Most of us youngsters are the poster children for all of the woke world's "isms". So, it may appear that we are championing the cause of environmentalism. While this might be true to some extent, Preeti Patel has a different story to tell.

"The majority of our sustained volunteers are in their 40s and seldom do we have young people attending our workshops," laments Patel, a catering officer with the Mumbai Port Trust (MPT) who founded Urban Leaves in 2009, an initiative that seeks to create awareness on food safety-related issues.

Freshly plucked veggies

Twenty years ago, in order to recycle waste generated at the central kitchen of the MPT, which caters to the organisation's departmental canteens, Patel started a small garden on the cookhouse's rooftop. "When I saw it flourish into a beautiful forest, I thought of taking the initiative outside MPT and to those who wanted to learn," she recalls while speaking about an upcoming workshop titled Vegetable Diversity and Seed-Saving Techniques, which the group will host.

Patel and her team conduct talks and workshops in order to fuel their endeavour of acquainting the uninitiated with the myriad issues the country is facing in the agricultural sector. The loss of homegrown seeds and depletion of desi varieties of veggies, Patel tells us, is a primary concern, aggravated by the supremacy of MNCs. "A local seed reaps the best harvest, in terms of plant health. However, their circulation is less vis-a-vis the supply of genetically modified variants, which is what the government is trying to push into our food systems and the MNCs are controlling," she points out, explaining why seed saving is the need of the hour. "It is our wealth and the traditional knowledge of saving your own seeds can be empowering," she shares.

But what is seed saving? How to save a them? Which seeds to save and what is the best time to do so? These are questions that newbies are likely to struggle with. So, on Sunday, Patel is hoping to assist enthusiasts and encourage them to participate in community farming by having these questions answered. The workshop will be conducted by Deepika Kundaji who has worked in organic farming at the Pebble Garden, a farm in Auroville, for 30 years.

AT St Andrew's College, St Dominic Road, Bandra West
ON March 10, 9 am to 1.30 pm
LOG ON TO urbanleaves.org
COST Rs 1,200

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The mention of Dissociative Identity Disorder (DIO), more popularly known as multiple personality disorder, is likely to evoke memories of chilling sequences featuring James McAvoy in Split (2016). Or closer home, Vidya Balan in her blood-thirsty alter ego of Manjulika in Bhool Bhulaiyaa (2007). Theatre director Suketu Shah's response was no different when writer-actor Abhishek Pattnaik suggested it as the crux of their new play. So, before embarking on their production, Kaise Karenge, the duo decided to further educate themselves about the mental health condition through online research and speaking to psychologists, and came away surprised.

"Dissociative identity disorder [DIO] is often bracketed with violent personalities who do grotesque things, thanks to their on-screen portrayal. But there is really nothing to be scared of. In fact, it could even be a case of multiple specialties — more like a superpower — which comes across in the play," says Shah, who started Out of the Box Production with Pattnaik over seven years ago, making it one of the youngest professional theatre companies in the country.

Keeping up with the young vibe, the cast of the play, which revolves around the story of two brothers, includes Pattnaik and Darsheel Safary in the lead roles. Safary, known for his moving portrayal of a dyslexic child in Taare Zameen Par, plays the younger brother. A smart 21-year-old who already has four patents to his name and is about to leave for the US for his masters at the Massachusetts Institute of Technology, his world changes when he realises his elder sibling suffers from DIO. He decides to stay on, and figure out their lives together.

"I am not from a science background, so I had to take a mini crash course in it from friends pursuing their studies in the stream," admits Safary, who completed his graduation in mass media, and is considering a masters in filmmaking. Having made his foray in theatre with the English comedy Can I Help You? this is his third play.

When asked about the experience of acting on the stage vis-à-vis for the camera, he shares, "In theatre, you get to see the audience reaction live, which helps forge a connect with them. It also limits the room for error. So, with all your senses switched on, it sharpens you as an actor. This is a skill I hope to employ before the camera, too."

About playing multiple characters rolled into one, Pattnaik says that it took three months of rehearsal to get a grip over them. "I speak in Hindi; Hindi with a touch of Haryanvi; and like a pakka Mumbaikar in the roles I play. That required me to shed all inhibitions, and practise switching seamlessly from one role to another using body language and intonation," he says.

Having started out as management students who plunged into theatre full time, Pattnaik and Shah also want to use their productions to encourage young people to consider making a living in the medium. "Theatre is a challenging medium to work and survive in. Finding the right people to work with is another challenge. We learnt everything on the job," shares Shah. Pattnaik is quick to add, "But we have made it for seven-plus years. And that's the message we want to send out."

ON March 17, 6.30 pm
AT Balgandharva Rang Mandir, off Linking Road, junction of 24th and 32nd Road, next to Patwardhan Park, Bandra West
LOG ON TO bookmyshow.com
CALL 9920536475
ENTRY Rs 400 onwards

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In what it termed a 'surgical closure' on trespassing and track crossing, Western Railway authorities on Thursday morning permanently shut the age-old Jogeshwari railway track crossing, inviting both bouquets and brickbats. With an average of 35 to 38 deaths from crossing tracks here every year, the station authorities were forced to make this move. The railways also posted teams of policemen between the tracks and the fencing on Thursday to avoid any chaos. The first day of this closure saw many angry locals along with commuters who welcomed the move.

"This is julum. How will we cross now? The government should not do this. They should have built escalators for people like us and then shut down the crossing," Mohammad Ansar, a senior citizen arguing with an RPF constable said. "Yeh accha kiya [good job]," was another reaction. "They should have done this earlier. But it is better late than never. The public here used to jump the tracks very often," another commuter Ramesh Narayan said.

Abundance of FOBs
On visiting the station, mid-day found that there are three big foot-over bridges here, one at the Churchgate end connecting east to west, the other one is in the middle connecting the station to the west side and the third one is at the Virar-end, again connecting east to west and the Harbour line station through a walkway. However, the only one at the Churchgate end sees heavy traffic during rush hours. The bridge is connected to a wide elevated deck. The only problem is with the narrow staircase landing on platforms one and two. The WR intends to widen platforms and extend them towards Churchgate for 15-car trains.

"We are saving lives. Closing the open holes in the walls was a priority to stop people from crossing tracks. The bridge access is being improved but things do not happen overnight. There is a short-term and a long-term plan in place which the Western Railway is working on," Western Railway Mumbai Divisional Railway Manager Sunil Kumar told mid-day.

"The Western Railway has elaborate plans to widen the existing platform one and two soon," Western Railway's chief public relations officer Ravinder Bhakar said. Bhakar said that the widening (by two metres) of platform one and two is planned by reducing the width of platform three and four. This will be done under platform extension work in connection with the 15-coach work. A total of four escalators, one in the first phase and three in the second phase are planned too.

"At present the width of the platform is only 7.5 metres, which will be increased to 9.5 metres by realigning tracks. The staircases will be widened to six metres and the station manager's room will be shifted to the elevated deck. There is also a plan to build one foot-over bridge to connect the Harbour line platform with the east side of the station," he added. The WR also plans to have a long-distance train terminal at Jogeshwari towards the Borivali end of the station later.

Also Read: Mumbai bridge collapse: CST foot overbridge was audited after 2017 stampede

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"Empowerment is such a frequently used term. Sab bolte hai. But what it really implies is to just be yourself," Avantika Mathur asserts. The 30-year-old artist from Navi Mumbai has been making graffiti on the city's walls for years — and in some cases, the street lamp got there after the artwork did. "Art is a powerful medium, but street art is the best form to explain an ideology. It's an open gallery," she adds. And next week, Mathur along with six female artists will transform the neighbourhood of Marol into a gallery through Ladies First, India's first women-only street art festival.

Walls spanning over 10,000 sq ft will be painted on in Marol Village

The week-long event organised by Marol-based graffiti agency Wicked Broz in collaboration with the Military Road Residents Welfare Association, will see artists paint on multi-storied buildings and running walls spanning over 10,000 sq ft. Although talks about putting together a street art festival were in the works for a year, the idea of turning it into a women's-only event culminated from a Rajasthan trip in January that the organisers were part of. Rikis D Santander, a street artist from Chile, had mentioned that not only were India's gullies overcrowded, but very few women were part of that crowd.

Avantika Mathur

"Even globally there are very few female-centric events. Someone even asked us why women need a separate festival. I said that if I count the number of women who paint on the streets, that number will still be miniscule. Until we don't celebrate these artists, people won't be motivated to come out and paint," Zain Siddiqui of Wicked Broz explains, adding that they initially conceptualised a grander event with more artists. "But a lot of festivals happen as a one-time thing and then disappear. We didn't want that," he says, while proceeding to talk about the line-up that includes Abigail Aroha Jensen from New Zealand, Delhi-based Anpu Varkey and Ratna Singh, a Warli artist.

Zain Siddiqui

"The styles are diverse and we haven't only restricted ourselves to graffiti because we don't want to go around painting something ambiguous. It should mean something," Siddiqui tells us, while Mathur adds, "While Anpu paints large animals, I follow a bohemian surrealist style, which is all about finding yourself."

MC Manmeet Kaur

In addition to wall painting, Ladies First will also feature workshops, exhibitions of canvas work by participating artists, talks and film screenings. Hip-hop cyphers by female artistes such as Goa-based rapper MC Manmeet Kaur is also scheduled to take place. And on the last day, the public (including men) will be free to create artwork on a large wall. As Mathur says, education is key. "For people to appreciate street art, it is necessary that they understand it first. So, each piece we create will have a narrative."

ON March 25 to 31, 9 am to 6 pm
AT Bharat Van, Military Road, Marol Art Village, Andheri East.
CALL 8887795823
Email ladiesfirststreetart@gmail.com

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In what can be termed as an important discovery from Mumbai, a new jumping spider species has been discovered from Aarey Milk Colony once again highlighting the fact that the area has a rich biodiversity and the need of the hour is to protect the forested patch in the area. The species has been named after Senior IFS officer Sunil Limaye the Additional Principal Chief Conservator of Forest APCCF; Wildlife who during his tenure as the Chief Conservator of Forest of SGNP had started the Mumbaikars for SGNP project.

Senior IFS Officer Sunil Limaye

The study was carried out by a team of arachnologists including Rajesh Sanap, Archaeologist Dr. John Caleb T.D and Biologist Anuradha Joagalekar. With the new discovery of jumping spider from Aarey, Wildlife Lovers and green activists have once again demanded that the Aarey Milk Colony forest needs to be protected from unplanned development and illegal encroachments that are eating into the green space of the one the most important green space of Mumbai.

According to Sanap who has discovered several species from Aarey, the jumping spider family (Salticidae) is the most diverse spider family, with their world fauna consisting of 6126 described species. These tiny creatures can be easily recognised by their lager anterior median eyes. They are diurnal hunters and possess brilliant vision and swift reflexes. In India, there are about 256 species of jumping spiders known till date. In fact, the total diversity of jumping spiders represented from India is greatly understated compared with that from other regions. For example, countries like Australia, Brazil, and China are represented by a diversity of more than 450 species each. There is, therefore, a great diversity in India still waiting to be uncovered, which needs to be discovered and conserved before it is lost forever.

Rajesh Sanap

"The new species belongs to the hisponine jumping spider genus Jerzego, which was established by Maddison in 2014. The genus currently comprises three described species in the world. Of these, only one species is known from the Indian subcontinent (India and Sri Lanka). Two other species are known from Southeast Asia from Sumatra and Borneo. All three species were described based either on immature females or both males and females, but no details of their natural history were reported. Jerzego sunillimaye is the first ever species of this genus whose taxonomic details, mating behavior and egg development have been documented. The observations are supported by excellent digital images of the spider in life," said Archaeologist Sanap.

Species: 'Jerzego sunillimaye'

The researcher, after carefully studying its feature form photographs and published papers and discussing with experts, arrived to a conclusion that this is the new species. :

"Initially, species identification was challenging since we had data on females only. So we planned another survey and found two males. After a comprehensive examination, we notice that the morphology of this species closely resembled that of a Southeast Asian species, J. corticicola, which was described from Borneo in 2014. Hence, we placed this species tentatively under the same genus. Jerzego sunillimaye can be easily distinguished from other known species by the larger body size (Females, 10.30 mm) and a different colour pattern on the abdomen. A transverse crescent-shaped golden–yellow stripe is present in the posterior half of the abdomen. The males (5.52 mm) can be readily distinguished by their unique genitalia (palps) with a flattened and twisted embolus. " added Sanap.

Archaeologist Dr. John Caleb T.D

"It should be noted that the new species Jerzego sunillimaye was found for the first time in 2016 during a survey in the unique, eco-sensitive, dry-deciduous habitat of Aarey Milk Colony in Mumbai. The research was carried out for almost 3 years to understand the natural history of this species. Within this period, we reported some interesting observations, which have never been documented before."

In this research, the researchers explored different habitats such as grasslands and rocky and forested patches to find out the habitat these tiny spiders preferred. These spiders were found in areas covered with a thick canopy, largely dominated by trees, such as Mangifera indica, Adenanthera sp., Acacia auriculiformis, and Anacardium occidentale. The forest floor was covered with dry leaf litter, and the habitat was shared by other jumping spiders such as Hasarius sp., Stenaelurillus sp., Langelurillus sp., and Langona sp. Several males and females of various life stages were observed throughout the years. Specifically, in monsoon, females were observed guarding their egg sacs, while males were observed wandering under the rocks. There were variations in vegetation cover in the landscape during summer and monsoon. In winter and summer, spiders were mostly found on the underside of rocks, in dry leaf litter, or sometimes under tree barks close to the ground; most sub-adults were ground dwelling. The sub-adults of the species appeared like ants. Interestingly, four to five sub-adults were observed in close proximity with small brown ants of the genus Crematogaster. Two to three adult females with egg sacs were observed under rock surfaces and were surrounded by small black ants of the genus Paratrechina. However, there is no evidence to suggest a mimetic relationship with these ants and further behavioral studies are warranted.

Anuradha Joglekar

Speaking to mid-day Biologist Anuradha Joglekar said, "Aarey Milk Colony has constantly been in the limelight for the discovery of several new species of spiders and scorpions. The vegetation structure is particularly undisturbed and is home to several interesting species. Aarey Milk Colony is also home to other enigmatic jumping spiders such as Langelurillus onyx and Langelurillus lacteus, both described in 2017. Piranthus decoruswas also recorded for the first time in 122 years from the same location. More studies pertaining to their complete biology, habits, and interactions with other species are yet to be carried out. Moreover, their conservation status has not been assessed yet because of lack of information on their population status, distribution, ecology, and biology."

Spiders are microhabitat specialists and are highly sensitive to minuscule changes in their immediate environment. Habitat loss due to anthropogenic activities (encroachment and degradation of forests) is the main concern. The recent discovery of several new species from this region adds to the pressing need for conservation of this particular region, which may harbor much more undiscovered life.

Jumping spider. Pic/Rajesh Sanap

About IFS Officer Sunil Limaye:

Senior IFS Officer Sunil Limaye was a former Director and Chief Conservator of Forest (CCF) of Sanjay Gandhi National Park(SGNP) and has been involved in the conservation of urban biodiversity in Mumbai and the neighboring areas. He is also the same officer who started the Mumbaikars for SGNP project in SGNP along with Biologist and Leopard Expert Dr. Vidya Athreya. The MfSGNP project which has seen involvement and participation of various stakeholders like people staying on the periphery of the park, BMC officers/Police officers /Schools has been a successful model which is being replicated in other states including Uttarakhand /UP too. As a part of the project, awareness sessions among various stakeholders related to Human-Leopard interactions are being done on the periphery of the park and people are being taught the measures that they should take to prevent man-animal conflicts.

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Bandra got its first outlet of The Wine Table in May last year. What does it offer? MRP Wine bar by glass & bottle and Wine education/training/food pairing with wines, etc. From imported - Ren, Beaujolais villages, Peppoli, Cono Sur, Torres, Salbach, Masi masianco, Robert Mondavi to domestic - Amaris reserve, Fratelli MS red, Fratelli Sangiovese, Moksh sauvignon blanc, M reserve, Raaya rose, the outlets offer all things wine.

Tignanello Italian, priced at Rs 20,000, is the most expensive buy. We walk in at 6 pm to douse our red craving, and a bite but the kitchen opens only at 7 pm. We order a Sileni pinot noir (Rs 630) and a Mokksh ren (Rs 396), a flagship brand of the store. The Sileni from New Zealand is light and perfumed and perfect for the rather early indulgence. The ren merlot is medium bodied, woody and deeper on the palate.

While our server gives us back stories of wines and vineyards, we’ll surely go back to try some whites next.

AT: Darvesh Royale Building, Perry Road, Pali Hill, Bandra West
CALL: +91 9167007667
TIMINGS: 10 am to 12.30 am
NOTE: The Wine Table didn't know we were there. The Guide reviews anonymously and pays for its meals

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San Francisco: To help small and large businesses reach out to 1.3 billion people who use Messenger every month, Facebook has launched an Augmented Reality (AR) tool for them. With this tool, the businesses can leverage the "Camera Effects Platform" to easily integrate AR into their Messenger experience, bringing the virtual and physical worlds one step closer together.

"When a person interacts with your business in Messenger, you can prompt them to open the camera, which will be pre-populated with filters and AR effects that are specific to your brand," David Marcus, Vice President of Messaging Products, said in a blog post on Tuesday.

