of a rishi, who grins at my woollens. "It is going to be sunny today," she says, wrapping a rice-paper thin shawl over her white skirt and blouse.

The path is peppered with signboards advising yatris to check their pace

Trek record
A cobbled path begins where the kaccha road ends. A green signboard reads: Kedarnath 16 km. The 2013 flood washed away the old route. Uttarkashi's Nehru Institute of Mountaineering re-charted the route via Gaurikund and passing Jungle Chatti Bheembali and Linchauli to reach the basecamp. Then, another kilometre leads to the temple. Rain shelters, medical camps, bio toilets and potable water fountains appear frequently.

The path has toilets and food stalls and medical camps are regular intervals

When the going gets tough
Uphill, at gradient 8, I set a steady pace, holding onto an orange railing; matching the sparse spotting of crimson-red Buransh flowers in an otherwise green flora valley. The gushing of a waterfall and a dawn in the breaking lend a quietude broken by enthusiastic cries of "Jai Bhole!" and "Har Har Mahadev!". I stop at each signboard that advises walkers to take regular breaks. An hour of evening walk in the city, I realised, was not enough training to adjust to the thin air quality and keep the body supple.

The flood had washed away the old route

Giving up is easy
Ahead of me, a couple plonks onto a bench. "Aur kitna dur hai," the wife asks. A sweeper, cleaning the tracks, laughs, "Bas che ghante chalte jao. Upar mat dekho (Keep walking continuously for six hours. Don't look up to see how far it is)." By now, I have lost sight of my 58-year-old companion, who has kept a steady lead.
I stare at the green board that reads 14 km, the time is 5.30 am. A tendency to get cramps on my right leg, I am surprised it hasn't revolted yet. But there's a sharp pull in my thigh, a new pain on this new adventure. I think to myself: "Why did I sign up for this? Turn back. Just turn back." Probably from the distress look on my face, a woman on horseback sees me and screams from afar: "Don't give up. You will make it."

The tough get going
This is my first victory. To turn a deaf ear to my feet's pleads. By the time I make it to Bheembali, the road steepens. People who have finished their darshan shower encouraging words and promise the ever-winding road will smoothen. By the time I reach Kedarnath basecamp, the clouds have covered the peaks, and there's a light rain splatter. I follow a group through steep patches that help you cut the road time. Sometimes, I find myself on all fours, holding onto branches. My inspiration pool is slowly evaporating.

Miracles find you
In that moment, the clouds clear and the snow peaks make an appearance. It fills me with gratitude — for everything that is right and wrong in my life. The walk down to the confluence of the Mandakini and Saraswati and dip my hands in the icy cold water. I skip the line to the temple, bow to the dhwaj on the temple and turn around for the road downhill.

A walk to remember
The rains have washed the muddy road and turned it into a sludge fest. I follow a couple and their son down a 'short cut' which catches me off-guard. It is open to the valley, and one wrong step will have me tumbling down. This descent is long but we walk it with a joyous gait. The burden was my own uphill, but now, it is ours to share.

8
No. of hours it takes in a state-run bus from Rishikesh to Sonprayag

Adventure & Religious
Tour & taste
Food and Leisure
Relaxing
Educational

Eat with your hands, please," Lloyd Braganza who runs one of Goa's most popular restaurants, tells us, rolling up the sleeves of his floral shirt, revealing a koi fish tattoo. We are at Copper Leaf, one of the best fish thali destinations at Porvorim, and for company we have chef and restauranteur Braganza, his wife Nerissa and their seven-year-old son Naethan. Llyod stops talking when the thali arrives. A mound of rice and a crispy fillet of matzo are skirted by coconut curry, clams masala, kismuri (dried fish and coconut salad), bhindi fry, gulab jamun, sol kadi and banana.

"This is Goa's most authentic thali, and locals as well as tourists come here for their fill," Marissa tells us. The fish has a sweet freshness, and the curry is hearty. The meal switches on our sussegad mood. But, there's more to this stop than indulging in gluttony. Six years after enticing Goans with delicious meals at his eatery, House of Lloyd, the family is set to open shop in Mumbai and ahead of its launch, the Braganzas are happy to give us a tour of their Goa-inspired menu.

The pork chops

Fish Market: The next stop is the Malim jetty where most of the fresh catch of the day coming in from along the coast is sold. Scenes of women haggling over prices, to fishermen unloading their catch and slicing the guts, greet us. We see ribbon fish, ponies and sole fish drying in the sun, apart from mud crabs piled in open crates.

