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-ach, -ingen, -zell

If you travel across Germany, you will notice how some place name endings are quite universal, and others are quite specific, regionally. -ach, -ingen, -zell is a little exploration of those spatial patterns. It was a welcome opportunity to experiment with a few techniques I wanted to learn more about. Find the code with some remarks […]




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Collaborative Backlog Management in Scrum

Scrum is an agile project management framework that relies on collaboration between the product owner, scrum master, and development team. One of the key artifacts in Scrum is the product backlog, which contains a prioritized list of features, requirements, and [...]

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The post Collaborative Backlog Management in Scrum first appeared on CSS Reset.




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Design a Flat Teacup Logotype in Adobe Illustrator

Follow this tutorial to create a trendy flat teacup logotype in Adobe Illustrator! We’ll be using and modifying basic geometric shapes, working with Align panel, Pathfinder functions and learning simple yet very useful tips and tricks. Let’s get started!   Tutorial details: Program: Adobe Illustrator CC Difficulty: Beginner Topics Covered: Logotype Design, Shape Building, Compositional Skills Estimated […]

The post Design a Flat Teacup Logotype in Adobe Illustrator appeared first on Vectips.





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Tobias Frere-Jones on Apple's Choice of Helvetica as a UI Typeface

Co.Design asked Tobias Frere-Jones of Hoefler & Co. to give his thoughts on Apple’s choice of Helvetica as an interface typeface for the upcoming OS X Yosemite update:

Despite its grand reputation, Helvetica can’t do everything. It works well in big sizes, but it can be really weak in small sizes. Shapes like ‘C’ and ‘S’ curl back into themselves, leaving tight “apertures”–the channels of white between a letter’s interior and exterior. So each shape halts the eye again and again, rather than ushering it along the line. The lowercase ‘e,’ the most common letter in English and many other languages, takes an especially unobliging form. These and other letters can be a pixel away from being some other letter, and we’re left to deal with flickers of doubt as we read.

This reminds me of what Erik Spiekerman wrote about Helvetica:

[Helvetica] really wasn’t designed for small sizes on screens. Words like milliliter can be very difficult to decipher. If you ever had to read or write a password with 1, i, l or I, you know the problem.

Still, I wouldn’t keep Lucida Grande for HiDPI displays. With a 2× resolution jump (4× pixels) pixel fitting becomes less of an issue, and pixel optimized typefaces like Lucida Grande begin to look crude in comparison with typefaces made primarily for print. Legibility obviously still matters just as much, but the choice need no longer be bound to fonts optimized for low resolution displays.




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Interface Moss

A rolling stone gathers no moss.1

Publilius Syrus

When software in a particular category stops rapidly evolving and its interface begins to develop along a set of accepted patterns, designers begin to decorate. Decoration is a luxury, it is something you can only afford to do once the functionality of the thing you are working on has been implemented to a high degree. It is in the period of gradual evolution and established interaction norms that designers begin to decorate, begin to focus on small aesthetic details for the visual experience alone. Prolonged times of slow evolution lead to decorative excess. Unable to differentiate software on the level of how it works, developers try to push it ahead on the level of how it looks. When the buttons in all the apps are the same, when the controls all appear in about the same place, when all the interfaces are laid out in a similar fashion, designers begin to differentiate their work by changing the appearance of the interface rather than its function or its structure. The interface begins to gather decorative moss.

The recent minimalist trends in software design – Metro, flat, iOS7, Material – are attempts to scrape away the moss without a radical alteration in the underlying function. It is a reaction to the friction felt between the old stratum of software that has cemented its implementation and thus could afford to wear a rich visual coat, and a new stratum of software that yearns for a radically different approach to interface design. The old and the new cannot co-exist in harmony because the appearance of the two look nothing alike. The layers of visual excess painted over old software apps – e.g. skeuomorphic visuals, rich textures, reflection effects, etc – became baggage to designers who wished to develop something new, for example, using animation to help differentiate between the different states of the app and create a more fluid experience. If you wish to move content around, scale things, change colors, morph one element from one into another, all the superfluous visuals like gloss and textures simply get in the way. Minimalist design makes animation simpler.