From there, people can share the image or video to their story or in a group or one-to conversation or they can simply save it to their camera roll.

"To date, there are over 300,000 active bots on Messenger, and over 8 billion messages are exchanged between people and businesses each month -- that's 4 times the amount of messages exchanged since just last year," Marcus informed as Facebook began its annual two-day F8 Developers' Conference in San Jose on Tuesday.

"Today, there are 200,000 developers actively building experiences, forging connections between people and the brands they love and bringing real value to their everyday lives," the post added.

To begin with, ASUS, Kia, Nike and Sephora will launch AR effects for their Messenger experiences.

Facebook also announced that buyers and sellers in its Marketplace will be able to communicate across languages with "M Translations".

"Now when people connected through Marketplace receive a message in a language that is different from their default language in Messenger, M will ask them if they want to translate the message.

"This will help drive commerce between buyers and sellers despite language barriers. At launch, translations from English to Spanish (and vice-versa) will be available in Marketplace conversations taking place in the US," the post further said.

Facebook will gradually roll out "M suggestions for translations" in additional languages and countries.

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San Francisco: Facebook has announced a new tool for website owners and developers that will alert them about phishing attacks on their platforms. "We are extending the capabilities of our 'Certificate Transparency Monitoring' tool to make it easier for developers to learn about new domains that are maliciously created to implement phishing attacks," security engineer David Huang and software engineers Bartosz Niemczura and Amy Xu said in a blog post late on Wednesday.

Phishing websites try to trick people into revealing their passwords, credit card numbers, or other sensitive information.

The tool, announced during the F8 annual developer conference in San Jose, alerts website owners of these scams so that they can take action to protect their domain and the people who use their websites.

"Certificate Transparency Logs" are designed to keep a record of all valid security certificates issued by publicly-trusted Certificate Authorities.

"We have been using these logs to monitor certificates issued for domains owned by Facebook and have created tools to help developers take advantage of the same approach," the post said.

Using these tools, developers can learn about certificates that are mis-issued for the domains they control.

"We are extending the capabilities of our tool to send alerts when certificates are issued for potential phishing domains," the post added.

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New Delhi: Fasten your seat-belts - and log on. You may soon be able to call people up, send office emails, check Facebook as well as watch instant videos while air-borne, according to a proposal approved by the Telecom Commission allowing air travellers in India to access in-flight mobile and internet services.

Passengers, used to being told by the crew to switch of all electronic devices, have been wondering how the system would work. PTI answers some frequently asked questions.

What is in-flight internet technology?
In-flight connectivity systems primarily use two kinds of technology. In the first, an onboard antenna picks up signals from the nearest tower on the ground. The connection will remain seamless up to a certain altitude unless the plane passes over an area without ground towers.

In the second scenario, satellites beam signals directly to antennas installed on the airline. This is more effective when the airline is passing over a water body compared with ATG (air-to-ground)-based networks which use satellites to beam the signal first to a transmitter on the ground and then to the antennas on the airline.

What happens next?
The data is transmitted to a personal electronic device such as a smartphone or a laptop through an onboard router, which is connected to the plane's antenna. The antenna transmits the signals, through satellites, to a ground station, which redirects the traffic to a billing server that calculates the data consumption.

In case the internet services through onboard WiFi are permitted to be used only in flight/airplane mode, the plane's antenna will link to terrestrial Internet services provided by telecom service providers. When the aircraft has climbed to 3,000 metres, normally five minutes after take-off, the antenna will switch to satellite-based services. This will ensure continuity in the Internet services to passengers and prevent cross-interference between terrestrial and satellite networks. The airlines may depend on the services of either foreign satellites or ISRO's indigenous GPS-aided geo-augmented navigation system (GAGAN) for the purpose.

GAGAN was jointly developed by ISRO and the Airports Authority of India (AAI) with a view to assisting aircraft in accurate landing. The GAGAN signal is being broadcast through two Geostationary Earth Orbit (GEO) satellites - GSAT8 and GSAT10.

What are the challenges?
For the technology to function, airlines and service providers will have to put a server on the flight along with the equipment to convert satellite signals into data packets. They will also have to add the equipment to re-orient the antenna to face the satellite so the reception quality is not affected.

Interruptions, when the airline moves from the range of one satellite to another, are bound to happen. In general, in-flight WiFi is expected to be slower than on the ground. However, latest technologies may change that scenario.

Will users have to pay more?
Airline passengers may have to bear the initial cost of installing antennae on aircraft. It would be easier for airlines to have the equipment installed on the new aircraft rather than taking planes out of service for retrofitting. The additional costs could find a way into ticket fares, unless the airlines, despite rising jet fuel prices, decide to bear the costs themselves.The high cost of installing equipment for full-service carriers could discourage low-cost carriers.  Foreign airlines that service Indian airports or use Indian airspace may offer in-flight connectivity much before domestic carriers do so because some of them are already providing such services globally.

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As data security concerns on Facebook and WhatsApp loom large, Twitter is reportedly working on a 'Secret' encrypted messages feature which could make the microblogging platform safer for sensitive communications.

With this feature, Twitter is expected to roll out options about encrypted messaging like starting a secret conversation and viewing both sides of the conversation for encryption keys to verify a secure connection, TechCrunch reported on Monday.

The encrypted Direct Message (DM) option was first spotted inside Twitter for APK that contains codes for unreleased features that companies are testing.

Instant messaging app WhatsApp uses "end-to-end encryption" in all conversations. This can be opted into Messenger.

End-to-end encrypted messages are secured with a lock and only the sender and recipient have the special key needed to unlock and read them.

For added protection, every message sent has its own unique lock and key. No one can intercept the communications.

Last week, WhatsApp co-founder and CEO Jan Koum quit reportedly "after clashing with its parent, Facebook, over the popular messaging service's strategy and Facebook's attempts to use its personal data and weaken its encryption".

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Washington: Twitter is reportedly testing a new feature on its Android app that makes messaging secure with end-to-end encryption.

Called 'Secret Conversation', the feature is expected to be available in the conversation info section in direct messaging of the Twitter app on Android, Mashable reports.

As users seek more security, end-to-end encryption has become a new mandate for messaging apps. The technology makes it difficult for snoopers to access or intercept messages which are exchanged between two parties.

NSA whistleblower Edward Snowden had asked Twitter CEO Jack Dorsey for such a feature on the platform a year ago. It remains to be seen when the end-to-end encryption is officially rolled out.

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Popular instant messaging platform, WhatsApp, has rolled out a new feature that allows users to view content from Facebook and Instagram within the app. The update is expected to increase user engagement in the messaging platform.

The latest update has been rolled out for select iOs users. WhatsApp support will allow users to play Instagram and Facebook videos within the app, without exiting the chat. Presently, a user who receives videos or images from Facebook, Instagram or any such app would be redirected to these apps to view the content. However, this is set to change with the new update, reports The Verge.

The latest update also introduced the ability to add and revoke admin privileges from users in a group chat. It empowers admins to edit the subject, description, and icon of a chat that is already underway. In November 2017, WhatsApp rolled out an update through which one can view YouTube videos directly inside the messaging app, in picture-in-picture mode.

If a YouTube link has been sent on a conversation, then users can directly view the video through the link on WhatsApp itself, as it will no longer be re-directed to YouTube. Instead, the YouTube clip will appear within a small floating window on your screen, thus implying that you can watch YouTube videos and message at the same time.

On a related note, the update is also expected to be rolled out to Android users in the coming weeks.

(Edited by mid-day online desk, with inputs from ANI)

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In a bid to deliver transparency in technology and stay ahead of ethical pitfalls, Google has said that its Artificial Intelligence (AI) calling system "Duplex" would now identify itself while making appointments.

Following the launch of the "Duplex" system, which lets AI mimic a human voice to make appointments and book tables, among other functions, a widespread outcry over the ethical dilemmas were raised by tech critics.

Google clarified to The Verge that the experimental system would have a "disclosure built-in" that means that whenever Duplex gets involved in some type of verbal communication with a human at the other end, it would identify that the human is talking to an AI.

"We understand and value the discussion around Google Duplex, as we have said from the beginning, transparency in the technology is important," a Google spokesperson was quoted as saying.

"We are designing this feature with disclosure built-in, and we will make sure the system is appropriately identified. What we showed at I/O was an early technology demo, and we look forward to incorporating feedback as we develop this into a product," the spokesperson added.

Google CEO Sundar Pichai introduced Duplex earlier this week in the company's annual developer's conference Google I/O and demonstrated how the AI system could book an appointment at a salon and a table at a restaurant.

In the demo, the Google Assistant sounded like a human. It used Google DeepMind's new WaveNet audio-generation technique and other advances in Natural Language Processing (NLP) to replicate human speech patterns.

However, tech critics raised questions on the morality of the technology saying it was developed without proper oversight or regulation.

According to tech critic Zeynep Tufekci, the demo was "horrifying" and the initial positive audience reaction at I/O was evidence that "Silicon Valley is ethically lost, rudderless and has not learned a thing".

Google had originally said in a blog post written by engineers Yaniv Leviathan and Yossi Matias that "it's important to us that users and businesses have a good experience with this service and transparency is a key part of that".

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Aiming to disrupt India's mid-segment smartphone market, Samsung is set to launch four new smartphones -- two each in Galaxy "A" and Galaxy "J" series -- this month.

The upcoming Galaxy A6 and Galaxy A6+ smartphones could be priced between Rs 20,000 and Rs 25,000 while the devices in Galaxy "J" series could cost customers Rs 15,000 to Rs 20,000, industry sources told IANS on Friday.

Two of the four smartphones in the upcoming line-up would come with dual camera set-up, the sources added.

All of them will be made at the company's Noida facility. The smartphones will feature Samsung's super AMOLED "Infinity Display" -- bezel-less screen that creates an immersive viewing experience.

Notably, Samsung's flagship smartphones such as Galaxy Note 8 and Galaxy S9 series feature the "Infinity Display". Now, with the upcoming devices, the display feature would be introduced at lower price points in the Indian market.

The South Korean giant first introduced the "Infinity Display" in Galaxy S8 series in 2017.

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Microsoft Surface Pro 4

After receiving complaints regarding a screen flicker defect in some Surface Pro 4 devices, Microsoft has offered to replace the eligible devices free of charge.

The faulty devices qualified for replacement should be up to three years from the time of original purchase, Microsoft Support said in a blog post late Friday.

"We will ship you a replacement device as soon as you return your existing device. Typically, it will take 5-8 business days for you to receive an exchange device from the date that you ship your current device back to us," the post added.

Users that have already paid for a screen-replacement will get a refund.

In February, Microsoft had said that it was monitoring the situation.

The tech giant has clarified that the replaced devices will be refurbished.

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Microsoft

The fast-emerging field of Artificial Intelligence, which has suddenly caught the attention of the IT industry and the governments across the world, is facing a large skills shortage, a top Microsoft official has said.

The Artificial Intelligence (AI) is also facing the challenge of appropriate use of data, group programme manager of Microsoft Learning Matt Winkler told PTI.

"There is a pretty large skills shortage. Lots of folks are talking about it (AI). A lot of folks are very, very excited about it and then they want to go and make that real. And when they go to make that real, there's a really large skills shortage," Winkler said.

That's why it's so exciting to be trying to bring these technologies to more developers because it's going to bring more people into the mix, he said. Winkler said the second challenge is really around data.

"How do you get the data in the right shape? How do you prepare the data? Because all of the AI in the world is based on data, and so what makes it interesting is the data that you have, the data that your business has, that what you understand about your customers. So how do you most effectively use that data to go and produce models," he said.

Then within kind of any individual product project, one of the key challenges is the same thing that the industry has seen with software, which is, if one tries and do too much, the project gets much harder.

"And so we'll often times see failed projects, which are the result of trying to create just the most amazing thing having done nothing," he said.

At the recently concluded developers conference ¿ Build 2018 ¿ Microsoft's CEO Satya Nadella talked about how to make AI accessible for everyone.

"Our guidance to a lot of customers to pick a domain and pick a used case where you have a high, high-quality data and that it is really well understood. Start there, get some wins with that and then start expanding the use cases so far," Winkler said.

Microsoft is partnering with multiple players in both the private and governmental sectors to use AI for public good.

"Absolutely, AI is being used for public good. For instance, it is being used in school districts in order to predict drop-out rates in India.

"We see a ton of healthcare applications: patient re-admission rates is very very popular one. We have seen medical image analysis. We are doing some really interesting work doing diabetes prediction through scans of retinas," Winkler said.
Microsoft is working with the Snow Leopard Trust, a non-profit organisation dedicated to the preservation of the snow leopard and parts of Nepal and India to analyse in real time the presence of snow leopards.

"So it's fundamentally changed the way they do their research," he said, adding that the Microsoft is working with three-four other conservation agencies doing similar things.

"For a lot of the customers, what AI is enabling is not just an incremental... but It's something they fundamentally couldn't do before. So it really does introduce a step change for the things that they want to do in their business," Winkler added.

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Representational picture

In India, gaming is considered as a hobby and was less than inclined towards gaming from the get- go. But the scenario is slowling changing. Looking at the growth of the industry over the years, we have finally come to a point where families have started being supportive of this career choice. Rather than opting for a 9-to-5 job, more and more gamers have started taking their careers seriously and are transitioning into professional esports athletes and streamers.

So what is gaming? Gaming is a form of entertainment which is consumed via interaction, participation and viewership. It encompasses PC gaming, mobile gaming and console gaming and is multi-billion dollar industry globally. This industry comprises of gamers who can be a casual or an enthusiast, an amateur or a professional, a player or a viewer. Gaming can be as simple as picking up your mobile and launching some birds at hostile pigs in a castle, or as complex as dedicating years to learning and mastering a game and competing against other similarly dedicated players globally with millions of dollars at stake.

The term 'esports' seem new but the concept isn't. Esports is the part of gaming that’s competitive, where various genres of games are played competitively against other players, on different platforms. From fighting against your friend at the local arcade with a barrage of virtual punches and kicks to being seated together and connected to 100s of other gamers and being the last person alive in a perilous deserted island. Esports is as old as gaming is. The only difference we see nowadays, is the higher stakes and the dedication gamers put in to reach the top. With prize pools running in the millions and a loyal audience who travel halfway across the globe to watch their teams play, esports has become a global phenomenon with major brands investing heavily in the industry and corporations building stadiums larger than conventional sports stadiums.

Professional athletes train their body and mind, regularly to stay at the best of conditions and are supported with the state-of-the-art facilities and a salary for playing their game. Another term people might be unfamiliar with is "video game live streaming”. Streaming is a form of online video broadcast on specialised platforms where you play games and entertain your viewers. A viewer might be engrossed by your playstyle or your witty humour. There can be thousands of players watching you at a point of time and cheering for you. Streaming has become a full-time job for a lot of people with them earning a comfortable six-figure income monthly by just regularly entertaining their viewers. Brands sponsor these streamers to advertise and endorse their products on their stream.

The global gaming industry is still growing at a rapid pace with a valuation of $108.9 billion and a YoY growth of 7.8% in 2017. The Asia Pacific region contributes to 47% of this with India ranked 17 th globally valued at $818 million with an 11.14% CAGR. Gaming in India is still nascent with a lot of scope for growth and recognition. Esports plays a huge part in gaming with $696 million market and whopping 385.5 million viewers watching their favourite teams and players fight for glory. That’s thrice as many subscribers Netflix has.

So how far has India come? India is slowly catching up with the rest of the world. We have 253.2 million gamers in India with 81% of them in the age group of 16 – 30. We have professional teams in India who compete globally against other teams. We have people who have taken up streaming as their jobs. Rather than pursuing a regular career like your average John and Jane, we have emerging brave souls who want to stand out and make their dreams come true. And the space is filled with brands who want to work hand in hand with these people, empowering and enabling such a career into reality.

Insight of target audience by COBX games

Gaming in India has been given a boost in the recent years with the advent of 4G and FTTH. Prices have grown more competitive which has helped not only companies but also gamers across India. We have seen a spike in mobile gaming with 4G being introduced in India and will play a major role in the industry. FTTH, which is already being deployed in tier-1 cities, provides high-speed internet connection over optical fibre directly to your home from the ISP which has increased the quality of service. In tier-2 cities, gaming cafés and colleges act as hotspots for gamers and most tournaments are hosted in these colleges, due to the presence of stable infrastructure which, in turn, promotes the growth of gaming.

Esports is on the rise in India with multiple tournaments being announced with unprecedented prize pools. Esports is dynamically changing the industry with numerous brands joining in and helping the space flourish. Monthly tournaments provide a scope for professional gamers to sustain a living and also provides growth to multiple domains attached to esports like cosplayers, shoutcasters, and analysts and so on. From small tournaments in cafés and college labs to huge events filled with gamers, esports has come a long way in India. 2018 saw numerous companies invest heavily in esports by announcing multiple tournaments with prize pools of over Rs 1 crore.

Mujahid Rupani, Co-founder & C.E.O of COBX Gaming says, "We are also expecting an increase in VR and AR gaming in India. VR gears are being readily accessible to people and families are opting in for the virtual reality experience. Mobile phones are growing powerful every day and proving to be effective AR devices. New games are being launched every day which take advantage of augmented reality and taking use experience to a whole new level. Mobile gaming is also on the rise in India due to the ease of entry and affordable and stable internet connection. With the amount of time people invest on mobiles, a lot of developers are shifting their focus to mobile games and catering to a big chunk of gamers who prefer mobiles over expensive PCs and consoles as their gaming gear. With the number of game development studies in our country, the next big title might be from India."

