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Quarantine Beauty: The Tools And Techniques That Have Me Glowing!

I don’t know about you, but giving daily make-up a rest has been doing wonders for my skin. But in case we’ve never met before — hi, I’m Gala! — I like to maximize things. My train of thought goes something like, ‘Sure, my skin looks good… But what if I came out of quarantine looking better than […]

The post Quarantine Beauty: The Tools And Techniques That Have Me Glowing! appeared first on Gala Darling.




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There Has Never Been A Greater Time For Romance Than Right Now!

When things are tricky — see: global pandemic! — it’s easy to get mired in the muck of it all. And absolutely, it is a hard time for many of us. But where we really move into a place of power is when we shift our perspectives by asking ourselves a simple question. That question […]

The post There Has Never Been A Greater Time For Romance Than Right Now! appeared first on Gala Darling.




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A Love Ritual To Change Your Frequency!

By popular request, my LOVE RITUAL from Instagram Live! Grab your favorite essential oil, and settle in for a magical moment (or five!) with me. Be sure to pick up your copy of HOLOGRAM HEART before Friday May 1st for the ultimate earlybird package!

The post A Love Ritual To Change Your Frequency! appeared first on Gala Darling.




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Your Top 5 Relationship Questions: Answered!

In this episode, we talked about… How to cope if you’re feeling uncertain and anxious because you are apart from your partner, as well as how to deal with boredom and frustration because of too much togetherness… What to do if you have a mismatched vision of what you both want… How to stay in […]

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Mecho Wars: Desert Ashes Is Now Available For Xbox One And Windows 10 (Xbox Play Anywhere)

Product Info: Developer: Arcade Distillery Publisher: Arcade Distillery Website: Mecho Wars: Desert Ashes Twitter: @ArcadeDistiller




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Duke Of Defense Is Now Available For Xbox One And Windows 10 (Xbox Play Anywhere)

Product Info: Developer: Sebastian Nigro, Christ Anselmo Publisher: HItcents Website: Duke Of Defense Twitter: @tophtacular / @Seabass_N / @Hitcents




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SokoBunny Is Now Available For Digital Pre-order And Pre-download On Xbox One

NOTE: You may pre-download this game, but it will not be playable until the release date/time: 05/22/2020 – 3:00 AM (check the product page for release date/time in your region).   Product Info: Developer: DillyFrameGames Publisher: DillyFrameGames Website: SokoBunny Twitter: @DillyFrameGames




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NASCAR Heat 5 Is Now Available For Digital Pre-order And Pre-download On Xbox One

NOTE: You may pre-download this game, but it will not be playable until the release date/time: 07/10/2019 (check the product page for release date/time in your region). Get three days early access when you purchase the Gold Edition. Product Info: Developer: Motorsport Games Publisher: 704 Games Company Website: NASCAR Heat 5 Twitter: @704Games / @MSportgames / @NASCARHeat




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Sin Slayers: Enhanced Edition Is Now Available For Xbox One

  Product Info: Developer: Goonswarm Publisher: Black Tower Website: Sin Slayers Twitter: @sinslayersgame




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NFPA and HFSC Take Home Fire Sprinkler Week 2020 Virtual; Help Us Fill the Digital World with Life Safety Messages May 17-23

As the world continues to deal with the ongoing demands of COVID-19, NFPA and the Home Fire Sprinkler Coalition (HFSC) have cancelled live events that week in favor of a North America wide virtual effort to show the value of home fire sprinklers from May



  • fire sprinkler initiative
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In the Interest of Safety, NFPA Cancels June 2020 NFPA Conference & Expo® in Orlando

At this time, the world continues to be significantly impacted by COVID-19 and we no longer believe it is possible to host and conduct the NFPA Conference and Expo in June. NFPA is a safety organization and we would not hold an event where the well-being



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  • 2019 nfpa conference & expo
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an

Where Things Stand: Breaking Their Own Rules

During the Passover, first daughter Ivanka Trump was shredded in the media for traveling to her father’s resort to celebrate,...




an

Where Things Stand: Political Prayers

President Trump plans to participate in the White House’s National Day of Prayer service in the Rose Garden this afternoon....




an

Why The Flynn Dismissal Is Way Worse Than A Pardon

No, this is not like a pardon by other means. The Barr Justice Department’s corrupt abandonment of the prosecution of...




an

Where Things Stand: This Is Going To Backfire

Another member of the inner circle has tested positive for COVID-19. MSNBC and CNN are both reporting that a member...




