(Matador)
Will Toledo’s alt-rockers have emerged out of lo-fi fuzz, but seem unsure of where to turn as they drift toward the mainstream

Anyone wondering how things have changed in the world of lauded US alt-rockers Car Seat Headrest might consider the four years that separate Making a Door Less Open from their last album of new material. Ordinarily there would be nothing unusual about that gap – but in the first four years of Car Seat Headrest’s existence, its mastermind, Will Toledo, released seven albums (one of them a two-hour double), four EPs (one of them as long as an album) and two compilations of outtakes. That’s more than 150 songs and 12 hours of music: a lo-fi spewing forth of ideas that won Toledo a cult following, which then grew exponentially, both in size and rabidity, when he recruited a band and signed to the august US indie label Matador.

OVO
There are flashes of skill and rawness in this odds-and-ends mixtape but it feels like a clumsy lunge at commercial success

In a world where the boundary between mixtapes and albums is becoming ever more blurred, the title of Drake’s latest album highlights its interstitial nature. That said, it’s still slightly misleading. There are tracks here that sound like demos – the mopey James Blake-isms of Chicago Freestyle are audibly unpolished – but for the most part, it ’s a way of collecting up leftovers and leaks, spare tracks he apparently has lying around the studio.

Those inclined to view Drake’s career with a cool eye might be surprised he has any spare tracks lying around the studio, given the state of his last album. Listening to Scorpion, 25 songs long, required a certain degree of mental stamina: you needed to steel yourself against the panicky sensation that you might die of old age before it ended. But it wasn’t the sheer quantity that was the problem so much as the quality of what was there. Scorpion had its moments but was so hopelessly uneven that it was easy to buy into the theory that its length was not due to its author’s teeming multiplicity of fantastic ideas, but an attempt to game the streaming services: more songs means more streams, more streams means a higher chart placing.

(Family Hour/Thirty Tigers)
Sean and Sara Watkins are back and in reflective mood

California’s Sean and Sara Watkins are akin to royalty in American folk circles, firstly as founding members of the hugely successful Nickel Creek, and secondly as hosts of an 18-year residency at LA’s Largo club, where they perform alongside invited guests. Brother Sister draws on both strands of their history. Like its self-titled 2015 predecessor, the album sets aside the pizzazz of Nickel Creek for a down-home approach, but instead of boisterous, star-studded cover versions come five original songs and a minimal musical palette.

Alternating on lead, the pair’s vocals remain a model of sibling harmony, while the interplay between Sean’s intricate guitar picking and Sara’s elegant fiddle is similarly impressive – the breakneck bluegrass instrumental Bella and Ivan is a case in point. Mostly, however, the mood is reflective. Lafayette and Miles of Desert Sand chronicle the search for a better life, and Fake Badge, Real Gun is an artful snipe at Trump – “Throw your tantrums but the truth will be waiting”. Warren Zevon’s forlorn Accidentally Like a Martyr fits in neatly, while Charley Jordan’s ribald Keep It Clean is a gleeful example of a Largo session.

(Orchid Classics)
Natalya Romaniw (soprano), Lada Valešová (piano)
The on-the-rise soprano excels in this deeply personal Russian-Czech recital

Born in Swansea of Ukrainian descent, the outstanding young soprano Natalya Romaniw was singing – stunningly – the title role of Puccini’s Madam Butterfly at English National Opera when Covid-19 restrictions forced the abrupt termination of the run. She should also have performed the title role of Dvořák’s water nymph, Rusalka, at Garsington Opera this summer, where she made an impact in Tchaikovsky’s Eugene Onegin in 2016 and Smetana’s The Bartered Bride last summer. Disappointing for her at this turning point of her career, and for her growing number of fans.

Romaniw’s new album, Arion: Voyage of a Slavic Soul – dedicated to the memory of her Ukrainian grandfather, “my great musical inspiration”, explores repertoire by the Russians Tchaikovsky, Rimsky-Korsakov and Rachmaninov, and the Czechs Dvořák, Janáček and Novák. The pianist Lada Valešová captures the varied colours of the piano writing expertly, an equal and supportive partner. These 28 songs, especially the folk-rich examples by Janáček and Novák, suit Romaniw’s generous, big-toned voice, its timbre flecked and speckled with character and emotion. The eight songs by Dvořák grouped as Love Songs, Op 83, melancholy and lyrical, make us even more impatient to hear her Rusalka when the time comes.

The musician on DIY smooching, dinner parties and why he won’t do interviews between 1.45pm and 2.15pm

Raised in Sheffield, Heaton, 57, founded the Housemartins in the early eighties. They had hit singles with Happy Hour and Caravan Of Love before splitting in 1988. Heaton then formed the Beautiful South, releasing 10 albums before disbanding in 2007. With former band member Jacqui Abbott, Heaton has released three albums, the most recent being Manchester Calling. He is married with three children and lives in Manchester.

What is the trait you most deplore in yourself?
Forgetfulness.

