Italy, Belgium and Portugal are reopening some business activities on Monday as they take their first tentative steps to lifting their coronavirus lockdowns.

Sim Moh Siong, FX strategist at the Bank of Singapore, says there is "scope for more upside" for sterling if Brexit negotiations roll on past the March deadline.

Samuel Greene, director of the Russia Institute and reader of Russian politics at King's College London, speaks to CNBC about new U.S. sanctions on Nord Stream 2.

U.S. Energy Secretary Dan Brouillette talks about the strategic energy partnership with India, and how it will boost trade in oil and natural gas.

Virtual banks may compete with traditional banks, but they also help lenders like Standard Chartered cut costs, says Paul Pong of Pegasus Fund Managers.

Check out the companies making headlines after the bell.

Stocks are looking past terrible economic news and finding hope in a reopening economy and the idea that drugs may help fight coronavirus.

Check out the companies making headlines after the bell.

Check out the companies making headlines after the bell.

Check out the companies making headlines after the bell.

Check out the companies making headlines after the bell.

Check out the companies making headlines after the bell.

A payroll tax cut would benefit the richest Americans, while sending checks to each U.S. household to prop up the economy would favor the poor, according to a new analysis.

Tom White, D.A. Davidson analyst and Ygal Arounian, Wedbush Securities, join "Closing Bell" to talk about markets.

The Fast Money traders offer up their final trades of the week.

As the lockdown days wear on, it can be hard to find hope amid the gloom. But people across the world are finding reasons to keep their spirits up – from lockdown charity walks and miraculous recoveries, to virtual graduation wishes from celebrities and socially distanced block parties

• Fancy dress to hitting the jackpot: reasons for cheer in lockdown UK
• See all our coronavirus coverage

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Alicia Levine, BNY Mellon chief investment strategist, and David Rolfe, Wedgewood Partners CIO, join 'Power Lunch' to discuss the state of the markets as stocks continue to rally on optimism the economy will open.

WeWork co-founder Adam Neumann is now suing his ontime ally SoftBank. Maureen Farrell, WSJ, and CNBC's Deirdre Bosa join 'Power Lunch' to discuss if WeWork can withstand this and how it will impact the company.

Adam Philipson, The Count Basie Center for the Arts president and CEO, joins 'Power Lunch' to discuss how the company is making it through the Covid-19 pandemic and how long the PPP loan will carry them.

Brent Beardall, WaFd Bank CEO, joins 'Power Lunch' to discuss the state of the Paycheck Protection Program and how many PPP loans the bank has processed.

Conor Flynn, Kimco Realty CEO and president, join 'Power Lunch' to discuss the reopening of his shopping centers and the changes in the retail industry as the coronavirus pandemic continues.

A radical solution is needed and the PFA has the money and the power to step in and help clubs that have no income for the foreseeable future

Last month I said the EFL was entering the most critical period in its history as it struggled to respond to the abrupt cessation of football. What we have seen since has elegantly illustrated the game’s inability to act decisively to protect professional football’s future. This is not a criticism of the individuals involved in negotiations, who are trying their best, but reflects structural flaws that prevent cohesive action. Put simply, it is clear the EFL and Professional Footballers’ Association cannot bring the key counter-parties to the table.

The first phase was characterised by the fight for cash given the disappearance of gate-related income. Although there was relatively swift agreement that a player wage deferral would help, it has been left to clubs and players to agree arrangements. Some players have deferred, some have not, and and the scale varies from club to club. The outcome was, in my view, too little and too late for many clubs.

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In the latest in our series on how Covid-19 will change football, we look at its impact at grassroots and non-league level

This could be the end of grassroots football. The impact is going to be horrendous. The main problem now is we’re not getting money we would usually receive from training-session fees or fundraising, because they’re not taking place. That money goes towards subsidising teams for the next season, helping them with pitch fees, league fees, trophy presentations, etc.

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With the sporting calendar on hold during the coronavirus pandemic, football stars around the world are challenging each other to perform tricks with loo roll as part of the #stayathomechallenge to encourage fans to practise social distancing

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With football on hold during the coronavirus pandemic, one of the world’s leading freestylers is helping fans remain active under lockdown. Every day, Liv Cooke a four-time world record holder, posts footage of herself performing a freestyle trick with instructions on how to follow suit at home

• A trick a day: how freestyler Liv Cooke is bringing light to the lockdown

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Using the Fifa archive we rewatch a series of memorable games in search of answers we didn’t find at the time

“It was like knocking four quick times on the door of unhappiness” – Albert Camus, the Outsider

The World Cup final, France v Italy in Berlin’s Olympic Stadium. It’s still humid under the lights. The score is 1-1, the players wide-eyed but still running.