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HyperX Teams up with Ducky and Launches HyperX x Ducky One 2 Mini Mechanical Gaming Keyboard

The HyperX x Ducky One 2 Mini mechanical gaming keyboard features HyperX red linear mechanical switches built for performance, longevity and an 80 million lifetime click rating per switch.

The post HyperX Teams up with Ducky and Launches HyperX x Ducky One 2 Mini Mechanical Gaming Keyboard appeared first on ThinkComputers.org.






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EK Releases the Long-Awaited Reflection Distro Plate for Lian LI O11D XL

The EK-Quantum Reflection PC-O11D XL D5 PWM D-RGB is a custom water cooling reservoir, routing, and pump solution that seamlessly fits into the front of the case. This waterway is also equipped with a physical flow indicator that gives a nice visual representation of the pump's speed.

The post EK Releases the Long-Awaited Reflection Distro Plate for Lian LI O11D XL appeared first on ThinkComputers.org.




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Free webinar to help residents be financially prepared for wildfires

With wildfire season already starting in some regions of the United States and around the corner in others, now is the time to start thinking about your physical and financial preparedness.  To help you be better informed, NFPA is hosting two free




an

How amateur satellite trackers are keeping an 'eye' on objects around the Earth

Around the planet, a loosely knit but closely woven band of amateurs monitor the whereabouts of satellites — be they secretive spacecraft, rocket stages, orbital debris or lost space probes.




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'Star Wars': Summary of the franchise and its effect on space technology

A long time ago — roughly four decades — the world was introduced to Jedi knights, lightsabers, droids and the Force. Before long, elements of the space fantasy had an effect on real-life space technology.




an

The UAE is going to Mars. Here's the plan for its Hope orbiter.

The United Arab Emirates had its sights set on Mars the day before it launched its second satellite ever.




an

There are two kinds of sunspots on the sun right now amid solar cycle change

The sun offers plenty of brainteasers: Right now, for instance, it's sporting magnetic knots formed by two different cycles — simultaneously.




an

Eta Aquarid meteor shower 2020: When, where and how to see it

The Eta Aquarid meteor shower from late April to mid-May offers a long stretch of spectacular 'shooting stars' that even a casual observer can spot in the night sky.




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Official: Taika Waititi to co-write and direct 'Star Wars' film

"Thor: Love and Thunder" writer/director Taika Waititi has signed on to write and direct a "Star Wars" film.




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Congress Wants to Give Companies the Right to Own Our Genes

by Lori Andrews

Six years ago, on June 13, 2013, the U.S. Supreme Court in AMP v. Myriad took a great step forward for women’s health by unanimously ruling that human genes could not be patented. Now a bipartisan group of Senators and Representatives have released a bill that would allow companies to own our genes once again.

Article 1 of the U.S. Constitution provides that any patent system must “promote progress in science and the useful arts.” But patents on genes do not promote the ... More

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  • Activism & Resources
  • Reproductive Technology & Genetic Engineering

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Negocio Sucio: Falta de Equidad Menstrual en las Cárceles Colombianas

By Charlie Ruth Castro

Read this post in English

Vamos a hablar de menstruación, el proceso más natural y necesario para la buena salud reproductiva entre las mujeres, pero aquel que culturalmente nos han enseñado a aborrecer, ocultar o incluso a hacerle burla. Y por otro lado voy a hablar de un negocio sucio perpetrado por ciertos funcionarios del INPEC -la institución nacional a cargo de la política penitenciaria- en muchas de las cárceles de Colombia: el desvío de presupuestos para el suministro de toallas higiénicas ... More

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Dirty Business: Lack of Menstrual Equity in Colombian Prisons

By Charlie Ruth Castro

Lee este post en español

Let’s talk about menstruation – a natural and necessary process among women, but one that we have been culturally taught to hate, hide or even make fun of.  Also, let me talk about a dirty business perpetrated by certain officers from INPEC, the Colombian national institution in charge of penitentiary policy. In many prisons, INPEC has routinely failed to supply adequate menstrual products for the female prison population.