Yeast Ecpected, Poie: We are at a nameless bakery. We enter a small room that opens into a dungeon-like opening with a woodfire oven burning a crimson orange. In a corner, a mixer is folding dough. One of the bakers, Gajanand Naik, shows off a basket full of poie. "At midnight, we start making poie. The dough is mixed for 30
minutes and left to rest for three hours," says Naik. Made from husk and wheat, the art of poie has lost a prominent ingredient — the toddy. When the Portuguese introduced the bread in Goa, they replaced yeast with locally available toddy.

Plum and white chocolate with vodka

Rassa Omelette: Our next stop is, again, an unnamed snack stall. "You are known by your product. There's no need for a name," Braganza laughs. A server puts a fat chunk of omelette on a plate and drowns it in rassa. We tear a piece of poie, that soaks up the gravy. The fluffy omelette and poie do little to douse the spice notes from the Kashmiri chillies and garam masala giving the curry its kick.

Fruit Cocktails Pork chops and Serradura: Our final stop is at House of Llyod, situated on the veranda of his 150-year-old ancestral home. Braganza has thrown over a chef's coat over his shorts and is busy behind the bar. Christmas seems to have come early as we alternate between a green jalepeno-passion fruit cocktail and a vodka-spiked plum and white chocolate. No sugar, juice or additives, the cocktails are blitzed on order. Braganza's food sings a melodious tune, one whose lyrics have been written over years oscillating between struggle and success. In 1996, his first venture was Chopsticks, a Chinese restaurant at Baga, which put him on the Goa culinary map. "I had no culinary degree and brought on board a chef from Royal China in Mumbai, to help. By 25, I had money and luxury cars. Then, I had to shut shop because of losses, " says Braganza. He began at the lowest rung, again, as waiter. In 2003, he opened Lloyds, a five-table Goan and barbeque restaurant in Calangute. Partners drove his business to closure in 2011. "Nerissa coaxed me to give it one more try. It would be my last one, I told her," Braganza recalls. The same year, together they rebuilt the restaurant on the current premise — a tile-roof open-air tent that gives the feel of a garden setting overlooking the heritage property. She took charge of the front of the house, and he revisited his childhood to master family recipes with his mother.

The Juhu outpost. Pic/Ashish Raje

Soul Food: Goan food, says Branganza, is meant to be consumed two days after it has been cooked. The gravies thicken from concentration of flavours. We understand this when we dip a garlic poie into a bowl of bloody red sorpotel. The spares have merged with the spices and transformed the curry with meaty flavour. This dish is one of the most tedious to make, Braganza says. "First, you boil the meat, dice it, and fry the parts separately. After frying the onions, you add the meat that will hold the masala," says Braganza. While it is best served three days later, chef has a serving reserved for himself that is two years old. For the Mumbai outlet, all the house curries and sauces, along with poie, will come from Goa. The most awaited dish — the barbeque grilled pork chops — makes an entry. "This takes me back to my heydays. At Lloyd's, when I fired the grill, people would follow the aromas to order the dish that was smelling so delicious," says Braganza, falling silent when the dish arrives. The meal ends with Marissa's serradura, a classic cream and biscuit pudding. The dry powder is soothed by the creamy condensed milk mush and we lick our spoons clean. We can't wait to have the next serving back home. Mr and Mrs Braganza, welcome to Mumbai.

Chef Lloyd Braganza with wife Nerissa and son Naethan

Also read - Mumbai Food: Chef Raji Gupta's pop up offers flavours from Kerala to Goa

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KC Shankar, Shashwita Sharma and Vicky Ahuja

It was in 2014, when several theatre and screen artistes came together in the hope of bringing the works of renowned, as well as lesser known, Hindustani writers to life. Three years on, that dream is taking shape one storytelling session at a time. Jashn-E-Qalam, a collective of storytellers, comprising actors KC Shankar, Shashwita Sharma, Vicky Ahuja and Madhurjeet Sarghi among others, will celebrate the brilliance of Hindustani literature with solo performances of short stories, over the next three weekends in the city. On the menu this Sunday is Chashm-e-Baddoor, which will showcase satirical texts from Hindustani literature — Harishankar Parsai's Inspector Matadin Chand Par, Ismat Chughtai's Chuimui and Patras Bokhari's Marhoom Ki Yaad Mein. Over the following weekends, the artistes will present Ek Baar Ki Baat Hain at Yoga 101 and Harkat Studios in Andheri. The show will combine an interesting mix of genres.