Curtis Jackson was shot nine times before becoming one of the world’s biggest rappers. He discusses growing up, getting rich and the art of the hustle

Curtis Jackson has downsized. The rapper/actor/businessman, better known as 50 Cent, used to live in a palace of a house formerly owned by Mike Tyson. Not any more. He has been in self-isolation for six weeks and is more than happy to make do with a three-bed apartment (on four floors, mind) in New York. He can’t remember when he was last in one place for so long, he says, and is learning about himself. “I’ve become a bit more comfortable with being in my own space. I don’t think being at home is a punishment.”

He bought the Tyson house after his triumphant first album; Get Rich Or Die Tryin’ shifted 12m copies in 2003, making it the bestselling album of the year. It was explosive – growling rap packed with threats, boasts and great songs such as In Da Club and Many Men.

The Welsh nurse-turned-indie rocker is now one of electronic music’s best exponents. She talks proving herself, the NHS and climate-crisis bangers

Kelly Lee Owens is showing me her crumpled bed, pixelated on the screen. It is five weeks into quarantine and this has quickly become the norm: an interview with an artist in their close quarters; ambivalent levels of grooming. Neither of us is wearing makeup, and neither of us care. “You know what I read?” begins the electronic musician, incredulously. “This is bullshit. There’s a [Daily Mail] headline saying that women’s breasts will be sagging because they’re not going to be wearing bras during this lockdown. So what?! Leave me to my saggy breasts.”

Related: The Guide: Staying In – sign up for our home entertainment tips

The cult pop star shares her self-isolation favourites, including Dua Lipa’s disco and Daft Punk’s dystopias

• The best arts and entertainment during self-isolation

Isolation has definitely been a test, but I’m really lucky: I’m able to work on new music while quarantined with my best friends in Toluca Lake, Los Angeles. I’ve been super active on Twitter and Instagram, and playing Animal Crossing and Mario Kart with my fans after sharing my Nintendo Switch codes online – it’s really important for me to check in on my fans as I worry about them a lot. They have truly kept me sane, so I’m keeping an eye open for anybody that needs to talk.

Related: Belle and Sebastian's lockdown listening: 'I have a dance-off with my kids every night'

Ty, who has died aged 47 of coronavirus, was a sharp and witty MC who ably nourished the UK hip-hop scene despite being ignored by the media

• Mercury prize-nominated UK rapper Ty dies of coronavirus

The death of British rapper Ty, aged 47, to complications from coronavirus came as a shock because it had appeared he was on his way to recovery after being moved out of intensive care. And for those of us who grew up with Ty’s voice circling our bedrooms, the shock resonates: this is an artist who touched so many with his humour and sharpness on the mic.

While all eyes were on grime in the early 2000s, Ty was charting a journey to a frontier that had yet to be fully explored. In 2001, he released his debut album, Awkward, on Big Dada, one of the few labels that would give a home to UK hip-hop acts such as Roots Manuva, Juice Aleem and Speech Debelle. It was the year of era-defining US albums such as Jay-Z’s The Blueprint and Nas’s Stillmatic, when the mainstream had gone the way of the shiny suit. But across the Atlantic, Ty ushered in the UK’s own hip-hop golden age, leaning towards the genre’s soul, jazz and funk origins.

From skateboarding to Sunderland, here are the documentaries you suggested to get through live sport’s long shutdown

We recently recommended 12 sports films to watch during lockdown, and asked readers for their favourite documentaries. Here are some of your selections:

Available on Curzon Home Cinema (UK) and Prime Video (US); watch trailer here

Available on Netflix or to rent from YouTube/Google Play/Prime Video

Related: Missing live sport during lockdown? Here are 12 sporting films to watch

Available on Prime Video (free in UK)

Available to buy via Curzon (UK) and Beamafilms; watch the trailer here

Available to rent on Apple/Google Play/YouTube; watch the trailer here

Available via Starz on Prime Video (US) and on DVD; watch trailer here

Available on DVD and online; watch trailer here

Available on ESPN Player; watch the trailer here

Available on Prime Video (UK) and to rent on YouTube. Watch trailer here

Related: The Simpsons: Springfield's greatest sporting moments – quiz

Icelandic actor and strongman Hafthor Bjornsson set a world record for the deadlift on Saturday when he lifted 1,104 lb (501 kg), over half a metric tonne, at Thor’s Power Gym in Iceland.

Bjornsson, best known for his portrayal of Ser Gregor “The Mountain” Clegane on Game of Thrones, broke the record previously held by Briton Eddie Hall who in 2016 became the first man to lift 500kg

• Hafthor Bjornsson, Game of Thrones' 'Mountain', breaks world deadlift record
• Watch more from the amazing world of sport series

The US women’s team have lost their lawsuit over equal pay but they continue to make progress in the court of public opinion

This isn’t how the fight for equal pay is supposed to end for the US women’s national team.

On Friday a US district court judge rejected the USWNT’s allegations of gender discrimination and ruled in favor of the US Soccer Federation, declaring that the team have not been underpaid.

Related: Joe Biden wades into equal pay dispute between USWNT and US Soccer