Being deprived of ways to deal with bleeding is outrageous, ... More

The post Dirty Business: Lack of Menstrual Equity in Colombian Prisons appeared first on Our Bodies Ourselves.




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The Very Early Perimenopause: What We Can Learn from Dr. Jerilynn Prior’s Research

by Nina Coslov

In my early 40s, I started noticing changes in my body. A once great sleeper, I was now waking at 2 a.m. – often with lots of energy and sometimes with anxiety. I’d be awake for about 3 hours before I could get back to sleep. Around the same time, premenstrual breast tenderness returned — something I hadn’t experienced since my 20s, before I had children. Not long after, I’d notice from time to time a pervasive edginess, a revving — an energetic ... More

The post The Very Early Perimenopause: What We Can Learn from Dr. Jerilynn Prior’s Research appeared first on Our Bodies Ourselves.




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Our Doctors, Ourselves: Barbara Seaman and Popular Health Feminism in the 1970s

“If the plastic speculum was the tool of choice for self-help advocates, leading women to a better understanding of their own bodies, then the popular media was Barbara Seaman’s preferred weapon in the cultural battle against medical sexism.”
— Kelly O’Donnell, in her article “Our Doctors, Ourselves: Barbara Seaman and Popular Health Feminism in the 1970s”

Barbara Seaman, a popular journalist in the 1960s and 70s who wrote for magazines including Brides, Ms., Ladies Home Journal, and Family Circle, was one of the first journalists to ... More

The post Our Doctors, Ourselves: Barbara Seaman and Popular Health Feminism in the 1970s appeared first on Our Bodies Ourselves.




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Please Support Civil Liberties and Public Policy During the Covid-19 Crisis: An Appeal from Judy Norsigian

These challenging times require fierce, broad, and intersectional activism – which is just what Civil Liberties and Public Policy (CLPP) has been doing for the past four decades. This now-independent nonprofit, which used to be affiliated with Hampshire College, continues its unique movement-building work preparing younger activists to work on the front lines of today’s struggle for reproductive justice. Please consider supporting CLPP today with a generous donation. 

As we know, the Covid-19 pandemic is disproportionately harming those in our communities who were already facing ... More

The post Please Support Civil Liberties and Public Policy During the Covid-19 Crisis: An Appeal from Judy Norsigian appeared first on Our Bodies Ourselves.



  • Abortion & Reproductive Rights
  • Activism & Resources

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Book week 2019: Jane Setter's Your Voice Speaks Volumes

Welcome to the first review post of Book Week 2019. See the intro to Book Week 2019 to understand more about what I'm doing this week.

I'm starting with the most recent book in the ol' pile of books from publishers:

Your voice speaks volumes
it's not what you say, but how you say it

by Jane Setter
Oxford University Press, 2019


Jane is Professor of Phonetics at the University of Reading (UK) and a recipient of the prestigious National Teaching Fellowship. (As you can see, we are on a first-name basis, as we travel some of the same Public Linguist circles.) I mention the teaching fellowship because it is relevant: Jane is excellent at making linguistics, particularly phonetics, crystal clear for the uninitiated. She uses that talent to great effect in her first book for the general public. 

This book speaks squarely to a general British audience — and to those who want to know more about English-language issues and attitudes in this country. I'm writing this on a day when my social media feed has given me (a) the story of a man wrongly arrested for public drunkenness in Brighton—because the police had mistaken his Liverpool accent for slurring and (b) a misreading of the relevance of accent in the US (as a means to say something about how accents are read in the UK). But I'd have at least two such things to tell you about on any other day when I might have written this post. Accents make the news in Britain because they matter inordinately. Differences that might not be discernible to those from other countries are imbued with layers and layers of meaning and subjected to piles and piles of prejudice. 

As I warned in the intro to Book Week, I have not been able to read the whole book. But I was able to get through much more than I thought I'd be able to in a single evening (four of the seven chapters: 1, 2, 3, 7). Part of my speed was because I could skim the bits that were explaining linguistic facts that I already knew. (That's not to say that the facts here are too basic. I've just had a helluva lotta linguistics education.) But it is a zippy read throughout. Setter uses personal and celebrity stories to demonstrate the everyday relevance of the phonetic and sociolinguistic facts that she's explaining. (Hey look, I seem to revert to last-name basis when I'm reviewing someone's book.) 