Literature, says Shankar, "mirrors society and great writers allow the individual and the collective to reflect on their humanity and sometimes the absence of it. This experience can teach, inspire, make us laugh, or horrify us". Shankar says that "Hindustani literature, particularly makes this connection even more personal. The stories, milieu, characters and voices; their concerns and challenges are very relatable". He explains, "Also, as an audience, most of us have grown up on the visual medium, and theatre of a similar, imitative kind. So, you have an audience that comes prepared to watch rather than listen. But, by performing these short stories without any sets, props or costume, the solo storyteller impels the audience to visualise what they are listening to. Thus, opening up their imagination and transporting them to another world." It is this magical experience that the artistes hope to re-create. "Here, even the audience becomes a co-conspirator in the story," says Shankar.

When: Somaiya Centre for Lifelong Learning, Above Kitab Khana, Fort
Entry: Rs 200 – Rs 400
To book: in.bookmyshow.com

Catch up on all the latest Mumbai news, crime news, current affairs, and also a complete guide on Mumbai from food to things to do and events across the city here. Also download the new mid-day Android and iOS apps to get latest updates

Watch a Panchatantra tale
4 PM: Take your kid for a play, based on a story from the Panchatantra. Written by Vishnu Sharma, Hil Mil Kar, is about how a crow, rat, tortoise and a deer become really good friends and stick together against all problems. This play employs both traditional and modern musical instruments to tell the story.
WHERE: Harkat Studio, Bungalow No. 75,
JP Road, Versova, Andheri West
ENTRY: Rs 200
TO BOOK: insider.in

Dig into nihari gosht
12 PM – 3 PM: Transport yourself to the Royal Era of the Nawabs, with The Sahib Room & Kipling Bar's all-new Dawat-e-Khaas thali, which will allow guests to experience the aromas and taste of Awadhi cuisine. The delicacies include tunday kebab and dum biryanis.
WHERE: The Sahib Room & Kipling Bar, Level 9M, The St. Regis, Lower Parel
PRICE: Non-veg: Rs 3,500; veg: Rs 2,500
FOR RESERVATION: 8291926985

Catch a nature exhibition
11 AM – 7 PM: See how fashion photographer Sunder Ramu romances with nature in one-of-a-kind exhibition, The Last Dance of the Leaves. The series of prints of pictures of dry leaves showcases a world that's both real and surreal. At the core of this exhibition lies the simple belief that we must live like a leaf and to remember that if the leaves go extinct, so will we.
WHERE: Tao Art Gallery, 165, The View, Dr Annie Besant Road, Worli
CALL: 24918585

Go shopping for your dream wedding
10 AM – 10 PM: Have a dream wedding in mind, but need help? The Wedding Story might just be what you're looking for. In its very first edition, the pop-up marketplace will offer a unique shopping experience with the most renowned names in the wedding industry under one roof. There will be a wide range of apparel, beauty and grooming, trousseau essentials, lifestyle products to choose from.
WHERE: 18.99 Latitude, 4th Floor, Kamala Mills, Lower Parel
CALL: 9967130313

Discover Bandra of yore
May 27, 8 AM: Witness how the neighbourhood of Bandra is preserving its rich culture at a heritage walk, Bandra's Past and Present. The walk explores the unique physical spaces, character and cultures of contemporary Bandra; it spotlights the neighbourhood's particular history and legacies, and attempts by its communities to preserve the same.
MEETING POINT: Bandra Fort
ENTRY: Rs 850
TO BOOK: eventshigh.com

Enjoy a fruity sangria
7 AM – 1 AM: Sip on some refreshing sangrias at Smoke House Deli and deter away from the sweltering heat. One can choose from three uplifting options such as the rosso, melon and bianco. The sangrias come infused with tropical fruits like apples and pomegranate.
WHERE: Smoke House Deli, 33rd Road, Pali Hill, Bandra West
PRICE: Rs 699
CALL: 65287800

Draw a flamenco dancer on canvas
4 PM: Explore your creativity, by painting a flamenco dancer. This will be a guided session, shedding light on the strokes, sketches and techniques to help you paint better.
WHERE: SodaBottleOpenerWala, Sentinel, Powai
ENTRY: Rs 1,850
TO BOOK: insider.in

