This is a paper produced as part of the PROP2 (Practitioner Research: Outcomes and Partnership) programme, a partnership between the Centre for Research on Families and Relationships (CRFR) at the University of Edinburgh and IRISS that was about health and social care in Scotland. This paper was written by Elaine Monteith from ENABLE Scotland who participated in the PROP2 programme. What this research paper explores: All women are asked to go to the doctor every few years to get a check for cancer but women who have a learning disability don’t go for these checks as often as other women. The paper explore what barriers there are for women attending for checks and also looks at what could be done to encourage women them to attend.

This evaluation report is based on feedback from people living with dementia and carers who received an Individual Award from the Life Changes Trust. The Individual Awards Pilot Scheme was run in Argyll & Bute and Edinburgh in 2014-15 and aimed to provide a small amount of additional financial empowerment to a number of individuals whose lives have been affected by dementia, to help improve their well-being and quality of life. A secondary aim of the pilot scheme was to find out what people would spend the Award on when given relatively broad choice, and what benefit that might bring in the short and medium terms.

Systematic review produced by the EPPI-Centre in 2015.This systematic review aimed to evaluate the effect of HAART and ARV monotherapy on liver disease progression and liver-related mortality in individuals co-infected with HIV and hepatitis C, including in patients with haemophilia.

Report 69 published by the Social Care Institute for Excellence (SCIE) in November 2014. This research, commissioned by the Department of Health (DH), set out to identify what could be learned about current policy and practice in self-neglect, experienced as a highly challenging aspect of contemporary adult social care.

This is a paper produced as part of the PROP2 (Practitioner Research: Outcomes and Partnership) programme, a partnership between the Centre for Research on Families and Relationships (CRFR) at the University of Edinburgh and Iriss that was about health and social care in Scotland. This paper was written by Geraldine Ditta from Alzheimer Scotland who participated in the PROP2 programme. People living with dementia are at risk of becoming socially isolated and disconnected from their local communities. Reactions from others on being told someone has dementia can have a significant impact on the person with dementia’s sense of self. This study sought to explore the perceptions of people with dementia in relation to attitudes within their communities and how they subsequently respond. Semi-structured interviews were carried out to examine how they feel about their lives with dementia.

CCPS is the Coalition of Care and Support Providers in Scotland. Their mission is to identify, represent, promote and safeguard the interests of third sector and not-for-profit social care and support providers in Scotland, so that they can maximise the impact they have on meeting social need.

The Dementia Services Development Centre (DSDC) draws on research and practice, from across the world, to provide a comprehensive, up-to-date resource on all aspects of dementia.

As part of the implementation of the Equal Partners in Care (EPiC) Highland Carer’s Strategy 2014-2017 it was agreed to undertake a review of respite for Adult Carers of Adults (aged 16+). Independent consultants were commissioned by NHS Highland through Connecting Carers to undertake this work. There are four groups of people – totalling an estimated 200 people - with whom conversations have taken place during the review: Carers and staff from carer support organisations – more than 75 carers have given their views Health and social care workforce – we have met with just over 50 people who have given their views and shared our initial findings with more than 60 others Respite providers – we have met with staff from 15 organisations that are providers of respite Those staff responsible for overseeing the commissioning, planning and administration of respite.

In 2006 Mencap produced a comprehensive review of short break provision. Now, 10 years on, they are revisiting the support available for family carers to see whether recent policy initiatives and investment have delivered the much-needed change. A total of 264 family carers responded to their survey on short breaks provision and experiences of caring. They also sent Freedom of Information requests to all 152 local authorities in England that provide social care services. This report looks at short breaks provision in a climate of cuts to central and local government budgets. It examines the extent to which these cuts have impacted on the lives of people with a learning disability and their family carers. It also looks at the state of affairs for family carers of children and young people across the full spectrum of learning disability; from people with mild and moderate learning disabilities, to people with severe and profound disabilities.

The cruelty is the point with these disgusting excuses for human beings. Maybe they can do something about illegal immigrant Elon while they're at it. The incompetent first Trump administration got their rear ends handed to them during their last attempt to deport all of the DREAMers who were living in the United States under the Deferred Action for Childhood Arrivals program, otherwise known as DACA.

Now they're ready to do it again with Trump's plans for mass deportations, that would destroy the United States' economy.

Trump supporter Vivek Ramaswamy, who could end up with a job in the Trump administration, made an appearance on ABC's This Week, and was asked about whether Trump would actually follow through with his threat or not, and when host Jonathan Karl brought up the DREAMers, who were brought here as children, Ramaswamy basically told them all to pound sand.