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As football prepares to start or resume seasons we look at 17 countries to see how close they are to a return

Clubs and the football federation hope for an August restart with a July training phase to step up for a resumption of the A-League, which was postponed indefinitely on 24 March. Five rounds of games, plus the finals, remain. All games are likely to be played in Sydney without spectators, with Wellington Phoenix to be based in NSW for a two-week quarantine before playing. The National Rugby League has the green light to restart on 28 May, which may lead to fixture clashes at cross-code venues such as Kogarah and Bankwest Stadium.

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SaasOptics CEO, Tim McCormick has seen his share of businesses go from start-up to acquisition. Having helped businesses like ISS grow from $5M to over $400M and helped their IBM acquisition for $1.9B, he's the right person to detail how SaaS businesses can either misstep or experience rapid growth.

Keep on reading: M.R. Asks 3 Questions: Tim McCormick, CEO, SaaSOptics

The celebrated actor had a turbulent upbringing before becoming world-famous for playing two perfect nannies. Now she’s bonding with a new generation of children through her storytelling podcast

“I’ll tell you what, shall I go outside?” Julie Andrews asks. We are talking by phone, but, alas, the reception inside her home on Long Island is, she says, “always terrible”. Torturous minutes pass in which I can hear only fragments of her conversation, and if anyone knows of a sweeter agony than being barely able to hear Andrews’ still lovely, melodious voice, I don’t want to know what it is. Eventually, I have to tell her this phone conversation isn’t working.

“I can stand out in my garden, although it is a bit nippy …” Andrews suggests.

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(New Deal)
With his fourth solo album the acclaimed producer faces down the confusion of modern life with intoxicating calm

Blake Mills has picked up Grammy nominations for his production work on Laura Marling’s Semper Femina, John Legend’s Darkness and Light and Perfume Genius’s No Shape. However, the fourth solo album by the 33-year old Californian former touring guitarist should turn the spotlight towards his own work. Mutable Set is intended as a “soundtrack to the emotional dissonance of modern life”. Themes range from precious people and experiences to disappointment and isolation, though this isn’t conventional singer-songwriter fare.

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Get to da choppa!!

The post CS Plays: Predator Hunting Grounds Walkthrough appeared first on ComingSoon.net.

In a broadcast exclusive, world-renowned singer-songwriter Fiona Apple joins Democracy Now! for the hour to discuss her critically acclaimed new album, "Fetch the Bolt Cutters," which was released early amid the pandemic. "I've heard that it's actually making people feel free and happy," Apple says, "and it might be helping people feel alive or feel their anger or feel creative. And that's the best thing that I could hope for." Her record includes an acknowledgment that the album was "Made on unceded Tongva, Mescalero Apache, and Suma territories." We also speak with Native American activist Eryn Wise, an organizer with Seeding Sovereignty, an Indigenous-led collective that launched a rapid response initiative to help Indigenous communities affected by the outbreak.

We look at the impact of the pandemic on schools, universities, students, parents, teachers and professors — and who is at the table to shape what happens next. "We now have an economic crisis on top of the public health crisis, and the ways that we're choosing to educate children is simply unequal and is going to lead to an educational crisis,” says education scholar and Cornell University professor Noliwe Rooks, author of "Cutting School: Privatization, Segregation, and the End of Public Education."

As President Trump invokes the Defense Production Act to bar local governments from closing meatpacking plants around the United States, we get response from a longtime adviser to the World Health Organization. "When Congress passed that act, it certainly did not have in mind that the president has the power or the right to put workers' lives and health at risk," says Lawrence Gostin, professor of global health law at Georgetown University and director of the World Health Organization Center on National and Global Health Law. Gostin also discusses why he joined 40 leading center directors in a declaration this week that urges Trump and Congress to restore and increase WHO funding.