Paint a mug
1 PM – 4 PM: Beer and coffee lovers, this one is for you. At a fun workshop, you will learn how to paint your beer/coffee mug in five easy steps. You will first pick your mug, after which you'll choose a design or create your own, colour it and give it a name. You will get to take it back home after seven days.
WHERE: Doolally Taproom, 1st Floor,
135 Kwality House, Kemps Corner
ENTRY: R1,500
TO BOOK: eventshigh.com

Order of the day
Set the tone for the week
8 pm onwards: There's no rule that says you must let the Monday morning blues carry on till way after sundown. How about starting the week on a musical note then? Gather your gang and head to this karaoke night, where you can unleash your inner Madonna or Enrique or whoever is your crooning idol.
21 Monday
Where: Tipsy Gypsy, Level 1, Fun Republic,
Link Road, Andheri West
Call: 7021857037

Listen to acoustic fusion
7.30 pm: Bhrigu Sahni is a singer-songwriter known for his acoustic compositions. Based in Brooklyn, New York, Sahni is a graduate from Berklee College of Music. He uses altered tunings and flamenco techniques on the acoustic guitar to create a very different kind of soundscape. Give him a listen.
22 Tuesday
Where: The Cuckoo Club, Pali Hill, Bandra West
Entry: Rs 350
Log on to: bookmyshow.com

Get your mid-week break
8 pm onwards: If the words "unlimited sangria" is music to your ears, you would not want to give this a miss. Forget about the long work day and unwind with your poison, along with a buffet. What's more, you can actually dive into this DIY sangria and stir up a fancy concoction according to your taste.
23 Wednesday
Where: BKC Dive, Pinnacle Corporate Part, Bandra Kurla Complex, Bandra East
Entry: Rs 299 onwards
Call: 8655077330

Watch them fight it out
7.30 pm to 9.30 pm: Burqa Boxers is a documentary about Muslim women boxers in Kolkata. These youngsters who face the grim reality of abuse and rape daily, dream of a better future by learning boxing from Razia Shabnam, one of India's first female boxing coaches.
24 Thursday
Where: The Bagel Shop, Anand Vila,
Pali Mala Road, Bandra West
Entry: Rs 250
Log on to: www.instamojo.com

Attend a pro talk
4 pm to 6 pm: Get your dose of wisdom this week from global icon Niladri Kumar, who is a fifth-generation sitar player, and inventor of the zitar. Hear Kumar speak of his musical journey, his understanding of genres and the challenges he managed to conquer.
25 Friday
Where: Soundideaz Academy, Shah Industrial Estate, Andheri West
FREE entry
Call: 7045781807

Dance with your child
11 am to 12.30 pm: This one's for the mothers in the house. If you've wanted your little one to learn how to dance, here's a novel way of getting them started. Instead of sending them to a school, which could be a long-term option, you can actually match your own steps with them.
26 Saturday
Where: Impulse Studio, Tej Gaurav House, Matunga East
Entry: Rs 500
Call: 9987157242

Sample prints from Bengal
Prints from Bengal is an exhibition that features works that date back to the early 20th century by artists of Bengal, who lived through tumultuous periods in history. Think Partition of Bengal, Swadeshi movement, and the subsequent reunion of the state in 1911. The artists whose works will be featured are Gaganendranath Tagore, Mukul Dey, Ramendra Nath Chakraborty, Ramkinkar Baij and Rani Chanda. The prints range from lino-cuts to lithographs that reflect the history of the print-making process, while focusing on forms, structure, texture and use of negative and positive space. Interestingly, many of the works exhibited in Mumbai for the first time, recall the history of the venue of Project 88 that was once a century-old metal printing press.
When: 11 am to 7 pm,
till June 16
Where: Project 88, Colaba
Call: 22810066

Bite into cherry blossom specials
If Japan seems too far at the moment, this could be a close second, at least, food wise. Partake in a sushi-sake festival wherein the menu includes popular Japanese delicacies like a vegetarian miso soup, a sashimi sampler with varieties of salmon, tuna, scallops and hamachi paired with the Hakushika Honjozo Namachozo sake. You can also savour modern spin-offs like sushi burgers. The sake serving is of 60ml per course.
When: 12 pm to 1 am
Where: Pa Pa Ya, all outlets
Entry: Rs 2,199 for veg and Rs 2,999 for non-veg