KARL: Now, obviously, Trump's promised --and you've talked a lot about this, the -- you know, mass deportation of undocumented immigrants.

read more

Full Article

Jesse Watters' mother, Anne Purvis, was a child psychologist. His dad, Stephen Hapgood Watters, was a teacher. Both parents came from a long line of achievers, and sent him to Penn Charter, a very liberal private Quaker school here in Philadelphia.

Despite his accomplished parents and his education, look how he turned out.

Every time he shows up on Twitter, I comment, "Your mother only talks to you so she can see her grandchildren."

Sounds like I was right, because Jesse's mother has disinvited him from the family Thanksgiving this year. Something about "scheduling." But she told him he could come the next day for leftovers.

He said no thanks, he would be at Best Buy.

Understand, this isn't just a difference of opinion. Jesse Watters is a horrible person who lies and distorts in ways that harm our country.

Time for karma, Jesse, you nasty piece of work. Guess you thought you got away with it, huh? After all, you're rich and famous!

Well, your own family doesn't want to be around you on the holiday that's all about family.

And your mom's bitten her tongue long enough.

read more

Hardcover, Paperback, Kindle, Audio – April 10, 2005

Hardcover, Kindle, Audiobook – March 3, 2020

By Amanda Mannen Published: November 10th, 2024

By Matt Solomon Published: November 11th, 2024

By Jesse Published: November 12th, 2024

By Keegan Kelly Published: November 12th, 2024

Author-illustrator Ken Lamug has created award-winning picture books and graphic novels. Born in the Philippines, Ken moved to the US with his entire family during his teenage years. His debut middle grade graphic series, MISCHIEF AND MAYHEM #1: BORN TO BE BAD, launched this week from Katherine Tegen Books / HarperCollins!

Mischief and Mayhem is about Missy and her cat Gizmo. They were kicked out of superhero bootcamp. Now it's time for some super-villainy! I love the plot twist that the main character, Missy, decides she doesn't really fit into the labels the world she lives in has created; she's not really a villain, nor is she a superhero.  

Links where you can find out more: MischiefBook.com, Ken on Twitter, Facebook and Instagram. His website: Rabbleboy.com.

Q. I read that MISCHIEF AND MAYHEM started as a 32-page picture book story. How did it end up as a graphic novel?

Yep! The idea for Mischief and Mayhem started as a 32-page picture book - originally titled "Mischief the Supervillain". At the time, I was focused on my picture book ideas and wasn't even considering graphic novels. I had experience illustrating books, so I knew it was just a matter of time until something clicked for me. I went through the steps book creators are familiar with: writing the manuscript, creating dummies, and many rounds of revisions.

The dummy went through the submission process and even hopped to another agent (when I switched to a new one). We received a few rejections and a few interesting comments. One of the more resounding comments was that the idea was cool and needed to be expanded. But the picture book format limited what we could do.

We finally received an acceptance offer along with a caveat... turn it into a graphic novel! Yikes!

A few things scared me about this: it would have to be in full color, and at least 240+ pages. How does one turn a 32-page picture book into something that big?

And before anything was signed, I had to give the editorial team a few things: a fully illustrated first chapter, and a full outline for the book. This would give them a better idea of the story and my comic style. So I added new characters, expanded the moments from the story, and added a lot of jokes!

Once the editorial team gave the thumbs up, I was off to the races to get my debut graphic novel complete.

EXTRA: You can find out more about Ken's process as well as sample sketches in his Q&A with We Need Diverse Books.

Q. I've been thinking about a graphic novel middle grade project, but am intimidated by the amount of time the ART could take. Do you have any tips? How much time did MISCHIEF AND MAYHEM TAKE YOU in total? Were you working on anything else at the same time?

No kidding. Graphic novels ARE a lot of work. I've easily spent 1000 hours on Mischief and Mayhem (including creating marketing materials, videos, etc.). I also have a day job, so most of my after-hours are spent working on the book (typically around 5 hours on the weekdays). I basically stare at the computer screen all day!

During this time, I was also creating art for a picture book. And since the schedule for picture books are a bit more relaxed, I was able to squeeze it in without much problem.

Here are some tips I hope you'll find useful:

1. Working digitally has helped increase my productivity. It's easier to create dummies, inking, make revisions, and get feedback.

2. Scheduling and planning are very important. Find out the deadline, how many pages you can complete per day, and do the math.

In my case, I've determined that I am inking(outlining) about 1 page per hour. This means it will take me roughly 250 hours to outline a 250-page book. Based on that number, I can then determine if my deadline is a realistic goal. I know, it's a lot of math but it does help and you will be able to strategize how you approach the project.

3. Streamlining your art style. This varies depending on your abilities and time. Some artists are blessed enough to work full-time on their books and with longer deadlines. But if you're not one of them, then I would suggest streamlining the look of your characters, your drawing techniques so you can work faster and efficiently. Some artists are able to also hire a team to help support the rest of the task such as coloring, inking, letter, etc., but a majority of graphic creators are one-person operations.