The old paint was scraped away not for the sake of a minimalist style, but to allow the designer to create a new kind of experience, an experience where the content making up the interface would be more alive and more dynamic than ever. Buttons morph into panes, panels bounce back and forth to reflect the speed of the finger used to pull them across the glass screen, bits of content fly from place to place signifying a change in state or context, icons move or change shape, and everything gently slides in or fade out as you navigate around the digital canvas. Without the baggage of skeuomorphic visuals, rich textures or decorative styles, the designer can now experiment with motion, can begin to craft a new kind of visual experience from the content itself.


  1. The saying has two interpretations. In one, moss is seen as a sign of stagnation. If you don’t act, if you don’t keep moving, you will begin to rust away. In another, moss is seen as something desirable. If you keep changing projects, if you keep losing focus, you will never be able to build up anything worthwhile. I think the duality of the message is quite fitting for the analogy in the post. Excessive decoration is bad design, it is a distraction that adds unnecessary baggage to our work, but decoration is also beautiful, something that enhances the experience of people using our work. Decoration is not in itself good or bad, just as design is neither good or bad – it is how it is implemented that makes all the difference.




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How to tackle big goals by narrowing your focus with two simple questions

I made some poor decisions in my 20s. Or rather, a series of poor decisions that seemed to stack and compound. I took on tens of thousands of dollars of credit card, student loan, and tax debt. I gained 70 pounds since graduating high school, because I ate way too much fast food and pretty …

The post How to tackle big goals by narrowing your focus with two simple questions appeared first on Nathan Rice.




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The Impact Of AI Software On Architecture And Design: Revolutionizing Creativity And Efficiency

The emergence of AI software in the field of architecture and design has sparked a significant shift in how professionals approach their work. With advancem ...




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Abeeja Honey: Bee The Power Of Creative Packaging

When it comes to the sweet nectar that delights our taste buds and adds a touch of magic to our daily routines, nothing beats honey. Whether it's a comforti ...




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Embracing The Creative Journey: Ignite Your Passion And Unlock Limitless Potential

Creativity is not a gift that only some people have. It is a skill that can be learned and developed by anyone who is willing to explore new possibilities, ...




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Septerra Core Redesign: Legacy of the Creator Reimagined

Septerra Core: Legacy of the Creator stands as a testament to the golden era of role-playing games. With its intricate storyline, captivating characters, an ...



  • Design Roud-up

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Millions Of People No Longer Have An Address. Yet We Know How To Reach Them.

Imagine an empty apartment block, stark and desolate, with just a single light flickering in the overwhelming darkness. This is not a scene from a movie; it ...




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Personal User Interfaces: A.I. Augmented Reality And The Future Of Personalized Advertising

Technology today loves making stuff just for you, and it's changing the game in how we get our digital kicks. In an era where personalization is paramount, ...




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Bootstrap Hornbook Interactive Infographic

As per scientists around 90% of all information we perceive comes through our eyes. The visual side always has been quite important for humanity, we can see it from the culture of writings and visual art having very long history. The other suitable feature is laconism. We can experience the lack of time for finding […]




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How to Change the Background Color in Adobe Illustrator

The background plays a significant role in making a design pop. As a designer, changing the background color is something you'll probably do frequently when working in Adobe Illustrator. There are several ways to change the background color in Adobe Illustrator. In this tutorial, we'll learn how to change the background color in Illustrator quickly...

The post How to Change the Background Color in Adobe Illustrator appeared first on Bittbox.




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Flickr announces new photo licensing Marketplace

Yahoo has announced a new upcoming Marketplace for licensing images on Flickr. Short on details for now, but certainly full of potential.





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22 passive income ideas to achieve financial freedom

Earn while you sleep: Realistic passive income ideas you can pursue part time! Ditch the 9-5 with the right idea, hard work, & these essential tools.




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WooCommerce stores are revving up for Black Friday: The 2024 holiday trends survey

As ecommerce revs up for the holidays, it's time to prepare. Brand new survey data for Black Friday 2024 stats and trends from your friends at Woo.




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2024 Black Friday trends: Top strategies from Woo stores and partners

Black Friday trends: Understand the best practices and favorite tools for your WooCommerce store's Black Friday marketing strategy.




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How to find product manufacturers 

Discover how to find the right product manufacturer, vet suppliers effectively, and use a checklist to ensure the best quality at the lowest costs.