The chapters I haven't yet read are those that I'd probably learn the most from: on the use of linguistics in forensic investigations, on voices in performance (including accent training for actors and why singers' accents change in song—which she should know, since she's also a singer in a rock band), and on transgender and synthesized voices. I started with the chapter that relates most to my work ('English voices, global voices') and then went back to the beginning where I was most likely to run into things I already know. That's good from a reviewing perspective, because I can say with confidence that Setter covers well the things that I know need to be covered for her audience. But as I got further into the book, the more unexpected things I learned. I ended in the chapter on women's and men's voices, and I will tell you: I learned some things! To give an example, I liked her interpretation of a study in which women and men were asked to count to ten using various kinds of voices, including 'confident' and 'sexy'. It turns out men generally don't have a 'sexy voice' to put on, while women do, and this might tell us something about what we're sociali{s/z}ed to find sexy—and why.

It's hard to write about sound —and especially about linguistic sounds for a general audience. Writing for linguists is easy, because we have a lot of practice in using the International Phonetic Alphabet (IPA). But you don't want to fill a book for non-linguists with letters that don't make the same sound as they make in English spelling, or letters they've never even seen before. Setter mostly talks about accents without having to get into the kind of phonetic minutiae that excite linguists and make laypeople glaze over. Where she does need technical terms (e.g. lexical sets), she explains them carefully and clearly. But happily for all of us, Setter wrote this book in the internet age. Throughout the book, there are scannable QR codes by which one can hear the sounds she's talking about. (You can get there without a QR reader too, the web URLs are provided.)

For readers of this blog with an interest in US/UK issues, there is plenty of comparison between UK and US and discussion of "Americani{s/z}ation". These are discussed with an assumed familiarity with British Englishes and less with American Englishes.

This book is an important instrument for fighting accentism and other linguistic prejudice in the UK. It might make a nice gift for that person in your life who says they "care deeply about the English language", but really what they mean is "I like to judge other people's use of the English language". 

But more than that, it is a great demonstration of what the study of phonetics can do. I really, really recommend it for A-level students in English (language) and their teachers, as it touches on many of the areas of linguistics taught at that level and would surely inspire many doable research projects. 

Let me just end with: congratulations on this book, Jane!




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Book week 2019: David Adger's Language Unlimited

Welcome to the second review post of Book Week 2019. See the intro to Book Week 2019 to understand more about what I'm doing this week. Next up we have:

Language unlimited
the science behind our most creative power

by David Adger
Oxford University Press, 2019


This is a book for people who like to think about HOW THINGS WORK. It's a serious work of popular science writing, which carefully spells out the mysteries of syntax. And by mysteries, I mean things you've probably never even noticed about language. But once they're pointed out, you have to sit back and say "Whoa." Because even though you hadn't noticed these things, you know them. Remember a few years ago, when the internet was hopping with posts about how we subconsciously know which order to put adjectives in? That's kid's play compared with the stuff that Adger'll teach you about the things you know but don't know about.

Adger (who is Professor of Linguistics at Queen Mary University, London) describes the situation carefully, clearly, and engagingly, using copious examples and analogies to communicate some really subtle points. (I particularly liked the explanation of form versus function in language, which drew on the form versus the function of alcohol. Chin-chin!) He draws in evidence from neurology, psychology, and computer science to both corroborate his points and to introduce further questions about how language works.

As I said in the intro to Book week, I have not read all the books I'm reviewing absolutely cover-to-cover. In this case, of the ten chapters, I read 1–3, 7, and 10—and skimmed through the other chapters. The early chapters make the case that there's more to linguistic structure than meets the eye and that human linguistic abilities must consist of something special—they must be qualitatively different from the types of cognition that other animals use and that humans use in non-linguistic communication. Later ones cover issues like how children experience and acquire their first language and what happens when computers try to learn human language. Throughout, the examples feature Adger's partner Anson and his cat Lilly.  I almost feel like I know them now. Hi Anson and Lilly!