4. Don't forget to take a break and enjoy life.

Q. What advice do you have for young graphic novel writers and illustrators?

Start small. You don't have to create a big "novel" length book right away. I started my comic book journey when I submitted a 4-page comic to an anthology. After I gained some confidence, I started creating 24-page comic one-shots (single issues). And it just kept growing from there.

Comics should be fun for both the creator and the reader, so make sure to enjoy the process and don't stress out about getting it right the first time.

Q. What's next for you?

I just finished illustrating a picture book called FAMILY BUSINESS (by Lenore Appelhans). It's about a raccoon family who seems to always get into trouble. I'm excited for that to come out (no dates yet).

I'm also in the middle of Mischief and Mayhem book 2. As I write this my hand is hurting from illustrating a "Where's Waldo-Esque" spread. Ha! But I'm proud to say the art has improved and the story is even bigger than the first one.

I've never really had a big plan for my drawing/art career. It's all a blessing and a humbling experience. I just hope that the readers love the stories and connect with the characters. So we'll see what happens next!

~~

For more interviews with children's book creators, see the Inkygirl interview archives.

Looking for a hugely entertaining alphabet book that also has an uplifting message of empowerment for young readers? I highly recommend T. REXES CAN'T TIE THEIR SHOES by Anna Lazowski and Steph Laberis, launching June 29th, 2021 from Doubleday Books For Young Readers. The back matter also has an alphabetized factoid list of "all the amazing things animals CAN do!"

This is an alphabet book that can be appreciated by grown-ups as well as young readers, with lots of potential discussion points. The illustrations of animals in ridiculous situations are so SOOOOO FUN --- omigosh, even as I'm writing this post, I went back to look through the digital ARC and can't decide which is my favourite, though I'm leaning toward the "Cheetahs can't chew bubble gum" page.

I asked debut picture book author Anna Lazowski if she had any advice for young writers, and here's what she said:

"Write what you want to write, because as you move through the publishing process, it will become incredibly important for you to truly believe in your work. The rejections in this industry are endless, and they come at every stage. Critique partners might reject elements of your manuscript, agents will reject your work, and once you're on submission to editors, they will reject your work. Then once you're finally published, some reviewers will reject your work. If you don't fully believe in your stories, this will be extremely hard to take. It's hard as it is, so make sure you're all in on the work you're doing. It will make the rest a little bit easier to navigate."

Wise advice. Thank you, Anna! And congrats to you and Steph on your upcoming launch!

----

Also see other Advice For Young Writers and Illustrators From Children's Book Creators and my other Interviews With Children's Book Creators.

Image at the top of this post was created for my new #BookADay book journal. For more info about Donalyn Miller's #BookADay challenge, see Donalyn's post in the Nerdy Book Club blog.

Just read (and loved) a fun reimagining of the classic fairytale Goldilocks and the Three Bears: GOLDIBOOKS AND THE WEE BEAR, written by Troy Wilson and illustrated by Edwardian Taylor, published earlier this year by Running Press Kids.

Here is Troy Wilson's advice for young writers:

"My advice? Write badly. Badly, badly, badly. Include words and ideas that shouldn't be there. Leave out words and ideas that should be there. Put things in the wrong order. Have your protagonist act wildly out of character. Why? Because that is what your favorite author does.

"You don't see your favorite author's horrible first drafts. Or horrible second drafts. Or horrible third drafts. For that matter, you don't see their attempted books that never, ever turned out at all. (Some things are just dead ends, even for your favorite author.) No, you only see their final, super-duper-polished work, after they got lots and lots of great feedback.

"Everyone starts with bad writing. Every single writer, every single time - no matter how long they've been doing it. You can't avoid your own bad writing. You can't go around it or over it or under it. You have to go through it. Just get it onto the page or screen. You can always fix it later. Except if you let the bad writing - or the fear of bad writing - stop you from writing. Because you can't fix what isn't there."

Thanks, Troy! 

Related links:

Publisher page about Goldibooks and the Wee Bear

More about Troy Wilson at TroyStory.ca, Twitter and Facebook.

More about Edwardian Taylor at EdwardianTaylor.com, Twitter and Instagram.

-----

Find more advice for young writers and illustrators from children's book creators.

By Sara Truuvert

When your novel is deemed "the greatest idea for a book ever", you're probably on to something. That certainly seems to be the case for debut author Victor Piñeiro, whose novel Time Villains has garnered a starred review from Kirkus and a spot as an Amazon Best Book of the Month. The book promises time-hopping high jinx, historic and literary Easter eggs, and even some one-sentence Puerto Rican recipes.