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A Guide to Accessibility Resources for Global Accessibility Awareness Day

Global Accessibility Awareness Day (GAAD) is May 16, 2024! GAAD was created to help bring attention and awareness to digital inclusivity. No matter your role on a project team, digital accessibility should always be a priority from start to finish. Why is accessibility so important?

  • Over 1 billion people worldwide have a disability, and that number is growing every day
  • 15% of people with disabilities say they never go online, compared to 5% of people without disabilities, according to Pew Research Center
  • According to a survey by Click-Away Pound, 71% of disabled users are forced to leave a website if they find it difficult to use

Digital accessibility directly impacts people’s ability to access information, buy products, apply for jobs, engage in discussion, and everything else that people do online that is becoming critical for modern life. Accessible spaces even benefit people without disabilities, as it allows anyone to take in content though their preferred method (reading the captions on a video instead of listening in a noisy environment, for example), and often breeds innovation as engineers work to find the best way to be sure everyone can access information equally.

The World Wide Web Consortium (W3C) has developed the Web Content Accessibility Guidelines (WCAG) in an effort to standardize digital accessibility. However, many websites unfortunately fail to meet these standards, leading to a lesser-quality user experience. WebAIM’s yearly report has highlighted some surprising statistics about WCAG across the top 1,000,000 home pages:

  • The most common accessibility failure across home pages is low contrast text
  • 98.1% of home pages have at least one WCAG 2.0 failure
  • On average, there are 56.8 accessibility errors per page (this increased 13.6% from 2023!) 
  • 16.8% of home pages had more than one <h1> tag

As you can see, there is still a lot of work that needs to be done to create a more accessible web for everyone. If you’re interested in learning more about digital accessibility and how to improve accessibility on your own projects, there are plenty of resources and online courses available. Resources range from free, to paid courses, to professional certifications. Below are some courses and resources that we recommend.

Free Courses and Resources

If you’re looking to introduce yourself to digital accessibility, these free resources are a great place to start:  

  • A11ycasts with Rob Dodson - A series of video tutorials on YouTube that highlights topics including semantics, focus, the correct way to use a button, and a11y testing
  • The Beginner’s Guide to Web Accessibility - An article by Dequeue University that summarizes why digital accessibility should be a priority, and how to determine if your website is accessible
  • Common Mistakes with Using Colour in Accessibility - Digital designer Andrée Lange provides insights into how to take color contrast into consideration when designing for the web
  • Deque Accessibility Resources - Dequeue offers a variety of free accessibility resources, including webinars, blog posts, and their accessibility testing browser extension, axe DevTools
  • HTML Semantics and Accessibility Cheat Sheet - WebAIM provides a list of the most common HTML tags that have an impact on digital accessibility
  • MDN Accessibility Tutorials - MDN is an open-source project documenting web technologies, which also includes an informative section on web accessibility documentation and best practices
  • Section 508 ICT Testing Baseline - Outlines minimal accessibility testing requirements for federal agencies subject to Section 508
  • WCAG 2.2 Quick Reference - WCAG are a series of web accessibility guidelines released and maintained by the W3C, with 2.2 being the current version of the guidelines. This page provides a reference to standards that websites should meet in order to meet current accessibility standards
  • Web.dev Learn Accessibility Course - A series of informative articles ranging from beginning a11y topics, to more advanced topics including animation and motion

Deep Dives with Paid Tutorials

If you’re a developer who has experience in accessibility and want to dig more into the topic, these comprehensive tutorials will help you improve your a11y knowledge:

  • Accessible Web Academy - Accessible Web Academy includes more focused a11y courses for designers, developers, content creators, and marketers looking to target specific topics 
  • Inclusive Components - There is a free online summary of Heydon Pickering’s Inclusive Components, but you can also purchase an eBook on the topic. Heydon’s blog provides examples of a pattern library that bakes accessibility into each component
  • Practical Accessibility by Sara Soueidan - Sara Souedien is a prolific front-end developer who specializes in accessibility. Her course, Practical Accessibility, is a comprehensive guide for all developers, from those looking to familiarize themselves with accessibility, to experienced developers looking to expand their a11y knowledge.