Adger makes clear from the start that his book makes a particular argument in favo(u)r of a particular way of explaining language's mysteries—and that particular way is a Chomskyan way. This means that he makes the case for a Universal Grammar that underlies all human language. I was struck by his willingness and ability to take this all the way for a lay audience. By chapter 9, he is explaining Merge, the key tool of Chomsky's Minimalist Program

Now, here I have to say: this is not the kind of linguistics I do. It's not just that I'm not a syntactician—though I have, from time to time, dipped my toe into theories grammatical. It's also that I lost faith in theoretical monotheism when I moved from a very Chomskyan undergraduate degree to a more ecumenical linguistics department for my (post)graduate studies. When I arrived for my PhD studies, the department wanted to know which syntactic theories I'd studied, so they could determine which courses I needed to take. I could not tell them. After four years of studying Chomskyan linguistics, I thought I had spent four undergraduate years studying "Syntax". No one had told me that I was studying a theory of syntax, just one among several theories.

Ever since, I have tended to agnosticism and s{c/k}epticism when it comes to syntactic theory. (This is probably how I ended up as not-a-syntactician; I don't know that it's possible to have a career in grammatical studies without adhering to one theoretical church or another.) Being a lexicologist has meant that I don't have to take sides on these things. And so I play around with different theories and see how they deal with the phenomena I study. When I listen to the evangelists, I listen warily. I tend to find that they oversimplify the approaches of competitor theories, and don't learn as much from them as they could (or, at least, sometimes don't give them credit for their contributions). This is all a very long explanation of why I skipped to chapter 7—the chapter where Adger responds to some non-Chomskyan ideas (mostly personified in the chapter by Joan Bybee).

So (mostly BrE*) all credit to Adger for spending a chapter on this, and for citing recent work in it. I generally thought his points were fair, but I did what I usually do in response to such theoretical take-downs: I thought "ok, but what about..." I do think he's right that some facts point to the existence of a Universal Grammar, but I also think it's not the only interesting part of the story, and that it's premature to discount arguments that explore the possibility that much of what happens in language learning is based in experience of language and general cognitive abilities. But then, I would think that.

I definitely recommend the book for people who are interested in the scientific approach to language, but I'd skip the final chapter (10). It is an oddly tacked-on bit about sociolinguistic phenomena, precisely the kinds of things that are not even approached in the theory the rest of the book has been arguing for.

I congratulate Adger on this strong work that makes extraordinarily abstract concepts clear.





P.S. Since I'm not doing Differences of the Day on Twitter this week, here's little chart of use of all credit to (frequency per million words) in the Corpus of Global Web-Based English, for good measure.





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pigs in blankets

This keeps coming up on Twitter and in the comments at other posts, so let's talk about (BrE) pigs in blankets/(more common in AmE) pigs in a blanket (singular for both: pig in a blanket).

Recipe at BBC Good Food
British pigs in blankets are small sausages wrapped in bacon (and cooked!). They are delicious. They're traditionally served alongside turkey as part of Christmas dinner. (For me, they almost make up for the fact that Brussels sprouts are also a traditional part of Christmas dinner in England.) The usual sausage involved is a chipolata, which we could call a BrE word because it's hardly heard in the US (16 UK hits on the Corpus of Global Web-Based English, but zero US ones). But then again, it's not that there's another word for it in AmE, so better to call it a UK-and-not-US thing, rather than a BrE word. Basically, all the non-imported sausages (and even some of the imported ones) are different in the UK and US.

These are (increasingly, I think) found in US cooking, but I haven't heard them called pigs in blankets in the US. My brother, with no prodding from happy me, has started serving them as pre-dinner snack at Christmas time, and we call them sausages wrapped in bacon. Now that he does that, pretty much the only thing I like better about UK Christmas than US Christmas is the fact that I don't have to travel for my pigs in blankets. (Sorry, mince pie fans.)


Recipe at food.com
In AmE, pigs in a blanket are usually small sausages wrapped in dough (and cooked!). They are delicious. When I was a kid, this usually involved (AmE) cocktail franks* (also cocktail wieners, little smokies, and general-English cocktail sausages) wrapped in the kind of Pillsbury dough that comes in a tube. I think that when I was a kid, this usually involved the dinner-roll dough, but nowadays I see most of the recipes online (including Pillsbury's) involve their crescent-roll dough. (Even though I should know better now, I'm still dangerous around a basket of freshly baked Pillsbury crescent rolls. There's no point in calling them croissants, though. A crescent roll is like a croissant that's been photocopied 100 times and then had hydrogenated palm oil added.)
* Note that on the Oscar Mayer package, the sausages are now wrapped in bacon. Trendy.