Get started on Haiku
You've heard and read about haiku, and perhaps have been contemplating trying it out too. This workshop, conducted by Neha Bahuguna is good to get you started. Bahuguna, who is a NID graduate, has a multi-disciplinary approach and has, over the years, worked as a lyricist, writer and conducted storytelling and poetry workshops.
When: 3 pm, May 25
Where: ARTISANS' Gallery, Kala Ghoda
Entry: Rs 1,500
Log on to: insider.in

Watch a film on Pushkar
In Pushkar Puran, filmmaker Kamal Swarup explores the ancient myths and politicking of Indian gods, as the water in the Pushkar lake turns holy. The director has captured the exuberant goings on of this quaint lake town during the Pushkar Mela, revisiting its sacred stories and myths. The film has been beautifully shot by Ashok Meena and Kumar Avyaya.
When: 8.30 to 10.30 pm,
May 26
Where: Harkat Studios, Aram Nagar 2, JP Road, Versova, Andheri West
Entry: Rs 349
Log on to: insider.in

Hear music from the roots
Catch the duo Maati Baani, comprising vocalist Nirali Kartik and composer Kartik Shah. They are known for creating music rooted in traditions but set in a contemporary sound.
When: 8.30 pm, May 24
Where: Sharyans Audeus, Andheri West
Entry: R1,000
call: 26735115

Sign up for this app
Shilpa is an attractive, interactive, user-friendly phone app, touted to be the most popular app of 2018. It can sing, dance, and follow all your commands.
C Sharp B Blunt is a solo performance by Pallavi Arun, that takes a satirical look at the extent to which the female form is objectified. The app, Shilpa, ticks all the boxes in how women should behave with men. Until, of course, the next update is due.
When: 9 pm, May 24 to May 25
Where: Prithvi Theatre, Janki Kutir, Juhu Tara Road, Juhu
Log on to: www.bookmyshow.com

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If your pets are following to every nook and cranny of your house and especially when you decide to have some lone time in the bathroom, blame it to their 'pack behaviour'. According to the recent studies, dogs have evolved to be pack animals with strong bonds to those around them, and in their domesticated state, the instinct to physically stick with the members of the pack transfers to their humans.

Reports say that if a pet follows you everywhere he might start suffering from anxiety and separation issues whenever the pet owner leaves the dog on its own. But on the flip side cats are not known to be as pack animals. They are in a constant search of warmth and thus are often seen cuddling up in towels or pillows. For cats their own privacy is paramount.

The cats would also follow you to your loo trips but not cause of their concern of separation from you but as they are insecure and want to check if there is nothing untoward going inside the house which could be threatening to them.

Catch up on all the latest Mumbai news, crime news, current affairs, and also a complete guide on Mumbai from food to things to do and events across the city here. Also download the new mid-day Android and iOS apps to get latest updates

This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

Artworks by Mehmet Guleryuz

"I am a representative, a child, a product, of the 1968 generation. I am a witness and a participant, a reactionary and an activist who was shaped by and responded to the changing social and political climate of my times. I have always seen every aspect of that which surrounds us as political, and I have always felt duty-bound to respond to these things as an artist," says Mehmet Güleryüz about the impact of the political climate of Turkey on his creative process. Evident through the fervent strokes seen in his artworks, the 80-year-old artist, one of the biggest names to emerge from the contemporary art scene of the country, has indeed responded to the many changes that have simmered around him over his 55-year career. The artist speaks about his creative journey as an actor, teacher and an artist, with the opening of his first show in the city, On The Road.

How has theatre affected your style of art?
My talent and gift for painting in parallel to that of my love of the fine arts as a whole forced me to take a leap into my simultaneous passion of theatre. You could say that I learned painting in the theatre. The problems that I had in reaction to the classic way in which the arts were taught forced me to make a choice to leave the field of fine arts studies and pursue an education/career in the performing arts. As a result of studying acting studio methodologies and our "emotion works", it also offered the scope where even though one was bound within the guidelines of the script, there was the opportunity to rediscover a new aspect. This gave me the invaluable opportunity to return to painting with my own methodology and vision, to understand what it was that I needed to do in painting. My very nature was open to improvisation, and to a sort of action painting that was in harmony with this sort of an expression and what I could call the foundation stone of my art.