Advanced Knowledge with Certifications

As the world’s population and number of disabled users continues to grow, it’s clear that implementing digital accessibility in your products is more important than ever. By implementing the information from these lists, you can help users of all abilities access the content that you share, ensuring a better internet for everyone.




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Affinity Acquired by Canva.com

This post: Affinity Acquired by Canva.com was first published on Beyond Photo Tips by Susheel Chandradhas

Today, Affinity and Canva, together announced the acquisition of Serif, the makers of the Affinity apps, by Canva. This is a significant development in the progress of the Affinity suite, and we are both excited, and hesitant at this development. What Is Affinity? Affinity is a suite of apps that allows designers, photographers, and publishers […]

This post: Affinity Acquired by Canva.com was first published on Beyond Photo Tips




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What Is The “.ACR” File Format?

This post: What Is The “.ACR” File Format? was first published on Beyond Photo Tips by Susheel Chandradhas

Recently while editing some images in Adobe Camera RAW (ACR), I noticed an additional, new, “.acr” sidecar file. In the past, I’ve written about the .XMP files that are created by Adobe Photoshop Lightroom Classic and Adobe Camera RAW when you edit raw images. This .ACR file was created in addition to the .XMP file, […]

This post: What Is The “.ACR” File Format? was first published on Beyond Photo Tips




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RIP a Livecast #645 – Backstory and Frontstory

We talk about David Ellefson's absurd quote comparing him to Jesus. Speaking of Jesus, we check in with Marilyn Manson's Christianity. We discuss the latest NFT craze, Seinfeld, the Golden […]




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GENE SIMMONS Says VAN HALEN "Destroyed" BLACK SABBATH On Tour: "Tony Iommi Admitted It, And So Did Ozzy"

There will never be another Eddie Van Halen.




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6 Tactics for Promoting Your Local Business

As a small business proprietor, you must establish connections with local patrons, integrate into the community, and differentiate yourself from your rivals. However, understanding how to market your business locally requires clever marketing techniques. Given the limited pool of potential customers in your vicinity, prioritizing local marketing endeavors is essential, especially when considering that your […]




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Abstract Table, An Interesting Tasting Menu in Oakland, California

Chefs Duncan Kwitkor and Andrew Greene — Abstract Table, offering up a 5 and 7 course tasting menu Friday and Saturday nights at Gastropig. Last night my wife and I had a chance to dine at the opening of a new pop up style 7 course tasting menu called Abstract Table, currently being offered as …




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Collecting Vernacular Photography

As a photographer, I have been making photographs with my own cameras my entire life. From my first Kodak Instamatic camera as a child, to the Sigma film SLR that I received as gift in high school, to my first digital camera (a Sony Mavica in 1999 or so) to my current DSLR (a Canon …




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Branding and Packaging Design for Di Ligúria: Italian Roots with Brazilian Flair

Branding and Packaging Design for Di Ligúria: Italian Roots with Brazilian Flair

abduzeedo

Discover the branding and packaging design of Di Ligúria, a Brazilian pizzeria, blending Italian heritage with Brazilian charm.

When two Brazilian entrepreneurs with Italian heritage set out to create Di Ligúria, a pizzeria in Belo Horizonte, they wanted more than just a menu of pizzas. They sought a brand that paid homage to the flavors, traditions, and warmth of Italian culture while embodying the lively spirit of Brazilian dining. Designer Danilo Akan took on this challenge, developing a branding and packaging design that bridges these cultural elements seamlessly.

Di Ligúria’s brand identity is grounded in a love for Italian cuisine, inspired by the founders’ Genoese roots and the culinary culture of the Liguria region. Akan crafted a visual concept that honors this Italian foundation while infusing a relaxed Brazilian vibe. The name “Di Ligúria” itself is a tribute to Italy’s Liguria region, signaling an immediate connection to Italian authenticity.

Akan’s design approach captures this dual identity, focusing on simplicity, elegance, and a playful touch. Using negative space and bold typographic elements, Akan brings the essence of Italian tradition forward, yet retains a fresh, contemporary look that appeals to a wide audience. His design balances modern aesthetics with nostalgic elements of Italian dining, creating a memorable brand that invites customers to savor the Italian experience.