Recipe at BBC Good Food
The use of crescent-roll pastry, rather than a bread dough, takes American pigs in blankets a step closer to the British sausage roll, which is a sausage (often just the sausage meat) encased in puff pastry. But to my senses, US pigs in blankets and UK sausage rolls are very different things, due to the differences in sausage spicing, sausage/pastry ratios and coverage, shape, etc.). The ones in the photo here are 'mini sausage rolls', but a non-mini sausage roll contains as much sausage as a typical hot-dog-style sausage.





Recipe at Splendid Table
The final type of pig in a blanket is an American breakfast food: American-style breakfast links wrapped in an American-style pancake. They are delicious. This is the least common meaning for the expression, but one you used to be able to find on an IHOP menu. The key thing to know about these is that American breakfast sausages are nothing like any breakfast sausage in the UK. They have a lot of sage, are much slimmer than most UK sausages and sometimes casing-less, and are really well complemented by maple syrup. If you order sausage in a US breakfast diner, you may well be asked links or patties? If you've ever seen a Sausage McMuffin, you've seen a sausage (AmE) patty. You get those by slicing them like salami (but thicker!) from a big ol' package of sausage meat.

(This paragraph added in response to comments) The plural pigs in blankets is more common in BrE, while AmE tends toward pigs in a blanket. In the Corpus of Contemporary American English, the ratio is about 1:4. That said, I think the plural blankets is found more in print—the COCA examples include a lot of spoken ones and fictional dialogue. Looking at Google Books ngrams, pigs in a blanket seems to be a rather recent plural.)

Now comes THE BIG TWIST IN THE TALE. The term pig in a blanket is originally AmE, but it  had nothing to do with sausages at the beginning. The OED has its first recorded use of the term showing up in 1882 and referring to oysters wrapped in bacon. This dish shows up slightly earlier in UK cook(ery) books with the name it still has: angels on horseback. The first record of a sausage-related meaning is from 1926, and refers to a sausage in a roll, rather than one baked into dough, and that meaning continues on in the 1940s. (I've found additional examples as well as the OED's up to 1948.)  Apparently, the first known use of it in the "rolled in dough" meaning occurred in 1957 in Betty Crocker's Cooking for Kids. Essentially, it looks like the current AmE meaning coincides with the wide availability of packaged refrigerator doughs.

As for the BrE meaning, it's not hard to imagine the AmE term coming over to the UK and being re-interpreted. It would not have been needed for oysters-in-bacon, since BrE already had an equally weird term for that. Sausages, usually made of pork in the UK, make a lot more sense as a 'pig' than an oyster does.


Other sausage-related posts for your information, edification, or appetization: (Is that a word? It is now.)
on hot dogs
on red hots
on baked goods (pigs in blankets briefly mentioned)
on breakfast
on bangers
on pudding (including black pudding)

 PS: Nancy Friedman has shared this glorious picture of the 1957 Betty Crocker's Cook Book for Boys and Girls (Betty Crocker = an American institution), showing (a) that the use of mini sausages was a later thing, and (b) the traditional plural form. I love the hat-tipping wiener and frank—and the explanation of the difference.
.





an

on the up and up

Thomas West recently asked:

I hadn't really noticed this before, but it looks like it's probably a case of an American phrase coming
to Britain and being re-interpreted (which happens now and again—I talk about a few other cases in The Prodigal Tongue and elsewhere on this blog).

The expression originated in AmE in or before the 1860s. It is often hyphenated: on the up-and-up. The OED entry for it starts:
a. Honest(ly), straightforward(ly), ‘on the level’. Originally and chiefly U.S.