With the ecosystem growing and evolving every year, the future for gaming in India is bright. Gaming in India is an incipient industry and has a long way to go. We hope to see more professional players, more streamers and more parents supporting their kid’s dream. There was a time when you would idolise a sportsperson, the day is here when kids idolise their favourite professional gamer or streamer. We have a generation of parents who are gamers too and encourage their kids and help them balance gaming along with other life priorities. We hope to see more companies and brands invest their time and resource in the gaming industry and maybe one day, a kid who wants to grow up and be a professional gamer.

Also Read: Hrithik Roshan: Gaming In India Gaining Exponential Popularity

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Facebook has rolled out new updates in its Stories feature that are available for the users in India first and will reach the global users later.

One such update is "Voice Posts" that will let users share their thoughts via audio to their friends and families.

"Voice posts lets you share in the moment without having to share a photo or video. This could also help people who can't necessarily write in the language they want to share in," Connor Hayes, Director of Product Management, Facebook Stories, wrote in a blog post on Wednesday.

People will now be able to save the photos and videos they capture through the Facebook camera, where only they can see them when they log into their Facebook account.

"This allows people to save the photos and videos they capture without taking up space on their phone," the post read.

It can also be used to save photos you might want to share later, so you don't have to edit or post them while you're out with your friends and instead enjoy the moment and share them later.

"In the coming weeks we're rolling out an archive for people to save the stories most important to them. After a photo disappears from your story, you can find it in your story archive - a place only you can see. You can always choose to not save them," said the post.

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Keeping up with the promise made at its I/O Developer Conference last week, Google has now officially rolled out its "Google News" for iOS, the media reported.

The new Artificial Intelligence (AI)-powered app is designed with machine-learning technology to make news finding, analysing and fact-checking, crisp and to-the-point, Engadget reported on Wednesday.

"Google News" comes with three options, "For You, "Full Coverage" and "Newsstand," to help users find news of relevance based on their reading habits, let them have an in-depth read of a topic and give access to users to subscribe to a publication and view its content.

Additionally, the app comes with a "favorites section" for users to star topics across entertainment, news and academia and save stories for pocket-style reading later.

The newly launched "Google News" has replaced the previous "Google Play Newsstand" launched on iOS in 2014 as a news and magazine subscription hub.

Samsung Galaxy Note 9. Pic courtesy/YouTube

South Korean electronics giant Samsung has confirmed that its flagship Galaxy Note 9 would have a new version of company's Airtificial Intelligence (AI)-powered assistant "Bixby 2.0".

Speaking to The Korea Herald, Gray G. Lee, Head of the AI Centre Under Samsung Research, revealed that the Galaxy Note 9 will be the launch device for "Bixby 2.0", Forbes reported.

Lee said that "Bixby 2.0" would be more than just a personal assistant.

It would be an 'artificial intelligence platform' which enhances the performance and user experience across the phone.

Bixby itself would also have enhanced natural language processing, improved noise resistance capability and faster response times.

According to the executive, Samsung now has a 1,000-strong AI workforce and would consider merger and acquisitions of promising AI businesses.

He also revealed Samsung expects Bixby to be running on 14 million Samsung devices by the end of 2018.

The German research firm GfK has revealed that Samsung became the leader in the Indian flagship smartphone market, garnering 49.2 per cent share in the first quarter of 2018.

In the full financial year (April 2017-March 2018), Samsung registered 55.2 per cent market share in the Rs 40,000 and above price segment, said GfK that reports final consumption of the devices and not only shipments.

In March alone, the South Korean giant registered a massive 58 per cent market share in the flagship segment, riding on the success of Galaxy S9 and S9+ smartphones that were available for sale in India from March 16.

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Australia's new head coach and former batsman Justin Langer interacts with the media at Melbourne on May 3. He replaced Darren Lehmann. Pic/Getty Images

Australia have a great coach in Justin Langer to guide them through one of their worst cricketing crises. Correction: They have a batting great as coach. The majority of permanent coaches of the Australian cricket team were not Test greats. In fact, the last batting great to wear the coach's cap was Bob Simpson; their first ever coach.

It was under Simpson that newly-appointed coach Justin Langer made his Test debut for Australia — in the summer of 1992-93 — when the West Indies were still the number one team in the world. Langer will not forget it. How could he? The first ball he faced in Test cricket, off the swift Ian Bishop, landed firmly at the back of his helmet. The blow left him dizzy and dazed at the Adelaide Oval. Interestingly, he was also knocked down in his 100th Test — at Johannesburg in 2006 — when he was hit hard behind the right ear by South African Makhaya Ntini to play no further part in the match.

Much like that delivery, Langer's entry into international cricket in the early 1990s was hard. He expected to be on the flight with Allan Border's England troops in 1993, but he didn't find favour with the selectors. He only became a regular one-drop batsman for his country five years down the line, before combining splendidly with Matthew Hayden in the opening position.

He was part of the 1997 Ashes series in England, but did not feature in any of the five Tests. That did not stop him from playing the perfect team man. Mark Taylor was in the throes of a treacherous slump that got the critics dissecting every one of his innings. Langer and his skipper happened to be batting together in the side game against Derbyshire, who were captained by former teammate Dean Jones. Taylor slashed at one off Philip DeFreitas and Jones dropped the catch at slip. At the end of the over, Taylor exclaimed to his junior partner, "That's bloody it, mate. I just can't f****n play!" The young bull (that's what Taylor called Langer when he related this incident in his autobiography Time to Declare) refused to accept the negativity from his skipper. "Mark, that's bloody rubbish," Langer shot back and added, "Of course, you can play. You know that. Just watch the bloody ball really close, stick in here and it will come."

Taylor listened to Langer's advice and ended up hitting his first straight drive in six months to score 63 in 181 minutes. In the next game — the opening Test of the 1997 Ashes — Taylor helped himself to a second innings hundred. The following year, while Langer continued to deal with his in-out, in-out situations, he toured Pakistan where his teammates nicknamed him Arthur Morris.

In The Power of Passion, one of Langer's four literary works, he revealed that Morris (who was part of Don Bradman's 1948 Invincibles) used to be asked often by cricket lovers about how it felt to be in the same team as Bradman. Now, Morris happened to be at the non-striker's end when Bradman was famously bowled by Eric Hollies for a duck in his last Test innings at The Oval in 1948. The dismissal prevented The Don from ending up with a three-figure batting average. Morris used to remind his audience about the fact that while Bradman's duck was most talked-about, people forget that he scored 196 in that same innings. Similarly, Taylor's 334 not out is celebrated as an epic performance, but Langer scored a hundred in that innings — his first in Test cricket — at Peshawar, but it never gets talked about. Given the shared irony of their stories, the Arthur Morris moniker stuck.

Langer ended his career in 2006-07, when Australia claimed the Ashes back after England regained the urn in 2005. Gripping cricket notwithstanding, not many Australians will look back on that contest, their first Ashes series loss since 1986-87, with pleasure. While the Australians were playing poorly in 2005 and were made to follow on at Trent Bridge, my Australian friend Andrew Ramsey, who was reporting the series for The Australian newspaper, was asked to pen a piece for The Times in London.

The guest writer was critical of Australia's performance. As Ramsey left his room for the breakfast lounge in the team hotel at Nottingham, he bumped into Langer, who told him that he read the article. Ramsey was expecting a negative reaction, but Langer called Ramsey's analysis "spot on." He patted him on his shoulder twice and ran towards the elevator to join his teammates in the team bus.

Acceptance is a great trait to have. Langer has many more, developed ever since his 11-year-old eyes watched on television his Western Australian hero Dennis Lillee shatter Viv Richards' stumps off the last ball on Boxing Day in 1981 at Melbourne. Lillee's incredible inswinger made Langer yearn to play for Australia someday. Doubtless, he'll want to be a great coach now.

mid-day's group sports editor Clayton Murzello is a purist with an open stance. He tweets @ClaytonMurzello Send your feedback to mailbag@mid-day.com

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Yesterday, this paper carried a front page report about a Malad resident called Abhijit Mukharji, 25, who was arrested for stalking a 26-year-old woman for eight years. The accused was released on bail five days after the woman lodged a complaint against him. While the court granted bail on strict restrictions, senior officers from the Mumbai Crime Branch have said they will be reviewing the case.

To elaborate, the crime branch arrested Mukharji, who worked for a famous search engine company, on May 3 and remanded in police custody till May 6. This man stalked the woman, hacked into her Tinder account and wiped out all the 'likes' on her account.

While there are restrictions put on the stalker, it is surprising that bail has been granted within five days, for harassment that went on for eight years. The report states that he had even met the woman in Mumbai. Post the meeting, where his conversation rang warning bells for the woman, he started threatening her and warning her not to talk to anybody else because he loved her. She finally filed a complaint.

Let us give stalking the seriousness it deserves. Very often, it is dismissed as casual or harmless. Women who are often told by people that they are imagining there is a stalker. Their fears and concerns are trivialised and they may also be accused to exaggerating the harassment or their discomfort with the stalking.

Making excuses for stalking, like he thought she was someone else, or that he was drunk and did not know he was stalking, are also inexcusable. Online stalking is dangerous and can escalate very quickly to offline situations. Stalking is harassment. It is a crime. It can lead to a dangerous obsession. Treat it with the gravitas it deserves and shut down stalking through severe punishment.

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It is the first weekend in Matheran and we hope to see a number of visitors sporting helmets while horse riding. The paper had reported about how a Mumbai resident had donated a sizeable number of helmets to the hill station, after a little girl suffered head injuries after falling from a horse in Matheran.

Horse owners have also bought helmets and will be providing it to the tourists while horse riding. We appreciate that a start has been made towards ensuring safety for riders. Yet, one hopes that the helmet rule does not run parallel with the helmet rule for bikers in the city. Here, we see that constant vigilance is needed to ensure that bikers wear a helmet. Police nakabandis are set up to catch those riding without a helmet and fines are imposed for the same. One should not need a supervisory body to ensure that riders actually wear a helmet. Horse owners need to be held accountable if their horses are being ridden by visitors without a helmet.

Tourists must understand that the rule is made in the interests of their safety. Good counsel needs to prevail and common sense must rule. Having said that, visitors must go slowly on horses. They should refuse to ride if there is no dedicated helper who will walk along with the animal. Wear closed footwear when you are riding as sandals and slippers are hazardous, especially when mounting a horse, and in case your feet slip out of the stirrup. Parents need to see that their child is with a helper who is in control of the animal.

Matheran horse owners want better roads, which is out of the control of visitors. Tourists and hordes of Mumbaikars who believe if-it-is-May-it-must-be-Matheran should take onus for their safety as far as possible. Wearing a helmet is a good beginning.

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Illustration/Uday Mohite

Believe it or not, exciting things are happening in Konkani cinema. I am familiar with Indian films in at least 10-12 languages, but it was a real discovery watching the best Konkani films on the jury of the 9th Goa State Film Festival Awards, that was given last week. To know who the top Konkani stars are, what subjects interest them — the church often looms large. The Best Film (Konkani) went to Nilesh Karamunge’s Mahaprayan (The Last Journey), Best Director (Konkani) to Rajiv Shinde’s K Sera Sera (Ghodpachem Ghoddtelem, Whatever Will Be Will Be), and Best Film (Marathi) to Sainath Parab's Disha (Direction). Mahaprayan was a real discovery, of which more anon. K Sera Sera, which swept nine awards, told two parallel stories of an ambitious career woman and a retired man, struggling to keep his family together, starring actor-producer Rajesh Pednekar and Palomi Ghosh. It had rich technical and acting credits, some ‘imported’ from outside Goa. Sadly, Miransha Naik’s powerful Juze was not in competition, but Nilesh Malkar’s Soul Curry smartly ‘imported’ Bollywood star Jackie Shroff for wider appeal. Shroff even dubbed for himself in Konkani and won a Special Jury Award for Best Actor.

Mahaprayan is one of those rare films, that makes a powerful social critique while accomplishing an amazing technical feat: the whole 83 minute-film is a single take, shot by Sameer Bhaskar. What’s more, it is the debut feature of an ex-army man, Nilesh Karamunge. Inspired by a real incident in Odisha, the film is about Tulsidas (Dhananjay Amonkar) who, unable to afford a hearse to take his dead wife from the hospital to his distant village for cremation, walks home all the way, carrying her corpse on his shoulders, accompanied by his young daughter Kaalika (Aarya Ghare). The pair meet many people who refuse to help — hospital staff, passengers in a bus, the police, and when a kind forest official finally helps them, the media pounces on him for ‘misusing’ a government jeep. The crew did many rehearsals, shooting in real time as they walked 3.5 km in the noonday sun. The film is a scathing attack on the government and our society. The charming and mature Aarya Ghare, just nine, won Best Actress.

Mahaprayan vaults to one of the year's most gratifying discoveries in Indian cinema, its accomplishments far exceeding its modesty and flaws. K Sera Sera is a polished work, given Konkani cinema’s constraints. And let's get some perspective here: while most regional Indian cinemas started in the 1920s or earlier, the first Konkani film, Mogacho Anvddo, was released only in 1950. The Hindi and Tamil industries make, on average, 250-350 feature films a year, but the fledgeling Konkani industry makes barely five to seven features a year. And there is no doubt that Konkani cinema got kick-started since the International Film Festival of India (IFFI) was held in Goa since 2004, and the locals were consistently exposed to world cinema. And look what it's offering now — you do a double take.

Meenakshi Shedde is South Asia Consultant to the Berlin Film Festival, award-winning critic, curator to festivals worldwide and journalist. Reach her at meenakshishedde@gmail.com.

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Illustration/RAVI JADHAV

Concern is sometimes a mask for control. This is interestingly true when it comes to films that are concerned about the situation of women. If these "concerned" films attract censorship, then they control even more subversively. They become imbued with a revolutionary halo, becoming an urgent cause to be supported, a badge of honour, not a film that tells us deep truths about our lives.

The film Nude arrived on a white horse, after a similar symbolic battle. It's very title had disturbed the Ministry of Information and Broadcasting. It traces the journey of Yamuna after she leaves her village and her brutish husband and becomes a nude model in the JJ School of Arts, with her aunt's help, going on to sit for some famous artists. She has a parallel journey, from shame to pride in work, which is shown minimally. But in the end, she alienates her son and feels defeated and hopeless.

Nude has it's good points — the interesting subject, the strong performances from Kalaynee Mulay and Chhaya Kadam in the main roles, tiny flashes of earthy humour.

But on the whole, it is a plodding work of bad faith and a strangely colonial mindset. Here is a film in which the two main characters are women, which should be evidence of concern and interest in women. Yet they are given hardly any interiority or room to be more than an example of social issues. That's because many such films are not about the characters. They are really about establishing the filmmaker as a noble and high-minded being who will uplift women.

There are only three types of people in the film. There is the poor woman who needs saving from her own men; poor men, who are portrayed as bestial or passive; and bhadralok middle-class artists who are noble and pious with the higher purpose of art. The point is taken, that, cruel or benign, to all of them the woman is an instrument. But this is unfortunately as true of the filmmakers who bring no irony to looking at this 'higher purpose'. Why are there no middle-class women in the film? There are some token women art students — but they never speak, nor is there a single shot of a woman art student drawing a nude.

This absence further prevents any complications in the story of class, caste and gender relations. Complications about what it means to draw a naked woman, exalt her as Devi or pure spirit (the body is the garment of the spirit as one character says unctuously) to serve other people's higher purpose for a paltry pay. To the artist, the model is just a body. To the filmmaker, too, the woman is mostly a victim, a sufferer in search of a saviour.

In such films, women can never truly free themselves from circumstances. They are imprisoned in dead-end film narratives forever to serve the purpose of saviour-filmmakers in films like Nude, Pink and even Lipstick Under My Burkha. Why would filmmakers conceive of different meanings of women's lives, which point to a certain liberation, when these upliftment projects accrue such rewards and privileges? It is only when we, the audience decline to be grateful for this self-serving false realism, that we can hope for stories more true to the complexities of our lives.

Paromita Vohra is an award-winning Mumbai-based filmmaker, writer and curator working with fiction and non-fiction. Reach her at www.parodevipictures.com

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In the two days of staged photographs, there is not one photo of Modi hugging Xi, his trademark personalised diplomacy of forcibly embracing other leaders. Pic/AP

One of the better things during the Karnataka Assembly election, no matter who emerges the single largest party tomorrow, was Congress president Rahul Gandhi's press conference in Bangalore. You may not have seen it on TV. It is on YouTube, however. Rahul again comes across in a light different to the whispers about him during the past two decades, proving how it was all the doing of a well-oiled BJP machine. My favourite part was Rahul's take on Prime Minister Narendra Modi's recent visit to Wuhan in central China for an "informal" summit with President Xi Jinping.

Here's what he said:
"I expected the PM to go to China as the leader of our country [and] speak to them about Doklam... He didn't say a word. [He] had a conversation with the Chinese President with no agenda. Are you telling me there's no agenda? There is an agenda, it's called Doklam; there is an agenda, it's called the Maldives; there is an agenda, it's called Nepal... The agenda is that we're surrounded on all sides; it's pretty clear. But you guys don't like to raise that, I don't know why.