Time Villains follows sandwich-obsessed Javi Santiago, who has to nail his homework assignment if he wants to pass sixth grade. The assignment seems simple enough: if you could invite any three people to dinner, who would they be? Plus, Javi has his best friend Wiki and little sister Brady to help him. What could go wrong? Turns out, a lot! The trio accidentally uses an antique dining table to summon the dinner guests for real. Now, Blackbeard the Pirate is on the loose, and Javi, Wiki, and Brady must figure out how to send him back (perhaps with the help of other historical figures...). Time Villains is the first novel in a three-part series. It launched on July 6th, 2021 with Sourcebooks and is widely available to order. 

Victor Piñeiro is an author and a Creative Director at HBO Max. He has also done a multitude of other cool things, like teach, make documentaries, lead content/social strategies for Big Spaceship, YouTube, Hasbro, and Google, and answer these interview questions while caring for his two-week-old child. You can find out more about Victor on his website, Twitter, and Instagram. 

Q. A huge congratulations on your literary debut! Would you tell me a bit about your journey to publication?

A. Thank you! Being a published author has been the dream since I was a kid, so it’s been quite the journey! In my teens and twenties I couldn’t silence my inner critic long enough to write novels, so I turned to poetry and screenplays, writing and producing documentaries for a spell. I finally coaxed a book out in 2017 after writing daily on my (long) commute for three years. It was a very unconventional first book—the only kind I could coax out on my first try—so I shelved it and started working on Time Villains. 

Three drafts in I sent Time Villains to a bunch of agents, and after chatting with a few, a friend put me in touch with Elana Roth Parker. I feel so incredibly lucky to work with Elana—she saw the seed of something in my draft and we developed it into something far more compelling. When Annie Berger at Sourcebooks showed interest in the book, it felt like winning the lottery twice. Annie and the whole team have been the most incredible partners—thoroughly brilliant and a complete joy to work with. And here we are—the book just hit shelves this week and I’m not sure what to do with myself!

Q. Would you please introduce us to the novel’s hero, Javi Santiago? (I must know what level of dedication to sandwiches it takes to be classified as ‘sandwich-obsessed’!)

A. Javi’s an aspiring chef and sandwichéaste (think cinéaste but for sandwiches) who’ll do anything to pass sixth grade. He’s a zany kid with an overactive imagination and a penchant for asking deep questions about food (because what makes a sandwich a sandwich, really?). He peppers in one-sentence recipes throughout the book—some of Puerto Rico’s most delectable dishes, mixed in with his own recipes (like the Spanglish Sandwich aka The Spanglo Sando™). And while he’s fun and eccentric, underneath the silliness he’s a first generation Puerto Rican kid struggling with imposter syndrome as he tries to excel at something in his life. 

Q. You offer us such a hilarious dynamic between your protagonists – we have the almost-failing student, Javi, paired with his best friend, Wiki, the human Wikipedia/young professor (plus, Javi’s little sister, who wants to be the president’s bodyguard!). How did you land on this dynamic? Is it something you envisioned from the get-go?

A. The characters were floating around my head disparately but when I put them together I realized how fun their dynamic would be. 

I know a few folks who are so brilliant they seem weighed down by their intelligence—it’s made them world-weary. I thought that’d be really fun to capture in an extremely-precocious sixth grader. As I was coming up with the character I remembered a line in a hip hop song I love, “Catch me solving mysteries like Wikipedia Brown.” And that’s where Wiki’s name emerged and the character solidified in my head.

In terms of Brady, I knew I wanted a hot-headed sibling/partner to steal the spotlight and do much of the butt kicking because I love that dynamic in stories, going all the way back to Frodo and Sam. I also have a few friends with wild kid sister energy and they’re the life of any party, so I knew I wanted to bring that to the trio. 

Q. You had to develop a wide array of voices for this story, including kid Mozart, the Earl of Sandwich, and Blackbeard the Pirate. Was that a challenge? A joy? A spiralling research nightmare?

A. A spiralling research dream! This series gives me the best excuse to research my favorite folks in history and fiction, and it’s been a blast. I loved reading old texts on pirates, delving into the specifics of Mozart at age twelve and dusting off copies of old novels with iconic characters as I researched this book. And I knew nothing about the Earl of Sandwich before writing this, but how could Javi not invite him?

There was one aspect of research that was a bit frustrating. A big focus of this series is exploring characters more representative of the world’s history and fiction, because I’m hoping this book is ultimately a gateway to other books, characters and historical figures for kids to explore. Finding a wealth of information about some historical and mythological figures from other cultures was incredibly difficult. I knew it wouldn’t be easy, but I wasn’t prepared for it to be quite so challenging—which invigorated me to include more of them in the book!

Q. You have such lovely, concise, concrete writing advice available on your website. Is there any advice my-novel-is-getting-published Victor would give I’m-starting-to-write-a-novel Victor?