1863   Humboldt Reg. (Unionville, Nevada) 4 July 2/1
   Now that would be business, on the dead up-and-up.
But then it continues with a second definition that it does not mark as U.S.:
 b. Steadily rising, improving, or increasing; prospering, successful.
1930   Sun (Baltimore) 18 Aug. 6/1   From now on, we are led to believe, law and order will be on the up and up, as the current phrase is.
1937   G. Heyer They found him Dead xiii. 265   He certainly wasn't on the up-and-up when I knew him. He was picking up a living doing odd jobs for any firm that would use him.
1959   Encounter Oct. 25/2   Private travel is on the up and up.
Just the first example in sense b is from an American source—but I really can't tell why they think that either of the first two examples has sense b and not sense a. I would have thought that the first one is saying that the police are going to be less corrupt or disorgani{s/z}ed, and, in the second, I would think that they were saying that he was taking money under the table. But you can see how the two senses can overlap and therefore sense a could morph into sense b, which it definitely has done by the 1959 example.

Sense b comes 50 or 60 years after the first sense, during a time when the UK is getting a lot more exposure to AmE, so it does seem reasonable to think that the phrase came from the US and changed in the UK. The data from Google Books also seem to support this hypothesis:


The b sense is definitely the primary sense in BrE. The (UK-based) Collins COBUILD Idiom Dictionary marks sense a as American but not sense b, and the BBC World Service's Learning English pages give only the 'successful' meaning in their list of up idioms:
To be on the up and up: to be getting increasingly successful.
Example:
His life has been on the up and up since he published his first book. Now, he's making a film in Hollywood.

One of the sources on freedictionary.com explicitly marks the b sense as British:

But all that said, a few commenters on Thomas's original post seem to be Americans saying that they use the 'successful' sense. (I suspect they are younger Americans.) As we've seen above, it's not always clear which one people mean. Looking at a sample in the Corpus of Contemporary American English, though, the sense a meaning predominates:

Click picture to enlarge

Some of the BrE speakers responding to Thomas said that they assumed that on the up and up is an extension of a phrase on the up, meaning 'rising, being successful'. The OED doesn't record that, but there are plenty of examples in the Corpus of Global Web-Based English. (I searched for them followed by a (BrE) full stop/(AmE) period, so that I could be sure there wasn't another and up after the first up.)


The examples in this data are often along the lines of "the numbers of X are on the up", so they are clearly about rising numbers and (by extension, often) success.

Now, there is no expression on the down to mean 'decreasing' and the OED hadn't yet noticed the on the up expression, so I have to wonder whether the phrase on the up and up came from the US, got reinterpred in BrE, and then got shortened to on the up (rather than the latter being expanded from the former).  It's harder to get information for on the up in a place like Google Books, because one can't do the punctuation trick and rule out all the examples like on the up grade or on the up line. I had a quick look at the Hansard corpus, the record of UK Parliamentary speech, as that gives a more reasonable amount of data to comb through. None of the examples of on the up before the first appearance of on the up and up (1946) are on the up to mean 'improving'—they are all on the up [noun], using up as a modifier for the noun. The 1946 Hansard example of up and up is used to mean 'growing, successful' (the b sense), as are the subsequent examples (33 of them). The first example of on the up in that meaning is in 1978. So, that is making it look like the phrase was cut rather than expanded in BrE.

Thanks to Thomas for pointing this one out!

And thanks to Jan Freeman and Ben Yagoda for noticing it earlier. I'd forgotten about Ben's post here.





an

coronavirus and COVID-19

A retired colleague contacted me with this query:
Has a dialect difference emerged between US novel coronavirus/new coronavirus and UK COVID-19, do you think? Novel coronavirus/new coronavirus is favoured by Reuters, but I don't know whether that counts in the dialect balance.

I hear plenty of COVID-19 from US sources, so that didn't strike me as quite right, but I had a look (on 29 April) at the News on the Web (NOW) corpus, which (so far this year) had 226 covi* (i.e. words starting with covi-) per million words in US and 49 per million in UK. For coronav* it's 362 US v 92 UK. (I searched that way so that I'd get all variations, including COVID without the -19, without the hyphen, coronaviruses, etc.).