How would you like to reiterate the importance of drawing to upcoming artists?
The act of drawing is open to everyone. It doesn't differentiate nor does it reject or exclude anyone. Everyone can, essentially, draw. The person who is responsible for that line, who can understand that when s/he draws, s/he only gains the identity of a painter after his or her decision to become a master of it.

Could you tell us about the paintings in this exhibition?
Although this is a selection from a different period of time covering over 40 years, it does not cover all processes. It contains only partial information of a very long journey. But at its core, it is always predominantly weighted in the human condition.

Has your journey to India inspired you in any way so far?
For anyone who cannot directly or intimately connect with it, India could be considered tera-incognita. It could be said to contain the unknown, but that which must definitively be discovered and experienced and learned from. Just imagine what this means for an artist, for someone like me. This is an experience which I am relishing and enjoying very much.

Till: April 24
At: Jehangir Art Gallery, Kala Ghoda
From: April 26 to May 30
At: Jamaat, Colaba
Call: 22820718

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Redoing your office interiors? Try out some of the must-have elements in office spaces like the right furniture, adding nature to the surroundings and activity based settings. Ishan Thacker, Associate Director, Vector Projects (I) Pvt. Ltd. and Amit Ramani, Founder and CEO of Awfis Space Solutions list some recommendations.

1. The right furniture: This plays a pivotal role in any kind of work space setting. Offices need to invest in the right kind of furniture to increase their employees' efficiency. Opt for something that has high functionality over ordinary designs. Adjustable desks and chairs can be a good choice; multipurpose furniture can also be added to save space. Another new entrant in the space is reconfigurable furniture that can be customized as per need. It provides both the required flexibility as well as privacy.

2. Go back to nature: Add in a little nature to your premises with biophilic designs. The latest trend in the office space, the presence of plants and other natural elements can add positivity within the environment and improve the air quality.

3. Activity-based settings: It is exciting to be at a workplace that engages you with diverse group of people and gives you the opportunity to network and collaborate. Flexible workstations, new age cabins, activity-based settings including comfortable couches and beanbags, breakout zones, meeting lounges and pods are some of the attractions in an office that provide a natural crossroad for employees to meet and share ideas, thereby enhancing their motivation levels and productivity.

4. Ergonomic lighting: Our cortisol level drops significantly under artificial and poor lighting conditions and dimly lit workplaces strain the eyes, causing headache and drowsiness. This can lead to poor productivity. Natural light is the best. Daylight that filters through the space not only affects employee well-being but also boosts the energy and mood level. Consider making the best use of natural light and swap the florescent bulbs with personal lamps, string lighting, and soft coloured bulbs to keep your employees alert and attentive.

5. Aesthetic appeal: Everything from layout, to furniture and even artwork is subject to appeal in a workplace. The idea is to create a transcendental experience for the user and to design a warm casual space that works as an incubator for ideas. Materials like wood and metal bring warmth and rustic feel to the space. Keeping in mind the fact that the office workspaces today are dynamic in nature and are witnessing rapid changes, the workplace style should be bold, industrial and vibrant with new age materials, technology and decluttered design vocabulary.

6. Technology: A modern office space is incomplete without the right technology. Integrated systems, fast-speed internet connections and latest hardware and software are things your office must have to appeal to the incoming tech-savvy generations. Not only that, office can also invest in mobile devices or rather agile settings to help one switch easily from one place as to another. The new workforce prefers more flexibility which will in turn result in enhanced productivity.

Catch up on all the latest Mumbai news, crime news, current affairs, and also a complete guide on Mumbai from food to things to do and events across the city here. Also download the new mid-day Android and iOS apps to get latest updates

This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

The eight-year-old's name floats about in your head like a fly - not so long ago, buzzing around insouciantly - fallen into a cup of tea gone stale and cold. A child, who would have perhaps stared at you with demurred confusion were you to read the chargesheet for her abduction, rape, and murder to her. "Myean beyni! Emuk matlab kya chu may wann te (My sister! Tell me what does that mean)," she would have asked in Kashmiri. The case sparked widespread national outrage, and social media was taken by storm. However, amid much of the hammering that has taken place after the Kathua rape, a relatively quieter means of dissent surfaced in the form of art on Instagram. Meet its makers.

Orijit Sen,
A veteran artist based in Delhi
"I had been hearing things but I was busy with deadlines so I wasn't aware of all the details until I took a break. When I read about the case and the chargesheet, it made me sick, but then I saw her photograph and it left a deep impact. It haunted me. I added the horse because I read that she had been abducted when she was out herding horses.