"Our foreign policy has been completely decimated. And it's because the PM views foreign policy as an individual exercise. He's of the impression that he can go have a conversation with the president of China, or he can go have a conversation with the president of Nepal, and everything will magically happen.

"The PM needs to carry his own people with him. Are there any conversations going on with the finance minister, with the defence minister about this type of strategy? No. It's a one-man show."

Briefly: China tried to seize the Doklam plateau in Bhutan last year but after a 73-day standoff against our troops, it backed down. It has reportedly since built an infrastructure leading to Doklam. In the Maldives, China is displacing India: President Abdulla Gameen last year welcomed three Chinese warships, and last month hosted the Pakistan army chief. In Nepal, despite Modi's visit this weekend to promote Janakpur, Sita's birthplace, as a religious tourism spot, the Nepalese have drifted from us after India's five-month blockade in 2015 - we were pushing for greater political inclusion of the Madhesis. Modi is a villain for the Nepalese, as evident on social media.

China has seized advantage of India's pathetic neighbourhood behaviour, and, as Rahul said, has India surrounded. No wonder many think Modi went to beg Xi to keep relations calm in the run-up to the 2019 parliamentary election. That Modi's governance is election-oriented is no secret. Will the Chinese will play ball? When the two-day "informal" summit ended, the Indian side issued a statement and reportedly urged the Chinese to issue their own. Compare the two and you see a difference: while India mentioned a strategic direction to our respective armies to avoid tension on the Line of Actual Control, China only said the armies would follow past protocols. Joint statements are never easy, but individual statements are a piece of cake.

Modi had to supplicate himself because he cannot afford to go into the 2019 election after a showdown with China. Even a short skirmish will humiliate India. Unlike tension on the Line of Control with Pakistan, which benefits Modi since it can be dovetailed into communal rhetoric, tension with China gives Modi no benefit. Modi cannot help but humour China.

The Chinese were amenable to being humoured since they have now what they wanted in Doklam. China nowadays also wants to be seen as a responsible global power: hence it has nudged North Korean leader Kim Jong-Un into meeting his South Korean counterpart and, next month, with Donald Trump. China has also reached out to Japan, with whom relations are more complicated than with India.

Mainly, it was because Modi agreed to humiliate the Dalai Lama, the Tibetan Buddhist spiritual leader who has lived in India since 1959. India prohibited its ministers from attending a Dalai Lama function (ironically, to thank India) and asked him to shift it from Delhi to his base in Dharamsala, Himachal Pradesh. It was an insult; worse, he privately expressed the fear that he might be expelled.

The Chinese gave us time but they did not give Modi a hug. In the two days of staged photographs, there is not one photo of Modi hugging Xi, his trademark personalised diplomacy of forcibly embracing other leaders. Rahul Gandhi is right: Modi has decimated India's foreign policy. It's too bad that this and other aspects of his press conference were ignored by the TV media. But then, after Gujarat, Karnataka has been good practice for him. Modi's obsession with the 2019 election means that governance will suffer, so Rahul will get more occasions to show the public his mettle.

Aditya Sinha's next book, The Spy Chronicles: RAW, ISI and the Illusion of Peace, co-written with a former RAW chief and a former ISI chief, is out next week. He tweets @autumnshade Send your feedback to mailbag@mid-day.com

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Controversy and fracas is heating up over sugar imported from Pakistan. Reports have emerged about an NCP MLA from Thane district and party activists tearing sugar bags stored in a godown in Navi Mumbai. The MLA, who represents Kalwa-Mumbra constituency, said hundreds of NCP activists raided the godown, located in Dahisar Mori area of the satellite town of Mumbai, and tore the bags containing the imported sugar.

This comes on the heels of the Maharashtra Navnirman Sena (MNS), which had already opposed the sale and distribution of imported sugar. MNS leaders from Navi Mumbai visited wholesale traders in the Vashi agriculture produce market committee (APMC), and warned them against the distribution of sugar.

While sentiment and belief is one thing, we hope that these sugar raids will not disrupt the ordinary person's life or schedule. Every political party has a right to credo and action, but it should not come at the cost of citizens.

The relevant party and its workers can hold a peaceful protest outside these godowns if they so desire, to raise awareness. They could also put up their resistance on social media and create awareness about why they oppose the Pakistani sugar. Do voice your opposition, do give vent to your anger or ire and do reinstate your stand. That is your right as citizens of a democracy.

Yet, one must always do so with a respect for people and violence should play no part in these protests. Beware of political shenanigans, which aim to capture eyeballs, rather than espouse the party line or philosophy. Actions like this must not snowball into confrontations with innocent people caught in the crosshairs.

Say no to Pakistani sugar if you wish, but do not disrupt daily life. Respect the law and the people, otherwise you fear losing sight of your cause in a spiral of violence and hooliganism.

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QSQT - perhaps the first Hindi film to be referred to by its abbreviated title - finished 30 years of its release this week

If you think about it, the reason the girl (Juhi Chawla) can't be with the boy (Aamir Khan) in Mansoor Khan's directorial debut Qayamat Se Qayamat Tak (1988) - path-breaking romance for its time - is rather simple. Years ago, the boy's father had killed the girl's uncle. This is because the uncle had impregnated the boy's aunt, but forced to marry someone else - abetting her suicide.

Now, why this uncle and aunt couldn't get together isn't quite clear in this adaptation of Romeo And Juliet. Unlike the couple in Sairat (2016), both belonged to rich, neighbouring families, from the same (Rajput) caste. The thorn in their backsides was the khadoos patriarch (Goga Kapoor). He enjoyed the sole right to decide who his son (and later his grand-daughter) would marry. Also, that girl had slept with his son out of wedlock.

For a movie mirroring such rigid, patriarchal values, it's amazing that it remains, up until 2018, a rare occasion where the heroine (Juhi) falls for first, and actively chases the hero (Aamir) - a sign of ultimate gender equality (to my mind), making it one of the most feministic films I know. QSQT - perhaps the first Hindi film to be referred to by its abbreviated title - finished 30 years of its release this week. Aamir, who also shared writing credit for the movie, organised a special screening with cast and crew to mark and discuss the moment.

I just saw QSQT myself, after several years, to observe with much relief that the film hasn't aged much (certainly not as much as humans have, since), although it's not as young as the all-time favourite, Mansoor's Jo Jeeta Wahi Sikander (1992), which still looks as fresh as last Friday's catch.

One of the things that Mansoor revealed after the QSQT screening, which is rather ironic given the film's subject, were the constant creative differences/fights he would have with his late father, producer-writer Nasir Husain, during the making, making others worry if they could ever move on. That way, QSQT is full of ironies.

To begin with, for a 2-hour, 43-minute movie, there are only four-and-a-half songs. This, coming from Nasir, king of Bollywood musicals, who produced, among other great soundtracks, the 10-minute-plus medley in Hum Kisise Kum Naheen (1977; best piece of music ever).

Once, being told that a track in QSQT had been composed, while it hadn't been, Nasir decided to hop over to the studio of music composer sons of Chitragupta, Anand-Milind, giving them only a 15-minute heads up. In that interim, Anand-Milind came up with the song, Aye Mere Hum Safar.

Don't know if the pressures were equally high throughout, for I recently discovered the track, Return To Alamo (1977) by The Shadows, which even by Bollywood's liberal standards for 'inspiration', seems shockingly lifted, note for note, even tempo intact, for the number Akele Hain Toh Kya Gham Hai. The only stroke of genius being that a war-cry has been turned into a romantic melody!

In 1995, Mansoor and Aamir teamed up to unofficially remake Kramer Vs Kramer (1979), even picking up scenes from the original, while one of the main songs was copied from The Godfather score. I once asked Aamir if he thought this was a complete, creative low. He didn't agree.

What young Mansoor, and indeed Aamir, did with one foot firmly on traditions and family customs/values, and the other on relatively modern sensibilities/outlook with QSQT, is take baby steps out of the shadows of the veteran Nasir Husain. This is very similar to how the Barjatyas' reticent scion Sooraj, 25, made his directorial debut with Salman Khan in Maine Pyar Kiya (MPK, 1989), and Yash Chopra's son Aditya, 24, smartly, gently pushed the mainstream bar with Shah Rukh Khan in his first film, Dilwale Dulhania Le Jayenge (DDLJ, 1995).

Together, with soft romances involving hardened parents, the three newbie Khans invaded Bollywood, gradually extricating it from the '80s 'Angry Young Man' hangover, rape-avenger actioners, and family melodramas driven by baffling sensibilities of the money-making, assembly line movies, adapted from the South. QSQT, originally titled Nafrat Ke Waaris, was as much 10 years ahead of its time, as comforting for mainstream audiences from 20 years before. I remember older family members (and teenage girls alike) being struck by Aamir and Juhi, who were formally "introduced" in the film, although Aamir had earlier already starred in Ketan Mehta's Holi (1984).

Leading up to QSQT's release, a hoarding teaser campaign had been launched across Mumbai (and perhaps other cities), with just the question, "Who's Aamir Khan? Ask the girl next door!" The billboards turned into QSQT's posters upon the film's release. Yup, it's been 30 frickin' years. Of course, we know who's Aamir Khan. What film-buffs have always been curious about ever since, and for good reason, is what's he up to next! We always inevitably remember his last film. Which is why, I suspect, QSQT, unlike MPK, DDLJ, if you think about it, hasn't actually got its due.

Mayank Shekhar attempts to make sense of mass culture. He tweets @mayankw14 Send your feedback to mailbag@mid-day.com

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The desire to stream his speeding stunt live on social media cost a 20-year-old engineering student his life, while his cousin, who accompanied him, is battling for his life in hospital. He had stolen the keys to his uncle's car. This report highlighted once again that social media distractions and driving are a lethal mix.

The police have identified the deceased as Shivam Prakash Jadhav from Kharadwadi in Pimpri. He died on the spot. His cousin Hrishikesh Vilas Pawar, 22, was cited as critical and undergoing treatment in a Pimpri Chinchwad-based private hospital.A senior police officer was quoted in the report as saying that the car was speeding at 120 kmph. The passenger was streaming live on Instagram when the driver asked him to show the speedometer. Later, he lost control of the car, and it rammed into a grid separator.

The thrill of speed coupled with the thrill of likes, adulation and congratulatory messages is so potent that there can never be enough said about desisting from using social media while driving. Even earphones are a no-no when driving because your hands may be free, but the mind is elsewhere on the conversation and your focus and attention is compromised.

Here, we also had another factor thrown into the tragic cocktail. The driver was speeding. It was the passenger who was streaming live on Instagram, but the driver's attention was compromised as he was distracted by Instagram. It was evident that the young men were on a suicide mission unknown to them.

Let there be more awareness and we want to see a blitzkrieg on social media how it is not cool to drive and be on social media at the same time. Speed should be similarly panned. Youngsters, this is so not cool. Losing a life for some likes? Certainly not.

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The Roman Forum in the center of Rome. Pic Courtesy/Rosalyn D'mello

I did not account for what now seems like the inevitable consequence of so much travel: the blurring of existential categories that define my raison d'etre as I continue my Italian sojourn. What am I first, writer, tourist, traveller or pilgrim? To which of these vocations do I owe my primary allegiance?

Starting out in the northern region of Bolzano, within which I somehow managed to ensconce myself, thanks to my residency at Eau&Gaz, within exactly 30 days I have found myself in the deep south - the autonomous Mediterranean island of Sicily; a lived repository of continuous histories dating two millennia. I accessed the regions of Tuscany, Veneto, Neapolitan and Lazio through my explorations of Firenze, Venezia, Napoli and Roma, before taking a flight to Palermo, from where I am transcribing this dispatch. By the time you will have read this, I will already have returned to Roma where I will spend another night before I make my way to Ortona and Assisi, thereby initiating the more pilgrim end of my travel. I am deeply aware that I now have less than two weeks left in Italy, and I am struggling (really, really struggling) to make sense of everything I have encountered through my witness. How to distil the vast everything-ness of my recent realities into bottled significance; something that is easier to swallow, digest, imbibe, share?

I was grateful to land in Palermo; grateful to have found a cheap flight that got me here from Rome in under an hour, grateful to avoid what would otherwise have been a 14-hour journey. But, mostly, I discovered I was grateful to be in a city that felt like the opposite of Rome; un-pretentious, unabashed about its past, non-ostentatious and aesthetically more austere. Here I felt I could allow my body to recover from the sensual assault of the spectacle that is that city of grand beauty, magnificence, un-mindful excess. No guide I'd perused had prepared me for my sensory dyslexia, particularly on the perceptual front, like the difficulty I would experience in simply focussing my gaze.

As a sightseeing tourist, one is mentally prepared to encounter a monument; a spectacle; a historic site. In Rome, however, you are condemned to stumble upon multiple. You walk into a street and your eyes rest first on a fountain, then naturally zoom out to witness the larger frame, except you spot, next door, an opulent church façade, and across from it another, but perhaps from another century altogether, and for a moment you feel like you're experiencing a glitch in a time-travelling machine. You walk later at night to catch your bus back to your Airbnb and come upon a vast excavation site bearing just a two-paragraph description and you empathise with the historians and archaeologists who seem themselves to be struggling with this excess; this dense populace of relic, debris, pagan vestige and Catholic worship sites.

Each night my feet, exhausted and overwhelmed from walking, cried themselves to sleep as my mind, unable to still my still-restless body, tried to make sense of what I'd seen, thought, remembered, and referenced: the Sistine Chapel, the wonders of Bernini, the cinematic odes by Fellini, Rosselini, Passolini and Sorrentino; and the more obscure works of writers like Malcolm Lowry. I had to re-read one of his protagonist's visit to the Keats and Shelley Memorial Museum next to the Spanish Steps as I sat by the side of The Pantheon, after having been to that museum, and in preparation for the next day's visit to the Non-Catholic cemetery containing both poets' tombs. Had I not had the sense of mind to seek solace in relatively more obscure churches and smaller chapels, both to escape the madding crowd of tourists and to offer my body an indulgent moment of pause, I'm sure I would have been defeated by that city.

It was the only reason why, despite being drained of all energy, I could make one final schlep towards the Coliseum and also convince Mona to meet me there. After a very leisurely stroll at what felt like perfect timing, when the final rays of the sun hit the millennia-old façade, we found a corner to park ourselves for a while. I couldn't help, but show her a clip from Sorrentino's The Great Beauty; of Sister Maria on the balcony of the protagonist's home in front of the Coliseum, gathering the flamingos in the thick of night, then blowing into the air to gesture at them to fly away. I felt as though I'd finally 'got' Sorrentino's film, despite having seen it a while ago. I had to come to Rome to solve its mystery.

I cannot shake off this lingering feeling that something beyond my own free will is designing my itinerary, is customising each imprint my feet make. Whether I am either or interchangeably a writer, tourist, traveller or pilgrim has become inconsequential. All that matters now is that I willingly surrender in order to be remade.

Deliberating on the life and times of Everywoman, Rosalyn D'Mello is a reputable art critic and the author of A Handbook For My Lover. She tweets @RosaParx Send your feedback to mailbag@mid-day.com

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A day after this paper published a report about a couple who has been left in limbo because a financial institute has misplaced their Sale Deed or Sale of Agreement papers, there have been a few readers who have written in claiming that they experienced a similar situation. They, too, had a harrowing story to tell.

According to our report, an Andheri couple who had taken a loan from a financial institution years ago to buy a home and were paying it off over years, finished paying their loan. They asked the institute to return their documents and that is when they learnt that the Sale of Agreement has been misplaced. Their nightmare began, but it has been months the paper has not been found and they have subsequently been unable to sell a home on the outskirts of the city because buyers are wary of buying a home without the original Sale Deed.

Finance institutes cannot afford to misplace such important documents. Institutes might have misplaced the documents while shifting or the file has been lost when being transferred from one centre to another.

If this happens, and from the responses we learn that this is unfortunately not very rare, it is the organisation's responsibility to give the affected a way out. There has to be a redressal mechanism. If the true copy of the document does not work for certain people, the institute has to step in and provide them a solution.

They need to be held liable and accountable. You cannot expect the affected people, who are already suffering considerably and have also spent time and money, to do all this on their own. Those who have erred cannot wash their hands off the matter. They need to be there with the people, whose papers they have irresponsibly, though inadvertently, misplaced, right till the bitter end.

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It was being said that the Karnataka Assembly polls should be able to shape the political discourse of the time to come, with an eye on next year's general elections. Things are headed that way, thanks to a secondary role that the Indian National Congress has decided to play in a game that would have regional parties as dominant stakeholders. The reactions that Karnataka's high drama has evoked from the ruling regional parties and others that are poised to throw a challenge to the BJP were more like war cries.

The BJP isn't naïve to ignore what lies ahead and it should be seen changing its strategy as it faces newer challenges. We should not be surprised if BJP works overtime on dividing the outfits that the Congress wants to gather under one umbrella with the sole target of stopping BJP in its strides. The war cries we have been hearing from the foes of BJP mean a single agenda, but without a unified command centre they cannot turn it into action on all fronts where the BJP needs to be defeated. It is still a grey area for the opposition that the BJP should seek advantage from.