A. So much advice! I think there are a few super important things that would’ve had me writing novels decades ago, so I take any chance I can get to relay them to other aspiring/young writers.

1. An hour a day can be enough. I always thought I needed to quit my job and write eight hours a day to finish a novel, which held me back for years. Then I read a Murakami interview where he said he completed his first novel by writing an hour a day after work. In that moment I felt like the universe gave me permission to write mine. 

2. Lower the bar far lower than you’re comfortable with for that first draft. (No, lower!) There are passages in the first draft of my books that are barely intelligible, but I now know that’s okay. The first draft is about discovery and getting the story out of your head and onto the page. It’s far too early to be precious about anything. Just get it all out and see what you’ve got when you’re done.

3. Don’t dread rewriting—it’s far more fun than expected. Before writing my first book I was terrified of it, but it’s become one of my favorite aspects of writing. (Which is a good thing considering it’s 75-90% of what you do as a writer!) 

Q. Do you have any advice for young writers in general?

A. Absolutely. Besides everything I said above, read about writing and join online writing communities. Screenwriting books are great for story structure basics, Stephen King’s On Writing is great for process, Brandon Sanderson’s free writing course on YouTube is absolutely brilliant, Neil Gaiman and David Mamet’s Master Class courses are gold, and Reddit’s /r/writing is a fantastic place to learn alongside others in the trenches. I also love John Truby and Lisa Cron’s books. But maybe it’s best to start with this short Ira Glass video. Or this brilliant reflection on writing advice Chuck Wendig just wrote.

Q. Finally, I read that you used to be a documentary filmmaker and a blogger. What are some questions you would ask Blackbeard, if you met him?

A. It’d be one of those long interviews—the kind that take up the entire documentary and usually take the film crew multiple days to shoot—because I’d want to lead up to asking him how many people he actually killed. (Some historians say almost zero!) And I’d also want to ask him a lot of questions about Stede Bonnet, “The Gentleman Pirate” who was an equally fascinating and thoroughly hilarious character. He was rich, had a midlife crisis, became a pirate, and got thoroughly swindled by Blackbeard. (Side note: I was so happy when I heard the news that Taika Waititi would be creating a show about him!) Finally, I’d ask him to get battle ready. Before a skirmish Blackbeard would light fuses or small candles in his beard, since the smoke gave him a demonic appearance. It was his favorite scare tactic. I’d love to see it live!

------------------------------------------------------------------

Sara Truuvert completed her MLitt in Creative Writing at the University of St Andrews. She also holds a Certificate in Creative Writing from the Humber School for Writers and a BA in English, Drama, and the History and Philosophy of Science from the University of Toronto. Her work has appeared in the Literary Review of Canada among other publications.

For more interviews, see the Inkygirl Interview Archive. Also see Advice For Young Writers and Illustrators, a compilation of tips generously offered by children's book creators Inkygirl.com has interviewed over the years.

Brian McLachlan is a cartoonist who's worked for Nickelodeon, The Nib and the New Yorker. He writes the monthly comic Spruce Street Squad for Owl Magazine. His book, Draw Out The Story: 10 Secrets to Creating Your Own Comics is an ILA-nonfiction award winner. Each Tuesday he hosts a group of artists in a PG-13 game of Dungeons & Dragons where they live draw what happens in game on Twitch, called Magical Marker ( MM ). You can find Brian at his website, on Twitter, and Instagram.

Synopsis of COMPLETE THE QUEST: THE POISONOUS LIBRARY (Imprint/Macmillan):

Save your kingdom in this interactive role-playing adventure, which reads like a graphic novel but also plays like a game! It’s perfect for fans of all ages who are interested in the exciting world of fantasy gaming.

Q. How did you come up with the idea for Complete The Quest?

Complete the Quest in a brand new mix of role playing game (RPG) and comic. It started as an experiment to see what would happen if I took a Dungeons & Dragons or Chose Your Own Adventure multi-path story and made it into a comic. How would the gameplay change by putting it into a visual space? For me, it was a literal game changer, turning the CYOA anxiety of multiple choices, into a laid-out, laid-back invitation to check all paths for your favourite way forward. It also encourages people to come up with their own, better solution if they want. While I always give the reader a clear path forward, I invite them to forge their own. It's a great introduction to co-operative storytelling.

Q. What was your writing/illustration process?

I draw a scene much faster than I can write about it. A picture's worth a thousand words and all that. So I draw my scripts in rough, laying out out the word balloons, figuring out how much space I need, how the page turns feel, etc. This was especially important for this comic gamebook which also filled with maps for the reader to navigate. We needed to see if the pathing was clear. Creating the tutorial was the most time intensive part, trying to make the most elegant, clear way to ease the reader into how the game part functions. I think we nailed it. I hear from parents who don't play RPGs that they were worried about the reading a gamebook, but they quickly "got it".