It was like her guardian spirit. The wildflowers in her hand signify flowers she may have collected and the meadows around, because I read that playing in the meadows was her favourite thing to do. The shadows on her face are to obscure her identity and in all, I was just trying to capture the vulnerability and innocence of a child her age. I think to me, the image portrays a child of the meadow, returned," he explains.

Abhilash Menon,
visual artist and illustrator from Mumbai
"When the agony gets too much, the voice inside me takes over. The hands of a criminal are always eager to touch flesh, with insane brutality. Such criminals don't shy away from wearing the mask of cast, creed, colour, religion or politics - as depicted by the five fingers in the image - but when the masks come off, they are all the same.

The five fingers here are in the shape of the male genitalia, establishing the mindset of such criminals - decadent and unbeknownst to human values and pain. Irrespective of their background, they should be delivered the harshest common punishment, so that others abhor an act such as this. Punish these delinquents and bring peace to the soul of that little girl."

Sourabh Basu,
Student and Kolkata-based graphic designer
"My illustration focuses on the multiple thoughts running through her head in the moments before her death. She might have cried, struggled in pain, the pitch of her voice might have been unbearable. She might have cried out for her mother, hence the text 'Ma'.

But it also depicts that she was in a temple, a goddesse's shrine, which to most of us is also an abode of the mother. In those last minutes, she must have been filled with hatred toward the world and its cruelty."

Satish Acharya,
Well-known Kundapur-based cartoonist
"I couldn't believe that people could be so cruel to an eight-year-old. Her thoughts started haunting me. I was saddened to see that some people were shamelessly defending the rapists. I did a series of three cartoons. The first one was about how the little girl is receiving so much love from us, but what she deserves more is justice.

The next two panels are about how nothing has changed since the brutal Delhi gang rape. In spite of a revised law named after the victim, rapes continue to be used as a tool to scare and hurt women, to settle political scores, to impose age-old gender biases and caste hierarchy. What was also worrying was how divided the country was unlike in the case of Nirbhaya which was protested in one voice."

Saira Khan,
Toronto-based Health Studies and Psychology student
"This artwork is not only dedicated to the eight-year-old, but to every child who has been a victim of rape and physical and psychological harm. The news of the Kathua rape reminded me of Zainab, a six-year-old Pakistani girl who was raped and murdered in January.

The illustration is that of a faceless and nameless girl and the hashtag #Justicefor, has been left incomplete to depict that in a society where rape and violence against women is ingrained, one name can soon be replaced with another. The shards represent brutality and crimes against women and children. The use of red paint is to depict the urgency of the message," she explains.

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While you are upgrading your wardrobe with Summer staples like floral dresses, shorts and tank tops, don’t forget to amp up your style with the perfect handbag. From carry-it-all oversized tote bags to stylish circular bags that are the rage, refresh your wardrobe with the top handbags for the season with tips from Narendra Kumar, Creative Director, Amazon Fashion!

Fringed and tasseled
Fringes and tassels are one of the key trends this season. A leather sling back with flirty fringes makes for the perfect daytime bag but be sure to incorporate just the right amount. For a bohemian look carry a fringe bag with a floral dress. Balance it out by keeping the rest of your outfit simple and straight with basic accessories.

Bucket bags
The bucket bag is an absolute must have in your wardrobe. While the structure is more casual, with minimalist designs and neutral hues, these look sophisticated and chic. Open bucket bags have a thick strap on top whereas closed bucket bags have drawstrings around the top.

Circular bags
Here is a refreshing new trend for Spring-Summer. These circular shaped bags will add a fun and distinctive touch to your whole look. Go for sleek, elegant designs in solid colors. If you are looking for something more casual, get a textured leather bag or denim with patchwork. These are quite small but come in a huge variety of styles.

Oversized tote and hobo
Oversized totes and hobos are the best bags to carry it all! These can easily transition from your work wear to a casual everyday bag. While neutrals work best with formals, a bright oversized bag is all you need for a day at the beach. However, since oversized bags tend to look bulky or slouchy, get a structured one.

Mini bags
Along with oversized bags, mini bags have also become a popular choice. Although these are very small, it can be a statement piece. Mini bags come with cute detailing like bows or buckles in boxy shapes. Pick a pastel colored mini bag with a top handle to carry your basic essentials.

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