Regional rationale
High on ambitions, the regional parties in some states have their own calculations, permutations and combinations that have little space for the Congress, which will have to work elsewhere to emerge as the first or the second largest party at the Centre. The Congress think-tank seems to have done a reality check. After Gujarat, where it fought BJP in a straight fight and hurled a stunner that almost unseated the ruling party, it missed out on retaining power on its own in Karnataka. But it performed exceedingly well outside legislature. It learned from past mistakes and took every cue from BJP's moves. It made the right noises in the people's court and also in the highest judicial offices of the country. It was pleasant to see the Congress leaders, who are also the party's legal experts, shed their infamous arrogance, as they spoke their minds at media conferences and argued in the courts.Little wonder then, the Congress does not seem to be pushing its president Rahul Gandhi as a torch-bearer for all opposition, unless supported by the number of elected representatives.

A decision to give JD (S) the chief minister's post in Karnataka should be seen as a part of strategy that serves many purposes. It gives out a message that the Congress will make sacrifices to strengthen a mission 'say-no-to-Modi-BJP'. It embraced a post-poll partner, and it said unlike BJP (or the Congress of the past that had pulled out support to Deve Gowda's Union government), it wouldn't eliminate a friend in need.
Regionals such as Shiv Sena, BSP, SP, TRS, Trinamool Congress, TDP, RJD and other outfits have welcomed the development in Karnataka, especially the Congress' fightback in ensuring that BJP's CM steps down and JD (S) chief HD Kumaraswamy gets to run the government, as promised on the election results day.
The anti-Modi gang sees it as a positive and mature decision from the Congress, which acted with a flexibility and quickness it rarely showed in the past, in the decision-making process of the Karnataka episode.

Testing times for BJP
The BJP expects the new-found love between the Congress and JD (S) to vanish soon. It says there will be Assembly polls in Karnataka very soon and it will win, this time, with a thumping majority. If it happens or not in the southern state, the BJP will now have to keep its flag flying in three of its citadels — Madhya Pradesh, Chhattisgarh and Rajasthan, where regional parties don't matter much, but may have an influence here and there. As has been in the past three decades, it should be a one-on-one fight between the Congress and BJP. These states will also fairly indicate where the two parties stand ahead of Lok Sabha polls. MP sends 29 MPs, Chhattisgarh has 11 and Rajasthan 25.

Going by the voting pattern of the Assembly in Karnakata, a unified opposition should at least win 22-23 of 28 Lok Sabha seats in the state. By-polls in Uttar Pradesh have established that the united opposition, mainly the regionals SP and BSP, should be able to reduce BJP considerably in a state that sends highest number of 80 MPs.
Second in the line after UP is Maharashtra, where the Assembly polls are held six months after the general polls (48 MPs) and it usually sees an impact of previous polls on formation of a state government. Yet, we may have some 'trend learning' in the offing when Palghar and Bhandara-Gondia go to the Lok Sabha by-poll on May 28.

Dharmendra Jore is political editor, mid-day. He tweets @dharmendrajore Send your feedback to mailbag@mid-day.com

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The lull in incidents involving doctors and relatives of patients has been broken once again. An indefinite strike called by resident doctors of the civic-run JJ Hospital entered its second day on the weekend. The doctors held a candlelight march to protest the attack on their colleagues and to pressure the management to take action to ensure their safety.

Doctors from other hospitals were supporting the protest as well. It started with over 400 resident doctors from JJ Hospital going on strike over the weekend after two were attacked by the family of a deceased patient.

We had seen these flare ups and thought that a long lull may spell the end of the doc-patients' fracas, which has been a very worrisome aspect of the health service sector in the country. It was not to be and the latest incident shows that measures have to be in place to tackle these incidents before they spiral out of control.
Doctors must have adequate security at hospitals. Fears for safety can inadvertently crop up in medical decisions or diagnosis, where sometimes a professional's judgement may be compromised if they think that their workplace does not care enough to protect them.

Violence is not the answer even if the relatives think that the doctors have neglected them or are shocked by the death of their family member. Our civic hospitals have too many patients, but staff is small is comparison. Awareness campaigns, an intermediary between doctors and patients' family, security measures, counselling, and somehow bringing the sense that patients' relatives and doctors are on the same side, could defuse volatile situations. The time for talk, discussion and clucking in disappointment is over. This is a medical emergency at our hospitals. An antidote needs to be found.

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Two years ago, Jaidwaj Malhotra was running a Google search for a motor for his model airplane when he instead started reading about drones and how to build them. He was immediately taken in by the little object that could fly at 120 km per hour. Today, the 18-year-old is working for an organisation, helping them design surveillance drones for the Indian Army.

Malhotra is part of a tight-knit community of young drone racers in the city that came into being around the time the Indian Drone Racing League (IDRL) was founded by Karan Kamdar in 2016. Over the past two years, the field has gained a sizeable traction with IDRL having 875 pilots registered with them from all over India. The pursuit is expensive.

Building a drone can cost as much as '40,000, and the not-so-cheap batteries must be replaced every three months. The police continues to remain suspicious of fliers. However, for these pumped up youngsters, no obstacle is too big. Even with the odds stacked against them, they are finding ways to let their dreams fly.

'Burnt the circuit board while building my first drone'
Jaidwaj Malhotra, 18

His father being into aero-modelling, Juhu resident Jaidwaj Malhotra has always had a fascination for flying objects. Two years ago he participated in an aeromodelling competition held by Boeing, at the IIT TechFest. Around the same time, he came across the drone, or the "quadcopter". "If you want to fly a drone, it is important that you build it as well. You need to understand the mechanics, to ensure best control. And, in case of trouble, you must know how to fix it in a second," Malhotra says. Like Nayak, he too is a self-taught drone-maker, who got all his knowledge from the Internet.

Jaidwaj Malhotra. Pic/Satej Shinde

"My first attempt was not successful. I burnt the circuit board. But, you live and learn," says the first-year mechanical engineering student. He spread the word on his drone-making abilities on social media and soon people began to approach him. "That's how I got roped in by a startup to design UAVs (Unmanned Aerial Vehicle) for the Army." When he doesn't have exams, he practises six hours a day on a track that he builds himself, on the Jamnabai School Grounds. "A racing track comprises elements like gates, flags and cones that act as obstacles. I practise on one track, then change it completely and practise again."

One Race I want to participate in: World Drone Prix

'I am the first pilot to register from the country'
Siddharth Nayak, 26

Employed in the construction sector, Nayak is currently neck-deep into the Mumbai Metro project. It's only in the weekends that he manages to fly. "Sometimes, it's not even that, as there are working Sundays too," he tells us. Nayak, who grew up in Nala Sopara and got a degree in instrumentation engineering from a Vasai's Vartak college, has always been keen on robotics. "But, that was mostly stuff on land; I had a craze for flying."

Siddharth Nayak. Pic/Datta Kumbhar

Randomly stumbling upon a drone-racing video on YouTube in 2016 was a deciding moment for him. Nayak, of course, had no experience in drones up until that point. He went through several tutorials online and managed to build his first drone. "I tried it out in the dried salt pans in Vasai, where there were no people. It went up till about 30 feet," he says, speaking of his test run.

The height is not the point of importance in drone racing, where they race not more than seven feet above the ground. "It's precision and control that counts, because you're flying at 120 kmph. It's a lot tougher to control drones at a lower height." Nayak had his first race in IIT Gandhinagar in 2016 and his latest victory was last month at Smaaash, besides three races in Kochi and Pilani. "I had once quit my job to do this professionally, but that didn't work," he says with a smile. Nayak's next aim is to represent an organisation as a drone racer. "My dream is to represent India as a drone racer in an international league, someday."

One Race I want to participate in: Drone Champion League

'I sold my first drone to build my second one'
Himadri Roy, 21

When he was in Std X, Himadri Roy asked his father for money to build his first drone. "I had done my research. I showed him the outline of my plan, which I had developed after going through hundreds of tutorials and blogs. When he saw that I was not talking out of thin air, he agreed," says Roy. The first drone that he built had a larger frame and was heavy. It took him over a month to finish, with help from his father. "Now, I can build it in a week." In the years that followed, he upgraded his machine. "I learnt about more sophisticated methods online and then I sold my first drone to a friend who is an engineer, and used that money to build my second one. This one is a racing drone. It's smaller, faster and more agile." Roy, who was a member of an online forum called Remote Controlled India, came across IDRL on it. He got invited to his first race in Gandhinagar in 2016. "I did a few laps and crashed. It's crucial to keep your mind steady in this race. If you worry you'll crash, you will. I have become calmer now."

Himadri Roy. Pic/Sneha Kharabe

He uses the same calm to deal with authorities when they come in the way. "The laws regarding droning are not clear in India. So, the police continues to stop us. Last week, a police vehicle followed me while I was flying. When something like that happens, I try to explain that it is a sport. I also let them watch the video feed that has recorded what the drone has seen, so they know that we are anything but troublemakers." Currently, he is employing his drone knowledge in his fourth year project. "We are trying to develop drones that can be used for industry surveillance, to identify defects in mobile towers, in particular," he says.

One Race I want to participate in: Smaaash Drone Race at Gateway of India

Yakuza 6 is the final chapter in the Kazuma Kiryu saga and the debut of a new engine for the game. For those who have never played Yakuza before, there is a handy back story that you can read through complete with choice visuals from the previous game. Even without the story mode, the game is self-sufficient and you won't feel like you are missing something. It plays out like a melodramatic Japanese movie — there are lots of cut-scenes and it will be a while before you go around breaking bones and destroying property. Fortunately, the story is decent enough to keep you engaged, considering it is around 30 hours long.

For the uninitiated, you play Kazuma Kiryu, a yakuza, who is part of the Japanese mafiosi. The idea of the game is to go around completing the tasks assigned in the story mode. However, you are also in Japan, which means there are many fun distractions to while away time. In the past, these distractions have been many and made Yakuza a game that you could play forever. In Yakuza 6, however, the side activities are few, but they are well made. Some choices are playing mahjong, working out, playing baseball, visiting a hostess bar or a cat café.

The biggest addition to the side activities is the Clan Creator mini-game, where you direct gang members in a top down view of a brawl. You can add special characters to your clan, by defeating them in combat. This mini-game is a lot of fun, even though defeating your foes is often too easy. The overall combat in Yakuza is also super easy. Kiryu is capable of handling multiple thugs with just a few basic moves. You can pick up anything off the street and use it as a weapon. Building rage can trigger special moves, which is essentially just beating people senseless with whatever you have in your hand. The simplicity of combat makes it easy to learn, but it can get repetitive after a while.

Visually, the new engine shows off the cut-scenes and characters really shine through. The motion is seamless and once you are in an area, the game never stutters. Japan is recreated beautifully, it is like you are roaming the streets of the country. You can enter stores, narrow lanes and explore anything that is on the map. The game is a fitting end to the story of Kazuma Kiryu. The top-notch storytelling and the graphics more than do justice to the Yakuza series. More side activities and layered combat could have kept the game interesting beyond the main storyline, but despite all of this, Yakuza manages to entertain.

Yakuza 6: The Song of Life
Rating: 4/5
Developer: Sega
Publisher: Sega
Platform: PS4
Price: Rs 2,999

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Pic Courtesy/Sameer Malhotra

Why am I biking so much? Maybe, because I work only as much as I need to," says actor Satyadeep Misra, who you will remember as Rosie's suitor Johnny from Bombay Velvet and TV series P.O.W. — Bandi Yuddh Ke, where he played a soldier. We are sitting at his Versova home talking about bikes over a glass of gin.

Kemmu and Misra's social media is full of riding clicks, including those taken outside Café Monza in Kharghar, where they ride down on Sundays. Pics/Instagram

The cupboard next to us in the living room, is topped with helmets, which he says will grow in number. If you follow Misra on Instagram, you know that over the last year, he has biked to Uttaranchal, Himachal, Goa, Nepal and Hampi. His biking friends include actor Kunal Kemmu, who will next be seen in Karan Johar's Kalank, and whose social media feed is also full of riding clicks. Some of these see him posing with his bike, and some are taken with Misra outside Café Monza in Kharghar, where they ride down early on most Sunday mornings for breakfast.

Satyadeep Misra

Misra has a Ducati Scrambler, and Kemmu used to have a MV Agusta Brutale 1090 RR, and now has a Ducati Scrambler too. Their retail indulgences include biking jackets, one helmet after another, gloves and of course, biking boots. "After the Uttaranchal trip, riding became a big part of my life. I wake up only thinking of riding. The question on my mind always is 'when is my next biking trip going to be?' I think I work, just so I can ride," says Misra.

Kunal Kemmu

Unlike Misra, who caught the bug last year, Kemmu harboured the dream of biking since school, because he thought it was "cool". "My uncle bought me a bike, but the day it got delivered, I was in college, and my father sent it back," he tells us. "I have always been a rider. But, it's only in the last six months that I have started to enjoy what it's all about. I have made friends with those who ride with me. And I have been getting all this gear that improves the riding experience," says the new father, who is quick to tell us that the one thing wife Soha Ali Khan tells him, is to be careful.

In Robert M Pirsig's Zen and The Art of Motorcycle Maintenance, the author writes, "In a car, you're always in a compartment, and because you're used to it, you don't realise that through that car window everything you see is just more TV. You're a passive observer and it is all moving by you boringly in a frame. On a cycle the frame is gone. You're completely in contact with it all. You're in the scene, not just watching it anymore, and the sense of presence is overwhelming."

When Misra speaks of riding on a bike, he compares the feeling to flying. "If you see my bike, which is an off-roader, it's high up there, and as you are sitting on it, you too are sort of squatting in air. So, when you are cruising along, it does feel like you are flying," he says. When we ask, what he thinks about when he rides, he says, "It's hard to think because you are focussed on the road. All your instincts are tuned to the road, and keeping the bike in control. But as you start doing it more, it gets easier to disconnect and ride. As I said, it's the closest I have come to flying."

For Kemmu, it started off by being about the sound, speed and how the bike looks. But, in recent times, he has felt it become a stress buster. "There are days when you will be stuck in traffic, and feeling baked in all that gear, but then, there will be days where it will be a breeze. The risk factor also adds to the romance. At the end of the day, it's about the relationship between man and machine, and that's priceless."

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Gallery Art & Soul

How often have we heard friends say, "Let's grab a drink?" and the next thing you know, you are headed to Lower Parel? That same enthusiasm, purposefulness, and the promise of an evening well-spent are what art spaces in and around that part of the city are gearing up for this year.

Priyasri Art Gallery

Starting June 29, art lovers can say hello to the Mumbai Midtown Arts Collective (MMAC). An initiative by Anupa Mehta and Rashmi Dhanwani, the MMAC will bring together seven spaces in Worli, Dadar, Byculla and Lower Parel to build upon a format that their counterparts in South Mumbai have cracked over the past few years.

Tao Art Gallery

In this city, artists and visitors mark their calendars for Art Night Thursdays, the second Thursday of every month, when galleries have extended hours instead of their usual closing time of around 6 pm. Similarly, the MMAC will host Art Night Fridays, to be held on the third Friday of the month once every quarter. There will also be Art Sundays, when galleries will remain open, and workshops and sessions will be held in public spaces.

Volte Art Projects

Art Night Thursdays was conceptualised in 2011, along with Mumbai Gallery Weekend, by a group of about eight galleries in South Mumbai. It continues to visibly draw more visitors than what they would have on most other days. To boil it down to basics, it is a mix of two factors — geography and programming.

Piramal Museum of Art + their Byculla gallery

For most Mumbaikars, a weekday visit to South Mumbai, particularly Colaba and Kala Ghoda, where a number of galleries are located, usually means wrapping up early from work, and making at least a 45-minute trip from the suburbs. Art Night Thursdays mean that visitors from Jogeshwari or Mulund can spend more time with exhibitions, walkthroughs and talks.

Anupa Mehta Arts & Advisory

"There is a reason why we are planning for Fridays and not Thursdays. That's the day most professionals working in this part of town will step out and unwind," says Dhanwani, founder of The Art X Company, an arts management consultancy, which will drive MMAC.

Saffronart

There's enough for everyone
Mehta and Dhanwani tell us that the idea to form a central Mumbai collective is not new, and has been on their minds for some time now. And, then, last year, some of the midtown art spaces got a massive push for the first time during Mumbai Gallery Weekend, an outreach programme with a series of art events. Mehta, an arts consultant, who runs Anupa Mehta Arts & Advisory from the studio that earlier used to be a gallery, The Loft, at Lower Parel, could see the difference.

Anupa Mehta and Rashmi Dhanwani

"We had a tea party here, and I expected the regular audience to turn up. Instead, a different crowd dropped by — people who had heard that there was something going on," she says. Lower Parel and Mahalaxmi now have a number of creative clusters, such as indie design studios, today. These areas also house and employ well-travelled aesthetes with disposable incomes.

Dhanwani cites a report by KPMG in India and FICCI (February 2018), titled Visual arts industry in India: Painting the future, which stated that 'a new segment of art buyers in India consists of entrepreneurs, company executives and professionals... An increasing number of young art enthusiasts in their late 20s to early 40s are attending shows at art galleries and festivals, to both participate in workshops as well as buy original artwork.