The most striking element of Di Ligúria’s brand identity is its innovative typography. Akan developed a typographic style that incorporates subtle nods to pizza and pasta, the core offerings of Di Ligúria. By using negative space within the letterforms, particularly in the letter “G,” Akan brings visual references to pizza slices and pasta strands. This clever use of negative space allows the brand to visually communicate its primary products in an understated yet effective way.

The logo’s typeface is both modern and classic, giving a nod to Italian design’s timeless elegance. This typographic style doesn’t just serve as a brand marker but becomes an integral part of the visual experience, subtly reinforcing the restaurant’s Italian roots while remaining approachable.

Packaging that Enhances the Experience

In addition to branding, the packaging design plays a significant role in delivering Di Ligúria’s identity. Packaging is designed not just for functionality but as an extension of the dining experience. By integrating graphic patterns inspired by Italian motifs, Akan’s design makes every pizza box, pasta container, and salad package an experience in itself.

The patterns, echoing Italian ceramic tiles and Mediterranean styles, contribute to the visual storytelling of Di Ligúria. They evoke the charm of Italy and the idea of gathering around a table with family and friends. With packaging that feels thoughtful and distinctive, customers are reminded of the quality and heritage behind each meal.

From the moment a customer sees the logo to when they unbox a fresh pizza, Di Ligúria’s branding and packaging tell a story. Each design choice reflects the founders’ desire to create a brand that goes beyond fast food and into a cultural experience, filled with Italian warmth and Brazilian vitality. Akan’s thoughtful use of typography, graphic patterns, and packaging demonstrates how design can capture a brand’s essence and elevate the customer’s experience.

For anyone looking to explore Akan’s creative process and Di Ligúria’s full brand story, more details are available on his website.

Di Ligúria’s branding and packaging design provide an excellent example of how design can connect cultural roots with a fresh perspective. Akan’s work successfully weaves Italian traditions into a Brazilian setting, delivering a design that’s as inviting as the food it represents.

Branding and visual identity artifacts




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Chooch’s Branding Embraces Authenticity Through Playful Imperfection

Chooch’s Branding Embraces Authenticity Through Playful Imperfection

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Discover how amStudio’s branding and visual identity of Chooch captures authentic, handmade aesthetics for fashion accessories.

Chooch, formerly known as Flat Fifteen, has redefined its brand to better reflect its founder Francesca Kappo’s evolving vision. With the guidance of amStudio, this rebrand has transformed the brand’s identity from a broad handmade focus to one that is solely centered around fashion accessories. Chooch stands out with its playful name, unique backstory, and brand elements that weave together storytelling, imperfection, and tactile aesthetics.

The Meaning Behind “Chooch”

The rebranding from Flat Fifteen to Chooch came as Francesca Kappo shifted her focus. The name “Chooch” is personal, rooted in a nickname given to Francesca by her uncle. He also played a foundational role in the brand’s beginnings, supplying her first batch of deadstock fabrics from his 1990s fashion label. These fabrics continue to be a vital part of Chooch’s accessory designs today, emphasizing the brand’s commitment to sustainability and storytelling.

The name itself is more than just a rebranding—it’s a celebration of heritage and identity. Short, memorable, and fun to say, “Chooch” captures the playful spirit of the brand. As Alam Mohammed, founder of amStudio, notes, the name’s flexibility in pronunciation makes it a warm, approachable identity that consumers can connect with personally. This idea carried over to the logo design, where the doubled O’s have a playful, imperfect alignment, mirroring the brand’s handmade ethos.

Playful Imperfection: The Brand Identity

Alam Mohammed and his team at amStudio developed a brand identity for Chooch that prioritizes authenticity. Hand-painted illustrations are central to this, appearing across the brand’s packaging, website, and social media. This choice keeps the look grounded, tactile, and relatable, evoking the feel of handmade fashion. By maintaining this aesthetic, the brand sets itself apart in a market often dominated by hyper-polished digital imagery.

The branding extends beyond static visuals. Chooch’s social media and marketing leverage stop-motion animations, adding a dynamic yet still homemade feel. This use of motion emphasizes the brand’s accessible nature, where every element ties back to the concept of imperfection being perfectly beautiful. The stop-motion clips give life to the fashion accessories, highlighting the fun and creativity behind each product.