It seems that Reliance Jio is likely to garner more funds as two companies might invest in its platform in the coming days. Now, it has been reported that the US-based private equity firm General Atlantic is expected to invest about

Originally posted on - blogs by NPG staff

I have mixed feelings about social distancing.  Read more

As thousands of festivals across the planet are cancelled because of the coronavirus pandemic, Mathieu Jaton from the Montreux Jazz Festival and British comedian Mark Watson, who’s organising a 24-hour online comedy festival, speak to Eve Jackson about the financial, cultural and societal implications of a summer without cultural gatherings.

This week we bring you a show all about face masks as France starts to lift its lockdown. Faced with controversial shortages at the start of the Covid-19 pandemic, French authorities initially rejected the notion of a generalised use before finally touting the device as essential, and in some situations compulsory.

Robots delivering meals, ghostly figures in hazmat suits and cameras pointed at front doors: China's methods to enforce coronavirus quarantines have looked like a sci-fi dystopia for legions of people.

A few weeks ago, I received an email from MamaSezz, a plant-based meal delivery service, offering me an opportunity to help promote their business in exchange for a commission.  As a blogger, I get a lot of offers like this, from companies selling everything from supplements to olive oil to keto meals (yikes!) I delete 99.9%...

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The post MamaSezz Plant-Based Meals: A Review appeared first on FatFree Vegan Kitchen.

Open science essentials in 2 minutes, part 4 Before a research article is published in a journal you can make it freely available for anyone to read. You could do this on your own website, but you can also do it on a preprint server, such as psyarxiv.com, where other researchers also share their preprints, … Continue reading "Open Science Essentials: Preprints"

Scott R. Kurtz: Today's hilarious guest comic was created by Jamie Cosley! I love his take on PvP. Look how expressive they are. I always learn something when other artists do their take on my characters. Jamie is currently creating comic strips for Star Wars Insider and Walt Disney World Magazine. You can also find him on Instagram at @jamiecosley

Scott R. Kurtz: Today's guest comic was written and illustrated by my good friend Terry Blas. Not only is Terry the inspiration for Max's boyfriend, he's also an accomplished writer and cartoonist. His books Hotel Dare and Dead Weight are available on Amazon and are sure you lift your spirits during the quarantine. And his Instagram account is full of his amazing art. I think we're going to work together on more Max and Terry strips, so stay tuned.

Scott R. Kurtz: Today's guest strip was created by none other than smilin' Steve Conley, and I adore his take on my characters. I've known Steve for years, and have wonderful memories of both SPX and the Baltimore Comicon hanging out after the show and talking shop. Steve was a pioneer in syndicating web-content and has always been a little bit ahead of the curve. I've always been impressed with his art, his writing, and his ability to discover new ways to distribute his comics. His current book, The Middle Age, continues this trend. It's hilarious, sweet and gorgeous. Steve is creating the entire book

Posted by Victoria Strauss for Writer Beware®

Selling film rights to Hollywood is among writers' most fevered dreams. And where there is something that writers want or need, there are always sharks waiting to take advantage.

The Hollywood book-to-screen "marketing" package was pioneered by Author Solutions, way back in the early 2000s. All the Author Solutions imprints offer it, including the imprints AS runs for publishers. Here's what the package looks like, from AS imprint Xlibris:

• Hollywood Ticket: coverage by a "professional reader." Cost: $999.00.
• Hollywood First Act: a synopsis, "critical analysis", and "45- 60-second teaser Book Video" for "catching film executives' attention". Cost: $2,999.00.
• Hollywood Director's Cut: an 8-10 page treatment by a "professional screenwriter", plus "consideration" by Author Solutions' "first-look Hollywood partner". Cost: $3,899.00
• Hollywood Producer's Pick: this is the big kahuna, a full screenplay written by a screenwriter, plus consideration by AS's first-look partner. Cost: $16,299.00. Note that the screenplay is based on "your approved Hollywood Treatment", which you must previously have purchased--so the real cost of this option is $20,198.00.

Although a handful of other assisted self-publishing companies have offered similar packages over the years (here's the one from Bookstand Publishing, for instance; Outskirts Press also had one for a time, though it seems to have been discontinued), Author Solutions hasn't faced a lot of competition in the high-priced Hollywood dream exploitation business--primarily, I'm guessing, because of the cost and coordination involved in providing the coverage, critiques, treatments, and screenplays to the authors who buy them.

That's changed recently, though.