Pics/Ashish Raje; Map/Deshna Mehta; Imaging/Ravi Jadhav

"Lower Parel has a sizeable presence of such professionals, who are open to different experiences such as catching a comedy or music gig or a new exhibition. Although there is the perceived notion that art is an elite preoccupation, these barriers can be lowered to open arts spaces even further," she says.

Focus on accessibility
In recent years, Lower Parel and its surrounding pincodes have turned into the great corporate heart of the city, drawing thousands through railway networks and SUVs for work and leisure. Mehta says that history always speaks through, as the place that was once devoted to mills, and mill workers. It is reason why accessibility is a key focus of the MMAC — how do you draw the waiting staff from the nearby pub as much as corporate consultants? "We forget that art is the great equaliser, and Lower Parel is a constant reminder that different classes co-exist here," says Dhanwani.

The MMAC, interestingly, is not a homogenous clutch of galleries, but has, under its umbrella, a museum, an arts advisory, an auction house, and galleries that have been around for more than a decade, and those that are fairly new. More are likely to join hands in the near future (check MMAC's Facebook page for more info).

The MMAC, thus, strategically, means more visibility to these spaces, and the recognition of the presence and growth of another art district, co-existing with the one in Colaba. "We are complementing our friends in South Mumbai. We hope that many more area-specific art circles may occur, and cater to local communities," says Mehta. She adds that with galleries showcasing a range of artistic practices, there is a growing audience for all.

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A still from Bioscopewala, featuring Danny Denzongpa in the lead

When we dial up Danny Denzongpa's number on a Friday evening, we are greeted with a faint "hello". The network is choppy, his voice drifts in and out. "I am in a cool place," he says, referring to Sikkim, where the actor is at the moment. His film, Bioscopewala, based on Rabindranath Tagore's renowned story Kabuliwala, is prepping for release, but Denzongpa chooses to stay far from the hustle and bustle of promotion. "I like it here," says the man of few words.

The 70-year-old actor was a little boy when he saw the Balraj Sahni-starrer Kabuliwala (1961). He had also seen the Bengali film earlier, starring Chhabi Biswas. The Sahni film, however, had an impact on him altogether. "I remember our teacher had taken us to see the film and I was howling in the theatre," Denzongpa says. When he first read Tagore's story in school, he made a drawing inspired by it. "There was a man with a pagdi, standing in a hilly backdrop. There was a stream flowing by, and across it, was a little girl." Bioscopewala, he tells us, was originally supposed to star Amitabh Bachchan. "But somehow, that did not materialise. I have always been a huge fan of the film, so, when Sunil (Doshi, producer and co-writer) approached me, I jumped at the chance," he says.

Doing the film was like going back to his college days. "Most of the crew was from my film institute (FTII) — the director, writer, sound designer Resul (Pookutty). I was the senior most among them. I remember when we were shooting in Ladakh, and I would go jogging at early morning, they'd be surprised and tell me 'you're supposed to rest for two days'. But, I am from the hills!" laughs Denzongpa. He also knew his co-actor Geetanjali Thapa, who plays Minnie, well. His other co-actor Tisca Chopra also doubled up as his Afghani tutor. "I had a tutor on sets to correct my diction, but I would always turn to Tisca. She has stayed in Afghanistan for over 10 years and is fluent in the language."

Unlike the original film that was set in the 1940s, Bioscopewala comes forward in time, in the '80s, during the Taliban regime in Afghanistan. Having also wrapped up shooting for the Kangana Ranaut starrer Manikarni: Queen of Jhansi, where he plays an army general who was like a father to the queen, the actor is now enjoying the quiet. He is not Mumbai-bound anytime soon, not even for the premiere of Bioscopewala. "This is the person I am. I'm very shy, I don't party, I stay away from events, I have not had a PR in 45 years. You don't see me talking to the press either, nor I am on television. It's not on purpose. I just don't like attracting attention towards myself." And of course, he's not on social media either. "The only thing I am on is my phone, and that also I forget about at times," he laughs.

Also Read: 7 Memorable Roles Of Danny Denzongpa

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Order of the day
Start your week with Before Sunset
8 pm – 11 pm: Some films one can never watch enough. If you call yourself a die-hard Richard Linklater fan then you wouldn’t want to miss the chance of watching this film. Join Ethan Hawke and Julie Delpy as they meet nine years after they first found each other serendipitously, on the streets of Vienna. One of the finest performances from the lead pair, this one never gets old.
14 Monday
WHERE: Drishyam VFX, Andheri West
Entry: R200
log on to: www.1018mb.com

Enjoy some spontaneous laughter
7.30 pm: Tired of the same old rehearsed lines? Then this act is for you. Mosey on to Bandra this evening where you will be treated to some improv comedy. There’s no pre-written material and your stand-up for the day, Max Fernandes, will pick up from you to bring humour on the go. You can be a participant (recommended) or a passive audience. Take your pick.
15 Tuesday
where: The Cuckoo Club, Bandra
Entry: Rs 200
Call: 9619962969

Give in to some waffle pleasure
1 PM onwards: You’ve managed to make it through Monday and Tuesday. So, you need a little treat. Celebrate the day at The Waffle Factory and avail their offers on shakes and iced teas. The offer is on every Wednesday right up until August 29. So, if you have a friend you meet only mid-week, this can become a standing date. Sweet idea? We think so, too.
16 Wednesday
where: The Waffle Factory (across outlets)

Hear the women out
9.30 PM: It’s not often that you hear women take the stage in India’s Indie music scene. Which is why #ladiesfirst is an initiative that needs your support. This evening, Social Offline x nrtya will host the Nush Lewis band and Ladies Compartment. Your ears, tonight, will be treated to jazz, blues, American folk, indie, and Carnatic Indian classical traditions.
17 Thursday
Where: Todi Mill Social, Near Viva Center, Lower Parel West
Entry: Rs 400
Call: 65110361

Relive Bollywood’s golden melodies
6.30 pm: Why should every evening out be about Western music? Relive some good old Bollywood memories as a host of playback singers along with live musicians bring to the stage, the tunes of Laxmikant-Pyarelal. And, if you are a fan, then one more reason to not give this a miss: Pyarelal Sharma Ji himself will conduct the whole 40 piece orchestra team and singers.
18 Friday
Where: Shanmukhananda Hall, Sion
Entry: Rs 250-Rs 3,000
Call: 24078888

Make your own organic make-up
2 PM to 5 PM: This is what we have always wanted. Make-up that’s organic, not tested on animals and perfectly suitable for our own skin. The Mumbai Fashion Academy is hosting this workshop where you will learn how to make your own concealer stick, liquid foundation, powder cake, make up remover and more. All material will be provided.
19 Saturday
Where: Mumbai Fashion Academy, Parel
Entry: Rs 2500
Call: 9769671960

Take it slow this time
If you think speed dating is not quite your thing, there’s the option to try this. Life of Line, a speed-dating company is slowing things down with this unique event. Participants will get to spend 30 minutes with the eligible singles of their choice, as opposed to the regular eight minutes. The custom category has been created following feedback from over a 1,000 people. The idea is to give more time to the right person. Life of Line verifies the profiles, both professional and social. The profiles of your date is shared ahead of the meet.
When: 3 pm, May 26 
Where: Hoppipola, 5th Lane, Ramkrishna Nagar, Khar West
Entry: Rs 3,999
Log on to: bookmyshow.com

See flowers in all their arty glory
Bas Meeuws is a Dutch photographer known for his photographic still life series. This exhibition titled Spring In The Wintertime is being presented in India for the first time. It’s a selection of 43 photographs that also includes a previously unseen work.
When: 11 am to 6.30 pm, 
till May 31 
Where: Tarq, Colaba 
Call: 66150424

Enjoy handcrafted cocktails
Here are the drinks that promise to take you through the heat. The summer-themed drinks at Nara are inspired from those in Thailand. Sip on cocktails like Chiang Rai (Mango and Galliano), Chiang Mai (Mango mojito), Mae Sot (pineapple and Bacardi). For a fruity mix, try the Kerff Rot Spritz and the raspberry and cranberry drink. There’s also the Thai Monk and the Fangs Tonic, which is a spin on the gin and tonic.
When: 12 pm to 1 am 
Where: Nara, Raheja Towers, BKC 
Call: 61378080

Catch the Boyzlife
The two-member band Boyzlife featuring Keith Duffy and Brian McFadden, formerly of Boyzone and Westlife respectively, are in India for the first time. Their concert titled Boyzlife Live will feature a blend of the greatest hits for their former bands. The Boyzlife show has been performed several times since 2016 and Mumbai will get to see it finally. For 90s kids especially, this concert would make for an ideal trip down memory lane.
When: 7 pm onwards, May 19
Where: Dublin Square, Phoenix Marketcity, Kurla
Entry: Rs 1,000-Rs 1,750
Log on to: bookmyshow.com

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Sanjukta Basu

Delhi-based photographer Sanjukta Basu had an epiphany right before her 39th birthday. "I was introspecting on the years gone by, and realised that although I had achieved much, I didn't think I had reached a 'destination'. It was as if I was lost at sea, and needed direction. But then I decided to embrace the fact that I go where the wind takes me. I was going to be 40, and this was me. I wasn't going to change. That's how my first tattoo took shape in my mind," says Basu, who once practiced law.

And so, her first tattoo was a sailboat, with a wave and birds in flight, with the line "wherever the wind takes me". This was also the time the idea of a project on women with tattoos took shape. Typically, some of them got one to signify something profound, like a break up with a lover or a violent relationship. Others didn't think it needed a reason. "The project is about challenging the stereotype around women with tattoos. They don't get them because they are slutty or hippie, or because they are reckless," she argues.

The photographer, who is on the lookout for new subjects to shoot in Mumbai and Delhi, says, ideally, all women should get in touch with her and tell her their stories. Sunday mid-day got Basu to shares some of her favourites.

Vimala is an aviation professional, and loves wings. Years after she got married to the man she loved, she realised he was addicted to gambling, and draining her of finances. At 48, when she found herself free from the toxic relationship, she got a tattoo — a heart with wings. It was time to fly again.

Parama, Sanjukta's first subject for the Women And Body Art project, is not one person. Within her sits the essence of Kolkata, the city she comes from and loves. The tattoo on her forearm and is an image of Kolkata landmark Victoria Memorial, an angel atop it. It signifies her belief that something good lies in everything she sees.

Archana, a women's rights activist, grew up in a protective, privileged Tamil Brahmin family. While she has grappled with body image issues, she also didn't know that you could be anything else other than a doctor, an engineer or a lawyer. When she went to college, she met women from a variety of backgrounds and, before she knew it, the seeds of female solidarity had been sown. Her first tattoo is a symbol of feminism, and she got it on the day she learnt that feminism in fact, had a symbol.

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Photographer and graphic designer Anusha Yadav started the Indian Memory Project, an online, visual, narrative-based archive in 2010, to trace the history of the subcontinent via photographs and letters. Pic/Ashish Raje

EarLier this week, artist and oral historian Aanchal Malhotra, 28, travelled nearly 240 km to Chandigarh from Delhi, to meet a nonagenarian, who had lived through the Partition of 1947. As she speaks about it now, there's a lump in her throat. "I couldn't sleep that entire night," Malhotra confesses. "Even 70 years on, the woman is so afraid to talk about it. It had everything, from gun fire, to fleeing from her home in Pakistan, to her brother and mother being taken as prisoners, and to giving birth in a forest on her way to India. When she first delivered the baby, her immediate response was to throw it away. You can imagine what trauma she was experiencing." What surprised Malhotra most was when the 90-year-old asked her what she would do with her story. "I said that I wanted to publish it. The woman's immediate response was, 'who will read this?'. They really think that nobody cares. But, this is the story that has shaped the future of contemporary India."

The jewellery Aanchal Malhotra is wearing, was made in the North-West Frontier Province and was given to her great-grandmother, Lajvanti Gulyani, by her in-laws on her wedding to Hari Chand Gulyani in the year 1919. But it could have been in the Gulyani family before that as well. Since she became a widow quite young and was a single mother at the time of Partition, it was carried by her to India in 1947 because she thought she would be able to sell it and earn money to put her children through school. She then gave it to Malhotra’s grandmother, who has now given it to her. Pic/Nishad Alam

Malhotra is the author of Remnants of Separation (HarperCollins India), a book that revisited the Partition through objects carried across the border, and the co-founder — along with Navdha Malhotra — of The Museum of Material Memory, a digital repository of material culture of the Indian subcontinent, tracing family histories and ethnography through heirlooms and objects of antiquity. Since the launch of the archive last year, the founders have put together over 35 heartwarming object stories. Closer home, photographer and graphic designer Anusha Yadav's Indian Memory Project — an online, visual, narrative-based archive, founded in 2010, which traces the history of the subcontinent via photographs and letters — has helped us see history in another light. There is also Paris-based perfumer Jahnvi Lakhota Nandan, whose recently-published book, Pukka Indian: 100 objects that Define India (Roli Books), documents the most coveted symbols and designs representing our culture, by tracing its origin and significance in our lives. All three projects while different in essence and form, have one common intent — to record untold stories from our history and preserve them for posterity. But, as Malhotra's subject asked her, why should anyone be curious?

The chakla and belan originated in 7,500 – 6,000 BCE in Punjab. At the time, this region was cultivating wheat and barley extensively. Rather than using the flatness of the chakla and the pressure of the belan to what we might expect to be used around the country to make flatbread, whatever the ingredient might be, it is only in this region of north India that the chakla and belan were used simply because wheat and barley lend themselves to kneading. What must have been perceived as a high-technology kitchen tool then, the chakla and belan soon spread to other parts of the country. Text courtesy/Pukka India by Jahnvi Lakhota Nanda, Roli books; Pic/Shivani Gupta

Celebrating the mundane
Nandan, an alumnus of the School of Art and Design at Tsukuba University, Japan, admits that her project stemmed out of her curiosity to find out about the designs that define us an Indian. "Design is a mirror of our attitudes and habits. Through the course of writing this book on Indian design, I found that uniquely Indian gestures like churning, combing and calculating were reflected in it," she writes in the book. From the dabba, agarbatti, and kulhad, to Babuline gripe water, most of the objects Nandan chose for the book, have "either been made or originated in India, or have an element that is very Indian, or are being used in a very Indian context".

This picture is of Purvi Sanghvi’s grandfather Dwarkadas Jivanlal Sanghvi (extreme right in a black coat) and his brother Vallabhdas Jivanlal Sanghvi with their business partners at a Pen Exhibition in Bombay around 1951. The family ran Wilson Pens that quickly rose to huge fame and became a preferred choice of pens across the country. All government offices, law court, used the Wilson pens. The Wilson Pen Family made the orange, thick-nibbed pen that wrote the most fundamental document that defines the state of India: The Constitution of India written by Dr Babasaheb Ambedkar. Pic, Text Courtesy/Indian Memory Project/Contributed by Purvi Sanghvi, Mumbai

It's while working on the book that Nandan realised how "our own homes are a repository of history". Here, she relays an incident when Shivani Gupta, the photographer for Pukka Indian, had been anxious about finding a mandira — a butter churner — that Nandan had mentioned in the book. "She went home, and realised that she had five of them in her kitchen. She didn't even know she was sitting on so much wealth." Nandan adds, "We don't tend to celebrate the mundane. What we celebrate are things that have obvious value, like jewellery, the beautification of the body or the exotic."

Paris-based perfumer Jahnvi Lakhota Nandan's recent book, Pukka Indian, documents the most coveted symbols and designs representing Indian culture, by tracing its origin and significance in the lives of its users. Pic/Suresh Karkera

Object as a catalyst
Malhotra's interest in people's histories began while working on Remnants of Separation, which was an extension of her Master of Fine Arts thesis project for Concordia University, Canada. Malhotra's research began after she came across a gaz (a measuring device) and ghara (a pot), which belonged to her nana's family, and had crossed the border. "Sometimes the Partition is too traumatic to speak about. When I started my research, I didn't know where to begin or what I could ask, without sounding frivolous. The object became a catalyst to enter into that conversation. So, rather than me saying 'Oh! You lived through the Partition, that must be awful,' I was now asking relevant questions, like 'why did you choose to take this gold bangle with you?'. The object then, didn't become something that recessed into the background, but something around which the entire background was arranged."

That's when she and Navdha decided to start The Museum of Material Memory. The duo encourages everyone to contribute, provided the object is from or before the 1970s. The archive comprises everything from a 5-inch-long, mottled sewing needle to a chaddar with traditional baagh and phulkari embroidery and a former Class II Income-Tax officer's diary filled up with the repeated words 'Sri Rama Jayam', meaning Jai Sri Ram. Each post is accompanied with the story behind the object. "Material ethnography is so vastly explored in the West, especially when it comes to events of trauma and crisis. What we are recording here, will never be found in any textbook. We need active memoralisation, not just of traumatic events, but of our tradition and culture, which is primarily oral."

Not just for nostalgia's sake
The indianmemoryproject.com, says Yadav, started off as a book idea, where she wanted to collect old, wedding photographs. "I wanted to document the idea of weddings in different cultures, and explore the entire phenomena behind the crew that makes it possible," she says. "While the book didn't happen, the pictures stayed with me." That's how, her archive, a first-of-its-kind in India, took off. "If you are fascinated with history, you will know that India really is a melting pot. Every civilisation has passed through it. And so we have all kinds of DNA in us. And considering photography was discovered two centuries ago, we did have a lot of content to discuss," says Yadav.