Q. What advice do you have for young writers and illustrators?

Advice is hard to give because everyone's different. Some people need to hear "finish what you start" and some need to hear "stop working on that thing, it's good enough". So my advice is to train your inner advice-giver and follow it. What is it about the way you work that you've been putting off improving, but could do right now? Because you know what type of story or art you're making, and if you're trying to make an apple, the best advice in making a banana isn't going to help. And the best advice in making an apple right-handed isn't going to help you if you're left-handed. Not all advice is for you, it's a skill to figure out what part is for you to take right now, later, or never.

----

Also see my other Inkygirl interviews with book creators and advice for young writers and illustrators from book creators.

(Shortlink to this post: https://debbieohi.link/goodnight-ganesha)

I met Nadia Salomon through the SCBWI and am also familiar with her online. I love her enthusiasm, positive outlook, and the support she has shown fellow members of the kidlit community over the years! I was excited to get a sneak peek of GOODNIGHT GANESHA, her debut as a picture book author. The bedtime story celebrates nigthtime rituals as two young children visit their grandparents in India. SUCH gorgeous illustrations by Poonam Mistry. Thanks to both Nadia and Poonam for answering some questions about the book as well as their advice for young writers and illustrators!

Nadia Salomon lives in northern California with her family. Nadia writes picture book, middle-grade, and graphic novel manuscripts with themes of South Asian and Caribbean culture, STEM, non-fiction, and humor. Nadia is the winner of the 2020 SCBWI Service Award and the 2019 SCBWI WOOP Honor Award for work of outstanding progress on her non-fiction, picture book manuscript, MYRLIE: A VOICE OF HOPE. You can find out more about Nadia on her website, Twitter, Facebook, Instagram and YouTube. You can sign up for her newsletter here.

Poonam Mistry is a freelance illustrator living in the UK and graduated in 2010 with a degree in Graphic Design and Illustration at the University of Hertfordshire. Poonam creates her beautifully intricate images by hand using fine liners and then digitally alters them. You can find out more about Poonam on her website, Twitter, and Instagram.

Synopsis of GOODNIGHT GANESHA (Philomel, Aug. 31, 2021):

"As nighttime falls over the city, two children visiting their grandparents in India find there’s so much fun to be had! Whether it’s listening to epic stories or observing rituals in the puja room, there are many moments that make this time together special. In this beautiful, rhyming ode to bedtime, the only thing more universal than getting ready for bed and saying goodnight is the love between children and their grandparents."

Inspiration photo from Poonam Mistry.

Q. What was your path to publication?

Nadia: I'm a #PitMad success story. I landed my amazing agent, Ammi-Joan Paquette, through twitter pitching! That's about three years after joining SCBWI. But my debut, GOODNIGHT GANESHA, is not the story she faved, but instead what I call a 'hot potato' idea inspired by my child. I wrote the draft in October of 2017. I sent it to several editors and agents I had connected with through conferences, but received lots of champagne rejections before shelving it. It was one of 21 manuscripts I shared with my agent in March of 2018. She loved the concept, but asked me to write the story in lyrical prose. After rounds of revisions, in January of 2019, she finally accepted the manuscript. She sent it out on sub. Six months later, in July of 2019, we sold the manuscript to Liza Kaplan, a senior editor at Philomel Books. I am now traditionally published. From concept to release will be 3 years, 10 months, 14 days to be exact.

Q. What interaction did you have with the illustrator, if any, during the process?

Nadia: Poonam and I interacted behind the scenes, but we NEVER discussed GOODNIGHT GANESHA or the art for the book. I trusted her whole-heartedly. All work related communications went through our editor. We became friends behind the scenes - coping through the pandemic, bonding over shared culture, family, and everything else in between, but we NEVER had convos as she worked on the book. The one time was at the end, when Poonam completed the art and asked me, "DID YOU SEE THE FINAL ART YET?" And I was like, "Uhm...NO." She was so excited. She said she put a lot of extra details and hoped I liked it. I was so antsy, but stayed calm. A few days later I received the final art. It was just incredible! We had a good cry messaging back and forth over the final art and what this project meant to each of us. We're about to contribute a piece of Telugu Culture and Kalamkari art into kidlit; we're ecstatic and proud of what we created together.

Q. What was your illustration process for GOODNIGHT GANESHA?

Poonam: For Goodnight Ganesha, I began by actually taking photographs around my parent's house. They have a lot of decorative ornaments and wall hangings all around their home so this was the perfect starting point for the book. Nadia's text is so poetic and beautiful so I sketched the imagery I felt best represented each spread and would really showcase her words- usually I have several versions for each part of the text and pick the ones I like the most. Once this was approved, I sketched out larger versions on thick cartridge paper and used black ink to draw in the designs in neat. This is where I added all the patterns and details. Mostly I took inspiration from traditional Indian art such Kalamkari textiles and Madhubani art. I layered the patterned very much like you would see on sarees and fabrics. After completing the drawing, I used Photoshop to add colour and additional patterns to finish it off. Some of the spreads have a patterned border- this was because I wanted them to look like wall hangings and Kalamkari textile pieces- big pieces of art!