Now, I don't trust the geographical coding on the NOW corpus very much, because you have things like the Guardian showing up in the US data because it has a US portal that has US-particular content, but also all the UK content—and that doesn't do us much good in sorting out AmE from BrE. I really don't know why the per-million numbers are so much higher in the US sources, since the news in both places is completely taken over by the virus and stories related to it. But anyway, about 38% of the (named) mentions of the disease are COVID in the US and 35% in the UK, so there is no notable difference in preference for COVID. I found it interesting that the two newspaper apps on my phone (Guardian [UK] and New York Times) prefer coronavirus in headlines, even though COVID-19 is shorter.

But my colleague is right that there is a lot more new/novel coronavirus in US than UK. About 12% of AmE usages are prefaced by an adjective that starts with N, while only about 3% of BrE coronaviruses are. Distribution is fairly even between novel (from medical usage) and new. It's worth noting that since I'm only searching news media,  new/novel is probably far more common in this dataset than it would be in everyday interactions.

Including the definite article (the coronavirus) seems to be more common in AmE. If I just look for how many coronavirus occurrences are preceded by the, the proportion is 45% for AmE and 37% for BrE.  this search hits examples like the one in the 'middle school' story on the left: the coronavirus lockdown where the the really relates to the lockdown. So, to try to avoid this problem, I searched for (the) coronavirus [VERB] and (the) coronavirus [full stop/period]. In those cases, then AmE news media have the the about 50% of the time, while BrE ones have it less than 30% of the time. That misses the new/novel coronavirus (because of the adjective between the and coronavirus), so the real difference in the before coronavirus is probably more stark.

The media's style guides are supposed to guide the choices journalists and editors make in phrasing such things, but how strictly they follow their own guides is another matter. I had a look at a couple:

The Guardian Style Guide (UK) says:
coronavirus outbreak 2019-20
The virus is officially called Sars-CoV-2 and this causes the disease Covid-19. However, for ease of communication we are following the same practice as the WHO and using Covid-19 to refer to both the virus and the disease in our general reporting. It can also continue to be referred to as the coronavirus.  [I've added the bold on the latter]

The Associated Press (US) gives similar advice, though it goes into more particular rules for science stories.
As of March 2020, referring to simply the coronavirus is acceptable on first reference in stories about COVID-19. While the phrasing incorrectly implies there is only one coronavirus, it is clear in this context. Also acceptable on first reference: the new coronavirus; the new virus; COVID-19.
In stories, do not refer simply to coronavirus without the article the. Not: She is concerned about coronavirus. Omitting the is acceptable in headlines and in uses such as: He said coronavirus concerns are increasing.
Passages and stories focusing on the science of the disease require sharper distinctions.
COVID-19, which stands for coronavirus disease 2019, is caused by a virus named SARS-CoV-2. When referring specifically to the virus, the COVID-19 virus and the virus that causes COVID-19 are acceptable. But, because COVID-19 is the name of the disease, not the virus, it is not accurate to write a new virus called COVID-19. [bold added]
In comparing the two passages you can see one predictable difference between them. AP writes COVID in all caps, Guardian has Covid with the initial capital only. There is a widespread preference in BrE (and generally not in AmE) to differentiate between initalisms and true acronyms. (There's been a bit in the Guardian about it, here.)

In an initialism, you pronounce the names of the letters: the WHO stands for World Health Organization and it is pronounced W-H-O and not "who". It's spel{led/t} with all caps (or small caps), no matter where you live. (AmE styles are more likely than BrE styles to insist on (BrE) full stops/(AmE) periods in these: W.H.O.—but styles do vary.)

Acronyms use the initial letters of words to make a new word, pronounced as a word. The National Aeronautics and Space Administration's short name is pronounced "nasa", making it a true acronym. All AmE styles that I know of spell it with caps: NASA. Many BrE styles spell it like any other proper name, with just an initial capital: Nasa.

This disease name provides a slightly different case because it's doesn't just use initial letters: COronaVIrusDisease. That's probably why I'm seeing some initial-only Covid in AmE, for instance in the Chronicle of Higher Education, where they spell other acronyms (like NASA) in all caps.

Other variants, like CoViD and covid are out there—but they are in the minority. COVID and Covid rule.While some other UK sources, like the Guardian, follow the initial-cap style (Covid), many UK sources use the all-cap style, including the National Health Service and the UK government.


And on that note, I hope you and yours are safe.

P.S. Since I'm talking about newspaper uses, I haven't considered pronunciation—but that discussion is happening in the comments. 





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