She admits that it wasn't as easy to get people to share their photographs or talk about their stories. "But, there needs to be integrity, transparency and you need to earn the trust of your subject. When you have these value systems in place, people are more open. I always thought of the archive as an institution." Funding for the project has been tough, says the archivist. "When I began, I was very clear that I didn't want to become a trust. Unfortunately, that's the channel through which most of the money comes from. But, there's a server and maintenance cost and the site constantly needs to be upgraded. Now, I have started putting in requests for honorariums. The only way I will get money is through a private funder, who is fascinated with the idea, and wants to back it as well. Sometimes, when a good sum comes from my own work as a photographer, part of the profits go to it. At the end of the day, it is an unofficial record of history, and I'm doing my best to sustain it."

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Kareena Kapoor Khan. Pic/Rane Ashish

In the last few months, we have been a bit awestruck by how hot Kareena Kapoor Khan has been looking — be in stills and videos from her new movie, Veere Di Wedding, which releases in June, or in behind-the-scenes-clips, or basically all her public appearances. The hip and sexy styling, the lustrous hair, the impeccable make-up, and the undeniable, and oh-so-Bebo swag, has helped us see the new mother in a new light, yet again. When we meet her at a suburban hotel, wearing an off-white pant suit, her hair pulled back, and her green eyes set on us with a smile, we are slightly flustered. And we ask, how are you giving 30 somethings, even the one with kids, such hotness #goals.

"No please! Honestly, I have always been very fitness conscious. Everyone is saying I have lost weight so fast, but I have taken a year and a half. It has happened over time. It's not for the movies, but just for me. Like I always say, feed me karela for lunch and dinner and I am happy," she tells us nonchalantly. There is no blueprint plan for the evolution in her style as well, says the 37-year-old. Instead, she says that the movie, where she has been styled differently from previous avatars is responsible for turning up the heat. "That's one of the reasons I did the movie. It's young and fresh. I could have come back in an author-backed role, playing a titular character. But I chose not to. I just had a baby, and I wanted to do something that's young and the language for which is different," she says. She laughs when she recalls Veere Di Wedding producer Rhea Kapoor being wary of bringing the movie to her, because she is a mainstream actress who has been a part of the Khan movies, making Rs 100 crores and more.

A still from Veere Di Wedding

"There is no hero. I have never worked with four girls. No one expected me to do this. When I read the film, I wanted to do it. A mainstream actress would ask 'but what am I doing?' But with Veere, it's about the language of the film that's about four friends. No one has the bigger part." This is where she says, that it's her choices that have always set her apart. And we agree. "I did Chameli when I was 21. I also did Ki & Ka, even though Arjun is younger to me. I did Udta Punjab, even though mine is just a parallel track," she says, and when we point out that she dies in the middle of the movie, she says "Ya! I had to make sure something happened with my character so that people remembered me. I needed that moment. I want to do something different. My attitude towards movies has changed — I may say no to a big-budget films. My headspace is not that." We steer things back to her drop-dead vibe these days. We all can diet and work out, but what is she doing every day that makes her glow?

And the answer is simple. "Happiness," she smiles, "You have to make yourself happy. You have to find joy in smaller things in life, not just success. I am happiest when I am having coffee or a glass of wine with a friend and chatting. Or when I am reading a book, not a script, trying to prove that I have 30 scripts lined up." When we ask her what is she reading these days, we find common ground. "I love reading crime thrillers, especially Jo Nesbo and Agatha Christie. I keep watching the Poirot series again as well. Saif and I are hooked." Seeing her love for Christie, we recommend Japanese author Keigo Higashino to her, and she says, "Please write down the name for me!" We come back to us telling her how we have all been obsessing over her swag on social media, even though she doesn't have an account. "I may not be there but I am there na! And my friends and family keep putting stuff up. I am very much there. Anyway, I don't think anyone wants to hear my opinions — there are so many opinions out there. Wasn't it better that you and I had a chat instead of you already knowing everything about my life?"

Also Read: Kareena, Sonam, Swara And Shikha Had 10 Stylist For Veere Di Wedding

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Daribha Lyndem at her Powai home, which she has styled with curated second-hand furniture. Pics/Sameer Markande

When Daribha Lyndem, 31, isn't busy contending with suspicious baggage at the Mumbai airport, she indulges in one of her passions, her home. As you step into her Powai apartment, in a quarters provided by the government, you are welcomed by her feline friends (Chomsky and Furnando), ample sunlight, Art Nouveau prints and the strong whiff of Mad Men.

As Lyndem, deputy commissioner with the Indian Revenue Services' customs department, gives us a tour of her house, it is evident that while the dominant aesthetic is mid-century modern, there are other elements, such as industrial fittings, that are thrown in for an eclectic mix. Mid-century modern, which roughly lasted from the mid-1930s to the 1960s, is best exemplified by sleek lines, minimal ornamentation and chic comfort. In recent years, we have seen this style make a comeback in a huge way, from international auctions to IKEA, from original vintage pieces to knock-offs.

Four such dining chairs from Oshiwara

However, Lyndem has cracked a formula, for sourcing mid-century-inspired faux pieces and other knick-knacks, but that come for less than half the price than those at leading furnishing stores. And, that's how we got to know Lyndem first — through her Instagram account @daribhagram, and her Twitter account, where she tweeted, some months ago, that she was happy to offer tips on how to furnish your house without causing a dent in your pocket.

1. Design your own cosy art wall
The greatest struggle for our homes could be the question on what art to put up. With the Lyndem method, you can do the following: salvage prints from dying books, such as an old map of the fictional world of Malgudi. Your favourite Dickens quote, like hers from Great Expectation. Sift through Chor Bazaar for vintage prints, such as Alphonse Mucha's. And, if you have some talent, then make your own, such as Lyndem's Warholesque rendering of cacti. Married to writer and stand-up comic, Adhiraj Singh, her wedding card also features as one of the framed prints. If it looks cool, it's only because the couple chose a template available online at Vistaprint.
16 framed art prints: Rs 5,000

Study table and chair from Oshiwara

2. Weekly pilgrimage to Oshiwara
Oshiwara's famed furniture markets have yielded several pieces for Lynden's living room, and also a study table unit. Four second-hand chairs have now settled comfortably around a custom-made dining table. When she moved into the house about a year ago, Lyndem decided to make frequent visits to Oshiwara. "Here, you need to have patience. You will have to scour the shops and be prepared to not find anything on certain days. I used to go there once a week to have a look," she says. The good news is that Oshiwara's shopkeepers will upholster and paint furniture according to your needs. Distressed finish or matte? You've got it.
Study table and chair: Rs 6,000
Lamp: Rs 1,000
Four dining chairs: Rs 2,400

Armoire from Oshiwara and second-hand chest from Chor Bazaar

3. Hit the highway for some great steals
Previously, Lyndem was posted in Kalyan, and would travel the state highway passing through Kon Gaon as part of her daily commute. Here, she says, it is easy to find roadside shops that sell rejects from online furnishing stores. A chair in her living room was thus bought, with a prominent stain, but upholstered and fixed to perfection. "There was also a two-seater couch that caught my eye, which I thought would be a great addition to the bedroom. But, the next day, it was gone," she says. But, three side-tables travelled the highway to her house.
Side table: Rs 800
Chair: Rs 2,500

4. Keep Mumbai always in mind
The practicality of mid-century modern is that at the time at which it gained popularity, it was suited for small post-war homes in the USA. Our Mumbai homes could benefit from its lightweight and streamlined properties, and Lyndem puts that to test at her house. She got a glass-fronted teakwood armoire made, which she uses as a bookshelf. "While I like the idea of open bookshelves, that's not a great idea for Mumbai, given its dust and humidity. Closed bookshelves are more suitable, and you should opt for height rather than breadth. That way, you get more floor space," she says. One useful tip to keep in mind, while you are sourcing second-hand furniture, is to have a discerning eye about what's repairable and what isn't. Don't try salvaging termite-ridden furniture, no matter how much you want them.
Custom teakwood armoire: Rs 15,000

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At the heart of No Lights No Lycra (NLNL) is the belief that everyone can dance. This free-form workout in the dark was thought up by Australian dance students Alice Glenn and Heidi Barrett in 2009 in Melbourne as a means to truly let go and express oneself.Creative freelancer and the woman behind the Mumbai chapter, Yooti Bhansali, says, "You can dance like nobody's watching, because nobody can see you and also, they're busy enjoying their new-found freedom. From a small room full of nutty dancers in Melbourne, this community has spread to major cities in Australia, London, Hong Kong, Beijing, New York, and is now Mumbai."

Bhansali heard about NLNL from an Australian friend. Is Mumbai ready for such a thing, we ask. "We've seen music gigs in art galleries, movies in bars and quizzes in microbreweries. So, getting people in a dark room to dance doesn't seem much of a stretch," she says Bhansali has got several queries from people across age groups, who are excited about the prospect of a physical activity that's fun. "It's not a party. It's a place where you dance freely. Of course, you could just dance in the dark in the privacy of your home, but let's be honest — would that be as much fun?"

When: 8am, May 23
Where: The Bandra Base, Baitush Saraf Bldg, TPS III, 29th Off Waterfield Rd, Bandra West
Entry: Rs 399, cash only. Get a friend for free

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When the trailer of Shank’s hit the Internet two years ago, it garnered over 2,00,000 views in under a fortnight. And, why not? Until then we had not really seen stylised montages of modaks and varan bhaat being served in a fine-dining ambience. The trailer had us curious about Ashay Dileep Javadekar’s film, which looked like a documentary. Where is this Shank’s, the Marathi fine-dining place, we wondered. Two years on, with the release of the film online, we have the answers.

The 1 hour, 11 minute-long film, shot on a Canon Powershot and iPhone 6, traces the journey of Shashank Joshi, a man who nurtured and nourished his dream of being a chef, right from his boyhood days in a small town in Maharashtra. We know him, little by little, through his family, especially one cousin he is close to. We know him through his college friend, through food critics and historians, and most importantly, his mentor’s daughter Pauline with whom he has the most extraordinary journey. We see how he had to fight the odds, and nearly give up before he makes his dream a reality.

Bhave in a still from the film

A generous part of the film is made of lush close-up shots of Maharashtrian food that is sure to get Indians, especially those from the state, excited. And for Westerners, well, it’s Indian food like they have never seen before — a far cry from tandoori chicken, paneer masala and dal makhni. The screenplay uses a documentary narrative to tell a fictional story. Javadekar seems to be an ardent believer of the phrase: God is in the details. The care with which each character has been crafted, from dialogues to props and their stories, you forget that none of it is real. That’s also because of the convincing performances the actors bring to the table. Makarand Bhave becomes Shashank, in the controlled passion with which he narrates his story. Playing Pauline Bonnet-Joshi, his partner in crime, is Melissa Ehrlich Blevins. She brings so many moods into her account, from compassion, to vulnerability, excitement, and determination. The supporting cast is also impressive.

Besides telling an absorbing story, Shank’s makes us ponder on questions like how the West perceives Indian cuisine, the importance of educating customers on the food, and also, the gender bias in the industry, a reality that is larger than we wish to acknowledge. Food for thought, quite literally. The film can be streamed seamlessly, at a reasonable price on a pay-per-view platform. Shank’s heroes Maharashtrian food like never before, but, more than that it urges dreamers, aspiring restaurateurs in this case, to make their real voices heard. Minus a few rough edges in production, the film might remind you of Chef’s Table. That’s interesting because when this film was made, Chef’s Table was yet to hit the screen. A word of caution though: Do not watch it on an empty stomach, unless you are looking to work up an appetite.

Log on to: www.njemovies.com
Price: Rs 99

Watch a Panchatantra tale
4 PM: Take your kid for a play, based on a story from the Panchatantra. Written by Vishnu Sharma, Hil Mil Kar, is about how a crow, rat, tortoise and a deer become really good friends and stick together against all problems. This play employs both traditional and modern musical instruments to tell the story.
WHERE: Harkat Studio, Bungalow No. 75,
JP Road, Versova, Andheri West
ENTRY: Rs 200
TO BOOK: insider.in

Dig into nihari gosht
12 PM – 3 PM: Transport yourself to the Royal Era of the Nawabs, with The Sahib Room & Kipling Bar's all-new Dawat-e-Khaas thali, which will allow guests to experience the aromas and taste of Awadhi cuisine. The delicacies include tunday kebab and dum biryanis.
WHERE: The Sahib Room & Kipling Bar, Level 9M, The St. Regis, Lower Parel
PRICE: Non-veg: Rs 3,500; veg: Rs 2,500
FOR RESERVATION: 8291926985

Catch a nature exhibition
11 AM – 7 PM: See how fashion photographer Sunder Ramu romances with nature in one-of-a-kind exhibition, The Last Dance of the Leaves. The series of prints of pictures of dry leaves showcases a world that's both real and surreal. At the core of this exhibition lies the simple belief that we must live like a leaf and to remember that if the leaves go extinct, so will we.
WHERE: Tao Art Gallery, 165, The View, Dr Annie Besant Road, Worli
CALL: 24918585

Go shopping for your dream wedding
10 AM – 10 PM: Have a dream wedding in mind, but need help? The Wedding Story might just be what you're looking for. In its very first edition, the pop-up marketplace will offer a unique shopping experience with the most renowned names in the wedding industry under one roof. There will be a wide range of apparel, beauty and grooming, trousseau essentials, lifestyle products to choose from.
WHERE: 18.99 Latitude, 4th Floor, Kamala Mills, Lower Parel
CALL: 9967130313

Discover Bandra of yore
May 27, 8 AM: Witness how the neighbourhood of Bandra is preserving its rich culture at a heritage walk, Bandra's Past and Present. The walk explores the unique physical spaces, character and cultures of contemporary Bandra; it spotlights the neighbourhood's particular history and legacies, and attempts by its communities to preserve the same.
MEETING POINT: Bandra Fort
ENTRY: Rs 850
TO BOOK: eventshigh.com

Enjoy a fruity sangria
7 AM – 1 AM: Sip on some refreshing sangrias at Smoke House Deli and deter away from the sweltering heat. One can choose from three uplifting options such as the rosso, melon and bianco. The sangrias come infused with tropical fruits like apples and pomegranate.
WHERE: Smoke House Deli, 33rd Road, Pali Hill, Bandra West
PRICE: Rs 699
CALL: 65287800

Draw a flamenco dancer on canvas
4 PM: Explore your creativity, by painting a flamenco dancer. This will be a guided session, shedding light on the strokes, sketches and techniques to help you paint better.
WHERE: SodaBottleOpenerWala, Sentinel, Powai
ENTRY: Rs 1,850
TO BOOK: insider.in

Paint a mug
1 PM – 4 PM: Beer and coffee lovers, this one is for you. At a fun workshop, you will learn how to paint your beer/coffee mug in five easy steps. You will first pick your mug, after which you'll choose a design or create your own, colour it and give it a name. You will get to take it back home after seven days.
WHERE: Doolally Taproom, 1st Floor,
135 Kwality House, Kemps Corner
ENTRY: R1,500
TO BOOK: eventshigh.com

Order of the day
Set the tone for the week
8 pm onwards: There's no rule that says you must let the Monday morning blues carry on till way after sundown. How about starting the week on a musical note then? Gather your gang and head to this karaoke night, where you can unleash your inner Madonna or Enrique or whoever is your crooning idol.
21 Monday
Where: Tipsy Gypsy, Level 1, Fun Republic,
Link Road, Andheri West
Call: 7021857037

Listen to acoustic fusion
7.30 pm: Bhrigu Sahni is a singer-songwriter known for his acoustic compositions. Based in Brooklyn, New York, Sahni is a graduate from Berklee College of Music. He uses altered tunings and flamenco techniques on the acoustic guitar to create a very different kind of soundscape. Give him a listen.
22 Tuesday
Where: The Cuckoo Club, Pali Hill, Bandra West
Entry: Rs 350
Log on to: bookmyshow.com

Get your mid-week break
8 pm onwards: If the words "unlimited sangria" is music to your ears, you would not want to give this a miss. Forget about the long work day and unwind with your poison, along with a buffet. What's more, you can actually dive into this DIY sangria and stir up a fancy concoction according to your taste.
23 Wednesday
Where: BKC Dive, Pinnacle Corporate Part, Bandra Kurla Complex, Bandra East
Entry: Rs 299 onwards
Call: 8655077330

Watch them fight it out
7.30 pm to 9.30 pm: Burqa Boxers is a documentary about Muslim women boxers in Kolkata. These youngsters who face the grim reality of abuse and rape daily, dream of a better future by learning boxing from Razia Shabnam, one of India's first female boxing coaches.
24 Thursday
Where: The Bagel Shop, Anand Vila,
Pali Mala Road, Bandra West
Entry: Rs 250
Log on to: www.instamojo.com

Attend a pro talk
4 pm to 6 pm: Get your dose of wisdom this week from global icon Niladri Kumar, who is a fifth-generation sitar player, and inventor of the zitar. Hear Kumar speak of his musical journey, his understanding of genres and the challenges he managed to conquer.
25 Friday
Where: Soundideaz Academy, Shah Industrial Estate, Andheri West
FREE entry
Call: 7045781807