Chooch’s narrative goes deeper than playful design. By continuing to use deadstock fabrics, Francesca Kappo honors her roots and commits to a more sustainable future. The tactile branding elements mirror this philosophy, creating a seamless experience from the physical product to the digital space. The history of the materials and the personal touch behind the brand make each accessory more than just a fashion statement—they become a story in themselves.

The rebranding also came with strategic moves to elevate Chooch’s market presence. The bags are now featured at the Victoria and Albert Museum’s shop as part of the first-ever Naomi Campbell exhibition. This collaboration has not only introduced the brand to a wider audience but also solidified its standing as a contemporary, fashion-forward label. The exhibition has boosted Chooch’s brand awareness and increased its social media following, translating to more sales and a growing fan base.

The Chooch rebrand exemplifies a growing trend: the embrace of imperfection in design. By favoring hand-drawn illustrations, irregular alignments, and a conversational tone, amStudio has given the brand an inviting, human feel. This approach rejects the overly polished and instead celebrates the beauty of the handmade. It’s a move that resonates well in today’s world, where consumers value authenticity and transparency.

Chooch’s rebranding is a masterclass in how thoughtful design can reflect a brand’s core values. From its name rooted in personal history to its playful logo and tactile illustrations, Chooch stays true to its story. Alam Mohammed and the amStudio team have created a brand identity that isn’t just about looking good—it’s about feeling real, celebrating imperfections, and staying connected to tradition. As Chooch grows, its story continues to inspire, reminding us that the imperfect is often the most perfect of all.

Branding and visual identity artifacts




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Illustration for Impact: HART Curatorship Incubation Programme Visuals

Illustration for Impact: HART Curatorship Incubation Programme Visuals

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Discover Anthony Lam’s captivating illustration work for the HART Curatorship Incubation Programme 2024, blending art with purpose.

HART Collective Limited’s 2024 Curatorship Incubation Programme comes alive through a series of vibrant visuals and social media collaterals designed by Anthony Lam. This illustration project, aimed at amplifying the HART initiative’s reach, seamlessly combines creativity and purpose. Let’s dive into the thought process, design elements, and impact of these compelling illustrations.

Bringing Artful Storytelling to HART

The HART Curatorship Incubation Programme is more than just an event; it’s a platform that nurtures emerging curators and fosters artistic engagement in Hong Kong. For this initiative, HART Haus collaborated with Anthony Lam to create visuals that encapsulate the spirit of innovation and community central to the programme. With a focus on vibrant, eye-catching design, Lam’s illustrations breathe life into the promotional material, making the programme’s message resonate visually.

One of the striking features of this project is the careful choice of typography. The primary typeface used is Degular Display by James Edmondson from OH no Type Co. This choice lends a contemporary and approachable vibe to the design, complementing the modern and energetic illustrations. The type’s bold and clean lines create a sense of structure amidst the dynamic visuals.

Lam’s illustrations use a playful yet sophisticated color palette, striking a balance between the avant-garde and the accessible. The design approach draws heavily from art movements that emphasize form and rhythm, mirroring the essence of a programme that curates art as an experience. Each piece incorporates abstract shapes and flowing patterns that evoke a sense of motion, representing the evolving journey of curatorship and the fluid nature of artistic collaboration.

Illustration isn’t just about static visuals; it’s about telling a story that connects with an audience. For this project, Lam crafted designs meant to adapt seamlessly across multiple platforms, from print to digital media. The social media assets, in particular, utilize animations and interactive elements to capture the attention of a fast-scrolling audience. These designs ensure that the HART Curatorship Incubation Programme stands out in the crowded digital space.

The use of illustration as a core element of the visual identity allows for more flexibility and engagement. It provides a canvas where abstract concepts about art and curatorship can be expressed in a way that feels both authentic and exciting. Whether seen on a poster, a website, or a social post, each visual invites viewers to explore and learn more about the programme.

Illustration plays a crucial role in making art initiatives accessible to a broader audience. By employing a visually striking yet relatable design language, Anthony Lam’s work for HART bridges the gap between curators and the community. The visuals don’t just inform; they inspire curiosity and engagement, which is essential for an incubation programme that seeks to elevate emerging curators.