Q. What advice do you have for young writers?

Nadia: Read, read, read. Write your stories. Make writing a habit. Write, write, write. Use the power of storytelling to change the world through joy. Explore your emotions, your memories, and create new classics. There's someone out there, an adult, another child, a pair of hands waiting to read your story that may impact or influence their life. No matter your age, your size, your voice - your words have value.

Q. What advice do you have for young illustrators?

Poonam: My biggest piece of advice is to do art that is true to yourself. My style is a real reflection of the things I love and what makes me who I am. It is my visual voice. Also always keep drawing and be experimental in the media you use. Although my work is mostly digital, I love painting in my style!

------------

For more insights from book creators, see my Inkygirl Interview Archives.

IKEA hacks that go viral? It’s often the simplest ideas, brilliantly executed, mixed with a healthy dose of “It’s so easy, even you can do it” appeal. The latest sensation comes from Ayse Balci of @interiorundco, whose stylish DIY project has been turning heads on Instagram, amassing an impressive 115,000 likes and counting. Have you seen it yet? It’s a fantastic DIY project that transforms the popular and affordable 13 3/4″ LACK side table into a stylish chrome cube side […]

The post How a Basic IKEA Table Became a Viral Sensation (So Easy Anyone Can DIY It) appeared first on IKEA Hackers.

Have you ever stepped into a home and immediately felt that warm, welcoming atmosphere? It’s such a delightful experience, isn’t it? While IKEA offers lots of choices for cozy home decor, it can sometimes feel a bit overwhelming, making it easy to choose pieces that don’t quite fit together. Your space may end up disjointed and cluttered, which is the opposite of the relaxing atmosphere you’re aiming for. And as if navigating the IKEA maze isn’t tricky enough, sifting through […]

The post Can’t Get The Cozy Home Vibe? Here’s What You’re Missing appeared first on IKEA Hackers.

The spirit of sustainability and being eco-friendly is all about using what's already there. Use a piece of land the way it is, without hanging it to suit the needs of a building. In the spirit of reclaiming wood, repurposing furniture and making use of everything the Tesseract was created. This home is a beautiful reboot of a former bachelor pad turned beautiful multi-person home. It's warm, inviting and modern.[...]

Sotheby's is an iconic name in auctions, a decades-old seller of fine goods. Some of the world's most expensive jewels and rarest works of art have been sold here. Now, Sotheby's has put an entire island for sale. It's carbon neutral and already has some incredible buildings standing on it.[...]

Clean beauty brand ILIA was founded by Sasha whose brother suffered from asthma and severe allergies as a child. Their mother helped him recover through an organic food co-op to give him access to clean nutrition, and he went on to become an Olympic athlete after being told by doctors he could never compete in sports. As Sasha moved into a career in fashion and beauty branding, she realized she didn't have clean ingredients in products she was putting on her body every day. ILIA was born as a beauty brand that cares about health. [...]

With a current zeitgeist around environmental protections and sustainability, more homeowners than ever are focused on green design and eco-friendly features. Add in the benefit of energy and water savings and it’s easy to see why green homes are in high demand. But all is not equal with sustainable architecture from one area of the country to another. As a report sponsored by Payless Power shows, there’s a wide variation in the value of a green home, meaning if the goal is to benefit the environment and your pocketbook you may want to consider the location of your new abode. [...]

The dream of every gardener is to see endless fields of green grass in their backyard. With determination, most gardeners manage to attain this dream, but at a cost. Within no time, there is a need to mow and control weeds. After mowing, it needs watering to grow again. This cycle continues for as long as the gardener wants to enjoy the beauty of green turf.[...]

Sometimes architecture is about much more than the materials and design of a building. This is the case for Pabellón Centro de Cultura Ambiental (CCA), a facility with the goal of increasing society's environmental awareness. Designed by Taller de Arquitectura, CCA stands as a model for urban planning that incorporates culture, history, economy and the needs of both the community and the environment. [...]

Nestled on the Rice University campus, amid multiple microhabitats and surrounded by green, you will see a small pavilion that looks a bit like an ancient Greek temple. But this pavilion was carefully crafted to have a modern design. It's sustainable, beautiful and an example that might just inspire campuses around the world.[...]

The new Rivian R1T pickup is the fabulous EV glamping truck you didn’t know you needed. This unique EV truck has all kinds of features you need, plus a few you never even thought of. Come along on our test drive of the Rivian R1T and decide for yourself if this is your next daily driver. [...]