Dance with your child
11 am to 12.30 pm: This one's for the mothers in the house. If you've wanted your little one to learn how to dance, here's a novel way of getting them started. Instead of sending them to a school, which could be a long-term option, you can actually match your own steps with them.
26 Saturday
Where: Impulse Studio, Tej Gaurav House, Matunga East
Entry: Rs 500
Call: 9987157242

Sample prints from Bengal
Prints from Bengal is an exhibition that features works that date back to the early 20th century by artists of Bengal, who lived through tumultuous periods in history. Think Partition of Bengal, Swadeshi movement, and the subsequent reunion of the state in 1911. The artists whose works will be featured are Gaganendranath Tagore, Mukul Dey, Ramendra Nath Chakraborty, Ramkinkar Baij and Rani Chanda. The prints range from lino-cuts to lithographs that reflect the history of the print-making process, while focusing on forms, structure, texture and use of negative and positive space. Interestingly, many of the works exhibited in Mumbai for the first time, recall the history of the venue of Project 88 that was once a century-old metal printing press.
When: 11 am to 7 pm,
till June 16
Where: Project 88, Colaba
Call: 22810066

Bite into cherry blossom specials
If Japan seems too far at the moment, this could be a close second, at least, food wise. Partake in a sushi-sake festival wherein the menu includes popular Japanese delicacies like a vegetarian miso soup, a sashimi sampler with varieties of salmon, tuna, scallops and hamachi paired with the Hakushika Honjozo Namachozo sake. You can also savour modern spin-offs like sushi burgers. The sake serving is of 60ml per course.
When: 12 pm to 1 am
Where: Pa Pa Ya, all outlets
Entry: Rs 2,199 for veg and Rs 2,999 for non-veg

Get started on Haiku
You've heard and read about haiku, and perhaps have been contemplating trying it out too. This workshop, conducted by Neha Bahuguna is good to get you started. Bahuguna, who is a NID graduate, has a multi-disciplinary approach and has, over the years, worked as a lyricist, writer and conducted storytelling and poetry workshops.
When: 3 pm, May 25
Where: ARTISANS' Gallery, Kala Ghoda
Entry: Rs 1,500
Log on to: insider.in

Watch a film on Pushkar
In Pushkar Puran, filmmaker Kamal Swarup explores the ancient myths and politicking of Indian gods, as the water in the Pushkar lake turns holy. The director has captured the exuberant goings on of this quaint lake town during the Pushkar Mela, revisiting its sacred stories and myths. The film has been beautifully shot by Ashok Meena and Kumar Avyaya.
When: 8.30 to 10.30 pm,
May 26
Where: Harkat Studios, Aram Nagar 2, JP Road, Versova, Andheri West
Entry: Rs 349
Log on to: insider.in

Hear music from the roots
Catch the duo Maati Baani, comprising vocalist Nirali Kartik and composer Kartik Shah. They are known for creating music rooted in traditions but set in a contemporary sound.
When: 8.30 pm, May 24
Where: Sharyans Audeus, Andheri West
Entry: R1,000
call: 26735115

Sign up for this app
Shilpa is an attractive, interactive, user-friendly phone app, touted to be the most popular app of 2018. It can sing, dance, and follow all your commands.
C Sharp B Blunt is a solo performance by Pallavi Arun, that takes a satirical look at the extent to which the female form is objectified. The app, Shilpa, ticks all the boxes in how women should behave with men. Until, of course, the next update is due.
When: 9 pm, May 24 to May 25
Where: Prithvi Theatre, Janki Kutir, Juhu Tara Road, Juhu
Log on to: www.bookmyshow.com

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Over a phone call from Kolkata, Vikram Rajan*, an audio engineer and guitarist formerly based out of Mumbai, wants us to listen to a track that he has composed. It's available on Soundcloud and, as we stream it, we more or less agree that its flavour of electronica-jazz could accompany a languorous Sunday evening. "For a long time, I had been unable to come up with something good. And, then, I composed this around March while I was microdosing and sometimes, megadosing on acid," says Rajan.

The 33-year-old is referring to a way-of-life that's effectively snapping the ties between drug abuse and the creative arts. This is a lifestyle experiment that some of the brightest techies in Silicon Valley are engaging in, and has got psychiatrists and anti-drug crusaders distraught. "From a 100 mics paper, I take about 20 mics, twice a week, giving the doses a 2-3 days gap. The effects of acid last for about six hours for me," says Rajan, who started experimenting with drugs as a teenager.

After a litany of prescriptions failed to control her mood swings and depression, Ayelet Waldman found relief in LSD. The former federal public defender authored A Really Good Day: How Microdosing Made a Mega Difference in My Mood, My Marriage, and My Life, in 2016. She wrote: "(It) made room in my mind not necessarily for joy, but for insight. It allowed me a little space to consider how to act in accordance with my values, not just react to external stimuli. This, not the razzle-dazzle of pleasure, was its gift." Pic/Getty Images

In need of a quick glossary before we proceed? Acid is officially called Lysergic Acid Diethylamide (LSD), a psychedelic drug banned in India, the possession of which can lead to imprisonment from one to 20 years under the Narcotic Drugs and Psychotropic Substances Act. LSD is often illegally sold in the form of stamps, with the hallucinogen embedded on blotter paper. Mics is micrograms, that's one-millionth of a gram. A microdose is when you have about one-tenth of a recreational 'party' dose, which starts at about 200 mics.

"With microdosing, you are not tripping — this is not a trip. The euphoria isn't there. It's not about feeling good, it's about calmness," continues Rajan. Microdosing first hit headlines after Steve Jobs' passed away in 2011, when a number of inspiring tales on how LSD became the new go-to substance for enhanced performance by tech employees hit the net. Espresso became passé. 'Flow states' were the new yoga. While Jobs did more than just microdose (he was known to have gone all the way), Silicon Valley techies are reportedly doing acid in quantities such that their effects are 'sub-perceptual', where you won't "see stuff" but you harness its "positive" effects.

A dropper with CBD cannabis oil, used for medicinal purposes. Initial research in the area has shown that patients can reap the benefits without its full-blown 'high' effects

Paul Austin, founder of The Third Wave, where you will find a manifesto on microdosing, defines it as, "the act of integrating sub-perceptual doses of psychedelics, such as LSD or Psilocybin Mushrooms, into your weekly routine for higher levels of creativity, more energy, increased focus, and improved relational skills." The Third Wave, according to Austin, follows the first two waves, in which psychedelics were used indigenously for thousands of years, and then, in the 60s and 70s, when they were a part of American counterculture. Austin writes that The Third Wave is upon us, "brought about by recent developments in cannabis legalisation and psychedelic research — and it will change the way mainstream culture perceives psychedelic use."

Classically acid, now weed
For Rajan, however, it wasn't sub-perceptual Silicon Valley that got him to ration his 100 mics stamps, each of which costs about R2,000. It was simply a matter of demand and supply. Mumbai had better stuff than Kolkata, and more availability. Microdosing has classically been associated with LSD, but now has been extended to cannabis as well. Austin's website has guided instructions for microdosing on nine drugs, including cannabis and ayahuasca. Mumbai-based communications officer Varna Kumar*, 25, smokes a mandatory post-work joint every night in order to cope with anxiety and panic attacks. "I feel I have worked enough through the day, without much time to understand what I am going through. At night, when I am by myself, I smoke a small joint to achieve REM sleep," she says. The joint, a mix of two strains, sativa and indica, help her body relax. It makes her anxiety seem defeatable, is how she describes it. Her counsellor, who also smokes up, has not advocated this as a coping mechanism. "It's different from when I am smoking up recreationally during the weekend or when I am away on a vacation. I will do three to four joints when I have nothing to take care of," she says.

Rajan doesn't buy it. He offers an example that may be best contemplated upon or contested by those who have done both LSD and cannabis. "With weed, you are either stoned, or you are not. You will need to smoke up as soon as the high wears off. When you get stoned, your mind becomes passive. But, microdosing on LSD allows you to be calm enough to multitask, allowing a lot of information to be funnelled into your brain easily. You are alert, you are awake," he says, adding, "What is LSD all about? When you start tripping, you see a shift in perspective." You need not agree with Rajan, as he himself says, "We are all chemical reactions", with each of us reacting differently to drugs.

Covert, not convenient
Microdosing will often be compared to that hard-earned and well-deserved one drink after work hours. It's nothing like that, microdosers will tell you, and so will psychiatrists and rehab therapists. For one, microdosing has none of the ease of getting a drink at your favourite pub. You will be persecuted in your search for your creative spell or a calmer mind. Next, it's not even like getting a drug prescription that your GP advises you to have for the course of a fortnight. Kumar and Rajan know it all too well. Microdosing means self-experimentation, knowing when you are crossing the threshold into recreational high dosages. Cannabis, for instance, is best microdosed through edibles, like space brownies, which are available legally in some parts of the world. It's probably the reason why microdosing is yet to take on Silicon Valley proportions in India. "Here, we don't often get to know what strain of cannabis we are using, or where it is sourced from," says Kumar. Saying "this stuff is craazzyy" is, therefore, not enough if you want to microdose. "If you are living with family, it's hard to make edibles. All this means that the convenience factor associated with a drink is not the same with this covert process," she adds.

The idea of the junkie, with matted hair and piercings, is a stereotype that microdosing is replacing. It's no longer cool to be a junkie, especially in the vegan-conscious, gluten-free, aerial yoga health lifestyle that we are seeing around us. Microdosing may be the most metrosexual among the various kinds of drug use, and it carries the allure of high-performance and alleviation of mental health issues, with published studies to back these up. But doctors and psychiatrists are warning us about the glamourisation of microdosing, even as research to mainstream it for mental health is going on. Psychiatrist Dr Samir Parikh says, "Microdosing encourages the thought process that you need a drug for enhanced performance or better creativity or to calm your nerves. This will mean that students microdose before exams, athletes before a run, couples before a wedding, and the next thing you know, because someone has to attend a birthday bash. There is no end to important situations in life. We are making people believe that a student could have scored an additional five marks in an exam had she just microdosed. Can you imagine the perils of this philosophy?" he says. He backs this up with the number of risks associated with prolonged drug abuse, such as a permanent change in brain circuitry, cerebrovascular diseases, and panic attacks.

Then there are those who will argue that moderation as 'one-drink-a-day' is more addictive than the weekend drunken revelry. Is addiction, even in microdoses, still addiction, where the brain searches for rewards compulsively? Kumar disagrees. "Microdosing is the difference between dependence and addiction. For example, I am dependent on a cab to take me to the station. Can I get through my day without it? Can I walk to the station? Yes, I can. That's what microdosing is. I can get through my day without a joint, but a joint just makes it a little easier," she says.Psychiatrist Dr Yusuf Merchant, who runs a rehabilitation centre at Kalyan, says microdoses pose the risk of turning into overdoses. "With any drug, the body learns to metabolise it faster. Which means, that the quantity for a microdose will keep increasing and your hold on reality will keep getting more tangential."

Rajan himself admits to a 'bad trip'. LSD users will tell you that recreational doses are best done in settings that you feel comfortable in, to enjoy, or cope, with the hallucinations. With microdosing, you are headed into your office or your studio to function better. Rajan had once taken more than a microdose, leading him to have a panic attack, the kind where he couldn't even see his hands. The golden rule, he says, is that if you don't go on a full trip, you will never know what a microdose is.

That ailing pain
The push for microdosing is coming from a quarter where its future seems to be most secured — pain management. Mumbai-based homemaker Susheela Kamath*, 48, was diagnosed with stage II breast cancer a couple of years ago, and having undergone nearly a year's worth of chemotherapy and radiation, the accompanying pain and nausea, were all too real. Her daughter provided her with high-grade hash oil. The dealer provided her with a tiny spoon, the kind that you are handed inflight to stir your coffee with. "I had to initially understand, through a lot of trial and error, by gauging my mother's mood, on what a microdose for her would be. Hash oil is very potent," says the daughter.

A little drop of it on her toast every day, helped Kamath cope with pain. "From the third day to the tenth day after chemotherapy, my mother would have about three to four spoons a day, and, on other days, just half a spoon," says the daughter. Coping with the pain meant she could do more during her day, and also have an appetite. Now, months after she has wound up chemotherapy and radiation, she has bid adieu to the prescription drugs that came along with it, and the hash oil as well, without yearning for that high. Unfortunately, unlike medical grade marijuana that is available in some countries, and still not permitted in India, the daughter did not know if the oil had cannabidiol (CBD), which gives marijuana its medical properties, or tetrahydrocannabinol (THC) which gives you the "high".

Dr Kailash Kothari, interventional spine and pain management specialist at Fortis Hospital, Mulund, says that there is not enough evidence to either prove or disprove that microdosing on cannabis can help with pain management, the way opioids, such as morphine, act on the nervous system. "Do cannabinoids work like tranquilisers or do they have long-term effect? There is not enough research as of now," he says, adding, "Getting dependent on these takes a lot of time and not something that can happen in about 15 days of use." In the meanwhile, you can enjoy a night of quiet or a better track on Soundcloud by rationing your stash. But, is it short-term solace or long-term abuse?

*All names have been changed on request to protect identity

Without access to modern technology like refrigeration, people in developing countries often have to throw away a significant proportion of the fish they catch. EU-funded researchers have delivered innovative, low-cost solutions to help such communities around the world make their fish stocks go further.

Representational picture

If your pets are following to every nook and cranny of your house and especially when you decide to have some lone time in the bathroom, blame it to their 'pack behaviour'. According to the recent studies, dogs have evolved to be pack animals with strong bonds to those around them, and in their domesticated state, the instinct to physically stick with the members of the pack transfers to their humans.

Reports say that if a pet follows you everywhere he might start suffering from anxiety and separation issues whenever the pet owner leaves the dog on its own. But on the flip side cats are not known to be as pack animals. They are in a constant search of warmth and thus are often seen cuddling up in towels or pillows. For cats their own privacy is paramount.

The cats would also follow you to your loo trips but not cause of their concern of separation from you but as they are insecure and want to check if there is nothing untoward going inside the house which could be threatening to them.

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The eight-year-old's name floats about in your head like a fly - not so long ago, buzzing around insouciantly - fallen into a cup of tea gone stale and cold. A child, who would have perhaps stared at you with demurred confusion were you to read the chargesheet for her abduction, rape, and murder to her. "Myean beyni! Emuk matlab kya chu may wann te (My sister! Tell me what does that mean)," she would have asked in Kashmiri. The case sparked widespread national outrage, and social media was taken by storm. However, amid much of the hammering that has taken place after the Kathua rape, a relatively quieter means of dissent surfaced in the form of art on Instagram. Meet its makers.

Orijit Sen,
A veteran artist based in Delhi
"I had been hearing things but I was busy with deadlines so I wasn't aware of all the details until I took a break. When I read about the case and the chargesheet, it made me sick, but then I saw her photograph and it left a deep impact. It haunted me. I added the horse because I read that she had been abducted when she was out herding horses.

It was like her guardian spirit. The wildflowers in her hand signify flowers she may have collected and the meadows around, because I read that playing in the meadows was her favourite thing to do. The shadows on her face are to obscure her identity and in all, I was just trying to capture the vulnerability and innocence of a child her age. I think to me, the image portrays a child of the meadow, returned," he explains.

Abhilash Menon,
visual artist and illustrator from Mumbai
"When the agony gets too much, the voice inside me takes over. The hands of a criminal are always eager to touch flesh, with insane brutality. Such criminals don't shy away from wearing the mask of cast, creed, colour, religion or politics - as depicted by the five fingers in the image - but when the masks come off, they are all the same.

The five fingers here are in the shape of the male genitalia, establishing the mindset of such criminals - decadent and unbeknownst to human values and pain. Irrespective of their background, they should be delivered the harshest common punishment, so that others abhor an act such as this. Punish these delinquents and bring peace to the soul of that little girl."

Sourabh Basu,
Student and Kolkata-based graphic designer
"My illustration focuses on the multiple thoughts running through her head in the moments before her death. She might have cried, struggled in pain, the pitch of her voice might have been unbearable. She might have cried out for her mother, hence the text 'Ma'.

But it also depicts that she was in a temple, a goddesse's shrine, which to most of us is also an abode of the mother. In those last minutes, she must have been filled with hatred toward the world and its cruelty."

Satish Acharya,
Well-known Kundapur-based cartoonist
"I couldn't believe that people could be so cruel to an eight-year-old. Her thoughts started haunting me. I was saddened to see that some people were shamelessly defending the rapists. I did a series of three cartoons. The first one was about how the little girl is receiving so much love from us, but what she deserves more is justice.

The next two panels are about how nothing has changed since the brutal Delhi gang rape. In spite of a revised law named after the victim, rapes continue to be used as a tool to scare and hurt women, to settle political scores, to impose age-old gender biases and caste hierarchy. What was also worrying was how divided the country was unlike in the case of Nirbhaya which was protested in one voice."

Saira Khan,
Toronto-based Health Studies and Psychology student
"This artwork is not only dedicated to the eight-year-old, but to every child who has been a victim of rape and physical and psychological harm. The news of the Kathua rape reminded me of Zainab, a six-year-old Pakistani girl who was raped and murdered in January.

The illustration is that of a faceless and nameless girl and the hashtag #Justicefor, has been left incomplete to depict that in a society where rape and violence against women is ingrained, one name can soon be replaced with another. The shards represent brutality and crimes against women and children. The use of red paint is to depict the urgency of the message," she explains.

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