This collaboration also highlights the impact of thoughtful design in the arts sector. By leveraging illustration, HART Collective can convey complex ideas in a way that is immediately understandable and appealing. The choice of colors, the movement within the compositions, and the bold typography all work together to create a cohesive narrative that draws people in.

The HART Curatorship Incubation Programme’s visual identity showcases how illustration can elevate an arts initiative, making it more engaging and impactful. Anthony Lam’s designs prove that illustration, when done thoughtfully, can serve as a bridge between art and the public, turning viewers into participants and supporters.

This project is a reminder that effective visual identity goes beyond aesthetics; it tells a story that connects and captivates. As HART continues to grow its curatorship programme, the illustrations created for this year’s campaign will undoubtedly leave a lasting impression, drawing more people into the world of art and collaboration.

Graphic design and illustration artifacts

Credits




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FLIPPO Pet Food: A Fresh Take on Branding and Packaging Design

FLIPPO Pet Food: A Fresh Take on Branding and Packaging Design

abduzeedo

Discover FLIPPO Pet Food’s playful branding and clean packaging design, making waves in the pet food industry.

FLIPPO Pet Food is more than just a brand; it’s a lively celebration of real, natural nutrition for pets. Developed in Spain, FLIPPO takes a bold stand against traditional pet kibble, ushering in a wave of wholesome, fresh ingredients for our loyal companions. This design-centric approach comes to life through FLIPPO’s unique branding and eye-catching packaging, crafted by the talented team at invade design, Colombia.

A Visual Feast for Pet Lovers

FLIPPO’s brand identity is anything but conventional. It combines playful illustrations, vibrant colors, and friendly typography to create an experience that instantly captures attention. The visual storytelling here is intentional, aimed at communicating the brand’s commitment to quality and its promise of real food for pets. The design invites pet owners to rethink what they feed their furry friends, making every interaction with the packaging memorable.

One of the standout features of FLIPPO’s design is its use of clean lines and engaging illustrations. Each packaging element feels like an invitation to a healthier, happier lifestyle for pets. The color palette bursts with energy, reflecting the brand’s fun and light-hearted personality while reinforcing its serious commitment to pet health.

Thoughtful Typography and Brand Messaging

Typography in FLIPPO’s design strikes a fine balance between playful and practical. The brand uses bold, easy-to-read fonts that ensure key messages are clear, whether they’re displayed in store aisles or in a social media feed. This typographic choice complements the visuals, making the overall design both appealing and accessible.

Brand messaging leans into humor and relatability. FLIPPO’s playful copy engages pet owners with a tone that’s both fun and genuine. It’s a reminder that feeding our pets shouldn’t be a chore but a joyful experience, one that prioritizes their well-being.

From Concept to Reality: Behind the Scenes

The team at invade design worked meticulously to craft an identity that stands out in the competitive pet food market. Photography by Serena.Studio captures the freshness and quality of the ingredients, enhancing the appeal of the design. Together, these elements create a brand ecosystem that feels cohesive and authentic.

For those interested in design inspiration, FLIPPO offers a masterclass in branding and packaging that balances fun with function. Check out the full project and more by invade design on Behance at https://www.behance.net/madebyinvade.

Branding and packaging design artifacts

Credits

  • Identidad de Marca:
  • invade, Colombia
  • Team:
  • María Vélez
  • Agustin Hoyos
  • Mariana Castrillón
  • Tania Flórez
  • Tomás Saldarriaga
  • Mateo Ríos
  • ​​​​​​​Fotografía:
  • Serena.Studio




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Nature in the Space – Biophilic Design

By Joe Zazzera A brief history of biophilic design patterns in interior spaces “Nature in the Space” in biophilic terms means any design interventions that forge a direct, physical and ephemeral presence of nature in a space or place. One … Continue reading




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Indigenous Farmers Practice the Agriculture of the Future

By Leaiman Yes! Magazine Affectionately called “Professor” by his neighbors, Josefino Martinez is a well-respected indigenous farmer and community organizer from the remote town of Chicahuaxtla, in the Mexican state of Oaxaca. He watched with patient attention as I showed … Continue reading




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How to Grow a Forest in Your Backyard

By Shubhendu Sharma TED Forests don’t have to be far-flung nature reserves, isolated from human life. Instead, we can grow them right where we are — even in cities. Eco-entrepreneur and TED Fellow Shubhendu Sharma grows ultra-dense, biodiverse mini-forests of … Continue reading




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How to Enable Scroll Tracking in WordPress With Google Analytics

Want to enable scroll tracking on your WordPress website? You can easily find out how far a user scrolls down on each post. This lets you know the exact section in which they lose interest and abandon your site. With this data, you can modify that specific section and make it interesting enough to engage […]

The post How to Enable Scroll Tracking in WordPress With Google Analytics first appeared on IsItWP - Free WordPress Theme Detector.