An explosion of book-to-screen "services" has hit the internet, courtesy of the Author Solutions copycat scams that I've been writing about so much lately (there's a complete list in the sidebar). Author Reputation Press, Coffee Press, Dream Books Distribution, Media City Publishers, Paramount Books Media, Book Art Press, New Reader Media, BookVenture, Pearson Media Groups, MatchStick Literary, and more all offer some version of the Author Solutions book-to-screen package, either on their websites or in their (extremely aggressive) phone and email solicitations.

The value of any book-to-screen package is highly debatable, regardless of who provides it. Vendors of such "services" play on authors' dreams of making it big, while failing to provide any kind of realistic information about the extreme unlikelihood of success. Most books never sell or option film rights (they're among the subsidiary rights least likely to be exploited, even for successful authors with top-flight agents), and it's far harder to sell a screenplay than it is a book manuscript. For most authors, the most probable result of buying a book-to-screen package is a smaller bank account.

And that's assuming that the vendor actually provides the advertised services, and doesn't just take the money and run. Author Solutions, at least, does seem to produce the coverage, etc., it sells, in a reasonably literate manner (you'll see some examples if you read on)--though of course, like paid reviews, the critiques and coverage are likely to be customer-friendly--that is, unrealistically positive.

The copycats, on the other hand...they don't exactly have the greatest track records for quality, reliability, or service. Or honesty.

An example: Universal Book Solutions, which styles itself "a Book-to-Screen Marketing Professional, with years of experience in working for motion picture projects for producers, agents, directors, and major studios in Hollywood." As usual with the Author Solutions copycat scams, there's no information that would allow you to verify any of these claims--no list of owners or staff, no company history, no examples of successful projects. That's no accident, of course.

A sensible person might also wonder about the quality of written materials produced by a "Book-to-Screen Marketing Professional" that puts out website text like this (English-language lapses are one of the markers for the copycat scams):


Here's how UBS's slightly more literate email pitch begins (I've seen two of these now, and they're identical):

The email goes on to detail the services on offer--news release, coverage, treatment, and screenplay--in language that has been lifted directly from the Xlibris (and other Author Solutions imprints) book-to-screen package. As further inducement, a bunch of glowing--and conveniently unverifiable--quotes are appended at the end. Turns out that these too have been lifted, though from a different (and, in its way, equally questionable) source.


Anonymous testimonials are the best kind, right?

Last but not least, UBS includes several attachments--supposedly, examples of its work:


"Sample coverage" is this. Looks surprisingly literate and detailed, doesn't it? But wait. Here it is again...on the iUniverse website (the book was published by another Author Solutions imprint). Ditto for UBS's "sample treatment:" here's what UBS sent. Here it is at iUniverse (which also published the book in question).

(As for The Little Prince screenplay, I can't find any evidence of it online, but given all the other borrowing, it's sure to have been snitched from somewhere.)

So...a plagiarized book-to-screen package, promoted with plagiarized text, further promoted with plagiarized testimonials, and finished with sample documents produced by others and falsely presented as UBS's work. If you hand over your money to these folks (neither of the authors I heard from went far enough into the process to get a price), what do you think the odds are of getting any of the promised products?

Universal Book Solutions claims a Florida address (per a Google search, it's a private residence in what looks like a condo community), but has no business registration in that state. Its web domain was registered just last February. As for Allen Gardner, Project Manager, guess where he's located.
UBS is an especially egregious example of this increasingly common scam. But as noted above, there are many others, and they are aggressively soliciting authors, especially those who have published with Author Solutions imprints, small presses, and pay-to-play companies like Christian Faith Publishing and Page Publishing. Be on your guard, and if you hear from a company that wants to take you to Hollywood--for a price--remember that if it sounds too good to be true, it probably is.

For a much more realistic discussion of the book-to-screen process, see Jane Friedman's excellent article, How a Book Becomes a Movie. Scroll down to the final comments to see one from a writer who was solicited by Universal Book Solutions.

In mid-2016, I wrote about YA publisher Month9 Books' abrupt decision to scale back its list, reverting rights to as many as 50 authors across all its imprints. Explaining the culling, Month9 founder and CEO Georgia McBride cited her own health problems, along with staffing issues and the company's "substantial growing pains" over the past six to nine months.