For this episode of the Arsenal Women Arsecast, Tim chats to Conner Roberts from the All for United Women FC YouTube channel. Tim chats to Conner about United’s season so far, speculation around the future of manager Marc Skinner and why United have not repeated the heights of last season. Then Tim and Conner look ahead to Saturday’s crunch game and how the teams might line up and strengths and weaknesses each team might look to exploit.

You can follow Conner on Twitter @connerroberts_ and find the All for United WFC YouTube channel here

You can follow Tim on Twitter @Stillmanator

Get extra bonus content and help support Arseblog by becoming an Arseblog Member on Patreon: https://www.patreon.com/arseblog

Hosted on Acast. See acast.com/privacy for more information.

On this episode of the Arsenal Women Arsecast, Tim and Counterpressed’s Jessy Parker Humphreys look ahead to Friday night’s massive game at Stamford Bridge. They discuss Chelsea’s injury issues and January transfers and how they have adapted, there is some goalkeeper discourse around both clubs as well as potential title race implications and what the line ups will look like.

You can follow Jessy on Twitter @Jessyjph : You can follow Tim on Twitter @Stillmanator

Get extra bonus content and help support Arseblog by becoming an Arseblog Member on Patreon: https://www.patreon.com/arseblog

Hosted on Acast. See acast.com/privacy for more information.

In this episode I'm joined by Andrew Allen and Lewis Ambrose to look ahead to Sunday's gargantuan clash with Man City. We discuss the importance of the fixture in the context of the title race, how Mikel Arteta might approach this game based on our past record away at the Etihad, the potential team changes and tweaks we might see after the Interlull, as well how this particular Arsenal side is equipped for this kind of challenge. There's also some chat about Declan Rice, Martin Odegaard and lots more besides.

Follow Andrew @AAllenSport : Follow Lewis @LGAmbrose

Get extra bonus content and help support Arseblog by becoming an Arseblog Member on Patreon: https://www.patreon.com/arseblog

Hosted on Acast. See acast.com/privacy for more information.

On this episode of the Arsenal Women Arsecast, Tim is joined by Art de Roche from The Athletic to look ahead to Sunday’s Conti Cup Final against Chelsea. They discuss what the team might look like- could we see a back three? Russo on the wing? Tim and Art also discuss why it’s been such an inconsistent season for Arsenal and how make or break this final is for Arsenal’s season.

You can follow Art on Twitter @artderoche : You can follow Tim on Twitter @Stillmanator

Get extra bonus content and help support Arseblog by becoming an Arseblog Member on Patreon: https://www.patreon.com/arseblog

Hosted on Acast. See acast.com/privacy for more information.

This episode is the audio only version of our live podcast with our friends from ArsenalVision. It was recorded live at Ally Pally Theatre on Saturday May 18th, the day before the final game of the season – so the discussion reflects that.

You can see a video version on YouTube here: https://youtu.be/UYlUR0pkqSo

Get extra bonus content and help support Arseblog by becoming an Arseblog Member on Patreon: https://www.patreon.com/arseblog

Hosted on Acast. See acast.com/privacy for more information.

With the new season ahead I'm joined by four guests to look forward to the 2024-25 campaign. I chat separately to Amy Lawrence, Nick Wright (Sky Sports), Adrian Clarke and Dara O Briain about the things they're excited for, what they'd like to see happen in the transfer market, the players they're keen to see pull on the red and white, proactive goalkeeping, some of the young players who impressed on the US tour, Riccardo Calafiori, Snoop Dogg (sort of), and lots more.

Get extra bonus content and help support Arseblog by becoming an Arseblog Member on Patreon: https://www.patreon.com/arseblog

Hosted on Acast. See acast.com/privacy for more information.

Here's a vase that's sure to be a conversation piece for your next family gathering. Just put it at the center of the dinner table, and make sure that the face is pointing towards the person you love the most. Or the least. We're not sure.

Check out VisoVaso, handmade ceramic vase by Italian artist Jimmy Lanza over at his Instagram page.

There's no doubt that Mario is king of the video game universe. His many adventures take him to strange places, the latest of which is the Overlook Hotel from the 1980 Stanley Kubrick movie The Shining. This isn't just another castle; it's the setting for weird and creepy hallucinations brought on by isolation. The tricycle is there, as are the twins, the blood flood, and room 237's bathroom. How many other callbacks from The Shining can you spot? There are a lot crammed into this 90-second video, so you'll have to watch this CGI mashup from Mark Cannataro Films more than once to catch all the references. Other characters from the Mario universe take on familiar and frightening roles roles from the horror film, some of them infinitely appropriate; others absurdly contrary. All in all, it's an absurd mashup that is sure to give you a smile. -via Geeks Are Sexy