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How to Show a Facebook Feed in WordPress (5 Easy Steps)

Are you looking for a reliable way to add a Facebook feed to your WordPress site? Adding a custom Facebook feed makes your site more engaging and interactive. At the same time, you also provide social proof of an active online presence, helping you turn your readers into your fans.  The easiest way to add […]

The post How to Show a Facebook Feed in WordPress (5 Easy Steps) first appeared on IsItWP - Free WordPress Theme Detector.




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Duplicator Vs. UpdraftPlus Vs. BackupBuddy – Which One is Better?

Are you looking for a great backup solution for your WordPress site? Duplicator, UpdraftPlus, and BackupBuddy are three of the best plugins to help you back up your site.  They stand above the rest because of their simplicity of use, many features, and security.  Even though they are all great, you need just one backup […]

The post Duplicator Vs. UpdraftPlus Vs. BackupBuddy – Which One is Better? first appeared on IsItWP - Free WordPress Theme Detector.





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Game-Changing Paradigm Shift in Machine Learning!

The landscape of AI is rapidly evolving, presenting both opportunities and challenges. From its historical roots to the current AI wars and the pursuit of Artificial General Intelligence (AGI), AI is a force to be reckoned with. Despite remarkable advancements, current AI systems face limitations in adaptive learning and memory, sparking a paradigm shift towards creating more human-like capabilities.

The post Game-Changing Paradigm Shift in Machine Learning! appeared first on WPCult.




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WordPress Security Hacks

Hi guys this is my first post on wpcult the great site Austin built.  Hope you guys find it usefull. If you run a blog using the wordpress software then your blog is a target to hackers.  Below I will list some hacks and just how they can help you keep your business/site safe. The following […]

The post WordPress Security Hacks appeared first on WPCult.




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Getting To The Bottom Of Minimum WCAG-Conformant Interactive Element Size

WCAG provides guidance for making interactive elements more accessible by specifying minimum size requirements. In this article, Eric Bailey discusses the nuances of interactive element sizes and clarifies what it looks like to provide accessible interactive experiences using WCAG-compliant target sizes.




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How To Create A Weekly Google Analytics Report That Posts To Slack

Google Analytics is often on a “need to know” basis, but why not flip the script? Paul Scanlon shares how he wrote a GitHub Action that queries Google Analytics to automatically generate and post a top ten page views report to Slack, making it incredibly easy to track page performance and share insights with your team.




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Embracing Introversion In UX

This article aims to celebrate the power of introversion in UX research and design. Victor Yocco debunks common misconceptions, explores the unique strengths introverted researchers and designers bring to the table, and offers practical tips for thriving in a field that sometimes seems tailored for extroverts.




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How To Manage Dangerous Actions In User Interfaces

One of the main laws that applies to almost everything in our lives, including building digital products, is Murphy’s Law: “Anything that can go wrong will go wrong.” Our goal is to prevent things from going wrong and, if they do, mitigate the consequences. In this article, Victor Ponamarev explores different strategies for preventing users from making mistakes.




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Interview With Björn Ottosson, Creator Of The Oklab Color Space

Go behind the scenes with Björn Ottosson, the Swedish engineer who created Oklab color space, and discover how he developed a simple yet effective model with good hue uniformity while also handling lightness and saturation well — and is “okay” to use.




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How A Bottom-Up Design Approach Enhances Site Accessibility

You can’t overstate the importance of accessible website design. By the same token, bottom-up philosophies are crucial in modern site-building. A detail-oriented approach makes it easier to serve a more diverse audience along several fronts. Making the most of this opportunity will both extend your reach to new niches and make the web a more equitable place.