McBride's announcement triggered a surge of complaints from Month9 authors, who described a host of serious problems at the company, including late or missing payments (for staff as well as authors), problems with royalty accounting, delayed pub dates, broken marketing promises, overcrowded publication schedules, communications breakdowns, and harsh treatment and bullying by McBride.

According to authors and staff, these problems were not new or even recent, but had been ongoing for a long time. Why had authors kept silent? Almost every writer who contacted me mentioned their fear of retaliation--along with the draconian NDA included in Month9's contracts. I've rarely encountered a situation where authors seemed so fearful of their publisher.

Things quieted down after the initial flood of revelations, as they often do. Month9 survived and kept on publishing, though its list continued to shrink: between a high point in 2016 and now, the number of titles appears to have fallen about 50%. Apart from a handful of additional complaints in late 2016 and early 2017 (similar to this one), I didn't hear much about Month9 in the years following.

Until now. Over the past few weeks, I've been contacted by multiple writers who say they are still suffering from the same problems that surfaced in 2016: primarily, late (sometimes very late) royalty and subrights advance payments and statements (in many cases received only after persistent prodding by authors and their agents), and allegations of irregularities in royalty reporting.

The intimidation level, too, seems not to have changed. Most of the authors told me that they feared reprisal for coming forward, and asked me specifically not to mention their names or book titles. (Writer Beware never reveals names or other unique identifying information, unless we receive specific permission from the individual. That disclaimer is included on our website and in our correspondence.)

If you've been following the recent ChiZine scandal, you may be feeling some deja vu--notably, in the alleged existence of a toxic culture within the publisher that makes authors fearful and and helps to keep them silent. It's disappointing to learn that even if the issues that thrust Month9 into the spotlight three years ago have gone quiet, they don't seem to have eased. Writers be warned.


I wrote about Black Rose Writing in 2009, in connection with its requirement that authors buy their own books. Writers who submitted were asked how many of their own books they planned to buy; their response was then written into their contracts. (Book purchase requirements are back-end vanity publishing: even if writers aren't being asked to pay for production and distribution, they still must hand over money in order to see their work in print.)

Black Rose got rid of the book purchase requirement a few years later, and claimed to be a completely fee-free publisher. I had my suspicions that money might still somehow be involved, though...and as it turns out, I wasn't wrong.

I've recently learned that new Black Rose authors receive a Cooperative Marketing Catalog that sells a range of pay-to-play marketing and promotional services, with costs ranging from a few hundred dollars to four figures. For instance:


It's true that purchase is optional (though I would guess that authors are heavily solicited to buy). But reputable publishers don't sell marketing services to their authors--and in any case, much of what's on offer are things that other publishers, even very small ones, do for their authors free of charge, as part of the publication process.

That's not the only way in which Black Rose authors are encouraged to pay their publisher. Owner Reagan Rothe is a self-described "financial partner" in two additional businesses: the Maxy Awards, a high entry fee book competition that donates "a large part of every entry" to a charity (how large? No idea; that information is not provided); and Sublime Book Review, a paid review service.

Though Mr. Rothe's financial interest in these businesses is not disclosed on the business's websites, both businesses are clearly energetically promoted to Black Rose authors. On Sublime's website, nineteen of the first 20 book reviews are for Black Rose books. There's also this, from the marketing catalog (note the lack of disclaimer):


As for the Maxys, thirteen of the 17 winners and runners-up for 2019 are Black Rose books.

Mr. Rothe does admit his relationship with the businesses in this recent email to Black Rose authors--though only to afford them yet another opportunity to give him money:

Although there is no 2020 Wondermark calendar per se, observant Marksman Gary T. let me know that dedicated calendar fans can make a 2020 calendar at home with the aid of: • January–February: The 2014 Wondermark calendar • March–December: Either the 2009 or 2015 Wondermark calendar It’s Leap Day this year that throws things off. SO, […]

Today, I recorded a story from Weird Tales, first published in 1936. I loved it. It’s supernatural in a way that reminded me of Hyperion, with just enough science fiction […]

Last night, during dinner, my son did the math and figured out we’ve been staying home together for seven weeks. That’s a long time, but it also feels like we […]

A Modest Proposal is brilliant, biting, hilarious satire, that is as horrifyingly relevant in 2020 as it was in 1729. This reads like one of those brilliant editorials from The […]